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Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Friday, January 17, 2020

Live & In Color seeks plays & musicals for 2020

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Deadline: March 1st, 2020

Live & In Color is looking for playwrights, composers, and lyricists of color and/or other underrepresented communities interested in developing their new musical or play. The work must be able to be performed with a multiethnic cast.

The winning musical submission will have a two-week workshop this fall at The Bingham Camp in Salem, Connecticut culminating in a staged presentation to an invited audience.

The winning play submission will have a one-week development period this fall at The Bingham Camp in Salem, Connecticut culminating in a reading for an invited audience.

To Apply
Submit the required materials via email to Director of New Works, Dennis Corsi, at dennis@theatreincolor.org.

Submissions due March 1st, 2020.

Submission Requirements

MUSICALS

The musical must be able to be performed with no more than 8 actors, although preference will be given to smaller casts.

All submissions should include:

Single page synopsis

Single page character breakdown

Demo of score (2-3 songs)

Sample of dialogue (5-10 pages)

Brief production/development history (properties with prior full productions not accepted.)

PLAYS

The play must be able to be performed with no more than 5 actors.

All submissions should include:

Single page synopsis

Single page character breakdown

Script sample (10-20 pages)

Brief production/development history (properties with prior full productions not accepted.)

Tuesday, January 7, 2020

The 18th Annual Fresh Fruit Festival of LGBTQ Arts

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Submissions are now OPEN for the 2020 Main-Stage Festival

The 18th Annual Fresh Fruit Festival of LGBTQ Arts, held July 6 through 19 at The WILD Project and other Manhattan venues

Categories: Full length plays; One-Act Plays; Choreographed Dance pieces; Thematic new Solo Shows, comedic or Dramas; Musicals; Opera; Cabaret; Unimaginable . . . ? – Any kind of performance art featuring LGBTQ characters or themes.

The CREATIVITY is yours; the OVERHEAD is ours. And thanks to the generosity of New York City’s Department of Cultural Affairs and the New York City Council there are no application fees or participation fees required, and all productions earn a box office share.

We provide:

ADA and AEA approved performance venues
AEA approved venue insurance
Technical, Booth, & Front-of-house Staff
Repertory Lighting Plot & Sound system, with Video available
On-line, real-time ticketing service with audit trail
Glossy, full-color Festival brochures
Networking events & Marketing assistance for all shows
Optional co-production plans* for higher box-office shares
Deadline:  Monday, February 10th.

Click on the APPLY button below to go to the full Application Form. Please download a study copy so you can later complete the form in one online session (required). Note: Your planned production cannot have been produced before in the 15 months preceding the July Festival. If you are producing an Out-Of-Town show (25 miles from New York City) be prepared to submit local contracts, and accept one of our co-production plans.

Friday, January 3, 2020

Sound Bites 7.0 seeks 10-minute musicals

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Theatre Now defines a 10-minute musical as any piece that can be performed, has a beginning, middle, and end story arch, and includes music. Having produced 60 pieces, we want musicals that are diverse, current, test the musical form and communicate a well-crafted story in ten minutes. We accept musicals across all styles and genres, as well as consider foreign language and/or bilingual scripts.

Please review the following criteria thoroughly before sending your submission:

  • Ten-minute musicals will be accepted from September 1st 2019 - January 6th, 2020.
  • Submissions won’t be considered before or after the deadline.
  • Musical theatre writers can only submit up to two scripts.
  • The story must have a beginning, middle, and end.
  • We also accept submissions for works in foreign languages or that are bilingual. Although the application process is still in English, the work itself may be submitted and, if selected, performed in any other language.  
  • Each piece must include music.
  • Scripts can only utilize up to ten actors. (Actors may play more than one character.)
  • We won't accept physical scripts, all submission must be submitted via this website. 
  • Each musical must be no more than ten minutes long. If you submit material longer than ten minutes, be prepared to cut material if accepted into the festival.  
  • Longer one-acts or full-length musicals will not be considered.
  • A musical may be a previously produced work with a production history.
  • Though we have no formal script formatting guidelines, all scripts must be easy to read.
  • The volume of submissions prevents us from providing feedback on all submissions.
  • If your piece is visual (ie. Choreography heavy), please include video footage. 

All writers will be contacted via email the week of January 13, 2020 on the status of their submission and receive one of three emails:

  • EIGHT musicals will receive an acceptance email into the festival and will be provided additional information to confirm their involvement. 
  • FOUR musicals will receive a WAIT LIST email. These selections will be mentioned in the festival program as runner ups. In the event an accepted musical declines their participation, a selected wait listed musical will be notified to serve as a replacement.
  • The remaining musicals will receive a "not selected" email and are encouraged to submit again next year.

*All criteria is subject to change and without notice.*

SUBMIT HERE

Thursday, January 2, 2020

Woodside Players of Queens Summer 2020 Play Festival

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Deadline: April 15. 2020

Submissions are now being accepted for the Equity Library Theater of New York Summer 2020 Play Festival, to take place in August 2020 in New York City. Seeking short plays (no more than 10 pp/minutes), from playwrights from across the globe.

Also seeking monologues (no more than 4pp/minutes). Musicals welcome! Basic set requirements.

One submission per playwright.

No unpleasant profanity, as this is a family friendly festival! No submission fee. Please include name, address, telephone number and email address on your submission.

We do not produce your work, we provide a venue for you to present actors performing your play. There are no costs involved for anyone. Seeking actors and directors, too!

Deadline: April 15. 2020. Email: equitylibrarytheater@gmail.com

Tuesday, December 31, 2019

Short Play & Musical Festival - SEX 2020

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SPF - Sex 2020 submissions are now open.

They close January 2nd, 2020 at 11:00pm.

Submit via Submittable

The festival runs Feb 13th-March 1st (3 weeks) and your show would perform 4 nights during one of the three weeks...per usual!

To submit go to www.shortplaynyc.com and scroll down on the HOME page (the website is in the process of being updated now, but the submission page is ready for you!)

Festival is produced by Be Bold! Productions at
The Steve & Marie Sgouros Theatre at The Players Theatre
115 MacDougal Street, New York, NY  10012 - 3rd floor

3 weeks, 4 performances weekly (Thursday through Sunday),

5 plays featured each week.

 ELIGIBILITY:

Short Plays and Musicals with a performance time of 15 minutes or less, no more than 15 pages in length.

Writers are eligible to submit up to 2 plays.

 THEMES:  "SEX!" (Feb) "NYC" (June) “Boo!” (OC

All plays submitted must be centered on, or revolve around this theme.

** Note **

1) Playwrights are responsible for producing their own play - Host provides Theatre, technicians, marketing and box office

2) If selected, there is a $100 REFUNDABLE deposit required and a $50 NON-refundable tech fee required

Plays MUST be NO MORE 15 minutes in length and no more than 15 pages


Visit our website: www.shortplaynyc.com

Tuesday, December 24, 2019

Neon Cactus Playhouse 2020 Playwrights Festival

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Neon Cactus Playhouse is currently accepting submissions of new one-act and full-length plays or musicals for the Blooming in the Desert New Play Festival, a showcase of staged readings June 15-24, 2020. The purpose of our event is to bring together strong theatrical voices, and to explore new scripts.

The new theater is looking for submissions that tell the story of the people of the LGBTQ community by the LGBTQ community. Selected scripts will be presented to the public as staged readings. The staged readings will have a director and cast assigned from our greater Phoenix theater community.

Submission period will be August 1 - December 31, 2019.

Entrants will be notified in January 2020 regarding their submission.

Submissions should be emailed to playwrights@neoncactusphx.com with "2020 Submission" in the subject line.

RULES OF ENTRY
• The contest is open to playwrights who identify as LGBTQ and is for new one-act or full-length plays or musicals.
• Plays submitted to the contest must not have been previously published or produced.
• Plays submitted which have had workshop productions or staged readings are eligible and encouraged.
• We are only accepting electronic submissions in Word or PDF format.
• No fee to submit.
• Musicals must send music through a cloud storage service, like Dropbox.

The script must be submitted, along with:
• A statement that the play will not have been published or professionally produced as of June 24, and that it is not under option for publication or professional production nor will it be under such option
• A list of the play's workshop productions, if any, and awards received, if any.
• A title page that includes the playwright's name, playwright's contact details, a brief synopsis of the play, and the character list with any important character details

Plays that do not meet the above requirements will not be considered.

The long-term goal of Neon Cactus is to grow to become a major force in the local community theater venue, and as a regional theater that serves audiences throughout the Valley and beyond. Neon Cactus Playhouse contributions will be a new, exciting and magical contribution to Phoenician Community Theater.

Neon Cactus mission strives to develop an inclusive environment for artists while creating immersive performances for theatergoers to deepen and enrich the theatrical experience.

Thursday, December 19, 2019

2020 Human Rights New Works Festival


NOTE: THEY HAVE INFORMED US THEY ARE NO LONGER ACCEPTING SUBMISSIONS.

Beginning March 24, 2019, Red Mountain Theatre Company will be accepting submissions for plays and musicals for the 2020 Human Rights New Works Festival.

Submissions to the Festival must be original full-length work that prominently features at least one Human Rights issue, theme, or topic (no more than 2.5 hours in length; one-acts must be no shorter than 90 minutes). Human Rights topics include, but are not limited to: censorship/free speech, women’s rights, racial discrimination/injustice, genocide/war crimes, children’s rights, religious discrimination, immigration/refugees, criminal justice system/incarceration, poverty, LGBTQ rights.

If the work is based on, or an adaptation of, a pre-existing work (novel, movie, etc.), any and all underlying rights must be obtained and proof must be provided. The author(s) must be entitled to grant performance rights to the work. Any submission that does not adhere to these guidelines may not be considered.

Playwrights, composers, lyricists, librettists, and agents will be asked to provide the following materials with their submissions:

  • Synopsis of the work (max 1 page) as a PDF file.
  • First 10 pages of the script/libretto (do not count title page, character description page, etc., as part of the 10 pages) as a PDF file.
  • For musicals, full demo recordings as individual, labeled .mp3 files in a Dropbox folder or Soundcloud playlist (must provide recordings of at least 6 songs from the show).
  • Bio and contact info for each creator of the work (playwright, composer, lyricist, bookwriter/librettist).
  • List of any attached artists, producers, or other parties.
  • For musicals, 1 sheet music sample of a song from the show as a PDF file.
  • Proof that any/ all underlying rights have been legally obtained for works based on, or adaptations of, a pre-existing work (novel, movie, etc.).

E-mail submission materials as attachments or Dropbox link to: matt@showshepherd.com.

Please do not call Red Mountain Theatre Company as we are not staffed to handle such inquiries. Upon receiving your complete submissions package, you will be contacted regarding ongoing details and logistics of the selection process. Thank you for your interest in the Human Rights Festival of New Works.

Wednesday, December 18, 2019

The Robert J. Pickering Award for Playwriting Excellence 2019

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This annual award was established to honor past member and playwright, Bob Pickering, and to provide a vehicle for playwrights to see their works produced. Over 30 plays have been produced over since 1984. $200 is awarded for first place, $50 for second place and $25 for third place.

Deadline:

Manuscripts must be received by December 31st

Types of plays accepted

Full length, unproduced plays and musicals. Children’s plays accepted. Unable to return without a self-addressed stamped envelope.

Selection Process:

Chairman and committee members read and review each entry and select ten finalists from which the first, second and third place winners are chosen.

Production:

Branch County Community Theatre reserves the right and agrees to produce the first place winner in this yearly competition. First place winners are required to sign a production contract.

Production House:

BCCT productions are staged in the historic Tibbits Opera House in Coldwater, Michigan. Built in 1882, Tibbits is a completely restored 500-seat proscenium theater.

Send submissions to:
Branch County Community Theatre
14 S. Hanchett St.
Coldwater, MI 49036

Tuesday, December 17, 2019

National Alliance for Musical Theatre 2020 Festival

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2020 FESTIVAL SUBMISSION REQUIREMENTS, PROCESS AND APPLICATION
Beginning with the 2020 Festival of New Musicals, all writers can submit an application to be considered for the Festival free-of-charge. In keeping with previous years, submissions to the Festival will require an endorsement from an industry professional, but for the first time there will be no cost associated with on-time submissions regardless of who is endorsing the piece. Please review the below for full details on the application process.

Please note: NAMT does not accept submissions outside of this process. Please follow the instructions below to submit a musical for the Festival. Materials received outside of the Festival submission process will not be returned.

Join us for a Q&A session! In-person sessions will take place  January 7 from 5:30-6:30pm. The in-person sessions will take place in Studio C at A.R.T./New York (520 8th Ave, 3rd Floor). The online session will take place on December 19 at 12pm ET. Click here to register for a Q&A session.

Now in its 31st year, NAMT’s Festival of New Musicals is the cornerstone of NAMT’s mission to be a catalyst for nurturing musical theatre development and production. Every year, we feature eight musicals in 45-minute presentations for an audience of over 700 industry professionals. We look for new musicals at all stages of development from the broadest possible range of voices.

In the short run, the Festival’s goal is to connect producers with writers, so that our shows can  extendtheir development trajectory. The long-term goal is to expand the musical theatre repertoire and advance the musical theatre art form.

Our 32nd Annual Festival of New Musicals will take place on October 22 and 23, 2020 at New World Stages in New York City.

The objectives of the Festival are to:


Sunday, November 24, 2019

Live & In Color - Call for Submissions

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Live & In Color is looking for playwrights, composers, and lyricists of color and/or other underrepresented communities interested in developing their new musical or play. The work must be able to be performed with a multiethnic cast.

The winning musical submission will have a two-week workshop this fall at The Bingham Camp in Salem, Connecticut culminating in a staged presentation to an invited audience.

The winning play submission will have a one-week development period this fall at The Bingham Camp in Salem, Connecticut culminating in a reading for an invited audience.

To Apply
Submit the required materials via email to Director of New Works, Dennis Corsi, at dennis@theatreincolor.org.

Submissions due March 1st, 2020.

Submission Requirements

MUSICALS

The musical must be able to be performed with no more than 8 actors, although preference will be given to smaller casts.

All submissions should include:
  • Single page synopsis
  • Single page character breakdown
  • Demo of score (2-3 songs)
  • Sample of dialogue (5-10 pages)
  • Brief production/development history (properties with prior full productions not accepted.)


PLAYS

  • The play must be able to be performed with no more than 5 actors. 
All submissions should include:
  • Single page synopsis
  • Single page character breakdown
  • Script sample (10-20 pages)
  • Brief production/development history (properties with prior full productions not accepted.)

Tuesday, November 19, 2019

Ohlone College Seeks 10-minute Musicals for 2020 Playwrights Festival

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Deadline for submission: December 3rd, 2019

Festival dates: May 7, 8, 9, 2020 in the NUMMI theatre in the Smith Center at Ohlone College.

Submission guidelines:

Musicals must be 10-minutes in length.

2-5 characters.

All musicals chosen will receive a fully produced production by Ohlone College’s Student Repertory Theatre Company.

Financial arrangements:  No fee for submissions. Playwrights will receive royalties of $100 if their musical is chosen for the festival.

Submissions can be emailed to: PlaywrightsFestival@ohlone.edu
*Please include your bio, short character descriptions, and a brief synopsis of the musical.
*Please send all info in a doc or pdf.
*Please let us know if you have tracks for the music available.

About the Ohlone College Playwrights Festival
The aim of the festival is to cultivate plays and musicals from professional and emerging playwrights and composers that speak to our college students and contribute to fostering the next generation of theatre artists.

About Student Repertory Theatre Company
Student Repertory Theatre Company is a class that produces the Ohlone College Playwrights Festival.  Student Rep is comprised of student directors, producers, actors, designers, and crew—budding talent for the future growth in theatre.  First-time and more experienced theatre students are given the opportunity to create a full theatre ensemble geared toward producing live theatre.  Student Rep introduces all aspects of theatre to new students and is a space for experienced students to hone their skills and craft.

Past Playwrights and Composers include:
Jake Arky, Rick Bassett, Rachel Bublitz, Ron Burch, Eugenie Chan, John Franceschini, George Freek, Pamela Weiler Grayson, Anne V. Grob, Tanya Grove, Phillip W. Hall, Grace Hoffman, Brett Hursey, Stephanie Hutchinson, Richard Lau, Jeffrey Lo, David MacGregor, Karen Macklin, Kayla Martinez, Paul McCormick, Philana Omorotionmwan, Adriana Palangio, Owen Panettieri, Anthony R. Pezzula, Syche Phillips, Jordan Ramirez Puckett, Lisa Ramirez, Joni Ravenna, Jacob Marx Rice, Robin Lynn Rodriguez, Nick Saud, Mercedes Segesvary, Bridget Grace Sheaff, Gaby Simpson, Cleavon Smith, Aurin Squire, Max Tachis, Peter Tamaribuchi, James Anthony Tyler, Victor Elán Vasquez, Leah Nanako Winkler

For more information, please visit:
https://www.ohlone.edu/theatredance/20172018/playwrightsfestival

Sunday, November 10, 2019

OC-centric: Orange County’s New Play Festival 2020

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OC-centric: Orange County’s New Play Festival seeks new plays for 2020. If you live in or hail from Orange County, CA, please submit a script for consideration.

Our script submission deadline is December 1. 

For 2020, we will be considering one-act and full-length musicals as well as one-act and full-length plays. Our next festival is scheduled for August 20-30, 2020 at Chapman University in Orange. Each play chosen will receive five performances during the festival.

We fully produce new plays. We do so featuring actors and directors from the greater LA/OC area and Chapman University students. In past years, we have produced works by SoCal dramatists such as Erica Bennett, Megan Breen, Diana Burbano, Kerry Kazmierowicztrimm, Joni Ravenna, Lojo Simon and many others. The OC WEEKLY has honored us with recognition as Orange County's "Best New Play Festival" and The Dramatist calls OC-centric “a major theatrical event for local playwrights.”

Script submission details:
* Deadline: Sunday, December 1. Submissions received after December 1 will not be considered.
* As always, there is no submission fee.
* Submit scripts via email to occentric@gmail.com in PDF or MS Word format. In your email message, let us know a little about your connection to Orange County, CA. (The criteria for eligibility: you must either have grown up in Orange County, or you currently live in Orange County at least 6 months of the year. In the case of a musical, at least one of the collaborators must meet this eligibility test.)
* Playwrights may submit a maximum of two plays. Previously produced work OK.
> A full-length play = a play that runs 60 minutes or longer.
> A one-act play = a play that runs less than 60 minutes. (We are particularly interested in longer one-acts that run 30-60 minutes.)
* The playwright’s name and contact information must appear on the title page of the script(s).
* If you are submitting a musical, please send us MP3/WAV files of at least 2 of the songs, or include links to online performances of songs from the work.
* Please do not submit a script that you have submitted to us in the past two years, unless it has been heavily revised or reimagined.

Please note:
* These plays will be produced in the O.L. Halsell Foundation Studio Theatre, a black box space with playing area of about 20' x 25'. So the straight play or musical you submit should require no more than 12 actors and be producible in a black box with minimal wing space.
* If you have a play or musical with a largely female cast, we encourage you to submit it to us.
* No restrictions on language or subject matter, but no nudity.
* Playwrights will receive a small honorarium/royalty.

Any questions may be directed to occentric@gmail.com. Information about past OC-centric festivals is at our website ... www.oc-centric.com

We look forward to reading your work!

Sincerely,
Tamiko Washington, Artistic Director
Eric Eberwein, Associate Artistic Director

Sunday, October 27, 2019

ATLANTA THEATRE-TO-GO SEEKS SUBMISSIONS FOR 13TH SEASON

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Deadline: November 1, 2019

Maximum of four to five actors and no gratuitous offensive language, sex, etc. 

We are a touring group, so sets need to be simple and the special effects minimal. Selected plays will receive a cash honorarium, a one-time royalty payment, and community engagement opportunities.

WHAT TO SUBMIT: Plays, including MUSICALS, approximately 45-75 minutes long that hold appeal for a senior adult audience. One acts will also be accepted.  Maximum of FOUR TO FIVE actors and no gratuitous offensive language, sex, etc.  We are a touring group, so sets need to be simple and the special effects minimal.  From Comedies and musicals play well with our audiences as well as touching dramas with happy endings. 

JUDGES: A panel of local writers & directors affiliated with ATTG. 

WHAT’S IN IT FOR YOU: A cash honorarium, one-time royalty payment, plus the opportunity to see your work performed by professional actors with a live audience. In addition, we schedule a “Meet The Playwright” event, where we feature the writer, giving the opportunity for our audience to meet them and ask questions. 

HOW TO SUBMIT: E-mail scripts to David@atlantatheatretogo.com

REMOVE YOUR NAME & CONTACT INFORMATION FROM THE SCRIPT.   

Include a brief synopsis, cover sheet along with contact information, production history and running time. 

FORMAT:  Standard Stage Play format but will also accept raw submissions that have:  Script*12 pt., character names in the middle on their own line; line spaces between speeches and between speeches and stage directions; indented stage directions. 

QUESTIONS? Call at 470-239-2210 x 2, e-mail David@atlantatheatretogo.com, or visit our website: www.AtlantaTheatreToGo.com

Saturday, October 19, 2019

The Richard Rodgers Awards 2020

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Administered by the American Academy of Arts and Letters

MATERIAL MUST BE RECEIVED BY FRIDAY, NOVEMBER 1, 2019.

These awards, created and endowed by Richard Rodgers in 1978 for the development of the musical theater, subsidize full productions, studio productions, and staged readings by nonprofit theaters in New York City of works by composers and writers who are not already established in this field. The winners are selected by a jury of the American Academy of Arts and Letters.

A. REQUIREMENTS AND ELIGIBILITY
1. The term "musical theater" is understood to include musicals, plays with songs, thematic revues, or any comparable work. The submission of innovative and experimental work is encouraged. The work submitted must be of significant length to fill an evening; it may consist of a group of smaller, related pieces.
2. The jury will consider only completed works. Care should be taken to submit the work in its best possible form as it may not be submitted again, in another year, even if substantially revised.
3. Only one submission by a collaborative group or a sole creator will be accepted. 4. Applicants must be citizens or permanent residents of the United States.
5. Works by members of the Academy and previous winners of the production awards are not eligible for consideration. Former winners of Richard Rodgers awards for staged readings or studio productions may submit new works.
6. An applicant whose works in the musical theater have received professional or amateur productions in New York City or out of town is eligible unless, in the judgment of the jury, the applicant has already achieved significant recognition in the field of musical theater through the work submitted or through any previous work. Under special circumstances and at the discretion of the jury, applicants who have achieved recognition in fields outside the musical theater may be eligible. Works which have been produced by professional theater companies before a paying audience are eligible only if such productions received no more than 21 performances by a for- profit company or 50 performances by a nonprofit company.

B. SUBMISSION OF MATERIAL
1. The name(s) of the author(s) must be blocked out on each of the items submitted, with the exception of the application form. Include only the title of the work on the script and plot summary. Please be sure author names are not included in music file metadata.
2. Entry must include:
a) Script with lyrics, in PDF format.
b) Half-page synopsis of the action and a list of characters, in PDF format.
c) A separate track sheet (PDF) of recorded songs with page numbers indicating where they appear in the script and specifying the total number of minutes recorded.
d) At least 45 minutes of music, including a minimum of eight songs. Orchestrations are not necessary; piano and vocals are sufficient. Songs must be numbered in sequence (e.g. 01 Song Title.mp3) and each song’s lyrics clearly typed into the script where it appears.
e) Application form signed by all collaborators (see below). Applicants submitting work which has already been produced must give full information concerning these productions, including programs. A work is not eligible if one of the collaborators is deceased.
3. If the submitted work (or a portion thereof) is an adaptation of material which is not in the public domain, candidates must submit licenses, permissions, or authorizations necessary to permit the work to be produced in conformity with applicable copyright laws. The music must be original.
4. Applicants will be notified of the jury's decision by March 2020.

C.  ADDITIONAL INFORMATION
1. All rights to the material submitted shall remain the property of the author(s); the Academy will not retain any control over, or rights in, the work after the award production.
2. The decisions of the jury will be final as to eligibility and all other matters.

Application Form Online

Monday, October 14, 2019

No: Intermission 2020

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We are on the hunt for the next 8 scripts that will make up the 2020 season of our one-act play festival in Sydney, Australia.

To learn more about the festival, have a look at our inaugural festival in 2019 

What we are looking for:
- Scripts that are 40 minutes in length minimum - 85/90 minutes in length maximum
- One act only
- Can be plays, plays with music or musicals
- Cast size will ideally be no larger than 6 people (musicals may be an exception to this - plays 6 people and under only will be considered)
- Cabarets - If the full cabaret has not yet been developed, please submit a pitch with as much detail as possible. We would also like a video or URL to youtube to see the cabaret performers being  pitched if you are pitching with talent  associated with the project.
- Shows that do not require high technical capabilities
- All genres are welcome

Shows will be performed for 3-4 runs as part of our NO : INTERMISSION 2020 season in April/May.


If you have trouble with the submission form, please email your script with the relevant information to mich@theatretravels.org

PLEASE NOTE: SUBMISSIONS FOR NO : INTERMISSION WILL CLOSE ON OCTOBER 21ST, 2019.


Wednesday, October 2, 2019

Jonathan Larson Grants 2020

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Deadline:  Friday, October 4th at 11:59PM EST.

The Jonathan Larson Grants are intended to honor and recognize emerging musical theatre artists. Composers, lyricists, and librettists who work in musical theatre are the focus of the grants. ATW is committed to serving artists who are creating new, fully producible works for the theatre, and advancing the art form. The grants do not honor a specific piece or project.
Grant awards are based on merit, and are intended for those artists with a demonstrated commitment and dedication to a career in musical theatre. Further, the grants are not intended to be scholarships, and artists applying for grants should be working professionally in the field.
Applications are accepted in the following areas:

  • Individuals may apply as lyricists, composers, librettists, or any combination of the three.
  • Collaborative teams may apply together as composer, lyricist, and/or librettist, or any combination of the three.
  • Collaborators who work together regularly are strongly encouraged to apply as a team. If your collaborative team has more than three individuals, please contact the ATW offices.
  • United States citizenship is not a requirement to receive the grant, but you must be eligible to work in the U.S. and reside/work here on at least a part-time basis and submitted work should be predominately in English.
  • Artists may apply only once per grant cycle.  You may not apply as part of a team and as an individual applicant.
  • Prior Jonathan Larson Grant Recipients are not eligible.

(Applications that do not adhere to these general criteria will not be considered)

Required Materials – Applicants must submit the following through our online portal to be considered.

APPLICATION INFORMATION

Completed Application Forms, including:

General Information
Artistic Statement— on the form provided, describe your achievements and goals for your career as a creative artist or collaborative team (one per application). Please do not make specific monetary requests as part of the application.
Creative Curriculum Vitae—productions/workshops/readings, educational history, and including list of awards (one for each applicant or each member of a team, please submit multiple CVs in one, combined .pdf or .doc file).

SAMPLES OF WORK

Comprehensive Work Sample List—a list of all the song and libretto selections with authorship information. Work samples are only required in accordance with your application focus.  For instance, if you are applying as a composer only, please only submit music, and dramatic context for the song.  Do not submit a book or lyrics for adjudication.  The same would be true if you were applying as a lyricist or book writer, only submit samples for the area or areas for which you wish to be considered.Once you have completed the Work Sample list, you will have the opportunity to upload your material.
Libretto—Please submit one-act only of a musical book (or if your work does not have a traditional act-break, an excerpt of 60 pages or less). .pdf format is preferred. You may start your libretto with a 1-page synopsis of the show in its entirety.
Audio Files/Song Selections—upload selected songs (accepted formats include MP3, MP4, WMA, WAV, ACC (M4A) and FLAC). Select individual tracks and pieces that reflect your best work.
Dramatic Context/ Lyric Sheets—describe the dramatic context and provide the lyrics for each song selection
Applicants may provide a letter of support/recommendation from theatre artists or educators.

About Selecting Work Samples:
Regardless, if you work creatively in all three disciplines (music, lyrics, and book) or you are applying as a collaborative team, you should submit combined work samples that represent the full range of your work.  For example, Jonathan Larson might have submitted one application that included three song selections from Rent, two song selections from Tick, Tick…Boom!, and the book of Act II from Rent.  Please do not submit a recording of an entire act or production.  Select individual tracks and pieces that reflect your best work.

The Jonathan Larson Grants are intended to honor and recognize emerging musical theatre writers. We are aware that artists work in multiple disciplines; and while it is not necessary that you only work in musical theatre, selections of representative work submitted for the grant must be for musical theatre.  Applications submitting oratorios, operas, symphonic scores, or film scores will not be considered.

Adapted Works: Should you choose to submit selections from work which is adapted from an existing work, you must provide proof of rights for that adaptation as part of your application.

Saturday, September 28, 2019

Adirondack Theatre Festival

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ATF produces new scripts of the highest caliber throughout each season. To help fulfill this mission, we welcome the opportunity to read submissions from skilled playwrights who feel their work would be a good fit at the Adirondack Theatre Festival.

**Please note our new policy. Submissions are now accepted from Aug. 15-Oct. 1 only. This new policy is to help us manage the large volume of submissions we receive and ensure that your play is heavily considered during the fall season selection period.

If you are interested in submitting your play to be considered for future seasons at ATF, please send the following via email to Literary@ATFestival.org:

  • Full PDF version of the script (Word also accepted)
  • Brief (3-5 sentence) synopsis of the play
  • Production history—including any readings, workshop or full productions the play has received thus far
  • Professional playwright resume or bio

Please note: all submissions MUST be sent electronically.

Unpublished full-length plays and musicals only.

Plays submitted via email can be sent either by the playwright or by a literary agent on the playwright’s behalf. Due to the high volume of inquiries we receive, please allow a few weeks for a response acknowledging receipt of your script. ATF does not provide dramaturgical feedback.

The New Harmony Project

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The New Harmony Project is pleased to accept applications of un-produced stage play scripts, musicals, screenplays and teleplays through October 1, 2019. Our streamlined online process will facilitate you uploading your materials in only a few minutes.

What is The Project looking for in a script? We’re looking for scripts that sensitively and truthfully explore the positive aspects of life. If you’ve read our mission statement and you’re still not sure your work is right for the conference, you can gain a fuller sense of our aesthetic and philosophical interests by perusing our roster of writers and scripts that have recently found an artistic home at our conference. The New Harmony Project recognizes that we live in complex times, and we seek stories that honor a multiplicity of perspectives.

What does The Project provide? We provide a creative community and unparalleled level of artistic support. There is no cost to attend the spring conference, and all meals, travel and housing are covered. Additionally, we provide a modest stipend to participants.   

Due to the volume of applications received, we will only accept ONE script per writer. 

When you are ready to complete your application, simply click the button below to be taken to our online system powered by Submittable. Once items have been submitted, we, unfortunately, will not be able to accept updates or changes.

If you have any questions, please email submissions@newharmonyproject.org (please, no phone calls). We look forward to reading your work, and thank you for taking the time to share it with us.

Tuesday, September 24, 2019

The Sauk sixth annual Plays-in-Development

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The Sauk, Hillsdale County's Community Theatre, located in Jonesville, Michigan is seeking entries to consider for our sixth annual Plays-In-Development in 2020. We are seeking unproduced plays. These can be any style (comedy, drama, young audience and/or musical) and any length (one-act or full-length). A completed draft of the play must be submitted. It is understood (and expected) that changes will be made to the script between initial submission and performance.

The selected plays will first go through notes with the artistic director. A show-specific director will then be assigned. The director will work with the playwright prior to an audition draft being submitted. Auditions will take place in mid-June with two weeks of rehearsals prior to public readings. It is expected that the selected playwrights will be involved in the process and be in attendance for final rehearsals and the public reading in Jonesville, MI. 

Playwrights are encouraged to make changes to their scripts throughout the rehearsal process (often handing in new drafts on a weekly or even daily basis). The public staged readings will take place July 10 and 11, 2020. Playwrights will be on site between July 7-12. A royalty is provided to the selected playwrights and The Sauk will provide travel and lodging.

The goal of Plays-in-Development is to help playwrights improve plays that have yet to be produced. By working with a director and actors, the playwright can learn vital information about their work. After the public readings, playwrights are able to participate in a talkback with the audience. We want playwrights to leave the experience with positive and constructive feedback to improve their plays.

Please e-mail a draft copy of the script, a one paragraph plot description and playwright's contact information to Executive Director Trinity Bird at saukpid@gmail.com.

The submission deadline is 5 p.m. (EST) on Friday, October 4, 2019. 

The play selection committee will review all submissions and select the scripts to be part of the process. The selected plays will be announced on or before December 2, 2019.  

Saturday, September 14, 2019

Jewish Theater Lab

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Gallery Players at the Columbus JCC is seeking original works for Jewish Theater Lab, a project to debut during our 2019-2020 season. We are looking for new plays and musicals with Jewish themes, characters, content or perspectives. Staged readings will be presented over two performances in April 2020 in the Roth/Resler Theater at the Columbus JCC with the potential for fully staged productions during subsequent seasons. Send your resume, full script and contact info to: Giselle Siegel, Gallery Players Artistic Director.

Email: gsiegel@columbusjcc.org.

Snail mail: JCC Gallery Players, 1125 College Ave, Columbus, OH 43209

Submissions are accepted on a rolling basis


Website: www.jccgalleryplayers.org Mission Statement: Gallery Players produces theater of the highest artistic expression, reflecting a Jewish perspective while exploring our common humanity. Building on its rich history, Gallery Players strives to challenge and inspire audiences and artists alike.

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