web site
Deadline: August 7, 2021
Submissions for our playwriting fellowship, American Woman, are now open!
American Woman is an on-going theatre development and presentation project comprised of solo shows by and about women in the United States. It has two primary components:
1. Lab – solo pieces conceived and developed from proposal to performance draft.
2. Public Presentation – presentation with production elements for a paying public.
This project speaks to the broad and varying definitions of those two words: American Woman – regardless of whether or not these words are used individually or in tandem. The project aims to examine American women through varying lenses, be it historical, cultural, racial, or political. It’s an exploration that’s especially relevant now since we’re arrived at a moment in our country’s history when there is a clear legislative push to narrow or limit the definition of both the word “American” and the word “woman.” American Woman will include solo shows and plays by women of different races, places of birth, religions, cultures, gender identifications, ages, physical challenges, and classes. Our project will resist narrow definitions, encourage inclusivity, and contribute to positive discourse.
The development phase of American Woman is executed through a monthly four-hour workshop facilitated by the project leader and project dramaturg. Brainstorming leads to text that receives review and critique before graduating to table reads of early drafts. At each session, writers are given dramaturgical notes and encouraged to revise their work for the next session. Emphasis is put on expressing characters through action, dramatic structure, and story theory.
By resourcing playwrights of color and women playwrights from the early developmental phase all the way through to a full production, the DQT realizes its mission to produce work written by playwrights from these underrepresented groups. Additionally, by donating blocks of free tickets to educational enrichment programs including Girls Write Now, Urban Art Beat, TEAK, and Harlem RBI, we continue to encourage diversity in our base audience, which is an equally vital component of our mission.
The application deadline is August 7th, 2021. Interviews will be conducted throughout August, and selected candidates will be notified August 31st. Due to the high volume of applications, only selected candidates will be notified of their acceptance. But on behalf of all of us here at DQT, thank you for sharing your work with us!
Saturday, July 31, 2021
Strange Trace Stencils 2022: Thresholds
Labels: libretto, musicals, short plays
web site
Deadline: August 1, 2021 11:59 EDT
Strange Trace is pleased to announce our second annual Stencils Festival! We’re seeking proposals for short (up to 20 minute) works of chamber opera to be workshopped and produced by Strange Trace throughout our 21/22 season for inclusion in the Stencils Festival, to be held in the first weekend of June, 2022. If you’re a composer, librettist, playwright, or theater-maker and you’ve got an idea for us, we’d love to hear from you!
Theme
This year, the theme for Stencils is Thresholds! We’re looking for works that creatively engage with the theme in a variety of ways—literally, figuratively, metaphorically, surreally, metaphysically, etc.—so have fun with it. A threshold can be a door, a limit, a point of no return, a place of change, a veil, a plane of transformation—we’re looking forward to seeing the imaginative ways we can represent this theme through music and theater.
Who Can Apply
Stencils is open to anyone. Artists of all ages and nationalities are eligible to apply. Proposals can come from composers, librettists or composer/librettist teams—we use those terms as a convenience, simply meaning “music maker” and “word writer”—so even if you haven’t previously considered yourself an “opera person,” or even a traditional composer, we’d love to hear your proposal!
Artists of underrepresented identities are especially encouraged to apply.
Applicants need not be in the Boston area, as there will be the possibility for fully virtual participation from composers and librettists.
We are a small, self-started company gearing up for our second season. All artists selected for Stencils will be given an honorarium. The exact amount is not yet determined, but will be communicated in writing prior to accepting the commission.
What We’re Looking For
We love theatrical works of any style. Proposals should be for works under twenty minutes. A few things to bear in mind:
The exact format of the festival is not yet set—there may be a combination of digital and live presentations (TBD pending practical and safety concerns), so proposals should have a degree of flexibility in that regard
Stencils shows will be cast from Strange Trace’s five singer/actor members
Proposals with casts of 1-3 are especially encouraged
We will work with composers/librettists on casting, but all final casting decisions will be made by Strange Trace
The instrumentation available for the festival is not yet determined, but will be set by Strange Trace before the composition process begins
Works for open instrumentation and unaccompanied works are great, too!
Piano may not be available, but our keyboard player, Greg, has an awesome variety of electronic keyboard instruments!
Use of electronics is possible, with the understanding that the composer should be able to provide us with all the tools we need
We’re looking for shows that engage with our mission and values
You may submit a work that you have already begun working on, with the understanding that it will be tailored to fit Strange Trace through the development and production process of Stencils
Our first Stencils Festival wraps up on-demand viewing July 4-6th; if you didn’t catch it, we will be posting excerpt videos on our website soon. Our website and YouTube channel include other video productions, and applicants are encouraged to take a peek and see what we’re about!
The Application and Review Process
The application process has two rounds. For the first round, please fill out the corresponding Google Form, linked below, which will collect some basic information about you and your idea. The round one form is due by August 1st (at 11:59PM EDT). Artists can apply in one of four ways:
An individual composer/librettist (one artist who will write the words and the music)
A composer and librettist team (two artists who are proposing a work together)
A composer looking to be paired with a librettist (one artist who will write the music, and would like to meet an artist to write the words)
A librettist looking to be paired with a composer (one artist who will write the words, and would like to meet an artist to write the music)
Last year, we produced works from each of those categories, so please don’t hesitate to apply if you’re looking to be paired with a collaborator!
Each application will be read by Strange Trace members, scored, and discussed in group meetings to determine which proposals move to the second round. In the second round, in addition to requesting samples of your work, we will have specific questions for your proposal which came up in our discussion from round one.
From round two, a small group of finalists will be selected for interviews, which will help us determine the shows we will produce. These interviews will be held virtually, and will be scheduled during round two of the application process. We’ll make sure you have everything you need beforehand—we just want a chance to meet you and get to know you a bit!
The Production Process
Each selected work will be paired with a Strange Trace member who will serve as the project lead, and will help guide the show through a workshop process tailored specifically to each show, which will include events like table reads and discussions, brainstorming sessions, semi-staged libretto readings, score readings, rehearsals and coachings, and eventually the production itself! While there may be some in-person participation possible, all events will be able to be fully attended virtually. Below, you’ll find a rough timeline which, while subject to change, will give you an idea of the scope of the development process.
Timeline
Please note that this is our current plan, but it is subject to change—particularly pending safety concerns. We will be very communicative about scheduling.
JULY 1st: Stencils Festival 2022 Call for Proposals opens
AUGUST 1st: Round 1 form closes at 11:59PM EDT
SEPTEMBER 1st: Proposals selected for round 2 are notified and materials are requested
SEPTEMBER 8th: Round 2 materials are due
SEPTEMBER 30th: Finalists are notified and interviews are scheduled
OCTOBER 8th: Winners are selected and notified
OCTOBER/NOVEMBER: Libretto writing and workshopping
NOVEMBER/DECEMBER: Score writing
JANUARY: Score draft reading and workshopping
FEBRUARY: Rehearsal score due
FEB/MARCH/APRIL: Music learning, rehearsals and coachings
MAY: Staging rehearsals and/or filming
JUNE: Stencils Festival!
Questions
If you have any questions about Stencils or the call for proposals, please email us at strangetraceopera@gmail.com
Deadline: August 1, 2021 11:59 EDT
Strange Trace is pleased to announce our second annual Stencils Festival! We’re seeking proposals for short (up to 20 minute) works of chamber opera to be workshopped and produced by Strange Trace throughout our 21/22 season for inclusion in the Stencils Festival, to be held in the first weekend of June, 2022. If you’re a composer, librettist, playwright, or theater-maker and you’ve got an idea for us, we’d love to hear from you!
Theme
This year, the theme for Stencils is Thresholds! We’re looking for works that creatively engage with the theme in a variety of ways—literally, figuratively, metaphorically, surreally, metaphysically, etc.—so have fun with it. A threshold can be a door, a limit, a point of no return, a place of change, a veil, a plane of transformation—we’re looking forward to seeing the imaginative ways we can represent this theme through music and theater.
Who Can Apply
Stencils is open to anyone. Artists of all ages and nationalities are eligible to apply. Proposals can come from composers, librettists or composer/librettist teams—we use those terms as a convenience, simply meaning “music maker” and “word writer”—so even if you haven’t previously considered yourself an “opera person,” or even a traditional composer, we’d love to hear your proposal!
Artists of underrepresented identities are especially encouraged to apply.
Applicants need not be in the Boston area, as there will be the possibility for fully virtual participation from composers and librettists.
We are a small, self-started company gearing up for our second season. All artists selected for Stencils will be given an honorarium. The exact amount is not yet determined, but will be communicated in writing prior to accepting the commission.
What We’re Looking For
We love theatrical works of any style. Proposals should be for works under twenty minutes. A few things to bear in mind:
The exact format of the festival is not yet set—there may be a combination of digital and live presentations (TBD pending practical and safety concerns), so proposals should have a degree of flexibility in that regard
Stencils shows will be cast from Strange Trace’s five singer/actor members
Proposals with casts of 1-3 are especially encouraged
We will work with composers/librettists on casting, but all final casting decisions will be made by Strange Trace
The instrumentation available for the festival is not yet determined, but will be set by Strange Trace before the composition process begins
Works for open instrumentation and unaccompanied works are great, too!
Piano may not be available, but our keyboard player, Greg, has an awesome variety of electronic keyboard instruments!
Use of electronics is possible, with the understanding that the composer should be able to provide us with all the tools we need
We’re looking for shows that engage with our mission and values
You may submit a work that you have already begun working on, with the understanding that it will be tailored to fit Strange Trace through the development and production process of Stencils
Our first Stencils Festival wraps up on-demand viewing July 4-6th; if you didn’t catch it, we will be posting excerpt videos on our website soon. Our website and YouTube channel include other video productions, and applicants are encouraged to take a peek and see what we’re about!
The Application and Review Process
The application process has two rounds. For the first round, please fill out the corresponding Google Form, linked below, which will collect some basic information about you and your idea. The round one form is due by August 1st (at 11:59PM EDT). Artists can apply in one of four ways:
An individual composer/librettist (one artist who will write the words and the music)
A composer and librettist team (two artists who are proposing a work together)
A composer looking to be paired with a librettist (one artist who will write the music, and would like to meet an artist to write the words)
A librettist looking to be paired with a composer (one artist who will write the words, and would like to meet an artist to write the music)
Last year, we produced works from each of those categories, so please don’t hesitate to apply if you’re looking to be paired with a collaborator!
Each application will be read by Strange Trace members, scored, and discussed in group meetings to determine which proposals move to the second round. In the second round, in addition to requesting samples of your work, we will have specific questions for your proposal which came up in our discussion from round one.
From round two, a small group of finalists will be selected for interviews, which will help us determine the shows we will produce. These interviews will be held virtually, and will be scheduled during round two of the application process. We’ll make sure you have everything you need beforehand—we just want a chance to meet you and get to know you a bit!
The Production Process
Each selected work will be paired with a Strange Trace member who will serve as the project lead, and will help guide the show through a workshop process tailored specifically to each show, which will include events like table reads and discussions, brainstorming sessions, semi-staged libretto readings, score readings, rehearsals and coachings, and eventually the production itself! While there may be some in-person participation possible, all events will be able to be fully attended virtually. Below, you’ll find a rough timeline which, while subject to change, will give you an idea of the scope of the development process.
Timeline
Please note that this is our current plan, but it is subject to change—particularly pending safety concerns. We will be very communicative about scheduling.
JULY 1st: Stencils Festival 2022 Call for Proposals opens
AUGUST 1st: Round 1 form closes at 11:59PM EDT
SEPTEMBER 1st: Proposals selected for round 2 are notified and materials are requested
SEPTEMBER 8th: Round 2 materials are due
SEPTEMBER 30th: Finalists are notified and interviews are scheduled
OCTOBER 8th: Winners are selected and notified
OCTOBER/NOVEMBER: Libretto writing and workshopping
NOVEMBER/DECEMBER: Score writing
JANUARY: Score draft reading and workshopping
FEBRUARY: Rehearsal score due
FEB/MARCH/APRIL: Music learning, rehearsals and coachings
MAY: Staging rehearsals and/or filming
JUNE: Stencils Festival!
Questions
If you have any questions about Stencils or the call for proposals, please email us at strangetraceopera@gmail.com
Stories Found seeks submissions for podcast
Labels: 10-minute plays, podcast
web site
Got a funny story to share? We're actively seeking featured storytellers for the Stories Found podcast!
Each episode features weird, funny, and mostly true stories from... writers, playwrights, storytellers, and YOU.
What We're Looking For
We want your off the wall, absurd, and hilarious stories. The odd situations that you stumbled into the middle of, your weird encounters with other humans, or your embarrassing, but cathartic moments. We want to hear all about it!
Look, it's been a long pandemic and we're trapped at home in Austin, Texas, and we're tired of hearing our own stories. SEND US YOURS!
We love stories, but we're also happy to accept your funny 10 minute plays, sketches, poems, etc. If it's funny and can be recorded, we want it. Send it to submissions@storiesfound.com
How Does This Work?
1. Submit your story to us at submissions@storiesfound.com
2. If your story is a great fit, we'll reach out and tell you how awesome and funny you are.
3. Record your story.
You can record your story on your own and send us the file (we can help!)
OR, we will help you record the story, play, or sketch via an audio-only Zoom session.
OR, If you have a recording from a prior performance, we can use that too (as long as you own the rights) and will be happy to get it podcast-ready for you.
4. We'll set up a time for a short recorded interview about you and your story.
5. That's it, you're famous now.
Frequently Asked Questions
Do I need to be a professional writer or storyteller to submit a story?
Nope! Some of the funniest stories we've ever heard have come from people with no background in writing or performance.
My story is funny, but also serious. Is that okay?
Of course! Just because a story is funny doesn't mean that it can't have a heart or an important lesson was learned. Send it over!
Do you want me to submit a summary or a fully written story? What file type?
Either is fine. We prefer to see a full story, but a summary is fine as long as you can let us the know the overall arc and why the story is funny. Feel free to submit your story in the body of the email or as an attached Word file or PDF. We're also willing to listen to audio files. Send us a link to it or let us know if you have a large file and we will tell you how to get it to us.
Am I telling the story live to you while you record it?
Not unless you want to! Most stories are recorded on your own time, in the privacy of your own home and then sent to us. It's so easy. Do it in one take or 50, it's up to you.
Can I send you a prior recording of one of my stories/performances?
Yes! As long as you own the rights to the recording (or can get permission), then we'd LOVE to use your prior recording.
Can I have an audience while recording my story?
Sure! Feel free to record your story in front of other people and bask in their laughs and applause, OR if we are helping you record your story, we can include a few extra people in the Zoom session as an audience.
Never told a story before and you need help or encouragement?
No problem! Ava is a public speaking/performance coach and she'd be happy to give you some free pointers. We can walk you through the process from outline to recording. You can do this! We want your story! Email Ava at hello@storiesfound.com
Got a funny story to share? We're actively seeking featured storytellers for the Stories Found podcast!
Each episode features weird, funny, and mostly true stories from... writers, playwrights, storytellers, and YOU.
What We're Looking For
We want your off the wall, absurd, and hilarious stories. The odd situations that you stumbled into the middle of, your weird encounters with other humans, or your embarrassing, but cathartic moments. We want to hear all about it!
Look, it's been a long pandemic and we're trapped at home in Austin, Texas, and we're tired of hearing our own stories. SEND US YOURS!
We love stories, but we're also happy to accept your funny 10 minute plays, sketches, poems, etc. If it's funny and can be recorded, we want it. Send it to submissions@storiesfound.com
How Does This Work?
1. Submit your story to us at submissions@storiesfound.com
2. If your story is a great fit, we'll reach out and tell you how awesome and funny you are.
3. Record your story.
You can record your story on your own and send us the file (we can help!)
OR, we will help you record the story, play, or sketch via an audio-only Zoom session.
OR, If you have a recording from a prior performance, we can use that too (as long as you own the rights) and will be happy to get it podcast-ready for you.
4. We'll set up a time for a short recorded interview about you and your story.
5. That's it, you're famous now.
Frequently Asked Questions
Do I need to be a professional writer or storyteller to submit a story?
Nope! Some of the funniest stories we've ever heard have come from people with no background in writing or performance.
My story is funny, but also serious. Is that okay?
Of course! Just because a story is funny doesn't mean that it can't have a heart or an important lesson was learned. Send it over!
Do you want me to submit a summary or a fully written story? What file type?
Either is fine. We prefer to see a full story, but a summary is fine as long as you can let us the know the overall arc and why the story is funny. Feel free to submit your story in the body of the email or as an attached Word file or PDF. We're also willing to listen to audio files. Send us a link to it or let us know if you have a large file and we will tell you how to get it to us.
Am I telling the story live to you while you record it?
Not unless you want to! Most stories are recorded on your own time, in the privacy of your own home and then sent to us. It's so easy. Do it in one take or 50, it's up to you.
Can I send you a prior recording of one of my stories/performances?
Yes! As long as you own the rights to the recording (or can get permission), then we'd LOVE to use your prior recording.
Can I have an audience while recording my story?
Sure! Feel free to record your story in front of other people and bask in their laughs and applause, OR if we are helping you record your story, we can include a few extra people in the Zoom session as an audience.
Never told a story before and you need help or encouragement?
No problem! Ava is a public speaking/performance coach and she'd be happy to give you some free pointers. We can walk you through the process from outline to recording. You can do this! We want your story! Email Ava at hello@storiesfound.com
Friday, July 30, 2021
Independent International Award for Improper Dramaturgy «Neem-2021. Turquoise edition» (all kinds of plays)
Labels: prize
web site
Deadline: September 2, 2021
1. Goals and objectives
The «Neem» award was created to support and identify underground dramatic waters.
2. Organizers
Jenya Stashkov, Performance-troupe «Vibrating body»
3. Nominations
Awarded one prize in the nomination «A play that no one will ever agree to stage»
4. Prizes
The author of the play-winner will receive a cash prize: 2000 rubles.
The best plays will be staged in the format of reading, sketching or performance by Performance-troupe «Vibrating body».
5. Requirements for the submitted works
Formal requirements are absent.
There are no linguistic and geographical limits.
The author should provide personal information:
Name+Surname (or nickname), country and city
Plays should be sent to: pos.vostok@gmail.com
6. Terms of holding
Terms for the reception of plays: May 5, 2021 – September 5, 2021
Summing up: October – December 2021.
All information on the prize will be published on the website: https://vibratingbody.jimdofree.com
7. Copyright
All the rights to plays remain with the authors.
8. Back to the glorious past
FIRST NEEM
SECOND NEEM
THIRD NEEM
Deadline: September 2, 2021
1. Goals and objectives
The «Neem» award was created to support and identify underground dramatic waters.
2. Organizers
Jenya Stashkov, Performance-troupe «Vibrating body»
3. Nominations
Awarded one prize in the nomination «A play that no one will ever agree to stage»
4. Prizes
The author of the play-winner will receive a cash prize: 2000 rubles.
The best plays will be staged in the format of reading, sketching or performance by Performance-troupe «Vibrating body».
5. Requirements for the submitted works
Formal requirements are absent.
There are no linguistic and geographical limits.
The author should provide personal information:
Name+Surname (or nickname), country and city
Plays should be sent to: pos.vostok@gmail.com
6. Terms of holding
Terms for the reception of plays: May 5, 2021 – September 5, 2021
Summing up: October – December 2021.
All information on the prize will be published on the website: https://vibratingbody.jimdofree.com
7. Copyright
All the rights to plays remain with the authors.
8. Back to the glorious past
FIRST NEEM
SECOND NEEM
THIRD NEEM
Thursday, July 29, 2021
The Breath Project 2021
Labels: ethnicity-based, geographic restriction, short plays
web site
Deadline: August 31, 2021
SUBMIT YOUR PROJECT
Submissions must be a recording of a live performance of original work that has been created in the past year, and must be 8 minutes and 46 seconds in length;
Submissions will be accepted from artists of color who reside in the United States (work submitted by artists under the age of 18 will be considered in a youth category);
The deadline for consideration for the 2021 Virtual Festival is August 31. The archive submission process is currently open-ended (there is no deadline to submit to the archive only).
All submissions received by August 31 will also be eligible for consideration for a 2022 New Play Commission award (up to $17,000 will be awarded to a single project, or smaller amounts to multiple projects).
We strongly recommend that you read the Frequently Asked Questions, and check the list of Partner Theaters to see which theaters are able to offer space and other resources.
SUBMIT YOUR PROJECT
Submissions must be a recording of a live performance of original work that has been created in the past year, and must be 8 minutes and 46 seconds in length;
Submissions will be accepted from artists of color who reside in the United States (work submitted by artists under the age of 18 will be considered in a youth category);
The deadline for consideration for the 2021 Virtual Festival is August 31. The archive submission process is currently open-ended (there is no deadline to submit to the archive only).
All submissions received by August 31 will also be eligible for consideration for a 2022 New Play Commission award (up to $17,000 will be awarded to a single project, or smaller amounts to multiple projects).
We strongly recommend that you read the Frequently Asked Questions, and check the list of Partner Theaters to see which theaters are able to offer space and other resources.
Wednesday, July 28, 2021
Call for 10-minute plays: “Bewitching” by The Lionheart Theatre Company
Labels: 10-minute plays
web site
Deadline: July 31, 2021
The Lionheart Theatre Company is looking for interested playwrights to submit short, 10-minute plays for consideration for Lionheart’s October Halloween play festival “Bewitching.”
Please note that “Bewitching” will be a live, staged performance. Lionheart is looking for plays that focus on common “spooky” themes, such as horror, the paranormal, the macabre, and general chills and thrills appropriate for late October.
“Bewitching” is intended for audiences 16 and up, so please keep that in mind when submitting scripts.
“Bewitching” will run for four performances, October 21-24, 2021. Selected playwrights will receive $40 royalties to cover the entire run.
Submission Requirements:
– Submitted scripts must be approximately no more than 10 minutes in length when performed.
– Submitted scripts should be for 6 actors or less.
– Submitted scripts can be new or previously produced.
Interested playwrights should submit scripts to Brandi Kilgore by emailing: brandi.kilgore@gmail.com.
Deadline for all submissions is midnight on Saturday, July 31st, 2021.
Playwrights will be notified by Saturday, August 7th, 2021 if their play has been selected to be part of “Bewitching.”
Deadline: July 31, 2021
The Lionheart Theatre Company is looking for interested playwrights to submit short, 10-minute plays for consideration for Lionheart’s October Halloween play festival “Bewitching.”
Please note that “Bewitching” will be a live, staged performance. Lionheart is looking for plays that focus on common “spooky” themes, such as horror, the paranormal, the macabre, and general chills and thrills appropriate for late October.
“Bewitching” is intended for audiences 16 and up, so please keep that in mind when submitting scripts.
“Bewitching” will run for four performances, October 21-24, 2021. Selected playwrights will receive $40 royalties to cover the entire run.
Submission Requirements:
– Submitted scripts must be approximately no more than 10 minutes in length when performed.
– Submitted scripts should be for 6 actors or less.
– Submitted scripts can be new or previously produced.
Interested playwrights should submit scripts to Brandi Kilgore by emailing: brandi.kilgore@gmail.com.
Deadline for all submissions is midnight on Saturday, July 31st, 2021.
Playwrights will be notified by Saturday, August 7th, 2021 if their play has been selected to be part of “Bewitching.”
Monday, July 26, 2021
CALL FOR PLAY SUBMISSIONS: DRAMA IN THE TIME OF COVID—AN ANTHOLOGY
Labels: monologues, performance art, publication, short plays
web site
Deadline: August 1, 2021
Close to 8 million people worldwide have contracted Covid-19. 1 million have died. In the United States alone, over 200,000 have succumbed to this deadly virus, and counting. With no end to the pandemic in sight, the “new normal” involves lockdowns, social distancing, face masks, fear, and political strife.
More than any other creative genre, drama has suffered the hardest during the Covid-19 pandemic. With the closure of theaters worldwide as in plagues of the past, playhouses have been forced to find new ways to reproduce the magic of live theater by going virtual. For smaller venues lacking the resources, many have closed temporarily or permanently shuttered. For playwrights, this reality translates to fewer opportunities to showcase their work, and the virus places in peril the future of live theater and new works.
We seek an anthology to showcase works by playwrights examining Covid-19 in all its permutations.
Deadline: August 1, 2021
Close to 8 million people worldwide have contracted Covid-19. 1 million have died. In the United States alone, over 200,000 have succumbed to this deadly virus, and counting. With no end to the pandemic in sight, the “new normal” involves lockdowns, social distancing, face masks, fear, and political strife.
More than any other creative genre, drama has suffered the hardest during the Covid-19 pandemic. With the closure of theaters worldwide as in plagues of the past, playhouses have been forced to find new ways to reproduce the magic of live theater by going virtual. For smaller venues lacking the resources, many have closed temporarily or permanently shuttered. For playwrights, this reality translates to fewer opportunities to showcase their work, and the virus places in peril the future of live theater and new works.
We seek an anthology to showcase works by playwrights examining Covid-19 in all its permutations.
We are looking for dramatic works (short plays, performance pieces, monologues, etc.) from diverse playwrights worldwide that speak to the deaths, isolation, social, political, and economic upheaval that have followed in the wake of this pandemic.
The anthology will be published by FlowerSong Press (https://www.flowersongpress.com/) in Spring 2022.
To submit, send new and un-produced scripts as attachments of no more than 25 pages to covidanthology@gmail.com by August 1, 2021. Include a 50-75 word 3rd-person bio in the body of your email. Plays that have had readings or workshops are acceptable. Format scripts as Microsoft Word or PDF documents only, and include a title page with contact information. Simultaneous submissions are okay but please notify us asap if accepted elsewhere. All accepted playwrights will receive a copy of the anthology upon publication.
To submit, send new and un-produced scripts as attachments of no more than 25 pages to covidanthology@gmail.com by August 1, 2021. Include a 50-75 word 3rd-person bio in the body of your email. Plays that have had readings or workshops are acceptable. Format scripts as Microsoft Word or PDF documents only, and include a title page with contact information. Simultaneous submissions are okay but please notify us asap if accepted elsewhere. All accepted playwrights will receive a copy of the anthology upon publication.
2022 Object Movement Puppetry Residency Program
Labels: festival, puppetry, residency
web site
Deadline: August 1, 2021 11:59 PM EDT
Object Movement is a CWP Residency Program for the development of new works by puppeteers and object theater artists. Curated by Maiko Kikuchi, Rowan Magee, and Justin Perkins, Object Movement supports the development of new work that addresses eternal human questions and the urgent challenges of our society today through puppetry and object theater, culminating in an annual festival of short performances.
We are delighted to be returning to the theater for the 2021-2022 Object Movement Residency & Festival! Residency meetings will be held on Tuesday evenings with a hybrid of in-person and virtual sessions, and the festival will be entirely in-person with live audiences if COVID safety conditions permit.
The Spring 2022 Object Movement Puppetry Festival is made possible in part by a grant from the Jim Henson Foundation and generous donations from people like you. Thank you for your support!
ABOUT THE RESIDENCY
For eleven weeks in Fall 2021 and eleven weeks in Spring 2022, a cohort of eight puppetry and object theater artists (or pairs or teams of artists) will meet to share progress on developing new work. Meetings will be on Tuesdays from 6:30 to 8:30pm and will be a mix of in-person and virtual sessions. In-person meetings will be held at the Center at West Park and virtual meetings will be held on Zoom. Meetings will be facilitated by the curatorial team, which includes Maiko Kikuchi, Rowan Magee, and Justin Perkins. The goal of these meetings is to provide supportive feedback for the artists and a useful but flexible structure for making and sharing work.
Each resident artist will develop a single piece over the course of the residency. There will be a work-in-progress showing for invited audiences at the second-to-last fall meeting on December 7. Completed pieces will be presented in a festival in the Center at West Park’s Sanctuary Theater March 28 through April 9, 2022.
ABOUT THE FESTIVAL
The Spring 2022 Object Movement Puppetry Festival will take place over two weeks from March 28 through April 9, 2022 in the Center at West Park’s Sanctuary Theater. Each week will feature a different program of four original short pieces 10 to 15 minutes long. Each week will include a dedicated tech day for each of the four pieces, a dress rehearsal, and three performances.
The festival will provide a stage manager and technical director, a rep lighting plot, basic sound system, and marketing and box office services. Each lead artist or team will be paid 1/16 of the net box office proceeds or $100 (whichever is greater) at the end of the festival.
IMPORTANT DATES
Applications open: July 1, 2021
Applications due: Sunday, August 1, 2021 at 11:59pm
Applicants notified: Monday, August 30
Fall residency meetings: Tuesdays 6:30-8:30pm from September 28 through December 14 (off Nov 23 for Thanksgiving)
Work-in-progress showing: Monday, December 7 at 7:30pm
Winter break: December 15—January 31
Spring residency meetings: Tuesdays 6:30-8:30pm from February 1 through April 12, 2022
Spring festival: March 28—April 9, 2022
Program A performances: Friday, April 1 at 7:30 and Saturday, April 2 at 2:30pm and 7:30pm
Program B performances: Friday, April 8 at 7:30 and Saturday, April 9 at 2:30pm and 7:30pm.
Deadline: August 1, 2021 11:59 PM EDT
Object Movement is a CWP Residency Program for the development of new works by puppeteers and object theater artists. Curated by Maiko Kikuchi, Rowan Magee, and Justin Perkins, Object Movement supports the development of new work that addresses eternal human questions and the urgent challenges of our society today through puppetry and object theater, culminating in an annual festival of short performances.
We are delighted to be returning to the theater for the 2021-2022 Object Movement Residency & Festival! Residency meetings will be held on Tuesday evenings with a hybrid of in-person and virtual sessions, and the festival will be entirely in-person with live audiences if COVID safety conditions permit.
The Spring 2022 Object Movement Puppetry Festival is made possible in part by a grant from the Jim Henson Foundation and generous donations from people like you. Thank you for your support!
ABOUT THE RESIDENCY
For eleven weeks in Fall 2021 and eleven weeks in Spring 2022, a cohort of eight puppetry and object theater artists (or pairs or teams of artists) will meet to share progress on developing new work. Meetings will be on Tuesdays from 6:30 to 8:30pm and will be a mix of in-person and virtual sessions. In-person meetings will be held at the Center at West Park and virtual meetings will be held on Zoom. Meetings will be facilitated by the curatorial team, which includes Maiko Kikuchi, Rowan Magee, and Justin Perkins. The goal of these meetings is to provide supportive feedback for the artists and a useful but flexible structure for making and sharing work.
Each resident artist will develop a single piece over the course of the residency. There will be a work-in-progress showing for invited audiences at the second-to-last fall meeting on December 7. Completed pieces will be presented in a festival in the Center at West Park’s Sanctuary Theater March 28 through April 9, 2022.
ABOUT THE FESTIVAL
The Spring 2022 Object Movement Puppetry Festival will take place over two weeks from March 28 through April 9, 2022 in the Center at West Park’s Sanctuary Theater. Each week will feature a different program of four original short pieces 10 to 15 minutes long. Each week will include a dedicated tech day for each of the four pieces, a dress rehearsal, and three performances.
The festival will provide a stage manager and technical director, a rep lighting plot, basic sound system, and marketing and box office services. Each lead artist or team will be paid 1/16 of the net box office proceeds or $100 (whichever is greater) at the end of the festival.
IMPORTANT DATES
Applications open: July 1, 2021
Applications due: Sunday, August 1, 2021 at 11:59pm
Applicants notified: Monday, August 30
Fall residency meetings: Tuesdays 6:30-8:30pm from September 28 through December 14 (off Nov 23 for Thanksgiving)
Work-in-progress showing: Monday, December 7 at 7:30pm
Winter break: December 15—January 31
Spring residency meetings: Tuesdays 6:30-8:30pm from February 1 through April 12, 2022
Spring festival: March 28—April 9, 2022
Program A performances: Friday, April 1 at 7:30 and Saturday, April 2 at 2:30pm and 7:30pm
Program B performances: Friday, April 8 at 7:30 and Saturday, April 9 at 2:30pm and 7:30pm.
HOW TO APPLY
Online applications open on July 1 and are due by Sunday, August 1 at 11:59pm. Applications are open to all artists over 18 who live in the New York City metro area. Both experienced puppetry artists and puppetry beginners with experience in other disciplines are welcome. We are not able to accept applications from full-time students. You may apply as an individual artist, a duo, or a collective/company. Please submit only one application per artist.
We are seeking a diverse cohort of artists of different backgrounds and with different interests and experience levels within the realm of puppetry and object theater. BIPOC artists, LGBTQIA artists, and artists with disabilities are heartily encouraged to apply!
https://www.centeratwestpark.org/object-movement
Online applications open on July 1 and are due by Sunday, August 1 at 11:59pm. Applications are open to all artists over 18 who live in the New York City metro area. Both experienced puppetry artists and puppetry beginners with experience in other disciplines are welcome. We are not able to accept applications from full-time students. You may apply as an individual artist, a duo, or a collective/company. Please submit only one application per artist.
We are seeking a diverse cohort of artists of different backgrounds and with different interests and experience levels within the realm of puppetry and object theater. BIPOC artists, LGBTQIA artists, and artists with disabilities are heartily encouraged to apply!
https://www.centeratwestpark.org/object-movement
Sunday, July 25, 2021
The 2022 Diverse Voices Playwriting Initiative
Labels: BIPOC, ethnicity-based, full-length plays, honorarium
web site
Deadline: August 1, 2021 by 11:59 p.m. CDT
Deadline: August 1, 2021 by 11:59 p.m. CDT
Submission form
The 2022 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by Black, Indigenous, and People of Color (BIPOC) playwrights in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges including faculty, staff, students, and alumni will select one playwright as the winner.
The winning playwright will receive:
To be eligible to win, the playwright must be available for a one-week residency in late March 2022 (exact dates TBD).
The deadline for submissions is August 1, 2021 by 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.
Please include in your submission:
Please follow these guidelines when submitting your play:
Submissions must be:
We will contact semi-finalists by the end of October 2021 and ask them to submit the full play.
The winning playwright will be notified by mid-January 2022.
Inquiries about the Diverse Voices Playwriting Initiative should be directed to:
Kee-Yoon Nahm, D.F.A.
Assistant Professor in Theatre Studies
Chair, The Crossroads Project
Email: knahm@ilstu.edu
The 2022 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by Black, Indigenous, and People of Color (BIPOC) playwrights in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges including faculty, staff, students, and alumni will select one playwright as the winner.
The winning playwright will receive:
- An invitation to Illinois State University in Bloomington-Normal, IL as a guest artist in residence for a one-week new play development workshop, culminating in a public staged reading. This residency will also include class visits and an all-School colloquium.
- Travel (within the U.S.), housing, and meals during the residency.
- An honorarium of $500 for the residency.
To be eligible to win, the playwright must be available for a one-week residency in late March 2022 (exact dates TBD).
The deadline for submissions is August 1, 2021 by 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.
Please include in your submission:
- A representative sample from your play up to 15 pages. This does not have to be the first 15 pages of the play.
- A synopsis of the play (max. 250 words).
- A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)
- A playwright’s statement (max. 400 words). In the statement, describe your inspiration for writing the play, address where you are in the development process, and discuss how a workshop in a university setting can facilitate that process.
Please follow these guidelines when submitting your play:
Submissions must be:
- A full-length play.
- Musicals are not accepted. However, plays with limited music requirements are accepted.
- The primary language of the play must be English.
- There are no other restrictions in subject matter or style.
- A playwright may only submit one play per year. The work must be submitted by the playwright rather than a literary agent or other third party.
- Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.
- The submitting playwright must be either the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.
- Plays that have been produced or published professionally are ineligible for the competition. Plays that have been presented through staged readings, workshops, university productions, or community theatre productions are eligible.
- A playwright may submit a play that they submitted in a previous year (including finalists) if there have been substantive revisions.
We will contact semi-finalists by the end of October 2021 and ask them to submit the full play.
The winning playwright will be notified by mid-January 2022.
Inquiries about the Diverse Voices Playwriting Initiative should be directed to:
Kee-Yoon Nahm, D.F.A.
Assistant Professor in Theatre Studies
Chair, The Crossroads Project
Email: knahm@ilstu.edu
Lost and Found Theatre New Works series open
Labels: new media, workshop
web site
Deadline: July 31, 2021
In the pursuit of creating platforms for emerging artists and unique pieces, Lost and Found Theatre is thrilled to announce our new works series. Each month, a team of professional actors, directors, and designers across all backgrounds and locations will come together to tell new stories through the medium of virtual theatre. We will be in close collaboration with each artist and playwright, allowing for opportunities to develop the work further during their time with us on the digital stage.
Over the past year, virtual production has been a crucial way to keep the arts alive, connecting artists from around the world in acts of grief, healing, and storytelling. With live productions resuming in theatres, this medium now presents an exciting opportunity as a testing bed for experimenting with new works written for both stage and screen.
Submissions are now open for scripts of all lengths and genres! If you’d like to see your piece produced by LAFT during this exciting new season, submit through the Google Form here on our website.
Deadline: July 31, 2021
In the pursuit of creating platforms for emerging artists and unique pieces, Lost and Found Theatre is thrilled to announce our new works series. Each month, a team of professional actors, directors, and designers across all backgrounds and locations will come together to tell new stories through the medium of virtual theatre. We will be in close collaboration with each artist and playwright, allowing for opportunities to develop the work further during their time with us on the digital stage.
Over the past year, virtual production has been a crucial way to keep the arts alive, connecting artists from around the world in acts of grief, healing, and storytelling. With live productions resuming in theatres, this medium now presents an exciting opportunity as a testing bed for experimenting with new works written for both stage and screen.
Submissions are now open for scripts of all lengths and genres! If you’d like to see your piece produced by LAFT during this exciting new season, submit through the Google Form here on our website.
Wednesday, July 21, 2021
PlayGround NY Writers Pool
Labels: NYC area writers only, workshop
web site
Deadline: August 15, 2021 11:59 ET
PlayGround, a leading playwright incubator, is in the process of launching our NY expansion, PlayGround-NY, and we are still looking for a few more NY-based early-career playwrights to join our 2021-22 Writers Pool, particularly those writers representing historically excluded communities, including BIPOC, trans/gender non-conforming, and differently-abled. While the official deadline to apply has passed, we’re continuing to accept applications through August 15 through our website and Google form at https://playground-ny.org/submit.
PlayGround is seeking applications for our inaugural (2021-22) PlayGround-NY Writers Pool. Only members of the Writers Pool are invited to submit for the Monday Night PlayGround short play staged reading series, from which each year’s Best of PlayGround are selected. PlayGround releases a prompt on a Friday morning and writers have just four-and-a-half days to write an original ten-minute play inspired by the prompt. Of the submitted scripts, 6 get chosen for a fully-staged, partly-teched, script-in-hand reading led by leading local directors and actors, on fourth Mondays, October-March. Writers not chosen in any given month can participate in PlayGround Recess, with the opportunity to hear their work read aloud by professional actors and receive peer feedback in a private setting. Submissions are due by 11:59pm (ET) on Sunday, August 15, 2021 (EXTENDED DEADLINE). BIPOC, trans/gender non-conforming & differently-abled writers are encouraged to apply!
The PlayGround Writers Pool has featured some of the nation’s most distinguished new writers of the past two decades, including Lauren Yee, Christopher Chen, Aaron Loeb, Geetha Reddy, Vincent Terrell Durham, and Diana Burbano, among others.
POOL REQUIREMENTS
To be eligible, writers must reside within the five burroughs of New York City. To apply for a place in the 2021-22 writers pool, please submit your short (ten-page max) double-spaced script (previously produced and unproduced scripts eligible) as a Portable Document Format (.pdf) attachment via the following Google form: https://forms.gle/HqPdsFL5opTkQDS8A. Excerpts from longer works are not accepted but short plays that meet the above requirements and are derived from a longer work are accepted. BIPOC, trans/gender-non-conforming & differently-abled are encouraged to apply. Submissions are due by 11:59pm (ET) on August 15, 2021 (EXTENDED DEADLINE). The 2021-22 PlayGround Writers Pool will be announced on or before September 15, 2021 and all selected writers must attend a mandatory Company Meeting on Sunday, September 19, 2021 (time to be confirmed).
PlayGround, a leading playwright incubator, is in the process of launching our NY expansion, PlayGround-NY, and we are still looking for a few more NY-based early-career playwrights to join our 2021-22 Writers Pool, particularly those writers representing historically excluded communities, including BIPOC, trans/gender non-conforming, and differently-abled. While the official deadline to apply has passed, we’re continuing to accept applications through August 15 through our website and Google form at https://playground-ny.org/submit.
PlayGround is seeking applications for our inaugural (2021-22) PlayGround-NY Writers Pool. Only members of the Writers Pool are invited to submit for the Monday Night PlayGround short play staged reading series, from which each year’s Best of PlayGround are selected. PlayGround releases a prompt on a Friday morning and writers have just four-and-a-half days to write an original ten-minute play inspired by the prompt. Of the submitted scripts, 6 get chosen for a fully-staged, partly-teched, script-in-hand reading led by leading local directors and actors, on fourth Mondays, October-March. Writers not chosen in any given month can participate in PlayGround Recess, with the opportunity to hear their work read aloud by professional actors and receive peer feedback in a private setting. Submissions are due by 11:59pm (ET) on Sunday, August 15, 2021 (EXTENDED DEADLINE). BIPOC, trans/gender non-conforming & differently-abled writers are encouraged to apply!
The PlayGround Writers Pool has featured some of the nation’s most distinguished new writers of the past two decades, including Lauren Yee, Christopher Chen, Aaron Loeb, Geetha Reddy, Vincent Terrell Durham, and Diana Burbano, among others.
POOL REQUIREMENTS
To be eligible, writers must reside within the five burroughs of New York City. To apply for a place in the 2021-22 writers pool, please submit your short (ten-page max) double-spaced script (previously produced and unproduced scripts eligible) as a Portable Document Format (.pdf) attachment via the following Google form: https://forms.gle/HqPdsFL5opTkQDS8A. Excerpts from longer works are not accepted but short plays that meet the above requirements and are derived from a longer work are accepted. BIPOC, trans/gender-non-conforming & differently-abled are encouraged to apply. Submissions are due by 11:59pm (ET) on August 15, 2021 (EXTENDED DEADLINE). The 2021-22 PlayGround Writers Pool will be announced on or before September 15, 2021 and all selected writers must attend a mandatory Company Meeting on Sunday, September 19, 2021 (time to be confirmed).
Druid New Writing script submission window is now open
Labels: full-length plays, one-act plays
web site
Deadline: July 30, 2021 8PM
ONLINE SUBMISSION FORM
Playwrights who submit a script during the submission window will have their work read. Scripts received outside of this time will not be considered. Scripts sent via email, post or other means will not be accepted.
The company accepts plays in the English language. For the purposes of clarity: Druid accepts translations of original plays into English which meet our criteria.
Please ensure you have read our guidelines before submitting your script.
How It Works
For the open submission process, a reading panel assists the Artistic Director in assessing your play and ensures that a range of perspectives are brought to bear on each submission.
While Druid gives consideration to all plays submitted within the allotted period, we are not in a position to give a detailed a response to each submission.
The open submission process takes place alongside commissions, workshops, mentoring, public readings and other playwright development initiatives as part of Druid’s commitment to bring new work into production.
Scripts are only accepted via our online form.
This form allows you to upload your script, supply your contact information and provide us with some basic information. It is imperative that you read the guidelines below before considering submitting a script. You will be asked to confirm that your script adheres to all guidelines.
Please do not email scripts to Druid. Scripts will only be accepted via our online form.
GUIDELINES
Submit only one script per submission window. Once submitted a new draft cannot be resubmitted unless requested.
Submit original work only.
Submit only those plays that have not had a full professional or amateur production. In this light, plays emerging from student productions or from a reading/workshop will be accepted.
Writers whose work has previously been produced by amateur theatre companies are asked to submit only those plays that are not currently intended for a future production.
Druid is not in a position to accept historical / biographical plays. For example, the company is more likely to produce a contemporary, more traditionally-structured play that has a connection to Ireland than an experimental opera about a historical figure with no connection to Ireland.
Druid is not in a position to accept radio scripts, TV scripts or screenplays. Submitted plays must be written for the stage.
Druid is not in a position to accept musicals or plays for children. Plays should be fully completed and have a running time of at least 40 minutes.
Please ensure that you are familiar with Druid’s work before submitting your script. You are expected to submit your script to Druid only if you believe it would be of interest to the company.
The aim of the New Writing process in Druid is to find new writers and voices that can be nourished rather than a finished polished piece of work. Druid looks forward to collaborating, guiding and nurturing writers, building a relationship with those voices who will grace our stages for years to come.
FORMATTING GUIDELINES
Scripts should be typed on A4 with pages numbered
Please ensure you check the spelling in your script thoroughly
Font size should not be lower than 12pt
Stage directions must be in italics
Please save your file in PDF
Your name and contact details should not appear anywhere on the script
Failing to remove your name or contact details from a script will render it ineligible
Due to the large volume of scripts received annually, Druid cannot provide detailed feedback on each script received.
Deadline: July 30, 2021 8PM
ONLINE SUBMISSION FORM
Playwrights who submit a script during the submission window will have their work read. Scripts received outside of this time will not be considered. Scripts sent via email, post or other means will not be accepted.
The company accepts plays in the English language. For the purposes of clarity: Druid accepts translations of original plays into English which meet our criteria.
Please ensure you have read our guidelines before submitting your script.
How It Works
For the open submission process, a reading panel assists the Artistic Director in assessing your play and ensures that a range of perspectives are brought to bear on each submission.
While Druid gives consideration to all plays submitted within the allotted period, we are not in a position to give a detailed a response to each submission.
The open submission process takes place alongside commissions, workshops, mentoring, public readings and other playwright development initiatives as part of Druid’s commitment to bring new work into production.
Scripts are only accepted via our online form.
This form allows you to upload your script, supply your contact information and provide us with some basic information. It is imperative that you read the guidelines below before considering submitting a script. You will be asked to confirm that your script adheres to all guidelines.
Please do not email scripts to Druid. Scripts will only be accepted via our online form.
GUIDELINES
Submit only one script per submission window. Once submitted a new draft cannot be resubmitted unless requested.
Submit original work only.
Submit only those plays that have not had a full professional or amateur production. In this light, plays emerging from student productions or from a reading/workshop will be accepted.
Writers whose work has previously been produced by amateur theatre companies are asked to submit only those plays that are not currently intended for a future production.
Druid is not in a position to accept historical / biographical plays. For example, the company is more likely to produce a contemporary, more traditionally-structured play that has a connection to Ireland than an experimental opera about a historical figure with no connection to Ireland.
Druid is not in a position to accept radio scripts, TV scripts or screenplays. Submitted plays must be written for the stage.
Druid is not in a position to accept musicals or plays for children. Plays should be fully completed and have a running time of at least 40 minutes.
Please ensure that you are familiar with Druid’s work before submitting your script. You are expected to submit your script to Druid only if you believe it would be of interest to the company.
The aim of the New Writing process in Druid is to find new writers and voices that can be nourished rather than a finished polished piece of work. Druid looks forward to collaborating, guiding and nurturing writers, building a relationship with those voices who will grace our stages for years to come.
FORMATTING GUIDELINES
Scripts should be typed on A4 with pages numbered
Please ensure you check the spelling in your script thoroughly
Font size should not be lower than 12pt
Stage directions must be in italics
Please save your file in PDF
Your name and contact details should not appear anywhere on the script
Failing to remove your name or contact details from a script will render it ineligible
Due to the large volume of scripts received annually, Druid cannot provide detailed feedback on each script received.
Tuesday, July 20, 2021
Green Buffalo seeks 10-minute plays for Spooky One-Act Play Festival
Labels: 10-minute plays
web site
Deadline: August 13, 2021
SUBMISSION FORM
Submit your 10-minute play to be considered for the Spooky One-Act Play Festival
Guidelines
Guidelines
- Playwright must be from or based in WNY
- Script must be 8-10 minutes
- Script must have 3 characters or less
- Minimal lighting, sound, costume, and set requirements
- Spooky/Halloween themed
- Comedies, Dramas, and everything in between are encouraged. Whatever spooky means to you... we'll happily read!
- Multiple submissions encouraged
- Please submit all of your plays in one form
Monday, July 19, 2021
The Playwrights Group - Take advantage of our Online Offerings
Labels: advertisement, class
Web Site: www.theplaywrightsgroup.com
Take advantage of our Online Offerings
There’s Something for Everyone @ TPG
Weekly Zoom Workshop
Get feedback on a finished script or one you’re just getting started on. We read everything from a one page scene to a full length. Plays, musicals, film scripts — whatever it is you’re working on. This is a great way to keep yourself focused and to connect with other playwrights across the country.
We meet (virtually) Thursdays from 7 - 9:30pm EST. Check out the website for more details and arrange to sit in on a session and see for yourself.
Script Consultations
Have a script you want feedback on? Just send a PDF of your script and you’ll get the answers you’re looking for via email and/or video conference.
Richard Caliban has worked with individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.
Online One-on-One Courses
If you’re looking for more, check out our One on One Online Playwriting Courses:
• The Art of Playwriting
• Write a Play in 10 Weeks
Both are One on One with instructor Richard Caliban, who has spent his life in rehearsal rooms getting words on a page up onto a stage. And since it’s One on One, the courses can be adjusted to fit your level of experience.
Please visit our website for further Info and Rates:
Contact us at
Sunday, July 18, 2021
The Womxn Center Stage Festival
Labels: festival, one-act plays, short plays, women
web site
Deadline: July 21, 2021
Deadline: July 21, 2021
SUBMIT APPLICATION
Womxn Center Stage October 2021
Call for Submissions
Women Center Stage is now accepting submissions from womxn artists at any stage in their careers
As part of WCS, your piece will be presented during the two-week long festival of original work, full-length pieces from CP’s Off-Broadway season, workshops, panels, and classes.
The festival will take place during the last two weeks of October in New York City.
The deadline for submissions is July 21st, 2021. We will notify all applicants by August 21, 2021.
Womxn Center Stage October 2021
Call for Submissions
Women Center Stage is now accepting submissions from womxn artists at any stage in their careers
As part of WCS, your piece will be presented during the two-week long festival of original work, full-length pieces from CP’s Off-Broadway season, workshops, panels, and classes.
The festival will take place during the last two weeks of October in New York City.
The deadline for submissions is July 21st, 2021. We will notify all applicants by August 21, 2021.
Women Center Stage, an initiative of Culture Project, New York’s premier home for socially conscious theater, supports and promotes the work of artists who identify as womxn. It also celebrates the unique contribution of womxn to social justice and human rights. The festival has grown into a means of initiating work on all levels, a place for artists to build community, share their stories, and launch provocative and relevant new work.
The Women Center Stage Festival provides a much needed home for exploring new ideas and inspiration, testing out early stages of new work, and putting womxn artists in conversation with new audiences, potential collaborators, mentors and a vibrant community of peers. The aim of WCS is to inspire collaboration, friendship, solidarity, and to create public awareness and engagement.
Since its founding in 1996, the Women Center Stage Festival has grown into a preeminent presenter of powerful art created by womxn. This coming year will mark the festival’s 25th anniversary.
Requirements
Original work that has not been fully produced, by artists who identify as womxn.
No more than 20 minutes in length.
Can be works-in-progress or part of a full-length piece.
We will accept writers with teams but this is not a requirement. (you may choose to perform in and/or direct your own work).
Work can be in the format of a scripted play, dance-theater, dance, poetry, original monologues, physical theater and can include music, video, and experimental elements.
We will also accept re-workings, retellings, deconstructions, and adaptations.
You may submit a script idea, outline, fragment or draft; not necessarily text-based (visual diagrams, storyboards etc).
What we provide:
What you provide
The Women Center Stage Festival provides a much needed home for exploring new ideas and inspiration, testing out early stages of new work, and putting womxn artists in conversation with new audiences, potential collaborators, mentors and a vibrant community of peers. The aim of WCS is to inspire collaboration, friendship, solidarity, and to create public awareness and engagement.
Since its founding in 1996, the Women Center Stage Festival has grown into a preeminent presenter of powerful art created by womxn. This coming year will mark the festival’s 25th anniversary.
Requirements
Original work that has not been fully produced, by artists who identify as womxn.
No more than 20 minutes in length.
Can be works-in-progress or part of a full-length piece.
We will accept writers with teams but this is not a requirement. (you may choose to perform in and/or direct your own work).
Work can be in the format of a scripted play, dance-theater, dance, poetry, original monologues, physical theater and can include music, video, and experimental elements.
We will also accept re-workings, retellings, deconstructions, and adaptations.
You may submit a script idea, outline, fragment or draft; not necessarily text-based (visual diagrams, storyboards etc).
What we provide:
- 2 performances for each artist/Performance Space
- 1 Tech and 1 Dress rehearsal
- Recommendations for artistic team (including actors) as needed
- Publicity
- Rep lighting plot, projector, sound system, WCS Stage Manager, Production supervisor/designer
- Some rehearsal space may be provided
What you provide
- Your original work
- Costumes
- Music/Sound/Projections
- Artistic team
- Performers
Friday, July 16, 2021
Ditmas Park 2022 Reading Series
Labels: full-length plays, reading
web site
Deadline: August 15, 2021
(only the first 100 plays will be guaranteed consideration)
The submission deadline for the Brave New Works 2022 Reading Series is August 15th, 2021. Due to our small staff, only the first 100 plays submitted will be guaranteed consideration and only finalists will be contacted. Finalists will be notified of their status by September 15th, 2021, and final selections will be made by October 30th, 2021.
Three original, full-length plays (under 120 pages) will be selected and given minimally staged readings between January 10th – March 30th, 2022 (if we are unable to have in-person readings due to COVID19, they will be done virtually). Playwrights must be local to the Tri-state area, ideally within a 90-minute commute to Brooklyn, NY as your attendance is requested. Brooklyn-based playwrights will be given first consideration. Chosen playwrights will receive a $350 stipend.
To be considered, plays must meet the following criteria:
No previously produced plays, although previous staged readings/workshops are not disqualifying factors.
The play must be completed at the time of submission – unfinished or partial drafts cannot be accepted at this time. Plays may still be in development, but they must be audience-ready at the time of submission. If the play is heavily revised AFTER being submitted, it MUST be resubmitted before the end of the submission period.
Plays must be able to be read by no more than 7 actors and someone on stage directions. If double and triple casting is possible, please advise. We are interested in plays that feature diverse casts.
We are unable to accept new musical submissions at this time, given the limited technical nature of this reading series.
To submit, please attach a 10-page script sample AND your full script to submissions@bravenewworldrep.org.
(only the first 100 plays will be guaranteed consideration)
The submission deadline for the Brave New Works 2022 Reading Series is August 15th, 2021. Due to our small staff, only the first 100 plays submitted will be guaranteed consideration and only finalists will be contacted. Finalists will be notified of their status by September 15th, 2021, and final selections will be made by October 30th, 2021.
Three original, full-length plays (under 120 pages) will be selected and given minimally staged readings between January 10th – March 30th, 2022 (if we are unable to have in-person readings due to COVID19, they will be done virtually). Playwrights must be local to the Tri-state area, ideally within a 90-minute commute to Brooklyn, NY as your attendance is requested. Brooklyn-based playwrights will be given first consideration. Chosen playwrights will receive a $350 stipend.
To be considered, plays must meet the following criteria:
No previously produced plays, although previous staged readings/workshops are not disqualifying factors.
The play must be completed at the time of submission – unfinished or partial drafts cannot be accepted at this time. Plays may still be in development, but they must be audience-ready at the time of submission. If the play is heavily revised AFTER being submitted, it MUST be resubmitted before the end of the submission period.
Plays must be able to be read by no more than 7 actors and someone on stage directions. If double and triple casting is possible, please advise. We are interested in plays that feature diverse casts.
We are unable to accept new musical submissions at this time, given the limited technical nature of this reading series.
To submit, please attach a 10-page script sample AND your full script to submissions@bravenewworldrep.org.
The 10-page script sample can include 10 pages of consecutive or non-consecutive content from your script (please clearly label jumps if you choose to submit non-consecutive content). Both the 10-page sample and full script must be submitted in PDF format with numbered pages.
In a separate document or in the body of your email please also include a short synopsis of your play, a brief bio, where you found this call for submissions, and any relevant website link(s).
Submissions are limited to one play per playwright per season. Multiple play submissions by the same playwright for the same season will not be considered.
Brave New World Rep is committed to giving a platform to voices and stories from underrepresented and historically disenfranchised communities. For this season, we are specifically seeking submissions from playwrights belonging to communities that have been disproportionately affected by over-policing and police violence. Black, Indigenous, Latinx, Muslim, immigrant, LGBTQIA+, differently-abled, and womxn playwrights are HIGHLY encouraged to submit and will be prioritized.
Brave New World Repertory Theatre, a Brooklyn-based company, reaches under-served audiences to promote a love of theatre, with re-imagined classics and brave new works that reflect our diverse community. BNW’s free-to-low-cost programs range from intimate readings to large outdoor productions, and cast unique and historic Brooklyn venues in a leading role. We seek to tell stories that celebrate life and explore social justice; stories that make us laugh, feel deeply, and find common ground.
For more information, please visit: www.bravenewworldrep.org
Brave New World Rep is committed to giving a platform to voices and stories from underrepresented and historically disenfranchised communities. For this season, we are specifically seeking submissions from playwrights belonging to communities that have been disproportionately affected by over-policing and police violence. Black, Indigenous, Latinx, Muslim, immigrant, LGBTQIA+, differently-abled, and womxn playwrights are HIGHLY encouraged to submit and will be prioritized.
Brave New World Repertory Theatre, a Brooklyn-based company, reaches under-served audiences to promote a love of theatre, with re-imagined classics and brave new works that reflect our diverse community. BNW’s free-to-low-cost programs range from intimate readings to large outdoor productions, and cast unique and historic Brooklyn venues in a leading role. We seek to tell stories that celebrate life and explore social justice; stories that make us laugh, feel deeply, and find common ground.
For more information, please visit: www.bravenewworldrep.org
Wednesday, July 14, 2021
A-TIPICO 2: LATINX NEW PLAY FESTIVAL
Labels: ethnicity-based, full-length plays, new media, stipend
web site
Deadline: July 20, 2021
Chelsea Massachusetts
Teatro Chelsea is now taking submissions for the Second A-Tipico Latinx New Play Festival, taking place October 20–23, 2021 in-person at the Chelsea Theatre Works Blackbox.
Teatro Chelsea is soliciting submissions of plays by Latinx playwrights for their A-Tipico New Play Festival. We encourage local, national and international artists to submit full-length plays during our open submission process.
Deadline: July 20, 2021
(Please note that Teatro Chelsea will only be accepting the first 100 submissions)
Chelsea Massachusetts
Teatro Chelsea is now taking submissions for the Second A-Tipico Latinx New Play Festival, taking place October 20–23, 2021 in-person at the Chelsea Theatre Works Blackbox.
Teatro Chelsea is soliciting submissions of plays by Latinx playwrights for their A-Tipico New Play Festival. We encourage local, national and international artists to submit full-length plays during our open submission process.
A-TÃpico was born out of a desire to see a more diverse set of stories told about our Latinx communities. It is a place to foster Latinx playwrights and spotlight those stories that so often go untold. In this upcoming iteration of the festival we want to highlight a variety of plays, including stories about and by Afro-Latines, indigenous Latines, and queer Latines.
Following the submission process, Teatro Chelsea will select four plays to receive staged readings in the festival. Three of the selected plays will be presented in-person at the Chelsea Theatreworks Blackbox and one play will be presented virtually via Zoom.
Their selection will be vetted by Teatro Chelsea’s creative team and the final scripts will be considered for a full production in the Spring 2022 or 2023 season.
If selected, this opportunity will pay a stipend of $250.
Qualifications
The works submitted must meet the following criteria:
--The playwright must be 18 years of age.
--The play must not have had a professional production, or be scheduled to have a professional production, prior to June 1, 2022. A professional production means a fully staged production with a full rehearsal process and all of the theatrical elements traditionally expected are present.
--We are seeking to develop plays of all shapes and sizes; however, we are prioritizing full-length plays. One acts, Solo pieces, theatre for young audience pieces will still be accepted and put under consideration.
--We accept both original and adapted works, provided that the rights to any material not in the public domain have been granted.
--Playwrights interested in submitting a play for consideration in the A-Tipico Festival should send the following to Teatro Chelsea between June 15, 2021 – July 20, 2021. Email submissions should be sent to: tc@teatrochelsea.com
A-Tipico New Play Festival Submission
In your submission please provide the following:
--Your contact information – First/Last Name, Email, Phone Number
--Title of the play
--Character breakdown and description
--Time and place of the play
--A short one-paragraph synopsis of the play
--A PDF of your play.
If selected, this opportunity will pay a stipend of $250.
Qualifications
The works submitted must meet the following criteria:
--The playwright must be 18 years of age.
--The play must not have had a professional production, or be scheduled to have a professional production, prior to June 1, 2022. A professional production means a fully staged production with a full rehearsal process and all of the theatrical elements traditionally expected are present.
--We are seeking to develop plays of all shapes and sizes; however, we are prioritizing full-length plays. One acts, Solo pieces, theatre for young audience pieces will still be accepted and put under consideration.
--We accept both original and adapted works, provided that the rights to any material not in the public domain have been granted.
--Playwrights interested in submitting a play for consideration in the A-Tipico Festival should send the following to Teatro Chelsea between June 15, 2021 – July 20, 2021. Email submissions should be sent to: tc@teatrochelsea.com
A-Tipico New Play Festival Submission
In your submission please provide the following:
--Your contact information – First/Last Name, Email, Phone Number
--Title of the play
--Character breakdown and description
--Time and place of the play
--A short one-paragraph synopsis of the play
--A PDF of your play.
Selection Process
--We will solicit the help of volunteer readers to read the submitted scripts. These readers may include but are not limited to the following: Teatro Chelsea’s Artistic Team, actors in previous Teatro productions, industry playwrights, local Chelsea arts advocates and other industry professionals.
--There will be one round of reading for outside readers and each reader will read between 5 and 10 scripts. There will be a second round of reading of a short listed selection of submissions. A final third round of reading will be done by Teatro’s Artistic Team in order to select the finalists from a short-list of scripts that have been evaluated in rounds one and two of reading.
--The reading of scripts will take place over a one month period and the four scripts will be chosen no later than the end of August 2021.
--We will solicit the help of volunteer readers to read the submitted scripts. These readers may include but are not limited to the following: Teatro Chelsea’s Artistic Team, actors in previous Teatro productions, industry playwrights, local Chelsea arts advocates and other industry professionals.
--There will be one round of reading for outside readers and each reader will read between 5 and 10 scripts. There will be a second round of reading of a short listed selection of submissions. A final third round of reading will be done by Teatro’s Artistic Team in order to select the finalists from a short-list of scripts that have been evaluated in rounds one and two of reading.
--The reading of scripts will take place over a one month period and the four scripts will be chosen no later than the end of August 2021.
Sunday, July 11, 2021
Tiger's Heart Players seeks new work
Labels: new media, readings, short plays
Facebook page
Submissions on a rolling basis - no deadline
WE ARE NOW SEEKING SHORT WORKS—10 TO 25 PAGES - OR UP TO 25 PAGES+-FROM A LONGER WORK
(to be read in full, in installments)
Multiple Submissions are fine. Response time is usually swift—within a couple of weeks.
NOTE: Tiger’s Heart Payers does NOT cast your play for a Reading, but we will be more than happy to assist.
(Production is an entirely different matter.)
We are especially interested in work from Women, Outliars of all description, and Playwrights & Actors around the globe!
Submit @ Tigersheartplayers@gmail.com.
PDF or Word Accepted
Lab Sessions are posted each weekend on our Facebook Page @ Tiger’s Heart Players
Submissions on a rolling basis - no deadline
WE ARE NOW SEEKING SHORT WORKS—10 TO 25 PAGES - OR UP TO 25 PAGES+-FROM A LONGER WORK
(to be read in full, in installments)
Multiple Submissions are fine. Response time is usually swift—within a couple of weeks.
NOTE: Tiger’s Heart Payers does NOT cast your play for a Reading, but we will be more than happy to assist.
(Production is an entirely different matter.)
We are especially interested in work from Women, Outliars of all description, and Playwrights & Actors around the globe!
Submit @ Tigersheartplayers@gmail.com.
PDF or Word Accepted
Lab Sessions are posted each weekend on our Facebook Page @ Tiger’s Heart Players
Friday, July 9, 2021
Ars Nova Play Group
Labels: workshop
web site
Deadline: July 18, 2021 midnight EDT
Play Group is a two year residency in which members become a part of the Ars Nova Resident Artist community. In addition to biweekly meetings where members share new work and receive feedback from their Play Group peers, members also receive dramaturgical support and artistic match-making advice from the Ars Nova artistic staff; invitations to Ars Nova shows, Resident Artists mixers, and to see the work of Play Group alums around the city; two Play Group writing retreats; and the opportunity to further develop and showcase one of their plays in a weeklong workshop that can culminate in a public reading. Click here for a list of Play Group alumni.
Applications for Play Group 2022 will be accepted beginning June 21st and must be submitted by midnight on July 18th to be eligible for consideration. Please CLICK HERE for the application form. Applications require one full-length play, a playwriting resume, two theater references and a personal statement.
SELECTION CRITERIA:
All playwrights who identify as emerging and who are able to attend meetings in NYC are eligible to apply. In selecting new members, we will take into account the writing in the submitted play (all plays are read in their entirety), how/if the writer stands to benefit from membership at this point in their career, what they would bring to the other writers in the group, and the overall balance of voices, styles and experiences in Play Group.
Deadline: July 18, 2021 midnight EDT
Play Group is a two year residency in which members become a part of the Ars Nova Resident Artist community. In addition to biweekly meetings where members share new work and receive feedback from their Play Group peers, members also receive dramaturgical support and artistic match-making advice from the Ars Nova artistic staff; invitations to Ars Nova shows, Resident Artists mixers, and to see the work of Play Group alums around the city; two Play Group writing retreats; and the opportunity to further develop and showcase one of their plays in a weeklong workshop that can culminate in a public reading. Click here for a list of Play Group alumni.
Applications for Play Group 2022 will be accepted beginning June 21st and must be submitted by midnight on July 18th to be eligible for consideration. Please CLICK HERE for the application form. Applications require one full-length play, a playwriting resume, two theater references and a personal statement.
SELECTION CRITERIA:
All playwrights who identify as emerging and who are able to attend meetings in NYC are eligible to apply. In selecting new members, we will take into account the writing in the submitted play (all plays are read in their entirety), how/if the writer stands to benefit from membership at this point in their career, what they would bring to the other writers in the group, and the overall balance of voices, styles and experiences in Play Group.
Ars Nova recognizes both that it is a predominantly white organization and that historic institutional theater practices have led to an exclusionary and harmful environment for those who identify as Black, Indigenous and People of Color. We are actively working to become a more diverse, anti-racist, inclusive organization in all ways. Writers of all races, genders, backgrounds and abilities are strongly encouraged to apply.
APPLICATION MATERIALS:
Applications consist of a full-length play, a playwriting resume and a one-page personal statement. Because we encourage Play Group members to use their time with us to develop their bodies of work (as opposed to a specific script), we look to personal statements to help us start to get to know you as a writer and a person more generally. So we’re not looking for you to elucidate your application play, but rather we’d love to hear about what inspires you and makes you tick. Please feel free to address any of the below prompt suggestions – or respond in any way that you think will help us begin to get to know you best!
What appeals to you about this particular writers group for you right now?
Why do you write for live theater?
Do you have a next play kicking around in your brain? (we’d love to hear about that- and don’t worry we won’t hold you to it!)
What non-theater hobbies or obsessions inform your practice/process?
If you could design an unconventional workshop process, what would it look like?
What are your hopes and dreams (concrete or abstract) for theater you want to be involved in moving forward?
APPLICATION MATERIALS:
Applications consist of a full-length play, a playwriting resume and a one-page personal statement. Because we encourage Play Group members to use their time with us to develop their bodies of work (as opposed to a specific script), we look to personal statements to help us start to get to know you as a writer and a person more generally. So we’re not looking for you to elucidate your application play, but rather we’d love to hear about what inspires you and makes you tick. Please feel free to address any of the below prompt suggestions – or respond in any way that you think will help us begin to get to know you best!
What appeals to you about this particular writers group for you right now?
Why do you write for live theater?
Do you have a next play kicking around in your brain? (we’d love to hear about that- and don’t worry we won’t hold you to it!)
What non-theater hobbies or obsessions inform your practice/process?
If you could design an unconventional workshop process, what would it look like?
What are your hopes and dreams (concrete or abstract) for theater you want to be involved in moving forward?
2022 Lanesboro Artist Residency Program
Labels: residency
web site
Deadline: July 30, 2021 at 12 p.m. (noon) CST
The Lanesboro Artist Residency Program offers two or four week residencies to emerging artists driven to explore ways in which their work can be applied to the community and how Lanesboro’s rural community can inform their work. The Lanesboro Artist Residency Program, located in Lanesboro, MN (pop. 754), is supported by the Jerome Foundation and aims to provide an immersive, meaningful experience for emerging artists from Minnesota and the five boroughs of New York City. The program is unique in that it provides an entire rural community and its myriad assets as a catalytic vehicle for engagement and artistic experimentation, with staff working with each resident to create a fully-customized residency experience.
Lanesboro Arts’ goal is to be flexible and accommodating to artists, allowing them access to local resources needed for conceptualizing and realizing their place-based work. Lanesboro Arts recognizes “place-based work” as work that is specifically inspired by and designed for the place in which the work takes place; it can be a new project, or an interpretation of the artist’s current work tailored to engage the community of Lanesboro. The residency program was designed to align with and amplify Lanesboro Arts’ vision for communities–especially rural communities–to embrace artists as economic drivers, culture bearers, community builders, and problem solvers. Follow these links for reflective audio interviews with 2018 artists in residence: Erin Lavelle and Rini Yun Keagy.
TO APPLY
The application deadline for the 2022 Lanesboro Artist Residency Program is Friday, July 30, 2021 at 12 p.m. (noon) CST. The application is now open, and can be found here.
Jury review will take place in August and applicants will be notified by September 17, 2021 at the latest as to the status of their application. A phone interview process with finalists will take place in late September and selected artist residents and runners-up will be notified by October 4, 2021.
Artists must be legal residents of Minnesota or one of the five boroughs of New York City to be eligible to apply. To be considered, eligible artists must submit their application through the online webform on Lanesboro Arts website. Complete program details are below. Please contact Kara Maloney at 507-467-2446 or kara@lanesboroarts.org with any questions.
Deadline: July 30, 2021 at 12 p.m. (noon) CST
The Lanesboro Artist Residency Program offers two or four week residencies to emerging artists driven to explore ways in which their work can be applied to the community and how Lanesboro’s rural community can inform their work. The Lanesboro Artist Residency Program, located in Lanesboro, MN (pop. 754), is supported by the Jerome Foundation and aims to provide an immersive, meaningful experience for emerging artists from Minnesota and the five boroughs of New York City. The program is unique in that it provides an entire rural community and its myriad assets as a catalytic vehicle for engagement and artistic experimentation, with staff working with each resident to create a fully-customized residency experience.
Lanesboro Arts’ goal is to be flexible and accommodating to artists, allowing them access to local resources needed for conceptualizing and realizing their place-based work. Lanesboro Arts recognizes “place-based work” as work that is specifically inspired by and designed for the place in which the work takes place; it can be a new project, or an interpretation of the artist’s current work tailored to engage the community of Lanesboro. The residency program was designed to align with and amplify Lanesboro Arts’ vision for communities–especially rural communities–to embrace artists as economic drivers, culture bearers, community builders, and problem solvers. Follow these links for reflective audio interviews with 2018 artists in residence: Erin Lavelle and Rini Yun Keagy.
TO APPLY
The application deadline for the 2022 Lanesboro Artist Residency Program is Friday, July 30, 2021 at 12 p.m. (noon) CST. The application is now open, and can be found here.
Jury review will take place in August and applicants will be notified by September 17, 2021 at the latest as to the status of their application. A phone interview process with finalists will take place in late September and selected artist residents and runners-up will be notified by October 4, 2021.
Artists must be legal residents of Minnesota or one of the five boroughs of New York City to be eligible to apply. To be considered, eligible artists must submit their application through the online webform on Lanesboro Arts website. Complete program details are below. Please contact Kara Maloney at 507-467-2446 or kara@lanesboroarts.org with any questions.
Thursday, July 8, 2021
Stay True, An LGBTQ+ Theatre Company is seeking submissions for a holiday play
Labels: full-length plays, LGBTQ+, musicals
web site
Deadline: July 25, 2021
Stay True, An LGBTQ+ Theatre Company based in New York City is seeking submissions for a holiday play to be produced as part of their 2021/2022 Season. The play should take place around one of the major winter holidays and center LGBTQIA+ characters. Special considation will be given to works that celebrate queer joy or feature characters with intersectional identities.
Deadline: July 25, 2021
Stay True, An LGBTQ+ Theatre Company based in New York City is seeking submissions for a holiday play to be produced as part of their 2021/2022 Season. The play should take place around one of the major winter holidays and center LGBTQIA+ characters. Special considation will be given to works that celebrate queer joy or feature characters with intersectional identities.
The play should be full length (around 90 minutes), no intermission is preferred and plays with music or small musicals will also be considered.
The play can be previously produced or an unproduced new work.
Preference will be given to plays that can be performed with a cast of five actors or less.
The production will be directed by Stay True’s Founding Artistic Director Andrew Victor Myers.
This production will be held in the late fall or winter of 2021. The performance will tentatively be recorded and distributed virtually, but rehearsals may be held in person, with COVID safety protocols in place. Auditions will be in August with the rehearsal process starting in September
The submission period is June 30-July 25 please email staytruetheatrecompany@gmail.com with a PDF copy and a short summary of the play. Please also include your resume, contact information and the pronouns you would like us to use to address you.
We encourage playwrights of all ethnicities, gender identities, ages, shapes, sizes, and (dis)abilities within the queer community to submit.
Compensation will be a stipend to be discussed and negotiated. Playwrights must be okay with casting Non-Equity.
This production will be held in the late fall or winter of 2021. The performance will tentatively be recorded and distributed virtually, but rehearsals may be held in person, with COVID safety protocols in place. Auditions will be in August with the rehearsal process starting in September
The submission period is June 30-July 25 please email staytruetheatrecompany@gmail.com with a PDF copy and a short summary of the play. Please also include your resume, contact information and the pronouns you would like us to use to address you.
We encourage playwrights of all ethnicities, gender identities, ages, shapes, sizes, and (dis)abilities within the queer community to submit.
Compensation will be a stipend to be discussed and negotiated. Playwrights must be okay with casting Non-Equity.
Tuesday, July 6, 2021
Free feedback programs for playwrights
Labels: free event
Two free feedback programs for playwrights--one for ten-minute plays and one for full-length plays.
In brief:
Trade A Play Tuesday (#TAPT) has been operating every Tuesday for seven years and offers one-to-one trading for same-day feedback on ten-minute plays or scenes only.
Trade A Play Tuesday (#TAPT) has been operating every Tuesday for seven years and offers one-to-one trading for same-day feedback on ten-minute plays or scenes only.
Get complete details and guidelines here:
http://blog.donnahoke.com/trade-a-play-tuesday/
Playwrights Offering Free Feedback (#POFF) is for full-length plays and is more of a credit system; you must read one to get one read.
http://blog.donnahoke.com/trade-a-play-tuesday/
Playwrights Offering Free Feedback (#POFF) is for full-length plays and is more of a credit system; you must read one to get one read.
Get complete details and guidelines here:
http://blog.donnahoke.com/introducing-poff-playwrights-offering-free-feedback-a-free-readingfeedback-circle/
http://blog.donnahoke.com/introducing-poff-playwrights-offering-free-feedback-a-free-readingfeedback-circle/
Monday, July 5, 2021
TEDxAsburyPark seeks short plays
Labels: short plays
web site
Deadline: August 1, 2021
In its 10th season, TEDxAsburyPark is broadening its commitment to ideas by seeking short original plays to be produced and directed for a Zoom audience.
Plays must have a running time of less than 25 minutes, involve a small cast and be suitable for Zoom or a simple production. As a lab, our directed and rehearsed productions will involve the playwright, and all sessions, including the final production, will be recorded.
Submissions should include a tight summary with character descriptions and a working script.
The final production will be offered to a live online audience where we typically host 200-800 attendees, to be followed by a panel discussion with the playwright, director and cast.
The final production will be hosted on our YouTube channel, which has had over 6 million views.
If selected, the playwright will grant a limited use license of the recorded work to be hosted on YouTube, with links to our social media, and at our option, to be produced for a live audience by TEDxAsburyPark and its affiliates.
Casting will be an open call with director, and the playwright is free to invite actors as part of the process.
Important: We can only review small cast plays between 10 and 30 minutes in length.
Submissions will be evaluated on originality, an idea worth spreading, language, and suitability for virtual production. We will only retain about 10% of submitted plays for potential productions and readings. We will get back to you promptly, usually within 30 days of submission.
With appreciation of your work,
Brian Smiga, John Orefice, and the TEDxAsburyPark team
TEDxAsburyPark performers, writers, speakers do not receive any monetary compensation, or airfare/transportation costs.
If you are accepted, we will ask you to sign the TED.com open-commons release form and we will direct, produce, record and edit a video of your work making it available to you, and also under a creative commons license on the web on our website, on YouTube and other video sites, and possibly on TED.com. We reserve the right to keep the online video live just like TED talks.
Deadline: August 1, 2021
In its 10th season, TEDxAsburyPark is broadening its commitment to ideas by seeking short original plays to be produced and directed for a Zoom audience.
Plays must have a running time of less than 25 minutes, involve a small cast and be suitable for Zoom or a simple production. As a lab, our directed and rehearsed productions will involve the playwright, and all sessions, including the final production, will be recorded.
Submissions should include a tight summary with character descriptions and a working script.
The final production will be offered to a live online audience where we typically host 200-800 attendees, to be followed by a panel discussion with the playwright, director and cast.
The final production will be hosted on our YouTube channel, which has had over 6 million views.
If selected, the playwright will grant a limited use license of the recorded work to be hosted on YouTube, with links to our social media, and at our option, to be produced for a live audience by TEDxAsburyPark and its affiliates.
Casting will be an open call with director, and the playwright is free to invite actors as part of the process.
Important: We can only review small cast plays between 10 and 30 minutes in length.
Submissions will be evaluated on originality, an idea worth spreading, language, and suitability for virtual production. We will only retain about 10% of submitted plays for potential productions and readings. We will get back to you promptly, usually within 30 days of submission.
With appreciation of your work,
Brian Smiga, John Orefice, and the TEDxAsburyPark team
TEDxAsburyPark performers, writers, speakers do not receive any monetary compensation, or airfare/transportation costs.
If you are accepted, we will ask you to sign the TED.com open-commons release form and we will direct, produce, record and edit a video of your work making it available to you, and also under a creative commons license on the web on our website, on YouTube and other video sites, and possibly on TED.com. We reserve the right to keep the online video live just like TED talks.
Sunday, July 4, 2021
Nancy Dean Lesbian Playwriting Award
Labels: LGBTQ+, prize, women
web site
Deadline: August 1, 2021
The Nancy Dean award for Lesbian Playwrights is to honor a woman who was at the forefront of Lesbian, queer, gay, genderqueer, gender-nonconforming, trans, intersex and people of color movements. We honor her focus and writing on Lesbian relationships before the time of the Stonewall rebellion. Her writings were the precursor to social change. In that spirit of struggle and often hidden desire we encourage the submission of new plays that address the conflict of lesbian, queer or gay, trans and nonbinary women struggling to live and love their best lives. In these times of social definition and refinement the age-old conflict of acceptance and the right to live our true lives as we truly are is still our continuing fight which is refined and embolden by each new generation.
We understand people have their own language for their gender and sexuality. We are open to submission from people who are lesbian, queer or gay, trans and nonbinary.
As we are a small family foundation with an all-volunteer board, we must rely on nominations to identify potential recipients. We are asking professors, teachers, artistic directors, directors, literary managers, actors, writers, and others to nominate promising writers. As we want to be inclusive, we will allow people to self-nominate. The following are our guidelines:
The Nancy Dean award for Lesbian Playwrights is to honor a woman who was at the forefront of Lesbian, queer, gay, genderqueer, gender-nonconforming, trans, intersex and people of color movements. We honor her focus and writing on Lesbian relationships before the time of the Stonewall rebellion. Her writings were the precursor to social change. In that spirit of struggle and often hidden desire we encourage the submission of new plays that address the conflict of lesbian, queer or gay, trans and nonbinary women struggling to live and love their best lives. In these times of social definition and refinement the age-old conflict of acceptance and the right to live our true lives as we truly are is still our continuing fight which is refined and embolden by each new generation.
We understand people have their own language for their gender and sexuality. We are open to submission from people who are lesbian, queer or gay, trans and nonbinary.
As we are a small family foundation with an all-volunteer board, we must rely on nominations to identify potential recipients. We are asking professors, teachers, artistic directors, directors, literary managers, actors, writers, and others to nominate promising writers. As we want to be inclusive, we will allow people to self-nominate. The following are our guidelines:
- Writer is lesbian, queer or gay and nonbinary;
- Writer has written at least one play;
- Writer is writing plays about lesbians;
- Writer is committed to writing plays and furthering her/their career;
- Writer is interested in receiving the award. Please send a letter(pdf) describing why your writer should receive this award and a full-length play (pdf) to openmeadowsfdn@gmail.com. In your letter, please be as detailed as possible in up to 2 pages. Include the writer’s resume and website or other social media links. The deadline for submissions is August 1, 2021. We will announce the recipient October 31, 2021.
Clay & Water 2022 Playwrights' Retreat
Labels: retreat
web site
Deadline: July 31, 2021
Clamour Theatre Company (https://clamourtheatre.org) is accepting applications through July 31, 2021 for Clay & Water 2022, our Fourth Annual Playwrights' Retreat.
All the details and the application guidelines can be found here: https://www.clamourtheatre.org/clay-water-2022-applictions/
Five playwrights will be selected to participate on dates TBD in the 1st Quarter of 2022.
Due to the fact that our state of Florida is lagging behind in vaccinations, we are not yet sure whether the Retreat will be in-person or virtual. Thus, the dates are still not finalized, and we understand that some applicants, if selected, may not be able to attend once the final dates and format are chosen. We suggest you go ahead and apply, and we'll all figure it out when the time comes.
The application guidelines include a request that you tell us whether you are applying for an In-Person version of the Retreat only, a Virtual version only, or either.
Application Deadline: Midnight (Eastern time) July 31, 2021
No fee to apply or attend.
What to submit: Draft of one full-length unproduced, unpublished non-musical play (60-120 pages) in a standard play script format that requires 2 to 4 actors to perform. PDF format. Plays that have had previous developmental readings are acceptable.
Notification by year-end 2021
Deadline: July 31, 2021
Clamour Theatre Company (https://clamourtheatre.org) is accepting applications through July 31, 2021 for Clay & Water 2022, our Fourth Annual Playwrights' Retreat.
All the details and the application guidelines can be found here: https://www.clamourtheatre.org/clay-water-2022-applictions/
Five playwrights will be selected to participate on dates TBD in the 1st Quarter of 2022.
Due to the fact that our state of Florida is lagging behind in vaccinations, we are not yet sure whether the Retreat will be in-person or virtual. Thus, the dates are still not finalized, and we understand that some applicants, if selected, may not be able to attend once the final dates and format are chosen. We suggest you go ahead and apply, and we'll all figure it out when the time comes.
The application guidelines include a request that you tell us whether you are applying for an In-Person version of the Retreat only, a Virtual version only, or either.
Application Deadline: Midnight (Eastern time) July 31, 2021
No fee to apply or attend.
What to submit: Draft of one full-length unproduced, unpublished non-musical play (60-120 pages) in a standard play script format that requires 2 to 4 actors to perform. PDF format. Plays that have had previous developmental readings are acceptable.
Notification by year-end 2021
Green Stories Radio Play Competition
Labels: radio
web site
Deadline: August 26th 2021
Prize sponsored by the Literary Consultancy
This competition is free to enter.
Radio play/series
We are looking for a radio play or series that in some way touches upon ideas around building a sustainable society. We will consider all genres – comedy, drama, science fiction, mystery, crime etc. – but stories must engage with the idea of environmentally sustainable practices and/or sustainable societies see guidelines.
Length/format: choose one of three categories
Opportunities for finalists: BBC Writers room have agreed to read the top five scripts and follow up with any writers they think have promise. In addition, Whistledown Productions produce programmes for radio and have agreed to look at the top entries.
Eligibility: Open to all, as long as it has not been published elsewhere. All submissions must be in English and conform to the green stories criteria of showing a positive vision of what a sustainable society might look like or in some way smuggling in green solutions/policies/characters in the context of an otherwise mainstream story. Entries must be submitted via the link below.
Submission details will be provided in May 2021. Your script will get a better reception if written in a standard radio format e.g. see http://downloads.bbc.co.uk/writersroom/scripts/bbcradioscene.pdf
The first output from our green stories short stories competition is now available to buy ‘Resurrection Trust‘ – a collection of funny, dark, mad, bad, upbeat, downbeat and fantastical short stories about living sustainably. It has a foreword by Caroline Lucas and review by Jonathon Porritt. It’s £3.99/£7.99 available on Amazon or even better https://www.hive.co.uk/ which allows you support your local bookshop. Writers may find it a useful source of ideas.
Deadline: August 26th 2021
Prize sponsored by the Literary Consultancy
This competition is free to enter.
Radio play/series
We are looking for a radio play or series that in some way touches upon ideas around building a sustainable society. We will consider all genres – comedy, drama, science fiction, mystery, crime etc. – but stories must engage with the idea of environmentally sustainable practices and/or sustainable societies see guidelines.
Length/format: choose one of three categories
- 45 minute drama
- 6 x 30 minute series: send sample/pilot episode + 3 pages outlining remaining episodes (these should be ready as we will ask for them if shortlisted).
- 5 x 15 minute series: send the first two 15 minutes episodes and an outline of the further 3 episodes (these should be ready as we will ask for them if shortlisted).
Opportunities for finalists: BBC Writers room have agreed to read the top five scripts and follow up with any writers they think have promise. In addition, Whistledown Productions produce programmes for radio and have agreed to look at the top entries.
Eligibility: Open to all, as long as it has not been published elsewhere. All submissions must be in English and conform to the green stories criteria of showing a positive vision of what a sustainable society might look like or in some way smuggling in green solutions/policies/characters in the context of an otherwise mainstream story. Entries must be submitted via the link below.
Submission details will be provided in May 2021. Your script will get a better reception if written in a standard radio format e.g. see http://downloads.bbc.co.uk/writersroom/scripts/bbcradioscene.pdf
The first output from our green stories short stories competition is now available to buy ‘Resurrection Trust‘ – a collection of funny, dark, mad, bad, upbeat, downbeat and fantastical short stories about living sustainably. It has a foreword by Caroline Lucas and review by Jonathon Porritt. It’s £3.99/£7.99 available on Amazon or even better https://www.hive.co.uk/ which allows you support your local bookshop. Writers may find it a useful source of ideas.
Saturday, July 3, 2021
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