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Showing posts with label geographic restriction. Show all posts
Showing posts with label geographic restriction. Show all posts

Monday, November 11, 2019

The Premiere Play Festival 2020

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Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theatres throughout the country. We strive to facilitate relationships between writers and theatre professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions. We offer Play Festival winners the option to retain the coveted “World Premiere” brand on their plays. Additionally, Premiere’s productions are consistently reviewed, scouted by major publishing houses, and honored by the American Theatre Critics Association.

Submissions due DEC 1 2019
   
Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area from September 1, 2019 through December 1, 2019. All plays submitted to the festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four finalists are subsequently selected for public Equity readings in March 2020.

Awards

Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2020 Mainstage Season and receives an award of $2500. The runner-up receives a 29-hour staged reading and $1000. The two other finalists will each be awarded $750.

Premiere Stages is committed to supporting a diverse group of writers; playwrights of all backgrounds, ages, and experience levels are encouraged to apply.

Submission Guidelines

All plays must be submitted as a PDF.
  • Plays must be full-length and have a cast size of no more than eight.
  • Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2020.
  • Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
  • Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
  • Submissions are limited to one script per playwright.
  • Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
  • Playwrights must be available for the development of their script (see the 2020 schedule table).
  • Submissions are accepted September 1, 2019 through 11:59 p.m. on December 1, 2019. Submissions sent early in the submission window are strongly encouraged.
  • All plays must be submitted as a PDF to:  premierestages.submittable.com/submit. Hard copies will not be accepted.

Sunday, November 10, 2019

OC-centric: Orange County’s New Play Festival 2020

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OC-centric: Orange County’s New Play Festival seeks new plays for 2020. If you live in or hail from Orange County, CA, please submit a script for consideration.

Our script submission deadline is December 1. 

For 2020, we will be considering one-act and full-length musicals as well as one-act and full-length plays. Our next festival is scheduled for August 20-30, 2020 at Chapman University in Orange. Each play chosen will receive five performances during the festival.

We fully produce new plays. We do so featuring actors and directors from the greater LA/OC area and Chapman University students. In past years, we have produced works by SoCal dramatists such as Erica Bennett, Megan Breen, Diana Burbano, Kerry Kazmierowicztrimm, Joni Ravenna, Lojo Simon and many others. The OC WEEKLY has honored us with recognition as Orange County's "Best New Play Festival" and The Dramatist calls OC-centric “a major theatrical event for local playwrights.”

Script submission details:
* Deadline: Sunday, December 1. Submissions received after December 1 will not be considered.
* As always, there is no submission fee.
* Submit scripts via email to occentric@gmail.com in PDF or MS Word format. In your email message, let us know a little about your connection to Orange County, CA. (The criteria for eligibility: you must either have grown up in Orange County, or you currently live in Orange County at least 6 months of the year. In the case of a musical, at least one of the collaborators must meet this eligibility test.)
* Playwrights may submit a maximum of two plays. Previously produced work OK.
> A full-length play = a play that runs 60 minutes or longer.
> A one-act play = a play that runs less than 60 minutes. (We are particularly interested in longer one-acts that run 30-60 minutes.)
* The playwright’s name and contact information must appear on the title page of the script(s).
* If you are submitting a musical, please send us MP3/WAV files of at least 2 of the songs, or include links to online performances of songs from the work.
* Please do not submit a script that you have submitted to us in the past two years, unless it has been heavily revised or reimagined.

Please note:
* These plays will be produced in the O.L. Halsell Foundation Studio Theatre, a black box space with playing area of about 20' x 25'. So the straight play or musical you submit should require no more than 12 actors and be producible in a black box with minimal wing space.
* If you have a play or musical with a largely female cast, we encourage you to submit it to us.
* No restrictions on language or subject matter, but no nudity.
* Playwrights will receive a small honorarium/royalty.

Any questions may be directed to occentric@gmail.com. Information about past OC-centric festivals is at our website ... www.oc-centric.com

We look forward to reading your work!

Sincerely,
Tamiko Washington, Artistic Director
Eric Eberwein, Associate Artistic Director

Saturday, November 9, 2019

Berkeley 2020 Summer Residency

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We invite artists to apply with projects that would benefit from a residency in Berkeley for 1–4 weeks. Berkeley Rep will provide transportation, housing, rehearsal space, basic technical support, and a modest stipend. Applicants must be available for residency between June 16–July 12, 2020. Previous applicants may reapply. There is no limit on the number of projects an artist may apply with. We do accept applications from international artists.

Projects may be anywhere along their development path: from an idea without anything on paper yet, to a complete draft of a text. Whether you are a writer simply needing a room in which to write or an ensemble wanting intensive rehearsal time, we encourage you to apply. Artists from other disciplines interested in creating theatre pieces are also very welcome. If your project is ready for a small audience, we are happy to provide that, but there is no requirement for any kind of culminating event. Past participants have held events that were open to the public, no final presentation at all, small closed readings, and everything in between.

This is a developmental residency. Projects looking for a full production are not eligible. If you are applying for an adaptation, please have the underlying rights already secured. We do not accept scripts along with application forms. If a proposed project makes it to the second round, we will then request a work sample, which may include whatever is already written, if applicable.

To apply

Have a look at our frequently asked questions before writing your application.

Complete the application form.

We suggest you download and complete the application as a Word document and then cut/paste your answers into the application form. Please note: the online form does not allow you to save the application midway through and you must hit the “submit” button at the bottom to finalize the form submission process.
For your application to be considered complete, we ask that you submit PDFs of your résumé and the résumés of any key collaborators separately (the online form will prompt you to do this). Please title these “First Name Surname Project Title.pdf.”

All applications and corresponding résumés are due by 11:59pm on November 18, 2019.

Applicants will be notified by February 15, 2020.

APPLY NOW

Please note
Only electronic submissions will be accepted.
Please do not submit any materials beyond those required in the application.
Only complete applications will be considered.
Please do not call or email Berkeley Repertory Theatre to check the status of your application.
Questions? Please peruse our frequently asked questions. If your question isn’t answered there, please email groundfloor@berkeleyrep.org.

Thursday, November 7, 2019

The Artist Commissioning Program (ACP) Queens NYC

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APPLICATIONS DUE NOVEMBER 14  11:59PM.

APPLY NOW

The Artist Commissioning Program (ACP) awards choreographers, playwrights, and composers $10,000 each towards the creation of a new, original work. This program democratizes the traditional commissioning process, which has historically been reserved for a privileged few. The ACP supports projects that add to the canon of American art by telling an untold story of underrepresented person(s) relevant to Queens communities.

This year, the ACP is focusing on the neighborhoods of Maspeth/Ridgewood and Flushing. Proposed projects should demonstrate a connection to one of these two communities.

ACP's priority is to support artists who present a fresh perspective by creating work that defies the cultural mainstream, privileges underrepresented identities, and/or speaks to the cultural diversity of Queens by telling an untold story of underrepresented person(s).

By commissioning artists to materialize such works, the ACP aims to fill gaps in American culture by actively adding to the art historical canon. In doing so, the ACP aims to create a more democratic cultural sector that is more inclusive of the diverse narratives, cultural backgrounds, and values associated with our borough and nation.

Artists’ proposed projects should:

  • Demonstrate their new work’s connection to the communities of either Maspeth/Ridgewood or Flushing.
  • Highlight the stories of individual protagonists (e.g. heroine(s), hero(s), characters) in their proposed works to give underrepresented people a vision of themselves as leading characters. 
  • Be replicable, capable of being interpreted and produced for dance, music, or theatre by other artist(s) or third parties throughout the borough, city, and country (e.g. if a high school or off-broadway theatre wanted to produce your work, they could do so - think Summer Stock or Swan Lake). 


A cohort of seven community members, or "Art Commissioners”, will evaluate and select the artists’ projects. Deeply connected to the target neighborhoods, these art lovers demonstrate a stake in the community’s cultural life. Following your project’s selection, they will be actively involved in your project's development from inception to completion.

THE IMPORTANCE OF NEIGHBORHOODS

Flushing & Maspeth/Ridgewood

The 2019-20 ACP Neighborhoods of Focus

Every year, ACP focuses on two Queens neighborhoods to enable local art lovers to commission art for their own communities.

This year, the neighborhoods are Maspeth/Ridgewood and Flushing. For this reason, programming will be largely concentrated in these two areas.

PROGRAM STRUCTURE

Four (4) artists will be chosen by a panel of ACP Art Commissioners who include Maspeth/Ridgewood and Flushing community members, arts lovers and supporters.

Each artist will receive a commission of $10,000 towards the creation of a new work, as well as support towards its premiere production.

ELIGIBILITY

The following eligibility criteria apply for artist applicants:

  • ARTISTIC DISCIPLINE: Composers, playwrights, and choreographers are eligible to apply.
  • LOCATION: All greater NYC artists within a commuting distance to Astoria, Maspeth/Ridgewood and Flushing can apply
  • GEOGRAPHIC PREFERENCE: Preference will be given to current Queens residents
  • TIME COMMITMENT: Artists must be able to commit to program dates, with up to two allotted absences (see calendar below)
  • AGE: Must be 21 years or older as of January 1, 2020
  • STUDENTS INELIGIBLE: Students are not eligible to apply


EVALUATION CRITERIA

Local community members, or art commissioners, will be responsible for reviewing your work in a panel process. Successful artists will be evaluated based on the following criteria:

UNTOLD STORIES: Demonstrated capacity to create new art that tells an untold story by highlighting underrepresented person(s) in the cultural mainstream

CONNECTION TO TARGET NEIGHBORHOODS: The project proposals will be evaluated based on project and/or artist’s demonstrated connection to the two 2019-20 ACP neighborhoods of focus, Maspeth/Ridgewood and Flushing

ARTISTIC MERIT: Artistic merit of submitted work samples

PROJECT PROPOSAL: Quality and clarity of the project proposal

REPLICABILITY & FEASIBILITY: The ideal ACP project is replicable, capable of being interpreted by other artist(s) and interested parties throughout the borough, city, and country. The Art Commissioners will also consider the project’s overall feasibility.

LOCATION PREFERENCE: Preference will be given to current Queens residents

AWARD DETAILS

THE $10,000 COMMISSION WILL COVER:

ARTIST STIPEND: to compensate the artists for their time & creative labor

PERFORMERS’ FEES: to compensate the artists' performers, such as actors, dancers, and musicians, for their time & creative labor

REHEARSAL FEES: to book rehearsal space to create/develop the work

DOCUMENTATION FOR COMMISSION: expenses related to documenting the work and/or creating the commission’s deliverables (for choreographers, this may include video of the choreography for the commission’s deliverables; see below for details)

OTHER CREATION EXPENSES: related to the creation of the work (e.g. equipment purchase)

World Premiere production of SHED by 2017-18 Awardee in Choreography Chuan Xie at Queens Botanical Garden; photo by Nathaniel Marsh.
World Premiere production of SHED by 2017-18 Awardee in Choreography Chuan Xie at Queens Botanical Garden; photo by Nathaniel Marsh.

ADDITIONAL PRODUCTION SUPPORT:

In addition to the $10,000 commissioning fee, Queens Council on the Arts also supports the fees associated with:

EVENTS: As their projects are being developed, artists and Art Commissioners participate and/or host Monthly Convenings to touch base on the artists’ process, such as open rehearsals, art salons, and professional development events on commissioning art. QCA will cover the expenses associated with these events. Artists are expected to attend all program dates barring up to two conflicts. See Program Timeline below for specifics.

VENUE RENTAL: QCA will cover the cost of a venue rental for the artists’ World Premiere, if applicable. While artists are encouraged to have an idea of where they would like their work’s World Premiere to take place (ideally within Maspeth/Ridgewood or Flushing), if selected, the artists will work with the Art Commissioners & QCA staff to select a venue that suits their work and artistic vision for the new work's World Premiere.

OTHER PRODUCTION EXPENSES: related to the production of the World Premiere, including:

Print Marketing: World Premiere showcards and programs (graphic design and printing)

Event photography: Event photography of the artists’ World Premiere

Reception: A light reception during the project’s the World Premiere

COMMISSION DELIVERABLES

SUCCESSFUL ARTISTS WILL BE REQUIRED TO:

DOCUMENT THEIR COMMISSION: ACP Awardees will create and deliver a completed dance, music score or theater script created by  to Queens Council on the Arts by September 30, 2020. Because the purpose of ACP is to commission new culture that can be replicated and added to the American Canon, this documentation should provide enough information so that a production of this new work could be interpreted and produced throughout the borough, city, and world.

PRODUCE A WORLD PREMIERE IN QUEENS: Orchestrate a World Premiere of their Artist Commissioning Program project by September 30, 2020. This event will be produced in conjunction with, and engage the support of, the 2019-20 cohort of Art Commissioners and Queens Council on the Arts. If at all possible, World Premieres should take place in the neighborhoods of Flushing or Maspeth/Ridgewood, Queens.

RIGHTS

The artists retain all copyright and intellectual property rights associated with their work and any future productions of that work.

The documentation of commission obtained by QCA described above will be used for record-keeping and for the purpose of fulfilling the expectations of this award only.

QCA retains the exclusive right to:

Present the premiere performance of the work in Queens. This should be the first time the work has ever been presented to the public.

Be credited as the commissioner of the work in published editions, recordings, and programs of all future performances.

DEADLINES & NOTIFICATION

August 13, 2019: Application opens

November 14, 2019: Artist Application deadline

Late December 2019: Artist Notification

PROGRAM CALENDAR

The Artist Commissioning Program runs from November 2019 - October 2020. Artists are expected to be present and engaged for a variety of program dates, including a kickoff party, and monthly convenings with the cohort(s) of arts commissioners dedicated to supporting their project. Because the success of this program hinges on participant engagement, we ask that artists do not miss more than two program events. Artists are not expected or required to attend the other group's monthly check-ins.

The program calendar is as follows:

ORIENTATION AND KICKOFF PARTY

Friday, January 3 from 6 - 8pm

MONTHLY CONVENINGS (January – July 2020): Artists and art commissioners participate in and host monthly Art Salons, Studio Visits, Artist Talks, & Professional Development Events

FLUSHING GROUP MONTHLY CONVENINGS

Thursday, January 16th from 6 - 8pm

Thursday, February 20th from 6 - 8pm [all ACP]

Thursday, March 19th from 6 - 8pm

Thursday, April 16th from 6 - 8pm [all ACP]

Thursday, May 14th from 6 - 8pm

Thursday, June 18th from 6 - 8pm [all ACP]

Thursday, August 13th from 6 - 8pm

MASPETH/RIDGEWOOD GROUP MONTHLY CONVENINGS

Thursday, January 23rd from 6 - 8pm

Thursday, February 20th from 6 - 8pm [all ACP]

Thursday, March 26th from 6 - 8pm

Thursday, April 16th from 6 - 8pm [all ACP]

Thursday, May 21 from 6 - 8pm

Thursday, June 18th from 6 - 8pm [all ACP]

Thursday, August 20th from 6 - 8pm

WORLD PREMIERES

August - September 2020 (exact dates TBD)


STILL HAVE QUESTIONS?

CHECK OUT OUR FAQS, OR CONTACT ARTIST COMMISSIONING PROGRAM MANAGER KELLY OLSHAN AT KOLSHAN@QUEENSCOUNCILARTS.ORG OR (347) 505-3016.

CTC Playwrights Showcase

web site:
http://nelsonhallelimpark.org/

Nelson Hall Theatre is proud to announce its premier self-produced new play festival. We are dedicated to young emerging playwrights in the state of Connecticut and therefore have
organized the “Connecticut College Playwrights Showcase!”

Submissions are open (until November 30, 2019) to all college students living in Connecticut and to those who have graduated college in CT in the past 5 years. Each playwright may submit two plays of 1 hour or less in length. Only the first 100 submissions will be accepted.

If selected your script will get one show night in the month of January as part of our showcase and one tech rehearsal that will be held one week before your premier.

Requirements are below.

Personal:
-College student in CT, or recent (within 5 years) graduate of a CT college
-Bio in email
-City of residence in email
Script:
-PG-13 language
-No pyrotechnics
-Drama/Comedy preferred
-Stage teardown must be done in 2 hours or less
-Suitable for 55+ audience
-Meet organization standards for moral conduct, according to the mission of Nelson Hall/Elim Park
Others:
-Self-produced (email us with questions)
-Less than 100 word play synopsis in email
-Tickets sales profit will be split 50/50 between Nelson Hall Theatre and producing playwright
-No sets may be screwed, nailed, or glued to our stage
-We accept QLab
-Plays must not have been professionally produced before (this is your World Premier but past academic productions are okay)
-2 submissions per playwright
-Send a blind script in PDF format
-If selected, you will receive 1 reserved seat for yourself at each show as well as 4 other reserved seats at your own performance
Please research us before submitting.

Email your submission to Tgadomski@elimpark.org

(You will receive a verification email that
may go to junk/spam; accept it or your submission will not be received.)

Saturday, November 2, 2019

THINK FAST ONE ACT PLAY COMPETITION

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Electronic submissions only. No fee to submit.
Deadline: Nov 15, 2019

E-mail your short play to:
OneActFest@TheTheaterProject.org

Include in the Subject line: “Submission + The Title of Your Play.”

Email submissions must contain this sentence in the body of the email:
“If my play is accepted and I choose to take part in the festival, I understand that I will be responsible for the casting and rehearsal of my play and that I will be charged a $150 participation fee.”

IF YOUR PLAY IS SELECTED

​The Theater Project will supply the venue, a stage manager and a lighting/sound director.

Individual productions supply the actors, directors and make their own agreements with actors and directors regarding compensation.

​Playwrights will be charge a $150 fee to cover production  expenses for venue, stage manager
Buy Tickets

JUDGING

Plays selected will have three (3) performances in Feb 21,22,23.

​At each performance, the audience will vote  for their favorite.

After the Sunday performance, judges will award:
Best Play ($500 prize)
Best Actor
Best Actress
Best Director
and
Audience Choice.

​The Theater Project’s annual short play competition awards the winner for Best Play a $500 prize. The contest is open to adult playwrights in the New Jersey and New York metropolitan area. There is no fee to submit your play for consideration. Plays are accepted in the fall for the March event.

Plays can be either dramas or comedies but must be no more than 15 minutes running time. This restriction is absolute and plays that exceed 15 minutes will not be considered. Sets, lighting and sound requirements must be simple. No elaborate props or effects. Playwrights invited to participate must have plays that are ready-to-perform and supply their own actors and directors.

​Those selected for participation will be charged a $150 fee to cover expenses (venue, stage manager, lighting/sound director).

ABOUT THE PRODUCTION FEE

The Theater Project does not charge a submission fee for its THINK FAST one-act festival.

We do, however, charge a production fee to help underwrite the costs of mounting our three performance festival.

Our $150 fee for playwrights invited to participate in the THINK FAST festival will not cover all of our upfront costs.

We do not own our building. The Theater Project rents the Burgdorff Center for the Arts in Maplewood. Everything we produce requires the hiring of front-of-house staff as well as technicians to handle light, sound, etc. We also hire a stage manager for the festival.

And, at the end of the day, the winning play receives a $500 award.

Although we would rather not charge a production fee, the reality is that without help from participating playwrights, we would not be able to offer this showcase for new works.

Thursday, October 31, 2019

Cascades 10 Festival – Bend Oregon

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Accepting ten-minute play submissions from playwrights in Oregon and Washington for the Third Annual Cascades 10 Festival, sponsored by the Cascades Theatrical Company, Bend Oregon. Submissions accepted Nov 1 – Dec 31, 2019.

  • Accepting unproduced works or works that have had one previous production. 
  • Plays that have had staged readings are eligible
  • No adaptations or children’s plays
  • Cast size: 6-10 maximum
  • Length: approximately 10 minutes 
  • Plays should have simple set requirements
  • Playwrights may make multiple submissions. (These need not be made under separate cover.) 
  • Please do not submit works that have been previously submitted
Plays will be reviewed through a blind panel review process.

The eight selected plays will be produced for a weekend play festival April 23 – 26, 2020 in Bend, Oregon at the Cascades Theatrical Company, 148 NW Greenwood Ave, Bend Oregon 97703.

We are trying to support new works and involve actors, playwrights, and directors of all experience levels.

Please submit your play, PDF format to cascades10@cascadestheatrical.org, or mail three printed copies to Cascades Theatrical Company, 148 NW Greenwood Ave, Bend OR 97703

Sunday, October 27, 2019

NATIONAL LATINX PLAYWRITING AWARD

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Submissions for the 2020 National Latinx Playwriting Award are now open. Latinx playwrights residing in the United States, its territories or Mexico are encouraged to submit scripts for the award.

Each script will be read and evaluated by a culturally diverse panel of theatre artists; finalists will be judged by ATC artistic staff.

Submission Procedure

We respectfully ask that you adhere to the following application requirements:

  • Submit a single script via U.S. mail.
  • Scripts must be postmarked by November 1, 2019. Please include a title page on the script that includes the play’s title, the author’s name, and contact information (including a phone number, mailing address, and email).
  • Include a cover letter of no more than one page, describing the play’s developmental history, and how the play fits into the playwright’s broader career trajectory.


Submit manuscripts to:

National Latinx Playwriting Award
ATTN: Elaine Romero, Playwright-in-Residence
Arizona Theatre Company
343 S. Scott Ave. Tucson, AZ 85701

Eligibility

The award is open to all Latino playwrights currently residing in the United States, its territories, or Mexico.

Scripts may be in English, English and Spanish, or solely in Spanish. (Spanish-language and bilingual scripts must be accompanied by an English translation.)

Plays must be unpublished, professionally unproduced, and not currently under option at the time of submission.

Full-length and one-act plays (minimum length: 50 pages) on any subject will be accepted.

Scripts

The physical scripts become the property of Arizona Theatre Company and will not be returned. In this case, “property” means the physical property of the theatre, not the intellectual property or any rights to the play.

The winner will be notified by Fall 2020.

For more information contact Elaine Romero, ATC Playwright-in Residence: info@arizonatheatre.org.

Tuesday, October 22, 2019

Public Theater Emerging Writers Group accepting applications

web site

If you have specific questions, please email EWGquestions@publictheater.org after reading the below sections.  Please pay close attention to the Frequently Asked Questions section below. No phone calls please.

Playwrights participating in the Emerging Writers Group will:
  • Receive stipend of $7,500
  • Participate in a biweekly writers group led by The Public’s New Work Department
  • Receive at least one reading at The Public in the Emerging Writers Group Spotlight Series Reading Series
  • Participate in master classes led by established playwrights
  • Observe rehearsals for productions at The Public
  • Receive an additional stipend for theater tickets to productions at other theaters
  • Receive complimentary tickets to Public Theater shows, invited dress rehearsals and other special events
  • Receive artistic support and professional development guidance from the literary department and artistic staff
Requirements for Eligibility
  • Cannot have professional representation for playwriting including, but not limited to, agent, manager or lawyer.
  • Cannot be a full-time student at any point during the duration of the program.
  • Cannot be enrolled in any academic playwriting course during the duration of the program.
  • Must not have had productions in New York other than those using the showcase code or in an off-off Broadway theater with 99 or fewer seats. (If your New York show used a higher contract tier than the showcase code, you are not eligible to apply. If your New York show received a festival production in a theater with more than 99 seats and did not use an Equity contract, you are eligible to apply.)
  • Must live within 90 minutes to The Public Theater via car or rail.
  • Must be able to attend evening meetings at The Public Theater every other week in 2020 and 2021 as well as other events throughout the year, such as master classes, retreats, observerships and other special events at The Public.
  • Regular attendance is mandatory and therefore applicants should view the program as a two-year-long commitment.
  • Must be available for an in-person interview in early March 2020.
If you are unavailable for an in-person interview or have a limited conflict in regards to attending biweekly meetings, please make note of such conflicts on the Application Form. We will try to accommodate such situations on a case-by-case basis.

For further clarification of Requirements for Eligibility, please see the Frequently Asked Questions section below.

Application and Deadline

Deadline is November 29, 2019. 

Materials must be postmarked November 29 or received at the theater or emailed by Midnight EST of November 29.

Criteria and Selection Process

The Public Theater will select the strongest candidates based on the overall strength of the applicant’s play submission, artistic statement, and interview.

The Public will look for candidates from diverse backgrounds who show tremendous artistic promise and talent, as well as responsible and dedicated individuals who are serious about a career in the theater.

The selection committee will be comprised of Oskar Eustis, Jesse Cameron Alick, Jack Phillips Moore.

Time Table

  • Application Deadline: midnight EST November 29, 2019
  • Finalist interviews: Early March 2020
  • Notification: Mid-Late March 2020
  • Program start date: April 2020
  • Program end date: End of March 2022


All applicants will be notified of their status by email by the end of March 2020. Applicants without email addresses will be notified by mail. Please do not call or email to ask your status. Please rest assured that if we would like to interview you, we will contact you, so you need not call or email to inquire.

Saturday, October 5, 2019

Criminal Queerness Festival 2020 seeks plays

web site

The National Queer Theater is now accepting full-length play submissions for the second Criminal Queerness Festival, which will take place in New York City during June of 2020.

Last year’s inaugural festival was created in partnership with WorldPride, Stonewall Community Foundation, and Immigration Equality. It was recommended by The New York Times, The Advocate, and Thrillist as a ‘must-see’ for WorldPride attendees.

Across the world, governments have silenced queer voices by criminalizing LGBTQ lives. The Criminal Queerness Festival features plays that stage LGBTQ experiences in those countries where same-sex activity is illegal, transgender and non-binary identities are not legally recognized, or the LGBTQ community is censored.

Next year, four plays will be selected and given a full production in New York City. The plays will be performed in a festival format with directors and actors from National Queer Theater. The winning playwrights will be awarded a stipend of $500 USD each.

Submission Criteria

Works that address the lives of LGBTQ people outside of the United States, written by playwrights from or living in those countries, will be considered.

Plays must not have been previously produced in the United States. Eligible playwrights, however, may currently reside in the United States. U.S.-born children of immigrants are also welcome to submit.

How to Submit

Playwrights should submit the following package to submissions@nationalqueertheater.org with the subject line CRIMINAL QUEERNESS SUBMISSION. Anonymous submissions, or submissions using an alias are welcome.

The email must include:

Playwright’s email address, country of origin, and country of residence

A character breakdown

A play script (pages must be numbered) in PDF attached

Submissions must be received by 11:00 PM EST (23:00) on October 11, 2019.

Friday, October 4, 2019

Playwrights Center Core Writer Program

web site

The intent of the Core Writer Program is to support playwrights who demonstrate a sustained level of accomplishment, commitment, and artistic excellence. Created in recognition of the particular needs of emerging and established writers, the program offers significant resources intended to further a playwright's career and is available to writers nationally.

Playwrights who have benefited from the Core Writer program include Christina Anderson, Trista Baldwin, Lee Blessing, George Brant, Carlyle Brown, Connie Congdon, Marcus Gardley, Jeffrey Hatcher, Sherry Kramer, Carson Kreitzer, Martyna Majok, Melanie Marnich, Winter Miller, Greg Moss, Qui Nguyen, Kira Obolensky, Jen Silverman, and Alice Tuan.

The Core Writer program gives 25-30 of the most exciting playwrights from across the country the time and tools to develop new work for the stage. All Core Writers receive play development workshops at the Center in collaboration with prominent directors, actors, dramaturgs, and designers. Core Writers are eligible to be included in our formal season of public readings: the PlayLabs Festival and the Ruth Easton New Play Series. Core Writers are also promoted by the Center and provided opportunities through an extensive network of colleges and universities, cultural institutions, and producing theaters.

Each term is three years; Core Writers may reapply for additional terms.

Applicants must be citizens or permanent residents of the United States. It is not required for an applicant to have had professional productions in order to apply. However, please note that this program is highly competitive and is designed for committed professional playwrights who are pursuing playwriting as their primary career. Students enrolled in a full-time educational program are not eligible.

Each application will contain the following pieces:

-Application Form (including contact details and eligibility information)

-Playwriting Resume

-1-2 paragraph Artists Statement.
Use this statement to contextualize your work sample and help the panel get to know you as an artist. Describe your artistic goals and vision as a theater maker. You're only submitting one play, but this statement is your opportunity to describe the larger landscape of your work and to discuss your reasons for writing plays.

-1 page statement of Core Writer Goals
This is a statement, around one page in length, explaining how the Core Writer Program would benefit your career as a playwright. You may want to discuss projects you hope to develop as a Core Writer, specific resources you hope to take advantage of, and/or goals you have for your career. This statement should reflect a clear understanding of the program and the Playwrights' Center and explain to the evaluators why becoming a Core Writer is the right next step for you.

-Full-length play script
A full-length play generally runs at least one hour. If you are submitting a script for a musical or a play that was written in collaboration with another artist (i.e. lyricist), please clearly indicate your role in the writing of the play. Co-written work that does not have a clear division of who created which part will not be accepted—the evaluators need to be able to evaluate your work specifically.

-One letter of recommendation
Please request one letter of recommendation from an individual who is familiar with your work as a playwright. Letters must be received by the application deadline: January 23, 2020. You will be sending a request through the application portal below.

Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.

Note: You will need to make a SlideRoom account in order to apply. If you are a Playwrights' Center member, your PWC login will not automatically log you in to SlideRoom—they are two different systems. If you already have a SlideRoom account, you should be able to access the application using your existing login.

For a video tutorial on using SlideRoom, please click here.

Saturday, September 28, 2019

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

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The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

Finishing grants for film, television, and digital projects
Funds for the creation of music recordings or videos
Production funds for live theatre
In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role.

Grants will be given in the following categories (amounts listed are the maximum potential grant):

Fiction Feature (running time of 60 minutes or more) - $50,000
Fiction Short (running time of 59 minutes or less) - $25,000
Fiction Webisode/Webseries (all forms) - $20,000
Documentary Feature (running time of 60 minutes or more) - 50,000
Documentary Short (running time of 59 minutes or less) - $25,000
Documentary Webisodes/Webseries (all lengths and forms) - $20,000
Music: Classical/Experimental/Jazz/New Music - $20,000
Music General - $20,000
Theatre Production - grant amounts up to $50,000
In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

Applications for the 2020 cycle will be available on Wednesday, July 10 and will close on Tuesday, October 1 at 11:59 PM EST. Recipients will be announced in March 2020. View NYC Women's Fund FAQs here, and click below to view guidelines for each project category.

Film Project Guidelines
Music Project Guidelines
Theatre Project Guidelines

Anyone can apply and be awarded a grant regardless of actual or perceived sex, gender, gender identity or gender expression, sexual orientation, age, religion, creed, partnership status, marital status, disability (including use of a service animal), race, color, national origin, alienage, citizenship status, military status, or any other class protected by City, State, or Federal law.

The Landing Theatre Company seeks full-length plays

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 The fee is waived for Dramatists Guild Members. 

From August 1 - September 30 The Landing Theatre Company accepts ­­­­­­­­­­­­­­­full-length plays for ­­­­­­­­­­­­the New American Voices Playwriting Festival.

Four plays will be selected for staged readings during the Landing Theatre Company's Spring Festival in Houston, Texas.

Selected playwrights must attend the readings.  

A stipend of $100 will be awarded to each winning playwright.  Playwrights must cover their own travel expenses.

The New American Voices Playwriting Festival is now in partnership with Monologue Bank, a non-profit online organization seeking high caliber monologues from original plays.  Playwrights may be contacted if their work contains any material of interest to Monologue Bank.

There is a $15 fee for submitting, which is used to cover the cost of script processing and to pay selection panelists for their time and expertise. The fee is waived for Dramatists Guild Members. 

Submission Deadlines

1. Submissions accepted from August 1 - September 30.


Format

1. Selected playwrights must attend the festival.

2. Each playwright will be paired with a local director prior to the festival to prepare for the event.

3. Director will cast the play prior to the festival.

4. Each production will receive at least two rehearsals prior to the official reading.

5. One rehearsal will be scheduled when the playwright can attend.

6. The play will then be read in front of an audience, with a moderated discussion of the play afterwards.


Submissions must meet the following criteria:

1. Playwright must be a citizen or legal resident of the United States of America.

2. Play must not have been produced.

3. Play must not have had a public reading in the Houston area.

4. Submission must be received on or before September 30th.

5. Submission must be a minimum of 30 pages long and have a minimum run time of 45 minutes.

6. Submission must be in .doc, .pdf or .rtf format.

7. Plays are given blind reads, so there should be no playwright identifiers anywhere on the script. Your name and contact information should only be in the submission form.

8. Only one play per playwright per submission period.

9. No musicals, children's plays, or one-person plays.

10. Original scripts only.  No adaptations or works that involve third party rights.

11. Playwrights will only be notified if your play is selected.


SUBMIT YOUR SCRIPT FOR CONSIDERATION HERE.  DRAMATISTS GUILD MEMBERS, SUBMIT HERE.

Please contact us at landingtheatresubmissions@gmail.com, if you have any questions.

Thursday, September 26, 2019

QUEENS COUNCIL ON THE ARTS NEW WORK GRANT

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Grant Amount: $3000

Deadline: October 29, 2019  

For this grant, individual artists and collectives that live in Queens or have a permanent studio in Queens may apply.

Fiscal sponsorship is not required.

THE NEW WORK GRANT SUPPORTS ARTISTS THAT LIVE QUEENS OR HAVE THEIR ART PRACTICE IN QUEENS, IN THE CREATION OF NEW WORK THAT CONTRIBUTES TO THE CULTURAL LIFE OF THE BOROUGH.

PROJECT FUNDING IS AVAILABLE FOR:

  • Queens-based individual artists for the creation of new work.
  • New Work is defined as work that has not been produced or presented to an audience before.
  • Unincorporated Artist Collectives or collaborations between multiple artists. If an artist collective or collaboration applies, one Queens-based artist will be the “lead applicant” and will need to fill out an individual application for the collective’s project. Artist collectives can only apply once for the New Work Grant.
  • Artists working in all disciplines. Project disciplines can include (but are not limited to):
  • Music
  • Theater
  • Dance
  • Photography, Film and Video
  • Literature (including Poetry and Spoken Word)
  • Visual arts (Painting, Drawing, Printmaking, Sculpture and Site-Specific Installations)
  • Fiber Arts
  • Folk Arts 
  • Media Arts
  • Community-Engaged Art 
  • Multidisciplinary Arts
All projects must culminate in an exhibition or presentation in the 2020 calendar year that are accessible and engage the general public of Queens

Grant funds can be used for:
  • Artists' fees 
  • Marketing and publicity costs 
  • Supplies and materials needed for the execution of the project
  • Venue rental for the project (general home/studio rent is not eligible)

This program is supported in part by public funds from the New York City Department of Cultural Affairs, Greater New York Arts Development Fund, in partnership with the City Council

WHO CAN APPLY

Resident of Queens or artists who have a full-time studio in Queens (PO boxes are not accepted)
Applicants that are at least 18 years of age
Artists working in any discipline - visual, literary or performing art forms
Applicants that attend a QAF Information Session

WHO CANNOT APPLY

Students, full or part-time, either currently enrolled or who will be enrolled in 2020. This includes degree programs and certificate programs.

Artists who received funding in 2019 for DCA individual artist support (QAF New Work Grant).

Past recipients who failed to submit a final report or who did not properly credit funding as stipulated in the QAF Cultural Contract.

Individual Artists applying through any other 2020 QAF grant even through partnerships for organization support

Applicants who are out of compliance with any Queens Council on the Arts funding contract.

ARTISTS WHO RECEIVE A NEW WORK GRANT WILL NEED TO SUBMIT THE FOLLOWING MATERIALS UPON ACCEPTANCE:

Proof of Queens Residency (i.e. signed official lease, bank statement, or utility bill with the grantee’s name and Queens address)

More information online

Sunday, August 4, 2019

METZLER NEW WORKS FESTIVAL

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A.D. Players at The George Theater in Houston, TX seeks full length scripts to be developed and presented over the course of the first annual Metzler New Works Festival. The purpose of the festival is to present new American plays and musicals that contribute to the larger cultural understanding of how faith and storytelling can effectively intertwine in alignment with our mission to present and premiere work from a Christian worldview that engages a diverse audience. Three selected works will be developed over the course of two workshops, followed by a publicly presented staged reading with professional actors and directors; selected playwrights will receive an honorarium, and the possibility of premiering their work at one of the largest theatre companies in the city of Houston.

WHAT WE’RE LOOKING FOR:

  • This opportunity is open to US Playwrights/Librettists/Bookwriters only
  • We are seeking full-length plays (60 pages or more) with a cast size of no more than 15
  • Open to all styles and genres, keeping in mind that A.D. Players’ mission is to produce compelling theatre, from a Christian world-view, that engages a diverse audience. Minor language and challenging content are acceptable
  • A.D. Players at the George Theatre highly encourages individuals of diverse ethnic backgrounds, racial and gender identities, and abilities to submit
  • Playwrights are not required to identify as Christian
  • Previous readings and workshops are acceptable
  • Plays previously produced by universities or community theatres (in which artists were not paid) are acceptable


We will NOT accept plays that have received a professional production

If you wish to submit a musical, please submit recordings of the music

Writers must be available to attend the Metzler New Works Festival, March 31-April 4, 2020 in Houston, Texas

Submissions will be capped at 350 plays

The submission period ends August 15, 2019

HOW TO SUBMIT:

We will be employing a blind submissions process. Please do not include any identifying information in your script

Plays must be submitted as a pdf in standard playwriting format saved as “PlayTitle_MNWF2020.pdf” and emailed to Newworks@adplayers.org

Please include a separate cover page with the title, contact information, and a brief biography of the playwright saved as “Last,First_Title_MNWF2020.pdf”

Mailed submissions will not be accepted

A.D. Players at the George will not acknowledge plays submitted with incorrect formatting or identifying information in the script


Saturday, July 27, 2019

Theatre Odyssey 2019 ONE-ACT PLAY FESTIVAL

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The fee is waived for members of Dramatists Guild of America — member number required


Short play competition open to U.S. playwrights

The Second Annual One-Act Play Festival will be held Oct. 31 – Nov. 3 at Manatee Performing Arts Center in Bradenton, Florida.

New plays submitted to this competition may come from playwrights anywhere in the U.S. No more than 100 scripts will be accepted for consideration. Plays selected for production will be judged by three experienced theatre professionals, with a $500 prize for Best Play and $300 prize for Runner-Up.


SUBMISSION GUIDELINES

1. Eligibility | Plays must be the original work of persons who are residents of the U.S. In the case of collaborations, the residency requirement pertains to all authors.

2. Script Requirements:

Length: We are looking for plays that run approximately 25-35 minutes. Exceptions may be made by the Festival Committee for works deemed exceptionally creative or original.
Structure: Although not a requirement, preferential consideration will be given to plays in one scene and/or a single setting.

Cast: No more than 6 actors. (More characters are allowed if actors may double.) A list of characters with a brief physical description of each must be included on the Entry Form.

Genre: Comedy, drama, mystery, thriller or monologue — but no musicals or plays for children.
Technical Limitation: Play settings should be simple, suitable for small stage or black box theatre, requiring very minimal furniture and limited technical effects.

Format: PDF or Microsoft Word, prepared using standard formatting for a stage play*.

Anonymity: The author’s name must not appear on any of the pages, allowing the script to be initially evaluated anonymously. Pages should be numbered.

3. Originality: We seek plays that are new, inventive, fresh, and not an adaptation of work by another author. The play may have been workshopped or presented as a reading prior to entry in the competition, but must be unpublished and not previously performed before a paying audience in Florida. The online Entry Form requires your agreement to each of the following points before a script can be submitted:

I affirm that the attached script is my original work and is not based on or adapted from any other work, including but not limited to novels, short stories, screenplays, teleplays, other theatrical scripts, or from musical forms such as opera, contemporary music or musical theater

I affirm that my play has not been published and has never been performed before a paying audience in Florida.

I understand that if my play is selected I will be interviewed by Theatre Odyssey to confirm the originality of the work and that other steps will be taken to confirm my statements.

I understand that violation of these rules will disqualify my play for consideration and entry fee will not be returned.

I understand Theatre Odyssey will make final production decisions based on the quality of the work and practicality of production, and such decisions shall be final.

4. Submission Limit: One play per playwright.

5. Submission Fee: Entry fee is $10, payable via PayPal. (The fee is waived for members of Dramatists Guild of America — member number required.) If your play is selected for production, you will be expected to provide a brief (150-word) biography, a JPG high-resolution photo, and a brief synopsis of the play which may be used in marketing and promotion.

6. Deadline: Completed Entry Form, uploaded script and submission fee must be received by August 15, 2019. No more than 100 scripts will be accepted. With our receipt of the one hundredth script, no further entries will be considered.

7. Uploading: Plays may only be submitted electronically via the online Entry Form.

8. Selection: The play selection process begins with evaluation by our team of readers, who will independently score each play according to their assessment of plot, character, dialogue, language, theatricality and their own emotional response.

9. Performance: Plays selected as finalists will be staged as full productions at the Manatee Performing Arts Center in Bradenton, Florida, and will be adjudicated by three theatre professionals. Winners will be announced following the final performance. Playwright attendance is welcomed but not required.

Saturday, July 20, 2019

The Lanesboro Artist Residency Program 2019

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The Lanesboro Artist Residency Program offers two or four week residencies to emerging artists driven to explore ways in which their work can be applied to the community and how Lanesboro’s rural community can inform their work.

2002 artist resident Coral Lambert conducted a public cast iron event and outdoor sculpture exhibition, including work made through public sculpture workshops.

The Lanesboro Artist Residency Program, located in Lanesboro, MN (pop. 754), is supported by the Jerome Foundation and aims to provide an immersive, meaningful experience for emerging artists from Minnesota and the five boroughs of New York City. The program is unique in that it provides an entire rural community and its myriad assets as a catalytic vehicle for engagement and artistic experimentation, with staff working with each resident to create a fully-customized residency experience.

Lanesboro Arts’ goal is to be flexible and accommodating to artists, allowing them access to local resources needed for conceptualizing and realizing their place-based work. Lanesboro Arts recognizes “place-based work” as work that is specifically inspired by and designed for the place in which the work takes place; it can be a new project, or an interpretation of the artist’s current work tailored to engage the community of Lanesboro. The residency program was designed to align with and amplify Lanesboro Arts’ vision for communities–especially rural communities–to embrace artists as economic drivers, culture bearers, community builders, and problem solvers.

TO APPLY

The application deadline for the 2020 Lanesboro Artist Residency Program is 12 p.m. (noon) CST on Wednesday, July 31, 2019. 

Jury review will take place in August and applicants will be notified by September 13, 2019 at the latest as to the status of their application. A phone interview process with finalists will take place in late September and selected artist residents and runners-up will be notified by September 30, 2019.

Artists must be legal residents of Minnesota or one of the five boroughs of New York City to be eligible to apply. To be considered, eligible artists must submit their application through the online webform on Lanesboro Arts website. Complete program details are below. Please contact Adam Wiltgen at 507-467-2446 or adam@lanesboroarts.org with any questions.

ABOUT LANESBORO ARTS
Lanesboro Arts is a non-profit, multidisciplinary arts organization working to weave the arts into the social and municipal fabric of Lanesboro, MN. Lanesboro Arts works closely with local government and cross-sector partners to activate the people and places of Lanesboro, making Lanesboro a national model for revitalizing and sustaining a small town. Lanesboro Arts has been recognized by ArtPlace America, Americans for the Arts, and the National Endowment for the Arts; and in 2014 Lanesboro Arts was a recipient of a Bush Prize for Community Innovation.


Friday, July 12, 2019

Jest Fest Seeks Ten-Minute Comedies by Oregon Playwrights

Oregon Jest Fest seeks ten-minute comedies by Oregon playwrights. Playwrights may submit a total of two plays. There is no fee for submitting. There is no fee for submitting.

Previously produced or published plays are eligible, as long as the submitting playwright owns all rights to the play.

The play must be no longer than ten pages in standard format, with a calculated running time of no less than eight minutes and no more than twelve minutes.

No monologues, nudity, musicals, or children’s plays.

Plays are restricted to 5 or fewer characters. Small casts are preferable, as the stage size is modest, with minimal set, props, sound cues, and costuming.

Each playwright whose script is selected and performed will receive a $25 USD cash honorarium. No other remuneration will be provided, and any playwright attending must do so at his or her own expense.

Plays should be submitted in standard play format via email only in PDF format with a title page. A short synopsis is appreciated. Please list all casting flexibility.

The subject line of your email should include your name and the title of the play (e.g., Shakespeare; King Lear). Please include a brief bio and production history in the body of your email.

Blind submissions. The submission shall include all contact information for the playwright, including name, address, telephone number and email address on a separate title page; the script must be in standard play format, with a title page, a character listing, the setting, props, and any technical requirements or other production considerations. Your name must not appear on the script.

The two PDF files should be titled "Submission [Name of Play]” and "Title Page [Name of Play].”

Submission period opens on July 15, 2019. Entries must be received prior to midnight U.S. Pacific Time, August 31, 2019. No late submissions will be accepted because of transmission problems. 

Selection of plays will be at the absolute discretion of the judges, and selection does not guarantee production. The producers may delete, without reading, any submission that does not comply with these rules.

We will contact you by October 15, 2019 if your play is selected; Oregon Jest Fest will be held from 1/23/2020 through 2/3/2020 (Fri-Sat-Sun only) in Ashland, Oregon.

Entering playwrights grant the producers permission to perform the play as needed during the festival run, and to make as many copies of the script as are necessary for production. All other rights remain with the playwright.

Please email your submission to: oregonjestfest@gmail.com. Any inquiries should be sent to the same address.

Call for original, short “Halloween-themed” plays by playwrights from tri-state area (NJ, NY, PA).

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South Street Players (southstreetplayers.org) is seeking original, short (10 mins preferred,
15 mins maximum) Halloween plays for its Tri-State Theatre Festival: Halloween Edition.
The event will take place October 18-20, 2019 in Spring Lake, NJ.

This event is an offshoot of SSPs popular Tri-State Theater Festival and serves as an
artistic fundraiser. All proceeds go to SSP to support the theatre’s commitment to producing
high-quality, extremely engaging theatrical experiences for the 2019-20 season…
and beyond.

Submission Rules and Process:
  • Seeking original comedic & dramatic Halloween-themed short plays from playwrights currently living in the Tri-State area only (NJ, NY and PA).
  • Plays must be Halloween-themed, which includes, but is not limited to, plays about ghosts, vampires, werewolves, witches, zombies, trick-or-treating, pumpkins, headless horsemen… pretty much anything and everything Halloween… however, all plays must be family-friendly, PG-rated.
  • Plays must be 15 pages or less. Submissions of longer than 15 pages will not be considered.
  • Plays must be in standard playscript format.
  • Playwrights may submit more than one play, but please be sure your name and email address is on the title page of each script.
  • SSP is a family theatre – no excessive swearing, no nudity.
  • No royalties or payment will be provided to playwrights should his or her play be chosen for the festival.
  • Plays will only be accepted via email: southstreetoneacts@gmail.com
  • Deadline: July 15, 2019, 11:59pm.
  • For more information, please email Rob Sullivan, Festival Producer, at southstreetoneacts@gmail.com.

Wednesday, July 10, 2019

South Street Players 9th Annual Tri-State Theatre Festival

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Call for original, short plays by playwrights from tri-state area (NJ, NY PA).

South Street Players (southstreetplayers.org) is seeking original, short (10 mins preferred,
15 mins maximum) plays for its 9th Annual Tri-State Theatre Festival. The event will take place October 11-13, 2019 in Spring Lake, NJ.

The festival, which receives more than 300 scripts annually, is committed to presenting the
finest and most unique original, short plays written by local playwrights from New Jersey,
New York, and Pennsylvania. The event also serves as an artistic fundraiser, with all proceeds going to SSP to help maintain its commitment to producing high-quality, extremely engaging theatrical experiences for our audiences.

Submission Rules and Process:

  • Seeking original comedic and dramatic short plays from playwrights currently living in the Tri-State area only (NJ, NY and PA).
  • Plays must be 15 pages or less. Submissions of longer than 15 pages will not be considered.
  • Plays must be in standard playscript format.
  • Playwrights may submit more than one play, but please be sure your name and email address is on the title page of each script.
  • SSP is a family theatre – no excessive swearing, no nudity.
  • No royalties or payment will be provided to playwrights should his or her play be chosen for the festival.
  • Plays will only be accepted via email: southstreetoneacts@gmail.com
  • Deadline: July 15, 2019, 11:59pm.
  • For more information, please email Rob Sullivan, Festival Producer, at southstreetoneacts@gmail.com.

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