We never post opportunities that require a submission fee. LEARN MORE.
Showing posts with label full-length plays. Show all posts
Showing posts with label full-length plays. Show all posts

Monday, July 13, 2020

Oklahoma City Repertory Theatre seeks online plays for young audiences

web site

Deadline: July 31, 2020 11:59 CST
Oklahoma City

Oklahoma City Repertory Theatre (OKC Rep), an Actors’ Equity Association Category 1 Small Professional Theatre, is seeking submissions of previously unproduced plays, written explicitly for online communications platforms (Zoom, FaceTime, Skype, et al) in the following categories:

1. NEW VOICES: Playwrights between the ages of 18-26
  • 50- to 80-minute plays that are written within the context of online communication;
  • Plays can be two or more characters; each character will occupy a single window on screen. Monologues that exhibit innovative use of the form will be considered.

2. YOUNG AUDIENCES: Material to engage young audiences between the ages of 4-11
  • 40- to 60-minute plays that are written within the context of online communication; 
  • Plays can be two or more characters; each character will occupy a single window on screen. Monologues that exhibit innovative use of the form will be considered.
  • Plays must be suitable and engaging for audiences between the ages of 4-11.

Selected play(s) will be produced as an online reading under the auspices of OKC Rep Theatre, and distributed to our audiences via social media. Plays selected for readings will be awarded a $250 honorarium. Selected plays may be considered for full production in a future season.


SUBMISSION REQUIREMENTS

Deadline for all submissions is no later than 11:59 CST on July 31, 2020. Please email the following submission requirements to stageathome@cityrep.com:

1. Script(s): must be in .pdf form, with embedded page numbers;

2. A one-page copy of your resume in .pdf format;

3. A one-page cover letter in .pdf format, containing the following information:
1. Full name
2. Professional name (if different)
3. Mailing Address, City, State, ZIP
4. Website, if available
5. Social media handles
6. Connection to Oklahoma*, if relevant;
7. Title of Play, Category & Year Written
8. Brief Synopsis

*While special consideration is given to playwrights native to or living in Oklahoma, all are welcome to apply.

CityRep's mission is to serve Oklahoma's diverse artistic, educational and civic needs by providing dynamic professional theatre.

We entertain, enlighten and inspire!

For more information please visit okcrep.org.

Sunday, July 12, 2020

EST/Youngblood is now accepting applications

web site

Deadline: July 31, 2020
NYC


EST/Youngblood is now accepting applications for membership beginning in the 2020-2021 season. 

Applications are open to New York City metro area resident playwrights under 30 years old. Membership includes attendance at all weekly meetings, monthly (or more frequent) performances, readings and retreats. There is no set term of membership, and members often stay through the season that includes their 30th birthday. If you have any questions, please contact youngblood@ensemblestudiotheatre.org

Application Requirements
Please complete the form below and include the following materials:

WRITING SAMPLE - up to 25 pages. This can be part of a longer piece or a one-act. Send whatever you think best represents where you are as a playwright right now.

LETTER - The "why Youngblood" letter. Tell us about yourself and why you are interested in membership in the group.

RESUME - Your current playwriting resume.

FULL-LENGTH PLAY - A completed full-length play in its entirety. Note: this can be the full play from which the initial 25 pages was excerpted, or an entirely different piece. In most cases, this additional material will only be read if you are selected as a finalist.

Application Instructions:

Combine the above items, in that order (sample, letter, resume, full-length), into a single PDF file.

The file name should be your last name and first initial - i.e., TOLAN_R.pdf.

Upload the PDF file using the Upload link below.

Saturday, July 11, 2020

THE HENLEY ROSE PLAYWRIGHT COMPETITION FOR WOMEN 2020

web site

Deadline: August 31, 2020
Knoxville TN

$22 submission fee will be waived for current members of the Dramatists Guild. Please include a scan or photo copy of your current membership card with your script for verification.

The Henley Rose Playwright Competition for Women was founded by Yellow Rose Productions, with permission of Beth Henley, to encourage and recognize the new works of female playwrights. The Henley Rose Playwright Competition for Women aims to give voice to the stories of this generation and to bring into the spotlight important works that have been crafted.
The Henley Rose Playwright Competition for Women seeks to honor both the writings of Pulitzer Prize winner Beth Henley and those of future winners of the Henley Rose Award.
INFORMATION

Submissions are welcome from July 1st until August 31st and will be read by a committee of writers, theatre artists, and producers.

The first 250 submissions to be received between July 1st until August 31st will be considered.

A small group of finalists will be announced in March, 2021. The First, Second, and Third Place winners will also be announced by the end of March, 2021, and will receive the Henley Rose Award. In addition, submission fees will go toward creating a cash prize for the winners of the Henley Rose Award. Information on the Henley Rose Staged Reading Series will be announced at a later date.

Please note, we are unable to provide feedback on scripts that are submitted.

GUIDELINES
  • Submissions must be completed, full-length or two-act plays. No one-acts, please.
  • Submissions must be the original work of the submitting female playwright.
  • Submissions may not have been previously produced or fully staged.
  • Submissions are due by August 31st, 2020 and must include all of the submission materials to qualify.
  • One script may be submitted per applicant.

SUBMISSION MATERIALS
Completed Registration (Click Here for Registration)
Script
Payment: $22 submission fee. Submission fees will go to create a cash prize for the winner of the Henley Rose Award. ($22 submission fee will be waived for current members of the Dramatists Guild. Please include a scan or photo copy of your current membership card with your script for verification.)

All applicants may choose to submit scripts and/or payment via snail mail (checks made payable to Yellow Rose Productions):
Henley Rose Competition
1321 Raleigh Avenue
Knoxville, TN 37917


All applicants may choose to submit materials via e-mail for an additional $10.00 printing fee. E-mail submission materials may be sent to henleyrosecompetition@gmail.com.

At the completion of your registration form you will receive a an e-mail confirmation with additional instructions. If you are choosing to submit electronically, please attach your script as a response to this email confirmation. If you are planning to submit via snail mail, please respond to the confirmation e-mail to let us know when your script is on its way.

If you do not receive a confirmation e-mail within a few minutes of submitting your application, please check your SPAM folder and make sure to add henleyrosecompetition@gmail.com to your contacts to be sure we are able to reach you!

Please note that your submission is not complete until all submission materials (application, script, and payment – if required) have been received. Submissions via snail mail must be postmarked no later than August 31st, 2020. Should the submission cap be reached before August 31st, 2020, the application will no longer accept new submissions and an announcement will be made. Any accidental payments made past the 250 script cap are fully refundable.

Feel free to contact us with any questions at henleyrosecompetition@gmail.com.

Friday, July 10, 2020

Druid New Writing open for submissions

web site

Deadline: Friday 31st July 2020 12 noon
Galway Ireland

Scripts are only accepted via our online form which can be accessed on our website from Monday 22 June 2020.

This form allows you to upload your script, supply your contact information and provide us with some basic information. It is imperative that you read the guidelines below before considering submitting a script. You will be asked to confirm that your script adheres to all guidelines.

Please do not email scripts to Druid. Scripts will only be accepted via our online form.

GUIDELINES

Submit only one script per submission window. Once submitted a new draft cannot be resubmitted unless requested.

Submit original work only.

Submit only those plays that have not had a full professional or amateur production. In this light, plays emerging from student productions or from a reading/workshop will be accepted.

Writers whose work has previously been produced by amateur theatre companies are asked to submit only those plays that are not currently intended for a future production.

Druid is not in a position to accept historical / biographical plays. For example, the company is more likely to produce a contemporary, more traditionally-structured play that has a connection to Ireland than an experimental opera about a historical figure with no connection to Ireland.

Druid is not in a position to accept radio scripts, TV scripts or screenplays. Submitted plays must be written for the stage.

Druid is not in a position to accept short, musicals or plays for children. Plays should be fully completed and have a running time of at least 40 minutes.

Please ensure that you are familiar with Druid’s work before submitting your script. You are expected to submit your script to Druid only if you believe it would be of interest to the company.

The aim of the New Writing process in Druid is to find new writers and voices that can be nourished rather than a finished polished piece of work. Druid looks forward to collaborating, guiding and nurturing writers, building a relationship with those voices who will grace our stages for years to come.

FORMATTING GUIDELINES
  • Scripts should be typed on A4 with pages numbered
  • Please ensure you check the spelling in your script thoroughly
  • Font size should not be lower than 12pt
  • Stage directions must be in italics
  • Please save your file in PDF
Your name and contact details should not appear anywhere on the script. Failing to remove your name or contact details from a script will render it ineligible.

Due to the large volume of scripts received annually, Druid cannot provide detailed feedback on each script received.

Scripts will only be accepted via our online form between Monday 22 June 2020 and Friday 31st July 2020.

Thursday, July 9, 2020

Bedrosian Center seeks plays by Native Americans

web site

Deadline: August 1, 2020

To support our mission to give opportunities for Native American and non-Native students to learn, collaborate, study and amplify the stories of indigenous peoples, USC Bedrosian Center & Red Nation Celebration Institute are accepting submissions of full-length plays written by American Indian/Indigenous authors.

Email submissions to: RNCIMedia@gmail.com


Wednesday, July 8, 2020

The Crossroads Project: 2021 Diverse Voices Playwriting Initiative

web site

Deadline: August 15, 2020 11:59 PM Central Daylight Time
Normal IL

The 2021 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by playwrights of color in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges comprising of faculty, staff, and students will select one playwright as the winner of the contest.

The winning playwright will receive:
  • An invitation to Illinois State University in Bloomington-Normal, IL for a one-week new play development workshop, culminating in a public staged reading. The playwright may also be invited to offer guest lectures and colloquia. The Crossroads Project will cover costs for travel, housing, and meals during the workshop.
  • An honorarium of $500 for the workshop.
To be eligible to win the contest, a playwright must be available for a one-week workshop in late March 2021 (exact dates TBD). Due to funding limitations, the Crossroads Project can only cover costs for travel within the United States.

The deadline for submissions is August 15, 2020, 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.

Please include in your submission:
  • A sample from your play up to 15 pages. This does not have to be the first 15 pages of the play.
  • A playwright’s statement (max. 250 words) describing your inspiration for writing the play, as well as how you believe a workshop in a university setting will further your development process.
  • A synopsis of the play (max. 250 words).
  • A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)
Please follow these guidelines when submitting your play:
  • A playwright may only submit one play per contest. The writer of the play must submit their own work.
  • Plays that have been previously fully produced or published are ineligible for the contest. Plays that have previously had workshops or staged readings are eligible.
  • Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.
  • The submitting playwright must either be the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.
  • Submissions must be full-length plays.
  • Musicals are not accepted. However, plays with limited music requirements are accepted.
  • The primary language of the play must be English.
  • There are no other restrictions in subject matter or style.
  • The Crossroads Project reserves the right to accept or reject any submitted play for any reason.
To submit your play, use the play submission form . Please try the link first to check if the contest is still open.

We will contact semi-finalists by the end of October 2020 and ask them to submit the full play.

The winning playwright will be notified by mid-January 2021.

Inquiries about the Diverse Voices Playwriting Initiative should be directed to:

Kee-Yoon Nahm, D.F.A.
Assistant Professor in Theatre Studies
Chair, The Crossroads Project

Email: knahm@ilstu.edu

Tuesday, July 7, 2020

AUDIBLE THEATER EMERGING PLAYWRIGHTS FUND


In 2017, Audible launched a theater initiative, intended to radically increase access to exceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners.

The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. If you are looking to submit an idea for an audio project that is not a play, please visit www.audible.com/pitch.

Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.

Submission Guidelines

To be considered as an applicant for a commission, please submit all of the following to AudibleTheater@audible.com:

1. One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;

2. A short biography; and

3. A brief statement about why audio plays appeal to you.

If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required). In your submission, please indicate where you heard about the Fund.

For more information, check here: https://www.audible.com/ep/audible-theater

Monday, July 6, 2020

Stage to Screen seeks full-length plays

web site

Deadline: December 31, 2020
Morgan Hill, CA

Calling all Playwrights! Do you have a masterpiece of a full-length play completed? Would you love to see it brought to life on both stage and screen?

Submit your play to our experienced judges by December 31, 2020

Any selected play will receive a $1000.00 award

Your play will go through an intensive 1 week “read-through” workshop before production begins.

Your play will be professionally staged as a high quality elevated workshop production

This production is filmed and screened for global audiences

Your new play is a hit

RTO Productions, in association with The Hive SJ, presents the following opportunity to revolutionize the way new plays are brought to mass audiences.

We are looking for unproduced plays to feature in our “Stage to Screen” series. These plays should have 6 or fewer actors, and no previous productions. The chosen play(s) will be produced as an elevated workshop production. Additionally, each production will be filmed and a trailer will be made available to the author as a means to assist in promoting the work. The play(s) chosen will be awarded a monetary prize of $1000.00.

Read through workshop:
This will consist of actors (who have read the play in advance) doing a timed read through of your play while you and the director confer either in person, or electronically. This will be done to AFTER the play has been chosen, and will assist us in all aspects of production.

All types of plays will be considered for production. If a musical is submitted, all music must be original, and you must have the rights for use free and clear. RTO Productions and The Hive SJ have a commitment to diversity and to honoring all traditions. As such, all scripts will be “blind read”, given to the readers with no indication of gender or ethnicity. Our one requirement is “Don’t bore us.”

Submit with no entry fee if submitted by December 31, 2020, 5:00 pm PST! If you submit your play after December 31st, there will be a submission fee of $25.00. 

Submission for consideration closes March 15th, 2021. 

Final production choice(s) will be announced on our website at http://stagetoscreen.org the first week of April 2021.

Submission requirements:
Via Email, submit the following:
  • A one page synopsis of your play
  • A character list and description – Due to space considerations, we would prefer a cast of no more than 6 players.
  • A short playwright bio (one or two paragraphs)*
  • The play in its entirety
*Please make this a separate document as we really are doing a blind reading.

NOTE: Scripts must be submitted in PDF format vis e-mail. You may also choose to submit a brief (no longer than one page) explanation of your vision or what you hope to accomplish from the writing and subsequent production of this play. No format other than PDF will be accepted.

EMAIL TO: submissions@stagetoscreen.org

Saturday, July 4, 2020

Broadway Bound seeks scripts from Black playwrights

web site

Deadline: September 6, 2020
NYC

Recognizing that existing theatre is inherently exclusionary and holds detrimental biases, Broadway Bound Theatre Festival is changing its mission statement and creating a plan of action that is explicitely anti-racist. As Andre Lorde has claimed: "it is not difference that immobilizes, but silence."

We would like to invite Black playwrights, theatre-makers, and composers to submit their new scripts to BBTF for a spot in our 2021 Winter Festival at Theatre Row in Manhattan. 

We’ve waived both our $25 Reader Fee for all submissions and the $1000 Acceptance Fee, if your play or musical is selected. 

Musicals: Max 120 minutes plus a 10 minute intermission. 

Straight plays: Max 90 minutes in length; min 60 minutes with no intermission. 

This is an opportunity EXCLUSIVE TO BLACK ARTISTS. Submissions close Sept. 6, 2020 at midnight EST. You will be notified within 2 weeks of that date and receive a short critique of your work. Submit your finished script and complete the application on broadwayboundfestival.com.

No justice, no peace. The theater community needs to dismantle its system. BBTF is officially committed to lifelong plans of action and advocacy for Black lives. We look forward to receiving your submissions.

Call for Submissions: Appalachian State University Department of Theatre and Dance

web site

Deadline:  July 15, 2020
Boone, North Carolina

We are seeking a full-length play that explores/utilizes/showcases non-western theatre tradition for our 2021-22 mainstage season.

While we continue to work hard to expand the diversity of our university, our student population is predominantly white. We are putting out a call for a play that is castable with our student demographic and performable without cultural appropriation, cultural erasure, or diversity tourism.

Additional considerations:

· Larger cast sizes (10 and up) are preferable.

· Plays that demand extravagant design or numerous set/costume changes may be challenging.

· Age appropriate roles – characters in their late teens – thirties – are preferable.

· We support and encourage submissions from queer writers, writers of color, and women, trans, and non-binary writers.

· We are open to all styles, including plays that require some ensemble input/devising and full-length plays comprising shorter pieces.

· Plays with music/musicals may be considered.

Logistics:

· The play will be included in our 2021-22 season (September – April).

o Pending the lifting of isolation mandates, state and University of North Carolina guidelines pertaining to large gatherings, and budget restrictions.

o Reserving the right to not choose from any submitted plays or to discuss an alternate time with the playwright.

· Playwrights will receive applicable royalties.
We are interested in negotiating the possibility of a campus visit and/or class presentations pending budgetary approval and further playwright discussion.

Please send complete MS (PDF, doc, or docx please) to grandigl@appstate.edu.

Include “Play Submission” in your subject.

Submissions accepted until July 15, 2020.

We will notify playwrights of selection by April 15, 2021.


Questions? Email grandigl@appstate.edu

Wednesday, July 1, 2020

Stella Adler Harold Clurman seeking submissions

web site

Deadline: July 3, 2020
NYC

The Harold Clurman Playwrights Division is now accepting submissions.


ENSEMBLE-PLAYS

Seeking new, full-length ensemble plays with casts that have a majority of female characters or gender neutral characters. Plays must be new, unproduced works and require minimal set, props, costumes. One or more play may be selected for a student production. Please note: this is the only search that corresponds with the studio’s full-time actor-training programs.

SUBMIT

PLAYWRIGHT-IN-RESIDENCE

The Stella Adler Studio of Acting is seeking submissions from Black playwrights for the Harold Clurman Playwright-in-Residence program. This is a collaborative residency that is mutually beneficial to the mission of the studio and the playwright. Please note: this search focuses on professional or aspiring professional writers who work with the studio’s professional acting company (not students). We are seeking playwrights who:

– are in their early careers

– are unpublished

– have not yet had professional productions other than those using the Equity showcase code

– have a vested interest in working with the studio’s community of artists

– are interested in engaging in a discussion about how the studio can support and challenge their work

This is a merit-based residency search. We are particularly interested in diversity – diverse writers, voices, viewpoints, perspectives.

Completed applications must include a required online application form AND a full-length, polished but unpublished play (a full-length play is one that constitutes a full evening of theater; a 90-minute one act play is acceptable).

Please note that applicants who advance to the final round of consideration may be asked for a second work sample.

Applicants will be considered for the playwright-in-residence position as well as:

– participation in the First Breath New Play Reading Series

– potential collaboration in student actor-training workshops/productions

SUBMIT

PLEASE NOTE:

– Completed applications must include a required application form and a full-length play.

– All play submissions should be “blind”. The cover page should ONLY include the title of your play. Your name should not be anywhere on the blinded script. This copy will be shared with the committee of play readers who will not know the authors of the plays they are reading.

– Please do not include any of the following anywhere on the script: synopsis, development history, representation. We ask this because we are seeking a play based on artistic merit and we want artistic merit alone to be the influencing factor for a script’s advancement.

– Paper applications will not be accepted.

New Voices 2020 call for scripts

web site

Please note that we only accept submissions written for the stage or theatre by Native American, Alaska Native, Native Hawaiian, and First Nations artists.

Deadline: August 10, 2020
Los Angeles CA


Native Voices is currently accepting submissions of full-length plays (60+ pages) by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights addressing all themes and topics.

2021 Playwrights Retreat and 27th Festival of New Plays

The Retreat and Festival bring artists to Los Angeles to work on 3–5 plays through a rigorous directorial and dramaturgical commitment for 8–10 days in May/June. The retreat culminates in public staged readings of the plays at the Autry Museum of the American West in Los Angeles. Selected playwrights receive artistic support as well as an honorarium; out-of-town artists receive roundtrip airfare plus lodging in Southern California.

Selection Process: Full-length plays (60+ pages) received by August 10, 2020 will be read and evaluated. A select number of playwrights will be invited to submit formal proposals detailing their developmental goals should their play be chosen for the short list. Scripts will then be sent to a committee of nationally recognized theatre artists for further evaluation. With their help, Native Voices selects up to five plays for the Playwrights Retreat and Festival of New Plays. Playwrights will be notified in January 2021.

2021 OPEN Submission for Production Consideration

We accept scripts all year long. Do you have a full-length script that has been developed and produced that you’d like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form check the box for 2021 General Submission for Production Consideration.
A Note About the Native Voices Distance Dramaturgy Process

Months prior to residencies at the Playwrights Retreat and Festival of New Plays, selected playwrights participate in dramaturgical conversations with an assigned director and dramaturg. Workshops with these creative teams and a cast of professional actors commence once the playwright arrives on-site. It is important to note that these conversations and workshops are playwright driven, allowing the writer to shape their own developmental path. Selected playwrights should be prepared to dedicate adequate time to this process prior to arriving on-site.

Checklist for All Submissions
  • Please label script attachment as follows: PlayTitle_Author’s Last Name, First Initial (Example: MyNewPlay_Doe, J.doc).
  • All submissions must conform to a standard play-script format (one-inch margins, #12 Times or Courier font, all pages numbered).
  • Include a title page with full contact information (mailing address, phone numbers, e-mail address) and a draft or revision date.
  • Include a character breakdown at the beginning of your script.
  • Provide a biography of 75–100 words. Please label attachment as follows: Bio_Author’s Last Name, First Initial (Example: Bio_Doe, J.doc).
  • Provide a press ready photo of at least 300dpi. Please label attachment as follows: Photo_Author’s Last Name, First Initial (Example: Photo_Doe, J.doc).
  • Provide development history for the play. Label attachment as follows: DevHistory_PlayTitle_Author’s Last Name, First Initial (Example: DevHistory_MyNewPlay_Doe, J.doc).
To submit, fill out our online form and upload your submission materials here: Native Voices Script Submission Form

Please do not send treatments or outlines. Previously submitted plays should only be resubmitted if the play has undergone significant dramatic changes. Previously produced plays should be submitted under the 2021 General Submission for Production Consideration. Plays that are not selected are kept on file for consideration for future opportunities. Playwrights are encouraged to make multiple submissions (up to three per event), but selection will be limited to only one play per playwright, per event.

Where to Send Submissions

We now only accept electronic submission (preferably PDF format).

To submit, fill out our online form and upload your materials here: Native Voices Script Submission Form

Saturday, June 27, 2020

THE MAXIM MAZUMDAR NEW PLAY COMPETITION

web site

DEADLINE: June 30, 2020
Buffalo, NY

Entries are accepted in the following categories. Playwrights may submit up to one play to each category per year.

 *New in 2020: there is no submission fee for any category. Submit here: deadline June 30.

Full-Length Play/Musical
— 90 minutes or more, requiring no more than 10 performers
— Finalists will be notified approximately November 1, 2020
— Winning play will be announced approximately December 1, 2020 and will receive its premiere production in the 2021/22 Alleyway season. The playwright will receive an award/royalty prize of $500.

One-Act Play/Musical
— 20 minutes or less, requiring no more than 6 performers
— Finalists will be notified approximately November 1, 2020
— Winning play will be announced approximately December 1, 2020 and will receive its premiere production in the 2020/21 Alleyway production of BUFFALO QUICKIES. The playwright will receive an award/royalty prize of $100.

Special Category for 2020: Digital
— Original plays or musicals written specifically for a tech platform such as Zoom. As theatres face the challenge of moving programming online, please consider the following:
— Creativity. We are not looking for plays that could just as easily be performed on stage. We want you to truly embrace the digital/virtual platform. How can you engage with an audience through this distant reality? How can you make this mediated form immediate?
— Technology. We are only at the beginning stages of understanding all the incredible opportunities technology can afford us. Which platform will work best for your play? How will it be done? What “magic” can you employ to use technology to help tell your story in the most successful way? Is it Zoom? Skype? FaceTime? An app? Something else? Is it live? Live to tape? Filmed previously and heavily edited? The winning plays will be specific and creative in this approach, as emphasis should be placed equally on the story and the form.
— Audience. Who is this for? Is it interactive? Passive? Zoom fatigue is real. How long can your production honestly ask an audience to sit at their screen? 10 minutes? 60? 90? Be realistic in your attempts at engaging your target audience.
— Finalists will be notified by early Fall 2020 and the winning play will receive its premiere production via Alleyway online during the 2020/21 season and will be awarded a royalty/prize of $250.
Mazumdar Competition Submission Requirements for All Categories

— Plays must be unpublished and unproduced at the time of submission (developmental readings and workshops notwithstanding).
— All entries must be withheld from production during the period of the competition, reserving the premiere production for Alleyway Theatre
— A single PDF submission packet must include the following items, in this order. Submissions which do not comply, or fail to meet the following, will not be considered. Each of the first 5 requirements are a single page each. The full script should begin on page 6 of your PDF.

— Page 1: Title page with author name and contact information
— Page 2: Cover Letter. One page maximum, discussing your artistic pov, and detailing why your play fits with the mission and history of Alleyway and should be produced in our season.
— Page 3: One page including a short synopsis of your play, and a character breakdown.
— Page 4: One page listing any developmental history, including readings, workshops, etc.
— Page 5: One page playwright bio
— Page 6+: The script

— Musical submissions must include a link to sample audio files. This URL should be included on Page 1 of the PDF.
— The PDF file must be saved using the following filename format: PlayTitle_LastNameFirstName_Category.pdf, where Category is Short, Full, or Digital

Each year, entries will be accepted during a late-Spring submission window. For 2020, entries are accepted from May 15 through June 30 only. 

*Playwrights who submitted unsolicited work between January 1-May 15, 2020 will be automatically entered into this year’s contest unless you ask otherwise. There is no need to resubmit.

Entry in the Maxim Mazumdar New Play Competition is understood as an indication of the playwright’s willingness, in the event of winning, to grant first production rights to Alleyway Theatre. Selection as Winner requires the playwright’s prior commitment to grant first production rights under the terms of Alleyway Theatre’s Standard Production Agreement, and additional terms will not be negotiated.

Submit to the 2020 Mazumdar Competition
(please tell them you heard about it via NYCPlaywrights - thanks)

Break A Leg Productions Delicious Comedy Series

web site

Deadline: June 30, 2020
NYC

Seeking all styles of comedy.

We are looking for plays that have not yet been produced or published. We ideally would like to work with the playwright on developing their play or subsequent future plays going forward giving them an opportunity to see their work on stage in order to develop as an artist.

Please submit your play (no musicals/no one person shows/no child roles under age 15) to the appropriate reading series or One Act Slam during the submissions dates listed. In one email please include the play, a synopsis, a character breakdown, playwright’s bio, playwright’s writing resume, reviews, awards, and social media information if applicable as PDF attachments. In the Subject of the email please put the title of the playand the reading series to which you are submitting.

Please email submissions and literary inquiries ONLY to: breakaleg.plays@gmail.com

For all other questions, please contact us at: thebalproductions@gmail.com

Actors: Submit headshot/resume to Teri Black, Artistic Director at breakalegproductionsnyc@yahoo.com

Due to the number of scripts we receive and the limited size of our staff we are not able to respond personally to every play or to offer feedback. Typically it can take up to 6-9 months for a response if we feel your play may be right for our upcoming season. If you do not hear from us after 9 months you may only resubmit your playif any changes have been made or submit another play for the appropriate series in the following season.

The Crossroads Project: The 2021 Diverse Voices Playwriting Initiative

web site

Deadline: August 15, 2020
Bloomington-Normal IL

The 2021 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by playwrights of color in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges comprising faculty, staff, and students will select one playwright as the winner of the contest.

The winning playwright will receive:
  • An invitation to Illinois State University in Bloomington-Normal, IL for a one-week new play development workshop, culminating in a public staged reading. The playwright may also be invited to offer guest lectures and colloquia. The Crossroads Project will cover costs for travel, housing, and meals during the workshop.
  • An honorarium of $500 for the workshop.
To be eligible to win the contest, a playwright must be available for a one-week workshop in late March 2021 (exact dates TBD). Due to funding limitations, the Crossroads Project can only cover costs for travel within the United States.

The deadline for submissions is August 15, 2020, 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.

Please include in your submission:
  • A sample from your play up to 15 pages. This does not have to be the first 15 pages of the play.
  • A playwright’s statement (max. 250 words) describing your inspiration for writing the play, as well as how you believe a workshop in a university setting will further your development process.
  • A synopsis of the play (max. 250 words).
  • A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)

Please follow the following guidelines when submitting your play:
  • A playwright may only submit one play per contest. The writer of the play must submit their own work.
  • Plays that have been previously fully produced or published are ineligible for the contest. Plays that have previously had workshops or staged readings are eligible.
  • Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.
  • The submitting playwright must either be the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.
  • Submissions must be full-length plays.
  • Musicals are not accepted. However, plays with limited music requirements are accepted.
  • The primary language of the play must be English.
There are no other restrictions in subject matter or style.
The Crossroads Project reserves the right to accept or reject any submitted play for any reason.

We will contact semi-finalists by the end of October 2020 and ask them to submit the full play.

The winning playwright will be notified by mid-January 2021.

Inquiries about the Diverse Voices Playwriting Initiative should be directed to:

Kee-Yoon Nahm, D.F.A.
Assistant Professor in Theatre Studies
Chair, The Crossroads Project

Email: knahm@ilstu.edu

Rise Against Fanaticism Through the Arts Scriptwriting Award

web site

Deadline: November 1, 2020
London, UK

Faraaz Ayaaz Hossain received several posthumous awards for his bravery against violent extremism on July 1st 2016 at the Holey Artisan Bakery in Dhaka. As a 20 year old Muslim man, he had the chance to leave the café, but he chose to remain behind with his friends.

How can we honour his memory without exposing ourselves to harm and persecution? How can we begin to tackle the rise of fanaticism around us?

With the theatre production, TERROR, in November 2019, Sohaya Visions and Mukul & Ghetto Tigers have launched a new scriptwriting competition, RAFTA (Rise Against Fanaticism Through the Arts).

We invite the submission of scripts that address fanaticism, extremism, and xenophobia across the spectrum – whether it be Islamism or white nationalism.

The script must be an original piece of work that promotes tolerance and understanding in imaginative ways.

The winner will be awarded £1,000 to develop the work with Sohaya Visions and Mukul & Ghetto Tigers to performance stage. 2 runner-up scripts will be selected for a reading with professional actors in London.


Deadline for script submissions is 1st November 2020.

Send submissions to both

Sohaya Visions sohayavisions@gmail.com

and Mukul & Ghetto Tigers mukul_tiger@yahoo.com with a short covering letter about yourself.
The script should be sent to both Sohaya Vision at sohayavisions@gmail.com and Mukul & Ghetto Tigers at mukul_tiger@yahoo.com by the stated deadline. It should come with a short covering letter on yourself, why you wrote the script, and why it is suitable for RAFTA.

The script must be an original piece of work and not submitted anywhere else for development or production.

Submissions must be by those aged over 18.

The script can be in any style on any historical or regional context so long as it addresses RAFTA aims to tackle extremism, intolerance and/or xenophobia. It must be a minimum length of 25 pages.

Winners who accept the award must agree to work with the production team and commit occasional days at mutually agreed times for script development. Rehearsals will be held at a venue in London.

All submitted scripts will be held in the strictest confidence and winners notified by email. The winner will be paid in two instalments after contracted to develop the work with Sohaya Visions and Mukul & Ghetto Tigers.

Wednesday, June 24, 2020

INGENIO 2020

web site

Deadline: July 8, 2020
Portland OR

INGENIO 2020 will take place September 20 – 26, 2020 and we will be accepting script submissions through July 8th. Plays will be selected, assigned directors and actors, rehearsed, and presented as virtual readings.

GENERAL GUIDELINES
  • Open to all Latino/a/x-identified playwrights
  • Original full-length plays, at least 70 minutes and no more than two hours in length
  • Plays can be in English, Spanish, or bilingual
  • Plays with over eight actors will require doubling; playwrights are asked to provide preferred casting breakdown
  • Chamber musicals will be considered
  • Published plays and those that have received, or are scheduled to receive, a full professional production are not eligible
  • Playwrights are strongly encouraged to participate and attend.

TO SUBMIT
  • Scripts must be in PDF format and should follow the Dramatist Guild’s of America Traditional or Modern play format. Other than the cover page, the script shall have no identifying information about the playwright.
  • Include playwright’s biography (90 words), play synopsis (150 words), and play’s development history, if applicable.
  • Submit via email to ingenio@milagro.org no later than 5pm (PST)/ 7pm (CST)/ 8pm (EST) July 8, 2020. Selected playwrights will be notified by September 7, 2020.
For questions, email project manager, Maya Malan-Gonzalez maya@milagro.org

Ingenio /ēn ‘he nē oh/: Spanish for wit, ingenuity; the inventive and creative capacity to create; a sugar cane refinery.

Sunday, June 21, 2020

IATI Theater 2021 Cimientos Season

web site

Deadline: June 30, 2020

SUBMISSION FORM

The 2021 Cimientos will consists of two main components:
PPP (Pal Playwrights Panel): Playwrights accepted to the program, IATI Theater’s artistic staff and other specially invited theater professionals will converge in workshop meetings to discuss the new works that make up the particular season. Every meeting will be dedicated to a single playwright in the program, the focus being in further advancing the text before it is presented in front of a live audience.

SRP (Staged Reading Presentation): Each playwright in the program will be given the opportunity to present their play in a directed, professionally acted staged reading. Thus, the piece will be exposed to a receptive audience that further develops the featured script through a post-reading talkback.

There is no submission fee.
Submissions that do not adhere to the following guidelines will not be reviewed.
  1. The online form is the only method of submission. The button below will be active during June.
  2. This program is open to authors from anywhere in the world with original works in English or Spanish who are interested in feedback from a New York audience.
  3. The playwright must commit to take part in the PPP (Pal Playwrights Panel) meetings, either in person or video conference. The PPP will meet for ten (10) consecutive weeks.
  4. The playwright must commit to participate in their post-reading talk-back, either in person or video conference.
  5. Applicant must be the original creator of the submitted work and sole owner of its rights. By submitting their work, applicants grant IATI Theater and its collaborators permission to use the submitted material for the Cimientos Program.
  6. The submission must be a completed, new, full-length play that has not had a previous professional production. If the play has undergone a workshop, staged reading or development of any kind, the playwright must state so on the online form.
  7. Only one play may be submitted per playwright, per season.
  8. Scripts must be between 45–90 minutes in length.
  9. The play must have 5 actors or less. Plays that have more than 5 characters and do not provide a clear and stageable double-role explanation will not be reviewed. It must be clearly expressed on the online form.
  10. The author’s name(s) should not appear anywhere within the script, any authorship information must not be visible in the play document. Cimientos reads submissions ‘blind’, in an effort to let the quality of the work speak for itself and to keep our judging process as equitable as possible.
  11. All documents must be submitted in PDF format.
  12. Submissions for the 2021 Season will only be accepted from June 1 to June 30, 2020. 


Saturday, June 20, 2020

Woodward International Playwriting Prize Competition

web site

Deadline: July 1, 2020

The University of New Hampshire is now accepting submissions for the Woodward International Playwriting Prize. 

The Woodward Prize is part of Cultural Stages: The Woodward International Drama and Dance Initiative and is given once every four years. 

The aim of this program is to broaden and deepen the understanding of international cultures through a competition for plays addressing relevant themes. Plays submitted for this competition should have a primary focus on cultures from countries other than the US. 

The winning play will be given a fully produced production as part of the University of New Hampshire's 2021-22 Department of Theatre and Dance main stage season. 

The winning Playwright will receive a cash prize of $5,000, plus expenses to travel to the University of New Hampshire and stay for the one week of performances. 

Finalists will be posted on the University of New Hampshire Department of Theatre and Dance website in October 2020. The winning play will be announced by February 1, 2021. 

A first and second runner up will also be named at that time. Pending funding, readings of the first and second runner up will be presented with travel and expenses provided to the playwrights to attend the readings.

The winning play will be given a fully produced production as part of the University of New Hampshire's 2021-22 Department of Theatre and Dance main stage season. 


MS Word or PDF accepted.

Any restrictions on eligibility:

- Plays must focus on a country/culture other than the US.
- Plays may also focus on the history and/or politics of the country/culture.
- Plays must be in English.
- Plays may be musical or non-musical.
- If the submission is a musical, a recording of the music must be included with the submission.
- Plays cannot have been previously fully produced. (Previous readings or workshop productions are allowed).
- Plays must be at least 50 minutes in length.
- The University of New Hampshire must be allowed to present and be credited for the non-professional premiere of the play or musical as part of the UNH 2021-22 season.
- Unfortunately, feedback cannot be provided.
- Any plays sent in hard copy will not be able to be returned. (Electronic submissions preferred).
- No more than two submissions per playwright.

Finalists will be posted on the University of New Hampshire Department of Theatre and Dance website in October 2020. The winning play will be announced by February 1, 2021.
http://cola.unh.edu/theatre-dance

For any questions or additional information contact: David Kaye Chair; Woodward International Playwriting Prize Selection Committee

Blog Archive