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Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Tuesday, March 31, 2020

Tampa Bay Theatre Festival

web site

Deadline: April 30, 2020

Submit via SUBMITTABLE

FULL LENGTH PLAYS & MUSICALS:

All Material must be original. Your show can be published or non-published work.

** Your full length show should not exceed 2 hours and 15 minutes including your intermission if you choose to have one. If you do not have an intermission, your show should not exceed 2 hours.

You will have a total of 1 hour to mount your set and to do a tech run. We highly advise that you have a MINIMAL SET. Remember, this is a showcase of full length plays so you may not have time to put up an entire set. Please use the mindset of a black box setting with no panels or a full blown set. Tables, couches, chairs, and small pieces are fine. You must remember to stay within the allotted time frame that you have to set up.

If your play/musical is selected, there is a fee for the usage of the theater where your play will be presented. The fee for the black box/studio theater that seats up to 60 people is $100.00. The fee for a main stage theater which sits between 250 to 260 people is $300.00.

All monies made on your show is 100% yours, the TBTF does not retain any percentage of your earnings.

You must provide your own payment processing service. Eventbrite is the ONLY service that the TBTF allows, you will receive detailed instructions if your play is selected.

The festival DOES NOT produce your show. All entries must be self produced. The TBTF does not provide casting of any sort for your production.

You are allowed to have union actors in your play (EQUITY) but it is up to you follow and abide by union rules when it comes to casting a union actor.

There will be an opening night show at the Straz presented by the Tampa Bay Theatre Festival. This show is simply for entertainment and WILL NOT compete with other full-length plays.

Your sound and lighting will be managed by the staff at the venue where your play is to be performed. You are not allowed to handle their equipment. You can staff one of your team members to sit with the technicians to give them instructions on your cues and lighting.

If your show is in a black box/studio theater, you will have a total of 3 hours and 15 minutes allotted for your entire show. This includes one hour to set up which includes minor lighting and tech/sound run. You will have 1 hour and 45 minutes for your show including 15 minutes for intermission if you don't have an intermission, your show can run for 2 hours.  You will have 30 minutes to strike your set once your show is done.

You must provide your own team of stage hands, stage manager, and crew.
This is a festival and a showcasing of your play. To meet the guidelines provided, we highly advise that you keep your set and lighting to a minimum.
All winnrs will be announced at the Awards Party.

Musicals should also include:

2 to 3  MP3 demo tracks (linked in the cover letter section of the form)
Youtube clips (if available - no promo clips)
Lead sheet (if available)
WHEN YOU PERFORM YOUR MUSICAL YOU MUST USE A LAPTOP, CD, OR AN MP3 WITH YOUR TRACKS ON THEM. NO LIVE INSTRUMENTS ARE ALLOWED, NO EXCEPTIONS.

If your play/musical is selected, you will receive a detailed welcome letter that will cover any additional questions that you may have.  An email and telephone number to reach the TBTF will be provided.

SHORT PLAYS:
  • All Material must be original. Your show can be published or non-published work.
  • The length of short plays cannot exceed 10 minutes and a maximum of 8 cast members.
  • If your play exceeds the 10 minute time frame, it will effect your final score.
  • Short plays are to have a minimum set such as: table, chairs, desk, stoops, stools etc. Once your play is over, you must immediately remove your props as the next show will be waiting to set up. You will have 3 minutes to remove your props and minimal set.
  • The TBTF does not cast or direct your play. Please do not submit your work if you think getting a cast or director will be a challenge for you.
  • Any works previously submitted and performed will not be accepted. 
  • You must be at the theatre on time. If the run through starts and your entire cast is not there your show will be disqualified.
  • The Short-Play competition winner will be announced at the Awards Party.
  • There will be two sessions during the short-play competition. The cast must remain backstage during their session. Cast members do not pay to compete. Tickets must be purchased to attend the additional short-play session that you are not competing in. 
MONOLOGUES AND SCENES
Monologues are not to exceed 2 minutes max. If you exceed your time frame this will count against you and the judges may stop your monologue.
This does NOT have to be an original piece. Your monologue can be from a play, a movie, or something that you wrote.

To enter this competition, please submit a recording by phone of you performing your monologue and email it to tampabaytheatrefestival@gmail.com. If you are selected, you do not have to perform the same monologue that you submitted at the competition, you can perform a different one if you wish.
Winners will be announced at the awards party

HOW TO SUBMIT YOUR PLAY:

Plays can be submitted by way of the website submission page

If you have a recording of your play, you can mail the DVD as an option. Mail it to RL Stage PO Box 4145 Tampa FL 33677. This only for full length shows

WINNERS OF THE SHORT PLAYS, MONOLOGUES, AND SCENE COMPETITION WILL BE ANNOUNCED AT THE AWARDS PARTY.

RELEASE OF LIABILITY
I (We) certify that I have the full right and authorization to submit and enter into a contractual agreement to produce this submission during the Tampa Bay Theatre Festival. I agree to indemnify RL Stage Inc and RQL Productions, its representatives, volunteers, board, sponsors, judges, and affiliates against all claims, losses, damages, and liabilities, from and against any claim or cause of action arising from any claim of infringement or intellectual property rights.

ALL PLAYS/MUSICALS MUST BE SELF PRODUCED AND READY TO MOUNT. THE TBTF DOES NOT PROVIDE ACTORS, DIRECTORS, STAGE HANDS, OR STAGE MANAGERS FOR YOUR SHOW.

I understand that In the event a claim or dispute arises out of this application and/or submission, which parties cannot, with good faith effort resolve in face to face discussions, both parties agree to bring the matter before a member of the American Arbitration Association. The arbitration decision will be binding on both parties. The arbitrator may require the losing party to pay the costs of reasonable attorney fees of the prevailing party. Judgment upon such arbitration award may be entered in court of the competent jurisdiction. The laws of the State of Florida govern this Agreement



Saturday, March 28, 2020

Woodward International Playwriting Prize Competition

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Deadline: July 1, 2020

The University of New Hampshire is now accepting submissions for the Woodward International Playwriting Prize. 

The Woodward Prize is part of Cultural Stages: The Woodward International Drama and Dance Initiative and is given once every four years. 

The aim of this program is to broaden and deepen the understanding of international cultures through a competition for plays addressing relevant themes. Plays submitted for this competition should have a primary focus on cultures from countries other than the US. 

The winning play will be given a fully produced production as part of the University of New Hampshire's 2021-22 Department of Theatre and Dance main stage season. 

The winning Playwright will receive a cash prize of $5,000, plus expenses to travel to the University of New Hampshire and stay for the one week of performances. 

Finalists will be posted on the University of New Hampshire Department of Theatre and Dance website in October 2020. The winning play will be announced by February 1, 2021. 

A first and second runner up will also be named at that time. Pending funding, readings of the first and second runner up will be presented with travel and expenses provided to the playwrights to attend the readings.

The winning play will be given a fully produced production as part of the University of New Hampshire's 2021-22 Department of Theatre and Dance main stage season. 


MS Word or PDF accepted.

Any restrictions on eligibility:

- Plays must focus on a country/culture other than the US.
- Plays may also focus on the history and/or politics of the country/culture.
- Plays must be in English.
- Plays may be musical or non-musical.
- If the submission is a musical, a recording of the music must be included with the submission.
- Plays cannot have been previously fully produced. (Previous readings or workshop productions are allowed).
- Plays must be at least 50 minutes in length.
- The University of New Hampshire must be allowed to present and be credited for the non-professional premiere of the play or musical as part of the UNH 2021-22 season.
- Unfortunately, feedback cannot be provided.
- Any plays sent in hard copy will not be able to be returned. (Electronic submissions preferred).
- No more than two submissions per playwright.

Finalists will be posted on the University of New Hampshire Department of Theatre and Dance website in October 2020. The winning play will be announced by February 1, 2021.
http://cola.unh.edu/theatre-dance

For any questions or additional information contact: David Kaye Chair; Woodward International Playwriting Prize Selection Committee

Thursday, March 26, 2020

Crimson Phoenix seeks scripts

web site

Deadline: March 31, 2020

Scripts should be formatted and contain a cover page with title, author and character list in PDF. They should be directed to scriptdepartment@crimsonphoenix.co.uk
  • Plays should need no more than three actors.
  • We do accept musicals with a link to the music. These should follow the same guidelines as for plays and be scored for a maximum of three instruments.
  • We realise this is limiting but as we have more resources available in the future, we can expand our reach.

Tuesday, March 24, 2020

Acadiana Repertory Theatre seeks full-length plays and musicals

web site

Deadline: April 1, 2020 at 11:59 PM

The Acadiana Repertory Theatre is committed to serve playwrights as a place where they feel they can develop work with a company that has a desire to help in the growth of both the playwright and the play. We strive to create a safe, creative, open environment for our playwrights and, using our own experience, along with the experiences of some of our friends from across the country, we seek to help playwrights create and develop shows that have the best chance of a long life of production. Through developmental readings,developmental productions, and soon, the possibilities of residences, we hope to help, through working with the amazing playwrights we come in contact with, the voices of new american playwrights be heard.

We are now accepting submissions for our 2021 Season! We accept submissions of full length plays and musicals. In order to be eligible for consideration, submissions:

  • Should be no longer than 90 minutes (we occasionally make exceptions)
  • Should be full length.
  • Should be actor/story forward
  • Have minimal technical and set requirements
  • Have a cast no larger than 10
  • Should have limited to no production history and should not be published. We are looking specifically for work that you are looking to further develop and are looking for playwrights who want to be involved in the process.
  • Should be submitted as a PDF
  • Should include cast list and synopsis either as part of script or in separate attachment. 

Please note: There are no submission fees nor is there a fee to be a part of the season. Playwrights will be responsible for travel expenses should they choose to join us for any part of the process.

Submissions can be sent to submissions@acadianarep.org

The Submission window closes on April 1st at 11:59pm

To find out more information about us, submissions, or our past work, visit www.acadianarep.org

We look forward to hearing from you!

Monday, March 23, 2020

15-Minute Musical Challenge

web site

Deadline: May 15, 2020  

Help Celebrate the Power of Musical Theatre
In all times, but especially during challenging times, we believe that musical theatre has the power to elevate the human experience and uplift each other.

Most of us will spend more time at home in the coming weeks, and we know that the current health crisis is taking a major emotional and financial toll. We hope we can offer a bit of an inspired incentive by inviting you to use this socially distanced time as an opportunity for musical theatre creativity. With the generous support of the Alhadeff Family Charitable Foundation we are excited to announce the NAMT 15-Minute Musical Challenge.

We are calling for submissions of 15 minutes of brand-new material by May 15, 2020. This can be a complete, 15-minute musical or 15 minutes of a new full-length project.  While we recognize the current crisis will be on our collective minds, this is a call for musicals about absolutely anything and everything. Whatever idea has been percolating…now’s the time! Submitted musicals must be written after March 19, 2020 to be eligible.  

Winning submissions will receive a cash prize, through the generous and enthusiastic support of the Alhadeff Family Charitable Foundation.

Please note this will be a blind review process and therefore all scripts and demos submitted should not include writer information.

Other information

  • All writers are eligible to submit (US and International)
  • One submission per writer
  • Digital submissions only
  • This is for brand-new work only, written after March 19, 2020
  • Questions can be emailed to ciera@namt.org

Friday, March 20, 2020

San Diego REPertory Theatre submission guidelines

web site

San Diego REPertory Theatre is happy to accept scripts from agents and theater professionals with whom we have an existing relationship. In general, we no longer accept unsolicited scripts from unrepresented writers. However, we continue to offer an open submission policy for plays and musicals from Latino(a) writers across the country because we are committed to supporting today’s Latino(a) voices. In addition, local writers residing in the Southern California area may submit a query letter about their new work that includes a current email contact and:

  • A brief biography of your writing history, noting awards and production history
  • A paragraph about why your play is a good match for the San Diego REP
  • A one-page synopsis of the play including number of cast, genre & run-time
  • For musicals, please also include a CD with sample songs from the score

Our six-show season can include full-length plays, musicals with a small cast and band, solo pieces, and adaptations performed on one of two stages (250-500 seats) for about 4 weeks. Past programming has highlighted voices of the Latino, African-Americans, and Jewish communities. Before submitting, please make sure that your script is aligned with our mission. It is also advised that you attend some of our productions to become more familiar with our sensibility.

If we are interested, we will contact you to request a copy of the full script within a few months.

Send to:
San Diego REPertory Theatre
Literary Department
79 Horton Plaza
San Diego, CA 92101

Thursday, March 12, 2020

The PIT Loft Summer Series

web site

New York City

No deadline given

The Peoples Improv Theater (The PIT) is looking for projects for The PIT Loft Summer Series. Plays, musicals, solo performance, etc. - projects both finalized and in-progress encouraged to submit! No idea or concept too big or too small.

Productions receive:
-A number of guaranteed performances between June and Mid-September. Frequency and performance schedule based on the needs and goals of each production.  
-Dramaturgical, audience development, and press outreach support from The PIT's Artistic Team.
-Marketing support from The PIT's Marketing Department.
-A split of the ticket sales. Exact split negotiated with regards to each production's specifics.

Production guidelines:
-Projects are ideally under 90 minutes in length. Exceptions can be made at the discretion of the Artistic Team.  
-Projects are ideally without major scenic or storage requirements.
-Projects will perform within The PIT Loft's repertory schedule.  
-Projects are ideally low tech. The PIT does have repertory lighting, sound equipment, and projection capability in all of our spaces.  
-Artists are ideally located in NYC.  
-The PIT provides the space; artist supplies any production cost. Productions can be Equity or Non-Equity; Artist must apply to AEA for appropriate permissions.  

To apply:  
Please send a brief cover letter including project description and bios of artists involved.  
There is NO submission fee.  
Apply by email:  submit@thepit-nyc.com

The Emerging Artists Theatre (EAT) NEW WORK SERIES (NWS)

web site

Deadline: July 1st, 2020

The Emerging Artists Theatre (EAT) NEW WORK SERIES (NWS) is a three-week developmental program that provides theater artists of different disciplines the opportunity to present one performance of a polished “work-in-progress” with audience feedback. Most pieces selected for NWS will have never before been performed in front of an audience. Some selections will have been performed once or twice but will feature new material. We are not interested in seeing established pieces of theatre. We want to see something brand spanking new hit the stage for the first, or nearly the first time. We like to think of this series as an opportunity for artists to share an early draft of a new piece. There is no submission charge, and no obligation to participate if chosen. Plus participants receive 50% of the box office. Successful Fringe, NYMF, and Off-Broadway shows have been borne out of this series, and Emerging Artists is excited to present a new round of opportunities to local artists for yet another year.

We are now accepting submissions for the following new works:

  • Solo Shows
  • Dance
  • Cabaret
  • Musicals (Short and Long)
  • Short Plays
  • Subway Musicians

HOW TO APPLY

PART ONE: Read this page, our FAQ and  Our TERMS AND CONDITIONS

PART TWO: Fill out the application form . You will be asked to provide information on the following:

  • How you heard about Emerging Artists Theatre’s New Work Series
  • Why you think your show would be a good fit
  • Show title, running time, and production history
  • Show marketing blurb (one sentence) and summary (less than 500 words)
  • Contact information and professional bio(s)

Hit SUBMIT to submit your application

GETTING ACCEPTED

If you are accepted into the New Work Series, there will be an information session/meet-and-greet on a date to be determined. There will be snacks.

Thursday, March 5, 2020

The East Village Playhouse Premier NYC One Act Festival

web site

Deadline:  March 20, 2020

The East Village Playhouse/Premier NYC One Act Festival is accepting submissions of one-act plays and musicals for its annual festival in May 2020 at the East Village Playhouse

The festival provides the use of the 30 seat storefront theater - including a small light and sound package -  for two days of tech rehearsals and two performances over one weekend, as well as inclusion in the festival press release and e-blast marketing, box office and ticketing services, front of house management, and one technical operator to run the light and soundboard. The festival will also be overseen by a producer and a general manager. The fee to participate is $500.

Participants must assemble their own creative team, stage management staff, and cast, as well as rehearse off-site, and cover the costs of sets, costumes, props, and any other production elements which are not part of the East Village Playhouse. Productions must be small in scope and cast size. Musicals must be able to be accompanied by a keyboard only.

Please email submissions to info@citykids.com by March 20th.

Please do not visit or drop off your submissions at the East Village Playhouse.

We look forward to receiving your one-act!

Friday, February 28, 2020

Playthings Theatre seeks solo, duo and group numbers by LGBTQ+

web site

Deadline: March 6, 2020

New York City

The Playthings Theatre is an LGBTQ+ Nonprofit seeking submission of new music for their gala fundraiser PlayFresh which will be performed Monday, April 13th at The Irish Repertory Theatre. 

Playthings is a family of storytellers who offer a voice to the LGBTQ+ community through classic and contemporary plays and musicals here in New York. PlayFresh is an opportunity for fresh voices to be spotlighted at an Off-Broadway Theatre, sung by Broadway's finest and hosted by drag royalty. 

Looking for solo, duo and group numbers written by members of the LGBTQ+ community. Submissions are accepted through e-mail Playthingstheatre@gmail.com Deadline for submissions is Friday, March 6th 2020.

Monday, February 3, 2020

The Big Bear Theatre Project | Big Bear Lake, CA | TOXIC LOVE

DO NOT SEND - THEY HAVE REACHED 300 PLAYS SUBMITTED AND ARE CLOSING THE CALL FOR SUBMISSIONS.


Deadline: February 29, 2020

Seeking short plays that focus on the theme of toxic love for a series of produced one-acts.

Selected plays will be performed at the Big Bear Lake Performing Arts Center from April 3-5 & 9-11.

Following the success of Love’s Illusions (5 Plays in 73 Minutes) in 2019, The Big Bear Theatre Project’s new play festival returns for two weekends in April, 2020 in beautiful Big Bear Lake, CA.

The project is seeking original, short one act plays; ideal length 10-15 minutes with 20-minute maximum. Previously produced plays are acceptable. Playwrights may submit up to three (3) plays maximum.

Eligibility : Open to any genre, as long as it incorporates the festival’s theme of toxic love (i.e. relationships people have with food, work, individuals, etc.) .

When/Where : April 2020, Big Bear Lake, CA
Contact: info@bigbeartheatreproject.com

To Submit: Please send all plays to The Big Bear Theatre Project by email and include your contact information and play(s) title. In the Subject line, please write “One Act Play Festival Submission: [Your Name]” and send it to Christine Drew Benjamin at info@bigbeartheatreproject.com.

Contact Information:
Christine Drew Benjamin, Managing Director
info@bigbeartheatreproject.com



The Big Bear Theatre Project is a 501(c)3 non-profit organization dedicated to producing professional quality shows for Big Bear audiences. The company is working to create a resident repertory company to stimulate economic and cultural development in our beautiful mountain community and beyond.

Thursday, January 30, 2020

The 18th Annual Fresh Fruit Festival of LGBTQ Arts

web site

Submissions are now OPEN for the 2020 Main-Stage Festival

The 18th Annual Fresh Fruit Festival of LGBTQ Arts, held July 6 through 19 at The WILD Project and other Manhattan venues

Categories: Full length plays; One-Act Plays; Choreographed Dance pieces; Thematic new Solo Shows, comedic or Dramas; Musicals; Opera; Cabaret; Unimaginable . . . ? – Any kind of performance art featuring LGBTQ characters or themes.

The CREATIVITY is yours; the OVERHEAD is ours. And thanks to the generosity of New York City’s Department of Cultural Affairs and the New York City Council there are no application fees or participation fees required, and all productions earn a box office share.

We provide:

ADA and AEA approved performance venues
AEA approved venue insurance
Technical, Booth, & Front-of-house Staff
Repertory Lighting Plot & Sound system, with Video available
On-line, real-time ticketing service with audit trail
Glossy, full-color Festival brochures
Networking events & Marketing assistance for all shows
Optional co-production plans* for higher box-office shares
Deadline:  Monday, February 10th.

Click on the APPLY button below to go to the full Application Form. Please download a study copy so you can later complete the form in one online session (required). Note: Your planned production cannot have been produced before in the 15 months preceding the July Festival. If you are producing an Out-Of-Town show (25 miles from New York City) be prepared to submit local contracts, and accept one of our co-production plans.

Friday, January 17, 2020

Live & In Color seeks plays & musicals for 2020

web site

Deadline: March 1st, 2020

Live & In Color is looking for playwrights, composers, and lyricists of color and/or other underrepresented communities interested in developing their new musical or play. The work must be able to be performed with a multiethnic cast.

The winning musical submission will have a two-week workshop this fall at The Bingham Camp in Salem, Connecticut culminating in a staged presentation to an invited audience.

The winning play submission will have a one-week development period this fall at The Bingham Camp in Salem, Connecticut culminating in a reading for an invited audience.

To Apply
Submit the required materials via email to Director of New Works, Dennis Corsi, at dennis@theatreincolor.org.

Submissions due March 1st, 2020.

Submission Requirements

MUSICALS

The musical must be able to be performed with no more than 8 actors, although preference will be given to smaller casts.

All submissions should include:

Single page synopsis

Single page character breakdown

Demo of score (2-3 songs)

Sample of dialogue (5-10 pages)

Brief production/development history (properties with prior full productions not accepted.)

PLAYS

The play must be able to be performed with no more than 5 actors.

All submissions should include:

Single page synopsis

Single page character breakdown

Script sample (10-20 pages)

Brief production/development history (properties with prior full productions not accepted.)

Friday, January 3, 2020

Sound Bites 7.0 seeks 10-minute musicals

web site

Theatre Now defines a 10-minute musical as any piece that can be performed, has a beginning, middle, and end story arch, and includes music. Having produced 60 pieces, we want musicals that are diverse, current, test the musical form and communicate a well-crafted story in ten minutes. We accept musicals across all styles and genres, as well as consider foreign language and/or bilingual scripts.

Please review the following criteria thoroughly before sending your submission:

  • Ten-minute musicals will be accepted from September 1st 2019 - January 6th, 2020.
  • Submissions won’t be considered before or after the deadline.
  • Musical theatre writers can only submit up to two scripts.
  • The story must have a beginning, middle, and end.
  • We also accept submissions for works in foreign languages or that are bilingual. Although the application process is still in English, the work itself may be submitted and, if selected, performed in any other language.  
  • Each piece must include music.
  • Scripts can only utilize up to ten actors. (Actors may play more than one character.)
  • We won't accept physical scripts, all submission must be submitted via this website. 
  • Each musical must be no more than ten minutes long. If you submit material longer than ten minutes, be prepared to cut material if accepted into the festival.  
  • Longer one-acts or full-length musicals will not be considered.
  • A musical may be a previously produced work with a production history.
  • Though we have no formal script formatting guidelines, all scripts must be easy to read.
  • The volume of submissions prevents us from providing feedback on all submissions.
  • If your piece is visual (ie. Choreography heavy), please include video footage. 

All writers will be contacted via email the week of January 13, 2020 on the status of their submission and receive one of three emails:

  • EIGHT musicals will receive an acceptance email into the festival and will be provided additional information to confirm their involvement. 
  • FOUR musicals will receive a WAIT LIST email. These selections will be mentioned in the festival program as runner ups. In the event an accepted musical declines their participation, a selected wait listed musical will be notified to serve as a replacement.
  • The remaining musicals will receive a "not selected" email and are encouraged to submit again next year.

*All criteria is subject to change and without notice.*

SUBMIT HERE

Thursday, January 2, 2020

Woodside Players of Queens Summer 2020 Play Festival

web site

Deadline: April 15. 2020

Submissions are now being accepted for the Equity Library Theater of New York Summer 2020 Play Festival, to take place in August 2020 in New York City. Seeking short plays (no more than 10 pp/minutes), from playwrights from across the globe.

Also seeking monologues (no more than 4pp/minutes). Musicals welcome! Basic set requirements.

One submission per playwright.

No unpleasant profanity, as this is a family friendly festival! No submission fee. Please include name, address, telephone number and email address on your submission.

We do not produce your work, we provide a venue for you to present actors performing your play. There are no costs involved for anyone. Seeking actors and directors, too!

Deadline: April 15. 2020. Email: equitylibrarytheater@gmail.com

Tuesday, December 31, 2019

Short Play & Musical Festival - SEX 2020

web site

SPF - Sex 2020 submissions are now open.

They close January 2nd, 2020 at 11:00pm.

Submit via Submittable

The festival runs Feb 13th-March 1st (3 weeks) and your show would perform 4 nights during one of the three weeks...per usual!

To submit go to www.shortplaynyc.com and scroll down on the HOME page (the website is in the process of being updated now, but the submission page is ready for you!)

Festival is produced by Be Bold! Productions at
The Steve & Marie Sgouros Theatre at The Players Theatre
115 MacDougal Street, New York, NY  10012 - 3rd floor

3 weeks, 4 performances weekly (Thursday through Sunday),

5 plays featured each week.

 ELIGIBILITY:

Short Plays and Musicals with a performance time of 15 minutes or less, no more than 15 pages in length.

Writers are eligible to submit up to 2 plays.

 THEMES:  "SEX!" (Feb) "NYC" (June) “Boo!” (OC

All plays submitted must be centered on, or revolve around this theme.

** Note **

1) Playwrights are responsible for producing their own play - Host provides Theatre, technicians, marketing and box office

2) If selected, there is a $100 REFUNDABLE deposit required and a $50 NON-refundable tech fee required

Plays MUST be NO MORE 15 minutes in length and no more than 15 pages


Visit our website: www.shortplaynyc.com

Tuesday, December 24, 2019

Neon Cactus Playhouse 2020 Playwrights Festival

web site

Neon Cactus Playhouse is currently accepting submissions of new one-act and full-length plays or musicals for the Blooming in the Desert New Play Festival, a showcase of staged readings June 15-24, 2020. The purpose of our event is to bring together strong theatrical voices, and to explore new scripts.

The new theater is looking for submissions that tell the story of the people of the LGBTQ community by the LGBTQ community. Selected scripts will be presented to the public as staged readings. The staged readings will have a director and cast assigned from our greater Phoenix theater community.

Submission period will be August 1 - December 31, 2019.

Entrants will be notified in January 2020 regarding their submission.

Submissions should be emailed to playwrights@neoncactusphx.com with "2020 Submission" in the subject line.

RULES OF ENTRY
• The contest is open to playwrights who identify as LGBTQ and is for new one-act or full-length plays or musicals.
• Plays submitted to the contest must not have been previously published or produced.
• Plays submitted which have had workshop productions or staged readings are eligible and encouraged.
• We are only accepting electronic submissions in Word or PDF format.
• No fee to submit.
• Musicals must send music through a cloud storage service, like Dropbox.

The script must be submitted, along with:
• A statement that the play will not have been published or professionally produced as of June 24, and that it is not under option for publication or professional production nor will it be under such option
• A list of the play's workshop productions, if any, and awards received, if any.
• A title page that includes the playwright's name, playwright's contact details, a brief synopsis of the play, and the character list with any important character details

Plays that do not meet the above requirements will not be considered.

The long-term goal of Neon Cactus is to grow to become a major force in the local community theater venue, and as a regional theater that serves audiences throughout the Valley and beyond. Neon Cactus Playhouse contributions will be a new, exciting and magical contribution to Phoenician Community Theater.

Neon Cactus mission strives to develop an inclusive environment for artists while creating immersive performances for theatergoers to deepen and enrich the theatrical experience.

Thursday, December 19, 2019

2020 Human Rights New Works Festival


NOTE: THEY HAVE INFORMED US THEY ARE NO LONGER ACCEPTING SUBMISSIONS.

Beginning March 24, 2019, Red Mountain Theatre Company will be accepting submissions for plays and musicals for the 2020 Human Rights New Works Festival.

Submissions to the Festival must be original full-length work that prominently features at least one Human Rights issue, theme, or topic (no more than 2.5 hours in length; one-acts must be no shorter than 90 minutes). Human Rights topics include, but are not limited to: censorship/free speech, women’s rights, racial discrimination/injustice, genocide/war crimes, children’s rights, religious discrimination, immigration/refugees, criminal justice system/incarceration, poverty, LGBTQ rights.

If the work is based on, or an adaptation of, a pre-existing work (novel, movie, etc.), any and all underlying rights must be obtained and proof must be provided. The author(s) must be entitled to grant performance rights to the work. Any submission that does not adhere to these guidelines may not be considered.

Playwrights, composers, lyricists, librettists, and agents will be asked to provide the following materials with their submissions:

  • Synopsis of the work (max 1 page) as a PDF file.
  • First 10 pages of the script/libretto (do not count title page, character description page, etc., as part of the 10 pages) as a PDF file.
  • For musicals, full demo recordings as individual, labeled .mp3 files in a Dropbox folder or Soundcloud playlist (must provide recordings of at least 6 songs from the show).
  • Bio and contact info for each creator of the work (playwright, composer, lyricist, bookwriter/librettist).
  • List of any attached artists, producers, or other parties.
  • For musicals, 1 sheet music sample of a song from the show as a PDF file.
  • Proof that any/ all underlying rights have been legally obtained for works based on, or adaptations of, a pre-existing work (novel, movie, etc.).

E-mail submission materials as attachments or Dropbox link to: matt@showshepherd.com.

Please do not call Red Mountain Theatre Company as we are not staffed to handle such inquiries. Upon receiving your complete submissions package, you will be contacted regarding ongoing details and logistics of the selection process. Thank you for your interest in the Human Rights Festival of New Works.

Wednesday, December 18, 2019

The Robert J. Pickering Award for Playwriting Excellence 2019

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This annual award was established to honor past member and playwright, Bob Pickering, and to provide a vehicle for playwrights to see their works produced. Over 30 plays have been produced over since 1984. $200 is awarded for first place, $50 for second place and $25 for third place.

Deadline:

Manuscripts must be received by December 31st

Types of plays accepted

Full length, unproduced plays and musicals. Children’s plays accepted. Unable to return without a self-addressed stamped envelope.

Selection Process:

Chairman and committee members read and review each entry and select ten finalists from which the first, second and third place winners are chosen.

Production:

Branch County Community Theatre reserves the right and agrees to produce the first place winner in this yearly competition. First place winners are required to sign a production contract.

Production House:

BCCT productions are staged in the historic Tibbits Opera House in Coldwater, Michigan. Built in 1882, Tibbits is a completely restored 500-seat proscenium theater.

Send submissions to:
Branch County Community Theatre
14 S. Hanchett St.
Coldwater, MI 49036

Tuesday, December 17, 2019

National Alliance for Musical Theatre 2020 Festival

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2020 FESTIVAL SUBMISSION REQUIREMENTS, PROCESS AND APPLICATION
Beginning with the 2020 Festival of New Musicals, all writers can submit an application to be considered for the Festival free-of-charge. In keeping with previous years, submissions to the Festival will require an endorsement from an industry professional, but for the first time there will be no cost associated with on-time submissions regardless of who is endorsing the piece. Please review the below for full details on the application process.

Please note: NAMT does not accept submissions outside of this process. Please follow the instructions below to submit a musical for the Festival. Materials received outside of the Festival submission process will not be returned.

Join us for a Q&A session! In-person sessions will take place  January 7 from 5:30-6:30pm. The in-person sessions will take place in Studio C at A.R.T./New York (520 8th Ave, 3rd Floor). The online session will take place on December 19 at 12pm ET. Click here to register for a Q&A session.

Now in its 31st year, NAMT’s Festival of New Musicals is the cornerstone of NAMT’s mission to be a catalyst for nurturing musical theatre development and production. Every year, we feature eight musicals in 45-minute presentations for an audience of over 700 industry professionals. We look for new musicals at all stages of development from the broadest possible range of voices.

In the short run, the Festival’s goal is to connect producers with writers, so that our shows can  extendtheir development trajectory. The long-term goal is to expand the musical theatre repertoire and advance the musical theatre art form.

Our 32nd Annual Festival of New Musicals will take place on October 22 and 23, 2020 at New World Stages in New York City.

The objectives of the Festival are to:


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