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Showing posts with label self-production. Show all posts
Showing posts with label self-production. Show all posts

Saturday, September 12, 2020

EarthQuake: Moving the Earth with Our Voices A Global Zoom Festival

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Deadline: September 20, 2020, 11:59 PM Pacific Time

Call for Submissions for EarthQuake: Moving the Earth with Our Voices A Global Zoom Festival

Same Boat Theater Collective is soliciting short plays and theatrical pieces for EarthQuake: Moving the Earth with Our Voices, a global Zoom festival of performances to further the cause of environmental justice. 

We are looking for theater pieces that raise the awareness of how specific environmental issues affect the lives and communities of the underrepresented and underprivileged among us. The festival intends to produce work that gives an opportunity for a diversity of voices to be heard, with an emphasis on underrepresented and underprivileged artists. Same Boat will cast and direct the zoom performances.

Submission

10-20 minute scripts, monologues and other theatrical works (movement, puppetry, etc.) that can be performed live on Zoom and give thoughtful, engaging responses to one (or more) of the following questions1. What does being _____________ [an African American woman, e.g.] have to do with the environment?

Urban wilderness.” How has human activity specifically affected the environmentwhere you live?

Is misinformation a pandemic?

Guidelines for Submission:
  • Scripts and monologues must be fully production ready and possible to be performed on Zoom.
  • Pieces must be 10 – 20 minutes in length 
  • Maximum three performers per piece. 
  • While we are looking for work that can be performed live, we will consider presenting video pieces in our livestream productions, such as movement and puppet pieces. For this category, please provide a fully produced video for us to consider.
  • The work must tell a story as opposed to solely creating an impression or mood. 
  • Only work that has not had a professional production will be considered. However, work that has had a reading or non-professional run will be considered.
  • If the work is a collaboration, please ensure the names of all participants appear on the manuscript.
  • At the front of the script, please include a cast breakdown with pertinent details about the characters.
  • Please fill out and submit the application form.

Performances:

There will be three Livestream Zoom performances, one each from: The San Francisco Bay Area, London, and New Delhi on Sunday, October 25, 2020. The festival will be aired at 5pm in each of the respective time zones. Each Livestream will consist of several plays running about 90 minuets. Each play will be performed once in one of the geographical areas of the company’s choice.
How to submit:
Please send submissions to SameBoatTheater@gmail.com by
11:59pm, Pacific Time, September 20, 2020.
Participant choices will be made on October 1, 2020.

Monday, September 7, 2020

Downtown Urban Arts Festival (DUAF) 19th annual season seeks submissions

web site

Deadline: November 9, 2020

DUAF will accept 16 theatrical works (plays, musicals and solo works) that reflect urban life and with running times up to 70 minutes. Each work is performed only once during the festival.

There will be a $1,000 award in the categories of Best Play, Best Short and Audience. There is no submission fee and each playwright will receive a $500 monetary stipend as well as other supportive services to assist in developing the play for the stage.

SUBMISSION DETAILS:
1. Playwright's bio with contact info- name, address, phone # and email
2. Photo of playwright
3. Synopsis of theatrical work
4. Complete script of theatrical work
5. Estimated running time of work
6. Actor/director/crew bios, if available
7. Description of stage set (if any) and production needs (i.e. sound and lighting)

The submission deadline is Monday, November 9, 2020. The program is subject to change due to the COVID-19 pandemic. Please submit to coordinator@duafnyc.com. For more info about DUAF, visit: duafnyc.com.

Sunday, August 30, 2020

Short Play & Musical Festival - BOO 2020

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Deadline: September 11, 2020 NYC



DATES & LOCATIONS:
October 15 through November 1, 2020

The Steve & Marie Sgouros Theatre at The Players Theatre
115 MacDougal Street, New York, NY 10012 - 3rd floor
  • 3 weeks, 4 performances weekly (Thursday through Sunday),
  • 5 plays featured each week.
ELIGIBILITY:
  • Short Plays and Musicals with a performance time of 15 minutes or less, no more than 15 pages in length.
  • Writers are eligible to submit up to 2 plays.
THEME: “Boo!”
  • Scare us or force us to laugh till we die – horror plays and musicals including a great spoof
  • All plays submitted must be centered on and revolve around this theme.
  • ** Note ** 
  • 1) Playwrights are responsible for producing their own play - Host provides Theatre, technicians, marketing and box office
  • 2) If selected, there is a $100 REFUNDABLE deposit required and a $50 NON-refundable tech fee required
  • Plays MUST be NO MORE 15 minutes in length and no more than 20 pages
  • Submissions open: August 7, 2020
  • Submissions close: September 10, 2020 by 11:00pm
  • Play selection announced soon thereafter...

For more festival information visit: www.shortplaynyc.com

Click Here to download a sample contract for the festival - This is a sample of what you would receive IF your play is accepted - please DO NOT sign & send this sample.

Thursday, August 27, 2020

The Breath Project 2020 Virtual Festival

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Deadline: August 31, 2020 5:00 PST


To select, curate and archive work from multidisciplinary theater artists of color who are responding to our current moment in history, and to build relationships between artists of color and producers of live theater in their city, state and/or region.

Phase 1 Call for entries to the Breath Project Archive, and a 2020 presentation of selected works in a virtual festival.

100% of any funds raised in connection with the 2020 virtual festival will be given directly to the curating and presenting artists.

Phase 2 Works produced for live audiences, in association with Partner Theaters across the country (as social safety guidelines allow)

Phase 3 The Breath Project is utilized as a tool for activism and education, as an ongoing and living archive of this time in history.

SUBMISSION GUIDELINES​
Submissions must be a recording of a live performance of original work, and must be 8 minutes and 46 seconds in length;
  • Submissions will be accepted from artists of color who reside in the United States (work submitted by artists under the age of 18 will be considered in a youth category);
  • Submissions must include a link to your video submission, artist bio and photo.
  • Deadline for submissions for consideration for the 2020 Virtual Festival will be August 31, 2020, 5:00 PST.  At this time, there is no deadline for submissions to the archive.
  • We strongly recommend that you read the Frequently Asked Questions, and check the list of Partner Theaters to see which theaters are able to offer space and other resources. 

Wednesday, August 5, 2020

Broadway Bound seeks scripts from Black playwrights

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Deadline: September 6, 2020
NYC

Recognizing that existing theatre is inherently exclusionary and holds detrimental biases, Broadway Bound Theatre Festival is changing its mission statement and creating a plan of action that is explicitely anti-racist. As Andre Lorde has claimed: "it is not difference that immobilizes, but silence."

We would like to invite Black playwrights, theatre-makers, and composers to submit their new scripts to BBTF for a spot in our 2021 Winter Festival at Theatre Row in Manhattan. 

We’ve waived both our $25 Reader Fee for all submissions and the $1000 Acceptance Fee, if your play or musical is selected. 

Musicals: Max 120 minutes plus a 10 minute intermission. 

Straight plays: Max 90 minutes in length; min 60 minutes with no intermission. 

This is an opportunity EXCLUSIVE TO BLACK ARTISTS. Submissions close Sept. 6, 2020 at midnight EST. You will be notified within 2 weeks of that date and receive a short critique of your work. Submit your finished script and complete the application on broadwayboundfestival.com.

No justice, no peace. The theater community needs to dismantle its system. BBTF is officially committed to lifelong plans of action and advocacy for Black lives. We look forward to receiving your submissions.

Sunday, July 5, 2020

Equity Library Theater of New York Summer 2020 Virtual Play Festival seeks short plays & monologues

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Deadline: August 1, 2020
Submissions are still being accepted for the Equity Library Theater of New York Summer 2020 Virtual Play Festival, to take place in August 2020 in New York City, via video submissions. 

Seeking short plays (no more than 10 pp/minutes), from playwrights from across the globe. Also seeking monologues (no more than 4pp/minutes). Musicals welcome! Basic set requirements. One submission per playwright. 

No unpleasant profanity, as this is a family friendly festival! 

No submission fee. Please include name, address, telephone number and email address on your submission. We do not produce your work, we provide a venue for you to present actors performing your play. There are no costs involved for anyone. Seeking actors and directors, too! There will be voting for best play.

Email: equitylibrarytheater@gmail.com.

www.equitylibrarytheater.info

Saturday, June 20, 2020

International Human Rights Art Festival Short Play Festival

web site

Deadline: July 1, 2020

New York City's International Human Rights Art Festival (IHRAF.ORG) and Wild Project Theater issue a call for proposals for a ten-minute play festival on Tuesday evening, December 8, 2020 as part of the fourth annual International Human Rights Art Festival, December 7-13 at the Wild Project, 195 E. 3rd Street, East Village, NY.

We are looking for self-produced pieces which are built around a social concern. We are especially interested in work exhibiting the values of beauty, sincerity, vulnerability and engagement; work inspired by the open-heart of the artist, and not their anger, disgust or disapproval.

Selected plays will receive a tech rehearsal, full tech support, PR and marketing as part of the festival and a prime spot in this year's event There is no fee to apply, and a production stipend of $50 per selected play will be paid.

Please send a description of the work, links, resume and any other information which might be of help in our decision to humanrightsartfestival@gmail.com. Deadline is July 1, 2020. Final decisions will be made by August 31, 2020.

The International Human Rights Art Festival has produced more than 80 events featuring more than 300 artists since its inception in March 2017, at Dixon Place (NY).  It has been covered in more than 30 media outlets (including the New York TimesNBCFox5AM-NYMetro-NYHuffington Post and many others); has worked with politicians and performers such as Congresswoman Alexandria Ocasio-Cortez, Senator Charles Schumer, Congressman John LewisKathleen TurnerBarbra Streisand and many more and WNYC is its media partner.  The Wild Project has been the starting point of plays that have gone on to Off-Broadway and Broadway productions; has had their productions reviewed numerous times in the New York Times and dozens of other outlets, and has offered a nurturing, beautiful theater which brings together local, downtown artists and national and international performers and events.  

Friday, June 19, 2020

The Queans Theatre is looking for artists to join REPRESENT: The Digital Performance Fundraiser

Twitter account for Queans Theatre

Deadline: July 1, 2020


The Queans Theatre is looking for artists to join REPRESENT: The Digital Performance Fundraiser to help raise money for SARI (Stand Against Racism and Inequality).

Pieces can be a maximum length of 10 minutes and must be filmed and edited in preparation for the digital fundraiser festival. They are looking for work that challenges, educates or inspires.

All funds raised will be donated to SARI (Stand Against Racism and Inequality). They provide support for victims of any type of hate crime including racist, faith-based, disablist, homophobic, transphobic, age-based or gender-based.

REPRESENT: The Digital Performance Fundraiser (YouTube) will take place on the 1st August 2020 from 7:30-9:30pm.

You will also be invited to a post-show Q&A and Networking event via Zoom where you will get the chance to talk about your work and the audience will have the opportunity to ask you questions. This will take place on the 13th August 2020 from 7:30-9:30. (Attendance is optional).

To take part you must email thequeanstheatre15@gmail.com for an application form that you need to submit along with your digital project.

Deadline: Application submissions will close at midnight on the 1st July 2020

Thursday, June 18, 2020

Village seeks 10-minute stories

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Deadline: June 23, 2020
VILLAGE in collaboration with PlayCraft Studios is calling out to creatives to share their personal stories.

This month's theme is “Fear of COVID. What if there is no vaccine?”, and we will be showcasing 5 original 10-min stories.

Go wild with your imagination! This is your chance to express yourself and fantasize about a world with no vaccine—how would it look like? Would we have a chance to survive, or would we all be doomed?

SUBMISSION DEADLINE
June 23, 2020

Selected stories will be showcased in front of a live online audience.

SELECTED STORIES' SHOWCASE
July 12, 6-8pm on Zoom

Register as an audience here.

SUBMISSION GUIDELINES

1) Your story must deal with the theme, "Fear of COVID. What if there is no vaccine?".
2) Your personal story or a short play must be written by you and should be under 10min.
3) Submit your story in Word document to info@krispproduction.com with the subject: “Village / Fear Of COVID”.
4) All pieces must include this phrase at some point, “What if there is no vaccine?”
5) You will hear from us if your story is selected. We will schedule a 30 min feedback session with our dramaturg.
6) We will help you to connect with actors if you need.

Tuesday, May 12, 2020

Quarantine: The Musical - Call For Monologues

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DEADLINE : May 20, 2020
Carrollwood Players Theatre announces an open call for submissions of original monologues and original songs for QUARANTINE: THE MUSICAL

Quarantine: The Musical is a collaborative project for writers, actors, singers, and musicians. This special production will be presented live by Carrollwood Players Theatre in mid to late June, 2020.

While it is possible this performance MAY be presented on stage for a live audience, we anticipate this original work will be presented as a live virtual online performance.

Therefore, we request submissions that are both created by, and intended to be performed by, the submitter(s). Your submission of your monologue(s) and/or original song(s) will also be considered your audition.

We are seeking original material addressing all aspects of the COVID-19 pandemic. We are seeking a variety of material, ranging from comedic to dramatic. All submissions, including songs, should be suitable as a stand alone piece. Selected pieces will be compiled together by the director to create Quarantine: The Musical.

Submission Deadline: 11:59 p.m, Wednesday, May 20th, 2020

Guidelines for Submissions:

1. All submitted material must be 100% original, written by you or one or more collaborator(s), and intended to be performed by you as a monologue or song.

2. Monologues should be approximately 5 minutes in length and tell a compelling story about a specific character. Monologues may be comedic or dramatic and must be written in the first person style. Monologues must be intended to be performed by you, but can be written by you and/or a collaborator. Please, no scenes with multiple characters. We are seeking monologues only.

3. Songs should be approximately 3-5 minutes in length and may address either a specific character’s story, or our collective pandemic experience. Songs must use 100% original music and lyrics and may be comedic or dramatic. Songs do not necessarily have to be written in the first person style. Songs must be written by you and/or one or more collaborators, and be intended to be performed by you and/or any other person(s) in your household. You must be able to provide live accompaniment on an instrument(s) played by yourself and/or others in your household, or using a backing track created from your own original music.

4. Submit your work as a VIDEO of you performing the piece. If you are submitting a song that will be performed by you WITH others in your household, all performers should perform in your submission video. Lyrics/lines do not have to be memorized for your submission/audition video, but if your submission is a song, it must be performed in your video with your instrument(s) or backing track..

5. Your submission video should begin with a brief introduction of each person appearing in the video, including each person’s name and email address. followed by a performance of the piece.

6. Send your video as a file or private link by email to info@carrollwoodplayers.org and include in the body of your email the names, email addresses, and phone numbers of anyone appearing in the video.

7. Submissions must be received by 11:59 p.m. on Wednesday, May 20th, 2020.

8. Selected submissions will be notified by email approximately one week after the deadline.

9. Selected participants should be prepared to participate in rehearsals and performance(s), which will be scheduled based on cast availability. Rehearsals will take place beginning in late May, with performances to take place in mid to late June.

10. To participate, selected participants must have access to a WIFI connection and must have a laptop or desktop computer with webcam and internal mic. Rehearsals, and likely performance(s), will be held online.

11. Due to the likelihood of online performances and the limitations of live virtual performing (buffering/lag times, etc.), any song pieces that will be performed by you WITH someone else, must be performed together, in person, from your household. Please, no submissions of duets or group songs that would involve singers/musicians in different locations. Limiting participation in your song to persons who RESIDE in your household is highly recommended.

This is an unpaid project. Writers retain rights for their original material, and grant permission to Carrollwood Players Theatre for use in this project.

Questions about submissions may be submitted by email at info@carrollwoodplayers.org

Friday, April 24, 2020

Rogue Theater Festival

Facebook page

Deadline: May 1, 2020

New York City

Now accepting new play submission for the second annual Rogue Theater Festival! We are looking for original works by emerging playwrights and encourage anyone and everyone who feels they have something to say to submit their story. Rogue Theater Festival believes in equal opportunity for all.

Festival Details:
Performances: August 20-23 (each show will have 1 performance)
Tech Rehearsal: August 17-20 (each show will have 1 tech rehearsal slot)
Location: 13th St. Repertory Theater (50 W. 13th St. Manhattan)

Participants Will Receive:
- Theater space at 13th St. Rep for one performance over the weekend
- Theater space for one tech rehearsal per piece the days beforehand
- Professional Stage Manager to run Lighting and Sound
- Box Office Manager and House Manager
- Professional Assistant Stage Manager to run backstage
- Marketing Services for the festival
- Postcards and Posters
- Use of the theaters various set pieces
- FREE professionally recorded video of your show
- 25% of box office sales for your individual show

Entrance Requirements:
Length: 10 minutes to 1 hour long with no intermission
It may be a play, musical, comedy/clowning, burlesque, one person or dance based show. If you have something else we’d be thrilled to hear from you too! Please reach out!
It must be an original work but having been performed before is fine

Tickets Sold Requirements:
(10- 30 mins) - Must sell 15 Tickets at $15 each per show.
(30- 60 mins) - Must sell 20 tickets at $20 each.
You keep 25% of all box office sales from your individual show
*If the required amount of tickets are not sold the producer must buyout the remaining tickets and Rogue Theater Festival keeps all proceeds from ticket sales

WANNA SUBMIT!?

Please submit your piece (pdf attachment please) to Roguetheaterfestival@gmail.com care of Allison & Kerielle. The deadline for all submissions is Friday, May 1st. We will be reviewing all submissions and contacting future participants by or before Monday, June 1st.

If selected, there will be a one-time participation fee. If submitted prior to April 1st the fee is $75. If submitted from April 1st to May 1st the fee is $100 (non-refundable). If selected to participate you will receive a confirmation and welcome aboard email from us complete with:

- Tech date and time
- Performance date and time
- A contract confirming your committed participation and all specific details and requirements
- Instructions on how to pay the $75 or $100 participation fee (non-refundable)

 *All participants are fully responsible for producing their own plays. This includes covering all costs of production (e.g. rehearsal space, transportation fees, salaries, marketing, etc.).

 If you have any questions when submitting please feel free to email us and ask! Read below what two of our participants from last year had to say about their experience. “One thing about the Rogue Festival…it does not go rogue!  The festival is run like a well-oiled machine. The producers are passionate about theater and want to make this the best possible experience for everyone submitting.
- Lisa Yapp, Producer, Prince Musical Improv and The Life of Curtie.

Rogue Theater Festival was definitely one of the most positive theater festival environments I have ever had the pleasure of working in. In a time when I was feeling a little overwhelmed trying to get a brand new show on its feet, RTF made our time with them as efficient and stress-free as possible.
- Rebecca Kane, Producer, Almost Maimed

Saturday, April 18, 2020

Tampa Bay Theatre Festival

web site

Deadline: April 30, 2020

Submit via SUBMITTABLE

FULL LENGTH PLAYS & MUSICALS:

All Material must be original. Your show can be published or non-published work.

** Your full length show should not exceed 2 hours and 15 minutes including your intermission if you choose to have one. If you do not have an intermission, your show should not exceed 2 hours.

You will have a total of 1 hour to mount your set and to do a tech run. We highly advise that you have a MINIMAL SET. Remember, this is a showcase of full length plays so you may not have time to put up an entire set. Please use the mindset of a black box setting with no panels or a full blown set. Tables, couches, chairs, and small pieces are fine. You must remember to stay within the allotted time frame that you have to set up.

If your play/musical is selected, there is a fee for the usage of the theater where your play will be presented. The fee for the black box/studio theater that seats up to 60 people is $100.00. The fee for a main stage theater which sits between 250 to 260 people is $300.00.

All monies made on your show is 100% yours, the TBTF does not retain any percentage of your earnings.

You must provide your own payment processing service. Eventbrite is the ONLY service that the TBTF allows, you will receive detailed instructions if your play is selected.

The festival DOES NOT produce your show. All entries must be self produced. The TBTF does not provide casting of any sort for your production.

You are allowed to have union actors in your play (EQUITY) but it is up to you follow and abide by union rules when it comes to casting a union actor.

There will be an opening night show at the Straz presented by the Tampa Bay Theatre Festival. This show is simply for entertainment and WILL NOT compete with other full-length plays.

Your sound and lighting will be managed by the staff at the venue where your play is to be performed. You are not allowed to handle their equipment. You can staff one of your team members to sit with the technicians to give them instructions on your cues and lighting.

If your show is in a black box/studio theater, you will have a total of 3 hours and 15 minutes allotted for your entire show. This includes one hour to set up which includes minor lighting and tech/sound run. You will have 1 hour and 45 minutes for your show including 15 minutes for intermission if you don't have an intermission, your show can run for 2 hours.  You will have 30 minutes to strike your set once your show is done.

You must provide your own team of stage hands, stage manager, and crew.
This is a festival and a showcasing of your play. To meet the guidelines provided, we highly advise that you keep your set and lighting to a minimum.
All winnrs will be announced at the Awards Party.

Musicals should also include:

2 to 3  MP3 demo tracks (linked in the cover letter section of the form)
Youtube clips (if available - no promo clips)
Lead sheet (if available)
WHEN YOU PERFORM YOUR MUSICAL YOU MUST USE A LAPTOP, CD, OR AN MP3 WITH YOUR TRACKS ON THEM. NO LIVE INSTRUMENTS ARE ALLOWED, NO EXCEPTIONS.

If your play/musical is selected, you will receive a detailed welcome letter that will cover any additional questions that you may have.  An email and telephone number to reach the TBTF will be provided.

SHORT PLAYS:
  • All Material must be original. Your show can be published or non-published work.
  • The length of short plays cannot exceed 10 minutes and a maximum of 8 cast members.
  • If your play exceeds the 10 minute time frame, it will effect your final score.
  • Short plays are to have a minimum set such as: table, chairs, desk, stoops, stools etc. Once your play is over, you must immediately remove your props as the next show will be waiting to set up. You will have 3 minutes to remove your props and minimal set.
  • The TBTF does not cast or direct your play. Please do not submit your work if you think getting a cast or director will be a challenge for you.
  • Any works previously submitted and performed will not be accepted. 
  • You must be at the theatre on time. If the run through starts and your entire cast is not there your show will be disqualified.
  • The Short-Play competition winner will be announced at the Awards Party.
  • There will be two sessions during the short-play competition. The cast must remain backstage during their session. Cast members do not pay to compete. Tickets must be purchased to attend the additional short-play session that you are not competing in. 
MONOLOGUES AND SCENES
Monologues are not to exceed 2 minutes max. If you exceed your time frame this will count against you and the judges may stop your monologue.
This does NOT have to be an original piece. Your monologue can be from a play, a movie, or something that you wrote.

To enter this competition, please submit a recording by phone of you performing your monologue and email it to tampabaytheatrefestival@gmail.com. If you are selected, you do not have to perform the same monologue that you submitted at the competition, you can perform a different one if you wish.
Winners will be announced at the awards party

HOW TO SUBMIT YOUR PLAY:

Plays can be submitted by way of the website submission page

If you have a recording of your play, you can mail the DVD as an option. Mail it to RL Stage PO Box 4145 Tampa FL 33677. This only for full length shows

WINNERS OF THE SHORT PLAYS, MONOLOGUES, AND SCENE COMPETITION WILL BE ANNOUNCED AT THE AWARDS PARTY.

RELEASE OF LIABILITY
I (We) certify that I have the full right and authorization to submit and enter into a contractual agreement to produce this submission during the Tampa Bay Theatre Festival. I agree to indemnify RL Stage Inc and RQL Productions, its representatives, volunteers, board, sponsors, judges, and affiliates against all claims, losses, damages, and liabilities, from and against any claim or cause of action arising from any claim of infringement or intellectual property rights.

ALL PLAYS/MUSICALS MUST BE SELF PRODUCED AND READY TO MOUNT. THE TBTF DOES NOT PROVIDE ACTORS, DIRECTORS, STAGE HANDS, OR STAGE MANAGERS FOR YOUR SHOW.

I understand that In the event a claim or dispute arises out of this application and/or submission, which parties cannot, with good faith effort resolve in face to face discussions, both parties agree to bring the matter before a member of the American Arbitration Association. The arbitration decision will be binding on both parties. The arbitrator may require the losing party to pay the costs of reasonable attorney fees of the prevailing party. Judgment upon such arbitration award may be entered in court of the competent jurisdiction. The laws of the State of Florida govern this Agreement



Tuesday, March 24, 2020

Fifth Avenue Theater (NYC) Spring 2020 Play Festival “Five on Fifth”

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Deadline: April 1, 2020

Submissions are now being accepted for the Fifth Avenue Theater (NYC) Spring 2020 Play Festival “Five on Fifth”, to take place May 9th at noon at 650 Fifth Avenue, NYC.

Seeking twelve short plays (no more than 5 minutes), from playwrights from the five boroughs of New York City only.

Also seeking monologues.

One submission per playwright. The first twelve submitted will be accepted. No unpleasant profanity, as this is a family friendly festival! No submission fee.

Please include name, address, telephone number and email address on your submission.

We do not produce your work, we provide a venue for you to present actors performing your play. There are no costs involved for anyone.

Seeking actors and directors, too!

Deadline: April 1, 2020.

Email: fifthavenuetheatre@gmail.com.

Thursday, March 12, 2020

The PIT Loft Summer Series

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New York City

No deadline given

The Peoples Improv Theater (The PIT) is looking for projects for The PIT Loft Summer Series. Plays, musicals, solo performance, etc. - projects both finalized and in-progress encouraged to submit! No idea or concept too big or too small.

Productions receive:
-A number of guaranteed performances between June and Mid-September. Frequency and performance schedule based on the needs and goals of each production.  
-Dramaturgical, audience development, and press outreach support from The PIT's Artistic Team.
-Marketing support from The PIT's Marketing Department.
-A split of the ticket sales. Exact split negotiated with regards to each production's specifics.

Production guidelines:
-Projects are ideally under 90 minutes in length. Exceptions can be made at the discretion of the Artistic Team.  
-Projects are ideally without major scenic or storage requirements.
-Projects will perform within The PIT Loft's repertory schedule.  
-Projects are ideally low tech. The PIT does have repertory lighting, sound equipment, and projection capability in all of our spaces.  
-Artists are ideally located in NYC.  
-The PIT provides the space; artist supplies any production cost. Productions can be Equity or Non-Equity; Artist must apply to AEA for appropriate permissions.  

To apply:  
Please send a brief cover letter including project description and bios of artists involved.  
There is NO submission fee.  
Apply by email:  submit@thepit-nyc.com

Thursday, March 5, 2020

The East Village Playhouse Premier NYC One Act Festival

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Deadline:  March 20, 2020

The East Village Playhouse/Premier NYC One Act Festival is accepting submissions of one-act plays and musicals for its annual festival in May 2020 at the East Village Playhouse

The festival provides the use of the 30 seat storefront theater - including a small light and sound package -  for two days of tech rehearsals and two performances over one weekend, as well as inclusion in the festival press release and e-blast marketing, box office and ticketing services, front of house management, and one technical operator to run the light and soundboard. The festival will also be overseen by a producer and a general manager. The fee to participate is $500.

Participants must assemble their own creative team, stage management staff, and cast, as well as rehearse off-site, and cover the costs of sets, costumes, props, and any other production elements which are not part of the East Village Playhouse. Productions must be small in scope and cast size. Musicals must be able to be accompanied by a keyboard only.

Please email submissions to info@citykids.com by March 20th.

Please do not visit or drop off your submissions at the East Village Playhouse.

We look forward to receiving your one-act!

Sunday, March 1, 2020

McMenamins UFO Festival seeks productions of 10-minute plays

web site

Deadline: March 31, 2020

MCMENAMINS UFO FESTIVAL PRESENTS THEATRE 33
10-MINUTE PLAYWRITING COMPETITION.

THREE PLAYS WILL BE SELECTED BY THEATRE 33 TO BE PERFORMED AS STAGED READINGS ​MAY 15, 2020 @7:30 PM AT MCMENAMINS UFO FESTIVAL HELD IN MCMINNVILLE, OREGON, AT HOTEL OREGON. THE AUDIENCE WILL VOTE AND THE WINNER WILL RECEIVE A $200. GIFT CERTIFICATE FOR MCMENAMINS.

Submissions Guidelines
  • We will accept unpublished plays only.
  • The play must be about UFOs or anything closely related to them.
  • The play must contain at least two (2) characters, but no more than four (4).
  • The playwright rehearses their team of actors, and director /or self directs the reading to perform at the Festival on May 15th, 2020.
  • One submission per playwright, or collaboration team.
  • By submitting, the playwright permits McMenamins/Theatre 33 to include the play during the UFO Festival. The playwright must be free to give this permission at no cost to McMenamins or Theatre 33.
  • Submitting your play grants McMenamins and Theatre 33 10-minute play Festival the right to use your name, play title, and possible video excerpts from your play or photographs from your play for promotional purposes on Theatre 33’s website in the promotion of future festivals.
  • Plays should be submitted in standard play format via email only in PDF format with the title page. Click the link for more information on formatting: http://www.playwrightslocal.org/wp-content/uploads/2018/04/Samuel-French-Formatting-Guide.pdf
  • Play selections will be finalized by April 1st by Theatre 33. Everyone who has submitted will receive an email announcing whose work has been selected for the 2020 UFO Festival.
  • Remember, keep your play to no more than 10 minutes in length, approximately 8 to 10 pages. The venue will supply chairs, music stands, and possibly microphones.
  • Three plays will be selected to be performed as stage readings at McMenamins UFO Festival. The audience will vote upon the completion of the three play readings, and one​ playwright will win the Grand Prize of a $200 McMenamins gift card.  Submission deadline March 1st, 2020.​
  • ***If your play is selected you must be available to provide actor/director team and present a rehearsed/polished reading of your UFO 10-minute play at the Festival on Friday, May 15th, in McMinnville, Oregon, during the UFO Festival.***

​Submisson Details:
A brief bio and contact information.
A short synopsis of the play and a list of team members names.
Submission deadline March 1st.
Please email scripts to: THEATRE33ORG@GMAIL.COM
In the subject line write YOUR PLAY TITLE (AND) UFO PLAY COMPETITION.

Thank you for your interest in this competition as part of the McMenamins 21st annual UFO Festival. Good luck, and we look forward to reading your plays!

Saturday, February 29, 2020

THE WRITER’S VOICE: Ten Minute Play Festival

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Marjorie S. Deane Little Theater at The West Side YMCA
5 W 63rd Street, New York, NY 10023

Submission Deadline: March 1, 2020
Performance Dates: May 8 & 9, 2020

Submit entries at:

tinyurl.com/MSDLT10min4thplayfest

For More Information, Contact:

Cassandra Richards, Director of Community Arts
crichards@ymcanyc.org | 212-912-2635
  • Playwrights are responsible for selecting a cast, director, and rehearsals.
  • Previously produced plays are acceptable; plays must be original works submitted by playwright.
  • Selected plays will be required to sell 5 tickets per performance
  • If you have video of previous performances, please include the link as specified below.
  • Selected plays will receive a video recording of their work and access to production photos.
  • The Marjorie S Deane Little Theater will provide limited set pieces, lighting/sound equipment and the production staff.

Monday, February 24, 2020

Fifth Annual Women in Theater Festival

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Deadline: February 29, 2020

Seeking full-length pays

Submit in PDF format via Google Form at http://tiny.cc/tfnriz

Project Y Theatre is opening an application for their 5th Annual Women in Theatre Festival, which will take place June 2020 at The Gural Theatre, NYC.

Project Y is seeking productions of plays that are written by a female identifying playwright and that feature more than 50% female-identifying characters. An ideal play for the Festival is either:

  • A one person show, ready for a crowd
  • A new/developing work multi-character project that would be able to take advantage of a night in the space. 
  • A festival-ready show

Chosen productions will get a performance slot in A.R.T. New York’s Gural Theatre as part of the Women in Theatre Festival. This opportunity is ideal for director/playwright who want a no-risk opportunity to see and hear their work out loud in front of an audience, festival-ready shows, or one-person performances.

The Women in Theatre Festival seeks to broaden the opportunities for women in the entertainment industry by producing new work by women with more than 50% female representation of all artists involved.  www.witfestival.projectytheatre.org.

Project Y supplies the space, but you would need to supply everything else, including all production costs, professional stipends, etc.  Productions can be equity or non-equity, but it is up to you to apply to equity for the appropriate permission.

Playwrights should note that the Women in Theatre Festival is NYC based - there will be no housing provided by Project Y and productions must invite their own audience, although the production will be included on all Project Y advertising and outreach.

Project Y operates on a split box office agreement with festival artists.  We guarantee an audience capacity of at least sixty-five seats. Project Y will keep income from the first 15 full price tickets sold;  after that, all sales will be split 70% to artist/30% to Project Y. Tickets are normally set at an average of $20-$25 general admission, so that we can also set up discount codes to help push tickets.

There will be minimal tech time (90 minutes) and tech capabilities (rep plot lighting) for each show.  There can be no moving of lights or changing/adding to the plot during the festival. In other words, shows should be made with the “festival” aspect in mind. Running time of shows can be from 30 min through a full length production.  Project Y will supply a stage manager to help call the show, and a board operator for lights and sound.

Project Y will handle all box office and front of house staffing. Project Y will sell concessions before each show and during intermission when applicable.

To apply for the Women in Theatre Festival, playwright should send a script sample (a dramatic beat of no more than 20 pages) and/or a video clip of work (5 minutes), a resume, and a statement of intent via Google Form, at http://tiny.cc/tfnriz. To report problems with the form or to ask questions, please email info@projectytheatre. Applications not received via the Google Form will not be considered.

Deadline for submissions is Feb 29th, 2020.
Playwrights will be notified of their application status on March 28th, 2020.

For more information about previous festivals and about Project Y Theatre, please visit their website at https://www.projectytheatre.org/.

Tuesday, February 4, 2020

Broadway Bound Theatre Festival

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August 10 - September 6, Theatre One at Theatre Row

APPLICATION DEADLINE: 11:59PM EST on Sunday, March 1, 2020. 

After paying the $25 Reader Fee, PLEASE submit your script immediately. Any script received AFTER 11:59 PM on the deadline date will be returned.


 This fee does not apply to members of the Dramatists Guild with proof of active membership.

All submissions must be made through www.broadwayboundfestival.com/submit. Late applications, applications mailed via the postal serve, e-mailed or faxed will not be accepted – no exceptions will be made.

FINALIST INTERVIEWS: End of March, 2020. Finalists will be interviewed by the Festival General Manager, via telephone/FaceTime/Skype.

PARTICIPANT INVITATION: Final acceptance offers will be made on Wednesday, April 1, 2020.

CONTRACTS AND PARTICIPATION FEE DUE: 12PM (Noon) EST on Sunday, April 5, 2020. If invited to participate, your contract and non-refundable participation fee is due no later than 12PM (Noon) EST. If you miss this deadline, your spot will be offered to another finalist.

- No musicals or performance art pieces will be accepted.

- Performances must run 60-90 minutes, with no intermission. Scripts submitted may not run under 45 pages or over 80 pages in length.

- Scripts should follow standard format. Improperly formatted scripts will be automatically returned. If you have any concerns over script formatting, please visit the following links:
http://broadwayeducators.com/wp-content/uploads/2013/05/Sample_Format_Page.pdf

- Only 20 plays will be accepted into the 2020 festival. You may submit up to two scripts per season. Only one script will be selected per playwright.

- Only unproduced works are eligible to participate in BBTF 2020. Shows that have had readings or been workshopped ARE eligible. Shows that have sold tickets to performances ARE NOT eligible.

- All participants are fully responsible for producing their own plays. This includes covering the costs of production (e.g. rehearsal space, transportation fees, salaries, marketing, etc.) and operation.

- BBTF will not accept applications filed by anyone other than the playwright themselves (barring legitimate medical reasons explained on the application).

- Playwrights submitting to BBTF are expected to play an active role in the production of their script, such is the spirit of the experience. Productions that have been found to have been handed off to an independent contractor will be subject to cancellation.

- Applicants may not act in or direct their own shows. This includes solo shows. We expect the energy of our participants to be solely focused on the BBTF playwriting/producing experience.

- BBTF participants may not stage any other productions of the accepted play (in part, or in its entirety) in the tri-state area during or up to 12 weeks prior to or post the BBTF opening and closing dates, August 10 - September 6, 2020. This includes productions that decide to participate and later withdraw from BBTF 2020 prior to the festival's commencement.

- International playwrights are welcome to submit to BBTF using the same blind submission process as any other applicant. We strongly suggest international applicants enlist a NYC-based co-producer to help with the marketing, housing, and financing that go hand in hand with producing in NYC.

- Playwrights who receive a “conditional acceptance” are expected to take a second look at their play through the lens of our critique and perform the necessary rewrites to meet the BBTF standard for staging.

- By submitting an Application and choosing to participate in the Festival, applicant acknowledges and agrees that if applicant if selected as a Participant, applicant will not disclose to any person or third party the fact that applicant was selected until notified by BBTF that such disclosure is permitted.

- Applicants understand that BBTF is a professional environment and we hold our participants to a professional standard from commencement. We expect open communication during the rehearsal process so that by your performance dates, you can confidently present a quality finished production, completely off-book, and in adherence to to BBTF festival rules.

Critiques, Fees and Further Production
BBTF takes pride that:
- A blind submission process allows for the selection of the highest caliber of writing. This means that all selections are based on the merits of the submission and does not allow the process not be lead (whether consciously or unconsciously) by the expectations inspired by the author's institutional affiliation, reputation (or lack thereof), gender identity, race, ethnicity, religion, abilities, age, sexual preference or orientation.
- All submissions are read in full by the Festival Director and at least one other professional playwright.
- Upon completion of the decision-making process, BBTF will email you a critique of your script, which should help you understand the reason your play was or was not selected to participate in the festival. Our critiques provide professional feedback of your work.
- We are most proud of the support we at BBTF give our playwrights. If your play is selected to participate in BBTF we promise to never put our stamp on it should it go on to be successful post festival. BBTF neither requires any acknowledgment of its festival in future productions, nor does it take a percentage of any future revenues or require the distribution of producer points, nor will it instigate negotiations for credit should any participating production be approached with financial interest during or after the festival.

- There is a one-time, non-refundable $1000 total participation fee, which includes everything stated in the contract.
- The BBTF participation fee covers three full performances in The Lion Theater in Theatre Row as well as all the tools we feel playwrights need to effectively and affordably produce and market their plays, including regular information packets, workshops, and a private Facebook forum.

Thursday, January 30, 2020

The 18th Annual Fresh Fruit Festival of LGBTQ Arts

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Submissions are now OPEN for the 2020 Main-Stage Festival

The 18th Annual Fresh Fruit Festival of LGBTQ Arts, held July 6 through 19 at The WILD Project and other Manhattan venues

Categories: Full length plays; One-Act Plays; Choreographed Dance pieces; Thematic new Solo Shows, comedic or Dramas; Musicals; Opera; Cabaret; Unimaginable . . . ? – Any kind of performance art featuring LGBTQ characters or themes.

The CREATIVITY is yours; the OVERHEAD is ours. And thanks to the generosity of New York City’s Department of Cultural Affairs and the New York City Council there are no application fees or participation fees required, and all productions earn a box office share.

We provide:

ADA and AEA approved performance venues
AEA approved venue insurance
Technical, Booth, & Front-of-house Staff
Repertory Lighting Plot & Sound system, with Video available
On-line, real-time ticketing service with audit trail
Glossy, full-color Festival brochures
Networking events & Marketing assistance for all shows
Optional co-production plans* for higher box-office shares
Deadline:  Monday, February 10th.

Click on the APPLY button below to go to the full Application Form. Please download a study copy so you can later complete the form in one online session (required). Note: Your planned production cannot have been produced before in the 15 months preceding the July Festival. If you are producing an Out-Of-Town show (25 miles from New York City) be prepared to submit local contracts, and accept one of our co-production plans.

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