TYPE! open for short plays

Website

Deadline: ongoing

TYPE! isn’t TYPE! without the words to fill it. We are looking for compelling content to include in future editions. If you want to learn more about some of the guidelines we have regarding submissions, keep scrolling!

Thank you for considering sharing your work. TYPE! is free to read — we cannot pay for submissions or chosen work, but we will work with authors to promote the piece and their other writing. We also require written confirmation that submissions are original work.

Please note – due to the high number of submissions we receive we will only respond to those we wish to publish, however we do read EVERY submission. Submission also carries no guarantee of inclusion or feedback. Read this to find out what happens when you submit.

SUBMISSION GUIDELINES


Tell us a story in six words

#RuleOfSix

Micro-plays
1-2 pages long


If you have work you would like to submit that is not listed here, please review our past issues first, then, if you think your work might fit, get in touch. 

Please send in your writing via the submission form online.

LoveNotes! Real Stories. Real People. Real Love

Website

Deadline: November 15,  2024 at 6 PM

Live Storytelling Show & Companion Anthology Submission Opportunity: LoveNotes! Real Stories. Real People. Real Love. is thrilled to return to the off-Broadway New York City Stage Saturday, February 15, 2025 at the Center at West Park (two shows: 3 PM & 8 PM). 

Storytellers are paid $50/show + $50 for stories included in the anthology for 36 months exclusive rights.

LoveNotes! is looking for TRUE LOVE stories of ROMANTIC love--think first love, last love, forever love, unrequited love, the against-all-odds love, gay love, trans love, the one-that-got-away love, happily-ever-after love, unexpressed love, online love, arranged marriage love, worst date-ever love, friends-to-lovers love, never-ending love, opps-that-was-a-mistake love, second-time-around love, and on and on. Tales from heart-breaking to healing, humorous to hopeful--you name it! LoveNotes! is spreading love one story at a time. Diverse voices are encouraged to submit.

The only two requirements are:Your story must be true.
Your story must be 750 words or fewer.

Auditions are live, in-person at 114 W 71 ARTS (114 W. 71 Street, Lower Level, New York, NY 10023) Saturday, November 16 (sign up HERE or by SELF-TAPE (submit by We-Transfer) before Friday, November 15, 6 PM. 

If live storytelling is not your thing, but you'd like to be considered for the anthology and/or podcast, email your story (1000 words or fewer) to heather@heatherchristiebooks.com with LoveNotes! Book/Podcast in subject line.

Touchstone Theatre seeks plays by established playwrights/devisors

Website

Deadline: November 1, 2024

Touchstone Theatre (Vancouver) is on the lookout for plays (scripted or devised) by established playwrights/devisors from Canada/Turtle Island (North America, Central America) for consideration in future seasons.

SUBMISSION REQUIREMENTS

– as a playwright(s) you have previously produced and/or published at least 2 works.

SUBMISSION DETAILS

– Please send a synopsis of your play, one page maximum, including a brief list of characters (if it has characters) and core collaborators (if any). In addition to basics of story (if there is one) and themes, let us know whatever you feel is most important to communicate about the play. Feel free to include information about its style, its relationship to your body of work, and/or the work of other theatre-makers, and/or its development or production history. You likely won’t be able to cover all of this, so choose what feels most important to you. Please attach a bio or resume
please send to submissions@touchstonetheatre.com by November 1, 2024

SUBMISSION PROCESS

Writers who are short-listed will be invited by the curatorial team to follow up by submitting full scripts (or devised documentation). Touchstone is committed to new plays that reveal, amplify, and explore diverse experiences and stories that are challenging, hysterical, reflective, provocative, transcendent, fantastical, traditional, or “never before articulated in this way”. We welcome playwrights who explore new content using pre-existing theatrical forms, as well as playwrights who reference story-telling structures outside of the western theatrical canon. We also welcome playwrights who create new theatrical forms.

CURATORIAL TEAM

Reneltta Arluk
Marcus Youssef
Lois Anderson

THINK FAST Short Play Competition 2025

Website

Deadline: November 30, 2024

15-minute plays are accepted for review October and November 2024 for the event in March, 2025.

Submission Instructions

• Electronic submissions only
• No fee to submit
• Plays are accepted for six weeks each fall
• Only one entry per author
• E-mail your short play to:OneActFest@TheTheaterProject.org
• Include in the Subject line: “Submission + The Title of Your Play.”
• Email submissions must contain this sentence in the body of the email: “If my play is accepted and I choose to take part in the festival, I understand that I will be responsible for the casting and rehearsal of my play and that I will be charged a $100 participation fee.”

If Your Play Is Selected​​​

The Theater Project will supply a stage manager/technical director to oversee the Zoom recording process

Individual productions supply the actors, directors and make their own agreements with actors and directors regarding compensation

​Playwrights will be charged a $100 fee to cover the $500 prize as well as the cost of hiring the stage manager/technical director.

The Theater Project does not charge a submission fee for its THINK FAST one-act festival. We do, however, charge a $100 production fee to help cover the cost of the $500 prize as well as the hiring of a stage manager/technical director to work with the productions on their technical needs as well as supervise a rehearsal and record the final performance on TTP’s Zoom platform.

Although we would rather not charge a production fee, the reality is that without help from participating playwrights, we would not be able to offer this showcase for new works.

The Weekly Workshop - see for yourself

The Weekly Workshop

Join our nationwide community of playwrights on Zoom. 

It’s a great way to stay connected and motivated.

Participating in a weekly workshop can give you the kick you need to see your script through from beginning to end. You can bring in anything you’re working on — a full length script, a musical, a TV pilot, whatever. And when your script is ready — we’ll present it in a Public Reading. We also bring in Guest Speakers, like Pulitzer Prize winner Margaret Edson (Wit). 

Sit in on a session and see for yourself!

Tuesdays or Thursdays 7 - 9:30pm EDT

Check out our website for more details and rates. 

Script Consultations

If you don’t have time for the workshop but have a script you’d like some feedback on — just send a PDF of your script and you’ll get a critique via email and/or video conference. See website for rates.

Richard Caliban has worked with individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.

Script Online One-on-One Courses

 If you’re looking for more, check out our One on One Online Playwriting Courses:

•       The Art of Playwriting

•       Write a Play in 10 Weeks

•       3 Hour Short Course

All are with instructor Richard Caliban, and since it’s One on One, the courses can be adjusted to fit your level of experience. 

Please visit our website for further Info and Rates: 

www.theplaywrightsgroup.com

Contact us at 

scripts@theplaywrightsgroup.com

Due Dissidence seeks one-act plays

Website

Deadline: November 1, 2024

Send To: duedissidence@gmail.com

Submissions should have political themes and a strong point of view. We are open to a wide range of ideological perspectives-final selections will be based on quality, not ideology. 

Accepted plays will receive a stipend of no less than $50, and run 2-3 performances. Planned dates are mid-March.

Format: Word, PDF

Length: We are primarily seeking one-acts, but full-length plays will be considered

~ Selected plays will receive a full production

~ Playwrights may submit more than one play

~ There are no restrictions based on production history, but the play must be unpublished

"A revolution without dancing is a revolution not worth having." 

Due Dissidence is an open-minded, left-wing YouTube/Rumble politics show, podcast, and website that reaches 2-3 million viewers/listeners per month. Both hosts come from a theater background and would like to use their large and growing platform to do Playhouse 90-style cultural events that will be performed live and streamed to our audience.

ProEnglish Theatre of Ukraine seeks monologues in English

Website

Deadline: October 27, 2024 at 11:59 PM

We're hosting a Monologues Night in Kyiv on Nov 08 during an international Solo Play Day Fest (organized by WEST: World of English Speaking Theatres)

That's a night where English-speaking actors of Kyiv will present monologues in English in front of the audience and jury.

We're looking for interesting monologues in English (3-5 minutes performing time).

Comedy monologues preferable, drama might work as well.

Please send the monologues you wrote to: proenglishtheatre@gmail.com 

It's a 'pro bono' project but you get all the credit in case your monologue gets selected and performed.

With much love from Kyiv,

Alex Borovenskiy
ProEnglish Theatre of Ukraine 

https://proenglishtheatre.com

https://Facebook.com/ProEnglishTheatre

Short Plays Where the Gays Win ~ free with RSVP

Short Plays Where the Gays Win
by Nolan Kennedy

A staged reading with the LoM Ensemble

Sunday, November 17, 2024 at 5pm
Houghton Hall Arts Community (NY, NY)
Free with RSVP | $10 at the door

This new anthology of plays tackles stories of love, hope, second chances, and chance encounters. Weaving humor, intimacy, awakening, acceptance, and grace, Short Plays Where the Gays Win aims to present gay narratives that don't end in loss and tragedy. Instead, they conjure the alternative—and often untold—moments of gay life that are crushing, quotidian, revelatory, anticipatory, honest, and divine.

This first foray into these pieces will be presented without intermission in a "staged" reading format, followed by a talkback.

For more info, visit www.lomtheater.org

The Braid Seeks short plays for The Dreidel Diaries

Website

Deadline: November 1, 2024

The Dreidel Diaries - Stories of life’s gambles and the discoveries that come with taking a big risk.

For our Hanukkah Candlelight Storytelling Event.

SUBMIT VIA GOOGLE DOCS

Life is a game of chance – with real-world consequences. Did you take a big gamble that paid off in a new career or a passionate romance? Did you play the game only to discover that the prize wasn’t what you really wanted?  Did your luck run out, leaving you to rethink your dreams? And how did Jewish values or identity impact your choices? Send us your witty, woeful, or winning stories of a time when you took a bold risk in life. What happened, and how did it change you?

• How long can the story be that I’m submitting?
• For Salon Theatre no more than 1500 words.
• For StoryNosh no more than 750 words.
• Please do not submit a full length play.
• All one-acts must be 5 pages or less with no more than two characters. 

Do I have to be Jewish to submit?
No, you need not be Jewish to submit, but we prefer the work to have some Jewish content or Jewish resonance. All are welcome to submit.

Can I submit more than one piece?
Yes. However, each piece needs to be submitted separately.

What if my piece doesn’t fit the theme?
Please do not submit your work unless it fits the theme.

If my work is accepted, is there remunerations?
Yes, all works selected are given an honorarium. Written pieces that are selected for Salon Theatre will be given an honorarium based on the number of times the work is performed in the show for which it was selected. Writers also receive royalties if works are reprised. With StoryNosh, you will win a $100 prize for being selected.

My story has previously been published/produced. Can I still submit?
Previously produced or published work is welcome. Please include production and/or publication history.

Can I submit my musical?
We encourage composers, song-writers, and performers to submit one song from a musical, or one scene with a song with no more than two characters. Full length musicals will be rejected without reading.

Is there an age limit to submit?
Submissions are open to writers of all ages.

Does The Braid assume rights to my piece?
No. You give us permission to distribute your story digitally and/or perform it live. However, you retain all the rights to your story.

When I will be notified if my piece is selected?
We read every piece submitted at least twice, a process that takes time. If we plan to use your work in an upcoming Salon show or StoryNosh, we will contact you by email within two weeks of the performance date or Youtube release date. Please check our website for posting of those dates. If we cannot use your piece this season, we will keep it in our files for possible future use, when it may be better suited to another theme.

What happens if my story is selected?
All selected pieces will be edited and adapted by our skilled dramaturges to fit The Braid’s theatrical style. All edits will receive your approval before production begins.

Your work will then be performed by professional actors and produced by The Braid’s production staff.

You will receive an honorarium for your written piece included in our Salon Theatre based on the number of times it is performed in the show for which it was selected. You will also receive royalties whenever the piece is reprised. With StoryNosh, you will win a $100 prize for being selected.

Why would I submit to StoryNosh instead of a Salon Theatre show?
You can submit to both as long as you do not exceed the word limits for each and your story relates to the theme. StoryNosh just allows us to explore additional themes in a digital format that are different from our Salon Theatre series.

Can I perform my own story?
No. Writers do not perform their own work. However, in rare cases, we will allow a writer/performer to perform their own story. Writer/performers will need to send a performance reel along with their submitted story.

2025 Snowdance® 10 Minute Comedy Festival

Website

Deadline: November 1, 2024

OOHP is accepting submissions for the "2025 Snowdance® 10 Minute Comedy Festival," now through November 1st

Over Our Head Players is accepting submissions for the "2025 Snowdance® 10 Minute Comedy Festival," now through November 1, 2024. "Snowdance®" entry is open to original 10 minute or shorter comedies for the stage. Winning entries will be performed together in one theatre presentation by the OOHP Snowdance ensemble at Sixth Street Theatre for five weeks beginning February 7, 2025. The entire Snowdance production will be presented 24 times during the run. At each performance, audience members can vote for their favorite individual comedy; the audience favorites will earn cash prizes for the playwright. Entries may be sent to SNOWDANCE, c/o Sixth Street Theatre, 318 Sixth Street, Racine, Wisconsin, 53403. Alternatively, entries may be sent by email to snowdance@overourheadplayers.org.

Rules for the Snowdance Comedy Competition, which is open to everyone without age or geographic restriction, are relatively simple. In summary, competition is open to unpublished, 10 minute or shorter comedies free of royalty and copyright restrictions. Musicals, adaptations, and translations will not be considered. Entries must be postmarked by November 1, 2024. The writer's name, address, phone number, and e-mail address should be included on the title page and only the title page. The title page should also include a cast list and a 1 to 3 sentence synopsis of the play. Plays can have a cast of one to four characters; plays should be easily staged, avoiding elaborate set requirements. Submit one typed manuscript in standard format, securely bound. Complete rules are posted on the Rules page. Any questions can be directed to Rich Smith via the box office, at 262-632-6802, or by e-mail at snowdance@overourheadplayers.org. Scripts will not be returned.

The "Snowdance® 10 Minute Comedy Festival" is a competition of original short comedies. Writers from throughout the community, the state, and the country are invited to enter; previous involvement with Over Our Head Players is not a requirement. Scripts will be judged by the Snowdance Selection Committee; selected scripts will be produced in a complete festival performance. Then, in the ultimate interactive experience, audiences vote for the production they enjoyed the most. The votes will be tallied throughout the five weekend festival run, and the Snowdance "Best in Snow" will be awarded after the final performance on March 9, 2025. A $300.00 prize goes to “Best in Snow”, with a $200.00 award going to second place, and $100 for third place. All submissions selected for production will receive a one-time $50.00 royalty payment. OOHP presents Snowdance February 7 – March 9, 2025.

LUCILLE LORTEL THEATRE HIGH SCHOOL PLAYWRITING FELLOWSHIP

Website

Deadline: November 6, 2024

SUBMIT VIA SUBMITTABLE

We’re seeking 7 lucky fellows for a series of workshops to help you craft your first (or next) play!

Who: Any NYC Public High School student in any of the five boroughs

What to submit:

• An artistic Statement (i.e. who you are, why you want to write, what inspires you, influences, what stories do you want to tell?)

• 2-3 page creative writing sample (short story, song lyrics, poems, etc) 

• 3 Story ideas (Be creative! What kind of stories do you want to see told?)

When:

Fellows will meet every Thursday and Saturday from January 16 to March 31, 2025

APPLY ONLINE AT LORTEL.ORG/HSPF application goes live October 8, 2024

FELLOWS RECIEVE: MENTORING FROM THEATRE PROFESSIONALS

$500 HONORARIUM DINNER AND BROADWAY TICKETS

PRESENTATION OF PLAY PUBLICATION OF PLAY

SUBMISSIONS DUE: November 6, 2024

For more info visit Lortel.org/HSPF

Call for Experimental Theater for Cut Edge NYC 2025

 Call for Experimental Theatre Playwrights: CUT / EDGE ~ NYC 2025

NYC, 2025

Playwrights, Application Deadline December 1, 2024

Final decisions by December 15, 2024

NO FEE TO SUBMIT

Please send a writing sample (10 pages), artist statement and resume to 

Cut Edge Collective <cutedgecollective@gmail.com>

Join us in 2024 in NYC for our sixth season.

We meet twice monthly, on the second and third Tuesdays of each month (except July and August). 

On the second Tuesday of each month, we will hear the work of a single writer out loud (read by professional actors) and discuss this writer’s work. This is an in-person meeting.

On the third Tuesday of each month, we will engage (online) in a moderated philosophical discussion about where we’re at in terms of style, form, the direction of theatre/art today etc. Each accepted writer will have the chance to suggest a topic for the monthly salon, and lead the discussion.  (Past discussions have included what makes a theatrical production experimental; from what/where do we draw our inspiration; censorship in theater; mysticism in theater; differences in ideas of catharsis between East and West; gender issues in written theatre roles; when is spectacle essential to theatre; repetition and play in storytelling, etc.)

PLAYWRIGHTS MAY ONLY MISS FOUR SESSIONS TOTAL (TWO EACH FROM THE WORKSHOP AND SALON).  AFTER THAT, THEY WILL NOT BE ASKED TO PARTICIPATE IN 10-MINUTE PLAY FESTIVAL.

The Upshot

Upon invitation, the rate is $125 for the year. This covers space to meet for an entire year and a modest stipend for the actors who’ll read our words during the workshop meetings (Cut Edge will cast all readings, if desired by the playwright).  Additionally, it will help defer costs for our annual 10-minute play Festival, available to  all accepted writers (Cut Edge provides TD, SM, rehearsal space options and all marketing).  Lastly, the fee helps underwrite the publication of the plays in the Ten Minute, with each playwright receiving three copies of the antholofy.

(Our 2024 cohort will be presenting their 10-minute plays this February at the Tank, 312 W. 36th Street).

The Breakdown

• To participate, you must be an experimental theatre writer. What do we mean by this? You must write for live performance and you must be in the process of creating something that isn’t “conventional.” This departure from normative theatre can include dialogue, structure, staging, character and/or character development, format, passage of time or any other manner of pushing at theatrical boundaries. Teach us something.
• The Cut Edge Collective currently has only a few available slots.  Playwrights will be selected based upon the quality of the work submitted and experimental nature of the work.
• If you’re in New York City and able to commit to two events monthly in Midtown, and write experimental work for theatre, please send a sample, segment or example and tell us why you want to be a part of the collective.

And So Who Is This For

• Experimental Theatre Writers
• Able to Commit to Twice Monthly Meetings, including one in-person in Midtown Manhattan, through 2024 
• Submit Compelling Samples
• $125 for Space, Actors and Ten Minute Play Festival (early 2025).  

Please reach out if you have any questions to: Cut Edge Collective: cutedgecollective@gmail.com

Bridge: The Bluffton University Literary Journal seeks work by younger playwrights

Website

Deadline: October 31, 2024 at 5PM


SUBMIT VIA SUBMITTABLE

Bridge only publishes original work by writers age 14-24. Drama submissions are limited to 5000 words (roughly 10-12 formatted pages). Submissions that have enjoyed full or partial production (stage plays, films, staged readings) are eligible for publication; submissions that have been previously published online or in print are not.

We look for work that demonstrates virtuosity and wonder, work that interrogates norms and assumptions, and delights us all along the way. Bridge ONLY publishes writers and artists age 14-24.
Bridge accepts work from young writers in the following genres: short fiction, nonfiction, poetry, comics, art, graphic novels and short plays for stage and screen. Please, no fan-fiction or excerpts from novels.

• Contributors can submit only ONCE per genre, per submission period. 
• There are no restrictions on content or theme. 
• Work submitted to Bridge must not be previously published online or print. We cannot consider work you posted on WattPad, your blog, website, or social media. 
• Bridge welcomes international submissions; however, all work submitted must be composed primarily in English. 
• Bridge does not accept anonymous submissions. 
• Bridge cannot accept third-party submissions. Writers and artists must submit their own work and correspond directly with our staff. Parents/teachers/mentors cannot submit work for you or on your behalf. If your work is collaborative and includes artists over the age of 24, it is not eligible for publication in Bridge. 
• If selected for publication, Bridge retains First North American Serial Rights to your work. However, all rights revert to the author upon publication. 
• Bridge is unable to pay contributors. 
• Current or former Bluffton University students, and the household family members of Bluffton University faculty, staff, and administrators are not eligible to submit work to Bridge.

Premiere Stages Play Festival 2025

Website

Deadline: November 1, 2024 at 11:59 PM

Premiere Stages is committed to supporting emerging and regional playwrights by developing and producing new plays. Since 2005, the Premiere Play Festival has offered playwrights the opportunity to develop their work in an encouraging, focused environment through discussions, rehearsals, readings, workshops, and Equity productions.

Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theatres throughout the country. We strive to facilitate relationships between writers and theatre professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions. We offer Play Festival winners the option to retain the coveted “World Premiere” brand on their plays. Additionally, Premiere’s productions are consistently reviewed, scouted by major publishing houses, and honored by the American Theatre Critics Association.

Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area from September 1, 2024, through November 1, 2024. All plays submitted to the festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four to five finalists are subsequently selected for public Equity readings in Spring of 2025.

Awards

Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2025 season and receives an award of $3000. The runner-up receives a 29-hour staged reading and $1500. The other finalists will each be awarded $1000.

Premiere Stages is committed to supporting a diverse group of writers; playwrights of all backgrounds, ages, and experience levels are encouraged to apply.

Submission Guidelines

PDF FORMAT SUBMISSIONS ONLY 

• Plays must be full-length and have a cast size of no more than eight.
• Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2026.
• Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
• Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
• Submissions are limited to one script per playwright.
• Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
• Playwrights must be available for the development of their script (see the 2025 schedule table).
• Submissions are accepted September 1, 2024 through 11:59 p.m. on November 1, 2024. Submissions sent early in the submission window are strongly encouraged.
• Names and contact information are welcome on cover pages of scripts.
• All plays must be submitted as a PDF via Submittable at premierestagesatkean.submittable.com/submit. Hard copies will not be accepted.

2024-2025 Schedule

May 2025
Finalists selected

June 2025
Finalists’ readings at Premiere Stages in Union, NJ

Summer 2025 - TBA

Festival winner and runner-up are selected for expanded development

2025 - TBA

Equity 29-hour staged reading of runner-up at Premiere Stages

2026 - TBA

Equity production (LOA referenced to LORT) of festival winner at Premiere Stages

We accept script samples and synopses from playwrights without an agent. Submissions must include:

• Brief synopsis of the play (no more than half a page)
• History of the play’s development (or statement that it has none)
• The playwright’s bio or resume
• Script sample from the play (no more than 10 pages plus title page and character breakdown)
• Premiere Stages will request full scripts to read if the play seems viable for the 2025 season. In 2022 and 2023, the winning plays were first received as samples.

All plays must be submitted as a PDF via Submittable at premierestagesatkean.submittable.com/submit. Hard copies will not be accepted.

Agent Submissions
Premiere Stages will accept full scripts from literary agents or theatre professionals affiliated with Premiere Stages.

Questions or Concerns

For any questions regarding the submission guidelines or process, please email us at pfsubmit@kean.edu.

Readers’ Theater: From the Script to the Stand

Website

Deadline: October 25, 2024

It’s the second season of Readers’ Theater: From the Script to the Stand, at Surfside Playhouse. This season shows are the second Saturday of a run during a mainstage show and will take place @ 8pm in the main auditorium.

Please submit all entries to nancymaticanbock@gmail.com. I look forward to reading your work!

The following are the play submission requirements:-One act plays ranging from 5 minutes to 30 minutes

• One submission per person
• No more than 1-6 characters per play
• Musicals or excerpts from musicals and/or straight plays will be accepted
• If submitting a musical, demo track with and without vocals plus musical score must be included
• Must live within the confines of the United States
• Must include a cover page; a character breakdown page along with the time and setting as well as a short play synopsis. 

All submissions are kept on file for use during any of the Readers’ Theater show dates with the writer’s consent.

Upcoming Readers' Theatre Productions

• November 9
• January 11
• March 8
• May 3
• June 21

The Weekly Workshop ~ participating in a weekly workshop can give you the kick you need

The Weekly Workshop

Join our nationwide community of playwrights on Zoom. 

It’s a great way to stay connected and motivated.

 

Participating in a weekly workshop can give you the kick you need to see your script through from beginning to end.  You can bring in anything you’re working on — a full length script, a musical, a TV pilot, whatever. And when your script is ready — we’ll present it in a Public Reading. We also bring in Guest Speakers, like Pulitzer Prize winner Margaret Edson (Wit). 

 

 

Sit in on a session and see for yourself!

Tuesdays or Thursdays 7 - 9:30pm EDT

 

Check out our website for more details and rates. 

 

Script Consultations

 

If you don’t have time for the workshop but have a script you’d like some feedback on — just send a PDF of your script and you’ll get a critique via email and/or video conference. See website for rates.

 

Richard Caliban has worked with  individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.

Online One-on-One Courses

 

If you’re looking for more, check out our One on One Online Playwriting Courses:

 

•       The Art of Playwriting

•       Write a Play in 10 Weeks

•       3 Hour Short Course

 

All are with instructor Richard Caliban, and since it’s One on One, the courses can be adjusted to fit your level of experience. 

 

Please visit our website for further Info and Rates: 

 

www.theplaywrightsgroup.com

 

Contact us at 

scripts@theplaywrightsgroup.com