We never post opportunities that require a submission fee. LEARN MORE.
Showing posts with label transgender. Show all posts
Showing posts with label transgender. Show all posts

Saturday, March 28, 2020

The Theater J Patty Abramson Jewish Play Prize

web site

Deadline: April 1, 2020

The Theater J Patty Abramson Jewish Play Prize will award $3,000 and a stage reading to a promising emerging woman, trans, or non-binary playwright in honor of a new play that celebrates, explores, and/or struggles with the complexities and nuances of the Jewish experience.

The Prize is dedicated to the memory of philanthropist and venture capitalist Patty Abramson. Plays must not have been produced, but a future professional production (outside of the DC metro region) may be scheduled.

For the purposes of this award, “Jewish” plays are plays in which Jewish identity, history, or culture plays a critical role: if you took it out, the play would change meaningfully.

The play may not have received a full professional production, though one may be scheduled at the time of submission. Readings and workshops are allowed.
  • The playwright must be a citizen or resident of the United States.
  • Plays must be full-length plays.
  • One-act plays and plays for children are not eligible.
  • Musicals are not eligible for the Patty Abramson Jewish Play Prize.
  • Translations are not eligible.
  • Adaptations are eligible provided they diverge substantially from the source material.'
Eligible playwrights must not have had more than two productions at LORT or off-Broadway theaters (multiple productions of the same play will be counted) but may have been produced at other professional theaters. Submitted plays will be read by a committee of Theater J staff and collaborators. A winner will be announced in the fall of 2020.

You will receive an email confirmation that your script was received within ten days of submitting. All playwrights will receive a form letter with notification prior to award announcements in fall of 2020.

For the Patty Abramson Jewish Play Prize ($3,000), we ask that you come to DC (travel and accommodations to be paid for by Theater J) and accept the award in person at Theater J, and simultaneously participate in a professional reading of the play. In accepting the Prize, we require that you agree to acknowledge the prize in future publications of the script. The winning play will be considered under exclusive option by Theater J for full production in the DC metropolitan region for the next two seasons.

 Playwrights may submit one sample of ten consecutive pages, a one-page synopsis, and a bio or resume. Please only send 10 pages; do not send a full script with a note telling us where your favorite 10 pages are. All documents must have your name, contact information, and the title of the script on them. If your script is advanced to the second phase of the Prize adjudication, you will receive an email asking for a full script. We accept electronic files only (either Adobe Reader (.pdf) file formats or Microsoft Word (.doc)).

Playwrights may submit plays directly to Theater J at LitOffice@theaterj.org

More info in the FAQs

Wednesday, January 29, 2020

Violet Surprise: Lavender Menaces seeks 10-minute plays

Facebook page
located in Chicago

Deadline: February 13, 2020

Sapphics save the day! 
Lesbian Visibility Day, that is.
VIOLET SURPRISE: LAVENDER MENACES is a short play festival that showcases Sapphic superheroines.
Whether you transform existing heroines into queeroines or create original sheroes who think girls are super, we invite you to submit stories that champion lesbian characters who are powerful and magical, formidable and visible, capable and -- if you so desire -- cape-able. Your play may be as realistic or fantastic as you wish, and set in the place and time period of your choice, but it must feature gutsy gay gals.
VIOLET SURPRISE: LAVENDER MENACES is curated and produced by Iris Sowlat and Allison Fradkin in collaboration with Otherworld Theatre Company, and will be presented in Chicago April 10-12, 2020.
Guidelines
  • Submissions are open to playwrights who identify as female, trans, or non-binary.
  • Plays can be up to 10 pages and include up to 4 characters.
  • Playwrights may submit 2 scripts for consideration. 
Send your scripts in PDF format to allisonfradkin@aol.com with "Violet Surprise" in the subject line. Questions may also be directed to that address.
The deadline for submissions is February 13, 2020.
Playwrights will be notified of our selections by February 28.
About Violet Surprise: Founded in 2019, Violet Surprise is a queer feminist theatre company whose mission is to present new works that vibrantly and valiantly validate the identities and experiences of queer women.
Violet Surprise Facebook page:

Monday, November 4, 2019

Art Garage TGNC Reading Series

web site

Art Garage, New York’s first non-profit theatre company dedicated to the TGNC community, is seeking submissions for the second installment of the TGNC Reading Series.

This series provides Transgender and Gender Non-Conforming playwrights a chance to hear their work aloud in a comfortable and professional environment. Additionally, cisgendered playwrights may submit work that involves the Transgender+ experience.

Art Garage produces, casts, and caters the reading.

Readings will be followed by a discussion, moderated by Art Garage, in which the playwright may ask questions and receive feedback to help aid the writing process.

The reading series will take place in a rehearsal studio at A.R.T./NY.

Please submit your work and a brief bio or resume to artgaragenyc@gmail.com

If you are a member of the TGNC community and would like to get involved with the Art Garage in another capacity (especially actors who would like to be considered for casting), please email a resume and cover letter to artgaragenyc@gmail.com

Saturday, January 12, 2019

Ain't I a Woman Playfest

web site

Play must be an original, unpublished and unproduced piece written by a Woman-of-color  playwright (female-identified, transsexual, transgender, or gender-queer encouraged to apply).
Maximum Length: 10-12 pages not including title page. Play should run in the 10-15 minute range.
Submissions should require minimum set, costume and technical needs.
Submissions should have a title page with the following information:
                                       
*Playwright's name
*Mailing Address
*Phone Number
*Email Address​

Submission must be submitted as a PDF to aintiwomanfest@gmail.com by January 31, 2019 .
Email header should read: SUBMISSION: AIN'T I. YOUR NAME. TITLE OF PLAY      

Monday, January 7, 2019

Sarah Isom Center for Women and Gender Studies/University of Mississippi Residency

web site

The Sarah Isom Center for Women and Gender Studies and the Department of Theatre and Film at the University of Mississippi, in partnership with the Yoknapatawpha Arts Council, seek an emerging, unpublished woman playwright (transgender inclusive) for a 20 day summer residency in Oxford, Mississippi. Participation in the residency does not require the completion of a work but is designed to provide support to advance the creation, production, and presentation of theatrical works by women writers. Our goal is to create an immersive opportunity that provides experiences, connections, and exposure for both the artist and the community to the creative process. We aim to create support for female voices in theatre and aid in the development or creation of new work that may be a play, monologue, devised performance or experimental theatrical work.

For the 20 day summer residency, we will provide a stipend of $4,000, housing, local transportation and some meals. In addition, the successful applicant will be expected to take advantage of the opportunity to have immersive experiences within the Oxford community provided by the residency organizers.

Oxford and the surrounding region features cultural, culinary and music resources including Rowan Oak, the home of William Faulkner, the Southern Foodways Alliance, the University of Mississippi’s Blues Archives, as well as the rich, cultural communities of Clarksdale, Greenwood, Water Valley, and Holly Springs.

The Resident’s work need not reflect, be based on, or cover topics related to the South. However, the selected artist will be encouraged to utilize the resources of the Oxford community in their creative process and to foster engagement that will help build support for this residency and women playwrights.

After completion of the residency in Oxford, we expect the artist to partner (off-site) with students, faculty and community members through the following academic year. These local contributors will offer dramaturgical support in preparation for a production/presentation of the Resident’s work, in Oxford, the following summer or fall. A stipend, travel and housing will be provided for the Resident’s return to Oxford for the presentation of the work.

There is no fee for application. The deadline for submitting an application is March 1, 2019.

Please send:
Resume or CV with a list of references.

Writing sample, does not need to be a completed work but should be appropriate for theatrical presentation, sample may take the form of an outline, a scene, character study, treatment, concept, etc., whatever you feel best represents you as a artist.

A letter of application in which you tell us about yourself, your artistic goals in general and for this residency, and why you would like to spend time in Oxford.

Please submit any questions and your application to:

rhonajusticemalloy1@gmail.com

Rhona Justice-Malloy
Professor of Theatre Arts
Department of Theatre and Film
University of Mississippi

Sunday, January 6, 2019

Persistent & Nasty seeks scripts from women, trans-women and non-binary individuals

web site

Deadline: January 7, 2019

We are inviting script submissions from women, trans-women and non-binary individuals. The prompt for writers this time around is fairly broad; we are looking for scripts that explore / respond to the phrase hope for the future. Writers are invited to interpret this however they wish.

CRITERIA FOR INTERESTED WRITERS:

  • 15-30 minutes in length (approximately 20-30 pages).
  • The script can be written for theatre, film, TV or radio.
  • Priority will be given to scripts that explore themes of gender equality, diversity and representation. 
  • Priority will be given to scripts that have more than one female character.
  • Casting will be age, ethnicity and disability blind (unless clearly justified within the narrative)
  • If the submitted script is an excerpt from a longer piece, the excerpt should be able to stand alone and be understood.
  • Please use as close to industry standard formatting as possible. Minimum requirement is 12pt font size, double line spacing and page numbers.
  • Alongside the script itself, please provide the following:
  • a brief synopsis
  • character descriptions
  • a few words on what inspired you to write this particular piece
  • a short biography

Follow our Facebook page to receive updates/details.

Twitter: @PersistentNasty

Instagram: @PersistentandNasty

HOW TO APPLY:

Please send the above information to our script submission inbox at persistentandnasty@gmail.com

Saturday, January 5, 2019

Babes with Blades Seeking Female, Trans or Gender Non-Conforming Playwrights

web site

(*New for this round)

What We’re Looking For

1. Please email your Joining Sword & Pen (JS&P) submission in a PDF file to swordandpen@babeswithblades.org.

IMPORTANT: This will be a BLIND SUBMISSION PROCESS.

Your email submission should contain two separate attachments:

a) Your cover page. INCLUDE the play’s title, playwright’s name, and full contact information (name, phone numbers, email, mailing address).

b) Your script. INCLUDE a list of characters, and the page number where the contest’s image is incorporated. DO NOT INCLUDE ANY contact information, of any kind, in the body of your script. An author’s identity will only be revealed to the ensemble once a selection has been made.

2. JS&P submissions are due NO LATER than midnight February 7, 2019.

3. The winner of the contest agrees to participation in the Fighting Words new plays program (workshops and festival reading – dates TBD), and grants Babes With Blades Theatre Company rights to produce the world premiere production of the winning play in our 2020/2021 Season (dates TBD).

4. All JS&P submissions must be new, original works, inspired by the artwork that is the focus of the contest. Previously written, workshopped, published or performed submissions will not be considered and we will not contact you. Please do not insert the contest image into an existing script.

5. The moment depicted in the inspirational image must be physically dramatized/incorporated into the play. We want to (literally) perform that moment on stage. Please include the page number of your script where the contest’s image is depicted in your submission email.

Please note: the models in the inspirational images are intended as prompts, to provide an emotional starting point for your reference. You are NOT required to incorporate those specific people, body types, races, ages, etc. into your script – rather, take the moment depicted and make it your own. Bear in mind that Babes With Blades Theatre Company encourages scripts that allow for a diverse world of characters onstage!

Inspirational Images for JS&P 2018-2019 Competition:



'






Helpful Hints:

  • If your script does not pass the Bechdel Test, it is unlikely to be a good fit for us.
  • Our roots are in stage combat (Fights are the realization of high narrative stakes).
  • We do not accept or produce musical scripts.
  • Our venues are generally small black box spaces. So is our cashbox.

Sunday, October 28, 2018

THE ANNUAL PARITY COMMISSION 2018

web site

Beyond our annual productions, in concert with our mission to see more cis women and trans and gender nonconforming (TGNC) artists employed in the theatre, we award two commissions per year to cis women and TGNC playwrights who have demonstrated a singular talent for storytelling. The selected playwrights will receive $2,500 each.

Parity Productions reads submissions blind, selecting work that is in harmony with our artistic mission. Playwrights will receive regular feedback on their commissioned work within 30 days of their submission of a first and second draft. They will also receive one “closed door” reading (attended by cast, Parity Productions Artistic Director, and literary department) and at least one public reading and/or developmental production of the commissioned work. An option for Parity Productions to produce the work is included in The Commission agreement.

How do I submit my work to Parity Productions?

You can SUBMIT HERE.

Script submissions are open now until 11:59PM Eastern on October 31st, 2018.

Please reach out to us at team@parityproductions.org with any questions.​

It is requested that all playwrights submit two full-length plays. Please indicate in the form which play you are submitting for commission/production consideration and which play you are submitting as a writing sample. If two plays have not been completed, then playwrights can submit one full-length play and no fewer than 25 pages of a second play (or alternate form of fiction writing) as a minimum requirement for submission.

The Parity Commission is open to all cis women and trans and gender nonconforming (TGNC) playwrights. All scripts submitted to us by cis women and TGNC playwrights during our submission period and that fit the requirements outlined below will automatically be considered for The Parity Commission.

Any work that is submitted to Parity must adhere to these submission criteria:

Please note

(1) Plays submitted for consideration must be new and may not have had a previous professional production (either Equity or non-Equity). Submitted plays that have been previously produced will not be read. However, works that have had readings or workshops may be submitted.

(2) All documents must be submitted in PDF format. Your script must be neat and formatted to industry standard (e.g., Sam French, Dramatists Guild, or Final Draft format).

(3) Do not put the play title or your name on any page but the title page. Submissions with title or playwright name on any page but the title page will not be read.

(4) If you have submitted a particular play to us before, resubmission is welcome. We encourage you, however, to have evolved the piece in between submission periods.

What happens after I submit?
Once a submission is received, any information as to the playwright's identity will be removed so that the literary team can "blind" read all scripts.

What happens if my work is selected?
You will be contacted by Parity Productions directly.

Please reach out to us at team@parityproductions.org with any questions.

Sunday, February 25, 2018

Women's Project Theater Lab Applications

web site

WE ARE CURRENTLY ACCEPTING APPLICATIONS FOR THE ’18-’20 LAB!
WP Theater is looking for female-identified or trans playwrights, directors, and producers who crave an artistic home, professional support, and the resources to launch them into the next phase of their careers to join the 2018-2020 WP Lab.

The Lab provides up to fifteen artists with community, a vital professional network, entrepreneurial and leadership training, free rehearsal space and, most significantly, tangible opportunities for the development and production of bold new work for the stage.

Deadline for applications is MARCH 1, 2018.

REQUIREMENTS FOR ELIGIBILITY:
  • Must be a female-identified or trans artist living within 90 minutes of WP Theater via car or rail
  • Must be able to attend evening meetings at WP Theater twice each month for the duration of the two years, as well as other events throughout the year, such as master classes, retreats, observerships and other special events at WP
  • Regular attendance is mandatory and therefore applicants should view the program as a two-year-long commitment
  • Must be available for an in-person interview

THE PARTICIPATING ARTISTS WILL:
  • Receive a stipend
  • Participate in a monthly lab meeting led by WP Artistic Staff and Lab Liaisons
  • Participate in a bimonthly meeting of the five artists in their concentration led by a mentor in their field
  • Participate in master classes led by established artists
  • Receive complimentary tickets to WP shows, invited dress rehearsals and other special events
  • Receive artistic support and professional development guidance from the artistic staff
  • Participate in The Pipeline Festival, a festival of five new plays, written, directed and produced by the WP Lab, to be presented during the second year
For further clarification of Requirements for Eligibility, please see the Frequently Asked Questions section below.

APPLICATION REQUIREMENTS:

All applicants must submit the following:
  • Current resume
  • One page statement that describes your artistic vision and the specific process behind it and why this residency would be useful for you in this moment of your career.
  • A list of 3 professional references, including title/affiliation, phone and email
  • Playwrights:
  • In a separate PDF, the full length script most representative of your work and that you believe to be ready for production.
  • The draft should not have your name or any other identifiers.
  • The play must be at least 60 pages long, and must be a completed draft, though it need not be a final draft.
For further clarification of materials required for application, please see the Frequently Asked Questions Section below.

TO APPLY:

PLEASE VISIT OUR SUBMITTABLE SITE TO APPLY.

YOU MAY ONLY APPLY TO ONE DISCIPLINE PER LAB CYCLE.
Hard copy applications will not be accepted
Emailed applications will not be accepted.
If you have specific questions, please email literary@womensproject.org after reading the Frequently Asked Questions section. No phone calls, or emailed applications please.

Saturday, December 30, 2017

Parity Productions seeks submissions

web site

A letter from the Artistic Director to Submitting Playwrights

Thank you for your interest in submitting work to Parity Productions.

To best protect your script, we encourage (and request) that all playwrights register their scripts with copyright.gov before submission. Please go to http://www.copyright.gov/ for more information.

We believe the next great play can come from anywhere; we read all submissions and make no judgments based on a playwright’s education or representation.

If you are a fan of our all inclusive policy, join our mailing list, like us on Facebook, and follow us on Twitter. We regularly filter and curate a variety of interesting, informative content on theatre and parity on social media which we think you’ll enjoy. We also include information and ticket offers to Qualifying Productions – shows that meet the 50% hiring standard for playwrights, directors, and designers. (As a service to the industry, we provide substantial and free support to Qualifying Productions in the form of social media, e-blasts, PR support, and placement in our online directory).

Please see the steps below on how to submit your work. We look forward to reading it.

Ludovica Villar-Hauser
Founder & Artistic Director

Submitting Your Script

When to Submit​
Please note that Parity Productions is not currently accepting scripts. Script submissions will reopen on December 1, 2017 and will close at the end of 5 weeks (January 5, 2018) or when we reach 500 submissions.

How to Submit
When submissions reopen, you may submit your script using the form. It is requested that all playwrights submit two full-length plays. Please indicate in the form which play you are submitting for Commission/production consideration and which play you are submitting as a writing sample. If two plays have not been completed, then playwrights can submit one full-length play and no fewer than 25 pages of a second play (or alternate form of fiction writing) as a minimum requirement for submission.

Is this how I submit to The Parity Commission?
The Parity Commission for Women and Transgender Playwrights is open to all women and transgender playwrights. All scripts submitted to us by women and transgender playwrights during our submission period and that fit the requirements outlined below will also be considered for The Commission, but there is no direct application for it. We award The Parity Commission to women and transgender playwrights that we have become familiar with through their submissions and subsequent meetings and interactions with us or other performances of their work. Script submissions will reopen on December 1, 2017 and will close at the end of 5 weeks (January 5, 2018) or when we reach 500 submissions.

Any work that is submitted for The Commission must be new and previously unproduced in a professional production capacity (both Equity and non-Equity). Submitted plays that have been previously produced will be disqualified automatically. However, works that have been read or workshopped may be submitted.

Please note:
All documents must be submitted in PDF format. Your script must be neat and formatted to industry standard (e.g., Sam French, Dramatists Guild, or Final Draft format). Do not put the play title or your name on any page but the title page. Submissions with title or playwright name on any page but the title page will not be read.

What happens after submission?
Once a submission is received, any information as to the playwright's identity will be removed so that the literary team can "blind" read.

What happens if my work is selected?
Playwrights whose work we want to develop or produce will be contacted by Parity Productions directly.

Blog Archive