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Showing posts with label geographic restriction. Show all posts
Showing posts with label geographic restriction. Show all posts

Monday, April 6, 2020

THE MIRANDA FAMILY ‘VOCES LATINX’ NATIONAL PLAYWRITING COMPETITION

web site

Deadline: April 15, 2020

REQUIREMENTS

*PLEASE READ CAREFULLY*
Plays that do not meet these requirements will not be considered.
  • Subject matter and characters must resonate with Latinx audiences and accurately depict the Latinx/Hispanic experience.
  • Original and un-produced.
  • Full length plays. (At least- 1 hour and 15 minutes)
  • Written in either Spanish or English.
  • Plays that have had readings or a workshop production are acceptable.
  • No screenplays, one-act plays, adaptations or translations will be accepted.
  • Absolutely no changes or resubmissions can be made once a script has been submitted.
  • Playwrights must be at least 18 years of age and residents of the United States or Puerto Rico.
SELECTION PROCESS

Winners will be announced 7- 8 months after the deadline.
Each participant will be notified of the results by e-mail.
We request that participants do not contact the office to inquire about the competition’s results.

PRIZES

Finalists will receive a staged reading at Repertorio to further develop the script.
Grand Prize Winner: $3,000
2nd Place: $2,000
3rd Place: $1,000


SUBMISSION GUIDELINES

Must follow instructions and fully fill out the form to participate. Unfortunately, we cannot accept any changes or re-submissions once the script has been submitted. Do not send any other biographical information or reviews.

New Deadline: Wednesday, April 15th, 2020

Send all of this information and the requested materials via e-mail to aav@repertorio.org using the subject line “Latinx Voces: Title of –Your- Play”.

Send the following information within the body of the e-mail:
Your full name
Your e-mail address
Your cell phone number
Your mailing address (street address, city, state, zip code)
How did you hear about the competition?
4-6 line synopsis
4 -6 line description of how your play relates to the Latinx / Hispanic American community

Send the following as an attachment:
One ELECTRONIC COPY of your script – WITHOUT your name on it. (PDF ONLY)
Please OMIT your name from the script

Thursday, April 2, 2020

Barrington Stage Company’s Bonnie and Terry Burman New Play Award

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Deadline: April 30, 2020

After the success of the inaugural Bonnie and Terry Burman New Play Award in 2018, we are proud to announce the second round of the Burman New Play Award in 2020. Barrington Stage seeks an original, emerging new voice in the American Theatre. The winning playwright will receive $25,000, a staged reading and a possible full production. Two additional $5,000 awards will be given to playwrights who will each receive a staged reading at Barrington Stage.

The 2018 Grand Prize winner was Stacey Rose for her play America v. 2.1: The Sad Demise & Eventual Extinction of The American Negro; and the additional awards were given to Brent Askari for his play American Underground and Christina Quintana for her play Citizen Scientist. Both Rose’s and Askari’s plays received world premiere productions at BSC in 2019.

Submissions will open on January 2, 2020 and will close April 30, 2020. There is no fee for entry.

WHAT/WHO IS ELIGIBLE?

The play…
  • must be a new full length play that has not been produced professionally 
  • must be available for its official world premiere production
  • must be unpublished and not yet licensed
  • must be free and not attached to any producers 
  • must be able to be performed with 8 actors or less 
  • must be wholly original and not an adaptation or translation of an existing foreign language play 
  • must be a play that has not already been sent to Barrington Stage Company for consideration

The playwright…

  • must be a U.S. resident
  • can only submit one play
  • cannot be an immediate family member of a BSC staff or board member. 

WHAT IS REQUIRED TO SUBMIT A NEW PLAY?

  • A brief letter of endorsement from a professional theatre, commercial producer or literary agent must accompany the script. Each endorsing organization/person/agent can only endorse one play.
  • A PDF of the script that does not include the author’s name, agent info, developmental/award history or year written anywhere within the script; please number all pages.
  • 150 word bio of the writer
  • 150 word synopsis of the play (that does not contain the writer’s name)
  • 150 word developmental history of the play, if any
  • Any special needs of the play (live animals, on-stage pool, three children, etc.)

HOW TO SUBMIT

All submissions must be sent through an online application, applications will open January 2, 2020.

You are able to save your work on the application and return to it at a later date. If you have any questions about the award or the application, please email Megan Nussle, Burman Award Project Coordinator, at NewPlayAward@BarringtonStageCo.org.

WHAT ARE THE AWARDS?

Grand Prize (1 recipient)

  • $25,000 
  • a staged reading with a professional cast and director at Barrington Stage
  • a possible full production at Barrington Stage Company
  • all travel and housing covered for the staged reading and production

Runner Up Prize (2 recipients)

  • $5,000 each
  • a staged reading with a professional cast and director at Barrington Stage
  • all travel and housing covered for the staged reading

WHAT IS THE SELECTION PROCESS?

Scripts will be read and evaluated through a blind submission process by committee assembled by BSC. A group of finalist plays will be read and evaluated by the New Play Award Committee, comprised of distinguished artists in Fall 2020. Winners will be announced in late 2020.

WHAT DOES BARRINGTON STAGE ASK OF THE PLAYWRIGHT?

Barrington Stage will ask for the right of first refusal for a world premiere of all award recipients that will expire 90 days after Barrington Stage presents the staged reading of the play.

Sunday, March 29, 2020

2021 Page 73 Development Programs Application

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Deadline: April 5, 2020 11:59 PM EDT

New York City

Each year Page 73 meets the talented playwrights we work with through this free application. Applicants can choose to apply for the 2021 Page 73 Playwriting Fellowship and/or the 2021 Interstate 73 writers group. Please read below for more information about each program and for instructions on submitting an application.

Applications include a resume, 10-page playwriting sample, and letter of intent addressing specific questions posed below.

Please note that you cannot save your work in the form.

If you have any questions or concerns, please email info@page73.org.

Applicants for both programs:

1. The applicant must be a US resident at the time of participation;

2. The applicant must have completed at least 2 full-length plays or at least 3 one-act plays;

3. The applicant must have made a commitment to playwriting as a professional goal;

4. The applicant must have never received a production of his/her work in New York City that was larger than an Actors' Equity Showcase Code presentation;

5. The applicant must not be enrolled in a full-time degree/certificate program at the time of participation.

Interstate 73 applicants:

Attendance at all Interstate 73 sessions is extremely important; please do not apply for Interstate 73 if you will be unable to attend group meetings in New York City on a regular basis. Playwrights' stipends are tied to attendance. Priority is given to writers who are not involved in a similarly structured institutional writing group and who will be present in the New York City area for the calendar year.

We understand this application occurs well in advance of 2021 and appreciate that schedules and institutional affiliations change. If you are not sure about your involvement in other writers groups or your location for 2021, you are welcome to apply for Interstate 73 and update us accordingly regarding your eligibility.


Page 73 only accepts submissions via this online form.

If for some reason you are unable to submit via this form or have questions about these programs or this application process, please email info@page73.org.


The following materials must be submitted by 11:59 PM EST on April 5, 2020 to be considered for the 2021 development programs.

A. Completed Online Application Form *NOTE: Please have all your PDF documents ready to upload. The work on this form cannot be saved.


B. Letter of Intent (uploaded as a PDF)


1,000 word limit. Please address all of the following questions.

1. Please introduce yourself. Tell us briefly about your work. What interests you? What do you hope to accomplish through your writing?

2. What do you consider to be your greatest artistic challenge at this point in your career?

3. What do you consider to be your greatest professional challenge at this point in your career?

4. Being specific, how do you feel Page 73's program(s) will help you address the challenges you describe in questions 2 and 3?


C. A 10-page sample from a full script (uploaded as a PDF). No title page is necessary; you will list the title of the work in the Online Application Form. We are very open to receiving samples that do not come from the beginning of your play. If you feel your sample requires a brief contextual introduction, feel free to include that on the first page.


D. The full script from which you selected your 10-page sample (uploaded as a PDF)

E. Playwriting Resume (uploaded as a PDF). Note: We do not wish to receive a bio in place of or in addition to a resume.


F. Name and Contact Information of a professional reference.

Saturday, March 28, 2020

The Theater J Patty Abramson Jewish Play Prize

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Deadline: April 1, 2020

The Theater J Patty Abramson Jewish Play Prize will award $3,000 and a stage reading to a promising emerging woman, trans, or non-binary playwright in honor of a new play that celebrates, explores, and/or struggles with the complexities and nuances of the Jewish experience.

The Prize is dedicated to the memory of philanthropist and venture capitalist Patty Abramson. Plays must not have been produced, but a future professional production (outside of the DC metro region) may be scheduled.

For the purposes of this award, “Jewish” plays are plays in which Jewish identity, history, or culture plays a critical role: if you took it out, the play would change meaningfully.

The play may not have received a full professional production, though one may be scheduled at the time of submission. Readings and workshops are allowed.
  • The playwright must be a citizen or resident of the United States.
  • Plays must be full-length plays.
  • One-act plays and plays for children are not eligible.
  • Musicals are not eligible for the Patty Abramson Jewish Play Prize.
  • Translations are not eligible.
  • Adaptations are eligible provided they diverge substantially from the source material.'
Eligible playwrights must not have had more than two productions at LORT or off-Broadway theaters (multiple productions of the same play will be counted) but may have been produced at other professional theaters. Submitted plays will be read by a committee of Theater J staff and collaborators. A winner will be announced in the fall of 2020.

You will receive an email confirmation that your script was received within ten days of submitting. All playwrights will receive a form letter with notification prior to award announcements in fall of 2020.

For the Patty Abramson Jewish Play Prize ($3,000), we ask that you come to DC (travel and accommodations to be paid for by Theater J) and accept the award in person at Theater J, and simultaneously participate in a professional reading of the play. In accepting the Prize, we require that you agree to acknowledge the prize in future publications of the script. The winning play will be considered under exclusive option by Theater J for full production in the DC metropolitan region for the next two seasons.

 Playwrights may submit one sample of ten consecutive pages, a one-page synopsis, and a bio or resume. Please only send 10 pages; do not send a full script with a note telling us where your favorite 10 pages are. All documents must have your name, contact information, and the title of the script on them. If your script is advanced to the second phase of the Prize adjudication, you will receive an email asking for a full script. We accept electronic files only (either Adobe Reader (.pdf) file formats or Microsoft Word (.doc)).

Playwrights may submit plays directly to Theater J at LitOffice@theaterj.org

More info in the FAQs

Tuesday, March 24, 2020

Fifth Avenue Theater (NYC) Spring 2020 Play Festival “Five on Fifth”

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Deadline: April 1, 2020

Submissions are now being accepted for the Fifth Avenue Theater (NYC) Spring 2020 Play Festival “Five on Fifth”, to take place May 9th at noon at 650 Fifth Avenue, NYC.

Seeking twelve short plays (no more than 5 minutes), from playwrights from the five boroughs of New York City only.

Also seeking monologues.

One submission per playwright. The first twelve submitted will be accepted. No unpleasant profanity, as this is a family friendly festival! No submission fee.

Please include name, address, telephone number and email address on your submission.

We do not produce your work, we provide a venue for you to present actors performing your play. There are no costs involved for anyone.

Seeking actors and directors, too!

Deadline: April 1, 2020.

Email: fifthavenuetheatre@gmail.com.

Tuesday, December 31, 2019

Women's Project Theatre Lab 2020 - 2022

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WP Theater is looking for early career women+ playwrights, directors, and producers who crave an artistic home, professional support, and the resources to launch them into the next phase of their careers to join the WP Lab.

The Lab provides up to fifteen artists with community, a vital professional network, entrepreneurial and leadership training, free rehearsal space and, most significantly, tangible opportunities for the development and production of bold new work for the stage.

Applications for the 2020-2022 lab will close on January 6, 2020 at 11:59pm.

All materials will be reviewed by a panel of theater professionals. Finalists will be notified in the spring 2020 and asked to interview. The 2020-2022 Lab will begin in September 2020.

If you have specific questions, please email 2020Lab[at]wptheater.org after reading the Frequently Asked Questions section. No phone calls, or emailed applications please.

REQUIREMENTS FOR ELIGIBILITY:

  • Must be a woman+ artist living within 90 minutes of WP Theater via car or rail
  • Must be able to attend evening meetings at WP Theater twice each month for the duration of the two years, as well as other events throughout the year, such as master classes, retreats, observerships and other special events at WP
  • Regular attendance is mandatory and therefore applicants should view the program as a two-year-long commitment
  • Must be available for an in-person interview


THE PARTICIPATING ARTISTS WILL:

  • Receive a stipend
  • Participate in a monthly lab meeting led by WP Artistic Staff and Lab Liaisons
  • Participate in a bimonthly meeting of the five artists in their concentration led by a mentor in their field
  • Participate in master classes led by established artists
  • Receive complimentary tickets to WP shows, invited dress rehearsals and other special events
  • Receive artistic support and professional development guidance from the artistic staff
  • Participate in The Pipeline Festival, a festival of five new plays, written, directed and produced by the WP Lab, to be presented during the second year of the residency


For further clarification of Requirements for Eligibility, please see the Frequently Asked Questions

APPLICATION REQUIREMENTS:

All applicants must submit the following:

  • Current resume
  • One page statement that describes your artistic vision and the specific process behind it and why this residency would be useful for you in this moment of your career.
  • A list of 3 professional references, including title/affiliation, phone and email
Playwrights:
  • In a separate PDF, the full length script most representative of your work and that you believe to be ready for production.
  • The draft should not have your name or any other identifiers.
  • The play must be at least 60 pages long, and must be a completed draft, though it need not be a final draft.
Directors & Producers:
  • A list of upcoming productions, workshops, readings and other projects with dates, venues, and your role.
  • You may also include a link to your website, or other online resources.
  • Additional materials should not exceed 3 pages and may include reviews (no excerpts) and photos
  • Hard copy applications will not be accepted.
  • Emailed applications will not be accepted.
  • All materials will be reviewed by a panel of theater professionals. Finalists will be notified in the spring 2018 and asked to interview in the summer 2018. The 2018-2020 Lab will begin in September 2018.


For further clarification of materials required for application, please see the Frequently Asked Questions Section below.

TO APPLY:

PLEASE VISIT OUR SUBMITTABLE SITE TO APPLY.

YOU MAY ONLY APPLY TO ONE DISCIPLINE PER LAB CYCLE.

  • Hard copy applications will not be accepted
  • Emailed applications will not be accepted.
  • If you have specific questions, please email 2020Lab[at]wptheater.org after reading the Frequently Asked Questions section below. No phone calls, or emailed applications please.

Wednesday, December 18, 2019

THE MIRANDA FAMILY FOUNDATION: VOCES LATINX NATIONAL PLAYWRITING COMPETITION

web site
  
REQUIREMENTS
*PLEASE READ CAREFULLY*

Plays that do not meet these requirements will not be considered.
  • Playwrights may be Latinx or of any other ethnic or racial background as long as the play’s subject matter and characters resonate with and accurately depicts the Latinx/Hispanic experience.
  • Original and un-produced.
  • Full length plays. (At least- 1 hour and 15 minutes)
  • Written in either Spanish or English.
  • Plays that have had readings or a workshop production are acceptable.
  • No screenplays, one-act plays, adaptations or translations will be accepted.
  • Absolutely no changes or resubmissions can be made once a script has been submitted.
  • Playwrights must be at least 18 years of age and residents of the United States or Puerto Rico.
SELECTION PROCESS
  • Winners will be announced 7- 8 months after the deadline.
  • Each participant will be notified of the results by e-mail.
  • We request that participants do not contact the office to inquire about the competition’s results.
PRIZES

Finalists will receive a staged reading at Repertorio to further develop the script.

Grand Prize Winner: $3,000
2nd Place: $2,000
3rd Place: $1,000

SUBMISSION GUIDELINES

Must follow instructions and fully fill out the form to participate. Unfortunately, we cannot accept any changes or re-submissions once the script has been submitted. Do not send any other biographical information or reviews.

Deadline: Wednesday, April 1st, 2020

Send all of this information and the requested materials via e-mail to aav@repertorio.org using the subject line “Latinx Voces: Title of –Your- Play”.

Send the following information within the body of the e-mail:
  • Your full name
  • Your e-mail address
  • Your cell phone number
  • Your mailing address (street address, city, state, zip code)
  • How did you hear about the competition?
  • 4-6 line synopsis
  • 4 -6 line description of how your play relates to the Latinx / Hispanic American community
Send the following as an attachment:

One ELECTRONIC COPY of your script – WITHOUT your name on it. (PDF ONLY)
Please OMIT your name from the script

Saturday, November 30, 2019

The Premiere Play Festival 2020

web site

Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theatres throughout the country. We strive to facilitate relationships between writers and theatre professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions. We offer Play Festival winners the option to retain the coveted “World Premiere” brand on their plays. Additionally, Premiere’s productions are consistently reviewed, scouted by major publishing houses, and honored by the American Theatre Critics Association.

Submissions due DEC 1 2019
   
Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area from September 1, 2019 through December 1, 2019. All plays submitted to the festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four finalists are subsequently selected for public Equity readings in March 2020.

Awards

Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2020 Mainstage Season and receives an award of $2500. The runner-up receives a 29-hour staged reading and $1000. The two other finalists will each be awarded $750.

Premiere Stages is committed to supporting a diverse group of writers; playwrights of all backgrounds, ages, and experience levels are encouraged to apply.

Submission Guidelines

All plays must be submitted as a PDF.
  • Plays must be full-length and have a cast size of no more than eight.
  • Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2020.
  • Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
  • Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
  • Submissions are limited to one script per playwright.
  • Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
  • Playwrights must be available for the development of their script (see the 2020 schedule table).
  • Submissions are accepted September 1, 2019 through 11:59 p.m. on December 1, 2019. Submissions sent early in the submission window are strongly encouraged.
  • All plays must be submitted as a PDF to:  premierestages.submittable.com/submit. Hard copies will not be accepted.

Sunday, November 10, 2019

OC-centric: Orange County’s New Play Festival 2020

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OC-centric: Orange County’s New Play Festival seeks new plays for 2020. If you live in or hail from Orange County, CA, please submit a script for consideration.

Our script submission deadline is December 1. 

For 2020, we will be considering one-act and full-length musicals as well as one-act and full-length plays. Our next festival is scheduled for August 20-30, 2020 at Chapman University in Orange. Each play chosen will receive five performances during the festival.

We fully produce new plays. We do so featuring actors and directors from the greater LA/OC area and Chapman University students. In past years, we have produced works by SoCal dramatists such as Erica Bennett, Megan Breen, Diana Burbano, Kerry Kazmierowicztrimm, Joni Ravenna, Lojo Simon and many others. The OC WEEKLY has honored us with recognition as Orange County's "Best New Play Festival" and The Dramatist calls OC-centric “a major theatrical event for local playwrights.”

Script submission details:
* Deadline: Sunday, December 1. Submissions received after December 1 will not be considered.
* As always, there is no submission fee.
* Submit scripts via email to occentric@gmail.com in PDF or MS Word format. In your email message, let us know a little about your connection to Orange County, CA. (The criteria for eligibility: you must either have grown up in Orange County, or you currently live in Orange County at least 6 months of the year. In the case of a musical, at least one of the collaborators must meet this eligibility test.)
* Playwrights may submit a maximum of two plays. Previously produced work OK.
> A full-length play = a play that runs 60 minutes or longer.
> A one-act play = a play that runs less than 60 minutes. (We are particularly interested in longer one-acts that run 30-60 minutes.)
* The playwright’s name and contact information must appear on the title page of the script(s).
* If you are submitting a musical, please send us MP3/WAV files of at least 2 of the songs, or include links to online performances of songs from the work.
* Please do not submit a script that you have submitted to us in the past two years, unless it has been heavily revised or reimagined.

Please note:
* These plays will be produced in the O.L. Halsell Foundation Studio Theatre, a black box space with playing area of about 20' x 25'. So the straight play or musical you submit should require no more than 12 actors and be producible in a black box with minimal wing space.
* If you have a play or musical with a largely female cast, we encourage you to submit it to us.
* No restrictions on language or subject matter, but no nudity.
* Playwrights will receive a small honorarium/royalty.

Any questions may be directed to occentric@gmail.com. Information about past OC-centric festivals is at our website ... www.oc-centric.com

We look forward to reading your work!

Sincerely,
Tamiko Washington, Artistic Director
Eric Eberwein, Associate Artistic Director

Saturday, November 9, 2019

Berkeley 2020 Summer Residency

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We invite artists to apply with projects that would benefit from a residency in Berkeley for 1–4 weeks. Berkeley Rep will provide transportation, housing, rehearsal space, basic technical support, and a modest stipend. Applicants must be available for residency between June 16–July 12, 2020. Previous applicants may reapply. There is no limit on the number of projects an artist may apply with. We do accept applications from international artists.

Projects may be anywhere along their development path: from an idea without anything on paper yet, to a complete draft of a text. Whether you are a writer simply needing a room in which to write or an ensemble wanting intensive rehearsal time, we encourage you to apply. Artists from other disciplines interested in creating theatre pieces are also very welcome. If your project is ready for a small audience, we are happy to provide that, but there is no requirement for any kind of culminating event. Past participants have held events that were open to the public, no final presentation at all, small closed readings, and everything in between.

This is a developmental residency. Projects looking for a full production are not eligible. If you are applying for an adaptation, please have the underlying rights already secured. We do not accept scripts along with application forms. If a proposed project makes it to the second round, we will then request a work sample, which may include whatever is already written, if applicable.

To apply

Have a look at our frequently asked questions before writing your application.

Complete the application form.

We suggest you download and complete the application as a Word document and then cut/paste your answers into the application form. Please note: the online form does not allow you to save the application midway through and you must hit the “submit” button at the bottom to finalize the form submission process.
For your application to be considered complete, we ask that you submit PDFs of your résumé and the résumés of any key collaborators separately (the online form will prompt you to do this). Please title these “First Name Surname Project Title.pdf.”

All applications and corresponding résumés are due by 11:59pm on November 18, 2019.

Applicants will be notified by February 15, 2020.

APPLY NOW

Please note
Only electronic submissions will be accepted.
Please do not submit any materials beyond those required in the application.
Only complete applications will be considered.
Please do not call or email Berkeley Repertory Theatre to check the status of your application.
Questions? Please peruse our frequently asked questions. If your question isn’t answered there, please email groundfloor@berkeleyrep.org.

Thursday, November 7, 2019

The Artist Commissioning Program (ACP) Queens NYC

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APPLICATIONS DUE NOVEMBER 14  11:59PM.

APPLY NOW

The Artist Commissioning Program (ACP) awards choreographers, playwrights, and composers $10,000 each towards the creation of a new, original work. This program democratizes the traditional commissioning process, which has historically been reserved for a privileged few. The ACP supports projects that add to the canon of American art by telling an untold story of underrepresented person(s) relevant to Queens communities.

This year, the ACP is focusing on the neighborhoods of Maspeth/Ridgewood and Flushing. Proposed projects should demonstrate a connection to one of these two communities.

ACP's priority is to support artists who present a fresh perspective by creating work that defies the cultural mainstream, privileges underrepresented identities, and/or speaks to the cultural diversity of Queens by telling an untold story of underrepresented person(s).

By commissioning artists to materialize such works, the ACP aims to fill gaps in American culture by actively adding to the art historical canon. In doing so, the ACP aims to create a more democratic cultural sector that is more inclusive of the diverse narratives, cultural backgrounds, and values associated with our borough and nation.

Artists’ proposed projects should:

  • Demonstrate their new work’s connection to the communities of either Maspeth/Ridgewood or Flushing.
  • Highlight the stories of individual protagonists (e.g. heroine(s), hero(s), characters) in their proposed works to give underrepresented people a vision of themselves as leading characters. 
  • Be replicable, capable of being interpreted and produced for dance, music, or theatre by other artist(s) or third parties throughout the borough, city, and country (e.g. if a high school or off-broadway theatre wanted to produce your work, they could do so - think Summer Stock or Swan Lake). 


A cohort of seven community members, or "Art Commissioners”, will evaluate and select the artists’ projects. Deeply connected to the target neighborhoods, these art lovers demonstrate a stake in the community’s cultural life. Following your project’s selection, they will be actively involved in your project's development from inception to completion.

THE IMPORTANCE OF NEIGHBORHOODS

Flushing & Maspeth/Ridgewood

The 2019-20 ACP Neighborhoods of Focus

Every year, ACP focuses on two Queens neighborhoods to enable local art lovers to commission art for their own communities.

This year, the neighborhoods are Maspeth/Ridgewood and Flushing. For this reason, programming will be largely concentrated in these two areas.

PROGRAM STRUCTURE

Four (4) artists will be chosen by a panel of ACP Art Commissioners who include Maspeth/Ridgewood and Flushing community members, arts lovers and supporters.

Each artist will receive a commission of $10,000 towards the creation of a new work, as well as support towards its premiere production.

ELIGIBILITY

The following eligibility criteria apply for artist applicants:

  • ARTISTIC DISCIPLINE: Composers, playwrights, and choreographers are eligible to apply.
  • LOCATION: All greater NYC artists within a commuting distance to Astoria, Maspeth/Ridgewood and Flushing can apply
  • GEOGRAPHIC PREFERENCE: Preference will be given to current Queens residents
  • TIME COMMITMENT: Artists must be able to commit to program dates, with up to two allotted absences (see calendar below)
  • AGE: Must be 21 years or older as of January 1, 2020
  • STUDENTS INELIGIBLE: Students are not eligible to apply


EVALUATION CRITERIA

Local community members, or art commissioners, will be responsible for reviewing your work in a panel process. Successful artists will be evaluated based on the following criteria:

UNTOLD STORIES: Demonstrated capacity to create new art that tells an untold story by highlighting underrepresented person(s) in the cultural mainstream

CONNECTION TO TARGET NEIGHBORHOODS: The project proposals will be evaluated based on project and/or artist’s demonstrated connection to the two 2019-20 ACP neighborhoods of focus, Maspeth/Ridgewood and Flushing

ARTISTIC MERIT: Artistic merit of submitted work samples

PROJECT PROPOSAL: Quality and clarity of the project proposal

REPLICABILITY & FEASIBILITY: The ideal ACP project is replicable, capable of being interpreted by other artist(s) and interested parties throughout the borough, city, and country. The Art Commissioners will also consider the project’s overall feasibility.

LOCATION PREFERENCE: Preference will be given to current Queens residents

AWARD DETAILS

THE $10,000 COMMISSION WILL COVER:

ARTIST STIPEND: to compensate the artists for their time & creative labor

PERFORMERS’ FEES: to compensate the artists' performers, such as actors, dancers, and musicians, for their time & creative labor

REHEARSAL FEES: to book rehearsal space to create/develop the work

DOCUMENTATION FOR COMMISSION: expenses related to documenting the work and/or creating the commission’s deliverables (for choreographers, this may include video of the choreography for the commission’s deliverables; see below for details)

OTHER CREATION EXPENSES: related to the creation of the work (e.g. equipment purchase)

World Premiere production of SHED by 2017-18 Awardee in Choreography Chuan Xie at Queens Botanical Garden; photo by Nathaniel Marsh.
World Premiere production of SHED by 2017-18 Awardee in Choreography Chuan Xie at Queens Botanical Garden; photo by Nathaniel Marsh.

ADDITIONAL PRODUCTION SUPPORT:

In addition to the $10,000 commissioning fee, Queens Council on the Arts also supports the fees associated with:

EVENTS: As their projects are being developed, artists and Art Commissioners participate and/or host Monthly Convenings to touch base on the artists’ process, such as open rehearsals, art salons, and professional development events on commissioning art. QCA will cover the expenses associated with these events. Artists are expected to attend all program dates barring up to two conflicts. See Program Timeline below for specifics.

VENUE RENTAL: QCA will cover the cost of a venue rental for the artists’ World Premiere, if applicable. While artists are encouraged to have an idea of where they would like their work’s World Premiere to take place (ideally within Maspeth/Ridgewood or Flushing), if selected, the artists will work with the Art Commissioners & QCA staff to select a venue that suits their work and artistic vision for the new work's World Premiere.

OTHER PRODUCTION EXPENSES: related to the production of the World Premiere, including:

Print Marketing: World Premiere showcards and programs (graphic design and printing)

Event photography: Event photography of the artists’ World Premiere

Reception: A light reception during the project’s the World Premiere

COMMISSION DELIVERABLES

SUCCESSFUL ARTISTS WILL BE REQUIRED TO:

DOCUMENT THEIR COMMISSION: ACP Awardees will create and deliver a completed dance, music score or theater script created by  to Queens Council on the Arts by September 30, 2020. Because the purpose of ACP is to commission new culture that can be replicated and added to the American Canon, this documentation should provide enough information so that a production of this new work could be interpreted and produced throughout the borough, city, and world.

PRODUCE A WORLD PREMIERE IN QUEENS: Orchestrate a World Premiere of their Artist Commissioning Program project by September 30, 2020. This event will be produced in conjunction with, and engage the support of, the 2019-20 cohort of Art Commissioners and Queens Council on the Arts. If at all possible, World Premieres should take place in the neighborhoods of Flushing or Maspeth/Ridgewood, Queens.

RIGHTS

The artists retain all copyright and intellectual property rights associated with their work and any future productions of that work.

The documentation of commission obtained by QCA described above will be used for record-keeping and for the purpose of fulfilling the expectations of this award only.

QCA retains the exclusive right to:

Present the premiere performance of the work in Queens. This should be the first time the work has ever been presented to the public.

Be credited as the commissioner of the work in published editions, recordings, and programs of all future performances.

DEADLINES & NOTIFICATION

August 13, 2019: Application opens

November 14, 2019: Artist Application deadline

Late December 2019: Artist Notification

PROGRAM CALENDAR

The Artist Commissioning Program runs from November 2019 - October 2020. Artists are expected to be present and engaged for a variety of program dates, including a kickoff party, and monthly convenings with the cohort(s) of arts commissioners dedicated to supporting their project. Because the success of this program hinges on participant engagement, we ask that artists do not miss more than two program events. Artists are not expected or required to attend the other group's monthly check-ins.

The program calendar is as follows:

ORIENTATION AND KICKOFF PARTY

Friday, January 3 from 6 - 8pm

MONTHLY CONVENINGS (January – July 2020): Artists and art commissioners participate in and host monthly Art Salons, Studio Visits, Artist Talks, & Professional Development Events

FLUSHING GROUP MONTHLY CONVENINGS

Thursday, January 16th from 6 - 8pm

Thursday, February 20th from 6 - 8pm [all ACP]

Thursday, March 19th from 6 - 8pm

Thursday, April 16th from 6 - 8pm [all ACP]

Thursday, May 14th from 6 - 8pm

Thursday, June 18th from 6 - 8pm [all ACP]

Thursday, August 13th from 6 - 8pm

MASPETH/RIDGEWOOD GROUP MONTHLY CONVENINGS

Thursday, January 23rd from 6 - 8pm

Thursday, February 20th from 6 - 8pm [all ACP]

Thursday, March 26th from 6 - 8pm

Thursday, April 16th from 6 - 8pm [all ACP]

Thursday, May 21 from 6 - 8pm

Thursday, June 18th from 6 - 8pm [all ACP]

Thursday, August 20th from 6 - 8pm

WORLD PREMIERES

August - September 2020 (exact dates TBD)


STILL HAVE QUESTIONS?

CHECK OUT OUR FAQS, OR CONTACT ARTIST COMMISSIONING PROGRAM MANAGER KELLY OLSHAN AT KOLSHAN@QUEENSCOUNCILARTS.ORG OR (347) 505-3016.

CTC Playwrights Showcase

web site:
http://nelsonhallelimpark.org/

Nelson Hall Theatre is proud to announce its premier self-produced new play festival. We are dedicated to young emerging playwrights in the state of Connecticut and therefore have
organized the “Connecticut College Playwrights Showcase!”

Submissions are open (until November 30, 2019) to all college students living in Connecticut and to those who have graduated college in CT in the past 5 years. Each playwright may submit two plays of 1 hour or less in length. Only the first 100 submissions will be accepted.

If selected your script will get one show night in the month of January as part of our showcase and one tech rehearsal that will be held one week before your premier.

Requirements are below.

Personal:
-College student in CT, or recent (within 5 years) graduate of a CT college
-Bio in email
-City of residence in email
Script:
-PG-13 language
-No pyrotechnics
-Drama/Comedy preferred
-Stage teardown must be done in 2 hours or less
-Suitable for 55+ audience
-Meet organization standards for moral conduct, according to the mission of Nelson Hall/Elim Park
Others:
-Self-produced (email us with questions)
-Less than 100 word play synopsis in email
-Tickets sales profit will be split 50/50 between Nelson Hall Theatre and producing playwright
-No sets may be screwed, nailed, or glued to our stage
-We accept QLab
-Plays must not have been professionally produced before (this is your World Premier but past academic productions are okay)
-2 submissions per playwright
-Send a blind script in PDF format
-If selected, you will receive 1 reserved seat for yourself at each show as well as 4 other reserved seats at your own performance
Please research us before submitting.

Email your submission to Tgadomski@elimpark.org

(You will receive a verification email that
may go to junk/spam; accept it or your submission will not be received.)

Saturday, November 2, 2019

THINK FAST ONE ACT PLAY COMPETITION

web site

Electronic submissions only. No fee to submit.
Deadline: Nov 15, 2019

E-mail your short play to:
OneActFest@TheTheaterProject.org

Include in the Subject line: “Submission + The Title of Your Play.”

Email submissions must contain this sentence in the body of the email:
“If my play is accepted and I choose to take part in the festival, I understand that I will be responsible for the casting and rehearsal of my play and that I will be charged a $150 participation fee.”

IF YOUR PLAY IS SELECTED

​The Theater Project will supply the venue, a stage manager and a lighting/sound director.

Individual productions supply the actors, directors and make their own agreements with actors and directors regarding compensation.

​Playwrights will be charge a $150 fee to cover production  expenses for venue, stage manager
Buy Tickets

JUDGING

Plays selected will have three (3) performances in Feb 21,22,23.

​At each performance, the audience will vote  for their favorite.

After the Sunday performance, judges will award:
Best Play ($500 prize)
Best Actor
Best Actress
Best Director
and
Audience Choice.

​The Theater Project’s annual short play competition awards the winner for Best Play a $500 prize. The contest is open to adult playwrights in the New Jersey and New York metropolitan area. There is no fee to submit your play for consideration. Plays are accepted in the fall for the March event.

Plays can be either dramas or comedies but must be no more than 15 minutes running time. This restriction is absolute and plays that exceed 15 minutes will not be considered. Sets, lighting and sound requirements must be simple. No elaborate props or effects. Playwrights invited to participate must have plays that are ready-to-perform and supply their own actors and directors.

​Those selected for participation will be charged a $150 fee to cover expenses (venue, stage manager, lighting/sound director).

ABOUT THE PRODUCTION FEE

The Theater Project does not charge a submission fee for its THINK FAST one-act festival.

We do, however, charge a production fee to help underwrite the costs of mounting our three performance festival.

Our $150 fee for playwrights invited to participate in the THINK FAST festival will not cover all of our upfront costs.

We do not own our building. The Theater Project rents the Burgdorff Center for the Arts in Maplewood. Everything we produce requires the hiring of front-of-house staff as well as technicians to handle light, sound, etc. We also hire a stage manager for the festival.

And, at the end of the day, the winning play receives a $500 award.

Although we would rather not charge a production fee, the reality is that without help from participating playwrights, we would not be able to offer this showcase for new works.

Thursday, October 31, 2019

Cascades 10 Festival – Bend Oregon

web site

Accepting ten-minute play submissions from playwrights in Oregon and Washington for the Third Annual Cascades 10 Festival, sponsored by the Cascades Theatrical Company, Bend Oregon. Submissions accepted Nov 1 – Dec 31, 2019.

  • Accepting unproduced works or works that have had one previous production. 
  • Plays that have had staged readings are eligible
  • No adaptations or children’s plays
  • Cast size: 6-10 maximum
  • Length: approximately 10 minutes 
  • Plays should have simple set requirements
  • Playwrights may make multiple submissions. (These need not be made under separate cover.) 
  • Please do not submit works that have been previously submitted
Plays will be reviewed through a blind panel review process.

The eight selected plays will be produced for a weekend play festival April 23 – 26, 2020 in Bend, Oregon at the Cascades Theatrical Company, 148 NW Greenwood Ave, Bend Oregon 97703.

We are trying to support new works and involve actors, playwrights, and directors of all experience levels.

Please submit your play, PDF format to cascades10@cascadestheatrical.org, or mail three printed copies to Cascades Theatrical Company, 148 NW Greenwood Ave, Bend OR 97703

Sunday, October 27, 2019

NATIONAL LATINX PLAYWRITING AWARD

web site

Submissions for the 2020 National Latinx Playwriting Award are now open. Latinx playwrights residing in the United States, its territories or Mexico are encouraged to submit scripts for the award.

Each script will be read and evaluated by a culturally diverse panel of theatre artists; finalists will be judged by ATC artistic staff.

Submission Procedure

We respectfully ask that you adhere to the following application requirements:

  • Submit a single script via U.S. mail.
  • Scripts must be postmarked by November 1, 2019. Please include a title page on the script that includes the play’s title, the author’s name, and contact information (including a phone number, mailing address, and email).
  • Include a cover letter of no more than one page, describing the play’s developmental history, and how the play fits into the playwright’s broader career trajectory.


Submit manuscripts to:

National Latinx Playwriting Award
ATTN: Elaine Romero, Playwright-in-Residence
Arizona Theatre Company
343 S. Scott Ave. Tucson, AZ 85701

Eligibility

The award is open to all Latino playwrights currently residing in the United States, its territories, or Mexico.

Scripts may be in English, English and Spanish, or solely in Spanish. (Spanish-language and bilingual scripts must be accompanied by an English translation.)

Plays must be unpublished, professionally unproduced, and not currently under option at the time of submission.

Full-length and one-act plays (minimum length: 50 pages) on any subject will be accepted.

Scripts

The physical scripts become the property of Arizona Theatre Company and will not be returned. In this case, “property” means the physical property of the theatre, not the intellectual property or any rights to the play.

The winner will be notified by Fall 2020.

For more information contact Elaine Romero, ATC Playwright-in Residence: info@arizonatheatre.org.

Tuesday, October 22, 2019

Public Theater Emerging Writers Group accepting applications

web site

If you have specific questions, please email EWGquestions@publictheater.org after reading the below sections.  Please pay close attention to the Frequently Asked Questions section below. No phone calls please.

Playwrights participating in the Emerging Writers Group will:
  • Receive stipend of $7,500
  • Participate in a biweekly writers group led by The Public’s New Work Department
  • Receive at least one reading at The Public in the Emerging Writers Group Spotlight Series Reading Series
  • Participate in master classes led by established playwrights
  • Observe rehearsals for productions at The Public
  • Receive an additional stipend for theater tickets to productions at other theaters
  • Receive complimentary tickets to Public Theater shows, invited dress rehearsals and other special events
  • Receive artistic support and professional development guidance from the literary department and artistic staff
Requirements for Eligibility
  • Cannot have professional representation for playwriting including, but not limited to, agent, manager or lawyer.
  • Cannot be a full-time student at any point during the duration of the program.
  • Cannot be enrolled in any academic playwriting course during the duration of the program.
  • Must not have had productions in New York other than those using the showcase code or in an off-off Broadway theater with 99 or fewer seats. (If your New York show used a higher contract tier than the showcase code, you are not eligible to apply. If your New York show received a festival production in a theater with more than 99 seats and did not use an Equity contract, you are eligible to apply.)
  • Must live within 90 minutes to The Public Theater via car or rail.
  • Must be able to attend evening meetings at The Public Theater every other week in 2020 and 2021 as well as other events throughout the year, such as master classes, retreats, observerships and other special events at The Public.
  • Regular attendance is mandatory and therefore applicants should view the program as a two-year-long commitment.
  • Must be available for an in-person interview in early March 2020.
If you are unavailable for an in-person interview or have a limited conflict in regards to attending biweekly meetings, please make note of such conflicts on the Application Form. We will try to accommodate such situations on a case-by-case basis.

For further clarification of Requirements for Eligibility, please see the Frequently Asked Questions section below.

Application and Deadline

Deadline is November 29, 2019. 

Materials must be postmarked November 29 or received at the theater or emailed by Midnight EST of November 29.

Criteria and Selection Process

The Public Theater will select the strongest candidates based on the overall strength of the applicant’s play submission, artistic statement, and interview.

The Public will look for candidates from diverse backgrounds who show tremendous artistic promise and talent, as well as responsible and dedicated individuals who are serious about a career in the theater.

The selection committee will be comprised of Oskar Eustis, Jesse Cameron Alick, Jack Phillips Moore.

Time Table

  • Application Deadline: midnight EST November 29, 2019
  • Finalist interviews: Early March 2020
  • Notification: Mid-Late March 2020
  • Program start date: April 2020
  • Program end date: End of March 2022


All applicants will be notified of their status by email by the end of March 2020. Applicants without email addresses will be notified by mail. Please do not call or email to ask your status. Please rest assured that if we would like to interview you, we will contact you, so you need not call or email to inquire.

Saturday, October 5, 2019

Criminal Queerness Festival 2020 seeks plays

web site

The National Queer Theater is now accepting full-length play submissions for the second Criminal Queerness Festival, which will take place in New York City during June of 2020.

Last year’s inaugural festival was created in partnership with WorldPride, Stonewall Community Foundation, and Immigration Equality. It was recommended by The New York Times, The Advocate, and Thrillist as a ‘must-see’ for WorldPride attendees.

Across the world, governments have silenced queer voices by criminalizing LGBTQ lives. The Criminal Queerness Festival features plays that stage LGBTQ experiences in those countries where same-sex activity is illegal, transgender and non-binary identities are not legally recognized, or the LGBTQ community is censored.

Next year, four plays will be selected and given a full production in New York City. The plays will be performed in a festival format with directors and actors from National Queer Theater. The winning playwrights will be awarded a stipend of $500 USD each.

Submission Criteria

Works that address the lives of LGBTQ people outside of the United States, written by playwrights from or living in those countries, will be considered.

Plays must not have been previously produced in the United States. Eligible playwrights, however, may currently reside in the United States. U.S.-born children of immigrants are also welcome to submit.

How to Submit

Playwrights should submit the following package to submissions@nationalqueertheater.org with the subject line CRIMINAL QUEERNESS SUBMISSION. Anonymous submissions, or submissions using an alias are welcome.

The email must include:

Playwright’s email address, country of origin, and country of residence

A character breakdown

A play script (pages must be numbered) in PDF attached

Submissions must be received by 11:00 PM EST (23:00) on October 11, 2019.

Friday, October 4, 2019

Playwrights Center Core Writer Program

web site

The intent of the Core Writer Program is to support playwrights who demonstrate a sustained level of accomplishment, commitment, and artistic excellence. Created in recognition of the particular needs of emerging and established writers, the program offers significant resources intended to further a playwright's career and is available to writers nationally.

Playwrights who have benefited from the Core Writer program include Christina Anderson, Trista Baldwin, Lee Blessing, George Brant, Carlyle Brown, Connie Congdon, Marcus Gardley, Jeffrey Hatcher, Sherry Kramer, Carson Kreitzer, Martyna Majok, Melanie Marnich, Winter Miller, Greg Moss, Qui Nguyen, Kira Obolensky, Jen Silverman, and Alice Tuan.

The Core Writer program gives 25-30 of the most exciting playwrights from across the country the time and tools to develop new work for the stage. All Core Writers receive play development workshops at the Center in collaboration with prominent directors, actors, dramaturgs, and designers. Core Writers are eligible to be included in our formal season of public readings: the PlayLabs Festival and the Ruth Easton New Play Series. Core Writers are also promoted by the Center and provided opportunities through an extensive network of colleges and universities, cultural institutions, and producing theaters.

Each term is three years; Core Writers may reapply for additional terms.

Applicants must be citizens or permanent residents of the United States. It is not required for an applicant to have had professional productions in order to apply. However, please note that this program is highly competitive and is designed for committed professional playwrights who are pursuing playwriting as their primary career. Students enrolled in a full-time educational program are not eligible.

Each application will contain the following pieces:

-Application Form (including contact details and eligibility information)

-Playwriting Resume

-1-2 paragraph Artists Statement.
Use this statement to contextualize your work sample and help the panel get to know you as an artist. Describe your artistic goals and vision as a theater maker. You're only submitting one play, but this statement is your opportunity to describe the larger landscape of your work and to discuss your reasons for writing plays.

-1 page statement of Core Writer Goals
This is a statement, around one page in length, explaining how the Core Writer Program would benefit your career as a playwright. You may want to discuss projects you hope to develop as a Core Writer, specific resources you hope to take advantage of, and/or goals you have for your career. This statement should reflect a clear understanding of the program and the Playwrights' Center and explain to the evaluators why becoming a Core Writer is the right next step for you.

-Full-length play script
A full-length play generally runs at least one hour. If you are submitting a script for a musical or a play that was written in collaboration with another artist (i.e. lyricist), please clearly indicate your role in the writing of the play. Co-written work that does not have a clear division of who created which part will not be accepted—the evaluators need to be able to evaluate your work specifically.

-One letter of recommendation
Please request one letter of recommendation from an individual who is familiar with your work as a playwright. Letters must be received by the application deadline: January 23, 2020. You will be sending a request through the application portal below.

Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.

Note: You will need to make a SlideRoom account in order to apply. If you are a Playwrights' Center member, your PWC login will not automatically log you in to SlideRoom—they are two different systems. If you already have a SlideRoom account, you should be able to access the application using your existing login.

For a video tutorial on using SlideRoom, please click here.

Saturday, September 28, 2019

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

web site

The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

Finishing grants for film, television, and digital projects
Funds for the creation of music recordings or videos
Production funds for live theatre
In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role.

Grants will be given in the following categories (amounts listed are the maximum potential grant):

Fiction Feature (running time of 60 minutes or more) - $50,000
Fiction Short (running time of 59 minutes or less) - $25,000
Fiction Webisode/Webseries (all forms) - $20,000
Documentary Feature (running time of 60 minutes or more) - 50,000
Documentary Short (running time of 59 minutes or less) - $25,000
Documentary Webisodes/Webseries (all lengths and forms) - $20,000
Music: Classical/Experimental/Jazz/New Music - $20,000
Music General - $20,000
Theatre Production - grant amounts up to $50,000
In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

Applications for the 2020 cycle will be available on Wednesday, July 10 and will close on Tuesday, October 1 at 11:59 PM EST. Recipients will be announced in March 2020. View NYC Women's Fund FAQs here, and click below to view guidelines for each project category.

Film Project Guidelines
Music Project Guidelines
Theatre Project Guidelines

Anyone can apply and be awarded a grant regardless of actual or perceived sex, gender, gender identity or gender expression, sexual orientation, age, religion, creed, partnership status, marital status, disability (including use of a service animal), race, color, national origin, alienage, citizenship status, military status, or any other class protected by City, State, or Federal law.

The Landing Theatre Company seeks full-length plays

web site

 The fee is waived for Dramatists Guild Members. 

From August 1 - September 30 The Landing Theatre Company accepts ­­­­­­­­­­­­­­­full-length plays for ­­­­­­­­­­­­the New American Voices Playwriting Festival.

Four plays will be selected for staged readings during the Landing Theatre Company's Spring Festival in Houston, Texas.

Selected playwrights must attend the readings.  

A stipend of $100 will be awarded to each winning playwright.  Playwrights must cover their own travel expenses.

The New American Voices Playwriting Festival is now in partnership with Monologue Bank, a non-profit online organization seeking high caliber monologues from original plays.  Playwrights may be contacted if their work contains any material of interest to Monologue Bank.

There is a $15 fee for submitting, which is used to cover the cost of script processing and to pay selection panelists for their time and expertise. The fee is waived for Dramatists Guild Members. 

Submission Deadlines

1. Submissions accepted from August 1 - September 30.


Format

1. Selected playwrights must attend the festival.

2. Each playwright will be paired with a local director prior to the festival to prepare for the event.

3. Director will cast the play prior to the festival.

4. Each production will receive at least two rehearsals prior to the official reading.

5. One rehearsal will be scheduled when the playwright can attend.

6. The play will then be read in front of an audience, with a moderated discussion of the play afterwards.


Submissions must meet the following criteria:

1. Playwright must be a citizen or legal resident of the United States of America.

2. Play must not have been produced.

3. Play must not have had a public reading in the Houston area.

4. Submission must be received on or before September 30th.

5. Submission must be a minimum of 30 pages long and have a minimum run time of 45 minutes.

6. Submission must be in .doc, .pdf or .rtf format.

7. Plays are given blind reads, so there should be no playwright identifiers anywhere on the script. Your name and contact information should only be in the submission form.

8. Only one play per playwright per submission period.

9. No musicals, children's plays, or one-person plays.

10. Original scripts only.  No adaptations or works that involve third party rights.

11. Playwrights will only be notified if your play is selected.


SUBMIT YOUR SCRIPT FOR CONSIDERATION HERE.  DRAMATISTS GUILD MEMBERS, SUBMIT HERE.

Please contact us at landingtheatresubmissions@gmail.com, if you have any questions.

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