The Ephemeral Players present our first fully staged production - Really Really by Paul Downs Colaizzo, directed by Hailey Vest, running May 14th - May 16th at 7:00PM and May 17th at 2:00PM. Featuring: Sabrina-Belle Dorrien, Kassidy Monique Charles, Tariq Kateeb, Kareem Lasheen, Joe Wood, Vance Washington, and Danielle Barrett.
We would love to have the NYC Playwrights community join us at the show this weekend and learn more about our company!
About Really Really:
At an elite university, the fallout of the party of the year leaves more questions than answers. As rumors spread and loyalties fracture, students are forced to decide what’s true, what’s convenient, and what it costs to survive.
Really Really explores class divides, self-preservation, and the dangerously thin line between truth and perception.
The Ephemeral Players is a 501(c)3 non-profit theater company dedicated to creating accessible theater, uplifting emerging artists, and partnering with organizations whose social causes are reflected in the work we produce.
The Ephemeral Players have partnered with The NYC Alliance Against Sexual Assault on this production to illuminate the work NYCAASA does in both prevention and response to sexual violence in our NYC community, and statewide. NYCAASA has a free and publicly available Sexual Violence Survivor Resource Guide. Our opening night performance will be followed by an engaging talkback with Scarlett Thompson from NYCAASA where the play will be used as a model to discuss prevention of and response to sexual assault.
As a Non-Profit organization whose mission is to create accessible theater, we offer our tickets at a minimum price of $20. Any purchase of a ticket above this price point helps support our ability to produce this and further productions.
Join us: https://www.zeffy.com/en-US/ticketing/really-really
Really Really will take place at 122CC, Second Floor Theater, 150 1st. Ave, NYC 10009 - a short walk from the 1st Avenue stop on the L train. The venue is between E 9th St. and E 10th St. on 1st Ave in the heart of the East Village.
For more information, visit our website at www.ephemeralplayers.org, follow us on instagram @ephemeralplayers, or reach out to us directly at contact@ephemeralplayers.org
Content Note (CONTAINS SPOILERS)
This production includes: homophobic and sexually violent language, discussion of sexual assault, victim blaming, reference to domestic violence/relationship abuse, and stimulated sexual assault on stage.
We never post opportunities that require a submission fee. LEARN MORE.
Monday, May 11, 2026
Fairy Tale Review seeks plays for Volume 23
Labels: 10-minute plays, monologues, one-act plays, publication, short playsDeadline: June 16, 2026 3AM
Fairy Tale Review invites submissions for consideration by the editors for Volume 23, which will be published in Spring 2027.We can consider up to 30 manuscript pages.
Submissions can include a single work or multiple complete works.
You will be asked to designate a genre when you submit. Y
ou may submit in multiple genres, but please only submit once to each genre.
We prefer Word documents; please include page numbers. A cover sheet with titles is helpful if the document includes multiple works. If your work has special formatting needs to appear on the page as intended, please submit both a Word document and a PDF.
We consider all styles and genres: prose fiction, verse fiction, memoir, essay, craft essay, creative scholarship, poetry, not to mention work that does not fall neatly into any category (go ahead and pick the closest genre on Submittable; we’re used to seeing unusual work).
We would love to see some graphic novel excerpts or stories, comics, and plays.
There’s something for everyone at The Playwrights Group
Labels: advertisement, classThere’s something for everyone at TPG!
If have a script you want feedback on — just send a PDF of your script and you’ll get a critique via email and/or video conference. See website for rates.
Richard Caliban has worked with individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.
Online One-on-One Courses
If you’re looking for more, check out our One on One Online Playwriting Courses:
- The Art of Playwriting
- Write a Play in 10 Weeks
- 3 Hour Short Course
The Weekly Workshop
Join our nationwide community of playwrights on Zoom. It’s a great way to stay con-nected and motivated.
Participating in a weekly workshop can give you the kick you need to see your script through from beginning to end. You can bring in anything you’re working on — a full length script, a musical, a TV pilot, whatever. And when your script is ready — we’ll present it in a Public Reading. We also bring in Guest Speakers, like Pulitzer Prize winner Margaret Edson (Wit).
Sit in on a session and see for yourself!
Thursdays 7 - 9:30pm EST
Please visit our website for further Info and Rates:
Contact us at
Unstaged Magazine is seeking experimental 1-minute plays, monologues,
Labels: monologues, publication, short plays
Website
Deadline: May 31, 2026 at midnight
Deadline: May 31, 2026 at midnight
To submit, send your work and a short bio to submissions@unstagedmagazine.org
Unstaged Magazine is seeking experimental 1-minute plays, monologues, poems, stories and other theatrical moments for publication in our upcoming themed-edition.
Unstaged Magazine is seeking experimental 1-minute plays, monologues, poems, stories and other theatrical moments for publication in our upcoming themed-edition.
On the Theme: Burn This Script
The theme is fire. What do you see when you stare into it? Fire in the landscape, and the ghost stories we tell while burning our marshmallows.
Erasure. Censorship. The melting of ICE.
I read somewhere that pamphlets used to fall from the sky. Ironically, these were missives from the underground. Reading them could get you expelled from any decent school. What was in those pamphlets?
When my mother was just a child, their apartment on Main Street was caught in a terrible fire. I think about this more often than necessary. It wasn’t anybody’s fault. Fires happen. Once, I showed up to the aftermath of a house fire with another Red Cross volunteer. It was this family standing in the street and their life had turned to carbon and all we could give them was a blanket, a stack of phone numbers, and a few hundred dollars cash. That one was somebody’s fault. Actually, it was the son’s off-brand hoverboard that had basically exploded. This is a true story.
You can’t fire me, I quit.
Remember HTML message boards, back when the internet wasn’t trying to kill everybody? Submit something anonymous if you want. Submit something.
The Finer Details
We only publish unproduced work, but will consider a piece that's been workshopped or read. We prioritize short-form originals but will consider excerpts on a case-by-case basis.
We’re looking for a page or two, maybe 500 words max. The shorter the piece, the better the chances of publication, but feel free to send longer work if you truly can’t help yourself and we’ll see what we can do.
We can’t pay contributors yet, but we’re working on it. We’d be happy to offer other forms of support for contributors like beta reading or promoting your other projects on social. Let’s talk.
Submission Deadline: when the clock strikes midnight on May 31st, 2026 our submission window turns back into a pumpkin.
The theme is fire. What do you see when you stare into it? Fire in the landscape, and the ghost stories we tell while burning our marshmallows.
Erasure. Censorship. The melting of ICE.
I read somewhere that pamphlets used to fall from the sky. Ironically, these were missives from the underground. Reading them could get you expelled from any decent school. What was in those pamphlets?
When my mother was just a child, their apartment on Main Street was caught in a terrible fire. I think about this more often than necessary. It wasn’t anybody’s fault. Fires happen. Once, I showed up to the aftermath of a house fire with another Red Cross volunteer. It was this family standing in the street and their life had turned to carbon and all we could give them was a blanket, a stack of phone numbers, and a few hundred dollars cash. That one was somebody’s fault. Actually, it was the son’s off-brand hoverboard that had basically exploded. This is a true story.
You can’t fire me, I quit.
Remember HTML message boards, back when the internet wasn’t trying to kill everybody? Submit something anonymous if you want. Submit something.
The Finer Details
We only publish unproduced work, but will consider a piece that's been workshopped or read. We prioritize short-form originals but will consider excerpts on a case-by-case basis.
We’re looking for a page or two, maybe 500 words max. The shorter the piece, the better the chances of publication, but feel free to send longer work if you truly can’t help yourself and we’ll see what we can do.
We can’t pay contributors yet, but we’re working on it. We’d be happy to offer other forms of support for contributors like beta reading or promoting your other projects on social. Let’s talk.
Submission Deadline: when the clock strikes midnight on May 31st, 2026 our submission window turns back into a pumpkin.
Woodward/Newman Award 2027/28
Labels: award, full-length plays
Website
Deadline: August 31, 2026
Deadline: August 31, 2026
SUBMISSION FORM
The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman’s Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward’s tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation’s Mainstage season.
Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as well as the contest format. The Woodward/Newman Award will continue to be awarded to an unpublished new play once per year and come with a $3,000 cash prize and a full production.
The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman’s Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward’s tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation’s Mainstage season.
Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as well as the contest format. The Woodward/Newman Award will continue to be awarded to an unpublished new play once per year and come with a $3,000 cash prize and a full production.
Submissions will be accepted and reviewed by our literary team on an ongoing basis, and will be considered for the award as well as for all 7 production slots in our season. So a play that is not selected for the Woodward/Newman slot in our season, may still be considered and selected for production.
This will allow us to now accept open submissions for all types of plays (including TYA shows). Plays submitted by midnight, August 31st, 2026 will be considered for the 2027-28 season, while plays submitted beyond that date will be considered for the 2028-29 Season. All submissions will be kept on file for 2 years after submission.
If you have questions regarding submissions to the Constellation Stage & Screen, please contact the Literary Manager at literary@seeconstellation.org.
GUIDELINES FOR SUBMISSIONS
We are currently accepting submissions for the 2027-28 Woodward/Newman Award. The award recipient will be announced by May 15, 2027.
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.
Limit of 2 play submissions per year.
If you have any questions, please email literary@seeconstellation.org.
If you have questions regarding submissions to the Constellation Stage & Screen, please contact the Literary Manager at literary@seeconstellation.org.
GUIDELINES FOR SUBMISSIONS
We are currently accepting submissions for the 2027-28 Woodward/Newman Award. The award recipient will be announced by May 15, 2027.
The winner will be awarded $3,000 and a full production.“Full-length” plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). TYA shows should have a complete running time of over 40 minutes.
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.
You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. Musical submissions may upload demos as an attachment or include a link to a shared folder.
Limit of 2 play submissions per year.
$3,000 cash prize is in lieu of royalties for the full production. Housing & transportation will also be provided.
Any unpublished play submitted to Constellation regardless of method (e.g. online form, agent submission, direct contact) may be considered for the Woodward/Newman Award.
Please note that we are moving away from a “finalists” model in lieu of keeping all plays under consideration for extended periods (2yrs). We will only announce a winner.
If you have any questions, please email literary@seeconstellation.org.
Sunday, May 10, 2026
Dixon Place HOT Festival: NYC Celebration of Queer Culture
Labels: festival, LGBTQ, payment, self-production
Website
Deadline: May 14, 2026
SUBMISSION FORM
🔥 HOT Festival provides opportunities for queer-identified performers working in all mediums.
⭐️ HOT Festival will be presented at Dixon Place, 161A Chrystie St, between Rivington and Delancey, New York, NY 10002.
🔥 HOT FESTIVAL encourages creators of queer identity, working in all performance forms to submit. The proposed work should meet the following criteria:
🌈 The work is new or recently re-worked with primarily new content. If invited to participate, artists should plan to show the work described in the proposal.
🔥 What HOT FESTIVAL Will Do for You:
🏡 Provide a fully equipped performance space. Your work will be staged in one of two fully equipped performance spaces: The Lounge or The Mainstage.
⏰ Tech rehearsals are in the afternoon on the day of performance.
🔥You must also provide a stage manager.
☎️ Your performance will be featured on our website and included in weekly newsletters.
💰 Artists fees will be paid out to lead artists between $75 and $125 dollars.
DP will make best efforts to provide an archival video of your performance, at no cost to you. If you need video for funding purposes, we recommend you tape your show as well.
We hope you & your comrades will stick around after the show in DP's cozy Lounge. Social interaction with the audience is encouraged and patronizing our bar helps us keep the lights on!
Deadline: May 14, 2026
SUBMISSION FORM
🔥 HOT Festival provides opportunities for queer-identified performers working in all mediums.
⭐️ HOT Festival will be presented at Dixon Place, 161A Chrystie St, between Rivington and Delancey, New York, NY 10002.
🔥 HOT FESTIVAL encourages creators of queer identity, working in all performance forms to submit. The proposed work should meet the following criteria:
🌈 The work is new or recently re-worked with primarily new content. If invited to participate, artists should plan to show the work described in the proposal.
🔥 What HOT FESTIVAL Will Do for You:
🏡 Provide a fully equipped performance space. Your work will be staged in one of two fully equipped performance spaces: The Lounge or The Mainstage.
⏰ Tech rehearsals are in the afternoon on the day of performance.
🔥You must also provide a stage manager.
☎️ Your performance will be featured on our website and included in weekly newsletters.
💰 Artists fees will be paid out to lead artists between $75 and $125 dollars.
DP will make best efforts to provide an archival video of your performance, at no cost to you. If you need video for funding purposes, we recommend you tape your show as well.
We hope you & your comrades will stick around after the show in DP's cozy Lounge. Social interaction with the audience is encouraged and patronizing our bar helps us keep the lights on!
SkyPilot Seeking One-Act Submissions
Labels: Dramatists Guild, one-act plays, short plays
Website
Deadline: May 20, 2026
Deadline: May 20, 2026
(Fee waived for members of the Dramatist Guild with proof of membership)
Theatre Company Welcomes Submissions for Chosen Theme,
“It’s The Holiday Season”
SkyPilot Theatre Company, a non-profit ensemble company of actors, directors and designers producing provocative, compelling and challenging new works for the Los Angeles theatre-going audience, will once again present a selection of original one-act plays this Winter. Playwrights are invited to submit works based on the theme “It’s The Holiday Season”.
The holiday season is a busy, festive, often emotional time of tradition, family gatherings, and gift giving across many cultures. It can be joyful and nostalgic as well as hectic or stressful. Whether with friends and family or alone, this time of year brings up many emotions both positive and negative. Comedic or Dramatic. Playwrights are asked to submit one-acts based on any December holiday.
Submission fee is $10 (Through PayPal or Venmo: SkyPilotSubmissions@gmail.com) (Fee waived for members of the Dramatist Guild with proof of membership)
Once again this year, there will be two awards given out to playwrights. The Audience Award and the Producers Award will include a cash prize of $50 each and will be voted on and awarded to two of the overall plays selected for the festival at the end of the run.
Please submit plays with “One Act Festival” in the subject line to SkyPilotSubmissions@gmail.com by May 20th. In your submission, please include a synopsis, how it fits the theme, and any performance history. For more information on SkyPilot and its upcoming productions, visit www.skypilottheatre.com.
Theatre Company Welcomes Submissions for Chosen Theme,
“It’s The Holiday Season”
SkyPilot Theatre Company, a non-profit ensemble company of actors, directors and designers producing provocative, compelling and challenging new works for the Los Angeles theatre-going audience, will once again present a selection of original one-act plays this Winter. Playwrights are invited to submit works based on the theme “It’s The Holiday Season”.
The holiday season is a busy, festive, often emotional time of tradition, family gatherings, and gift giving across many cultures. It can be joyful and nostalgic as well as hectic or stressful. Whether with friends and family or alone, this time of year brings up many emotions both positive and negative. Comedic or Dramatic. Playwrights are asked to submit one-acts based on any December holiday.
- Length – 25 minutes maximum
- 6-8 characters maximum (no children)
- Original, never produced material only, no adaptations
- No musicals
- Minimal location and set pieces/props
Submission fee is $10 (Through PayPal or Venmo: SkyPilotSubmissions@gmail.com) (Fee waived for members of the Dramatist Guild with proof of membership)
Once again this year, there will be two awards given out to playwrights. The Audience Award and the Producers Award will include a cash prize of $50 each and will be voted on and awarded to two of the overall plays selected for the festival at the end of the run.
Please submit plays with “One Act Festival” in the subject line to SkyPilotSubmissions@gmail.com by May 20th. In your submission, please include a synopsis, how it fits the theme, and any performance history. For more information on SkyPilot and its upcoming productions, visit www.skypilottheatre.com.
Saturday, May 9, 2026
Equity Library Theater of New York Summer 2026 Play Festival
Labels: monologues, musicals, self-production, short plays
Website
Deadline: June 1, 2026
Deadline: June 1, 2026
SUBMISSION FORM
Submissions are now being accepted for the Equity Library Theater of New York Summer 2026 Play Festival. Seeking short plays (no more than 10 pp/minutes), from playwrights from around the town and around the globe. Also seeking monologues (no more than 4pp/minutes). Musicals welcome! One submission per playwright. No submission fees. Please include name, address, telephone number and email address on your submission. We do not produce your work; we provide a venue in Manhattan for you to present actors performing your play.
Submissions are now being accepted for the Equity Library Theater of New York Summer 2026 Play Festival. Seeking short plays (no more than 10 pp/minutes), from playwrights from around the town and around the globe. Also seeking monologues (no more than 4pp/minutes). Musicals welcome! One submission per playwright. No submission fees. Please include name, address, telephone number and email address on your submission. We do not produce your work; we provide a venue in Manhattan for you to present actors performing your play.
There are no costs involved for anyone. Seeking actors and directors, too! Submit by June 1st, 2026.
Email: equitylibrarytheater@gmail.com.
Friday, May 8, 2026
The Ryan Hudak LGBTQ+ Dramatic Writing Award 2026
Labels: award, geographic restriction, LGBTQ
Website
Deadline: June 16, 2026 5PM
Deadline: June 16, 2026 5PM
SUBMIT VIA SUBMITTABLE
The Ryan Hudak LGBTQ+ Dramatic Writing Award is open to New York State playwrights and screenwriters, including those who live within the five boroughs of New York City.
Applicants must:
The Ryan Hudak LGBTQ+ Dramatic Writing Award is open to New York State playwrights and screenwriters, including those who live within the five boroughs of New York City.
Applicants must:
- Be a working playwright or screenwriter. Acceptable forms of playwriting or screenwriting include stageplays, screenplays, teleplays, libretti, radioplays, audiodramas, puppet plays, and experimental web series. While librettists may apply, audiotapes are not eligible.
- Self-identify as LGBTQ+.
- Be a current full-time resident of New York State for a minimum of 12 months at the time the application closes.
- Be the originators of the work, i.e. screenwriters or playwrights, not interpretive artists such as actors. Collaborations are not eligible.
- Be at least 25 years of age at the time the application closes.
- Not be enrolled in a degree-seeking program of any kind.
- Not have received The Ryan Hudak LGBTQ+ Dramatic Writing Award previously. Past recipients of other NYFA grant programs are eligible to apply.
- Not be a NYFA employee, members of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the above.
ASF TRANSLATION AWARDS 2026
Labels: award, translation
Website
Deadline: September 15 by 11:59 pm EDT
Deadline: September 15 by 11:59 pm EDT
SUBMISSION FORM
The prizes are for outstanding English translations of poetry, fiction, drama, or literary prose originally written in a Nordic language.
Translations must be from the writing of one author, although not necessarily from a single work.
The prizes are for outstanding English translations of poetry, fiction, drama, or literary prose originally written in a Nordic language.
Translations must be from the writing of one author, although not necessarily from a single work.
The online application will require the following materials:
- Your CV
- A brief description of the author whose work you are translating and the significance of the original work
- One copy of the translation, including a title page and a table of contents for the proposed book of which the submitted manuscript is a part. If prose, manuscripts must be 25-50 pages, double-spaced; if poetry, 15-25 pages. *Note: Manuscripts must have numbered pages, and the translator’s name should not appear on any page of the translation manuscript. Submissions containing the translator’s name will be disqualified
- A letter or other document signed by the author, the author’s agent, or the author’s estate granting permission for the translation to be entered in this competition and published in Scandinavian Review
The translation submitted in the competition may not have been previously published in the English language by the submission deadline. (If the submitted translation is also under consideration by a publisher, you must inform us of the expected publication date.)
Translators may submit one entry only and may not submit the same entry in more than two competitions.
The Translation Prize cannot be won more than three times by the same translator.
Translators may submit one entry only and may not submit the same entry in more than two competitions.
The Translation Prize cannot be won more than three times by the same translator.
Thursday, May 7, 2026
Theatre Three's 28th Annual Festival of One-Act Plays (2027)
Labels: festival, one-act plays, stipend
Website
Deadline: September 1, 2026
Submissions should be sent to Jeffrey@theatrethree.com
Since its inception in 1998, The Festival has received over 13,000 submissions from across the world and produced over 140 world premieres by more than 100 different playwrights. The Festival presents between five and eight plays each season.
Guidelines:
Selected plays will be presented for ten performances (in winter-spring 2027; dates to be determined), at the Ronald F. Peierls Theatre, on THEATRE THREE’s Second Stage.
Playwrights will receive a $150 stipend.
Playwrights will receive a standard Dramatists Guild-approved contract and will receive four complimentary tickets to be used at any performances. Playwrights are welcome to attend any rehearsals or performances. Playwrights will receive copies of playbills, postcards, articles, and reviews, as well as a link to all publicity and production photos. THEATRE THREE is responsible for all elements of production; playwrights incur no expenses. THEATRE THREE retains no future production rights.
Playwrights of selected plays will be contacted by early December 2026.
Deadline: September 1, 2026
Submissions should be sent to Jeffrey@theatrethree.com
Since its inception in 1998, The Festival has received over 13,000 submissions from across the world and produced over 140 world premieres by more than 100 different playwrights. The Festival presents between five and eight plays each season.
Guidelines:
- Playwrights may only submit one play per Festival.
- Only unproduced works will be accepted.
- Please do not submit works that have been submitted for previous Festivals.
- Plays that have had staged readings or on-line productions are eligible.
- No adaptations, children’s plays, or musicals.
- Cast size maximum: 12
- Length maximum: 30 minutes (no minimum)
- Settings: Simple or suggested.
- All submissions should be emailed as PDFs with the title in caps followed by the playwright’s name.
- Example: THE BASKET WEAVERS Jamie Martin
- Play’s cover sheet must include the author’s information (name, address, telephone, email).
- A short synopsis is encouraged
- Any stage play format is acceptable.
Selected plays will be presented for ten performances (in winter-spring 2027; dates to be determined), at the Ronald F. Peierls Theatre, on THEATRE THREE’s Second Stage.
Playwrights will receive a $150 stipend.
Playwrights will receive a standard Dramatists Guild-approved contract and will receive four complimentary tickets to be used at any performances. Playwrights are welcome to attend any rehearsals or performances. Playwrights will receive copies of playbills, postcards, articles, and reviews, as well as a link to all publicity and production photos. THEATRE THREE is responsible for all elements of production; playwrights incur no expenses. THEATRE THREE retains no future production rights.
Playwrights of selected plays will be contacted by early December 2026.
Door is a Jar literary magazine seeks short plays
Labels: 10-minute plays, publication, short plays, submission guidelines
Website
Deadline: none listed
SUBMISSION FORM
Deadline: none listed
SUBMISSION FORM
Following the Standard American Format
Submit up to 2 short plays. Each play can range between 1 and 10 pages in length as a .doc or .docx.
Door Is A Jar Literary Magazine is looking for well-crafted poetry, fiction, nonfiction, drama, artwork, and book reviews for our print and digital publication. Please read over these submission guidelines carefully and look at our current and archived issues before submitting your work.
Our publication steers away from academic writing and publishes short, conversational works that use familiar language. Each new issue features artists and writers and works that are accessible for all readers.
Our issues are don't have specific themes, and we accept all genres and literary styles.
Submit all work in Times New Roman font size 11
We only accept new, unpublished work. If you have posted something to your website or social media, this counts as being published.
For book reviews please include the following information: the title, author, publisher, year of publication, page count, ISBN, and price.
Under the "Title(s)" section, please list all the titles of the pieces you are submitting, and not something general like "My Poems". Make sure you are consistent with how you present the titles in your attached document and in this space.
If you are unable to fit all the titles into the "Title(s)" section, please list them in your cover letter section of the submission form.
Please provide your name as you would like published, email, mailing address, and a fun 3-sentence bio. (We're not as interested in how many degrees you have, or how widely you've been published. Instead, we want to hear about the real you. We want to know about the little things that spur you along.)
Contributors can submit to multiple categories; however, only submit once to each category until you have received our decision about your piece.
You will receive an acceptance or rejection letter from our editorial staff within 6 months from the day of submission.
We accept simultaneous submissions; however, please notify us immediately if your work is accepted elsewhere. If accepted, please withdraw the piece from other publications.
We reserve first initial publishing rights, and the rights reprint right to use quotes or pieces for promotional use. We do not pay contributors at this time, but we will send out a contributor copy.
Submissions are only accepted through our website. Any submissions sent directly to our email will be deleted without response.
Please note that submissions that exceed word counts or maximum amount of material will be disqualified from consideration.
Do not send in writing or art that was created using Artificial Intelligence. Submitting work generated by A.I. technology will be considered as plagiarism.
Be the sole author/ creator of your work. We do not publish collaborative pieces.
We do not publish translations.
We do not publish craft essays.
If you have trouble uploading your file, the problem could have been an issue when saving, which corrupted the file, or your computer could have virus. Some people have had issues when downloading files from Google Documents. The best way around this is to copy and paste the document into a new .docx and trying to submit again.
Our publication steers away from academic writing and publishes short, conversational works that use familiar language. Each new issue features artists and writers and works that are accessible for all readers.
Our issues are don't have specific themes, and we accept all genres and literary styles.
Submit all work in Times New Roman font size 11
We only accept new, unpublished work. If you have posted something to your website or social media, this counts as being published.
For book reviews please include the following information: the title, author, publisher, year of publication, page count, ISBN, and price.
Under the "Title(s)" section, please list all the titles of the pieces you are submitting, and not something general like "My Poems". Make sure you are consistent with how you present the titles in your attached document and in this space.
If you are unable to fit all the titles into the "Title(s)" section, please list them in your cover letter section of the submission form.
Please provide your name as you would like published, email, mailing address, and a fun 3-sentence bio. (We're not as interested in how many degrees you have, or how widely you've been published. Instead, we want to hear about the real you. We want to know about the little things that spur you along.)
Contributors can submit to multiple categories; however, only submit once to each category until you have received our decision about your piece.
You will receive an acceptance or rejection letter from our editorial staff within 6 months from the day of submission.
We accept simultaneous submissions; however, please notify us immediately if your work is accepted elsewhere. If accepted, please withdraw the piece from other publications.
We reserve first initial publishing rights, and the rights reprint right to use quotes or pieces for promotional use. We do not pay contributors at this time, but we will send out a contributor copy.
Submissions are only accepted through our website. Any submissions sent directly to our email will be deleted without response.
Please note that submissions that exceed word counts or maximum amount of material will be disqualified from consideration.
Do not send in writing or art that was created using Artificial Intelligence. Submitting work generated by A.I. technology will be considered as plagiarism.
Be the sole author/ creator of your work. We do not publish collaborative pieces.
We do not publish translations.
We do not publish craft essays.
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Wednesday, May 6, 2026
Syracuse University New Voices/New Works 2027 seeks musicals for residency
Labels: musicals, residency, workshop
Website
Deadline: June 1, 2026 at 11:59 PM EDT
Deadline: June 1, 2026 at 11:59 PM EDT
SUBMISSION FORM
Creators must be in residence in Syracuse from January 10–17, 2027, and may be asked to participate virtually in rehearsals prior to arrival.
Travel to-and-from Syracuse and lodging in Syracuse will be provided.
Writing team members will be housed in a shared apartment with kitchen and laundry facilities, located just down the street from the Department of Drama, with off-street parking available.
The Syracuse University Department of Drama is seeking submissions for its Spring 2027 New Works/New Voices (NW/NV) initiative. NW/NV supports the development of musicals by writers and composers whose perspectives have been historically underrepresented in the musical theater canon.
NW/NV is seeking completed musicals or musicals-in-progress from teams who are interested in developing their work with undergraduate BFA students. One musical will be selected, to receive a two-week developmental reading in the Spring 2027 semester, directed and music directed by SU Drama faculty and performed by SU Drama students. NW/NV is open to any writers and composers who feel their perspectives have been historically underrepresented in the musical theater canon.
All creative team members must be 18 years of age or older.
Applicants may submit more than one musical work for consideration.
Applicants may re-apply with works submitted in previous years but must include an explanation of any development and/or changes that have occurred since the prior year’s submission.
All creative team members must indicate their availability for an in-person residency in Syracuse from January 10-17, 2027, on their application.
Questions? Please email Kathleen Wrinn, artistic director of NW/NV and assistant professor of musical theater in the Department of Drama (kawrinn@syr.edu).
- The 2027 NW/NV selection will be developed and presented as part of the New Works/New Voices Festival of New Musicals.
- The work will be directed and music directed by Department of Drama faculty and performed by students in the B.F.A. musical theater and acting programs.
- Rehearsals begin January 5, 2027, with writing team members in residence beginning January 10, 2027.
- The work will receive two public staged reading presentations during the weekend of January 16-17, 2027, at the festival.
- Each presentation will be a maximum of 90 minutes to accommodate the festival schedule; for works exceeding this length, a 90-minute curated version will be developed during rehearsals.
- Presentations will be followed by facilitated audience talkbacks.
Creators must be in residence in Syracuse from January 10–17, 2027, and may be asked to participate virtually in rehearsals prior to arrival.
Travel to-and-from Syracuse and lodging in Syracuse will be provided.
Writing team members will be housed in a shared apartment with kitchen and laundry facilities, located just down the street from the Department of Drama, with off-street parking available.
Eliza Moore Fellowship for Artistic Excellence 2027
Labels: award, fellowship, residency
Website
Deadline: May 31, 2026
The Eliza Moore Fellowship for Artistic Excellence is awarded annually to one outstanding, early-career artist who is developing new works that address plants, gardens, or landscapes in the broad sense. This award is open to visual artists, literary artists, dancers, and musicians. The award includes a $10,000 individual grant and requires a 2 - 5 week stay at Oak Spring. While at OSGF, the Fellow will be able to meet with staff, explore our 700-acre landscape and our efforts in sustainable land management, and visit our rare book library that holds over 19,000 objects, including many examples of botanical art.
OSGF intends to award the Fellowship to an exceptional artist whose works show remarkable promise to contribute to a deeper understanding of the natural world, and humankind’s place in it. The Fellow will be scheduled to visit when there are other Interdisciplinary Residents or Fellows on-site. This scheduling will allow the Fellow to join in communal meals, and optional activities and field trips with other artists, ecologists, researchers, or scholars working on projects related to OSGF’s mission. Beyond time devoted to their projects, a Fellow’s typical day at Oak Spring might include a walk to enjoy the landscape or birds; an appointment to visit the Oak Spring Library; and/or a morning spent volunteering at the BCCF or in the formal garden. These optional activities provide Fellows time to learn from, and interact with our staff. None of these activities are required, and we understand that some Fellows might want to spend most of their time in their writing or working independently. We support and enable Fellows to use their time as they best see fit.
At the culmination of their stay, we encourage, but don’t require, Fellows to give a 20 – 30 minute presentation with time for questions, to Oak Spring staff and any other Fellows, Residents, or program participants who might be on site.
Application Process
The application portal will open on February 14, 2026 and close on May 31st, 2026. Please note that there is one application for all of our 2027 Residency and Fellowship programs, and you will be prompted to select which programs you would like to be considered for. You will be asked to submit:
A resume/curriculum vitae (not to exceed two pages);
200 - 300-word statement describing your current body of work, creative projects, scholarship, or research.
200 - 300-word statement explaining why Oak Spring Garden Foundation and why now. Please consider how your work aligns with our mission.
200-word or less statement describing a time when you were part of a community. What role did you serve in the community, and what aspects of being in community did you enjoy the most?
Work samples.
For visual artists: 5 - 10 images, please include the dimensions, year, medium, and title of each work sample.
For creative non-fiction, fiction, essayists, or other writers: 7 - 10 pages total that demonstrate your current interests. Please use 12-point font, 1-inch margins, and double-space your writing sample. Do not include photocopies of published work, title pages, tables of contents or HYPERLINKS. Please be sure to state the genre of the work sample.
For time-based artists, including: filmmakers, musicians, dancers, and performance artists: 10 minutes cumulatively of work samples. OSGF encourages video files to be uploaded directly to Submittable, but when necessary, we also accept links to vimeo or other external sites as long as the appropriate passwords are provided.
For poets and playwrights: you may submit 7 - 10 pages total. Poetry may be spaced as needed, and scripts should follow standard script formatting.
NOTE: When applying to this Fellowship, you will be asked if you are interested in being considered for one of our other residencies, if you are not selected for the Fellowship. To learn more about our residencies, visit www.osgf.org/residencies.
Eligible applicants must be early-career artists not enrolled in an undergraduate degree program in 2027. We will consider individuals with a proven track-record of professionalism, but who are yet under-recognized, as early-career. Eligible early-career applicants will have some recognition in the form of exhibitions, commissions, performances, grant awards, residencies, Fellowships and/or publications.
Individuals who have participated in an extensive number of solo exhibitions, or who have published a significant number of books will be considered established or late career, and are not eligible for the Eliza Moore Fellowship. We encourage those who are not eligible for this Fellowship to apply to the Interdisciplinary Residency.
The successful Fellow must be self-directed and able to work independently while on site. Applicants are expected to show dedication to their artistic practice, clear connection to the natural world in their work, exceptional promise, and good communication skills.
Dates
The $10,000 individual grant associated with this award can be put towards travel to and from OSGF, materials and supplies purchased for their residency, and other items that will support their work, before or after their stay at OSGF.
The selected Fellow should make travel arrangements to Dulles International Airport, where Oak Spring will arrange ground transportation for them to our estate in Upperville, VA. The Fellow will be housed in nicely appointed shared accommodations. The Fellow will have a private bedroom and bathroom, and share a living room and kitchen with 1 – 3 other Residents or Fellows.
Deadline: May 31, 2026
The Eliza Moore Fellowship for Artistic Excellence is awarded annually to one outstanding, early-career artist who is developing new works that address plants, gardens, or landscapes in the broad sense. This award is open to visual artists, literary artists, dancers, and musicians. The award includes a $10,000 individual grant and requires a 2 - 5 week stay at Oak Spring. While at OSGF, the Fellow will be able to meet with staff, explore our 700-acre landscape and our efforts in sustainable land management, and visit our rare book library that holds over 19,000 objects, including many examples of botanical art.
OSGF intends to award the Fellowship to an exceptional artist whose works show remarkable promise to contribute to a deeper understanding of the natural world, and humankind’s place in it. The Fellow will be scheduled to visit when there are other Interdisciplinary Residents or Fellows on-site. This scheduling will allow the Fellow to join in communal meals, and optional activities and field trips with other artists, ecologists, researchers, or scholars working on projects related to OSGF’s mission. Beyond time devoted to their projects, a Fellow’s typical day at Oak Spring might include a walk to enjoy the landscape or birds; an appointment to visit the Oak Spring Library; and/or a morning spent volunteering at the BCCF or in the formal garden. These optional activities provide Fellows time to learn from, and interact with our staff. None of these activities are required, and we understand that some Fellows might want to spend most of their time in their writing or working independently. We support and enable Fellows to use their time as they best see fit.
At the culmination of their stay, we encourage, but don’t require, Fellows to give a 20 – 30 minute presentation with time for questions, to Oak Spring staff and any other Fellows, Residents, or program participants who might be on site.
Application Process
The application portal will open on February 14, 2026 and close on May 31st, 2026. Please note that there is one application for all of our 2027 Residency and Fellowship programs, and you will be prompted to select which programs you would like to be considered for. You will be asked to submit:
A resume/curriculum vitae (not to exceed two pages);
200 - 300-word statement describing your current body of work, creative projects, scholarship, or research.
200 - 300-word statement explaining why Oak Spring Garden Foundation and why now. Please consider how your work aligns with our mission.
200-word or less statement describing a time when you were part of a community. What role did you serve in the community, and what aspects of being in community did you enjoy the most?
Work samples.
For visual artists: 5 - 10 images, please include the dimensions, year, medium, and title of each work sample.
For creative non-fiction, fiction, essayists, or other writers: 7 - 10 pages total that demonstrate your current interests. Please use 12-point font, 1-inch margins, and double-space your writing sample. Do not include photocopies of published work, title pages, tables of contents or HYPERLINKS. Please be sure to state the genre of the work sample.
For time-based artists, including: filmmakers, musicians, dancers, and performance artists: 10 minutes cumulatively of work samples. OSGF encourages video files to be uploaded directly to Submittable, but when necessary, we also accept links to vimeo or other external sites as long as the appropriate passwords are provided.
For poets and playwrights: you may submit 7 - 10 pages total. Poetry may be spaced as needed, and scripts should follow standard script formatting.
NOTE: When applying to this Fellowship, you will be asked if you are interested in being considered for one of our other residencies, if you are not selected for the Fellowship. To learn more about our residencies, visit www.osgf.org/residencies.
Eligible applicants must be early-career artists not enrolled in an undergraduate degree program in 2027. We will consider individuals with a proven track-record of professionalism, but who are yet under-recognized, as early-career. Eligible early-career applicants will have some recognition in the form of exhibitions, commissions, performances, grant awards, residencies, Fellowships and/or publications.
Individuals who have participated in an extensive number of solo exhibitions, or who have published a significant number of books will be considered established or late career, and are not eligible for the Eliza Moore Fellowship. We encourage those who are not eligible for this Fellowship to apply to the Interdisciplinary Residency.
The successful Fellow must be self-directed and able to work independently while on site. Applicants are expected to show dedication to their artistic practice, clear connection to the natural world in their work, exceptional promise, and good communication skills.
Dates
The $10,000 individual grant associated with this award can be put towards travel to and from OSGF, materials and supplies purchased for their residency, and other items that will support their work, before or after their stay at OSGF.
The selected Fellow should make travel arrangements to Dulles International Airport, where Oak Spring will arrange ground transportation for them to our estate in Upperville, VA. The Fellow will be housed in nicely appointed shared accommodations. The Fellow will have a private bedroom and bathroom, and share a living room and kitchen with 1 – 3 other Residents or Fellows.
Tuesday, May 5, 2026
North Park Playwrights Festival 2026 seeks short plays
Labels: 10-minute plays, short plays
Website
Deadline: June 30, 2026
Deadline: June 30, 2026
San Diego CA
We ask that all submissions be sent to us via snail mail at the theater.
Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director.
Our goal in building the North Park Vaudeville and Candy Shoppe was to provide a small theater to produce new, untested plays. In support of this goal we have produced the North Park Playwright Festival each October. The festival provides a platform for brand new, short (ten minute), plays written by playwrights from around the world. Over the past seventeen years more than 600 new plays have been produced. We encourage new directors and actors to become involved in theater through the festival as well. Through the North Park Playwright Festival over ninety playwrights, directors, and actors each year are able to showcase their talents. We invite interested playwrights to submit work to the festival.
Our goal in building the North Park Vaudeville and Candy Shoppe was to provide a small theater to produce new, untested plays. In support of this goal we have produced the North Park Playwright Festival each October. The festival provides a platform for brand new, short (ten minute), plays written by playwrights from around the world. Over the past seventeen years more than 600 new plays have been produced. We encourage new directors and actors to become involved in theater through the festival as well. Through the North Park Playwright Festival over ninety playwrights, directors, and actors each year are able to showcase their talents. We invite interested playwrights to submit work to the festival.
Please follow the guidelines below.
1. Short new plays (no more than 12 pages, less is fine) that are easily staged and have casts with no more than four people. Our theater is very small and we normally use a minimal set concept in this festival. We have to be able to change sets in just a few minutes as we do six to seven plays each evening of the festival. We don't have space for large casts.
2. We request new work. A play that has had workshops or one or two previous productions is OK, but we are not interested in work that has been produced in numerous other places. Our goal in building the theater was to have a place to produce brand new work and let playwrights have a chance to see their work done for the first time.
3. We seek complete plays rather than excerpts from a larger work.
4. Work will be chosen by the directors we have in the festival. It is not a "contest" and we are not really judging plays in the formal sense. The directors choose the plays we will produce, within the production budget guidelines we give them.
5. Most subject matter is OK. We don't do nudity or off color humor.
6. We ask that all submissions be sent to us via snail mail at the theater. Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director. We have too much trouble with differing email, word processing, and computer platform issues to take them via email. Additionally, our selection process requires the directors read the plays submitted and the cost of printing all the plays we receive each year is prohibitive. Please insure submissions have a title page with complete contact information (including email), a character summary, and are in proper script form. There is no charge to enter. No need to go to the post office. You can just staple your play together, put in a business size envelope and drop in the mail. You can print on both sides if you want to save postage.
7. Submissions must be postmarked by June 30, 2026. Please do not send plays by any method that requires a signature from us. We are not often at the theater when delivery occurs. We will email notice of receipt to all playwrights submitting plays.
8. Send only one script. Multiple submissions do not increase chances of production.
General information:
We are trying to support new work and involve actors, playwrights, and directors of all experience levels. We have had a wide variety of artists involved from very experienced to first time directors and actors, to an 8 year old playwright (very short, well received play). We feel having a wide range of experience involved helps the new people learn from the more experienced.
We really appreciate your interest in our theater.
Jeff Bushnell and Summer Golden
North Park Vaudeville and Candy Shoppe
2031 El Cajon Blvd.
San Diego, CA 92104
www.northparkvaudeville.com
1. Short new plays (no more than 12 pages, less is fine) that are easily staged and have casts with no more than four people. Our theater is very small and we normally use a minimal set concept in this festival. We have to be able to change sets in just a few minutes as we do six to seven plays each evening of the festival. We don't have space for large casts.
2. We request new work. A play that has had workshops or one or two previous productions is OK, but we are not interested in work that has been produced in numerous other places. Our goal in building the theater was to have a place to produce brand new work and let playwrights have a chance to see their work done for the first time.
3. We seek complete plays rather than excerpts from a larger work.
4. Work will be chosen by the directors we have in the festival. It is not a "contest" and we are not really judging plays in the formal sense. The directors choose the plays we will produce, within the production budget guidelines we give them.
5. Most subject matter is OK. We don't do nudity or off color humor.
6. We ask that all submissions be sent to us via snail mail at the theater. Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director. We have too much trouble with differing email, word processing, and computer platform issues to take them via email. Additionally, our selection process requires the directors read the plays submitted and the cost of printing all the plays we receive each year is prohibitive. Please insure submissions have a title page with complete contact information (including email), a character summary, and are in proper script form. There is no charge to enter. No need to go to the post office. You can just staple your play together, put in a business size envelope and drop in the mail. You can print on both sides if you want to save postage.
7. Submissions must be postmarked by June 30, 2026. Please do not send plays by any method that requires a signature from us. We are not often at the theater when delivery occurs. We will email notice of receipt to all playwrights submitting plays.
8. Send only one script. Multiple submissions do not increase chances of production.
General information:
We are trying to support new work and involve actors, playwrights, and directors of all experience levels. We have had a wide variety of artists involved from very experienced to first time directors and actors, to an 8 year old playwright (very short, well received play). We feel having a wide range of experience involved helps the new people learn from the more experienced.
We really appreciate your interest in our theater.
Jeff Bushnell and Summer Golden
North Park Vaudeville and Candy Shoppe
2031 El Cajon Blvd.
San Diego, CA 92104
www.northparkvaudeville.com
Jersey Central Theatre Company seeks plays involving New Jersey history
Labels: full-length plays, one-act plays, readings, stipend
Website
Deadline: May 29, 2026
Deadline: May 29, 2026
Please email scripts along with a short cover note by May 29th to jerseycentraltc@gmail.com
Jersey Central Theatre Company seeks new scripts of plays or screenplays (finished or in progress) involving New Jersey history for consideration for a staged reading, to be presented in celebration of the country’s Semiquincentennial, on Sunday afternoon, August 2nd at the Patricia M. Kuran Cultural Arts Center in Fanwood, NJ.
Jersey Central Theatre Company seeks new scripts of plays or screenplays (finished or in progress) involving New Jersey history for consideration for a staged reading, to be presented in celebration of the country’s Semiquincentennial, on Sunday afternoon, August 2nd at the Patricia M. Kuran Cultural Arts Center in Fanwood, NJ.
The reading will be produced with professional actors under the AEA 29-Hour Reading Agreement. Ideally, scripts should be full-length or long one-acts (approximately 30 – 60 minutes) with a cast of 5 or less.
We are especially seeking new works by regional area writers, as we prefer to have authors in attendance to participate in a talk-back/Q&A with the audience following the performance.
There will be a $50 stipend paid to the selected author.
Monday, May 4, 2026
Lakewood Playhouse FESTIVAL OF NEW VOICES 2026
Labels: festival, full-length plays
Website
Deadline: May 18, 2026We are only able to accept the first 100 entries
Do not send they have closed submissions.
Following the overwhelming success of our inaugural new writing festival last year, Lakewood Playhouse is delighted to announce the return of the Festival Of New Voices and submissions are now open!
We are seeking exciting new works that celebrate new voices and diverse perspectives for our 2026 festival. Up to six new works will be selected by a team of local arts professionals to be given readings during the festival in July. These readings are developmental in nature and should be seen as works in draft. A playwright and cast talkback will follow each staged reading.
Submission Guidelines:
1. Submissions must be new theatrical works.
2. Musicals will be accepted but must contain original compositions and nothing that requires external licensing.
3. Scripts must be completed drafts. No incomplete drafts or treatments.
4. Submissions must be unproduced and unpublished. Previous readings and/or workshops are acceptable.
5. The playwright(s) must be the sole owner of the script copyright.
6. Submissions are limited to one work per playwright.
Submissions must include the following:
The SCRIPT, including on the cover:
- NAME OF PLAY
- PLAYWRIGHT'S NAME(S)
- CONTACT INFORMATION (Address, Phone Number, Email Address)
Supporting materials:
- COVER LETTER (including full contact details)
- BIO OF PLAYWRIGHT(S)
- SCRIPT SUMMARY (Character Breakdown, Setting, Time Period)
- A QUESTION YOU HOPE THE READING WILL ANSWER ABOUT THE WORK
All files should be in PDF format.
Due to the high volume of submissions expected, we are only able to accept the first 100 entries. Any submissions that do not contain all of the elements listed above will not be eligible for consideration.
Submission Deadline: May 18th, 2026
Rehearsal Dates: June 29th-July 14th, 2026
Festival Dates: July 15th-19th, 2026
Email submissions to newvoices@lakewoodplayhouse.org by May 18th. The deadline may close earlier if our submission limit is reached.
We are seeking exciting new works that celebrate new voices and diverse perspectives for our 2026 festival. Up to six new works will be selected by a team of local arts professionals to be given readings during the festival in July. These readings are developmental in nature and should be seen as works in draft. A playwright and cast talkback will follow each staged reading.
Submission Guidelines:
1. Submissions must be new theatrical works.
2. Musicals will be accepted but must contain original compositions and nothing that requires external licensing.
3. Scripts must be completed drafts. No incomplete drafts or treatments.
4. Submissions must be unproduced and unpublished. Previous readings and/or workshops are acceptable.
5. The playwright(s) must be the sole owner of the script copyright.
6. Submissions are limited to one work per playwright.
Submissions must include the following:
The SCRIPT, including on the cover:
- NAME OF PLAY
- PLAYWRIGHT'S NAME(S)
- CONTACT INFORMATION (Address, Phone Number, Email Address)
Supporting materials:
- COVER LETTER (including full contact details)
- BIO OF PLAYWRIGHT(S)
- SCRIPT SUMMARY (Character Breakdown, Setting, Time Period)
- A QUESTION YOU HOPE THE READING WILL ANSWER ABOUT THE WORK
All files should be in PDF format.
Due to the high volume of submissions expected, we are only able to accept the first 100 entries. Any submissions that do not contain all of the elements listed above will not be eligible for consideration.
Submission Deadline: May 18th, 2026
Rehearsal Dates: June 29th-July 14th, 2026
Festival Dates: July 15th-19th, 2026
Email submissions to newvoices@lakewoodplayhouse.org by May 18th. The deadline may close earlier if our submission limit is reached.
The Kleban Prize for Musical Theater 2026
Labels: libretto, lyricist, prize
Website
Deadline: May 15, 2026 at 11:59pm EDT
Deadline: May 15, 2026 at 11:59pm EDT
LYRICIST SUBMISSION FORM
Edward Kleban, the lyricist of A Chorus Line and other extraordinary works, created the Kleban Prize in his Will, which is given annually to writers of extraordinary promise – to a librettist and a lyricist, respectively. Kleban designed the prize based on his personal experience as a promising writer. He was acutely aware that, though composers and musicians may often work within the theater, lyricists and librettists generally have to work outside the theater in order to support their writing. He wanted a prize of sufficient size to allow promising writers the time to simply write; his creation of the prize flowed from his desire to help other worthy artists like himself.
The prize is administered by New Dramatists on behalf of the The Kleban Foundation, Inc. Board of Directors. To ensure a robust and equitable adjudication, applications (including work samples) are submitted and reviewed blind by an independent panel of musical theatre artists and industry leaders. The Kleban Foundation Board sets the amount of the Prize annually. In recent years, a sum of $100,000 in each category has been paid in two annual installments to Prize recipients.
Eligibility
Kleban’s instructions, as interpreted by the Board, specify that applicants must meet either of the following criteria: 1) The applicant must previously have received a production of one of their works on a stage or in a workshop performance; or 2) The applicant must be or have been a member or an associate of a professional musical workshop or theater group, i.e., ASCAP, BMI Theater Workshop or the Dramatists Guild Fellows Program.Any individual whose work has been performed on the Broadway stage for a cumulative period of two years prior to the opening of the application window is not eligible. In the case of multiple Broadway productions, the sum of the lengths of the runs must not exceed two years.
If the material is co-written (written by more than one lyricist or more than one librettist) all writers must apply as a team. (This does not include the composer unless s/he has also contributed lyrics or text.) Each applicant must be eligible in their own right to apply.
LYRICIST CATEGORY
Application Step-by-Step
You will no longer be required to have an account on the New Dramatists website to complete a 2026 application.
It is in your best interest to prepare your materials for upload in advance, and to complete the application in one session. Your progress will be saved automatically if you continue in the same browser, but there is not an option to save.
1. Click the appropriate button below to begin your application. If you are applying in two categories, simply return to this page.
2. You will be asked to confirm you are eligible to apply. In the text field you must provide details substantiating your eligibility. Optionally, upload a resumé.
3. Fill in your full name, address, phone number and email address. If you have a co-lyricist or co-librettist, enter their information here.
4. For a Lyricist application, upload a text document for each song. You will also have the option to upload audio files for each song. For a Librettist application, upload your Musical text file. If you are submitting two acts from separate musicals they must be combined into one file. DO NOT INCLUDE YOUR NAME ON ANY OF THESE SUBMISSION MATERIALS.
5. Check the box that you have read and agree to our Privacy Policy, and click “Submit Your Application” to complete the process. You will receive a confirmation that your application has been received.
Edward Kleban, the lyricist of A Chorus Line and other extraordinary works, created the Kleban Prize in his Will, which is given annually to writers of extraordinary promise – to a librettist and a lyricist, respectively. Kleban designed the prize based on his personal experience as a promising writer. He was acutely aware that, though composers and musicians may often work within the theater, lyricists and librettists generally have to work outside the theater in order to support their writing. He wanted a prize of sufficient size to allow promising writers the time to simply write; his creation of the prize flowed from his desire to help other worthy artists like himself.
The prize is administered by New Dramatists on behalf of the The Kleban Foundation, Inc. Board of Directors. To ensure a robust and equitable adjudication, applications (including work samples) are submitted and reviewed blind by an independent panel of musical theatre artists and industry leaders. The Kleban Foundation Board sets the amount of the Prize annually. In recent years, a sum of $100,000 in each category has been paid in two annual installments to Prize recipients.
Eligibility
Kleban’s instructions, as interpreted by the Board, specify that applicants must meet either of the following criteria: 1) The applicant must previously have received a production of one of their works on a stage or in a workshop performance; or 2) The applicant must be or have been a member or an associate of a professional musical workshop or theater group, i.e., ASCAP, BMI Theater Workshop or the Dramatists Guild Fellows Program.Any individual whose work has been performed on the Broadway stage for a cumulative period of two years prior to the opening of the application window is not eligible. In the case of multiple Broadway productions, the sum of the lengths of the runs must not exceed two years.
If the material is co-written (written by more than one lyricist or more than one librettist) all writers must apply as a team. (This does not include the composer unless s/he has also contributed lyrics or text.) Each applicant must be eligible in their own right to apply.
Applicants may apply in both categories, but must submit a separate application for each category and may win in only one such category.
Applicants may only apply once per category per year.
Applicants may win in only one category.
Application Materials
Submissions are coded and reviewed blind. The name(s) of the writer(s) must NOT appear on any submission materials, including in the file names or file author information. Do NOT include hyperlinks in your files. Failure to meet this requirement may render the applicant ineligible. Only work from musical theater will be considered. Materials must be in English.
Application Materials
Submissions are coded and reviewed blind. The name(s) of the writer(s) must NOT appear on any submission materials, including in the file names or file author information. Do NOT include hyperlinks in your files. Failure to meet this requirement may render the applicant ineligible. Only work from musical theater will be considered. Materials must be in English.
LYRICIST CATEGORY
Submissions must include lyrics for a minimum of five and a maximum of eight songs.
The lyrics may be from one or various shows.
Audio files/recordings of each song are strongly encouraged but are not necessary. Acceptable formats are mp3, ogg, and wav.
LIBRETTIST CATEGORY
The lyrics may be from one or various shows.
Audio files/recordings of each song are strongly encouraged but are not necessary. Acceptable formats are mp3, ogg, and wav.
LIBRETTIST CATEGORY
Submissions may consist of a full-length musical book, or one act from two separate shows.
Lyrics should be included in the libretto even if they were written by someone other than the librettist.
Submission files must be in either word or PDF formats. Audio files are not accepted in the librettist category.
Lyrics should be included in the libretto even if they were written by someone other than the librettist.
Submission files must be in either word or PDF formats. Audio files are not accepted in the librettist category.
Application Step-by-Step
You will no longer be required to have an account on the New Dramatists website to complete a 2026 application.
It is in your best interest to prepare your materials for upload in advance, and to complete the application in one session. Your progress will be saved automatically if you continue in the same browser, but there is not an option to save.
1. Click the appropriate button below to begin your application. If you are applying in two categories, simply return to this page.
2. You will be asked to confirm you are eligible to apply. In the text field you must provide details substantiating your eligibility. Optionally, upload a resumé.
3. Fill in your full name, address, phone number and email address. If you have a co-lyricist or co-librettist, enter their information here.
4. For a Lyricist application, upload a text document for each song. You will also have the option to upload audio files for each song. For a Librettist application, upload your Musical text file. If you are submitting two acts from separate musicals they must be combined into one file. DO NOT INCLUDE YOUR NAME ON ANY OF THESE SUBMISSION MATERIALS.
5. Check the box that you have read and agree to our Privacy Policy, and click “Submit Your Application” to complete the process. You will receive a confirmation that your application has been received.
Sunday, May 3, 2026
The People’s Theatre is seeking playwrights for the New Horizons Reading Festival
Labels: award, festival, readings, stipend, workshop
Website
New Horizons Reading Festival
Nov 30- Dec 6, 2026
Each play will receive 10 hours of rehearsal over two days, culminating in two public staged readings.
SUBMISSION SCHEDULE
May 15, 2026: Submissions Close, or when 100 submissions are received
The week of June 22, 2026: Finalists invited to online interviews
The week of July 13, 2026: Participants Selected
For any questions regarding The People’s Theatre Playwrights Unit 2026, please email sinny@peoplestheatreproject.org.
Deadline: May 15, 2026
or when 100 submissions are received
SUBMISSION FORM
The People’s Theatre is seeking playwrights whose work engages with stories, experiences, and perspectives that have been historically underrepresented in the American theatre. We are especially interested in uplifting work that reflects the voices and lived experiences of immigrants, People of Color, Black, Indigenous, and LGBTQIA+ communities, while welcoming applications from playwrights of all backgrounds.
ELIGIBILITY:
The People’s Theatre is seeking playwrights whose work engages with stories, experiences, and perspectives that have been historically underrepresented in the American theatre. We are especially interested in uplifting work that reflects the voices and lived experiences of immigrants, People of Color, Black, Indigenous, and LGBTQIA+ communities, while welcoming applications from playwrights of all backgrounds.
ELIGIBILITY:
- The applicant must have completed at least 1 full-length play or at least 2 one-act plays.
- Local NYC and its surrounding areas. If not living in the NYC metropolitan area, you must be willing to travel to NYC for in-person sessions.
- Must be available to attend in-person workshops and Reading Festival.
Three playwrights will be chosen to develop new plays each under the mentorship of award-winning playwright Marco Antonio Rodriguez. The culminating plays will be showcased at New Horizons Play Reading Festival in December 2026, for inaugural season at our new brand new home The People’s Theatre: Centro Cultural Inmigrante - at 419 West 206th Street, New York. We would like the program and the New Horizons Play Reading Festival to align with the themes of Purpose, Home and Belonging.
YOU WILL RECEIVE:
Ongoing Support to Develop Your Play:
YOU WILL RECEIVE:
Ongoing Support to Develop Your Play:
- Develop your work-in-progress into a 90 min play in workshops led by award-winning playwright Marco Antonio Rodriguez.
- Actor Readings and Feedback:
- Have actors read your latest writing during workshops and receive supportive feedback.
- Insight on the business of show business and resources to access:
- Gain show business insights and resources from well-recognized industry members to advance your career.
- Director and Actors for Staging: Have your play directed and staged by professionals.
- Showcase your work: Present your play at New Horizons Play Reading Festival at our new brand new theater The People’s Theatre: Centro Cultural Inmigrante.
- Industry Professionals: We invite agents and industry professionals to attend your play reading.
- Shared Dinner: Enjoy meals provided during each in-person workshop
- Compensation includes a $1,500 participation award and a $100 commuting stipend
The People's Theatre will receive:
Developmental Workshops
- The right of first refusal to produce the selected plays within three years.
Developmental Workshops
- 8/11/2026, 5:30-8:30pm (In-person)
- 8/25/2026, 5:30-8:30pm (In-person)
- 9/8/2026, 5:30-8:30pm (In-person)
- 9/22/2026, 5:30-8:30pm (In-person)
- 9/29/2026, 5:30-8:30pm (In-person)
- 10/13/2026, 5:30-8:30pm (Zoom)
- 10/27/2026, 5:30-8:30pm (In-person)
- 11/3/2026, 5:30-8:30pm (In-person)
Location: The People's Theatre, 419 W 206th St, New York, NY 10034
New Horizons Reading Festival
Nov 30- Dec 6, 2026
Each play will receive 10 hours of rehearsal over two days, culminating in two public staged readings.
Venue: The People's Theatre Studio Theatre
Reflection meeting
1/26/2027, 5:30-8:30pm, Reflection (In-person)
Reflection meeting
1/26/2027, 5:30-8:30pm, Reflection (In-person)
SUBMISSION SCHEDULE
May 15, 2026: Submissions Close, or when 100 submissions are received
The week of June 22, 2026: Finalists invited to online interviews
The week of July 13, 2026: Participants Selected
For any questions regarding The People’s Theatre Playwrights Unit 2026, please email sinny@peoplestheatreproject.org.
Ruby Slippers Theatre CALL FOR SUBMISSIONS ADVANCE THEATRE FESTIVAL: 2026/27
Labels: festival, full-length plays, readings
Website
Deadline: May 15, 2026
Deadline: May 15, 2026
Open to anybody but they give preference to people in the Vancouver area.
For over ten years, Ruby Slippers Theatre’s Advance Theatre Festival has developed and showcased five dramatic readings over five days of new works written and directed by equity-deserving artists. Many of these plays go on to be fully professionally produced.
If you are a playwright and your play is chosen to participate in the Advance Theatre Festival, Ruby Slippers Theatre, in partnership with The Shadbolt Centre for the Arts, will cover the costs of all rehearsals prior to the day of the reading, your technical rehearsal, promotion, theatrical venue, and all artists’ fees.
If you are a director interested in participating, please submit your resume and cover letter for consideration.
Playwrights: please send your play synopsis, brief bio, and a maximum fifteen-page script excerpt to info@rubyslippers.ca by May 15, 2026.
For over ten years, Ruby Slippers Theatre’s Advance Theatre Festival has developed and showcased five dramatic readings over five days of new works written and directed by equity-deserving artists. Many of these plays go on to be fully professionally produced.
If you are a playwright and your play is chosen to participate in the Advance Theatre Festival, Ruby Slippers Theatre, in partnership with The Shadbolt Centre for the Arts, will cover the costs of all rehearsals prior to the day of the reading, your technical rehearsal, promotion, theatrical venue, and all artists’ fees.
If you are a director interested in participating, please submit your resume and cover letter for consideration.
Playwrights: please send your play synopsis, brief bio, and a maximum fifteen-page script excerpt to info@rubyslippers.ca by May 15, 2026.
One submission per person, please. Successful candidates will be notified by June 15, 2026.
The 2026/27 Advance Theatre Festival will take place in January/Feb of 2027. Exact dates TBD.
Our Curator for ATF 26/27 is Faly Mevamanana. You can read about her here: https://www.rubyslippers.ca/about/artist-in-residence-2025-2026/
Priority will be given to inclusivity, considering all cultural backgrounds, orientations, identities, abilities, and ages.
The Advance Theatre Festival is brought to you by Ruby Slippers Theatre in partnership with The Shadbolt Centre for the Arts and Playwrights Guild of Canada. It takes place in Vancouver, B.C., on the unceded lands of the Coast Salish People.
The 2026/27 Advance Theatre Festival will take place in January/Feb of 2027. Exact dates TBD.
Our Curator for ATF 26/27 is Faly Mevamanana. You can read about her here: https://www.rubyslippers.ca/about/artist-in-residence-2025-2026/
Priority will be given to inclusivity, considering all cultural backgrounds, orientations, identities, abilities, and ages.
The Advance Theatre Festival is brought to you by Ruby Slippers Theatre in partnership with The Shadbolt Centre for the Arts and Playwrights Guild of Canada. It takes place in Vancouver, B.C., on the unceded lands of the Coast Salish People.
Saturday, May 2, 2026
BREAK A LEG PRODUCTIONS annual One-Act Slam
Labels: geographic restriction, NYC area writers only, one-act plays, short plays
Website
Deadline: June 1, 2026
Email scripts to plays.balproductions@gmail.com with the subject line "[PLAY TITLE] – [PLAYWRIGHT'S NAME]."
Deadline: June 1, 2026
Email scripts to plays.balproductions@gmail.com with the subject line "[PLAY TITLE] – [PLAYWRIGHT'S NAME]."
This year's theme is NEW YORK STATE OF MIND: New York City (or tristate area) writers writing plays about the New York City experience.
PLEASE INCLUDE ON THE COVER PAGE OF YOUR SCRIPT A SHORT PARAGRAPH ABOUT YOUR CONNECTION TO NEW YORK CITY.
Plays should run 15-20 minutes. The Slam will be on September 26th.
Plays should run 15-20 minutes. The Slam will be on September 26th.
The audience votes on their favorite short play, and the winner receives $100.
Only one submission per playwright, please.
The Peoples Improv Theater seeks productions for Spring/Summer 2026
Labels: 10-minute plays, full-length plays, musicals, one-act plays, readings, self-production, short plays
Website
Deadline: none given
SUBMIT VIA GOOGLE FORM
The PIT is holding an open call for scripts to program in one of its four spaces. Available for readings, workshops, or fully staged plays/musicals!
The length of plays wanted: 10 minutes to 90 minutes
Deadline: none given
SUBMIT VIA GOOGLE FORM
The PIT is holding an open call for scripts to program in one of its four spaces. Available for readings, workshops, or fully staged plays/musicals!
The length of plays wanted: 10 minutes to 90 minutes
Access to venue, tech time marketing, front of house team, and ticketing. Space to present your latest work and invite your community
We also recommend you include the following:
We also recommend you include the following:
The playwright may submit more than one play.
Friday, May 1, 2026
2027 Open Stage Space Grant
Labels: grants/awards
Website
Deadline: May 31, 2026
2027 Open Stage Space Grant Application Form.
For over 100 years, EAG has provided emergency financial aid and career support to New York City’s professional performing artists. We take pride in our ongoing effort to find new ways to support our vibrant performing arts community. Understanding how challenging it is for emerging theatre companies to find affordable space for creating work in NYC, we introduced the Open Stage space grant in 2017. With Open Stage, we can support theatre companies by giving them an opportunity to create and present work without the challenges that come with finding and maintaining affordable space.
When a NYC theatre company is awarded an Open Stage grant, they will receive:
This year, we are accepting applications for ONE Winter 2027 (January/February) Open Stage grant and ONE Summer 2027 (July/August) Open Stage grant.
For our 2027 Open Stage grants, EAG is specifically looking to support NYC theatre companies that are seeking a residency to present:
What makes for a successful Open Stage application?
A strong mission,
A demonstrated need,
A commitment to equitable pay for artists, AND
A demonstrated ability to achieve stated goals for the project (appropriate levels of staffing and funding to see the proposed project through, etc.)
You can preview the questions asked on this year's application here. All applications must be submitted online through this form in order to be considered for this opportunity.
TIMELINE
Application due: Sunday, May 31, 2026. No applications will be accepted after the deadline.
Finalist Interviews (in person at Guild Hall): The week of July 6, 2026.
Announcement of grant recipients: The week of July 13, 2026.
Deadline: May 31, 2026
2027 Open Stage Space Grant Application Form.
For over 100 years, EAG has provided emergency financial aid and career support to New York City’s professional performing artists. We take pride in our ongoing effort to find new ways to support our vibrant performing arts community. Understanding how challenging it is for emerging theatre companies to find affordable space for creating work in NYC, we introduced the Open Stage space grant in 2017. With Open Stage, we can support theatre companies by giving them an opportunity to create and present work without the challenges that come with finding and maintaining affordable space.
When a NYC theatre company is awarded an Open Stage grant, they will receive:
- a $6,000 credit to be used towards booking up to 80 hours in our historic theatre space at our EAG member rate of $75/hour during a two-month residency at Guild Hall (1 East 29th Street, NYC 10016),
- $1,000 from EAG's Teri Black Performance Fund to be used towards performer/director stipends, AND
- limited additional funding (amount TBD) for some specific line items in their production budgets thanks to NYSCA and NYC's DCLA.
- During a grantee's residency, they can use their time booked in Guild Hall to meet, develop, devise, rehearse, tech, and perform the piece of their choosing. Each residency must culminate with 4-8 ticketed public performances in Guild Hall. The gross proceeds from these performances will be split evenly between the grant recipient and the charitable programs of EAG.
This year, we are accepting applications for ONE Winter 2027 (January/February) Open Stage grant and ONE Summer 2027 (July/August) Open Stage grant.
For our 2027 Open Stage grants, EAG is specifically looking to support NYC theatre companies that are seeking a residency to present:
- a staged reading of a new/original work with a larger cast,
- a developmental workshop of a new/original work with a smaller cast, OR
- a more fully realized production of a new/original solo show or two-hander.
- After several years of offering Open Stage grants, we believe that these options for the scale of a piece/presentation provide the most flexibility to grantees to successfully develop and explore a new work in our unique space while making mindful use of everyone's time and paying everyone equitably.
What makes for a successful Open Stage application?
A strong mission,
A demonstrated need,
A commitment to equitable pay for artists, AND
A demonstrated ability to achieve stated goals for the project (appropriate levels of staffing and funding to see the proposed project through, etc.)
You can preview the questions asked on this year's application here. All applications must be submitted online through this form in order to be considered for this opportunity.
TIMELINE
Application due: Sunday, May 31, 2026. No applications will be accepted after the deadline.
Finalist Interviews (in person at Guild Hall): The week of July 6, 2026.
Announcement of grant recipients: The week of July 13, 2026.
THE TENS FESTIVAL 2026 seeks 10-minute plays
Labels: 10-minute plays, festival
Website
Deadline: May 23, 2026 at midnight EDT
Deadline: May 23, 2026 at midnight EDT
Email Scripts to: Pancho@ParishPlayers.org
Email Subject Line: Use the title of the play as the subject line of your email.
Email Subject Line: Use the title of the play as the subject line of your email.
File name: Name your PDF with the title of the play, a hyphen, and your own last name,
e.g. Hamlet-Shakespeare.
e.g. Hamlet-Shakespeare.
Types of Plays: Comedies or Dramas must be no more than 10 minutes in length.
Setting: Simple; the festival will offer 6 to 8 plays, and minimal set changes are required.
Notification of Selection: No later than June 20th, 2026.
Performance Dates: October 2026.
Producer: Beata Isaacs Randall
How to submit your script:
File format: PDF ONLY!
Please Note: No more than one script per playwright. We prefer new, unproduced plays; however previously produced and already published original plays will be considered. We will also give preference to "local" (New England) playwrights.
Questions? Email Pancho@ParishPlayers.org using the subject line: TENS QUESTION.
Setting: Simple; the festival will offer 6 to 8 plays, and minimal set changes are required.
Notification of Selection: No later than June 20th, 2026.
Performance Dates: October 2026.
Producer: Beata Isaacs Randall
How to submit your script:
File format: PDF ONLY!
Please Note: No more than one script per playwright. We prefer new, unproduced plays; however previously produced and already published original plays will be considered. We will also give preference to "local" (New England) playwrights.
Questions? Email Pancho@ParishPlayers.org using the subject line: TENS QUESTION.
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