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Showing posts with label prize. Show all posts
Showing posts with label prize. Show all posts

Tuesday, July 20, 2021

SOOP to NUTS Short Play FESTIVAL 2021

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Deadline: September 20, 2021

Welcome to the 2nd Annual SOOP to NUTS Short Play Festival original short-play competition at our 530 Studios in Pelham, NY (28 minutes from Grand Central Station!)

FESTIVAL DATES: November 5th – 20th, 2021 at The 530 Studios, 530 Fifth Ave, Pelham, NY.

PRIZES: 1st place: $500, 2nd place: $250, 3rd place $100

NUMBER OF PLAYS: There will be 20 – 25 plays chosen as semi-finalists each receiving two performances (one evening / one matinee); 5 plays will be chosen for the final evening of competition.

LENGTH: one-act plays between ten and thirty minutes (no more or less!).

PARTICIPANTS: submissions may be made by any playwright, age 18 or older

FEES: there is no fee to submit, but if chosen, there is a $75 registration fee to participate

LANGUAGE: plays must be submitted in English

FORMAT: plays should be submitted in standard stage-play script format, saved as PDF file and submitted to info@sooptheatre.org

SUBMISSION LIMITS: Playwrights may submit only ONE play (please send us your best work!)
Original works ONLY! Plays may have maximum of 4 cast members, with minimal sets, costumes and props. No children’s/young adult plays. No musicals.

CASTING / REHEARSAL PROCESS: If chosen, you will be responsible for all staffing (casting, director, etc) and rehearsing of your piece. SOOP can recommend actors/directors, if need be, but make no guarantees that we can staff your piece! You are responsible for all rehearsal – SOOP will provide each play selected one free rehearsal slot in our studio space (schedule TBD), in addition to the required tech in the final week.

SOOP can provide small set pieces (chairs, tables, small loveseat, etc) as well as some more detailed props. A list will be made available to all participants. That said, we do ask that you keep ALL these requirements to a MINIMUM. Lighting will be a simple wash (lights up-lights down), sound cues can be used if provided.

REVIEW / JUDGING PROCESS:
1. All plays will be reviewed by SOOP administrative staff and the 20 - 25 semi-finalists will be chosen

2. Each of those selections will receive two performances during the first weekend (Nov 5 – 7) OR the second weekend (Nov 12 – 14).

3. Each evening’s audience will vote anonymously and the cumulative vote from both performances of each piece will determine our *5 finalists. (*Highest amount of votes from each set of five will determine the first four finalists, then the next highest vote recipient from ALL the evenings will be the fifth finalist)

4. The five finalists will perform on the final night of the festival (Nov 20th) and will be judged by a panel of theatre professionals comprised of playwrights, actors, directors (TBA)

DEADLINE: All scripts for consideration MUST BE RECEIVED NO LATER THAN 9/20/21

(STN SPF, Feb/2020 Winners: 1st place, A Family Affair by Albi Gorn / 2nd place, Broken Birds by Sean O’Connor / 3rd place, Richard Nixon’s Neighbors by John Barrow)

Monday, July 19, 2021

The Caribbean Writer seeks one-act plays on the theme: Disruption, Disguise and Illuminations

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Deadline: December 31, 2021

The Caribbean Writer (TCW) has issued a call for submissions for Volume 36 under the 2021 theme: Disruption, Disguise and Illuminations. As history meets our day to day experiences, epiphanies unfold; and as we self-interrogate the disruption motifs in many of these illuminations, the roots of prevailing disruptions emerge, complicated by disguise. Submissions exploring this theme in its widest permutations are invited.

Contributors may submit works of fiction, nonfiction, poetry, essays or one act plays which explore the ideas resonating within the region and its diaspora. 

The Caribbean should be central to the work, or the work should reflect a Caribbean heritage, experience or perspective. Prospective authors should submit all creative works: drama, fiction and poetry manuscripts, through the online portal ONLY at www.thecaribbeanwriter.org/online-submission

Submit Word files only (no PDFs) . Note that TCW no longer accepts hardcopy submissions.

SUBMISSION GUIDELINES

Individuals may submit poems (3 maximum), short stories and personal essays on general topics as well as on the theme. The maximum length (for short stories and personal essays) is 3500 words. Only previously unpublished work will be considered. The term “previously published” covers print and electronic publication —including on social media platforms, and self-published items. The Caribbean Writer does not accept simultaneous submissions (items being considered for publication elsewhere). The prospective author should provide contact information including mailing address, phone number, any professional affiliations, brief biographical information (no more than 100 words and such as appears under the “Contributors” section of the journal). In the event that the author’s contact information changes, all updates should be made by the author by logging into the online account.

Before submitting, submitter should carefully edit and proofread the manuscript, adhering to publication-ready details, as well as standards of proofreading such as spelling, grammar, punctuation, formatting and consistent language, along with the elimination of typographical errors, and with focus on the overall quality of the work.

The Caribbean Writer is a refereed journal. There are no fees payable to submit or publish in this journal. All submissions undergo an initial blind review by the editor. Creative works, such as fiction, poetry and drama, after editorial review, are advanced by the editor to the double-blind peer review process. In this process, both the reviewers’ and authors’ identities are concealed from the reviewers and vice versa throughout the review process.

Artists interested in having their artwork considered for use by TCW should submit electronic files in vertical format as PNG or JPEG files with a resolution of 300 dpi or greater. The journal also accepts black and white art (line drawings, sketches, block prints, etc.). The journal does not accept graphic poetry or narratives.

SUBMISSION WINDOW

Submissions are accepted from January 10 to December 31 each year and are considered for the journal that will be published the following year. (In other words, volume 36 will be published in 2022 and entries submitted between January 10 and December 31 of 2021 will be considered for volume 36. The deadline for submissions each year is December 31. Submit Word files at www.thecaribbeanwriter.org/online-submission/


Literary Prizes

All submissions are eligible for the following prizes:
  • The Canute A. Brodhurst Prize of $400 awarded to a writer for best short fiction. Donated by the St. Croix Avis Newspaper
  • The Daily News Prize of $500 awarded to a resident of the US Virgin Islands or the British Virgin Islands.
  • The Marvin E. Williams Literary Prize of $500 awarded to a new or emerging writer. Donated by Marvin’s widow, Dasil Williams, in honor of her late husband who served as the editor of The Caribbean Writer from 2003 – 2008.
  • The Cecile deJongh Literary Prize of $500 awarded to a Caribbean author whose work best expresses the spirit of the Caribbean. Donated by former Governor John P. de Jongh, Jr. in honor of Cecile de Jongh’s abiding commitment to literacy in the territory, especially among the young people of the Virgin Islands..
  • The Vincent Cooper Literary Prize of $300 awarded to a Caribbean author for exemplary writing in Caribbean Nation Language (Kamau Brathwaite). Donated by Professor Vincent Cooper, PhD.
For more information, contact The Caribbean Writer at thecaribbeanwriter@uvi.edu

Thursday, July 15, 2021

2021 Playwrights and Artists Festival

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Deadline: August 15, 2021

It is that time of year again. We have chosen our artwork for the 2021 Playwrights and Artists Festival. 

We understand that times right now are vastly different for theatre productions. As of right now we are going ahead with this November’s festival. We will keep you updated via our website if any changes occur. 

We will also be offering our prizes for these categories.
  • $300 for Best of Festival.
  • $200 for Artistic Merit.
  • $100 for Audience Favorite.
The artwork will follow a refresher on the rules. 

1. The play must be inspired by one of the works of art below.
2. The play must be written between the dates June 10, and August 15, 2021.
3. The play length needs to be between 15 - 20 minutes
4. Cast size maximum, 5 characters. Set should be implied.
5. Plays submitted MUST be a complete play and must include a beginning, middle and an end and contain a conflict. Our judges will be adhering to strict parameters during the adjudication process.
6. Playwrights may only submit one play for the festival.
7. The playwright would need to attend at least one of the two weekend performances (which take place in November). In person is preferred but we have in the past skyped with playwrights. As our festival is starting to reach a greater number of people in wider locations, we feel that we must take this into consideration. We always hope our playwrights can attend in person and feel the energy and excitement of having their work performed onstage for the first time, but we understand that sometimes this is not logistically possible.
8. Plays must be submitted by midnight of August 15, 2021. This submission must include 2 copies of your play in either word or PDF, one “blind” version without name but including which artwork you were inspired by and one with a full title page. They must be submitted to binghamtoncitystage@gmail.com. Please submit a play in a fresh email, do not reply to this email. Please use the title of your work in the file name and whether it is the blind or named copy. This makes it easier on the person coordinating the files and sending them on to the adjudicators. We receive many plays and do not want anything to get lost in the mix. 

There are no exceptions to these rules. We love the idea of fresh work based on the inspiration of our chosen art. We choose our artworks carefully. We love to see where it takes our playwrights. Each piece of art has infinite possibilities of inspiration. We wish all good luck writing and cannot wait to see the results.
And now here are this year’s artworks.

Hannah Goldberg – “Eat More Chikin”




Mary Rose – “Stairway to Heaven”





Judy Irwin-Salton – “Family Picnic





Wednesday, July 7, 2021

Veterans Repertory Theater (VetRep) seeks audio plays from veterans

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Deadline: December 31, 2021

Veterans Repertory Theater (VetRep) is launching a 10-minute audio play competition for playwrights who meet one of the following criteria:

- current or former US military, law enforcement, fire, EMS, foreign service, or intelligence service veteran 
 
- immediate family member of a current or former military, law enforcement, fire, EMS, foreign service or intelligence service veteran

Submissions should be emailed in PDF format to vetrep.theater@gmail.com and should include the veteran/immediate family member status of the playwright in the body of the email.

Plays should be:

- 10 minutes or less in length.
- Written as an audio play
- Any genre (but especially comedy and thrillers)
- Any subject matter; does not have to be related to veteran's service

Playwrights may submit more than one play

Plays should not have been previously produced and/or published

Winners and finalists will be notified via email no later than July 4, 2022. (Note: We will make every effort to have results back to submitters ASAP, however, in order to ensure fair treatment of each submission and to plan for any contingencies which may arise, we are providing a worst-case scenario for our timeline).

There is no participation or submission fee.

There is no guarantee that winners’ or finalists’ work will be produced by VetRep.

The competition winner:

- Will receive a $1000 cash prize.

- Will receive feedback from panel of judges.

- Will be invited to join the VetRep Playwrighting Incubator where Winner will have the opportunity to submit plays for commissioning and production at VetRep.

- Will win a one-year PSH Subscription (www.playsubmissionshelper.com).

The second-place finalist:

- Will receive a $750 cash prize.

- Will receive feedback from panel of judges.

- May be invited to join the VetRep Playwrighting Incubator where finalist will have the opportunity to submit plays for commissioning and production at VetRep.

- Will win a one-year PSH Subscription (www.playsubmissionshelper.com).


The third-place finalist:

- Will receive a $500 cash prize.

- Will receive feedback from panel of judges.

- May be invited to join the VetRep Playwrighting Incubator where finalist will have the opportunity to submit plays for commissioning and production at VetRep.

- Will win a one-year PSH Subscription (www.playsubmissionshelper.com).


The fourth-place through tenth-place finalists:

- Will receive feedback from panel of judges.

- May be invited to join the VetRep Playwrighting Incubator where finalists will have the opportunity to submit their plays for commissioning and production at VetRep.

- Will win a one-year PSH Subscription (www.playsubmissionshelper.com).

Founded in February 2021 in Newburgh, NY, Veterans Repertory Theater (VetRep) is a creative hub that brings talented veteran writers and professional New York-based artists under one roof to create compelling live theater and events. 

Our website will go live by the end of July at https://vetrep.org/. You can follow us at https://www.instagram.com/vetreptheater/ and https://www.facebook.com/vetreptheaternewburgh to see our latest events and updates.

Tuesday, July 6, 2021

Independent International Award for Improper Dramaturgy «Neem-2021. Turquoise edition» (all kinds of plays)

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Deadline: September 2, 2021

1. Goals and objectives

The «Neem» award was created to support and identify underground dramatic waters.

2. Organizers

Jenya Stashkov, Performance-troupe «Vibrating body»

3. Nominations

Awarded one prize in the nomination «A play that no one will ever agree to stage»

4. Prizes

The author of the play-winner will receive a cash prize: 2000 rubles.

The best plays will be staged in the format of reading, sketching or performance by Performance-troupe «Vibrating body».

5. Requirements for the submitted works

Formal requirements are absent.

There are no linguistic and geographical limits.

The author should provide personal information:

Name+Surname (or nickname), country and city

Plays should be sent to: pos.vostok@gmail.com


6. Terms of holding

Terms for the reception of plays: May 5, 2021 – September 5, 2021

Summing up: October – December 2021.

All information on the prize will be published on the website: https://vibratingbody.jimdofree.com

7. Copyright

All the rights to plays remain with the authors.

8. Back to the glorious past

FIRST NEEM

SECOND NEEM

THIRD NEEM

Sunday, July 4, 2021

Nancy Dean Lesbian Playwriting Award

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Deadline: August 1, 2021

The Nancy Dean award for Lesbian Playwrights is to honor a woman who was at the forefront of Lesbian, queer, gay, genderqueer, gender-nonconforming, trans, intersex and people of color movements. We honor her focus and writing on Lesbian relationships before the time of the Stonewall rebellion. Her writings were the precursor to social change. In that spirit of struggle and often hidden desire we encourage the submission of new plays that address the conflict of lesbian, queer or gay, trans and nonbinary women struggling to live and love their best lives. In these times of social definition and refinement the age-old conflict of acceptance and the right to live our true lives as we truly are is still our continuing fight which is refined and embolden by each new generation.

We understand people have their own language for their gender and sexuality. We are open to submission from people who are lesbian, queer or gay, trans and nonbinary.

As we are a small family foundation with an all-volunteer board, we must rely on nominations to identify potential recipients. We are asking professors, teachers, artistic directors, directors, literary managers, actors, writers, and others to nominate promising writers. As we want to be inclusive, we will allow people to self-nominate. The following are our guidelines:

  • Writer is lesbian, queer or gay and nonbinary;
  • Writer has written at least one play;
  • Writer is writing plays about lesbians;
  • Writer is committed to writing plays and furthering her/their career; 
  • Writer is interested in receiving the award. Please send a letter(pdf) describing why your writer should receive this award and a full-length play (pdf) to openmeadowsfdn@gmail.com. In your letter, please be as detailed as possible in up to 2 pages. Include the writer’s resume and website or other social media links. The deadline for submissions is August 1, 2021. We will announce the recipient October 31, 2021.

Friday, June 25, 2021

Yale Drama Series 2022 playwriting competition

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Deadline: August 15, 2021

The Yale Drama Series is seeking submissions for its 2022 playwriting competition. The winning play will be selected by the series' current judge, Paula Vogel. The winner of this annual competition will be awarded the David Charles Horn Prize of $10,000, publication of their manuscript by Yale University Press, and a staged reading or virtual performance. The prize and publication are contingent on the playwright's agreeing to the terms of the publishing agreement.

There is no entry fee. Please follow these guidelines in preparing your manuscript:
  • This contest is restricted to plays written in the English language. Worldwide submissions are accepted.
  • Submissions must be original, unpublished full-length plays, with a minimum of 65 pages. Plays with less than 65 pages will not be considered. Translations, musicals, and children's plays are not accepted. 
  • The Yale Drama Series is intended to support emerging playwrights. Playwrights may win the competition only once.
  • Playwrights may submit only one manuscript per year. Only manuscripts authored by one playwright are eligible.
  • Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered.
  • Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.
  • Plays must be typed/word-processed and page-numbered.
  • The Yale Drama Series reserves the right to reject any manuscript for any reason.
  • The Yale Drama Series reserves the right of the judge to not choose a winner for any given year of the competition and reserves the right to determine the ineligibility of a winner, in keeping with the spirit of the competition, and based upon the accomplishments of the author.
Electronic Submissions

The Yale Drama Series Competition strongly urges electronic submission. By electronically submitting your script, you will receive immediate confirmation of your successful submission and the ability to check the status of your entry.

Electronic submissions for the 2022 competition must be submitted no earlier than June 1, 2021 and no later than August 15, 2021. The submission window closes at midnight EST.

If you are submitting your play electronically, please omit your name and contact information from your manuscript and submission file name. The manuscript must begin with a title page that shows the play's title, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please enter the title of your play, your name and contact information (including address, phone number, and email address), and a brief biography where indicated in the electronic submission form.

If you would like to submit an electronic copy of your manuscript please go to: https://yup.submittable.com/submit.

Hadcopy Submissions

The Yale Drama Series Competition strongly urges applicants to submit their scripts electronically, but if that is impossible, we will accept hardcopies.

Submissions for the 2022 competition must be postmarked no earlier than June 1, 2021 and no later than August 15, 2021.

If you are submitting a hard copy of your play, the manuscript must begin with a title page that shows the play's title and your name, address, telephone number, e-mail address (if you have one), and page count; and, a second title page that lists the title of the play only, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please include a brief biography at the end of the manuscript, on a separate page.

Do not bind or staple the manuscript.

Do not send the only copy of your work. Manuscripts cannot be returned after the competition. If you wish receipt of your manuscript to be acknowledged, please include an email address on the title page or a stamped, self-addressed postcard.

Send the manuscript to Yale Drama Series, P.O. Box 209040, New Haven, CT 06520-9040.
Contact Us

For more information regarding the Yale Drama Series please write to us at:

Yale Drama Series
P.O. Box 209040
New Haven, CT
06520-9040

Or email us at yaledramaseries@yale.edu

Friday, June 11, 2021

Boulder Ensemble Theatre Company Generations 2021

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@betctheatre FB, Twitter, Insta

Deadline: June 14, 2021

Generations 2021: Guidelines and Submission Form

BETC’s new play development program, Generations, features the work of parent playwrights with children under 18. The name comes from BETC’s goals for the program: to welcome all generations into the theater to see new plays, and to empower playwrights to generate new work.

Each season, BETC selects one playwright through a national competition to join us in Boulder for a one-week residency. During the residency week, the playwright works with a professional director, dramaturg, and actors to develop the selected script. The week concludes with a public reading and post-reading conversation.

In order to support the work of parent playwrights, BETC is seeking full-length plays written by a parent with at least one child 18 years of age or younger as of June 14, 2021. Guidelines and the submission form are below. Please read carefully before submitting.
Entry Guidelines:

Plays must be full-length scripts (at least 70 minutes estimated run-time).

Eligible playwrights are parents of at least one child 18 years of age or younger as of the submission deadline. Playwrights must be U.S. residents.

Each playwright is limited to submission of one script for consideration.

Plays must be in the English language.

No musicals will be accepted.

We will not reconsider scripts that have been submitted to the Generations competition in previous years.

Scripts that have been produced by Equity or professional companies or that have been published are ineligible.

Scripts may not be under option or scheduled for production or publication as of June 1, 2021.

We will consider scripts that have had a workshop, reading, or academic production.
Residency and Prize Information:

The winning playwright will receive:

a week-long workshop residency, with daily rehearsals, culminating in a staged reading of the selected script;

the chance to rewrite and revise during the week as part of the script development experience;
a stipend for travel costs;
  • $500 prize; and
  • $500 childcare stipend to defray the costs associated with childcare during the residency.
The winning play will receive full consideration for production in an upcoming season. BETC will negotiate an option on the winning play and have right of first refusal on the world premiere production.

During the residency, the selected play will be rehearsed with a cast of professional actors, director, and dramaturg. The week will culminate in a public reading. This year’s Generations residency may be held online if public health circumstances dictate but our goal is to offer an in-person residency. Specific date arrangements for the residency will be made directly with the winning playwright.
Competition Deadline:

The application deadline is June 14, 2021, or when our 200-script submission cutoff is reached. Our winning playwright will be notified by September 15, 2021.

The submission form will require you to submit a blind copy of your full script as a PDF file.Please do not include your name anywhere in the sample file. The biographical and demographic info you submit will not be referenced during the selection process.
Selection process:

In our initial reading round, we read the first 20 pages of a script. Script excerpts nominated by two readers continue to the semi-finalist round, in which two readers read the full scripts and complete thorough reader responses. Highly regarded scripts become finalists. Our full committee reads all finalist scripts, then advises our producing artistic director in selecting the winning play.
FAQ’s:

Because of the volume of submissions we receive, we do not provide feedback on submitted scripts during or after the competition. We will confirm that an initial submission has been received, and notify applicants of the competition winner.

Due to available program funding and staff capacity, we will not consider scripts from grandparents or others who are not currently custodial parents of a child 18 years of age or younger. We hope to be able to expand our program to additional generations in future years, but at this time our focus is on assisting playwrights with young families.

Sunday, June 6, 2021

Christopher Hewitt Award 2021

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Deadline: June 15, 2021

Magazine is currently accepting entries for the eighth annual Christopher Hewitt Award. Named in honor of A&U’s first literary editor, the award showcases outstanding responses to the AIDS pandemic and the realities of individuals living with or affected by HIV/AIDS in the genres of fiction, poetry, drama, and creative nonfiction.

Prize: $75
Entry fee: None
Submission deadline: June 15, 2021
Judges: Winners will be selected by the following judges, by category.
Poetry: Philip F. Clark
Fiction: Raymond Luczak
Creative Nonfiction: Jay Vithalani
Drama: Bruce Ward

Publication: Winners and named runners-up will be published in upcoming issues of A&U.

How to Submit: Email Word (.doc or .docx files) of your work to Managing Editor Chael Needle by emailing chaelneedle [at] mac [dot] com. Please indicate in the subject line that your submission is for the Christopher Hewitt Award; include your name and genre in the subject line as well. Your name or any other personal identifying information should not appear on your manuscript. Multiple submissions are accepted, but please submit each separately.
Guidelines: All submissions must be HIV/AIDS-related and previously unpublished. All styles are welcomed. Writers may submit more than one work.

Fiction and creative nonfiction should be 1,200 words or fewer, double-spaced. Reasonable exceptions will be considered.

Drama may be an excerpt from a longer work or a ten-minute play (1,400-1,600 words, no more than ten pages, Dramatists Guild format). For drama excerpts, include, on a separate page, a synopsis and a full cast of characters.

We reserve the right to excerpt longer pieces for print, in consultation with the author; works in their entirety will be printed on the web.

Rights: We secure first North American serial rights and electronic archival rights (posting on the Web and in digital issues).

If any genre lacks a clear winner, fewer than four awards may be given. All entries will be considered for publication.

Wednesday, June 2, 2021

11th Annual Short Play Festival, Native Voices 2021-2022

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Deadline: June 7, 2021

*Please note that we only accept submissions written for the stage or theatre by American Indian, Alaska Native, Native Hawaiian, and First Nations artists.

For the 11th Annual Short Play Festival, Native Voices wants to know What is Home? For so many around the world this past year, “Home” – literal or metaphorical – has become the centerpiece of many of our lives.

What is Home? Is it a structure? Is it where you are? Or where you come from? Is it the communities in which you surround yourself, or the communities that shaped you?

At Native Voices, we understand and appreciate all the complexities that make up your “home”. Is “home” your ancestral lands? Does it live in the hearts and minds of your communities? Does it live with your Aunties and cousins? Or maybe, is “home” your studio apartment or your suitcase? Has your notion of ‘home” changed in the past year? We want to know: What’s your story? What is your home?

We want to hear from you! Share with us a glimpse of home. The only limitation is that your play must be no longer than 10-minutes. For ten minutes, you can take the audience on any journey you want. We cannot wait to see what you bring to life!

Plays chosen to participate in the 11th Annual Short Play Festival will also be entered to win the Von Marie Atchley Excellence in Playwriting award – a $1,000 cash prize!!

Scripts longer than 15 pages or read aloud at longer than 10 minutes will not be accepted. Fresh, surprising perspectives are welcome, and unique theatricality is a must.

Some ideas to spark the imagination are:
  • Sovereignty
  • Traditional Homelands
  • Language Keepers
  • Passing On Traditions 
  • Family
  • Friends 
  • Diaspora/ Removals
  • Urban/ Rural/ Reservation/ Village
  • Coming Home/ Leaving Home
  • Homesickness
  • Boarding schools and assimilation
  • Protecting Home/ Environment

Full-Length Plays

Deadline: August 2, 2021

Native Voices is currently accepting submissions of full-length plays (60+ pages) by American Indian, Alaska Native, Native Hawaiian, and First Nations playwrights addressing all themes and topics.
2022 Playwrights Retreat and 28th Festival of New Plays

The Retreat and Festival bring artists to Los Angeles to work on 3–4 plays through a rigorous directorial and dramaturgical commitment for 8–10 days in May/June. The Retreat culminates in public staged readings of the plays at the Autry Museum of the American West in Los Angeles and La Jolla Playhouse in San Diego. Selected playwrights receive artistic support as well as an honorarium; out-of-town artists receive roundtrip airfare plus lodging in Southern California.

Selection Process: Full-length plays (60+ pages) received by August 2, 2021 will be read and evaluated. A select number of playwrights will be invited to submit formal proposals detailing their developmental goals should their play be chosen for the short list. Scripts will then be sent to a committee of nationally recognized theatre artists for further evaluation. With their help, Native Voices selects up to four plays for the Playwrights Retreat and Festival of New Plays. Playwrights will be notified in February 2022.
A Note About the Native Voices Distance Dramaturgy Process

Months prior to residencies, selected playwrights participate in dramaturgical conversations with an assigned director and dramaturg. Workshops with these creative teams and a cast of professional actors commence once the playwright arrives on-site. It is important to note that these conversations and workshops are playwright driven, allowing the writer to shape their own developmental path. Selected playwrights should be prepared to dedicate adequate time to this process prior to arriving on-site.
2022 OPEN Submission for Production Consideration

We accept scripts all year long. Do you have a full-length script that has been developed and produced that you’d like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form check the box for 2022 General Production Consideration.
Checklist for All Submissions

Please label script attachment as follows: PlayTitle_Author’s Last Name, First Initial (Example: MyNewPlay_Doe, J.doc).

All submissions must conform to a standard play-script format (one-inch margins, #12 Times or Courier font, all pages numbered).

Include a title page with full contact information (mailing address, phone numbers, e-mail address) and a draft or revision date.

Include a character breakdown at the beginning of your script.

Provide a biography of 75–100 words. Please label attachment as follows: Bio_Author’s Last Name, First Initial (Example: Bio_Doe, J.doc).

Provide a press ready photo of at least 300dpi. Please label attachment as follows: Photo_Author’s Last Name, First Initial (Example: Photo_Doe, J.doc).

Provide development history for the play. Label attachment as follows: DevHistory_PlayTitle_Author’s Last Name, First Initial (Example: DevHistory_MyNewPlay_Doe, J.doc).

To submit, fill out our online form and upload your submission materials here: Native Voices Script Submission Form

Please do not send treatments or outlines. Previously submitted plays should only be resubmitted if the play has undergone significant dramatic changes. Previously produced plays should be submitted under the 2022 General Submission for Production Consideration. Plays that are not selected are kept on file for consideration for future opportunities. Playwrights are encouraged to make multiple submissions (up to three per event), but selection will be limited to only one play per playwright, per event.
Where to Send Submissions

We now only accept electronic submission (preferably PDF format).

To submit, fill out our online form and upload your materials here: Native Voices Script Submission Form

For More Information:

NVLiterary@theautry.org
Facebook.com/NativeVoices
Twitter.com/NativeVoices

Sunday, May 23, 2021

NEW JEWISH PLAY PRIZES

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Deadline: May 31, 2021

Established in 2020, Theater J’s New Jewish Play Prizes recognize extraordinary new writing that celebrates, explores, or struggles with the complexities and nuances of the Jewish experience from established and emerging playwrights. Created in memory of two longtime Theater J supporters and leaders, the annual prizes both inspire and celebrate the continuation and development of the Jewish theatrical tradition in the United States.

We encourage plays which authentically represent characters and experiences of racially and ethnically diverse Jews, as well as explore the historic and present-day intersections of white Jews and Black, Indigenous, and Peoples of Color.

Before submitting, please be sure to read all of the FAQs to ensure that your submission meets the eligibility criteria and follows all submission guidelines.

If your submission fails to comply with these requirements, we will not be able to read it.

The Theater J Patty Abramson Prize

The Theater J Patty Abramson Jewish Play Prize will award $3,000 and a stage reading to a promising emerging woman playwright in honor of a new play that celebrates, explores, and/or struggles with the complexities and nuances of the Jewish experience.

The Prize is dedicated to the memory of philanthropist and venture capitalist Patty Abramson.

Eligible playwrights must not have had more than two productions at LORT or off-Broadway theaters, including different productions of the same play, but may have been produced at other theaters. Plays must not have been produced at the time of submission, but a scheduled future professional production is not disqualifying.



The Theater J Trish Vradenburg Established Playwright Prize

The Theater J Trish Vradenburg Jewish Play Prize will award $15,000 to an established playwright in honor of a new play that celebrates, explores, and/or struggles with the complexities and nuances of the Jewish experience.

The Prize is dedicated to the memory of philanthropist, playwright, and Alzheimer’s research advocate Trish Vradenburg, who served on Theater J’s Council for 13 years.

Plays must be submitted by a theatrical agent or artistic staff members of a professional theater company. We expect established playwrights to have had productions of their plays on Broadway, at major off-Broadway theaters, and/or at multiple LORT theaters, or other markers of attaining significant accomplishments and/or national attention as a playwright. Unproduced plays are eligible, as are plays professionally produced after July 2018 or currently scheduled for an NYC premiere.

Saturday, May 22, 2021

Marion Thauer Brown Audio Drama Scriptwriting Competition is accepting adventure and comedy entries

web site

Deadline: May 28th 2021

The MTB Audio Drama Scriptwriting Competition celebrates exciting aural storytelling with a $250 first prize and $100 second-place prize. Authors retain all script rights.

The theme for 2021’s competition is adventure and comedy scripts that engage and amuse audiences.

There’s no fee for entry. We simply ask the following:
  • Please keep to one entry per author.
  • Scripts should run no longer than 30 minutes (approximately 30 pages of script)
  • The script should be your original work/story. Adaptations of another author’s works or use of proprietary characters such as Dr. Who, Frankenstein, or Othello will lead to disqualification.
  • Please keep the script appropriate for listeners of all ages by meeting the following conventions:
  • 1) Avoid swearing. which includes “damn,” and “hell” and “God.” Failure to do so will lead to automatic disqualification regardless of context.
  • 2) Avoid implicit or implied sexual context. Romantic affection is fine. Details about intimacy are not.
  • 3) Avoid graphic depictions of killing or torture. It is understood that people can get bumped off for dramatic capital if needed (which is not to say it is necessary to do so) but if you do please avoid disturbing intimate details.
  • Given the current world situation, please refrain from submitting dystopic/pandemic fiction. This isn’t to say the subject can’t make for compelling drama, but a goal of this competition is to foster scripts that provide an escape for audiences of all ages from hearing about this topic.
  • Make sure your script is action/plot driven. To meet this criteria (and prevent repurposed stage plays) each script should have at least one location change.
  • Please make sure it is free of visual stage directions such as “Shonna blows him a kiss. He nods knowingly as Tyler silently walks off stage” or stage play set design details.
Winners will be announced on June 21st 2021.

Wednesday, May 12, 2021

The Theater J Patty Abramson Prize

web site

Deadline: May 31, 2021

PLAYWRIGHT ELIGIBILITY
  • The playwright identifies as a woman, inclusive of cis and trans women.
  • The playwright has not had more than two productions at LORT or off-Broadway theaters, including different productions of the same play. The playwright may have been produced at other professional or nonprofessional theaters.
    • We define “production” as one in which actors were off-book and the play was open to be reviewed.
  • The playwright is a citizen or resident of the United States.
  • We welcome writers of all faiths, cultures, backgrounds, and racial and ethnic identities.

PLAY ELIGIBILITY
  • The play celebrates, explores, and/or struggles with the complexities and nuances of the Jewish experience.
  • We encourage plays which authentically represent characters and experiences of racially and ethnically diverse Jews, as well as explore the historic and present-day intersections of white Jews and Black, Indigenous, and Peoples of Color.
  • The play is unproduced at the time of submission; plays with currently scheduled future productions are still eligible.
  • The play is a complete, full-length work for the stage.
  • The play is in English, either in composition or translation.
  • Adaptations must diverge substantially from any copyrighted source material.
  • Musicals, plays with music, short plays, and plays for young audiences are not eligible.

PLAYWRIGHT SELF-SUBMISSION GUIDELINES
  • Submissions are accepted online at https://forms.gle/pHyMuxzB5KVmBMmg9
  • All materials must be electronic files; either Adobe Reader (.pdf) file formats or Microsoft Word (.doc).
  • Submission must include a resume demonstrating eligibility for the Abramson Prize.
  • Highlight any LORT or off-Broadway productions of your plays, including different productions of the same play.
  • Please confirm in the submission that the play you are submitting has not yet had any professional productions (currently scheduled future productions are still eligible).
  • Submission must include the following information:
    • Playwright’s name, pronouns if comfortable including, and contact information
    • The title and a synopsis of the full play
    • A 10-page excerpt of the play that includes your name, contact information, and the title of the script.
  • Developmental workshops or public readings, national tours, international productions, or nonprofessional theaters do not determine eligibility.
The Theater J Patty Abramson Prize

▪ Please do not send full scripts. We will contact you if we would like to read more.

Saturday, April 24, 2021

Carl Annoni Prize 2021

web site

Deadline: APRIL 30 2021


The prize is promoted by Radovan Corrado Spanger, Associazione Premio Carlo Annoni and sponsored by Comune di Milano, ELFO Puccini di Milano, C.I.G. ARCIGAY Milano, Festival MIX Milano, Teatro Filodrammatici Milano, Rassegna teatrale Lecite Visioni, Outis Centro Nazionale di drammaturgia contemporanea, Teatro della Cooperativa, Teatri di Vita, Agedo.

Art. 2 PARTICIPANTS

It is opened to any individual interested in the topic, with no age restrictions.

Art. 3 REGISTRATION FEE

We don’t require a registration fee.

Art. 4 PLAYS

There is no length or character numbers limitation. Plays can be submitted in Italian and English . An award will be assigned to one play in each language.

ART. 5 THEME OF THE COMPETITION

Carlo Annoni International Playwriting Prize accepts plays on topics affecting the LGBTQ+ community, and the promotion of diversity in love, society, politics and culture.

Art. 6 PARTICIPATION RULES

When submitting your play, please state clearly the author’s name, their email address and a phone number for any further communication.

Submission must be sent by email only to:

info@premiocarloannoni.eu.

Art. 7 DEADLINE

Deadline for submissions is 30st APRIL 2021. The award ceremony will be in September 2021.

Art. 8 EVALUATION

The plays will be assessed by a jury selected by the organisers. Plays will be assessed for their creative contents, their form, their pertinence with the topics, and their social impact. The results will be unanimous and unappealable. The winners will be notified with a phone call and/or an email.

The competition is valid if at least five texts in each language are received.

Art. 9 AWARD CEREMONY

Winners will be proclaimed in a public ceremony. The results will also be proclaimed through the press and other social media. More information about dates and location will be provided in due course.

Art. 10 PRICE

The prize is € 1000. A prize will be assigned for each language.

Special Mentions:
SHORT PLAY: a special mention will be given to a short play of a maximum of 10 minutes length.
COMEDY: a special mention will be offered to a comedy play on relationship life.
ASYLUM SEEKERS: a special mention will be given to a play on the topic of asylum-seeking for those persecuted for their sexual orientation.


Art. 11 COPYRIGHT

The author will maintain the rights over the play.

Art. 12 FULL ACCEPTANCE OF THE RULES

The artists submitting their plays must abide fully to the rules.

Tuesday, March 23, 2021

Fade To Black Festival 2021

web site

Deadline: April 1, 2021

No fee is required.

No restriction of theme or genre.

Three (3) script submissions are allowed per playwright.

Selected playwright winners will be awarded a cash prize of $100.00.

Winning playwrights will be announced nationally on Friday, May 1, 2021.

TO QUALIFY:


Playwright must be the sole author of the submitted work.

Playwright must publicly and openly identify themselves as African-American, Black, or of the African diaspora.

Previously published or produced work by the author or theatre/company is not allowed (See definitions below).

Play must run no longer than 8-10 minutes long on stage. (Consider conducting an informal reading to ensure).

Play should accommodate a “bare-stage” set requiring only a minimum of removable stage props and require basic lighting and sound cues.

Play must not be a musical.

Play must not be written for children or youth.

Play must not contain characters that are under 17 years old.

Play must not be a re-submission of previous Fade To Black play festival seasons.

Play must not be considered a translation or adaptation.

Play must not be a film. Screenplays will not be accepted.

Play should be "stand-alone", a separate body of work that has not been extracted from a larger, previously written play.

Author must be at least 18 years of age.

Play must be submitted in a PDF format.


TO SUBMIT:

See submission link: https://forms.gle/sUESPtTCvJrR9gfn9

Upload pdf of original work.


DEFINITIONS:
"Produced” - Your play was marketed for production date(s) by either you (its playwright) or a theatre company and was performed before an audience who purchased tickets to see the event.

"Published" - Your play is an officially published work and commands royalties from the producing theater each time it is performed.

Staged readings (formal or informal) are not considered productions. If your play has only had public or private readings but has not been produced as a full-scale stage performance, you are permitted to submit the play.


GOOD LUCK PLAYWRIGHTS!

Monday, March 22, 2021

2021 Playwright's Prize

web site

Deadline: April 2, 2021 12PM GMT

An open call for distinctive, dynamic, heart-stopping, extraordinary, wonderful plays.

Please submit your script of up to 10,000 words to info@platformpresents.com

For the 2020 Prize, over 200 plays were submitted from writers based from London to New York, LA to Melbourne. These were shortlisted to 9 by the Platform Presents co-founders, Gala Gordon and Isabella Macpherson.

The prize includes ongoing mentoring and producing the winning script, as well as the £5,000 cash prize.

The competition closes at 12pm on 2nd April 2021.

Saturday, March 13, 2021

The Alpine Fellowship Theatre Prize 2021

web site

Deadline: April 1, 2021

APPLICATION FORM

Awarded for the best playwriting response theme of the Alpine Fellowship 2021 - Untamed: On Wilderness and Civilization.

The prize will be £3,000 plus a rehearsed reading at the Fellowship’s annual Symposium to which the winner will be invited to attend. Runners up will be invited to attend the Fjällnäs symposium to exhibit their work, all food and accommodation covered. Travel expenses will be reimbursed up to a total of £500.

Rules:
  • The final piece must be no more than 45 minutes in length.
  • The final piece must require no more than four actors. 
  • The winning play will be performed as a rehearsed reading so simplicity in staging is preferred. 
  • This prize is open to anyone above 18 years of age. 
  • All entries must be written in English.
  • Plays must not have previously been performed, including as a reading or workshop production.
  • Playwrights at any stage of their career are eligible to apply.
  • Submissions will be judged anonymously so please ensure your name does not appear anywhere on your submission materials.

Submission: To apply you will be asked to submit the following:
A treatment of your idea in response to the theme. No more than 500 words.
A sample of previous work of at least 10 pages.
A 3-4 sample pages of your proposed script or a 1-2 detailed page synopsis of your story.

KEY DATES*:

Applications open: 1st January 2021
Applications close: 1st April 2021
Shortlist announced: Coming soon
Winners announced: Coming soon

Please follow us on Instagram to stay up to date with latest news.

*Please note: we reserve the right to change the date of the shortlist and winners announcement if required for any reason.

Monday, February 22, 2021

L Smith New Play Festival

web site

Deadline: March 12, 2021 12 noon 

SUBMISSION FORM

Both 10-minute and full length plays can be submitted by Friday, March 12th at noon and five 10-minute plays and one full-length play will be selected for virtual performance; with playwrights being notified by April 1st if their script has been chosen. The festival will take place via Zoom on Thursday, May 6th and Friday, May 7th and in addition to performances, playwright Charly Evon Simpson will give a keynote on Thursday night. Cash prizes will be awarded for the audience favorite 10-minute play and to the playwright of the chosen full-length script.

All scripts should follow standard play formatting and should be submitted as PDFs with contact information on the front page (including email, phone and snail mail address) and only play title and page numbers on the following pages. 10-minute scripts cannot be longer than 10 pages and the full-length play should be between 70-90 pages.

Due to a focus on accessibility, there is no entry fee for the contest. Once the cap of 100 scripts has been reached, submissions will be closed; therefore, no more than 2 submissions per playwright will be read.

Tuesday, February 16, 2021

Central Kentucky Community Theater 10 Minute Play Festival Script Submissions

web site

Deadline: April 1, 2021 12PM

THEY HAVE MET THEIR SCRIPT CUT-OFF OF 100 - DO NOT SEND

Submission for scripts should adhere to the following guidelines

- Have a run time of 10 minutes

- No more than 3 characters

- Appropriate language and subject matter for all audiences

Submissions need to be submitted no later than

12:00pm April 1st


Submission for scripts should adhere to the following guidelines 
- Have a run time of 10 minutes
- No more than 3 characters 
- Appropriate language and subject matter for all audiences

The top seven submissions will be produced in a readers theatre style. Being recorded and presented virtually throughout the week of May 22-29.

Submissions will be scored in the following areas.

-Originality of concept and story

-Lasting impression and how memorable it is

-Does it make its audience feel some strong emotion

The top seven will then be ranked based on audience response with the top three recieving cash prizes in the following amounts.

First place $100

Second Place $75

Third Place $50

Fourth through seventh will be awarded non monetary prizes. 

All submissions must be sent to  in a .pdf format. Please include "10 minute play" in the subject line of the email.


Good Luck!

Saturday, February 13, 2021

Joining Sword & Pen Seeking Playwrights of Marginalized Genders

web site

Deadline: February 18, 2021
Chicago

Babes With Blades Theatre Company’s Joining Sword & Pen (JS&P) competition is live and underway! Since 2005, JS&P has challenged playwrights to write a full-length play based on the story they see in our contest image. The winner receives a full production and the Margaret Woolley Martin Award, which carries a cash prize of $1000.

This year’s image and competition rules may be found here:
babeswithblades.org/jsp-how-to-submit/

We’re seeking submissions from playwrights of underrepresented genders. This includes cis women, trans women, trans men, non-binary people, and those who are otherwise marginalized based on gender.

What We’re Looking For

1. The moment depicted in the inspirational image at the bottom of this page must be physically dramatized/incorporated into the play. We want to (literally) perform that moment on stage. Include the page number of your script where the contest’s image is depicted in your submission email.

2. Scripts must be inclusive of the BIPOC community. Whether the script lends itself to characters being played by actors of any race/ethnicity or whether it includes stories that are race-specific, BIPOC characters must not be limited to secondary or background characters.

3. Submissions are due NO LATER than midnight February 18, 2021.

4. All JS&P submissions must be new, full length, original works, inspired by the artwork that is the focus of the contest. Previously written, workshopped, published or performed submissions will not be considered and we will not contact you. Please do not insert the contest image into an existing script.

5. Please email your JS&P submission in a PDF file to swordandpen@babeswithblades.org. The filename must start with the title of the play (ex. “Patchwork Drifter.pdf”). If the title of the play begins with “the,” “a,” or “an,” please place that article at the end of the title (ex. “Last Daughter of Oedipus, The.pdf”).


IMPORTANT: This will be a BLIND SUBMISSION PROCESS.

Script submissions for JS&P accepted between August 5, 2020 and February 18, 2021. Want more info? Contact swordandpen@babeswithblades.org.

Joining Sword & Pen winners receive full productions with the Babes.

Check out the full list of Joining Sword & Pen winners.

Your email submission should contain two separate attachments:

 a) Your cover page. INCLUDE:
  • The play’s title
  • Playwright’s name and full contact information (phone numbers, email, mailing address).

 b) Your script. INCLUDE:
  • The page number on which the contest’s image is incorporated.
  • A synopsis.
  • A character list specifying the gender of each character. “Open gender” is an option. If it’s important that a character is cisgender or transgender, please specify this.
  • If it’s important that a character is of a particular racial/ethnic background (including white), please specify this. Characters of unspecified racial/ethnic background will not be automatically assumed to be white.

DO NOT INCLUDE ANY contact information, of any kind, in the body of your script. An author’s identity will only be revealed to the ensemble once a selection has been made.


6. The winner of the contest agrees to participation in the Fighting Words new plays program (workshops and festival reading – dates TBD), and grants Babes With Blades Theatre Company rights to produce the world premiere production of the winning play. Production dates are TBD for Spring 2023 (subject to change).


Things to consider:
  • Our mission statement: Babes With Blades Theatre Company uses stage combat to tell stories that elevate the voices of underrepresented communities and dismantle the patriarchy. Through performance, script development, training and outreach, our ensemble creates theatre that explores the wide range of the human experience, and cultivates broader perspectives in the arts community and in society as a whole.
  • We do not accept or produce musical scripts.
  • Both our venues and our budgets tend to be small.
  • If your play does not pass the Bechdel Test, it is unlikely to fit our mission.
  • If your play does not include stage combat, it does not fit our mission.
  • Characters fight as a realization of high narrative stakes. Scenes of characters training to fight are usually lacking in stakes.
  • If your script includes sexualized violence, consider whether the sexualization is truly necessary to the story. Sometimes it is; often it’s not.
Click here to learn more about Joining Sword & Pen

Our Mission Statement: Babes With Blades Theatre Company uses stage combat to tell stories that elevate the voices of underrepresented communities and dismantle the patriarchy. Through performance, script development, training and outreach, our ensemble creates theatre that explores the wide range of the human experience, and cultivates broader perspectives in the arts community and in society as a whole.

We look forward to hearing your stories!!

PLEASE NOTE: The image for the competition can be found on our website. Please do not select your own prompts.

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