We never post opportunities that require a submission fee. LEARN MORE.
Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Tuesday, May 21, 2019

The Robert J. Pickering Award for Playwriting Excellence 2019

web site

This annual award was established to honor past member and playwright, Bob Pickering, and to provide a vehicle for playwrights to see their works produced. Over 30 plays have been produced over since 1984. $200 is awarded for first place, $50 for second place and $25 for third place.

Deadline:

Manuscripts must be received by December 31st

Types of plays accepted

Full length, unproduced plays and musicals. Children’s plays accepted. Unable to return without a self-addressed stamped envelope.

Selection Process:

Chairman and committee members read and review each entry and select ten finalists from which the first, second and third place winners are chosen.

Production:

Branch County Community Theatre reserves the right and agrees to produce the first place winner in this yearly competition. First place winners are required to sign a production contract.

Production House:

BCCT productions are staged in the historic Tibbits Opera House in Coldwater, Michigan. Built in 1882, Tibbits is a completely restored 500-seat proscenium theater.

Send submissions to:
Branch County Community Theatre
14 S. Hanchett St.
Coldwater, MI 49036

Saturday, May 18, 2019

9Thirty Theatre Company (9TTC) submission guidelines

web site

9Thirty Theatre Company (9TTC) accepts submissions from March to May each season. Please note that due to our small staff we are unable to respond to submissions that are not accepted. Please adhere to the guidelines below. Send submissions in either a .doc or .pdf format to Submissions@9ttc.org. In respect of our commitment to the environment please do not mail submissions to our office.

Guidelines

9TTC produces works that incorporate environmental issues as part of the part, characters, or theme. We are uniquely dedicated to Eco Theatre, connecting humanity and nature, in various forms.

We accept original one acts, and full length plays and musicals.

We do not accept one-person shows, children's shows, screenplays, or works without environmental themes. 9Thirty Theatre Company also does not produce works that have already been produced in New York City.

To have your work considered, please submit the following as one file:

• cover letter, including your contact information
• brief synopsis of piece (500 words or less)
• character descriptions
• 20 page dialogue sample
• brief production history of the work (if applicable)
• bio for yourself and any other collaborators
• if submitting a musical, please include at least 3 recorded demo tracks
To be considered for 9TTC's all submissions must be received by midnight on May 31st.

Wednesday, May 15, 2019

Village Theatre accepting musicals

web site

Village Theatre accepts submissions from May 1 to August 1 each year— anyone can submit a libretto sample for consideration, provided they follow the guidelines listed below.

Full scripts will be accepted by invitation only.

Village Theatre is committed to inclusivity and encourages submissions with diverse stories, experiences, musical styles, forms, content, and points of view.

Your musical must fit these criteria:

MUSICALS ONLY - we do not accept non-musical plays, plays with music, or traditional operas;
We are seeking professional-level writers. Emerging, mid-career, and master writers are all encouraged to submit;
We do not accept children’s theatre or Theatre For Young Audiences (TYA) shows;
While we only need a sample at this time, shows must have a full-length script available upon request (at least 80 minutes);
At least 3 demo recordings must be available - they do not need to be professional/studio quality but they must be clear enough to hear lyrics, melody and accompaniment;
All content must either be wholly original, based on work in public domain, or authors must have underlying rights and/or permissions to use any pre-existing material. No exceptions;
Your musical is still in development - no shows can have been on Broadway or licensed by a major licensing house.
We only accept digital submissions. Hard copy submissions will be returned unopened.

LIBRETTO SAMPLE INSTRUCTIONS
We ask that all open submissions submit a 15-20 page libretto sample. Full scripts will be accepted by invitation only. Please submit the 15-20 pages that will most make us want to read more. Your 15-20 page selection must be consecutive pages (ex: you may not submit pages 1-10 and 50-60) and two of your song demos must be contained within the sample pages you submit. Do not include a title page. If your script submission is longer than 20 pages total we will not review it.

SONG SELECTION INSTRUCTIONS
We ask for 3-5 songs. Please include all songs that are in your 15-20 page libretto sample. If you are able to include more songs beyond your libretto sample (without going over 5 songs) please choose the songs that most represent the show and your skill as a writer. ALL RECORDINGS MUST INCLUDE BOTH ACCOMPANIMENT AND VOCALS. NO INSTRUMENTALS ONLY. NO ACAPELLA ONLY. (Unless the show is intended to be performed acappella)

Online form

Saturday, May 11, 2019

Florida Theatrical Association announces the 2019 New Musical Discovery Series.

web site

Aspiring writers from around the country are encouraged to submit their new works, which will be reviewed by a panel of theatre professionals, including renowned directors, writers, producers and performers. The panel will select one work that will each receive a staged reading, and one final winner will receive a workshop presented of their piece featuring local directors and talent. The Discovery Series will also include talkbacks for students and audiences with the playwrights and directors.

The deadline to submit musicals for consideration is 5/20/19 . 

Playwrights must be available September 13-20, 2019.

Submission Guidelines:

All submissions must include: A cover letter A history of the musical’s development A synopsis Full script A CD or flash drive with at least six songs from the production (can be a very basic recording) *Please note that materials will not be returned.

Electronic Submission can also be emailed to kennyhoward@floridatheatrical.org.

Mailing Address
FTA
100 S. Eola Drive, Ste. 200
Orlando, FL 32801

BMI Theatre Workshop

web site

Deadlines
Composers/Lyricists: August 1, 2019.
Librettists: June 1, 2019.

Applicants will be notified by August 21, 2019.

Composer: Three contrasting compositions - uptempo, comedy song, ballad. Please include copy of score which includes lyrics.

Lyricist: Three contrasting lyrics in PDF format - uptempo, comedy song, ballad.

Composer/Lyricist: Three contrasting songs - uptempo, comedy song, ballad. Please include copy of score which includes lyrics.

Note that if you apply as a composer and a lyricist, you will be accepted as one or the other (that is, as either a composer or a lyricist) and you will be assigned different collaborators over the course of the year. If you apply as both a composer/lyricist and a librettist and are accepted as both, you will spend your first year as a composer/lyricist only, as the two groups meet at the same time.

Auditions
Select applicants will be invited to audition in early September. Librettist are accepted on the basis of their written materials and are not required to audition.

At the auditions, composers and composer/lyricists will be asked to perform at least two contrasting theatrical compositions; lyricists will be asked to recite samples of their theatrical lyrics. All auditions must be done live, using a piano.

Program upon Acceptance
The Workshop runs September through May in New York City. Prospective members must make their own living arrangements in the city or be able to commute weekly.

During the first year, composers and lyricists are paired off and are asked to create appropriate songs based on scenes from various sources. The writers perform their assignments, which are then discussed by the other writers and the moderators. There are analyses and discussions of current and past musicals, with an eye to understanding form and structure. Every effort is made to insure that each writer retains his or her individual style.

In the Workshop’s final phase (Second Year), teams work on a musical. The Workshop functions as a forum and a sounding board for works in progress, as music and lyrics are critically evaluated and open dialogue is encouraged.

At the end of each Second Year, the Workshop Committee determines which writers from the group are invited to join the Advanced Workshop. Not everyone is asked. This Workshop is intended for writers of professional caliber who are expected to contribute to the vitality of the musical theatre scene.

Schedule
The First Year Workshop meets Monday at 6:15 p.m. The Second Year Workshop meets Tuesday at 5:30 p.m. The Advanced Workshop meets Monday at 4:00 p.m.

Fees
There is no fee to apply for or participate in the BMI Lehman Engel Musical Theatre Workshop.

Friday, May 10, 2019

Ten-MInute Musicals Project

web site

Annual Competition Guidelines

Since the inception of The Ten-Minute Musicals Project, over sixteen hundred submissions have been received, from librettists, lyricists and composers in fifteen nations: Australia, New Zealand, Canada, the United States, Uruguay, Ireland, England, France, Denmark, Germany, Italy, Egypt, Israel, Saudi Arabia, and the Ukraine.
Stories 1.0 is the full-length musical comprised of works selected in the first several rounds. Several works in Stories 1.0 were workshopped in San Francisco, New York City, Miami, and Nashville over the years. Individual segments have been independently workshopped in Dallas, Chicago, London, and Boston.

SEEKING: Complete original stage musicals which play between seven and twenty minutes. Works which have been previously produced are acceptable, as are excerpts from full-length shows, if they can stand up on their own.

MUSICAL STYLE AND THEATRICAL FORMAT: Any musical style: pop, rock, C&W, show, opera, etc; or theatrical format: comedy, mystery, drama, etc.

CAST SIZE: Maximum of ten performers—five women and five men.

SUBMISSIONS SHOULD INCLUDE THE FOLLOWING:

1. A printed script. (Note: printed on paper; not sent as a computer file on disk.) And please make sure your POSTAL ADDRESS appears on it.

2. Lead sheets or piano score. (This need not be at all elaborate; very basic is fine.)

3. A CD or DVD of either the entire piece or just the musical material.

4. A stamped self-addressed large envelope if you want the work returned. (Submissions from outside the USA should enclose four INTERNATIONAL RESPONSE COUPONS to cover postage. These can be obtained at your post office.)

CONCERNING THE ABOVE, PLEASE NOTE:  NO ELECTRONIC SUBMISSIONS -- HARD COPIES ONLY

DEADLINE: Simply postmarked by August 31st. (Do not waste money on overnight express, registered, or certified mail. All that's requested is that the package be postmarked by August 31.) Response will be by November 30th.

FINANCIAL REMUNERATION: $250/US royalty advance for each piece selected, with an equal share of licensing royalties when produced.

SEND TO:

The Ten-Minute Musicals Project
Michael Koppy, Producer
P.O. Box 461194
West Hollywood, CA 90046 USA

Monday, April 22, 2019

The Chameleon Theatre Circle's 20th Annual New Play Festival

web site

Submission Deadline: April 30, 2019

The Chameleon Theatre Circle (located in the Twin Cities area in Minnesota) is seeking original works that have never been produced.  All styles and genres are welcomed (i.e. one-acts, musicals, full length dramas, etc.).  The winning plays are scheduled to be showcased in a concert-format festival in the fall of 2019.  All shows submitted will automatically be placed on the slate of shows in consideration for the 2020/2021 season by the Season Planning Committee.

SUBMISSION GUIDELINES
We are proud to announce that for the 20th consecutive year we are not charging a submission fee!  To enter you must complete an entry form, which can be found on our website at www.chameleontheatre.org/newplay, and submit it along with three (3) copies of each script to the address below.  We request that copies of the plays be printed double-sided to save on paper, mailing costs, and storage.  If you are submitting a musical, also include 3 copies of the music on a CD or flash drive.

Do not bind any author identification with your scripts.  We will distribute the scripts “blind” to our readers for complete objectivity.  Include the show’s title on at least the first bound page.  Once the winning scripts have been chosen, we will disclose the playwrights’ identity to our readers (and the world).

We do not accept plays that have been previously produced.  We do accept plays that have had workshops and other readings.  Receipt of play(s) will be acknowledged by e-mail only upon request.  Scripts are non-returnable.

As in past years, this year’s contest will have multiple categories.

TEN-MINUTE PLAYS
Three to five winners will receive $25 each plus a reading at the New Play Festival.  All short plays will be entered in this contest.  Generally, scripts of about 15 pages or less will fall into this category.

ONE-ACT
One to three winners will receive $50 each plus a reading at the New Play Festival.  Any play that can be joined with one or two other shows of similar length to make up a complete evening of theatre will be entered in this contest.  Generally, scripts of about 20-60 pages will fall into this category.

FULL-LENGTH
One to two winners will receive $100 plus a reading at the New Play Festival.  Any play that can constitute a complete evening of theatre will be entered in this contest.  It is important to note that these shows can be one, two, or more acts, as long as it makes up a complete evening of theatre.

MUSICALS
If five or more musicals are submitted, the theatre reserves the right to create a “musical” category.  Musicals are defined as any original play using original or rights permitted musical dialogue to further the story and/or the characters.  Winners, if any, will be awarded a prize amount based on the length of the musical i.e. full-length, one-act, and 10-minute.  In the absence of enough qualifying scripts, or if the theatre determines not to create an additional category, any musical will be entered into the appropriate category as defined above.

THEATRE-FOR-YOUTH
If five or more plays intended for and/or by youth are submitted, the theatre reserves the right to create a “theatre-for-youth” category.  Theatre-for-youth plays are defined as any original play intended for young audiences, young participants, or both.  Winners, if any, will be awarded a prize amount based on the length of the play i.e. full-length, one-act, and 10-minute.  In the absence of enough qualifying scripts, or if the theatre determines not to create an additional category, any theatre-for-youth submission will be entered into the appropriate category as defined above.

OVERALL CONTEST WINNER/AUDIENCE FAVORITE WINNER
At the theatre’s discretion, we reserve the right to designate or not designate an “Overall Contest Winner” from any category and an “Audience-Favorite Winner” from any category at the conclusion of the New Play Festival.  No additional prize money is awarded, just bragging rights.

Each playwright may submit up to two plays in any combination.  Please submit three (3) copies of each script (plus 3 copies of the music on CDs or flash drives for musicals) and the required entry form(s) by April 30, 2019 (in hand, not postmarked by) to:

The Chameleon Theatre Circle
20th Annual New Play Contest
7287 153rd St W # 240069
Apple Valley  MN  55124

Saturday, March 30, 2019

Original Productions Theatre seeks full-length plays and musicals

web site

Original Productions Theater  (OPT) will be receiving original scripts through April 1 2019

Central Ohio Playwrights preferred. 

Full length, Musical or play.  2-10 Actors

send submission to: dmorgan@Optheater.com

Winner will receive full production of their play on the Dublin Abbey Stage in September 2019.

Tuesday, March 26, 2019

Traguna Productions Summer Reading Series

web site

Traguna Productions Summer Reading Series (NY NY) is dedicated to bringing to life new, unique, exciting, and intriguing works representing all genres, modes, and story telling mediums.

We are looking for plays, musicals, operas, dance pieces, etc. for a 29-hour reading series in August. The pieces must be completed at the point of submission and must be at least 55 minutes in length.
  • Traguna Summer Series #1 runs Monday, August 5th with presentations on Saturday and Sunday, August 10th. 
  • Traguna Summer Series #2 runs Monday, August 12th with presentations on Saturday and Sunday, August 17th.
Readings will follow AEA guidelines and will include director, stage manager, actors, and musicains (if needed). If auditions are required, the author(s) will be invited to attend the audition.

Please submit the following materials in email.
  • Subject line: 2019 SUMMER READING SUBMISSION
  • Name(s) of authors/creators
  • Point of contact, email address / address.
  • a history of the development of the piece
  • a brief, one-page synopsis
  • character breakdown
  • preference for Series #1 or #2. 
  • scripts in completion
  • if needed, proof of authorship/rights

For musicals/pieces involving music:

  • At least 5 songs from the musical must be submitted with application. If a play with music, please indicate the number of songs, and if under 5, all must be submitted. 
  • One-page synopsis must include songs submitted in bold.

Submite materials to tragunaproductions@gmail.com. If the materials are not complete, the piece will be immediately dismissed, so please read the required materials carefully.

DEADLINE: April 1, 2019. 

Results will be emailed / mailed no later than May 1, 2019.

Traguna Productions is a creative incubator to help artists of all genres achieve their dreams, and give their works soil to spud seeds.

Monday, March 25, 2019

Theatre Travels is currently looking for one-act plays or musicals

web site

Theatre Travels is currently looking for ONE ACT (90 minutes MAX, 30 minutes MIN) Plays, Plays with Music or Musicals.

We welcome emerging and professional writers to submit their scripts.

Please note, we only accept final drafts that are ready for production.

To submit your ONE ACT play for a new initiative, please email mich@theatretravels.org

Before March 30th 2019

Please note - for the time being we are not accepting any shows that exceed one act (between 30 and 90 minutes). Within the one act we are open regarding genre, style and form. If the play includes music or if it is a musical, please note that on the cover page to attach to your form below.

Due to the overwhelming response, we will only be able to be in touch with playwrights with whom we would like further information from. We thank everyone in advance for their submission.

Please ensure that the following page is attached to your submission: (see online here)

Thursday, March 21, 2019

Theatre Travels is currently looking for ONE ACT (90 minutes MAX) Plays or Musicals

web site

We welcome emerging and professional writers to submit their scripts.

Please note, we only accept final drafts that are ready for production.

To submit your ONE ACT play for a new initiative, please email

mich@theatretravels.org

Before March 30th 2019

Please note - for the time being we are not accepting any shows that exceed one act (and 90 minutes). Within the one act we are open regarding genre, style and form. If the play includes music or if it is a musical, please note that on the cover page to attach to your form.

Due to the overwhelming response, we will only be able to be in touch with playwrights with whom we would like further information from. We thank everyone in advance for their submission.

Please ensure that the following page (online here) is attached to your submission.

Thursday, February 28, 2019

Live and In Color seeks plays and musicals

web site

Live & In Color is looking for playwrights, composers, and lyricists of color interested in developing their new musical or play. The work must be able to be performed with a multiethnic cast.

The winning musical submission will have a two-week workshop this fall at The Bingham Camp in Salem, Connecticut culminating in a staged presentation to an invited audience.

The winning play submission will have a one-week development period this fall at The Bingham Camp in Salem, Connecticut culminating in a reading for an invited audience.

To Apply
Send digital materials or any questions to dennis@theatreincolor.org

Finalists will be announced in May. The final selection for the 2019 season will be announced at our annual gala in June. Materials are due by March 15th, 2019. 

Submission Requirements

MUSICALS

  • The musical must be able to be performed with no more than 8 actors. 
  • All submissions should include:
  • Single page synopsis
  • Single page character breakdown
  • Demo of score (2-3 songs)
  • Sample of dialogue (5-10 pages)
  • Brief production/development history (properties with prior full productions not accepted.)


PLAYS

  • The play must be able to be performed with no more than 5 actors. 
  • All submissions should include:
  • Single page synopsis
  • Single page character breakdown
  • Script sample (10-20 pages)
  • Brief production/development history (properties with prior full productions not accepted.)

Wednesday, February 27, 2019

Blank Theatre Young Playwrights Festival

web site

DEADLINE: Plays or musicals must be submitted online, e-mailed or postmarked by MARCH 15, 2019.

FEES: There are no fees for submitting your work to the Festival.

ELIGIBILITY: Playwrights must be 19 years old or younger on March 15, 2019; co-written plays are allowed, provided all writers meet age requirement.

CONTENT: Original plays or musicals on any subject and any length.

LIMIT: Up to 3 plays per playwright or playwright team.

FORMAT: All plays must have numbered script pages. Plays submitted through theblank.submittable.com should follow Submittable.com requirements. Plays submitted by e-mail must be sent as PDF. Plays submitted by mail must be printed on one side of a page and unbound.

COVER SHEET: Along with play script(s), submissions must include a Cover Sheet with: Title, Playwright Name, Playwright Date of Birth (with year), Age, School Name (if applicable), E-Mail Address, Contact Phone Number, Mailing Address.

NO RETURNS: Scripts will not be returned so please do not send originals.

NOTIFICATION: We will contact Festival Competition winners in May 2019.

PERFORMANCE: Winning plays will be performed in the Festival in Los Angeles in June 2019.

SUBMIT ONLINE: Browse to theblank.submittable.com, create an account and follow the instructions to submit your play(s) and cover sheet.

SUBMIT BY E-MAIL: Send play(s) and cover sheet as PDF with play title in subject line to: ypfsubmissions@theblank.com

SUBMIT BY MAIL: Send unbound play(s) and cover sheet to:

Young Playwrights Festival
c/o The Blank Theatre
PO Box 1094
Los Angeles, CA 90078

Tuesday, February 12, 2019

Kaiser’s Room seeks musical theatre writer(s)

web site

Kaiser’s Room seeks musical theatre writer(s) to help create our next inclusive, multi-sensory, musical for individuals of all abilities.

Kaiser’s Room intends to create a new show in the Spring/Summer of 2019 utilizing community stakeholders, parents/caregivers, professionals in the cognitive/developmental disability field, and multidisciplinary artists as collaborators to create a show that provides a safe and supportive environment for imagination, connection, and of course fun.

To be considered please submit the following materials:

1) Resumé

2) Cover letter outlining your interest in this particular type of work

3) Writing Sample (no more than 20 pages) AND/OR Links to up to 3 music samples

*If submitting as a writing team please submit #’s 1& 2 for both collaborators.

Kaiser’s Room is a not-for-profit service organization that provides the opportunity for imagination and connection through theatre and dance for students of all ages and abilities. We support the artist community by providing employment that not only is fiscally profitable but feeds the soul. Kaiser's Room cultivates an environment of YES in all programs and interactions by providing safe, supportive, and fun environments for students and artists alike.

Saturday, February 2, 2019

Fourth Annual Atlanta Musical Theatre Festival

web site

Submissions for the Fourth Annual Atlanta Musical Theatre Festival (AMTF), to be held in the summer in Atlanta, are open. The deadline to submit new works is February 8, 2019. Selections will be announced in April 2019, at the annual selections announcement event (details forthcoming.)

Performances will be open to the artistic community, the public, and the press. Partner venues, along with Festival dates, will be announced shortly. Tickets to the Festival will go on sale in Spring 2019.

The inaugural Festival in 2016 was a huge success, and the Festival has grown in each subsequent year. In total, AMTF has showcased 11 brand new musicals, over 9 days, exposing more than 1,200 patrons to these new works. In just 3 years, AMTF has connected more than 250 artists and provided them with the resources they need to develop new musicals in Atlanta.

Requirements

10 minutes or more of music material from an UNPRODUCED full-length musical

Audio recordings required in Mp3 format

Basic recordings will be considered (iPhone, etc), but professional recordings are suggested

Completed script required in PDF format

·1-2 page synopsis of show in PDF format

·Headshots and Bios of Writing & Creative Team are suggested, as well as any other material that best represents your show

Upload all files to 1 Dropbox folder and send to Submissions@TheAMTF.com (Be sure to include contact information)


If selected, you will be responsible for:

o   Cast & Musicians (or professional accompaniment tracks)

o   Creative Team (Including Director, Music Director, Stage Manager)

o   Rehearsal Space & Time

o   Travel and Housing in Atlanta for Cast, Musicians, & Creative Team for 1 week in July or August (Dates TBA)

o   Producers Representative (to maintain contact with AMTF Production Manager and Executive Artistic Director)

o   Funding of your project, including (but not limited to) paying actors, designers, directors, musicians, as well as MINIMAL set, costumes and props. While we cover the cost of the venue, sound and lighting equipment, marketing and press, as well as other miscellaneous expenses, you are in charge of producing your show at the Festival.


If selected, you will receive:

o   1 guaranteed performance in a professional Atlanta theater (Dates TBA)

o   Marketing materials (including show graphic, show poster, promotional photos, production photos and Festival wide program) as well as access to press outlets, which may result in interviews, features, and reviews for your production

o   Access to professional sound & lighting equipment

o   Access to a professional light board operator and sound board operator

o   Professional archival recording

o   Industry feedback

Wednesday, January 23, 2019

SOUND BITES 6.0 seeks 10-minute musicals

web site

  • Theatre Now New York (TNNY) will ONLY be accepting online submissions.
  • The submissions will be accepted beginning  SEPTEMBER 1, 2018 until FEBRUARY 1, 2019 at Midnight -- Any request for an extension must be received before the February deadline at soundbites@tnny.org and approval is not guaranteed.
  • There are NO FEES to submit and NO participation FEES if your show is accepted.
  • Please feel free to contact us at soundbites@tnny.org with any questions.
  • There is no limit to the number of musicals that an individual may submit, but each musical must be submitted separately.
  • Scripts must be submitted in Word or PDF format and must have a cover page with the project name, names of all members of the creative team and contact information of one primary contact person. Music file(s) of song(s) should be uploaded at the time of submission. Please also upload bios of all creative team members and a production history of the piece submitted, if any.  Finally, a letter from a theatre professional recommending your work must also accompany your submission.
  • Ten finalists will be chosen to present their musicals.
  • Each entry must be no more than 10 minutes.  It can be either a stand-alone musical or an excerpt from a larger full-scale musical or another performance piece that includes music.  If it is an excerpt, the excerpt is strongly encouraged to have a beginning, middle, and end and able to stand on its own.
  • The top ten finalists will need to be hands-on responsible for producing their own musical with the TNNY staff regardless of whether they live in NYC or not. 
  • Each musical finalist will be responsible for direction and casting of their own piece.  TNNY will help in casting and securing a director, if needed.
  • TNNY will work with you on your production helping you throughout the process. TNNY will provide up to 20 hours of rehearsal time 2 weeks prior to SOUND BITES.  Any additional or prior rehearsals needed will be your responsibility.  TNNY will provide the venue and will run the final rehearsal run-thru of all the pieces and the tech rehearsal on the day of the performance.  TNNY will also provide assorted stage cubes, stage chairs and electric keyboard. Your team, your director, and cast will be responsible for costuming & providing props and any simple scenic elements needed for your show. Your team is responsible for any and all expenses not provided by TNNY as listed here.
  • All actors, dancers, and singers must be off-book.
  • TNNY handles publicity, promotion and ticket sales.
  • Performance dates will be in the SPRING of 2019.  Based on venue availability we expect the performance date to be a Monday evening in late May 2019, subject to change.
  • If you have other questions please look at our F.A.Q. page first.  Please submit any other specific questions not covered to soundbites@tnny.org.

Saturday, January 12, 2019

Headwaters New Play Program

web site

UPDATE: their web site indicates they have met the 250 script limit.


What kind of plays are we looking for? The Headwaters program is the source of new plays of the West. However, our definition of West is extremely broad. It may include plays set in the current, historic, or mythic western United States; plays that reflect the diverse cultures and experiences of the West; plays that examine the American urban/rural divide; and plays that completely re-imagine what “West” means.

To be considered for the Headwaters New Play Festival, a play must never have had a professional production and the playwright must be available to attend the workshop week (typically in late August).

Since 2015’s festival, our goal has been to more accurately reflect the diversity of human experience by reserving one of our two slots for women and playwrights of color. We are seeking full-length plays, musicals, and plays with music, one submission per playwright.

Submissions close when 250 scripts are received or February 17, 2019, whichever comes first.

Submissions are currently: OPEN.

Plays must be submitted digitally in PDF format. Hard copies will not be considered. We accept one play per playwright, and please do not resubmit a play from a previous year. Responses will be sent out sometime in May 2019. CRT provides travel, a food stipend, and cozy accommodations for the two finalist playwrights. The scenic mountain beauty of this remote and quaint arts town will provide endless inspiration as you develop your work. Plays read at the festival will be considered for full production in CRT’s 2020 season.

Submission Form

Saturday, December 29, 2018

Breaking Through the Box seeks one-acts/full-length plays & musicals

web site

Breaking Through the Box, a Bordentown, New Jersey based Non-Profit Theater Company, is looking for plays written by up-and-coming playwrights (or new work by published playwrights) for our 2019-2020 season.

DEADLINE: 11:59pm on December 31, 2018. 

The theme of the season is “The Power of Art”, and we are looking for one to two new plays/musicals to showcase. This theme could relate to art within the story of the play, or the specific art form the play is written in (Forensic Theater, Devised Theater, Theater of the Oppressed). This play will not only be produced but also have opportunities for workshopping and feedback on the script once cast and before rehearsals begin.

To Submit: You may either submit a one-act/full-length play/musical that you believe relates to this theme. The plays will be looked at by our Director of Development, Joe Piserchio, who will send the top prospects off to our Artistic Director. The playwright chosen will be contacted in late February/early March, and negotiations over the details of the process will be discussed then.

Please submit all work to  bttb.development@gmail.com

If you have any questions or comments before submitting, please don’t hesitate to contact us.

Tuesday, December 18, 2018

Ohlone College Seeks 10-minute Musicals for 2019 Playwrights Festival

web site

Deadline for submission: February 1st, 2019

Festival dates: May 2019 in the NUMMI theatre in the Smith Center at Ohlone College.

Submission guidelines:
Musicals must be 10-minutes in length.
2-4 characters.

All musicals chosen will receive a fully produced production by Ohlone College’s Student Repertory Theatre Company.

Financial arrangements:  No fee for submissions.
Playwrights will receive royalties of $100 if their musical is chosen for the festival.

Submissions can be emailed to: PlaywrightsFestival@ohlone.edu

*Please include your bio, short character descriptions, and a brief synopsis of the musical.

*Please send all info in a doc or pdf

About the Ohlone College Playwrights Festival
The aim of the festival is to cultivate plays from professional and emerging playwrights that speak to our college students and contribute to fostering the next generation of theatre artists.

For more information, please visit:
https://www.ohlone.edu/theatredance/20172018/playwrightsfestival 

Friday, December 7, 2018

The Robert J. Pickering Award for Playwriting Excellence

web site

This annual award was established to honor past member and playwright, Bob Pickering, and to provide a vehicle for playwrights to see their works produced. Over 30 plays have been produced over since 1984. $200 is awarded for first place, $50 for second place and $25 for third place.

Deadline:

Manuscripts must be received by December 31st

Types of plays accepted

Full length, unproduced plays and musicals. Children’s plays accepted. Unable to return without a self-addressed stamped envelope.

Selection Process:

Chairman and committee members read and review each entry and select ten finalists from which the first, second and third place winners are chosen.

Production:

Branch County Community Theatre reserves the right and agrees to produce the first place winner in this yearly competition. First place winners are required to sign a production contract.

Production House:

BCCT productions are staged in the historic Tibbits Opera House in Coldwater, Michigan. Built in 1882, Tibbits is a completely restored 500-seat proscenium theater.

Send submissions to:
Branch County Community Theatre
14 S. Hanchett St.
Coldwater, MI 49036

Blog Archive