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Showing posts with label publication. Show all posts
Showing posts with label publication. Show all posts

Monday, September 21, 2020

Currently Seeking 10-Minute Plays & Monologues for Smith & Kraus Publications


Deadline: December 11, 2020 8PM EST

For The Best Men’s & Women’s Monologues 2021, and Best 10-Minute Plays 2021
Edited by Debbie Lamedman

OPEN TO ALL WRITERS
NO SUBMISSION FEE
Website for information

For The Best Men's & Women's Monologues 2021
  • Monologues must be from plays. They cannot be stand-alone pieces.
  • They must be from plays produced between January 2019-September 2021.
  • Staged Readings performed live or virtually during the Pandemic will be accepted.
  • Monologues should be from 1-3 minutes long.
  • Monologues should be active! No stories about something that happened in the past—(those types of pieces are not good for auditions!)
  • Please include a descriptive blurb containing a brief summary of the play; the name/age of character; to whom the character is speaking and the dramatic context of the scene.

For The Best 10-Minute Plays 2021
  • Plays must be produced between January 2019-September 2021
  • Staged Readings performed live or virtually during the Pandemic will be accepted.
  • Plays should not exceed 10 pages.
  • Please include a brief synopsis.
  • No Radio Plays. No musicals.
Click here to submit:
Please fill out this form thoroughly before attaching a PDF of your submission. Only one entry per submission form.

You may submit up to two monologues and two 10-Minute plays.
DEADLINE: DECEMBER 11, 2020 8 PM EST

Saturday, August 22, 2020

ARTemis Arts Wisdom Anthology

web site

Deadline: September 1, 2020


Entrance Form
This ARTemis Arts project is highlighting the work of women writers over the age of 50. We aim to showcase work that needs to be read, produced and seen by the greater community, but may have little opportunity to be seen otherwise. Please share this information in your circles and help us identify, celebrate and shine a light on those women with wisdom and history to share. We will be publishing both an eBook and a printed volume.

Rules:
  1. Work must have been completed after 50th Birthday. 
  2. Work must be unpublished. 
  3. Work cannot have been previously produced in any manner. 
  4. Artists must be living. 
  5. Artists must complete entrance form
  6. If selected artists must make themselves available for ZOOM or in person interviews with reviewers and complete a biography form. 
  7. The deadline for consideration is September 1, 2020 
  8. All entries must be sent in PDF form to ARTemisAnthology@gmail.com 
  9. You may only enter each category one time. 

Selected Work:

1) Will receive cash award of $250. 2) Artists retain all rights to their work past the ARTemis Arts Anthology printings.
3) All artists included in the anthology will share an equal stake 20% of the profits in perpetuity.

ARTemis Arts “The Wisdom Anthology” will include:
  • Full Length Plays 
  • One Act Plays 
  • 10 Minute Plays 
  • Screenplays 
ARTemis Arts is a 501c3 nonprofit Organization

Saturday, August 1, 2020

Fleas on the Dog Open 4 Submissions

web site

Deadline: August 30, 2020

We’re the site your teacher warned you about! The no frills brown bag in your face thumb your nose online psychotropolis for the literarily insane. Get committed today! The infamous dude sextet is bustlin’, hustlin’, itchin’ and twitchin’ for QUALITY short fiction, nonfiction , poetry, plays and screenplays that smell ripe and kick ass for our cage-rattling upcoming Issue 7.

If we like what you submit we’ll be all over you; if we don’t we promise to be gentle, especially if it’s your first time.

There is no submission fee.

 There is no remuneration for work we publish, either, but what the heck, you're going to be famous! 

We'll get back to you in about 30 days, hopefully sooner. (Why should it take months?)

Fiction/Nonfiction: Up to 5000 words. Length is less important than quality. For works longer than 5000 words query the editors about possible serialization.

Submissions should be on a Microsoft Word doc or docx file. Use a sensible font. Double space format. Stuff like grammar and sentence structure  is important unless your work deliberately exploits bad grammar and lack of structure. (We can tell the difference.) 

Include a brief bio with your submission and publishing credits, if any.

Send your submission as an e-mail attachment to editors@fleasonthedog.com (or type in the link in the email address).

 Include the genre (fiction, nonfiction, poetry, or play) and title of your work in the subject bar.  Simultaneous submissions are okay, just let us know when your work is accepted elsewhere. 

Multiple submissions are not okay unless solicited.

Submit to only one category per issue. 

If you have been published by us please do not resubmit for six months unless solicited. 

We retain the first rights of your work for a period of three months. After this time rights revert back to the author. If you should republish the story/article please acknowledge that it was first published by www.fleasonthedog.com

Monday, July 27, 2020

The Yale Drama Series 2021 playwriting competition

web site

Deadline: August 1, 2020

The Yale Drama Series is seeking submissions for its 2021 playwriting competition. The winning play will be selected by the series' current judge, Paula Vogel. The winner of this annual competition will be awarded the David Charles Horn Prize of $10,000, publication of their manuscript by Yale University Press, and a staged reading at Lincoln Center’s Claire Tow Theater.

The prize and publication are contingent on the playwright's agreeing to the terms of the publishing agreement.

There is no entry fee. Please follow these guidelines in preparing your manuscript:
  • This contest is restricted to plays written in the English language. Worldwide submissions are accepted.
  • Submissions must be original, unpublished full-length plays, with a minimum of 65 pages. Plays with less than 65 pages will not be considered. Translations, musicals, and children's plays are not accepted. 
  • The Yale Drama Series is intended to support emerging playwrights. Playwrights may win the competition only once.
  • Playwrights may submit only one manuscript per year. Only manuscripts authored by one playwright are eligible.
  • Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered.
  • Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.
  • Plays must be typed/word-processed and page-numbered.
  • The Yale Drama Series reserves the right to reject any manuscript for any reason.
  • The Yale Drama Series reserves the right of the judge to not choose a winner for any given year of the competition and reserves the right to determine the ineligibility of a winner, in keeping with the spirit of the competition, and based upon the accomplishments of the author.
  • Electronic Submissions

The Yale Drama Series Competition strongly urges electronic submission. By electronically submitting your script, you will receive immediate confirmation of your successful submission and the ability to check the status of your entry.

Electronic submissions for the 2021 competition must be submitted no earlier than June 1, 2020 and no later than August 15, 2020. The submission window closes at midnight EST.

If you are submitting your play electronically, please omit your name and contact information from your manuscript. The manuscript must begin with a title page that shows the play's title, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please enter the title of your play, your name and contact information (including address, phone number, and email address), and a brief biography where indicated in the electronic submission form.

If you would like to submit an electronic copy of your manuscript please go to: https://yup.submittable.com/submit.

Hadcopy Submissions

The Yale Drama Series Competition strongly urges applicants to submit their scripts electronically, but if that is impossible, we will accept hardcopies.

Submissions for the 2021 competition must be postmarked no earlier than June 1, 2020 and no later than August 15, 2020.

If you are submitting a hard copy of your play, the manuscript must begin with a title page that shows the play's title and your name, address, telephone number, e-mail address (if you have one), and page count; and, a second title page that lists the title of the play only, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please include a brief biography at the end of the manuscript, on a separate page.

Do not bind or staple the manuscript.

Do not send the only copy of your work. Manuscripts cannot be returned after the competition. If you wish receipt of your manuscript to be acknowledged, please include an email address on the title page or a stamped, self-addressed postcard.

Send the manuscript to Yale Drama Series, P.O. Box 209040, New Haven, CT 06520-9040.
Contact Us

For more information regarding the Yale Drama Series please write to us at:

Yale Drama Series
P.O. Box 209040
New Haven, CT
06520-9040

Or email us at yaledramaseries@yale.edu

Saturday, July 11, 2020

Molecule seeks very short plays for publication

web site

Deadline: July 15, 2020

Molecule accepts submissions of poetry, prose (fiction & non-fiction) plays, reviews and interviews in 50 words or less (including titles and interview questions). Visual artwork of tiny things like tea bags and toothpicks, or tiny paintings, also wanted: no skyscrapers please!

We have a strict word count. Don’t try and trick us we have tiny minds. All submissions should be previously unpublished work.

How should I send my work?

Send submissions in the body of the email or as an attachment to moleculetinylitmag@gmail.com along with a 3rd person bio of no more than 24 words (including name). Please send no more than 5 pieces.

24 words or less for a whole bio, seems random, where did you come up with that?

There are 24 atoms in a molecule of caffeine. What more do you want from us?

When are you open for submissions and when will I hear back?

We are open for submissions for our Fall 2020 Issue June 1 to July 15. Replies will be sent by August 15.

If your work is accepted we ask for first rights (to publish in our online issue) and non-exclusive electronic rights (so we can leave it up on our website). All rights revert to the author upon publication.

Friday, July 10, 2020

SEEKING 5-MINUTE COMEDIC PLAYS dealing with Quarantine and COVID-19 for possible publication with Smith & Kraus, Inc.

web site

Deadline: July 15, 2020


SUBMISSIONS OPEN TO ALL PLAYWRIGHTS
NO SUBMISSION FEE.
Smith & Kraus Publishers, Inc.

Submission guidelines:
  • Only comedies or upbeat pieces will be considered.
  • No monologues.
  • Must be previously unpublished. It does not need to have had any type of reading or production.
  • Plays should have 2-4 characters. No more than 4.
  • Plays should be 3-5 pages long (not including title page, character descriptions, etc.)
  • Please submit plays in standard playwrighting format.
  • Please submit your play in Microsoft Word doc only.
  • One submission per writer.
  • Please be sure to include your contact info with your submission.
  • Please submit a 50-100 word bio with your submission in the body of your email.
  • Keep in mind these plays should be written specifically about the Quarantine and Covid-19 in a funny or upbeat manner. The plays should be written to specifically be performed for a virtual audience on a ZOOM (or something similar) platform. 
  • No monetary compensation. If the anthology is published, copies will likely be the form of payment.
Submit your Microsoft Word document to the editor at:

debbielamedman@gmail.com

Theatrefolk Inc. is seeking one-act Middle School play submissions for publication

web site

No deadline given

Theatrefolk Inc. is seeking one-act Middle School play submissions by 'Black, Indigenous, People of Color' (BIPOC) playwrights for immediate publication.

Our mission is to represent student voices and to let students know they are not alone. It has been made clear where we have succeeded and where we have failed in this pursuit. We want to do better and we want to start with Middle School plays.

It’s crucial that Middle School students know there are playwrights out there speaking directly to them and for them. A call for High School plays will be announced later in the year.

Submission Criteria
  • Plays are between 25 and 35 minutes in length. 
  • The majority of our customers at the Middle School level work on productions during class so the running time should fit within a class period.
  • Plays have a majority of middle-school-aged characters. 
  • We want to feature middle-school-aged voices.
  • Plays are contemporary. 
  • We want Middle School stories that take place today.
  • Plays have simple staging requirements 
  • Many of our customers need to do a lot with a little.
  • Can your play be performed online? 
  • Not a requirement. But we envision that plays that can be performed online or in a social distancing scenario may receive more productions.

  • Playwrights may submit more than one play. 
  • Plays cannot be under contract to another publisher. 
  • Playwrights will be notified immediately about receipt of scripts and within 6 weeks regarding publication.

Please submit your work to submissions@theatrefolk.com with a cover letter and contact information. Tell us about yourself and your play.

We look forward to reading your work.

Saturday, June 13, 2020

Ryga accepts short plays for publication

web site

Deadline: August 1, 2020


ryga welcomes submissions of previously unpublished poetry, prose and short plays from emerging writers. Writers interested in submitting must have no more than three previous publications in other journals or magazines, and must not have published any book-length works to date.

Our reading period is May 1 – August 1 of each year. Submissions received outside of this timeframe will not be considered.

Submit your work by email to rygaeditor@okanagan.bc.ca. Submissions should adhere to the following guidelines:

Include a cover letter in the body of the email with your name, email address, date of submission, and the title(s) of your piece(s). You may also include a short bio (no more than 100 words).
Attach your piece(s) as a single document in .doc or .rtf format
Poetry should be single-spaced. Prose and plays should be double-spaced.
A standard, readable font should be used, in 12-point type.
Each page should be numbered and include the author’s name and the title of the piece in the header.
Prose and play manuscripts must not exceed 6,000 words, and should indicate a word count on the first page.

We will strive to respond to your submission within four weeks, but our response time will vary according to the volume of submissions. Please don’t contact us about the status of your submission unless you haven’t heard from us for two months.

If your work is accepted, ryga buys First North American serial rights and non-exclusive WWW rights. Payment is $50.

Saturday, June 6, 2020

Christopher Hewitt Awards 2020

web site

Deadline:  June 10, 2020

A&U Magazine is currently accepting entries for the eighth annual Christopher Hewitt Award. 

Named in honor of A&U’s first literary editor, the award showcases outstanding responses to the AIDS pandemic and the realities of individuals living with or affected by HIV/AIDS in the genres of fiction, poetry, drama, and creative nonfiction.

Prize: $75
Entry fee: None
Submission deadline: June 10, 2020
Judges: Winners will be selected by the following judges, by category.
Poetry: Noah Stetzer
Fiction: Raymond Luczak
Creative Nonfiction: Jay Vithalani
Drama: Bruce Ward

Publication: Winners and named runners-up will be published in upcoming issues of A&U.

How to Submit: Email Word (.doc or .docx files) of your work to Managing Editor Chael Needle by clicking here

Please indicate in the subject line that your submission is for the Christopher Hewitt Award; include your name and genre in the subject line as well. Your name or any other personal identifying information should not appear on your manuscript. Multiple submissions are accepted, but please submit each separately.

Guidelines: All submissions must be HIV/AIDS-related and previously unpublished. All styles are welcomed. Writers may submit more than one work.

Fiction and creative nonfiction should be 1,200 words or fewer, double-spaced. Reasonable exceptions will be considered.

Drama may be an excerpt from a longer work or a ten-minute play (1,400-1,600 words, no more than ten pages, Dramatists Guild format). For drama excerpts, include, on a separate page, a synopsis and a full cast of characters.
We reserve the right to excerpt longer pieces for print, in consultation with the author; works in their entirety will be printed on the web.
Rights: We secure first North American serial rights and electronic archival rights (posting on the Web and in digital issues).

If any genre lacks a clear winner, fewer than four awards may be given. All entries will be considered for publication.

Friday, May 29, 2020

Feels Blind Literary seeks work by women

web site

Deadline: June 1, 2020

Feels Blind Literary welcomes submissions of short fiction, creative nonfiction, poetry, plays, and art from new and emerging writers and artists who identify as women.

Submissions for Issue #5 are open until June 1, 2020 and should be sent to feelsblindliterary@gmail.com. Please put in the subject line the category to which you are submitting and include a short bio written in the third person. Please be certain your name does not appear anywhere on your submission document, however.

While we are adamant about not charging a submission fee, as we feel this creates a barrier in terms of who can submit and how often, we encourage submitters to donate what they can using the donate tab. We hope to work toward being able to pay our contributors.

Simultaneous submissions are accepted, but immediately withdraw you work if it is accepted elsewhere.

Submissions must be previously unpublished, original works.

We will do our best to respond to each submission within 60 days. If 60 days has passed, please send us an inquiry at feelsblindliterary@gmail.com. We will try our best to respond much sooner.

Short Fiction: Send one story up to 7000 words.
Flash Fiction: Send one story up to 1000 words.
Creative Non-Fiction: Send one personal essay or memoir up to 5000 words.
Plays: Send one one-act play up to 20 pages.
Poetry: Send 3-5 poems. If spoken word, send 1-3 recordings.
Art & Music: We are open to all mediums and genres. For art work, submissions must be adaptable to accommodate the space, so send us your work in a minimum of 300 ppi.

While we won't know exactly what we like until we see it, we do like honest, accessible work. Things that are overly abstract or don't make readers feel something don't do it for us. We want you to make us laugh and/or cry. We want you to challenge us as readers. We want your work to pass the Bechdel Test. We will not tell you which writers we worship, though we will tell you we don't worship Raymond Carver, Ernest Hemingway, or John Updike.

​​

Rights revert to the author upon publication. All work published in our online issues will be considered for an annual print anthology. While we cannot pay contributors at this time, we hope this changes in the future.

Wednesday, May 27, 2020

THE ACRONYM PLAYS An “Urban Stages New Pages” On-Line Publication Opportunity

web site

Deadline: June 1, 2020

Plays chosen will have the opportunity to be presented live at the
award-winning Off-Broadway theatre, Urban Stages, located at 259 West 30th Street New York NY

While nothing can fully replace live theater, the staff at Urban Stages invites ALL playwrights to participate in our next 10-minute play competition, THE ACRONYM PLAYS.  This opportunity will support our goal to discover and nurture new works by artists of diverse cultural backgrounds.

From the safety of your home, we encourage you to create a brand new play using the springboard and guidelines, detailed below, that will be reviewed by a panel of professional theatre artists.  On a rolling basis, the readers will recommend compelling, well-constructed plays to Bara Swain, our Creative Consultant, who has been spearheading our staged reading festivals for “Urban Stages New Pages” since its inception. If your play is selected, the script will be uploaded to our website and accessible to the public for reading and, yes, commenting on Urban Stages’ FB page (@urban.stages)!  After all, this will be the first time that your words will be presented!

Acronyms! Yes, that is the springboard for our next ten-minute play competition at Urban Stages.  Use your imagination! Acronyms are defined by Merriam-Webster as “a word formed from the initial letter or letters of each of the successive parts or major parts of a compound term.” Huh?  Okay, we’re not going to be heavy handed during this chaotic time. Since an acronym is a kind of abbreviation, we’ll also accept plays that are inspired by a shortened form of a word or phrase. WTF! … and I’m not referring to offensive slang, LOL. WTF is also the acronym for the Williamstown Theatre Festival and Women’s Tri-Fitness Competition.  Oh, and LOL can refer to the now mostly obsolete “lots of luck” or “lots of love” used in letter-writing or, yes, Land of Lincoln, the official state slogan of Illinois, also retired from use.

Your challenge is to write a 10-minute play using an acronym or an abbreviation as the springboard for your piece. There are a wealth of acronyms to choose and explore, from social media, technological, economic and environmental acronyms to political, medical, digital, customer service and school logo acronyms.

As always, everyone – the writers and Urban Stages staff – are donating their time and talent for this online adventure and future live readings at our theatre home in the heart of Manhattan.

NOW, HERE ARE THE RULES

  1. Your play must use one (or more) acronyms/abbreviations in your play, or serve as the springboard for your script. 
  2. Write for 2-3 characters only.
  3. Maximum length is 10 pages.  As we roll this program out, please submit your play in Word or PDF in the event that we need to re-format for our website.
  4. Dazzle me!  The link below provides lists of common acronyms in chat, military, government and business,  as well as informative acronyms (i.e. ADD, OTC, DOA, DIY) and acronyms as identifiers (i.e. AA, NFL, SWF, ESPN).  You may also be inspired by googling “Acronyms” and searching images.  https://abbreviations.yourdictionary.com/articles/common-accronyms.html 
  5. Scripts can be submitted beginning on April 1 through June 1, with a possible extension. We are currently selecting judges and designing our website to support this effort.  Plays will be “published” on a rolling basis.

SUBMITTING YOUR PLAY

It will be helpful if you state your name and the acronym that inspired your work in the subject line.  Please include a summary of your play in the body of your email and a bio.  If you have a website, let us know that, too.  The authors of the plays chosen for “publication” will be notified prior to uploading to the web.  While our assumption is that we have your permission to present your play in the written form on our website, we will confirm your approval at that time.  Note that if we need to set a limit of submissions at a later date, you’ll hear from us.

Submit your play to Bara@UrbanStages.org.  Do you have any questions?  Reach out to Bara at the same email address.  I’m looking forward to hearing from you!

Tuesday, May 26, 2020

Review Americana: A Creative Writing Journal submission guidelines

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If you would like to submit to Review Americana: A Creative Writing Journal, send an
explanatory email that includes your name and contact information to editor@americanpopularculture.com. Attach your submission to that email.

We publish a spring edition in late June/early July and a fall edition in late December/early January. Your work will be considered for the next available issue.

A note on reading times: We publish twice a year. Our reading period for spring is January through June with the spring edition decision and publication coming in late June/early July. Our reading period for fall is July through December with the fall edition decision and publication coming late December/early January.

Please conform to the following guidelines:

1) We consider poems, short fiction, short screenplays, short plays, creative nonfiction, essays about the art of creative writing, and essays about the teaching of creative writing.

2) We prefer no simultaneous submissions. If your work is under consideration elsewhere, please let us know. If it is accepted for publication elsewhere, please let us know that as well.

3) We do not consider multiple submissions. Please wait until you have heard from us regarding your previous submission before you submit again. Poets may submit up to four poems. All other authors should submit only one work.

4 ) We only consider previously unpublished work.

5) We do not publish profanity, gratuitously violent, or erotic work.

6) All work submitted to any publication or contest at Americana is reviewed blindly. Please do not include your name on the submission. If you do, we will remove it before it is sent out for review.

7) American citizenship is not a requirement for submission; the only requirement is that the work hold some appeal for an American readership and bear some relationship with American culture.

8) We ask for First American Serial Rights for one month after publication. After that, rights revert back to the author.

9) We don't pay for publication, and we don't charge reading fees.

Saturday, May 9, 2020

Asymptote seeks drama in translation

web site

Rolling deadline
Asymptote welcomes submissions of hitherto unpublished translated poetry, fiction, nonfiction and drama; certain types of original English-language nonfiction, including literary and critical writing; as well as visual art. 

You may send a one-act play or an excerpt from a full-length play, in either case not exceeding 20 pages, translated into English. For full-length plays, send a brief synopsis first. Rolling deadline.

GENERAL GUIDELINES

1. All submissions should be sent as one Microsoft Word attachment (as a .doc file, please) via Submittable or, only if this is not possible, via email to editors@asymptotejournal.com. The Microsoft Word attachments must be labeled with the last names of the author and translator: authortranslator.doc.

2. For ease of reference, your email header should follow this format: SUBMISSION (Genre)-Submitter Name [e.g., SUBMISSION (Fiction)-James Frey]

3. Your submission must include the following:

The original work and the translation (where applicable).
A statement granting us permission to publish both the original work and the translation online, as well as declaring that you are in a position to grant us such rights (i.e., that you have the author’s permission—or the translator’s, if you are the author—and his/her publisher’s, if required).
Biographical notes, written in the third person, for both author and translator(s), beginning with the name, no longer than 150 words per bio.

Optional, but highly encouraged:

A short write-up providing context and discussing the challenges of this particular translation; fewer than 300 words.
An MP3 recording of a reading of the original non-English-language text (for poems and shorter pieces) or an excerpt of the original text (for longer work).
4. For poetry submissions, please format your submission so that each original work follows after its translation. [Translation 1, Original 1; Translation 2, Original 2, etc.]

5. Translations must not have been previously published, although the source text may have been.

6. Submissions in English (where permitted: see above) must not have been previously published.


7. Simultaneous submissions are permitted, but we ask in return that you notify us by email as soon as you learn of an acceptance elsewhere.



LANGUAGE GUIDELINES

Asymptote is a journal that celebrates translation and world literatures. Therefore, we mainly consider work translated into English, particularly for poetry, fiction and drama. The exceptions are:


Providing the text in the original language and arranging all necessary permissions are solely the translator's responsibility. Submissions with uncertain rights issues will not be considered at all. Submissions with no source text or introductory material (for poetry) will be at a significant disadvantage versus those that do have them.


OTHER INFORMATION 

1. Rights to the work revert to the author and the translator after publication. We do hope to put out a print anthology one day (after we have recovered the costs of the website). Contributors who have been chosen for such an anthology will be queried for permission.

2. We try to respond to each submission within a reasonable period, but due to the volume of submissions we receive, we may not always be able to do so. Please query after three months if you have not heard back from us, and would like to know the status of your submission.

3. Our finances do not permit us to pay contributors at this time.


4. If you require further clarification on any matter, please send us a query (with the word "QUERY" included in the header) at the email address listed above.

Tuesday, April 28, 2020

Feels Blind Issue #5 seeks submissions by women

web site

Deadline: May 1, 2020
Feels Blind Literary welcomes submissions of short fiction, creative nonfiction, poetry, plays, and art from new and emerging writers and artists who identify as women.

Submissions for Issue #5 are open until May 1, 2020 and should be sent to feelsblindliterary@gmail.com. 

Please put in the subject line the category to which you are submitting and include a short bio written in the third person. Please be certain your name does not appear anywhere on your submission document, however.

While we are adamant about not charging a submission fee, as we feel this creates a barrier in terms of who can submit and how often, we encourage submitters to donate what they can using the donate tab. We hope to work toward being able to pay our contributors.

Simultaneous submissions are accepted, but immediately withdraw you work if it is accepted elsewhere.

Submissions must be previously unpublished, original works.

We will do our best to respond to each submission within 90 days. If 90 days has passed, please send us an inquiry at feelsblindliterary@gmail.com. We will try our best to respond much sooner.

  • Short Fiction: Send one story up to 7000 words.
  • Flash Fiction: Send one story up to 1000 words. 
  • Creative Non-Fiction: Send one personal essay or memoir up to 5000 words.
  • Plays: Send one one-act play up to 20 pages.
  • Poetry: Send 3-5 poems. If spoken word, send 1-3 recordings.

Art & Music: We are open to all mediums and genres. For art work, submissions must be adaptable to accommodate the space, so send us your work in a minimum of 300 ppi.

​​

While we won't know exactly what we like until we see it, we do like honest, accessible work. Things that are overly abstract or don't make readers feel something don't do it for us. We want you to make us laugh and/or cry. We want you to challenge us as readers. We want your work to pass the Bechdel Test. We will not tell you which writers we worship, though we will tell you we don't worship Raymond Carver, Ernest Hemingway, or John Updike.

​​

Rights revert to the author upon publication. All work published in our online issues will be considered for an annual print anthology. While we cannot pay contributors at this time, we hope this changes in the future.

Monday, April 27, 2020

Applause Theatre & Cinema Books seeks work for publication

web site

Deadline: May 1, 2020

Applause Theatre & Cinema Books is looking for 10-minute plays whose original production is/was in 2019 or 2020 and 1-2 minute monologues from plays produced originally 2018-2020. No stand-alone monologues.

Send submissions to LRHarbison1@gmail.com.

Submission guidelines

Sunday, April 19, 2020

Quince Magazine seeks short plays

web site

Deadline: April 20, 2020 11:59 PM
QUINCE magazine is accepting submissions for Issue One on the theme of LOVE in the following categories: poetry, fiction, visual arts/photography, life writing, screen/stage shorts. Please read the submissions guidelines for details.

Poetry - submit up to five poems

Fiction - 3500 word upper limit

Visual Art/Photography - up to five images (photo essays welcome)

Life Writing - 3500 word upper limit.

Screen/Stage Shorts - 10 pages/minutes, scenes/extracts from a full length work are acceptable but should work on their own.

Email submissions@quincemag.com with the category of work in all caps followed by the title of your piece in the subject of the email eg. LIFE WRITING - One Summer at Sea. Please include a short bio (under 50 words) in the body of your email. The work should be attached in word format (.doc).
  • Please do not submit work in PDF format. 
  • Please do adhere to the word/page count limits. 
  • Only submit original, unpublished work. 
  • The theme is open to interpretation and experimental approaches are encouraged. 
  • The magazine's decisions are final.

The deadline for submissions for Issue One is 11.59pm, Monday 20th April 2020.


This magazine aims to be inclusive and current. Writers and artists from marginalised, underrepresented and diverse backgrounds as well as unpublished and emerging writers are all encouraged to submit.

Friday, April 10, 2020

Fleas on the Dog seeks plays for publication

web site

Deadline: April 30, 2020

Plays: Any style up to five acts.

ONLINE PUBLISHING GUIDELINES We are currently open for submissions from March 1 to April 30. There is no submission fee. There is no remuneration for work we publish, either, but what the heck, you're going to be famous! We'll get back to you in about 10 days, hopefully sooner. (Why should it take weeks?)

Fiction/Nonfiction: Up to 5000 words. Length is less important than quality. For works longer than 5000 words query the editors about possible serialization.

Submissions should be on a Microsoft Word doc or docx file. Use a sensible font. Double space format. Stuff like grammar and sentence structure is important unless your work deliberately exploits bad grammar and lack of structure. (We can tell the difference.) Include a brief bio with your submission and publishing credits, if any. Send your submission as an e-mail attachment to editors@fleasonthedog.com (or type in the link in the email address).

Include the genre (fiction, nonfiction, poetry, or play) and title of your work in the subject bar. Simultaneous submissions are okay, just let us know when your work is accepted elsewhere. Multiple submissions are not okay unless solicited. Submit to only one category per issue. If you have been published by us please do not resubmit for six months unless solicited. We retain the first rights of your work for a period of three months. After this time rights revert back to the author. If you should republish the story/article please acknowledge that it was first published by www.fleasonthedog.com

Tuesday, April 7, 2020

Stonecoast Review Issue #13: Superstition

web site

Deadline: April 15, 2020 

SUBMIT VIA SUBMITTABLE

ISSUE #13 CALL FOR SUBMISSIONS!

The theme of Stonecoast Review Issue #13 is Superstition. This theme can be as loosely defined as necessary. Some phrases to give you a sense of what we’re looking for are: good luck, bad luck, cursed places, cursed objects, strokes of luck, lucky breaks, significance, cultural superstitions, personal superstitions, myths, urban legends, cryptids, charms, tough luck, beginner’s luck, secrets, wives’ tales, doppelgangers, tall tales, folk tales, last chances, and wishbones. Don’t feel restricted by this list, if you have a different way of interpreting the theme, we would love to see it. We accept Fiction, Pop Fiction, Creative Nonfiction, Poetry, Dramatic Works, Experimental, and Visual Art. We can’t wait to see your best pieces!

Stonecoast Review offers feedback on 10% of declined submissions. Contributors will receive a complimentary copy of the issue in which their work appears. Stonecoast Review acquires First Serial Rights and First Electronic Rights for all work published in the journal. Rights revert to the author upon publication.

Our staff is a group of volunteers, all either current Stonecoast MFA Program students or alumni of the program. We rely upon donations to cover advertising, website, and printing costs. To support the Stonecoast Review, please purchase a copy from stonecoastreview.org!

GENERAL GUIDELINES:
  • When submitting your work, include a short cover letter and bio (100 words maximum). Submissions are only accepted through Submittable.
  • Stonecoast Review accepts only blind submissions. Your name, email address, or any other identifying information must not appear anywhere in the document or submission title.
  • We accept only one prose submission, one poetry submission (of up to three poems), or ten pieces of visual art per author, per submission cycle.
  • Submitted work must be previously unpublished.
  • We encourage simultaneous submissions, but please withdraw your submission immediately if accepted elsewhere. If you submit multiple poems and one is accepted elsewhere, please attach a note on Submittable identifying the poem that is no longer available.
  • Your work must use standard manuscript format: double spaced, 12 pt., Times New Roman font. Poetry may be single spaced. However, if a divergence from these rules is integral to your piece, we will still consider it.

GENRE GUIDELINES:

Fiction: Limit submissions to 5,000 words or fewer.

Creative Nonfiction: Limit submissions to 5,000 words or fewer.

Poetry: Limit submissions to 3 poems, with no more than 50 lines each.

Dramatic Works: Limit submissions to 12 or fewer pages.

Tuesday, March 10, 2020

Brooklyn Review seeks plays

web site

Deadline: April 1, 2020

Please submit a single performance text (max. 5000 words). This includes: un-produced one-act plays, excerpts from un-produced full-length plays, choreographic scores, and scripts for live multi-media performances. We do not accept: stand-up comedy, essays, screenplays, speeches, or unsolicited critical responses.

SEND THROUGH SUBMITTABLE

Sunday, January 5, 2020

Seeking the best weird 10-minute plays

web site

Deadline: January 10, 2020
Only the first 100 will be accepted

I'm excited to explore the best WEIRD plays of 2019!

All the plays included need at least one professional production (i.e. you were paid a licensing fee, royalties, got a cut of the house, an honorarium or a prize/award for this play from the producing theatre) in 2019.

Please only submit one 10-min. play per writer. Thanks!

— Rachael, editor in chief, Weird Plays 2019.

Please fill out the online submission form, and add your script into the Google Drive Folder, linked in section two.

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