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Showing posts with label festival. Show all posts
Showing posts with label festival. Show all posts

Friday, January 24, 2020

Artists' Exchange's 15th Annual One Act Play Festival (OAPF)

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Deadline: Friday, April 10, 2020

Submission Guidelines: Plays should be original, short one act plays; ideal length 10-15 minutes with 20-minute maximum. Previously produced plays acceptable. Playwrights may submit up to three (3) plays maximum.

Seeking Short Plays: Comedic, absurd, dramatic, satirical, farcical, musical, etc. are all welcome for review. Works for actors of all ages (children thru seniors) and abilities are strongly encouraged. Selected plays will be performed at Theatre 82 in Cranston, Rhode Island from July 9-25, 2020 (more performance details below).

Deadline for Submission: All plays must be received by Friday, April 10, 2020. Any plays received or postmarked past April 10th will not be accepted for review. Plays will be reviewed and judged by a panel of community directors and actors on their artistic and technical merits, and collectively decided on whether they are “selected for performance” or “not selected.” Total number of selected plays is TBD, based on factors including number of submissions, length of plays, etc.

Selected Plays for Performance: The One Act Play Festival (OAPF) Panel will finalize and announce all selected plays for performance by the end of May. Playwrights will receive notification only if their play(s) was/were selected for performance, and the selected plays will also be posted on the festival’s webpage. Playwrights will not be notified if their works were not accepted. By submitting works, playwrights agree to allow Artists’ Exchange to produce their play(s) in the festival for the public’s entertainment and benefit with no performance/royalty fees.

Selected Playwrights: Participation is volunteer; no stipends or monetary prizes are awarded to selected playwrights. All monies collected from ticket sales, program ads, and donations will benefit Artists’ Exchange/Gateways to Change, Inc. and the continuation of the OAPF for years to come. Selected playwrights will receive at least two (2) complimentary tickets and recognition in the playbill and festival webpage, including a personal bio and contact information (if provided). Performances are not video recorded.

Festival Performance Schedule:
July 9-25, 2020
Thursdays, Fridays & Saturdays @ 7pm

About the One Act Play Festival: Since 2006, Artists’ Exchange has hosted the One Act Play Festival for the entertainment and enjoyment of the Cranston community. Short plays are submitted from local, regional, and national playwrights and then selected for performance by a panel of directors/actors. Casts feature community actors of all abilities ranging in sex, age, and experience levels. This year marks the 15th annual year and aims to showcase new works by emerging and established playwrights and highlight the best short plays that were submitted for review.

To Submit: Please send all plays to Artists’ Exchange by physical mail or email and include your contact information and play title(s). Playwrights may only submit up to three (3) plays maximum. Contact Festival Artistic Director Jessica Chace with any questions or communications at jessica.chace@artists-exchange.org.

By Mail:
Attention: One Act Play Festival Submission
Artists’ Exchange
50 Rolfe Square
Cranston, RI  02910

By Email: In Subject line, please write “One Act Play Festival Submission: [Your Name]” and send to Jessica Chace at jessica.chace@artists-exchange.org.

Contact Information:
Jessica Chace, Artistic Director OAPF
jessica.chace@artists-exchange.org
www.artists-exchange.org 

Wednesday, January 22, 2020

JTC Playwright Festival

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Deadline: February 8, 2020

Julian Theater Company (California) announces the call for entries for the JTC Playwright Festival.

Playwrights are to submit their one act or full-length non-musical play by 02-08-2020 for consideration in JTCs’ judged staged-reading competition. The judges are not directly affiliated with JTC.

The First-Place Play will win $1,000.00. The Second Place Play $500.00.   

The two winners will be given the opportunity to present staged readings of their work on March 7th, with practice before to be announced.

“… from page to stage. We’re very excited to work closely with playwrights; the creative wellsprings of theatre,” – Scott Kinney, Artistic Director at Julian Theater Company.

“The Kinney’s have been putting on live theater for 30 years in Julian, the mountain town that has more apple pies than residents. It’s in their blood, helps define who they are,” – John Wilkens, Writer, SD Union Tribune 12-15-2019

Founded in 2004, Julian Theater Company serves the Julian community and her guests. The company produces musical and nonmusical live stage productions, offers Theater Industry workshops, field trips to regional theaters, and acting and production opportunities in main stage productions to student and non-student members of the greater Julian area.

JTC hopes this first annual Playwright Festival will complement their continuing effort to bring fresh, exciting, and relevant live theater experiences to Julian.

Julian Theater Company is a Partnership of Deborah Kinney and Scott Kinney

Email kinpro52@msn.com for festival submission forms or download here:

https://www.juliantheatercompany.com/forms/

PR contact Deb Kinney

760-765-1688


Tuesday, January 21, 2020

EAST VILLAGE CHRONICLES, VOLUME 15 Call for New One-Act Play Scripts

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Now entering our 28th season, Obie Award-winning Metropolitan Playhouse is currently accepting submissions for its 15th presentation of East Village Chronicles, a festival of previously un-produced, one-act plays inspired by the diverse population, culture and history of Manhattan’s Lower East Side. Playwrights of all races, religions, ethnicities, nationalities, gender identities, backgrounds, and political views are encouraged to submit.

There is an honorarium of $100 for each script accepted for production.

THEME
Only plays pertaining specifically – though not necessarily exclusively – to the East Village and/or Lower East Side of Manhattan will be considered. Particular consideration will be given to plays that relate this season’s comprehensive theme of Dissent to this subject matter. Playwrights are encouraged to respond directly, indirectly, and creatively to this idea; how a play about the East Village and/or Lower East Side includes Dissent is up to the playwright.

DEADLINE
To be considered, scripts must be received by January 31, 2020.

SUBMISSION DETAILS

If at all possible, scripts should be sent by email to Producer Sidney Fortner, at EVC15@metropolitanplayhouse.org.

Emailed scripts must be in PDF format.

Alternatively, printed scripts may be mailed to:

Metropolitan Playhouse
East Village Chronicles
220 East Fourth Street
New York, NY 10009

SCRIPT FORMAT REQUIREMENTS

Include the playwright’s name, contact information, and a brief, one-paragraph plot summary on the title coversheet of the script. Additionally, scripts need page numbers.

TECHNICAL GUIDELINES
We are seeking new plays of no less than 10, no more than 30 minutes in length that can be played by five or fewer actors. Each play will be presented as part of a program of one-acts and consequently should not require elaborate set or properties.

PRODUCTION SPECIFICS

Performance dates (subject to change): June 2-14, 2020. Rehearsals are estimated to begin approximately four weeks previous to opening. Each play will receive eight performances.

Plays will receive at least one informal reading shortly after selection, in order to give the playwright an early opportunity to hear their new work and respond to any questions raised by actors and any Metropolitan artistic staff who may be in attendance.

Rehearsals and performances will take place on Metropolitan Playhouse’s threequarter thrust stage in our intimate, 51-seat theater located at 220 East Fourth Street, second floor, between Avenues A and B, in Manhattan’s Lower East Side.

A director with significant one-act experience will be selected to direct all festival
plays. Playwrights are welcome at rehearsals, and playwright-director discussion is
encouraged.

Festival plays will be performed by a core company of actors cast specifically for the festival. While playwright input is highly desired, because we are forming a company, final casting decisions remain with Metropolitan's artistic staff.

QUESTIONS OR CONCERNS

Any questions or concerns may be directed to Producer Sidney Fortner by either email or phone. If emailing, please include a reliable phone number.

Phone: 212-995-8410
Email: EVC15@metropolitanplayhouse.org

Monday, January 20, 2020

Theatre Three 24th Annual Festival of One-Act Plays

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  • Only UNPRODUCED works will be accepted.
  • Plays that have had staged readings are eligible.
  • No adaptations or children’s plays.
  • Cast size maximum: 10
  • Length: 40-minutes maximum. No minimum.
  • Settings should be simple or suggested.
  • Playwrights may make multiple submissions. (These need not be made under separate cover.)
  • Please do not submit works that have been previously submitted.
  • Scripts must be post-marked by September 30, 2020.

Each season, THE FESTIVAL receives approximately 400 submissions. To date, THE FESTIVAL has received over 8,000 submissions from across the world. THE FESTIVAL has produced 120 world premieres by 84 different playwrights. THE FESTIVAL presents between five and seven plays each season.

Please submit a cover letter, a synopsis, and a resume along with one copy of the play. Cover-sheet of play should have title, author, author’s address, author’s telephone number, and author’s e-mail. Plays should be neatly bound or stapled on the left-hand corner. (No loose pages and no binders, please.) Any stage play format is acceptable. We do not accept electronic submissions at this time. Please do not call or stop by the theatre.

If playwrights wish to have their works returned, an appropriate SASE must also be included.

Selected plays will be presented for nine performances in April 2021 at the Ronald F. Peierls Theatre, on Theatre Three’s Second Stage.

Playwrights will receive a $125 stipend.

Playwrights are welcome to attend any rehearsals or performances. Playwrights will receive a standard Dramatists Guild-approved contract. Playwrights will receive four complimentary tickets to be used at any performances. Playwrights will receive copies of playbills, flyers, articles, and reviews as well as a link to all publicity and production photos. THEATRE THREE is responsible for all elements of production; playwrights incur no expenses. THEATRE THREE retains no future production rights.

Plays should be submitted to THE 24th ANNUAL FESTIVAL OF ONE-ACT PLAYS, Attn. Jeffrey Sanzel, Artistic Director, THEATRE THREE, PO Box 512, Port Jefferson, NY 11777-0512

Sunday, January 19, 2020

Young Playwrights Festival 2020

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DEADLINE: March 15, 2020

View or Download Submission Rules (PDF, 16KB)

Submit your play via Submittable.com

DEADLINE: Plays or musicals must be submitted online, e-mailed or postmarked by MARCH 15, 2020.

FEES: There are no fees for submitting your work to the Festival.

ELIGIBILITY: Playwrights must be 19 years old or younger on March 15, 2020; co-written plays are allowed, provided all writers meet age requirement.

CONTENT: Original plays or musicals on any subject and any length.

LIMIT: Up to 3 plays per playwright or playwright team.
FORMAT: All plays must have numbered script pages.

COVER SHEET: Along with play script(s), submissions must include a Cover
Sheet with: Title, Playwright Name, Playwright Date of Birth (with year),
Age, School Name (if applicable), E-Mail Address, Contact Phone Number,
Mailing Address.

NO RETURNS: Scripts will not be returned so please do not send originals.

NOTIFICATION: We will contact Festival Competition winners in April 2020.

PERFORMANCE: Winning plays will be performed by professional actors at LA City College Theatre in June 2020.

SUBMIT ONLINE: Browse to theblank.submittable.com, create an account and follow the instructions to submit your play(s) and cover sheet.

SUBMIT BY E-MAIL: Send play(s) and cover sheet as PDF with play title in
subject line to: ypfsubmissions@theblank.com

SUBMIT BY MAIL: Send unbound play(s) and cover sheet to:
Young Playwrights Festival
c/o The Blank Theatre
PO Box 1094
Los Angeles, CA 90078

Saturday, January 18, 2020

Nextfest 2020

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The Nextfest Arts Company invites interested emerging artists to submit for Nextfest 2020.  Nextfest is a multi-disciplinary emerging arts festival in Edmonton, Alberta, Canada running June 4- 14, 2020. For more information on the festival, please visit www.nextfest.ca.

The Nextfest Arts Company defines emerging artists as:
  • any artist within the first ten years of their career
  • an artist who is NOT represented by any organization or union (ACTRA, EQUITY, IATSE, PGC, DGC, ADC, etc.)
  • an artist who is NOT represented by an agent or agency
If accepted as part of the festival, projects and scripts will be presented at one of the following three levels:
  • Reading – dramaturgy and mentorship offered to playwright, actors read script for audience, talk back after performance
  • Progress Showing – dramaturgy and mentorship offered to playwright/production, play produced with limited tech for audience, talk back after performance, or
  • Full Production – dramaturgy and mentorship offered to playwright/production, play produced will full tech and multiple performances

To submit a MainStage Project please fill out the following form:

PITCH A PROJECT
Project Submission
Due : January 25, 2020 at 11:59 pm.

This submission form is to be used for projects which would be considered for the main stages but do not use traditional theatre scripts – ie: Sketch Groups, Improv Groups, Cabarets, Comedy, Performance Art, Poetry, etc.

Once you have filled out this form, please send the following as a WORD DOCUMENT or PDF FORMAT ONLY to Ellen Chorley, Festival Director at ellen@nextfest.ca with the subject line NEXTFEST 2020 PROJECT SUBMISSION:

Any documents related to your project
CVs of yourself and any other artist involved
A short bio of the lead project artist
To submit a script please fill out the following form:

SUBMIT A SCRIPT
Script Submission
Due: January 24, 2020 at 11:59 pm.

Fill out this submission form and submit a script to be considered for a staged reading, progress showing presentation or full production.

Please send the complete script for consideration in either a Word Document or PDF file to ellen@nextfest.ca (other formats will not be accepted.)

Once you have filled out this form, please send the following to Ellen Chorley, Festival Director at ellen@nextfest.ca with the subject line NEXTFEST 2020 SCRIPT SUBMISSION:

Please send the complete script for consideration in either a Word Document or PDF file to ellen@nextfest.ca Other formats such as Pages or Google Docs will not be accepted.
CVs of the playwright(s) and any other artist involved
A short bio of the playwright(s)

8th Annual Columbus Black Theatre Festival

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Mine 4 God Productions is accepting plays for the 8th Annual Columbus Black Theatre Festival (CBTF) held in downtown Columbus, Ohio from November 1, 2019 to February 29, 2020 midnight. 

US citizens 18 years or older are eligible to submit up to two original works.

FACEBOOK
  • Submit in MS Word format to columbusbtf@aol.com 
  • The length of plays wanted are One Act Plays (30 minutes)
  • Full-Length Plays (60 to 90 minutes)
  • Monologues (5 to 10 minutes) with a theme based on inclusion.
  • Plays submitted must be from the original playwright or have legal rights from the original playwright to submit and/or produce.  Plays that have been previously produced or published are eligible.
The playwright will have the opportunity to self-produce their one act plays and/or monologues or have M4GP provide the actors and director to present it at the festival.  The playwright is responsible to self-produce (cast/director, etc.) their full-length play if selected.

We will also select one act plays to present as readings that we will produce.

  • Submitters will be notified through email by March 30, 2020 (earlier if possible.)
  • Plays shall be full complete works, not a scene or act from a larger work or work-in-progress.  
  • The playwright’s name should not appear anywhere in the script.
  • Include two title pages: One title page should contain a) the name of your play, and b) your name, address, phone number, and email address. The second title page should include only the title of your play, as this will be a blind read. The document should contain no identifying information about the author in any way on any page except the one title page, which will not be revealed until the plays are selected.
  • Plays should run no less than 30 minutes, or more than 90 minutes in length.
  • Plays must be typed in standard play format.
  • Please include a synopsis of your play in 50-100 words.
  • Production criteria include scripts able to be produced with open staging and minimal design/ technical support for a 175-seat black box theater with a 36’ wide and 24’ deep, equipped with an ETC Express 24/48 light board, Mackie 1202, 12 Channel mic/line and a monitor system to the booth.
  • Play must be able to be performed with no more than six actors (double casting is okay) and the story line must involve people of color with 50% of the characters/actors being a person of color. Note that younger actors may be difficult to cast.  The CBTF is a family friendly event.
  • Manuscripts will not be returned and playscripts will be deleted from our server after use. Please do not send return envelopes with postage.
  • Playwrights retain full rights to all works submitted. However, Mine 4 God Productions shall be named as “first produced” if first production of original works.
  • Selected plays will have a production mounted July 10-12, 2020 at The Columbus Performing Arts Center with at least three performances for the One Act plays selected (30 minutes) and two performances for the full-length plays (60 to 90 minutes) selected.
  • Playwrights who have plays selected (One-Act 30 minute) to be performed by CBTF actors are encouraged to attend at least one rehearsal and collaborate with the director – the purpose is to both help the playwright to fine tune the script and the director to collaborate on a new script.
  • Playwrights are requested to attend and participate in a post-show discussion after each performance if available to attend.

 For direct submissions, please email the MS Word format files to: columbusbtf@aol.com with CBTF 2020 PLAY SUBMISSION in the subject heading. 

Friday, January 17, 2020

ARTISTS IN PARTNERSHIP SEEKS 10-30 MINUTE PLAYS FOR FESTIVAL

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Deadline: February 17th 2020

THE SUBMISSION DEADLINE FOR THE MAY 29-31, 2020 FESTIVAL IS NO LATER THAN FEBRUARY 17TH, 2020.
SUBMISSIONS MUST BE TIME STAMPED BY THAT DATE FOR CONSIDERATION.

SUBMISSION:

There is NO FEE to submit your play to be considered for inclusion in this Festival. Playwrights may submit up to two (2) plays, providing a separate application accompanies each submission.

SELECTION CRITERIA

  • Innovative concepts;
  •  Entertainment value;
  •  Depth of characterization;
  •  Quality of narrative and dialogue;
  •  Dynamic vs. Static staging.

Additional weighting will be considered for plays that reflect the following:

  • Playwrights who reside in Long Beach or the other barrier island communities (Atlantic Beach, Lido Beach, Point Lookout);
  •  Playwrights who reside in the other areas on Long Island;
  •  To help provide opportunities for diversity and inclusion in the arts, plays written by, directed by or that include characters/themes/casts with women, people of color, LGBTQ+ and/or the developmentally disabled;
  •  Plays that are topical and have community impact;
  •  Plays that are self-produced and have a clearly stated vision for presentation

SUBMISSION GUIDELINES:

1. A digital copy of your script in PDF format must be emailed to lbshortplayfestsubmissions@gmail.com (hard copy or CD submissions via mail or hand-delivery will not be accepted);

2.  Script pages must be numbered;

3.  On the cover of your script, please include
  a)   Play Title;
  b)   Playwright’s Name;
  c)   Playwright’s Contact information [Address, Telephone Number & Email].

4. On the second page of your script, please Include a character breakdown;

5.  Include the Setting where your play occurs and the Time it takes place (to be used in the program);

6. Provide a statement that the play submitted is original and unpublished.

7.  Provide a short biography of the playwright to be used for Festival promotion (if selected);

8.  If self-producing, provide
   a)    Name, contact information and resume/CV for the director attached to the play submitted;
   b)   Vision statement for how the play submitted will be staged (should be succinct with one-page maximum length).

SELECTION / PARTICIPATION / CONSIDERATIONS:

Submitted plays will be reviewed by a selection panel chosen by AIP, the Festival Artistic Director and the Festival Executive Producer, whom will all also have input. Playwrights will be notified on or about March 16th, 2020 if their play has or has not been selected for inclusion in the Festival.

Playwrights must submit A PARTICIPATION FEE of $100.00 per accepted script to help defray some of the production expenses along with the Release Agreement by no later than March 23rd, 2020 (tickets sold by the playwright will earn reimbursement of the fee in whole or in part post-production). Playwrights will receive one (1) complimentary ticket to each performance.

The Long Beach Short Play Festival will be hosted by AIP at a facility operated by the city in a space that seats 125 patrons (Magnolia Senior/Community Center, 650 Magnolia Blvd., Long Beach, NY 11561). So, please consider the language, situations and themes used in any script submitted. AIP, the Festival Artistic Director and the Festival Executive Producer reserve final say on all decisions regarding selection, content, staging and running time presented.

All submissions must be original and unpublished (but we are not requiring premieres). All production and publication rights will remain the property of the playwright. No royalties or other monetary compensations will be paid to anyone for these performances. Other than reviewing these plays for selection, no critical analysis or feedback will be provided.

Ease of production is a prerequisite for all plays considered for this Festival. The stage is 24’ wide, 13’ deep and 9’ high with masking to provide wing space on stages left and stage right. A simple set footprint and minimalist production requirements (e.g., costuming, props, lighting, sound) are non-negotiable. There will be a basic lighting/sound plot that all plays in the Festival will use. Given the current amplification capabilities, musical plays cannot be considered for this year’s Festival.

Plays submitted for the Festival must run between 10 to 30 minutes at the absolute maximum (if unsure, a minute per page guideline should be used as a guide for estimating). Plays can be comedies or dramas (or in between), as well as monologues. The Festival will present 2-3 performances of each play selected, and the dates, times and order of presentation will be assigned at the sole discretion of AIP, the Festival Artistic Director and the Festival Executive Producer.

Playwrights can submit their play(s) for production by AIP or they can self-produce it(them). If the latter, please note that the performance space will only be available for one (1) cue-to-cue tech/dress rehearsal on a weeknight immediately preceding Festival Weekend and the Festival Artistic Director must have access to see a full run-through by no later than May 17th, 2020. All rehearsals will be scheduled in the order that the plays will be presented on Festival weekend to properly work through the set changes between them (each play’s cast is expected to assist after they perform). Each program may consist of as many as six (6) plays. A subset of plays may be selected by AIP, the Festival Artistic Director and the Festival Executive Producer based on audience feedback for a subsequent performance at the Long Beach Public Library within a week or two following the Festival. Both the AIP and the City of Long Beach will require standard waiver forms on file for the cast and crew of each play presented.

Thursday, January 16, 2020

Fifth Annual Women in Theater Festival

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Deadline: February 29, 2020

Seeking full-length pays

Submit in PDF format via Google Form at http://tiny.cc/tfnriz

Project Y Theatre is opening an application for their 5th Annual Women in Theatre Festival, which will take place June 2020 at The Gural Theatre, NYC.

Project Y is seeking productions of plays that are written by a female identifying playwright and that feature more than 50% female-identifying characters. An ideal play for the Festival is either:

  • A one person show, ready for a crowd
  • A new/developing work multi-character project that would be able to take advantage of a night in the space. 
  • A festival-ready show

Chosen productions will get a performance slot in A.R.T. New York’s Gural Theatre as part of the Women in Theatre Festival. This opportunity is ideal for director/playwright who want a no-risk opportunity to see and hear their work out loud in front of an audience, festival-ready shows, or one-person performances.

The Women in Theatre Festival seeks to broaden the opportunities for women in the entertainment industry by producing new work by women with more than 50% female representation of all artists involved.  www.witfestival.projectytheatre.org.

Project Y supplies the space, but you would need to supply everything else, including all production costs, professional stipends, etc.  Productions can be equity or non-equity, but it is up to you to apply to equity for the appropriate permission.

Playwrights should note that the Women in Theatre Festival is NYC based - there will be no housing provided by Project Y and productions must invite their own audience, although the production will be included on all Project Y advertising and outreach.

Project Y operates on a split box office agreement with festival artists.  We guarantee an audience capacity of at least sixty-five seats. Project Y will keep income from the first 15 full price tickets sold;  after that, all sales will be split 70% to artist/30% to Project Y. Tickets are normally set at an average of $20-$25 general admission, so that we can also set up discount codes to help push tickets.

There will be minimal tech time (90 minutes) and tech capabilities (rep plot lighting) for each show.  There can be no moving of lights or changing/adding to the plot during the festival. In other words, shows should be made with the “festival” aspect in mind. Running time of shows can be from 30 min through a full length production.  Project Y will supply a stage manager to help call the show, and a board operator for lights and sound.

Project Y will handle all box office and front of house staffing. Project Y will sell concessions before each show and during intermission when applicable.

To apply for the Women in Theatre Festival, playwright should send a script sample (a dramatic beat of no more than 20 pages) and/or a video clip of work (5 minutes), a resume, and a statement of intent via Google Form, at http://tiny.cc/tfnriz. To report problems with the form or to ask questions, please email info@projectytheatre. Applications not received via the Google Form will not be considered.

Deadline for submissions is Feb 29th, 2020.
Playwrights will be notified of their application status on March 28th, 2020.

For more information about previous festivals and about Project Y Theatre, please visit their website at https://www.projectytheatre.org/.

Wednesday, January 15, 2020

Y.E.S. Festival 2020 seeks plays

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Deadline: June 1, 2020

Northern Kentucky University School of the Arts is calling for submissions for the 20th anniversary of our award-winning Year End Series Festival of New Plays - THE Y.E.S. FESTIVAL, running April 8-18, 2021.

Submissions will be accepted from Jan. 15 until June 1, 2020.

Two plays will be selected for performance in the festival.

The selected playwrights will each receive a cash prize of $400 and an expense-paid (travel and accommodations) visit to NKU to see their plays in production. Selected plays will receive a full production.

WHAT TO SUBMIT

  • Full-length plays and musicals are eligible. The author must fully own all rights.
  • No children’s theatre, one-acts, or reader’s theatre pieces will be considered.
  • Adaptations will only be considered if the adapted work is in the public domain.
  • Submissions may not have had a previous professional or university production.
  • In deciding what to submit, a writer should know the festival will be cast with undergraduate student actors. Submissions with larger casts are looked upon favorably in the selection process.
  • Scripts must be standard sized and legibly typed. Standard Dramatists Guild format is preferred.
  • Submissions (ONE per playwright) should include a one-page synopsis and a cast list with brief character descriptions.
  • For musicals, please also include libretto, a list of characters with vocal ranges, demo CD and samples of the score.
TO SUBMIT

Use the online form or print out and mail an entry form.


For additional information please contact:

Michael King, Co-Project Director
mking@nku.edu • (859) 572-5647

Corrie Danieley, Co-Project Director
danieleyc1@nku.edu • (859) 572-5451

Tuesday, January 14, 2020

Violet Surprise: Lavender Menaces seeks 10-minute plays

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located in Chicago

Deadline: February 13, 2020

Sapphics save the day! 
Lesbian Visibility Day, that is.
VIOLET SURPRISE: LAVENDER MENACES is a short play festival that showcases Sapphic superheroines.
Whether you transform existing heroines into queeroines or create original sheroes who think girls are super, we invite you to submit stories that champion lesbian characters who are powerful and magical, formidable and visible, capable and -- if you so desire -- cape-able. Your play may be as realistic or fantastic as you wish, and set in the place and time period of your choice, but it must feature gutsy gay gals.
VIOLET SURPRISE: LAVENDER MENACES is curated and produced by Iris Sowlat and Allison Fradkin in collaboration with Otherworld Theatre Company, and will be presented in Chicago April 10-12, 2020.
Guidelines
  • Submissions are open to playwrights who identify as female, trans, or non-binary.
  • Plays can be up to 10 pages and include up to 4 characters.
  • Playwrights may submit 2 scripts for consideration. 
Send your scripts in PDF format to allisonfradkin@aol.com with "Violet Surprise" in the subject line. Questions may also be directed to that address.
The deadline for submissions is February 13, 2020.
Playwrights will be notified of our selections by February 28.
About Violet Surprise: Founded in 2019, Violet Surprise is a queer feminist theatre company whose mission is to present new works that vibrantly and valiantly validate the identities and experiences of queer women.
Violet Surprise Facebook page:

Monday, January 13, 2020

Broadway Bound Theatre Festival

web site

August 10 - September 6, Theatre One at Theatre Row

APPLICATION DEADLINE: 11:59PM EST on Sunday, March 1, 2020. 

After paying the $25 Reader Fee, PLEASE submit your script immediately. Any script received AFTER 11:59 PM on the deadline date will be returned.


 This fee does not apply to members of the Dramatists Guild with proof of active membership.

All submissions must be made through www.broadwayboundfestival.com/submit. Late applications, applications mailed via the postal serve, e-mailed or faxed will not be accepted – no exceptions will be made.

FINALIST INTERVIEWS: End of March, 2020. Finalists will be interviewed by the Festival General Manager, via telephone/FaceTime/Skype.

PARTICIPANT INVITATION: Final acceptance offers will be made on Wednesday, April 1, 2020.

CONTRACTS AND PARTICIPATION FEE DUE: 12PM (Noon) EST on Sunday, April 5, 2020. If invited to participate, your contract and non-refundable participation fee is due no later than 12PM (Noon) EST. If you miss this deadline, your spot will be offered to another finalist.

- No musicals or performance art pieces will be accepted.

- Performances must run 60-90 minutes, with no intermission. Scripts submitted may not run under 45 pages or over 80 pages in length.

- Scripts should follow standard format. Improperly formatted scripts will be automatically returned. If you have any concerns over script formatting, please visit the following links:
http://broadwayeducators.com/wp-content/uploads/2013/05/Sample_Format_Page.pdf

- Only 20 plays will be accepted into the 2020 festival. You may submit up to two scripts per season. Only one script will be selected per playwright.

- Only unproduced works are eligible to participate in BBTF 2020. Shows that have had readings or been workshopped ARE eligible. Shows that have sold tickets to performances ARE NOT eligible.

- All participants are fully responsible for producing their own plays. This includes covering the costs of production (e.g. rehearsal space, transportation fees, salaries, marketing, etc.) and operation.

- BBTF will not accept applications filed by anyone other than the playwright themselves (barring legitimate medical reasons explained on the application).

- Playwrights submitting to BBTF are expected to play an active role in the production of their script, such is the spirit of the experience. Productions that have been found to have been handed off to an independent contractor will be subject to cancellation.

- Applicants may not act in or direct their own shows. This includes solo shows. We expect the energy of our participants to be solely focused on the BBTF playwriting/producing experience.

- BBTF participants may not stage any other productions of the accepted play (in part, or in its entirety) in the tri-state area during or up to 12 weeks prior to or post the BBTF opening and closing dates, August 10 - September 6, 2020. This includes productions that decide to participate and later withdraw from BBTF 2020 prior to the festival's commencement.

- International playwrights are welcome to submit to BBTF using the same blind submission process as any other applicant. We strongly suggest international applicants enlist a NYC-based co-producer to help with the marketing, housing, and financing that go hand in hand with producing in NYC.

- Playwrights who receive a “conditional acceptance” are expected to take a second look at their play through the lens of our critique and perform the necessary rewrites to meet the BBTF standard for staging.

- By submitting an Application and choosing to participate in the Festival, applicant acknowledges and agrees that if applicant if selected as a Participant, applicant will not disclose to any person or third party the fact that applicant was selected until notified by BBTF that such disclosure is permitted.

- Applicants understand that BBTF is a professional environment and we hold our participants to a professional standard from commencement. We expect open communication during the rehearsal process so that by your performance dates, you can confidently present a quality finished production, completely off-book, and in adherence to to BBTF festival rules.

Critiques, Fees and Further Production
BBTF takes pride that:
- A blind submission process allows for the selection of the highest caliber of writing. This means that all selections are based on the merits of the submission and does not allow the process not be lead (whether consciously or unconsciously) by the expectations inspired by the author's institutional affiliation, reputation (or lack thereof), gender identity, race, ethnicity, religion, abilities, age, sexual preference or orientation.
- All submissions are read in full by the Festival Director and at least one other professional playwright.
- Upon completion of the decision-making process, BBTF will email you a critique of your script, which should help you understand the reason your play was or was not selected to participate in the festival. Our critiques provide professional feedback of your work.
- We are most proud of the support we at BBTF give our playwrights. If your play is selected to participate in BBTF we promise to never put our stamp on it should it go on to be successful post festival. BBTF neither requires any acknowledgment of its festival in future productions, nor does it take a percentage of any future revenues or require the distribution of producer points, nor will it instigate negotiations for credit should any participating production be approached with financial interest during or after the festival.

- There is a one-time, non-refundable $1000 total participation fee, which includes everything stated in the contract.
- The BBTF participation fee covers three full performances in The Lion Theater in Theatre Row as well as all the tools we feel playwrights need to effectively and affordably produce and market their plays, including regular information packets, workshops, and a private Facebook forum.

Saturday, January 11, 2020

ANT FEST 2020

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Deadline: 11:59pm on Wednesday, January 15, 2020

We’re now accepting submissions for our twelfth annual ANT Fest, a festival of All New Talent showcasing new work from New York’s most adventurous emerging artists. ANT Fest 2020 will run through the month of June.

Every June, Ars Nova throws open our doors to the next wave of pioneering, hybrid theater-makers and fills our stage with their most dynamic ideas. We’re on the prowl for artists with diverse viewpoints and impressive skills, who see the future of live entertainment and want the chance to try out their ideas on stage. As an artist-driven festival, ANT Fest brings together an eclectic network of creators who feed our artistic community all year long.

We’re interested in unique, innovative projects that span traditional genre boxes (theater, comedy, music, burlesque, drag, variety arts or anything else you can think of) in an exciting way to tell a story, make us laugh, or showcase musicians with a vibrant new sound. This is the place to pitch that crazy show you’ve been dying for an excuse to make! We’re waiting for you.

TO APPLY:
Please fill out the online application form and submit it along with:

  • A short description of your evening (one page max)
  • An Artist Statement that describes what makes your key creator(s) tick and why you want to make this show (one page max)
  • Samples of your key creator(s) work
  • Bios or resumes for key creator(s)
  • A range of unique submissions will each be given a night to perform in Ars Nova’s intimate Off-Broadway theater and the opportunity to be a part of artist-driven events throughout the festival. Artists of color and all theater-makers with wide-ranging viewpoints are strongly encouraged to apply.

Applications must be submitted by 11:59pm on Wednesday, January 15, 2020. Artists chosen for the festival will be notified by the end of March. Please download the ANT Fest Logistics page here for important logistics and details.

Science Fiction Theatre Festival 2020

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Deadline: Saturday 1st of February 2020

THE PLEASANCE THEATRE - Downstairs
19th - 23rd May 2020 London,UK
 7pm, 3:30pm
Submissions for Horatio Productions' Science Fiction Festival 2020 are open!

Submissions open:

We're looking for groundbreaking short science fiction plays, for writers coming from all walks of life, for daring and innovative creators, for new ideas, revolutionary dreams, crazy stories, for the bold, the daring, and the unique. These are the details:
  • Length: Up to 15 minutes per play.
  • Cast: Up to 4 performers.
  • Set restrictions: The stage will be shared with several other companies; time for setting up will be minimal, so don't submit anything that involves complicated set design, or too many props.
  • Submission limit: Writers can submit as many plays as they want. We will do our best to read all the material sent, and to get back to every applicant in due time.
  • International entries are welcome. You do not have to be based in the UK, but the play must be in English language.
  • Deadline: Saturday 1st of February 2020. Plays sent after this date won't be considered for the festival. 

Selection process:

Once the deadline is closed, we'll read all of the plays submitted. Yes, all of them. From beginning to end. We'll select between 16 and 20 plays, and get back to every writer who has applied. Unfortunately, we won't be able to provide feedback for all but, if you specifically ask for it, we would try our best to get back to you. Sometimes, if necessary, we will ask writers for edits, but only if there is something that we really need changed in order to program the play. Edits are generally related to length, or number of characters.

What happens next:

The selected plays will be paired with directors and cast, and will be given one or two slots during the festival. This means that, as a writer, once you have submitted your play, and done any necessary edits, your work is done (unless you want to get involved in a different capacity as well). Once the festival is over, we will share any profit between all participants. We have an open books policy.

This project is currently on a profit share basis. We are applying for funding but are not able to confirm if it will come through until a later date.

​How to apply:
​​
1) Fill in this form:

2) Send your script to: scifitheatre@gmail.com

We are aiming to program up to 20 short plays during the festival. Depending on the quality of the material received, and the length of the plays selected, that number could change.

We look forward to reading your science fiction plays!

Tuesday, January 7, 2020

Ain't I a Woman Playfest

Facebook page
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Deadline: January 31, 2020

Looking forward to another great festival.❤️ Submissions NOW open for Season 3 of Ain't I a Woman Playfest 2020!!

We are looking for original, unproduced 10-min plays from WOC playwrights. Deadline to submit is January 31, 2020.

You can email your submissions to aintiwomanfest@gmail.com

The 18th Annual Fresh Fruit Festival of LGBTQ Arts

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Submissions are now OPEN for the 2020 Main-Stage Festival

The 18th Annual Fresh Fruit Festival of LGBTQ Arts, held July 6 through 19 at The WILD Project and other Manhattan venues

Categories: Full length plays; One-Act Plays; Choreographed Dance pieces; Thematic new Solo Shows, comedic or Dramas; Musicals; Opera; Cabaret; Unimaginable . . . ? – Any kind of performance art featuring LGBTQ characters or themes.

The CREATIVITY is yours; the OVERHEAD is ours. And thanks to the generosity of New York City’s Department of Cultural Affairs and the New York City Council there are no application fees or participation fees required, and all productions earn a box office share.

We provide:

ADA and AEA approved performance venues
AEA approved venue insurance
Technical, Booth, & Front-of-house Staff
Repertory Lighting Plot & Sound system, with Video available
On-line, real-time ticketing service with audit trail
Glossy, full-color Festival brochures
Networking events & Marketing assistance for all shows
Optional co-production plans* for higher box-office shares
Deadline:  Monday, February 10th.

Click on the APPLY button below to go to the full Application Form. Please download a study copy so you can later complete the form in one online session (required). Note: Your planned production cannot have been produced before in the 15 months preceding the July Festival. If you are producing an Out-Of-Town show (25 miles from New York City) be prepared to submit local contracts, and accept one of our co-production plans.

Sunday, January 5, 2020

The Arundel Festival Theatre Trail 2020 Writers’ Competition

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The Arundel Festival Theatre Trail, conceived and presented by Drip Action Theatre Company, is now in its nineteenth year.

It performs at the end of August, on each of the Arundel Festival’s eight days, eight short plays at eight different venues all over Arundel – for example, in a community hall, a restaurant, a football club or Arundel Jailhouse.  An audience of over 2,000 came to see the eight 2018 Theatre Trail plays.

The Trail is firmly established as one of the major components in the Festival and is a great showcase for both new and established writers, both from the UK and beyond.

Writers are invited to submit plays for the 2020 Trail from November 2019.

Plays should be between 30 and 40 minutes long, with practicable casting, props and effects.

All entries should be submitted to Drip Action Theatre Trail 2020

c/o Arundel Festival
Town Hall
Maltravers Street
Arundel
West Sussex
BN18 9AP

Entries must be received by 31st January 2020. There is no reading fee.

One play only per entrant, in hard copy (not e-mail).

Please enclose an SAE if you’d like your play returned.

Our reading committee will select the plays that will be performed, with the best submitted script receiving the Joy Goun award of £250 at our Theatre Trail launch in May 2020.

Each successful playwright will receive a £150 writer’s fee.

For further information call 01903 885250 or email info@dripaction.co.uk

Saturday, January 4, 2020

Revolution They Wrote and MainLine Theatre Short Works Feminist Theatre & Performance Festival

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To apply, please fill the submission form found here 


Revolution They Wrote and MainLine Theatre (Montreal Canada) are proud to present the fifth annual Short Works Feminist Theatre Festival. We are a theatre platform that gives stage to intersections of oppressions, rebellion and resilience. We focus on prioritizing marginalized voices and widening the breadth of feminism, equality and justice. The festival is a 4 day event in two venues that each have a program made up of a number of short works (3-5) that both run for 4 consecutive nights. Readings of in progress works also take place during the weekend days of the festival. We are interested in the ugly, the magnificent, the real, the struggle, the joy and the work that’s in progress. As an organisation we aim to be engaging in deep questioning, transparency and caring communication.

There is no cost involved with applying or being produced in the festival.

Jurying takes place in late January and applicants, wether selected to be featured in the festival or not will be notified shortly after. Some feedback may be given to groups not selected upon request.

Artists featured in the festival will be provided with:
  • Access to 10 hours of rehearsal space at MainLine Theatre;
  • Additional rehearsal space on a case by case basis;
  • A public reading or 4 nights of performance of the work at the festival;
  • 60% of the box office funds shared evenly between the other festival works in the program.
  • Other production-related support: promotional, technical and administrative.

*Dates for the festival are April 30th-May 3rd 2020

Questions in the application form include:
  • Goal in creating this work
  • Why this work now
  • Why are you the person to be exploring the themes of this work?
  • What about this work is important to you?
  • How do you plan to deepen or develop the work?
  • How you believe your work explores feminist values? 

To be eligible:

  • Your work must be 15-35 minutes in Length
  • All applications submitted must include a score, script, or video documentation (please highlight 7 pages for the jury to review if submitting a full script) 
  • be intended for a feminist audience
  • Be an emerging artist/collective
  • The works will be juried according to the following criteria:
  • Is this work giving a platform to unheard voices?
  • Is this work exploring something new, from a new angle or a topic that rarely gets stage time
  • The overall quality of the work
  • How the work fits within the context of the festival programming
  • Feasibility of the work
  • How relevant is the work to questions of feminism
  • Who does it benefit?

If you are looking for a little reminder join our Facebook event for updates!

For questions please contact Artistic Director, Jad at revolutiontheywrote@gmail.com.

Friday, January 3, 2020

HEAR HER CALL 2020

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DEADLINE 1/11/2020

PLAY SUBMISSION FORM

In March 2020, Conch Shell Productions - in collaboration with Milton G. Bassin Performing Arts Center at York College - will present our second annual HEAR HER CALL CARIBBEAN-AMERICAN WOMEN’S THEATER FESTIVAL. The festival is a celebration of the unique, innovative voices of Caribbean American female playwrights and writers from across the nation.

"Hear Her Call" will create an opportunity for diverse audiences to explore and celebrate the unique ethnic/cultural diversity of women whose ancestors or who they themselves immigrated to the Americas from any of the 28 multi-lingual Caribbean cultures.

  • Anguilla
  • Antigua and Barbuda
  • Aruba
  • Bahamas
  • Barbados
  • British Virgin Islands
  • Cayman Islands
  • Cuba
  • Dominica
  • Dominican Republic
  • Grenada
  • Guadeloupe
  • Haiti
  • Jamaica
  • Martinique
  • Montserrat
  • Netherlands Antilles
  • Puerto Rico
  • Saint Barthelemy
  • Saint Kitts & Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Vincent
  • Trinidad & Tobago
  • Turks & Caicos Islands
  • US Virgin Islands

We are accepting submissions of fully produced of one-acts,  readings of full-length plays, as well as poetry/monologues/etc.

We will only consider one submission per writer.

Please note, Conch Shell Productions will only provide script feedback to playwrights who opt for the script feedback service.

Featu one act play productions will be allotted 2-3 performance times.

Submission Deadline EXTENDED: JANUARY 11, 2020 at 11:59pm.

“Hear Her Call” will take place March 4-March 7, 2020 (Performance times TBD).

Performance location: Milton G. Bassin Performing Arts Center at York College – 94-45 Guy R. Brewer Blvd., Jamaica New York 11451

The festival will closing/award ceremony will take place on Saturday, March 7th, 2020.

SUBMISSION DETAILS

One-Act Plays

1. No submission fee required

2. Optional script feedback/analysis: This year, Conch Shell Production offers playwright the option to pay $40 to receive a detailed 2-page script analysis.

3. English language scripts with some text in other languages and/or dialects are acceptable.

4. Seeking new plays written by Caribbean American females that feature at least one Caribbean-American or Caribbean character, plus
a. inspires audiences to redefine their stereotypical views about American people of Caribbean heritage,  
AND/OR 
b. explores unique strategies for overcoming challenges, living an enriched life, finding joy, AND/OR inspiring change in society
5. We will be showcasing artist-produced one act plays.
a. The playwright (or indie theater company) is responsible for self-producing the fully produced play or reading (ex. engaging all performers and members of the production/creative team, assuming all production and marketing expenses, renting rehearsal space, etc.)  
b. The play must be original to the submitter, unpublished, complete, and not previously produced in NYC. No adaptations or works that involve third-party rights will be considered.
6. GENRES: Comedy, movement/language performance pieces, one-woman performance pieces, Theater for Young Audiences, magical realism, Afro Futurism, Non-linear storytelling, mystery, or a mixture of genres.

7. Participants should plan on minimal production value: No sets. Basic festival lighting design.   Minimal props/set pieces. QLab is available in the venue.

8. The festival is not being produced under the Equity festival code. Each producer is free to determine whether to do present their play as an Equity or non-Equity showcase.

9.  Plays must be in traditional script format with font size 12, all character names in all caps & aligned to the left, stage directions in italics (click here for example).

10. Only one submission per writer.

Glass Ceiling Breakers 2020: A Celebration of Women Playwrights

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 GoJo Clan Productions, LLC. and Theatre Revolution, LLC. would like to invite women playwrights to submit a play to Glass Ceiling Breakers 2020: A Celebration of Women Playwrights, produced in partnership by GoJo Clan Productions, LLC. and Theatre Revolution, LLC.

The 2020 GCB Celebration will be held on June 19, 20 and 21, 2020 at the Philipstown Depot Theatre in Garrison, NY.

Here are the details and submission guidelines:

· Plays should be no more than 15 pages in standard play format
(see https://shop.samuelfrench.com/content/files/upload/General%20SFI%20Formatting%20Gu idelines%20Complete.pdf for a standard template), type size (12) with 1” margins and not run more than 15 minutes.

· Please only submit plays that have not been produced in Westchester or Putnam Counties from January 2019 to June 2020.

· Plays must be written by female or female identifying playwrights.

· All plays must be received by 11:59 on January 12, 2020

· Submissions will be “semi” blind (half the judges will know who submitted, half will not).

· Playwrights may submit up to 2 plays.

· Each submission must be sent as two attachments.

1. The first attachment will be your play with a title page that contains only the title and NO contact information.

2. The second attachment will be the title page with your name and contact info.

Please email submissions to theatrerevolution1@gmail.com

Playwrights will be informed of decisions by the end of February.

There is no stipend. The production is in a black box theatre and sets should be minimal.

If selected, the playwright (or their representative) may choose to be responsible for the production of their play
               OR
may request production assistance (not financial) in some or all of the following areas: casting, directing, rehearsals, props, etc.

In all cases, the theatre will provide limited set pieces, lighting and sound equipment and production staff.

There will be a mandatory pre-production meeting for all playwrights or their representatives in mid-April 2020.

Any questions? Email us. We are looking forward to reading your work!

Robin Joseph and Gabrielle Fox--Producers Glass Ceiling Breakers 2020
  

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