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Showing posts with label full-length plays. Show all posts
Showing posts with label full-length plays. Show all posts

Saturday, September 14, 2019

Jewish Theater Lab

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Gallery Players at the Columbus JCC is seeking original works for Jewish Theater Lab, a project to debut during our 2019-2020 season. We are looking for new plays and musicals with Jewish themes, characters, content or perspectives. Staged readings will be presented over two performances in April 2020 in the Roth/Resler Theater at the Columbus JCC with the potential for fully staged productions during subsequent seasons. Send your resume, full script and contact info to: Giselle Siegel, Gallery Players Artistic Director.

Email: gsiegel@columbusjcc.org.

Snail mail: JCC Gallery Players, 1125 College Ave, Columbus, OH 43209

Submissions are accepted on a rolling basis


Website: www.jccgalleryplayers.org Mission Statement: Gallery Players produces theater of the highest artistic expression, reflecting a Jewish perspective while exploring our common humanity. Building on its rich history, Gallery Players strives to challenge and inspire audiences and artists alike.

The New Harmony Project

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The New Harmony Project is pleased to accept applications of un-produced stage play scripts, musicals, screenplays and teleplays through October 1, 2019. Our streamlined online process will facilitate you uploading your materials in only a few minutes.

What is The Project looking for in a script? We’re looking for scripts that sensitively and truthfully explore the positive aspects of life. If you’ve read our mission statement and you’re still not sure your work is right for the conference, you can gain a fuller sense of our aesthetic and philosophical interests by perusing our roster of writers and scripts that have recently found an artistic home at our conference. The New Harmony Project recognizes that we live in complex times, and we seek stories that honor a multiplicity of perspectives.

What does The Project provide? We provide a creative community and unparalleled level of artistic support. There is no cost to attend the spring conference, and all meals, travel and housing are covered. Additionally, we provide a modest stipend to participants.   

Due to the volume of applications received, we will only accept ONE script per writer. 

When you are ready to complete your application, simply click the button below to be taken to our online system powered by Submittable. Once items have been submitted, we, unfortunately, will not be able to accept updates or changes.

If you have any questions, please email submissions@newharmonyproject.org (please, no phone calls). We look forward to reading your work, and thank you for taking the time to share it with us.

REVA SHINER COMEDY AWARD 2019

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The fee will be waived for Dramatist Guild members with an enclosed photocopy of a membership card. 

The Reva Shiner Comedy Award presents an unpublished full-length comedy with a cash prize of $1,000, a full production as part of the Bloomington Playwrights Project’s Mainstage season, along with travel reimbursement. We are currently accepting submissions for the 2020-21 Season.

Scripts must be postmarked by October 31, 2019.

Previous winners have gone on to enjoy productions around the world and to garner additional honors such as the National Play Award.

We are currently accepting submissions for the 2020-21 Reva Shiner Comedy Award.


  • "Full-length" plays will have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes).
  • Plays submitted must be unpublished at the time of submission. Plays that have received developmental readings, workshop productions, or productions at small theatre companies are acceptable. No scripts with previous productions at major regional theaters will be accepted. Once entered, subsequent activity does not change the acceptability of the script.
  • Each submission must include a synopsis (1 page or less) including the cast size. A separate page should include a brief bio of the playwright, and production/development history if applicable.
  • Each submission must include a cover letter with contact information and a $10.00 reader fee. Agent submissions require no fee. The fee will be waived for Dramatist Guild members with an enclosed photocopy of a membership card. The BPP only accepts U.S. checks or money orders (Make check payable to "BPP"). No international checks or money orders will be accepted. If submitting internationally or if you want to avoid paying by check, pay online with your credit card here:


It is preferable for musicals to include a demo CD. The complete score is not necessary but may be included. All plays are read by BPP's literary personnel led by and including the Literary Manager and Artistic Director.

We do not accept e-mail submissions. Scripts will not be returned. Blind submissions are not necessary. Please include all contact information. Plays submitted in previous years will be accepted.

The BPP reserves the right not to name a winner and/or name a winner but not commit to a reading or production.

Send to:
Bloomington Playwrights Project
107 W. 9th Street
Bloomington, IN 47404

For further information, write BPP, Attn: Literary Manager, 107 W. 9th Street, Bloomington, IN 47404. For faster replies, please e-mail us at literarymanager@newplays.org

Friday, September 13, 2019

PlayPenn New Play Development Conference 2020

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Beginning September 1, PlayPenn will be accepting applications for its 2020 New Play Development Conference; we are pleased to request your full length, unproduced script for consideration. Please review the guidelines carefully and completely before making application.  Your application must be uploaded and complete by September 30, 2019 or it cannot be considered.

Currently, we are not considering musicals, plays for young audiences or one-person plays.  Also, if you were a 2019 Conference playwright we ask you to observe a one-year hiatus from applying.

The 2020 Conference will be held in Philadelphia, PA from July 7-26, 2020 at The Drake Theatre in Philadelphia, PA. Invited playwrights will have the opportunity to work with a director, dramaturg and Philadelphia-based, professional actors over a 20-day period that allows for 29 hours of rehearsal and staged reading time as well as ample time to reflect and write.

The work will begin with a three-day roundtable (July 7-9) that will help in laying the collaborative groundwork for the development time ahead. The Conference includes two public staged readings that are intended as a part of the process, giving playwrights an opportunity to measure the efficacy of the work accomplished and provide an opportunity to gauge the work ahead.

PlayPenn will provide travel for casting, travel to and from the conference, housing, per diem and a stipend.

Applicants should be aware of the following points about PlayPenn:

·  We are a development conference rather than a festival or showcase for new work. The distinction is important and meaningful to us in the current climate of the increasing commercialization of play development;

·  We work to avoid participation in what has become known as “development hell” by placing authority in the hands of the playwright and fostering an environment in which risk is rewarded and honest assessment is encouraged and provided;

·  We make a concerted effort to provide an experience that relieves writers of the distractions of the day-to-day world;

·  We expect playwrights who accept a place at the Conference to work on their play.  The Conference is not intended as an opportunity for playwrights to simply hear their plays in a rehearsed reading.

·  We focus on the needs of the text. The public Conference readings are intended to present a glimpse into how the text lives off the page rather than how the play might be augmented or staged in production.

From the time of invitation to participate at PlayPenn, we expect that playwrights will accept no invitations for development that precede the July Conference dates.

For our application process, PlayPenn uses the Submittable platform.  Please upload the following with no identifying information in the document or the document name:

1. An original script in .pdf format with no identifying information (no name on the document). Applications that are submitted in non-pdf format will not be considered.

2. Your current resume (.pdf) with no identifying information (playwright name or agent).

3. A casting breakdown and the number of actors required (.pdf) (no name on the document).  Please do not assume that doubling schemes are obvious.  We want to know how many actors your play requires in a workshop setting.

4. The play's development and production history (.pdf) (no name on the document). Plays that have had readings are eligible.  Plays that have been produced or that have been through multiple development processes are not eligible.

5.  List three areas of challenge in your play that you’d like to address while you’re at PlayPenn (.pdf) (no name on the document). Please be specific.

***If your files include the playwright’s name, your application will be disqualified***

PlayPenn does not accept agent submissions.

Your application must be uploaded and complete by midnight September 30, 2019 or it cannot be considered.

Because of the number of applications we receive, and the labor intensive nature of responsibly considering your play, we are unable to provide individual feedback.

Thank you for your application. We look forward to reading your work.

The Robert J. Pickering Award for Playwriting Excellence 2019

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This annual award was established to honor past member and playwright, Bob Pickering, and to provide a vehicle for playwrights to see their works produced. Over 30 plays have been produced over since 1984. $200 is awarded for first place, $50 for second place and $25 for third place.

Deadline:

Manuscripts must be received by December 31st

Types of plays accepted

Full length, unproduced plays and musicals. Children’s plays accepted. Unable to return without a self-addressed stamped envelope.

Selection Process:

Chairman and committee members read and review each entry and select ten finalists from which the first, second and third place winners are chosen.

Production:

Branch County Community Theatre reserves the right and agrees to produce the first place winner in this yearly competition. First place winners are required to sign a production contract.

Production House:

BCCT productions are staged in the historic Tibbits Opera House in Coldwater, Michigan. Built in 1882, Tibbits is a completely restored 500-seat proscenium theater.

Send submissions to:
Branch County Community Theatre
14 S. Hanchett St.
Coldwater, MI 49036

Thursday, September 12, 2019

Cape Cod Theater Project seeks plays

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Applications for the 2020 Season will be accepted September 1 – September 30, 2019.

Playwrights may send one play per season for consideration. The proposed play must still be in development and cannot have received a professional production, or a production that has been reviewed, prior to August 2020.

To apply, please email a PDF of the script to capecodlit@gmail.com. Please label the document using your first and last name as well as the play’s title. For example: janesmithplaytitle.pdf

In addition, please include in your email a short biography and a brief artistic statement on how you propose to use your development time at CCTP. The bio and statement of intentions should be included in the body of the email.

As we rely on the kindness of our donors for housing, we usually limit our cast sizes to no more than six actors, though there have been exceptions.

As of November 1, 2011, we no longer review hard copies of scripts sent by mail.

The CCTP staff  does not provide feedback on any submitted materials.

We look forward to reading your work.

Wednesday, September 11, 2019

The Landing Theatre Company seeks full-length plays

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 The fee is waived for Dramatists Guild Members. 

From August 1 - September 30 The Landing Theatre Company accepts ­­­­­­­­­­­­­­­full-length plays for ­­­­­­­­­­­­the New American Voices Playwriting Festival.

Four plays will be selected for staged readings during the Landing Theatre Company's Spring Festival in Houston, Texas.

Selected playwrights must attend the readings.  

A stipend of $100 will be awarded to each winning playwright.  Playwrights must cover their own travel expenses.

The New American Voices Playwriting Festival is now in partnership with Monologue Bank, a non-profit online organization seeking high caliber monologues from original plays.  Playwrights may be contacted if their work contains any material of interest to Monologue Bank.

There is a $15 fee for submitting, which is used to cover the cost of script processing and to pay selection panelists for their time and expertise. The fee is waived for Dramatists Guild Members. 

Submission Deadlines

1. Submissions accepted from August 1 - September 30.


Format

1. Selected playwrights must attend the festival.

2. Each playwright will be paired with a local director prior to the festival to prepare for the event.

3. Director will cast the play prior to the festival.

4. Each production will receive at least two rehearsals prior to the official reading.

5. One rehearsal will be scheduled when the playwright can attend.

6. The play will then be read in front of an audience, with a moderated discussion of the play afterwards.


Submissions must meet the following criteria:

1. Playwright must be a citizen or legal resident of the United States of America.

2. Play must not have been produced.

3. Play must not have had a public reading in the Houston area.

4. Submission must be received on or before September 30th.

5. Submission must be a minimum of 30 pages long and have a minimum run time of 45 minutes.

6. Submission must be in .doc, .pdf or .rtf format.

7. Plays are given blind reads, so there should be no playwright identifiers anywhere on the script. Your name and contact information should only be in the submission form.

8. Only one play per playwright per submission period.

9. No musicals, children's plays, or one-person plays.

10. Original scripts only.  No adaptations or works that involve third party rights.

11. Playwrights will only be notified if your play is selected.


SUBMIT YOUR SCRIPT FOR CONSIDERATION HERE.  DRAMATISTS GUILD MEMBERS, SUBMIT HERE.

Please contact us at landingtheatresubmissions@gmail.com, if you have any questions.

Sunday, September 8, 2019

#ShePERSISTED: a festival of staged readings (Bloomington - Normal IL)

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New Plays Needed by  Womxn, Femme, and Non-Binary Playwrights for #ShePERSISTED: a festival of staged readings presented by Coalescence Theatre Project

Coalescence Theatre Project is accepting submission of new plays by Womxn, Femme, and Non-Binary playwrights for the 2020 #ShePERSISTED festival.

The company, based in Bloomington-Normal, IL, will select four plays to be presented in staged readings open to the public on January 25th and 26th, along with discussions about the work. Plays should be at least 75 minutes in length.

All submissions made by October 1, 2019 will be given full consideration. 

Submit plays to coalescencetheatre@gmail.com. Please include your name, pronouns, and best contact information on your script, as well as in the email. Selections are made based on merit, and in consideration of forming quartet of plays that, together, bring notable focus or useful contrast within the series. Thank you for sharing your work for consideration.

#ShePERSISTED Curators, Rachel Hettrick (she, her, hers) and Ann Haugo (she, her, hers)
Coalescence Executive Artistic Director, Don Shandrow (he, him, his)

The Coalescence Theatre Project is a nationally recognized and award-winning theatre that exists to incite our community to thoughtful action. Our logo, an abstract representation of the genetic tree of life, reminds us that we all come from one common Ancestor.

We focus on unheard stories and offer a place where the silent and the underrepresented have a voice. Coalescence Theatre Project aspires to be a home where play, discovery, and learning are celebrated and our audience reflects the diversity of the community we serve. Our mission is equity and inclusion in the exploration of identity and our place in a global community.

Saturday, September 7, 2019

The Premiere Play Festival 2020

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Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theatres throughout the country. We strive to facilitate relationships between writers and theatre professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions. We offer Play Festival winners the option to retain the coveted “World Premiere” brand on their plays. Additionally, Premiere’s productions are consistently reviewed, scouted by major publishing houses, and honored by the American Theatre Critics Association.

Submissions due DEC 1 2019
   
Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area from September 1, 2019 through December 1, 2019. All plays submitted to the festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four finalists are subsequently selected for public Equity readings in March 2020.

Awards

Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2020 Mainstage Season and receives an award of $2500. The runner-up receives a 29-hour staged reading and $1000. The two other finalists will each be awarded $750.

Premiere Stages is committed to supporting a diverse group of writers; playwrights of all backgrounds, ages, and experience levels are encouraged to apply.

Submission Guidelines

All plays must be submitted as a PDF.
  • Plays must be full-length and have a cast size of no more than eight.
  • Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2020.
  • Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
  • Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
  • Submissions are limited to one script per playwright.
  • Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
  • Playwrights must be available for the development of their script (see the 2020 schedule table).
  • Submissions are accepted September 1, 2019 through 11:59 p.m. on December 1, 2019. Submissions sent early in the submission window are strongly encouraged.
  • All plays must be submitted as a PDF to:  premierestages.submittable.com/submit. Hard copies will not be accepted.

Friday, September 6, 2019

Oregon Contemporary Theatre submission guidelines

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Script Submissions
Oregon Contemporary Theatre currently accepts script submissions from both playwrights and agents. While taste is ultimately subjective, here are some guidelines that may help determine whether your play is right for us:

- As a general rule, we do not currently produce children's theatre, screenplays, one-acts shorter than 90 minutes (full-length plays without intermission are accepted), or collections of one-act plays.

- OCT is looking for scripts that fit our mission. We are eager to produce bold works that challenge and inspire our community, encourage dialogue, and support positive change. We encourage you to explore our current and past seasons to give you an indication of the quality of works we are looking for.

- OCT also looks for scripts that fit well with our resources. As such, we respond well to works that will play well in an intimate, 3/4-thrust setting, with casts of 10 or fewer. However, your script will not be denied for having more than 10 characters.

PLEASE NOTE: Due to the high influx of submissions we receive and limited staff resources, only materials that fit our submission guidelines will be reviewed. If you send in a submission which does not fit these guidelines, you will be asked to make adjustments and resubmit your work.


SUBMISSION GUIDELINES:
-  Submissions should only include the following, ALL AS PDF FILE(S) (may be condensed into a single PDF):
    *A 10-page sample of the playwright's work (If a sample strikes as a possible fit for OCT, we will contact you to request a full manuscript.)
    * Production/development history of the script
    * A clear cast breakdown
    * A brief plot synopsis
    * A brief playwright's biography

- All content submitted should be PDF(s); please do not include this content in the body of your email. We are not accepting Word, Final Draft or similar files at this time, nor are we accepting hard copy submissions.

- OCT is an active associate member of the National New Play Network. Please be sure to note if you have participated before in an NNPN showcase reading, Rolling World Premiere, or other NNPN program.

Questions and submissions should be emailed to Associate Producer Tara Wibrew:   Tara@octheatre.org with the subject line Script Submission.

Click here for information regarding submissions to the Northwest Ten Festival of 10-Minute Plays.

We have a small staff and endeavor to respond within 90 days of your submission, should we desire additional pages. OCT is invested in the development and longevity of playwrights and their works. Thank you for your time, your energy and your interest in OCT!

Adirondack Theatre Festival

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ATF produces new scripts of the highest caliber throughout each season. To help fulfill this mission, we welcome the opportunity to read submissions from skilled playwrights who feel their work would be a good fit at the Adirondack Theatre Festival.

**Please note our new policy. Submissions are now accepted from Aug. 15-Oct. 1 only. This new policy is to help us manage the large volume of submissions we receive and ensure that your play is heavily considered during the fall season selection period.

If you are interested in submitting your play to be considered for future seasons at ATF, please send the following via email to Literary@ATFestival.org:

  • Full PDF version of the script (Word also accepted)
  • Brief (3-5 sentence) synopsis of the play
  • Production history—including any readings, workshop or full productions the play has received thus far
  • Professional playwright resume or bio

Please note: all submissions MUST be sent electronically.

Unpublished full-length plays and musicals only.

Plays submitted via email can be sent either by the playwright or by a literary agent on the playwright’s behalf. Due to the high volume of inquiries we receive, please allow a few weeks for a response acknowledging receipt of your script. ATF does not provide dramaturgical feedback.

Thursday, September 5, 2019

FutureFest 2020

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Festival dates: July 17 – 19, 2020

The fee will be waived for members of the Dramatists Guild. 

ELIGIBILITY
Entry must be an original work (NO musicals or plays for children) that has not been published or produced where admission was charged prior to FutureFest 2020. Staged readings/workshop productions are not necessarily disqualifying factors.

DEADLINES
Submissions will be accepted August 1 through October 31, 2019 (postmark).

SCRIPTS
Submit a blind copy (no name/contact info) of your script, in standard play format with pages numbered. After the title page include a brief synopsis, character breakdown, setting, and scene breakdown, if applicable. Your script(s) should be accompanied by a cover letter, including playwright contact information (address, phone #, e-mail address) and resume.  If applicable, also submit a photocopy of your Dramatists Guild membership card.

Please note that entries that do not comply with our guidelines will be disqualified. Scripts may be submitted electronically or via Media Mail. Eliminated scripts will not be returned. Script evaluations will not be provided.

CONSENT
Playwright gives the Dayton Playhouse permission to photocopy scripts for reading/production purposes.

Should your script be selected and produced as one of the six finalists, you must be available to attend the weekend festival (July 17-19, 2020) and participate in all events. Finalists must acknowledge the Dayton Playhouse when script is published. The winning playwright awards the Dayton Playhouse the option to produce the winning play as part of its main stage season royalty free.

AWARDS
A $1000 honorarium will be awarded to the winning playwright; runners-up each receive $100. The Dayton Playhouse provides the six finalists travel (within the continental U.S.) to Dayton and housing for FutureFest weekend.

SELECTION PROCESS
Each entry is guaranteed a minimum of three reads. The original play reading committee, following many months of discussion and voting, narrows down the entries to 15 – 18, which are then read by the entire committee before they select the 12 semi-finalists. A second committee selects the six finalists. During FutureFest weekend, the plays are staged and publicly adjudicated by a panel of five theatre professionals (New York based and regional).  Following the final production of the weekend, the adjudicators vote and select the winner.

FINALISTS
Finalists will be posted on the Dayton Playhouse website (www.daytonplayhouse.com) by May 2020.

SUBMIT TO
futurefest@thedaytonplayhouse.com  or Dayton Playhouse FutureFest, P.O. Box 3017, Dayton, OH  45401-3017.

QUESTIONS
Contact Fran Pesch, FutureFest Program Director, at 937-424-8477, or email futurefest@thedaytonplayhouse.com

Last Frontier Theatre Conference 2020 Play Lab

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Submissions for the 2020 Play Lab are now being accepted.

The submission deadline is October 21. 

Writers who have participated in the Conference before and Alaskan authors have a later deadline, November 25.

The  Conference will take place June 14-21, 2020, in Valdez, Alaska.

Selected plays receive public readings, with both public and private feedback sessions led by theatre professionals. Authors must register for the Conference and be in attendance for their reading.

Accepted writers will also have an additional opportunity to further submit their work in the 10-Page Play Slam, the Monologue Workshop, and the Last Frontier Fringe.

Authors are asked to submit through the call for plays on the website, www.theatreconference.org using the on-line form on the Play Lab link. Guidelines:


  • One submission per author.
  • Submissions should run between 20 minutes and 2 hours.
  • They can be of any genre except musical.
  • The play should not have received a professional production; readings and amateur productions are acceptable. Authors should be interested in receiving feedback and developing their submission.


If you have any questions about eligibility, contact the Coordinator at dlmoore@alaska.edu.

Saturday, August 31, 2019

Druid Theater Script Guidelines

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Scripts are only accepted via our online form which can be accessed on our website from 14th May 2019. This form allows you to upload your script and contact details as requested.

Please refer to the guidelines below and should you have any further questions, email scripts@druid.ie.

Please do not use the above email address to submit a script. Scripts will only be accepted via our online form.
  • Submit only one script per year unless requested.
  • Submit original work only.
  • Submit only those plays that have not had a full professional or amateur production. In this light, plays emerging from student productions or from areading/workshop will be accepted.
  • Writers whose work has previously been produced by amateur theatre companies are asked to submit only those plays that are not currently intended for production.
  • Druid is not in a position to accept radio scripts, TV scripts or screenplays.
  • Druid is not in a position to accept one-act plays, musicals or plays for children. 
Formatting Guidelines
  • Scripts should be typed on A4 with pages numbered
  • Please ensure you check the spelling in your script thoroughly
  • Font size should not be lower than 12pt
  • Stage directions must be in italics
  • Character names must be in capital letters
  • Please save your file in one of the following formats: MSWord (.doc) or PDF
Your name and contact details should not appear anywhere on the script. Failing to remove your name or contact details from a script will render it ineligible.

Scripts will only be accepted via our online form between 14th May 2019 and 30th September 2019.

Submission form

Thursday, August 29, 2019

International Thomas Wolfe Playwrighting Competition

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To celebrate 100 years of playmaking at UNC-Chapel Hill, PlayMakers Repertory Company is soliciting unproduced scripts that speak to the rich legacy of one of North Carolina’s most famous writers: Thomas Wolfe. The prize is named after the novelist whom William Faulkner called “the greatest talent of his generation.”  Wolfe’s writings reflect a largeness of spirit and an expansive vision of life, while anchored in what, where, and whom he knew.

The prize will be awarded to a writer who captures Wolfe’s mix of highly original, poetic language with personal stories rooted in geographic place. Plays that deal with Wolfe’s life and/or adaptations of his fiction are encouraged. Preference will be given to plays that synthesize all the above criteria in bold and exciting ways.

Submission period opens June 1, 2019 and closes September 1, 2019.

Winner will receive a $7,500 cash prize and development support from PlayMakers.

THE DETAILS

  • There is no entry fee.
  • The contest is restricted to plays written in English. International submissions are accepted.
  • Submissions must be original full-length plays written in English. Translations, children’s plays, musicals, and adaptations are not accepted.
  • Plays must not infringe upon the copyright of any other work, or violate any other rights (including but not limited to rights of privacy and publicity) of any other person, firm, corporation or other entity, or defame any person, firm or corporation.
  • One submission per playwright.
  • Plays should not be under option, commissioned, or scheduled for professional production at the time of submission.
  • Plays that have been professionally produced or published are not eligible.
  • Plays must be typed, must include page-numbers and in professional play formatting.
  • PlayMakers reserves the right to reject any submission for any reason.


ELECTRONIC SUBMISSIONS
Electronic submissions are strongly urged. Electronic submission will provide you with confirmation of a successful submission. All submissions will close at 12 midnight Sept 1, 2019.

Please enter the title of your play, your name and contact information (including address, phone number, and email address), and a brief biography where indicated on the electronic submission form.

The manuscript itself must be in PDF format and must include a title page that shows the play’s title, a 2–3 sentence synopsis of the play, and a brief explanation of how it aligns with Wolfe’s writing. A list of characters with relevant character descriptions is also required. If you are submitting your play electronically, please omit your name and contact information from your manuscript.

Submit online using this form.

SUBMISSIONS BY MAIL

If you are submitting a hard copy of the play you must begin with a title page that contains the play’s title along with your name, address, telephone number, and e-mail address (if you have one); and a second title page with no identifying information that contains only: the title of the play, a 2–3 sentence keynote description of the play, and a brief explanation of how it aligns with Wolfe’s writing.

A list of characters with relevant character descriptions is also required. Please include a brief biography at the end of the manuscript, on a separate page.

Send hard copy of script to:
PlayMakers Repertory Company
Joan H. Gillings Center for Dramatic Art
120 Country Club Road CB 3235
Chapel Hill NC 27599-3235

Please do not send the only copy of your play. Plays cannot be returned after the competition.

Sunday, August 25, 2019

Creede Repertory Theatre’s Headwaters New Play Program

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One-third of CRT’s productions are new works, and every year CRT commissions a new show for its celebrated Young Audience Outreach Tour (YAOT). The goal of this program is to bring theatre to thousands of kids in rural and underserved communities throughout the Southwest while creating an exciting opportunity for emerging playwrights. Bilingual (English/Spanish) plays are preferred, but not required. With 35 years of successful productions we are looking for playwrights interested in working among a collaborative artistic team.

We are accepting submissions for the 2020 Young Audience Outreach Tour and if you would like to be considered for a commission, please, submit the following by September 1, 2019:

SUBMISSION GUIDELINES
• Cover sheet with your name, contact info, and a synopsis
• 10-20 page excerpt
• Cover letter that indicates experience in the following: touring shows, theatre for young audiences, and/or plays that have been produced.
• Please specify whether you are submitting for YAOT or The KID Show
• Electronic versions are preferred
• Email materials to CRT’s Education Director Brittni Shambaugh Addison

The Young Audience Outreach Tour develops plays with two actors and based on core curriculum subjects. The following are past curriculum subjects: history of US Presidents, the science of flight, the geography of the United States, the water cycle, the importance of math and literacy, history of the Southwest. For more information on previous productions check out our YAOT page.

YAOT MAIN PAGE

For questions or to submit materials contact Education Director Brittni Shambaugh Addison at brittni@creederep.com.  Electronic versions are preferred. Hard copies should be mailed to: Creede Repertory Theatre, Attn: Brittni Shambaugh Addison, P.O. Box 269, Creede, CO 81130.

Sunday, August 18, 2019

New Plays for Young Audiences seeks new unpublished and unproduced full-length play scripts

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Beginning July 1, 2019, New Plays for Young Audiences seeks new unpublished and unproduced full-length play scripts for young audiences for our 23rd season, June 2020.

The final date that submissions for 2020 will be accepted is October 31, 2019.

Submission Guidelines:

In your email submission, please include your name, the name of the play, and where we can contact you.

Also include in your submission your goals for the week of development – questions about the script you hope to answer, characters you want to further develop, story areas you want to look closer at, etc. Scripts received without goals are automatically disqualified, as this is an important part of our process.

Also include in your submission how you see your script fitting into the TYA field as we are dedicated to nurturing and encouraging the continued development of TYA. If your script is not specifically intended for a young audience (any range that falls between ages 5 and 18 such as 5-9, 11-15, etc.) or otherwise appropriate for youth and family audiences, we encourage you to seek out a more appropriate venue.

If you are submitting an adaptation, we ask that you include proof that the original author has agreed to you adapting their work.

Finally, also rank, from most to least preferred, the development week that works best for you. We cannot guarantee a preferred slot, but this information will help facilitate the scheduling process once scripts are selected. The 2019 series is slated to run in three one-week segments: May 31-June 7, June 7-14, and June 14-21.

Please note that we only accept previously unpublished and unproduced full-length play scripts. If your script has had a fully produced production, we cannot accept it. We accept musical submissions, but do not generally develop a musical every season. If you are uncertain if your script meets this requirement or believe there is cause for an exemption, feel free to contact us (David Montgomery or Teresa Fisher).

We welcome scripts of any cast size, but are limited to 10 actors due to the size of our stage. If your script requires more than 10 actors, include doubling suggestions with your submission.

To submit your new previously unpublished and unproduced play for young audiences for consideration in our 2020 series, send your script between July 1 and October 31, 2019, to Producer/Production Manager, Teresa Fisher. We reply to all submissions within 7 days of receiving them.

Find out more
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Saturday, August 17, 2019

THE HENLEY ROSE PLAYWRIGHT COMPETITION FOR WOMEN 2019

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NOTE: this is a no-fee opportunity for members of the Dramatists Guild who submit a hard copy of their play via snail mail.

The Henley Rose Playwright Competition for Women was founded by Yellow Rose Productions, with permission of Beth Henley, to encourage and recognize the new works of female playwrights. The Henley Rose Playwright Competition for Women aims to give voice to the stories of this generation and to bring into the spotlight important works that have been crafted.

The Henley Rose Playwright Competition for Women seeks to honor both the writings of Pulitzer Prize winner Beth Henley and those of future winners of the Henley Rose Award.

INFORMATION
Submissions are welcome from July 1st until August 31st and will be read by a committee of writers, theatre artists, and producers.

The first 200 submissions to be received between July 1st until August 31st will be considered.

A small group of finalists will be announced in February of 2019. From that list, 3 winners will be selected and will be invited to attend the staged reading of their play, which will take place in Knoxville, TN in Summer of 2020.

The First, Second, and Third Place winners will also be announced by the end of March 2020, and will receive the Henley Rose Award. In addition, submission fees will go toward creating a cash prize for the winners of the Henley Rose Award.

Please note, we are unable to provide feedback on scripts that are submitted.

GUIDELINES

 Submissions must be completed full-length or one-act plays. No one-acts, please.
 Submissions must be the original work of the submitting female playwright.
 Submissions may not have been previously produced or fully staged.
 Submissions are due by August 31st, 2019 and must include all of the submission materials to qualify.
 One script may be submitted per applicant.

SUBMISSION MATERIALS

Completed Registration (Click Here for Registration)
Script
Payment: $20 submission fee. Submission fees will go to create a cash prize for the winner of the Henley Rose Award. ($20 submission fee will be waived for current members of the Dramatists Guild. Please include a scan or photo copy of your current membership card with your script for verification.)

All applicants may choose to submit scripts and/or payment via snail mail (checks made payable to Yellow Rose Productions):
Henley Rose Playwright Competition
1321 Raleigh Avenue
Knoxville, Tennessee 37917

All applicants may choose to submit materials via e-mail for an additional $8.00 printing fee.
E-mail submission materials may be sent to henleyrosecompetition@gmail.com.

At the completion of your registration form you will receive a an e-mail confirmation with additional  instructions.If you are choosing to submit electronically, please attach your script as a response to this email confirmation. If you are planning to submit via snail mail, please respond to the confirmation e-mail to let us know when your script is on its way.

If you do not receive a confirmation e-mail within a few minutes of submitting your application, please check your SPAM folder and make sure to add henleyrosecompetition@gmail.com to your contacts to be sure we are able to reach you!

Please note that your submission is not complete until all submission materials (application, script, and payment – if required) have been received. Submissions via snail mail must be postmarked no later than August 31st, 2019. Should the submission cap be reached before August 31st, 2019, the application will no longer accept new submissions and an announcement will be made. Any accidental payments made past the 250 script cap are fully refundable.

Feel free to contact us with any questions at henleyrosecompetition@gmail.com.

Friday, August 16, 2019

Enigmatic Society Productions seeks full-length LGBTQIA+ scripts

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Enigmatic Society Productions is accepting full-length scripts with LGBTQIA+ themes for our 2020-2021 season. Chosen playwrights will receive a full-length production with a standard Dramatist Guild of America playwriting contract (Not a membership, but the playwright will earn a percentage of each ticket sold).

Enigmatic Society Productions is an LGBT theater company that is focused on the development of new LGBT-themed scripts and re-imaging classic plays and musicals.

Deadline is December 1st, 2019. No submission fee. Open to all playwrights.

Submission Rules and Process:

  • Scripts must be in standard playscript format
  • Scripts submitted must be in PDF format
  • Cover page to include play synopsis, character breakdown, playwright's bio and production history
  • playwrights may submit more than one play
  • Scripts must be received by December 1st, 2019
  • Scripts must be LGBTQIA+ themed
  • Selected playwrights will be notified February 1st, 2020 and contracts will be sent out March 1st, 2020 - via email

Company: Enigmatic Society Productions
Instagram: enigmaticsocietyproductions

Monday, August 12, 2019

Los Angeles Queer New Works Festival

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We are currently accepting submissions for next year's Los Angeles Queer New Works Festival.

A production for The Commons is just as powerful as it is entertaining. It's brave, breathtaking, and thought-provoking. It's honest. It's vulnerable. It's boldly authentic and unapologetic in the space it takes up. And it showcases the unique and powerful stories that come from every corner of our community.

We are especially interested in:

  • Fearless new plays and one acts
  • Socially relevant contemporary musicals
  • Ensemble driven pieces
  • Daring solo works
  • Unproduced screenplays
  • Pilots and Web Series centering LGBTQ+ Characters ​​

As a general rule, we do not produce:

  • Children's theater
  • Musicals without original scores
  • Literally any story that revolves around a cis/het/white man


WHEN WE NEED IT
Submission Deadline: September 1, 2019

HOW TO GIVE IT TO US
We are tirelessly dedicated to reducing our carbon footprint and impact on our environment. For this reason, we only accept electronic submissions. To submit your work, fill out the form at the link below.

SUBMISSION FORM ONLINE

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