We never post opportunities that require a submission fee. LEARN MORE.
Showing posts with label non-binary. Show all posts
Showing posts with label non-binary. Show all posts

Sunday, September 8, 2019

#ShePERSISTED: a festival of staged readings (Bloomington - Normal IL)

Facebook Page

New Plays Needed by  Womxn, Femme, and Non-Binary Playwrights for #ShePERSISTED: a festival of staged readings presented by Coalescence Theatre Project

Coalescence Theatre Project is accepting submission of new plays by Womxn, Femme, and Non-Binary playwrights for the 2020 #ShePERSISTED festival.

The company, based in Bloomington-Normal, IL, will select four plays to be presented in staged readings open to the public on January 25th and 26th, along with discussions about the work. Plays should be at least 75 minutes in length.

All submissions made by October 1, 2019 will be given full consideration. 

Submit plays to coalescencetheatre@gmail.com. Please include your name, pronouns, and best contact information on your script, as well as in the email. Selections are made based on merit, and in consideration of forming quartet of plays that, together, bring notable focus or useful contrast within the series. Thank you for sharing your work for consideration.

#ShePERSISTED Curators, Rachel Hettrick (she, her, hers) and Ann Haugo (she, her, hers)
Coalescence Executive Artistic Director, Don Shandrow (he, him, his)

The Coalescence Theatre Project is a nationally recognized and award-winning theatre that exists to incite our community to thoughtful action. Our logo, an abstract representation of the genetic tree of life, reminds us that we all come from one common Ancestor.

We focus on unheard stories and offer a place where the silent and the underrepresented have a voice. Coalescence Theatre Project aspires to be a home where play, discovery, and learning are celebrated and our audience reflects the diversity of the community we serve. Our mission is equity and inclusion in the exploration of identity and our place in a global community.

Saturday, June 1, 2019

VIOLET SURPRISE: FEMSLASH FEST

web site

VIOLET SURPRISE: FEMSLASH FEST is a short play festival that reimagines the possibilities for well-known, well-loved female-identifying characters to be in queer relationships, and for those relationships to be parodied positively and within the world of the original fandom.

Whether you're down with OTP (One True Pairing) or you have an entire fleet of 'ships, we invite you to create a Sapphic spoof of the characters' signature sizzle that celebrates and elevates the perfection of their connection.

Write the subtext you see and the maintext you want to see. Inspiration – and subtext – can be found anywhere and everywhere: from Anne of Green Gables to The Baby-sitters Club to A League of Their Own. It's particularly present on TV: Buffy the Vampire Slayer, Call the Midwife, Designing Women, A Different World, Downton Abbey, Gilmore Girls, The Golden Girls, Grace and Frankie, I Love Lucy, Laverne & Shirley, Living Single, Once Upon a Time, SVU, That's So Raven, Xena: Warrior Princess.

The possibilities are limitless, which is why submissions are open to romantic pairings of female-identifying characters in any fandom in any medium and in any genre. Whether your leading ladies come out of science fiction and fantasy, Disney or Shakespeare, classic literature (love Jo in Little Women?) or classic sitcoms (love Jo on The Facts of Life?), we request only that your writing be in 'ship shape and in playscript format, and that the material be kept PG. Onstage intimacy is acceptable (what's femslash without a first kiss?), but we want the show to be appropriate for audiences of all ages.

VIOLET SURPRISE: FEMSLASH FEST is curated and produced by Iris Sowlat and Allison Fradkin in collaboration with Otherworld Theatre Company, and will be presented in Chicago August 9-11, 2019.

Guidelines

Submissions are open to playwrights who identify as female, trans, or non-binary.

Plays can be up to 10 pages and include up to 4 characters.

Playwrights may submit 2 scripts for consideration.

Send your scripts in PDF format to allisonfradkin@aol.com with "Violet Surprise" in the subject line. Questions may also be directed to that address.

The deadline for submissions is June 8, 2019.

Playwrights will be notified of our selections by June 22.

Web site: https://www.otherworldtheatre.org/

Tuesday, April 9, 2019

Parnip Ship seeks plays

web site

Deadline: April 21st, 2019
THE PARSNIP SHIP IS ALWAYS LOOKING FOR NEW PLAYS AND NEW VOICES...
and for Season Five, we are specifically looking for plays exclusively written by
female-identifying playwrights*.

As we believe there are as many distinctive styles and voices as there are playwrights, we remain open to a wide range of plays that will engage audiences in an intimate setting and on a podcast format. We see our recordings as a fun collaborative effort among us, the playwright, the directors, musicians and the actors!

Submission form online

Before you send in your play for consideration, please either attend a live episode recording or take a listen to one of our episodes and read our FAQs on submissions. If you have any other questions or concerns, please email submissions@theparsnipship.com

*Cis-, Trans-, Non-Binary Femme Folx and Women of Color are encouraged to apply if they identify

Thursday, February 21, 2019

Women's Theatre Festival Occupy the Stage

web site

WTF Occupy the Stage
July 12-14, 2019
Raleigh, NC

The Women's Theatre Festival is seeking short and long-form plays written by women and non-binary folx for a staged-reading marathon. We accept unproduced and already produced work. Subject matter can be anything, (it does not have to match our season theme) but play must be able to be cast with at least 50% women and/or non-binary folx and 50% people of color.

 Occupy the Stage is a series of staged readings where all works are written by women and non-binary folx. We accept both short and long form plays from of a variety of genres. We insist on only two requirements; that the piece be castable with at least 50% women or non-binary people and at least 50% people of color.  Please select only one play to submit per year.
Plays will be performed July 12-14 2019

The cut-off date for submission will be March 1st.

Submission Form

Sunday, January 6, 2019

Persistent & Nasty seeks scripts from women, trans-women and non-binary individuals

web site

Deadline: January 7, 2019

We are inviting script submissions from women, trans-women and non-binary individuals. The prompt for writers this time around is fairly broad; we are looking for scripts that explore / respond to the phrase hope for the future. Writers are invited to interpret this however they wish.

CRITERIA FOR INTERESTED WRITERS:

  • 15-30 minutes in length (approximately 20-30 pages).
  • The script can be written for theatre, film, TV or radio.
  • Priority will be given to scripts that explore themes of gender equality, diversity and representation. 
  • Priority will be given to scripts that have more than one female character.
  • Casting will be age, ethnicity and disability blind (unless clearly justified within the narrative)
  • If the submitted script is an excerpt from a longer piece, the excerpt should be able to stand alone and be understood.
  • Please use as close to industry standard formatting as possible. Minimum requirement is 12pt font size, double line spacing and page numbers.
  • Alongside the script itself, please provide the following:
  • a brief synopsis
  • character descriptions
  • a few words on what inspired you to write this particular piece
  • a short biography

Follow our Facebook page to receive updates/details.

Twitter: @PersistentNasty

Instagram: @PersistentandNasty

HOW TO APPLY:

Please send the above information to our script submission inbox at persistentandnasty@gmail.com

Saturday, January 5, 2019

Babes with Blades Seeking Female, Trans or Gender Non-Conforming Playwrights

web site

(*New for this round)

What We’re Looking For

1. Please email your Joining Sword & Pen (JS&P) submission in a PDF file to swordandpen@babeswithblades.org.

IMPORTANT: This will be a BLIND SUBMISSION PROCESS.

Your email submission should contain two separate attachments:

a) Your cover page. INCLUDE the play’s title, playwright’s name, and full contact information (name, phone numbers, email, mailing address).

b) Your script. INCLUDE a list of characters, and the page number where the contest’s image is incorporated. DO NOT INCLUDE ANY contact information, of any kind, in the body of your script. An author’s identity will only be revealed to the ensemble once a selection has been made.

2. JS&P submissions are due NO LATER than midnight February 7, 2019.

3. The winner of the contest agrees to participation in the Fighting Words new plays program (workshops and festival reading – dates TBD), and grants Babes With Blades Theatre Company rights to produce the world premiere production of the winning play in our 2020/2021 Season (dates TBD).

4. All JS&P submissions must be new, original works, inspired by the artwork that is the focus of the contest. Previously written, workshopped, published or performed submissions will not be considered and we will not contact you. Please do not insert the contest image into an existing script.

5. The moment depicted in the inspirational image must be physically dramatized/incorporated into the play. We want to (literally) perform that moment on stage. Please include the page number of your script where the contest’s image is depicted in your submission email.

Please note: the models in the inspirational images are intended as prompts, to provide an emotional starting point for your reference. You are NOT required to incorporate those specific people, body types, races, ages, etc. into your script – rather, take the moment depicted and make it your own. Bear in mind that Babes With Blades Theatre Company encourages scripts that allow for a diverse world of characters onstage!

Inspirational Images for JS&P 2018-2019 Competition:



'






Helpful Hints:

  • If your script does not pass the Bechdel Test, it is unlikely to be a good fit for us.
  • Our roots are in stage combat (Fights are the realization of high narrative stakes).
  • We do not accept or produce musical scripts.
  • Our venues are generally small black box spaces. So is our cashbox.

Wednesday, November 15, 2017

Seeking non-binary monologues for non-binary actors

web site

Seeking non-binary monologues for non-binary actors—they don’t have to be from a full-length play, and playwrights are encouraged to write a stand-alone monologue specifically for the site.

Please send to nonbinarymonologues@gmail.com
1) Character name (and pronouns, if desired.)
2) Text of monologue - either as an attachment in MS Word or pasted into the body of the email
3) Name of playwright.
4) Context about the play and where the monologue falls if it’s from a full length play.
5) Email or website that folks can use to contact the playwright if they have questions/suggested edits/would like info on how to produce the play.

No deadline - rolling submissions posted within 7 - 10 days of receipt.

Saturday, October 14, 2017

The Female Gaze seeks monologue

web site

DEADLINE: 8TH JANUARY 2018

The Female Gaze is an online film magazine run by playwright Sarah Gonnet. Our entire staff of contributors are women or of a non-binary gender. We feature reviews and longer pieces on film and TV. You can find us here: https://thefemalegazemagazine.wordpress.com/ .

So why an open call for monologues?

To further its work highlighting the key role women play in the film world; the staff at The Female Gaze have decided to put together a play about the history of women in film. The idea is that the play would be performed live, alongside workshops about women in film and a published version of the script.

How will the play work?

The play will be made up of monologues (written by people from this open call), joined together by a narrative (written by Sarah Gonnet).

At the end of this document you will find a list of women in film. These are directors, actors, producers, screenwriters, critics and theorists from a wide range of backgrounds. They are the women I am asking you to write a monologue about for this submission. The monologue should have only one character speaking, and this does not have to be in the voice of the woman you have chosen; instead it might be someone the woman knows, or a fictional character which you make up, as long as they are speaking about the woman you have chosen.

I would suggest you pick a woman at random from the list and do a quick Wikipedia search on them to see if you are interested in them (and if you’re not repeat until you find someone you are interested in.) We are not expecting monologues back on all women from the list, there will only be a limited amount of space in the play. The list is there so that there is a wide choice of women. However if there is a woman you are desperate to write about, who isn’t on the list, go for it.

After the deadline, ten monologues will be chosen for the final play. Remember that if you choose to write about one of the more obscure women on the list, there will be less competition. If there are more than ten monologues which we want to use, there will be other ways to utilise some more of the work- for example in workshops and in the printed book of the project.

How long do I make my monologue?

We are looking for monologues of five minutes in length. This is about three pages. We will
not be able to consider monologues longer than four pages.

Who can submit work?

If you currently express your gender as female, or non-binary, you are welcome to submit a piece. We are looking for women from a wide range of backgrounds. LGBTQ+ and BAME women are encouraged to apply, as are women of all ages.

The play will be performed in the North-East of England, but you don’t have to live here to apply.

We are also looking for further collaborators on the practical side of things. If you are a theatre company, theatre venue or independent cinema (or any other kind of potential collaborator) and you are interested in the project, we would love to hear from you.

Where do I send my submission?
sarahgonnet44@outlook.com
When is the deadline?
8th January 2018

The List:
 I would suggest you pick a woman at random from the list and do a quick Wikipedia search on them to see if you are interested in them (and if you’re not repeat until you find someone you are interested in.)

  • Lois Weber: ACTOR and SCREENWRITER and PRODUCER and DIRECTOR- A FEATURE FILM (1879-1939)
  • Germaine Dulac: DIRECTOR and FEMINIST (1882-1942)
  • Fatma Begum: ACTOR and RAN HER OWN PRODUCTION COMPANY
  • Dinah Shurey: DIRECTOR and PRODUCER (1888-1963)
  • Daisy Burrell: ACTOR (1892-1982)
  • Mary Pickford: ACTOR and PRODUCER (1892-1979)
  • Lillian Gish: ACTOR (1893-1993)
  • Bryher: CRITIC (1894- 1983)
  • Iris Barry: CRITIC (1895-1969)
  • Djuna Barnes: CRITIC (1892-1982)
  • Dorothy Arzner: DIRECTOR and INVENTED THE BOOM MICROPHONE (1897-1979) JuanitaHall: ACTOR (1901–1968)
  • Leni Riefenstahl: DIRECTOR (1902-2003)
  • Muriel Box SCREENWRITER and DIRECTOR (1905-1991)
  •   Alice Guy-Blaché (1873-1968)
  •  FIRST FEMALE DIRECTOR OF
  • DIRECTOR OF FIRST EVER NARRATIVE FILM
  •  Ruby Grierson DOCUMENTARY DIRECTOR (1904-1940) Lorenza Mazzetti DIRECTOR
  • Louise Beavers: ACTOR (1902 – 1962)
  • Tazuko Sakane: DIRECTOR (1904-1975)
  • Brigitte Helm: ACTOR (1906-1996)
  • Vivien Leigh: ACTOR (1913-1967)
  • Kay Mander: DOCUMENTARY DIRECTOR (1915-2013)
  • Ingrid Bergman ACTOR (1915-1982)
  • Margaret Tait DIRECTOR (1918-1999)
  • Pauline Kael CRITIC (1919-2001)
  • Ngozi Onwurah DIRECTOR
  • SetsukoHara:ACTOR (1920-2015)
  • JaneWhite:ACTOR (1922-2011)
  • Carol Morley: DIRECTOR and SCREENWRITER (1926--)
  • Jane Arden: ACTOR and DIRECTOR and SCREENWRITER (1927-1982) Agnes Varda: DIRECTOR (1928--)
  • Susan Sontag: CRITIC (1933-2004)
  • Carol J. Clover: CRITIC (1940--)
  • Laura Mulvey: THEORIST and DIRECTOR (1941--)
  •  Pam Cook: CRITIC (1943--)
  • Rita Mae Brown: SCREENWRITER (1944--)
  • Sally Potter: DIRECTOR (1949--)
  • Penny Woolcock: DIRECTOR (1949--)
  • Kim Longinotto: DIRECTOR (1950--)
  • Kathryn Bigelow: DIRECTOR and PRODUCER and SCREENWRITER (1951--) bell hooks: CRITIC (1952--)
  • Jane Campion: SCREENWRITER and DIRECTOR and PRODUCER (1954--) Annie Billson: CRITIC (1954--)
  • Pratibha Parmar: DIRECTOR (1955--)
  • Mira Nair: SCREENWRITER and DIRECTOR (1957--)
  • Callie Khouri: SCREENWRITER and PRODUCER and DIRECTOR (1957--) Mieko Harada: ACTOR (1958--)
  • Joanna Hogg: DIRECTOR and SCREENWRITER (1960--) JillSoloway:SCREENWRITER (1965--)
  • Lana Wachowski SCREENWRITER and DIRECTOR (1965--)
  • Sarah Turner DIRECTOR and THEORIST (1967--)
  • Lynne Ramsey: DIRECTOR (1969)
  • Lee Young-ae: ACTOR (1971--)
  • Sofia Coppola: SCREENWRITER and DIRECTOR and PRODUCER (1971--)
  • Ava DuVernay: DIRECTOR and SCREENWRITER (1972--)
  • Laverne Cox: ACTOR and ADVOCATE (1972--)
  • Courtney Kemp Agboh: SCREENWRITER and PRODUCER (1977--)
  • Desiree Akhavan: ACTOR and DIRECTOR and SCREENWRITER and PRODUCER (1984--) Alice Lowe: ACTOR and SCREENWRITER and DIRECTOR (1977--)
  • Anna Biller: DIRECTOR AND SCREENWRITER
  • Ana Lily Amirpour: DIRECTOR and SCREENWRITER and ACTOR and PRODUCER Julia Ducournau: DIRECTOR and SCREENWRITER (1983--)

 

Blog Archive