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Showing posts with label honorarium. Show all posts
Showing posts with label honorarium. Show all posts

Wednesday, September 16, 2020

FutureFest 2021

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Deadline: October 31, 2020

Dayton Ohio

FutureFest Submissions

Festival dates: July 16 – 18, 2021

FEE
$20 submission fee. This fee will be waived for members of the Dramatists Guild. Checks and money orders should be made payable to “Dayton Playhouse”.

Fees may be paid online by following this link to our online payment system.

ELIGIBILITY
Entry must be an original work (NO musicals or plays for children) that has not been published or produced where admission was charged prior to FutureFest 2021. Staged readings/workshop productions are not necessarily disqualifying factors.

TENTATIVE DEADLINES
Submissions will be accepted August 14 through October 31, 2020 (postmark or electronic submission).

SCRIPTS

Electronic submissions (PDF format) are preferred, but not required.

Submit a blind copy (no name/contact info) of your script, in standard play format with pages numbered. After the title page include a brief synopsis, character breakdown, setting, and scene breakdown, if applicable. Your script(s) should be accompanied by a cover letter, including playwright contact information (address, phone #, e-mail address) and resume. If applicable, also submit a photocopy of your Dramatists Guild membership card.

Please note that entries that do not comply with our guidelines will be disqualified. Scripts may be submitted electronically or via Media Mail. Eliminated scripts will not be returned. Script evaluations will not be provided.

CONSENT
Playwright gives the Dayton Playhouse permission to photocopy scripts for reading/production purposes.

Should your script be selected and produced as one of the six finalists, you must be available to attend the weekend festival (July 16-18, 2021) and participate in all events. Finalists must acknowledge the Dayton Playhouse when script is published. The winning playwright awards the Dayton Playhouse the option to produce the winning play as part of its main stage season royalty free.

AWARDS
A $1000 honorarium will be awarded to the winning playwright; runners-up each receive $100. The Dayton Playhouse provides the six finalists travel (within the continental U.S.) to Dayton and housing for FutureFest weekend.

SELECTION PROCESS
Each entry is guaranteed a minimum of three reads. The original play reading committee, following many months of discussion and voting, narrows down the entries to 15 – 18, which are then read by the entire committee before they select the 12 semi-finalists. A second committee selects the six finalists. During FutureFest weekend, the plays are staged and publicly adjudicated by a panel of five theatre professionals (New York based and regional). Following the final production of the weekend, the adjudicators vote and select the winner.

FINALISTS
Finalists will be posted on the Dayton Playhouse website (www.daytonplayhouse.com) by May 2021.

SUBMIT TO
futurefest@thedaytonplayhouse.com or Dayton Playhouse FutureFest, P.O. Box 3017, Dayton, OH 45401-3017.

QUESTIONS
Contact Fran Pesch, FutureFest Program Director, at 937-424-8477, or email futurefest@thedaytonplayhouse.com

Tuesday, September 15, 2020

New Human Horizons Virtual Ten-Minute Play Reading Festival

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DEADLINE: September 25, 2020 - 5pm PST

Human beings are magical. Bios and Logos. Words made flesh, muscle and bone animated by hope and desire, belief materialized in deeds, deeds which crystallize our actualities. . . . And the maps of spring always have to be redrawn again, in undared forms.

–Sylvia Wynter, “The Pope Must Have Been Drunk, The King of Castile a Madman.”

The University of Puget Sound’s Department of Theatre Arts is soliciting new 10-minute plays for the New Human Horizons Virtual Ten-Minute Play Reading Festival.

Plays open to all playwrights and any style of play; however, no musicals. We are seeking plays that engage in conversation with Sylvia Wynter’s notion of the Human as both bios and logos, magical, words made flesh. We are interested in plays that re-imagine and re-present new ways of being, living, caring, and loving in the world.

Plays can incorporate the themes of the quote in a variety of ways, for example,

· The relationship between Human beings and language, mythology;

· Representation of the Human and the body and/or flesh;

· New forms of Human interaction;

· Loving and caring beyond modern concepts of Human relationships;

· Connections between Humans and animals, Humans and the environment;

· Intersection between Human life, mortality, and immortal deities;

· Human and hybridity, cyborgs, pre/post-human;

· New imaginings and representations on what it means to be (or not to be) Human;

· Life and living on the margins of the Human as construct.

Plays will be read and evaluated by undergraduate students in the Theatrical Experience classes at University of Puget Sound. This is an exciting opportunity for students, playwrights, and community members to engage and encounter new theatrical works.

Six plays will be selected for the virtual reading festival on December 2nd and 3rd. Selected plays will be announced early November 2020. Playwrights maintain full rights to their material.

Selected playwrights will receive a $150 honorarium.
Submission Guidelines:

· Plays must be unpublished and un-produced;

· written primarily in English;

· incorporate the concept of the Human in some form;

· be no more than ten pages in length;

· not be a musical.

*We prefer plays with 2-6 characters of diverse race, age, gender, and ethnicity.

Submission Process:

· Script should be in standard script format (see: http://www.caryplaywrightsforum.org/wp-content/uploads/2018/09/CPF_play_formatting-1.pdf;

· Include page numbers;

· Along with the submission, please submit a separate title page with title of the play and playwright’s contact information (name, email, phone number, and address).

· No personal information should appear anywhere else in the script.

· Accepting digital submissions only. Submit PDF copy to upsplaysubmission@gmail.com

Saturday, August 8, 2020

The Crossroads Project: 2021 Diverse Voices Playwriting Initiative

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Deadline: August 15, 2020 11:59 PM Central Daylight Time
Normal IL

The 2021 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by playwrights of color in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges comprising of faculty, staff, and students will select one playwright as the winner of the contest.

The winning playwright will receive:
  • An invitation to Illinois State University in Bloomington-Normal, IL for a one-week new play development workshop, culminating in a public staged reading. The playwright may also be invited to offer guest lectures and colloquia. The Crossroads Project will cover costs for travel, housing, and meals during the workshop.
  • An honorarium of $500 for the workshop.
To be eligible to win the contest, a playwright must be available for a one-week workshop in late March 2021 (exact dates TBD). Due to funding limitations, the Crossroads Project can only cover costs for travel within the United States.

The deadline for submissions is August 15, 2020, 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.

Please include in your submission:
  • A sample from your play up to 15 pages. This does not have to be the first 15 pages of the play.
  • A playwright’s statement (max. 250 words) describing your inspiration for writing the play, as well as how you believe a workshop in a university setting will further your development process.
  • A synopsis of the play (max. 250 words).
  • A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)
Please follow these guidelines when submitting your play:
  • A playwright may only submit one play per contest. The writer of the play must submit their own work.
  • Plays that have been previously fully produced or published are ineligible for the contest. Plays that have previously had workshops or staged readings are eligible.
  • Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.
  • The submitting playwright must either be the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.
  • Submissions must be full-length plays.
  • Musicals are not accepted. However, plays with limited music requirements are accepted.
  • The primary language of the play must be English.
  • There are no other restrictions in subject matter or style.
  • The Crossroads Project reserves the right to accept or reject any submitted play for any reason.
To submit your play, use the play submission form . Please try the link first to check if the contest is still open.

We will contact semi-finalists by the end of October 2020 and ask them to submit the full play.

The winning playwright will be notified by mid-January 2021.

Inquiries about the Diverse Voices Playwriting Initiative should be directed to:

Kee-Yoon Nahm, D.F.A.
Assistant Professor in Theatre Studies
Chair, The Crossroads Project

Email: knahm@ilstu.edu

Saturday, August 1, 2020

Diez Minutos 2021 seeks 10-minute plays

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Deadline: August 31, 2020 - midnight U.S. Central Standard Time

San Miguel de Allende, Mexico

Players Workshop seeks plays for its Ninth Annual International 10-Minute Play Festival. This fully-staged festival will be in English and will take place in March of 2021 in the international arts center of San Miguel de Allende, Mexico — a World Heritage Site brimming with charm, history, and culture. San Miguel was recently voted Conde Nast Traveler Magazine "Best City in the World.” In 2017, readers of Travel – Leisure Magazine voted it the #1 city in the world to visit.

There is no fee for submitting. Each playwright whose script is selected and performed will receive a $25 USD cash honorarium and two complimentary tickets to the production. One play will be selected as the Audience Favorite and its playwright shall receive an additional $25 USD cash award. No other remuneration will be provided, and any playwright attending must do so at his or her own expense.

Submission Guidelines

Players Workshop may delete, without reading, any submission that does not comply with these rules.

Only one play may be submitted per entrant. Send us your best!

Only the first 100 plays entered are guaranteed to be considered.

Scripts are not limited in subject matter or content. However, there must be no nudity, and suitability for performance before a general adult audience will be a factor in selection.

No musicals or children’s plays, please.

The play must be submitted by email, as an attached PDF file, with a separate PDF listing playwright information. No Word files or other formats will be accepted.

We’re asking for blind submissions again this year; your name must not appear on the script. The second PDF shall include all contact information for the playwright, including name, address, telephone number and email address on a separate title page.

The script must be in standard play format, with a title page, a character listing, the setting, props, and any technical requirements or other production considerations. The two PDF files should be titled "Submission [Name Of Play]” and "Title Page [Name Of Play].”

The play must be in English and no longer than 10 pages in standard format, with a calculated running time of no less than eight minutes and no more than twelve minutes.

Submission period opens on August 1, 2020. Entries must be received prior to midnight U.S. Central Standard Time, August 31, 2020. No late submissions will be accepted because of transmission problems.

The play must be unpublished, but may have had previous productions. If the play has had previous productions, a production history must be included with the submission of the title page. The submitting playwright must own all rights to the play.

Selection of plays will be at the absolute discretion of the judges.

Selection of a play does not guarantee production. Producers may decline to produce a selected play because of casting, directing or any other consideration, in which case no payment will be due the playwright.

Notification is expected to be made no later than December 1, 2020. Only playwrights whose plays have been selected for performance during the festival will receive notification of acceptance.

Playwrights whose plays were received in the first 100 submitted will receive first-round notification. Producers reserve the right to consider additional plays not received in the first 100.

Plays are restricted to 4 or fewer characters. Small casts are preferable, as the stage size is modest, with minimal set, props, sound cues, and costuming. Our talent pool is composed mostly of actors aged 40 and older. This will be a factor in selection.

Entering playwrights grant the producers of Diez Minutos permission to perform the play a maximum of twelve times during the Diez Minutos festival (March 10 – 21, 2021), and to make as many copies of the script as are necessary for production. All other rights remain with the playwright.


Submitting Your Play

Please email your submission to: diezminutosfestival@gmail.com. Any inquiries should be sent to the same address.

Thanks, in advance, for helping us to make Diez Minutos 2021 a great success. We look forward to reading your entry.

Players Workshop San Miguel de Allende, Mexico

Producer of Diez Minutos 2021

Monday, July 13, 2020

Oklahoma City Repertory Theatre seeks online plays for young audiences

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Deadline: July 31, 2020 11:59 CST
Oklahoma City

Oklahoma City Repertory Theatre (OKC Rep), an Actors’ Equity Association Category 1 Small Professional Theatre, is seeking submissions of previously unproduced plays, written explicitly for online communications platforms (Zoom, FaceTime, Skype, et al) in the following categories:

1. NEW VOICES: Playwrights between the ages of 18-26
  • 50- to 80-minute plays that are written within the context of online communication;
  • Plays can be two or more characters; each character will occupy a single window on screen. Monologues that exhibit innovative use of the form will be considered.

2. YOUNG AUDIENCES: Material to engage young audiences between the ages of 4-11
  • 40- to 60-minute plays that are written within the context of online communication; 
  • Plays can be two or more characters; each character will occupy a single window on screen. Monologues that exhibit innovative use of the form will be considered.
  • Plays must be suitable and engaging for audiences between the ages of 4-11.

Selected play(s) will be produced as an online reading under the auspices of OKC Rep Theatre, and distributed to our audiences via social media. Plays selected for readings will be awarded a $250 honorarium. Selected plays may be considered for full production in a future season.


SUBMISSION REQUIREMENTS

Deadline for all submissions is no later than 11:59 CST on July 31, 2020. Please email the following submission requirements to stageathome@cityrep.com:

1. Script(s): must be in .pdf form, with embedded page numbers;

2. A one-page copy of your resume in .pdf format;

3. A one-page cover letter in .pdf format, containing the following information:
1. Full name
2. Professional name (if different)
3. Mailing Address, City, State, ZIP
4. Website, if available
5. Social media handles
6. Connection to Oklahoma*, if relevant;
7. Title of Play, Category & Year Written
8. Brief Synopsis

*While special consideration is given to playwrights native to or living in Oklahoma, all are welcome to apply.

CityRep's mission is to serve Oklahoma's diverse artistic, educational and civic needs by providing dynamic professional theatre.

We entertain, enlighten and inspire!

For more information please visit okcrep.org.

Saturday, June 27, 2020

The Crossroads Project: The 2021 Diverse Voices Playwriting Initiative

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Deadline: August 15, 2020
Bloomington-Normal IL

The 2021 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by playwrights of color in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges comprising faculty, staff, and students will select one playwright as the winner of the contest.

The winning playwright will receive:
  • An invitation to Illinois State University in Bloomington-Normal, IL for a one-week new play development workshop, culminating in a public staged reading. The playwright may also be invited to offer guest lectures and colloquia. The Crossroads Project will cover costs for travel, housing, and meals during the workshop.
  • An honorarium of $500 for the workshop.
To be eligible to win the contest, a playwright must be available for a one-week workshop in late March 2021 (exact dates TBD). Due to funding limitations, the Crossroads Project can only cover costs for travel within the United States.

The deadline for submissions is August 15, 2020, 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.

Please include in your submission:
  • A sample from your play up to 15 pages. This does not have to be the first 15 pages of the play.
  • A playwright’s statement (max. 250 words) describing your inspiration for writing the play, as well as how you believe a workshop in a university setting will further your development process.
  • A synopsis of the play (max. 250 words).
  • A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)

Please follow the following guidelines when submitting your play:
  • A playwright may only submit one play per contest. The writer of the play must submit their own work.
  • Plays that have been previously fully produced or published are ineligible for the contest. Plays that have previously had workshops or staged readings are eligible.
  • Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.
  • The submitting playwright must either be the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.
  • Submissions must be full-length plays.
  • Musicals are not accepted. However, plays with limited music requirements are accepted.
  • The primary language of the play must be English.
There are no other restrictions in subject matter or style.
The Crossroads Project reserves the right to accept or reject any submitted play for any reason.

We will contact semi-finalists by the end of October 2020 and ask them to submit the full play.

The winning playwright will be notified by mid-January 2021.

Inquiries about the Diverse Voices Playwriting Initiative should be directed to:

Kee-Yoon Nahm, D.F.A.
Assistant Professor in Theatre Studies
Chair, The Crossroads Project

Email: knahm@ilstu.edu

Friday, April 24, 2020

BLINDSPOT COLLECTIVE SEEKS NEW SHORT PLAYS & MUSICALS FOR COLLABORATION WITH LA JOLLA PLAYHOUSE

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Deadline: April 26, 2020 6pm PST
San Diego CA

Blindspot Collective, a theatre company in San Diego dedicated to radically inclusive new work and diverse emerging artists, seeks new short plays and musicals to be featured in (W​alks of Life),​ an original work of auditory theatre commissioned by La Jolla Playhouse. Each recording will consist of three 10-minute “radio plays” or musicals unified by a narrator, and is intended to be enjoyed as individuals take a roughly 30-minute walk in their own neighborhood. 

Conceived as a means of participating in theatre even in the midst of the current, global pandemic, the plays will be written as if the listener could hear inside the homes they are passing, and capture a snapshot of the lives and stories unfolding just out of sight.

As the project is being developed in response to the unfolding crisis created by COVID-19, Blindspot Collective​ extends our sincere condolences to those already impacted, deep gratitude to those working around the clock to address the pandemic, and best wishes to everyone navigating this evolving situation. In this period of uncertainty and isolation, the co-founders of Blindspot Collective remain steadfast in our belief that theatre as an act of storytelling and community is a vital means of resilience and hope. To that end, (​ ​Walks of Life) ​will encourage audiences to imaginatively connect with the physical community around them as they engage with new works created by dynamic playwrights and composers from across the country.

As part of this upcoming project, Blindspot Collective seeks proposals for new 10-minute plays and musicals that meet the following criteria:
  • Must feature no more than 3 characters
  • Must be a single, continuous moment set in a contemporary home or apartment
  • Must maintain a sense of realism or naturalism (including the use of diegetic music)
  • Must rely on dialogue and sound to convey every aspect of the story
In addition to the criteria above we recommend the following:
  • We encourage works that prioritize entertainment and levity as a source of comfort during this time. We believe a mix of humor and gravitas is often the most compelling.
  • We encourage an imagined rating of PG or PG-13 to avoid alienating audiences due to persisent strong language or graphic depictions of sex or violence.
  • We will prioritize narratives and characters that challenge expectations or exist outside dominant culture because we wish to depict the contemporary human experience in a way that might not be commonly seen represented in other works or mediums.
Approximately 6 works submitted as part of this open call process will be selected, revised, and produced as part of W​ alks of Life​. Any writer whose work is featured will receive an honorarium of at least $200.

S​elected playwrights, composers, or writing teams will collaborate with Blindspot Collective on final drafts. The process will be produced and directed by Catherine Hanna Schrock and Blake McCarty, co-founders of Blindspot Collective, in direct collaboration with La Jolla Playhouse. Writers are not expected to participate in rehearsals (unless they choose to do so) and performers will be selected by the producers. Each work will be audio recorded remotely, mixed and engineered in collaboration with a sound designer, and made available digitally to audiences via specific platforms still to be determined in conjunction with La Jolla Playhouse.

The aforementioned honorarium will be considered an initial payment for the works to be available for free or low cost to the public for a minimum of 30 days. Precise details are still being arranged, but any further use of the original work would be pending based on a contractual agreement, and writers would receive payments for any profits that were rendered from their work. ​While a license to use the work for the exclusive purposes of Walks of Life must be granted to Blindspot Collective, artists retain sole ownership and copyright of their original work.

To be considered, you must submit a one page proposal that includes a synopsis and character descriptions by 6:00pm PST on Sunday, April 26. If your proposal includes music, you must also submit a demo recording of at least one song. W​ hen submitting a musical, the synopsis should also outline where music would occur. Sheet music is not required and studio recordings of music are not expected. In most instances, a scratch recording sung by the composer will suffice.

Blindspot Collective's artistic staff are happy to provide feedback on initial ideas, concepts, synopses, or character descriptions to assist writers in developing work that is more likely to meet the demands of the project. I​t is not required that you contact us in advance of submitting materials but we encourage you to use our team as a resource during your creative process.

Please include your name, phone number, and email address in your submission. Decisions will be announced by May 15, 2020. 

All questions and submissions should be sent to submissions@blindspotcollective.org

As an organization, Blindspot Collective is committed to radical inclusivity. ​As our name suggests, we prioritize the experience and perspective of underrepresented communities and individuals that are often left out of the conversation -- including people of color, immigrants, women, and individuals with disabilities. Therefore we strongly encourage submissions written by or featuring characters who are members of these or other marginalized communities.

Wednesday, March 4, 2020

OPEN WINDOW NEW PLAY FESTIVAL

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Deadline: Friday, March 6, 2020
TO SUBMIT TO THE OPEN WINDOW NEW PLAY FESTIVAL:

Send a PDF of a full-length play to owtnewplays@gmail.com.

Plays should engage with the themes of redemption, hope, and/or reconciliation, broadly interpreted. Plays which deal in a thought-provoking way with issues of faith and spirituality are particularly welcomed.

Selected playwrights will receive an honorarium for their participation in the festival. Plays will be presented as staged readings with professional directors and cast, and will be considered for full production in a future Open Window season.

Decisions will be made by Monday, April 6th.

Email Managing Director Cole Matson, Ph.D., at cmatson@openwindowtheatre.org with any questions.

We look forward to seeing your work!

Tuesday, January 21, 2020

EAST VILLAGE CHRONICLES, VOLUME 15 Call for New One-Act Play Scripts

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Now entering our 28th season, Obie Award-winning Metropolitan Playhouse is currently accepting submissions for its 15th presentation of East Village Chronicles, a festival of previously un-produced, one-act plays inspired by the diverse population, culture and history of Manhattan’s Lower East Side. Playwrights of all races, religions, ethnicities, nationalities, gender identities, backgrounds, and political views are encouraged to submit.

There is an honorarium of $100 for each script accepted for production.

THEME
Only plays pertaining specifically – though not necessarily exclusively – to the East Village and/or Lower East Side of Manhattan will be considered. Particular consideration will be given to plays that relate this season’s comprehensive theme of Dissent to this subject matter. Playwrights are encouraged to respond directly, indirectly, and creatively to this idea; how a play about the East Village and/or Lower East Side includes Dissent is up to the playwright.

DEADLINE
To be considered, scripts must be received by January 31, 2020.

SUBMISSION DETAILS

If at all possible, scripts should be sent by email to Producer Sidney Fortner, at EVC15@metropolitanplayhouse.org.

Emailed scripts must be in PDF format.

Alternatively, printed scripts may be mailed to:

Metropolitan Playhouse
East Village Chronicles
220 East Fourth Street
New York, NY 10009

SCRIPT FORMAT REQUIREMENTS

Include the playwright’s name, contact information, and a brief, one-paragraph plot summary on the title coversheet of the script. Additionally, scripts need page numbers.

TECHNICAL GUIDELINES
We are seeking new plays of no less than 10, no more than 30 minutes in length that can be played by five or fewer actors. Each play will be presented as part of a program of one-acts and consequently should not require elaborate set or properties.

PRODUCTION SPECIFICS

Performance dates (subject to change): June 2-14, 2020. Rehearsals are estimated to begin approximately four weeks previous to opening. Each play will receive eight performances.

Plays will receive at least one informal reading shortly after selection, in order to give the playwright an early opportunity to hear their new work and respond to any questions raised by actors and any Metropolitan artistic staff who may be in attendance.

Rehearsals and performances will take place on Metropolitan Playhouse’s threequarter thrust stage in our intimate, 51-seat theater located at 220 East Fourth Street, second floor, between Avenues A and B, in Manhattan’s Lower East Side.

A director with significant one-act experience will be selected to direct all festival
plays. Playwrights are welcome at rehearsals, and playwright-director discussion is
encouraged.

Festival plays will be performed by a core company of actors cast specifically for the festival. While playwright input is highly desired, because we are forming a company, final casting decisions remain with Metropolitan's artistic staff.

QUESTIONS OR CONCERNS

Any questions or concerns may be directed to Producer Sidney Fortner by either email or phone. If emailing, please include a reliable phone number.

Phone: 212-995-8410
Email: EVC15@metropolitanplayhouse.org

Monday, January 20, 2020

FUNHOUSE VI a Play Anthology

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SUBMISSION FEE IS WAVED FOR THE FOLLOWING:

1) If you identify as a part of any historically or presently marginalized group,
2) If you cannot pay the fee for any reason and still want to submit, please let us know at funhouseanthology@gmail.com and we can work something out.
3) If you are a member of the Dramatists Guild

Submissions Open: NOW–JAN 31, 2020

Submission Deadline: JAN 31, 2020 at 11:59PM PST

Performance: JUNE 18–20, 2020

Theatre Off Jackson, Seattle, WA
Produced in Association with Shunpike and Theatre Off Jackson
Created by Brian Toews

WHAT IS FUNHOUSE?
Funhouse is a collection of irreverent and experimental original content for the stage. Each show is comprised of a series of short plays that, when viewed together, give audiences an experience similar to that of walking through a funhouse. As soon as you think you know what’s coming next, the room starts spinning and the floor falls out from under you. Comedy can be followed by drama; sci-fi can be followed by a musical. Our shows serve as a rotating platform for diverse up-and-coming playwrights, directors, actors, and designers. Funhouse is a place for the stories that would not conventionally be told by traditional theatre, by people who would not be conventionally found in traditional theatre. The creators of Funhouse want artists to take bold risks in their storytelling.

HOW DO I FUNHOUSE?
Submissions of original 10-minute plays will be accepted  until January 31, 2020; late submissions will not be accepted. Writers will be notified of our selections in March 2020. The selected plays will be given a full production within the capabilities and budget of the producers. A $100 honorarium will be given to all selected playwrights.

PLEASE TAKE A LOOK AT THE FOLLOWING BEFORE SUBMITTING
(click to view)
Aesthetic Guide
Funhouse Family Influences
Funhouse VI Vignettes

WHAT DO YOU MEAN BY VIGNETTES?
The Vignettes in Funhouse are short (1–3-page) scripts that act as absurdist transitional pieces between the submissions (what you’re sending to us). While there is always a connected thread for the Vignettes as a whole, your scripts and stories do not need to be the same tone as the Vignettes. Submitted scripts should not attempt to place themselves in the “same world” as the Vignettes, although thematic alignment is fine.

WHERE?
Submit scripts online
Submissions must be received before midnight on January 31, 2020 to be considered; late submissions will not be accepted under any circumstances.

SUBMISSION FEE (with No-Fee Options)
There is a $5 submission fee for each script. Follow the link to our click-and-pledge page to pay before submitting your scripts, unless you qualify to have the fee waived (see below). If you do not select the correct payment amount for how many scripts you are submitting, none of your submissions will be considered.

NO-FEE OPTIONS
IF YOU ARE CHOOSING A NO-FEE OPTION, YOU MUST INDICATE WHY ON THE COVER PAGE OF EACH SUBMITTED SCRIPT. IF WE DO NOT RECEIVE PAYMENT, AND YOU HAVE NOT INDICATED A WAIVER ON THE COVER PAGE OF YOUR SCRIPT(S), YOUR SUBMISSION(S) WILL NOT BE CONSIDERED.

1) If you identify as a part of any historically or presently marginalized group, we are able to waive your submission fee. You may skip the payment step and move directly to “Submit.” Please indicate why you qualify to have the fee waived on the cover page of each submitted script.
2) If you cannot pay the fee for any reason and still want to submit, please let us know at funhouseanthology@gmail.com and we can work something out.
3) If you are a member of the Dramatists Guild, we are able to waive your submission fee. You may skip the payment step and move directly to “Submit.” Please include your card number on the cover page of each submitted script.

SUBMISSION FEE INTENTION
We require a low-cost submission fee in order to supplement our operating budget, while still making submission accessible to all. We aim to create a sustainable, recurring production, and charging a small submission fee helps us reach that goal.

EQUITY, DIVERSITY, AND INCLUSION
We believe that theatre should reflect the community it serves. As such, we encourage people of all experiences, backgrounds, and identities to submit their work. This includes people of any race, ethnicity, gender, sexual orientation, age, ability, class, or religion. If you identify as part of any historically or presently marginalized groups, we are able to waive your submission fee. Please indicate that you would like the fee to be waived during the submission process, as stated above.

SUBMISSION GUIDELINES

1) Submission must be an original, unproduced 5–10-minute play at time of submission. Plays that have had staged readings will be accepted. Legal clearance of materials not in the public domain is the full responsibility of the playwright.

2) A limit of THREE plays may be submitted by each playwright.

3) Maximum length: 10 pages, not including title pages. Plays should run in the 5–10 minute range. Longer submissions will not be considered. Plays fewer than 10 pages are strongly encouraged.

4) There are no genre restrictions. Scripts may be comedy, drama, horror, fantasy, sci-fi, parody, and/or musical.

5) This is a show for mature audiences (18+). We encourage subversive and/or experimental work.

6) Plays must be submitted with numbered pages and include, on the title page, the following contact and bio information:

Playwright’s first and last name
Mailing address
Phone number
E-mail address
A brief biography (100 words or less).

7) If you identify as a part of any historically or presently marginalized groups, we are able to waive your submission fee. Please indicate why the fee is being waived on the cover page of each submitted script.

8) All scripts must be in English.

9) Microsoft Word or PDF files ONLY. No other formats will be accepted.

10) Selections will be made by Funhouse VI directors; inclusion is solely at their discretion. All decisions are final.

11) All submitting playwrights will receive an email notification upon receipt of their scripts.

12) Notification of final decisions will be made via email by March 2020.

Tuesday, January 14, 2020

JETFest 2021

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Deadline: April 30th, 2020

$15 non-refundable submission fee. This fee will be waived (with hard copy submissions  for members of the Dramatists Guild and submissions by legitimate literary agents (not lawyers/attorneys/friends).

ELIGIBILITY

JET encourages all playwrights over 18 to submit their work. JET's main stage programming is wide-ranging, but JETFest selections generally reflect issues of social conscience and human rights both in drama and comedy. Use our past productions as a guide and if you have questions, contact us at 248-788-2900.

Entry must be a full-length original work or adaptation with a minimum running time of 85 minutes that has not been produced prior to the festival in 2020. Maximum cast size of 10. Staged readings/workshop productions are not disqualifying factors.

ENTRIES ACCEPTED

Submissions will be accepted January 1, 2020 - April 30, 2019 at 11:59 PM. (checked by postmark or time stamp).

SCRIPTS

Hard Copy: Submit a copy of your script, securely bound, typed in standard play format, with pages numbered. Include a list of characters/descriptions, scene breakdown, and a brief synopsis of your play. Your script should be accompanied by a cover letter, including playwright contact information (name, address, phone number, e-mail address) and playwright biography. Musicals must include a demo CD. If applicable, also submit a photocopy of your Dramatists Guild membership card.

 Email: Attache a PDF file of your script, and a second PDF file that includes character list/descriptions, scene breakdown, brief synopsis, playwright bio, and contact information. Email to: C.Bremer@jettheatre.org by 11:59 pm, April 30, 2020.

Please note that entries that do not comply with our guidelines will not be accepted. If you would like acknowledgement of receipt please attach a self addressed stamped postcard.

CONSENT

The playwright gives the JET Theatre permission to photocopy scripts for reading/production purposes. Should your script be selected as one of the finalists, you are encouraged to attend the readings and talk backs. Finalists must acknowledge JET if/when the script is published

AWARDS

Each of the four finalists will receive a $250 honorarium. No other expenses will be paid.

SELECTION PROCESS

Each entry is guaranteed a minimum of 2 evaluations. The committee narrows down the entries to 15 – 20, which are read by the entire committee who then select the finalists.

NOTIFICATION

Finalists will be notified no later than December 31, 2020.


SUBMIT TO

Mail:

JET Theatre
JETFest
1124 E. West Maple Road
Walled Lake, MI 48390

Email:

C.Bremer@jettheatre.org


QUESTIONS?

248.788.2900


INDEMNIFICATION

The Playwright/Submitter agrees (by submission) to defend, indemnify, and hold harmless the JET Theatre, its Adjudicators, Board of Directors and volunteers from any and all damages, liability, and claims, arising from the submission, production or elimination/disqualification of their submitted work.

Sunday, January 5, 2020

The Arundel Festival Theatre Trail 2020 Writers’ Competition

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The Arundel Festival Theatre Trail, conceived and presented by Drip Action Theatre Company, is now in its nineteenth year.

It performs at the end of August, on each of the Arundel Festival’s eight days, eight short plays at eight different venues all over Arundel – for example, in a community hall, a restaurant, a football club or Arundel Jailhouse.  An audience of over 2,000 came to see the eight 2018 Theatre Trail plays.

The Trail is firmly established as one of the major components in the Festival and is a great showcase for both new and established writers, both from the UK and beyond.

Writers are invited to submit plays for the 2020 Trail from November 2019.

Plays should be between 30 and 40 minutes long, with practicable casting, props and effects.

All entries should be submitted to Drip Action Theatre Trail 2020

c/o Arundel Festival
Town Hall
Maltravers Street
Arundel
West Sussex
BN18 9AP

Entries must be received by 31st January 2020. There is no reading fee.

One play only per entrant, in hard copy (not e-mail).

Please enclose an SAE if you’d like your play returned.

Our reading committee will select the plays that will be performed, with the best submitted script receiving the Joy Goun award of £250 at our Theatre Trail launch in May 2020.

Each successful playwright will receive a £150 writer’s fee.

For further information call 01903 885250 or email info@dripaction.co.uk

Monday, December 23, 2019

Neukom Institute Literary Arts Award for Playwriting 2020

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The Neukom Institute, the Dartmouth Department of Theater and Vox Theater have once again joined together for the Neukom Institute Literary Arts Award for Playwriting.

The award-winning play will receive a workshop and public reading at VoxFest at Dartmouth College (July 5-13 2020) followed by an additional workshop and reading in the 2020/2021 season at Northern Stage, a LORT-D theater in White River Junction, VT.

Plays should be written in response to the prompt: “What does it mean to be a human in a computerized, digital world?”

The award comes with a $5,000 honorarium.

Submissions must include a blind copy of the play, a resume/bio, a production history of the play and a one page statement of purpose that answers the following questions:

1. How does your play address the theme of exploring humanity in our computerized, digital world?
2. What are your goals for this play in its current form?
3. The winning play will receive two readings: one at VoxFest at Dartmouth College and the second in the 2020/2021 season at Northern Stage. How would you use this two-part development process to achieve these goals?

*Note that plays that have received a full production are not eligible for the competition.*

Playwrights can submit here

Deadline
December 31, 2019.

Questions?
Email Kate Mulley at kate@voxtheater.org.

Monday, November 11, 2019

Gulfshore Playhouse Eighth Annual New Works Festival

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WE HAVE BEEN INFORMED THAT GULFSHORE HAS REACHED THEIR SCRIPT SUBMISSION LIMIT.

Gulfshore Playhouse announces a call for submissions  for their Eighth Annual New Works Festival to take place in September 14th through 20th, 2020. The New Works Festival will bring together four playwrights and a team of professional actors and directors for a week-long festival. The festival focuses on developing each selected play throughout the week and culminates in a staged reading for an audience.
Starting at 1 PM EST on Monday, November 4, Gulfshore Playhouse will accept the first 150 submissions from playwrights and agents.

Those interested should submit digital copies of plays that have not had a full production to submissions@gulfshoreplayhouse.org. Submissions sent prior to 1 PM EST on November 4 will not be considered.

At this time, Gulfshore Playhouse is not accepting musical submissions, asks that all submitted plays are full-length, and will only consider works that have not previously had a full production.

The New Works Festival finalists are chosen through a blind submission process. Submissions should be sent with two files: a cover page with name and contact information and the script with no playwright information. All submissions should be in PDF format. Scripts not sent in the requested format will not be considered until they are re-submitted in the correct format.

Semifinalists for the Eighth Annual New Works Festival will be announced in the summer of 2020. Semifinalists will be contacted regarding their availability and willingness to participate in the festival which will factor into the selection of the finalists. The winners will be announced shortly thereafter in the summer of 2020.

Each winner will receive a $500 honorarium as well as airfare and lodging for the duration of the festival. 

If you have questions please contact Audrey Zielenbach (azielenbach@gulfshoreplayhouse.org). 

Wednesday, October 30, 2019

Itinerant Theatre’s “Life Inspired” 5th annual 10-Minute and Short Play Staged Readings Season

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Itinerant Theatre is accepting scripts for our 5th annual 10-Minute and Short Play Staged Readings series “The Play’s the Thing”. The Play’s subject matter should fit this season’s theme of “Life Inspired”.

There will be a $25 flat royalty honorarium to playwrights per play chosen for readings.

Itinerant Theatre is an affordable, professional theatre company that brings new works and the modern classics to artistically underserved communities.

 Itinerant Theatre is a 501(c)3 non-profit theatre company.  People want to tell their story, interpret their times, write and act with truth and beauty…before their peers & for the stage. Itinerant Theatre makes that possible.

Submission Guidelines:

  1. Only TWO plays per category may be submitted per playwright. There is no submission fee.
  2. Submission deadline is November 15, 2019.
  3. Submissions via email only. Email submissions (in pdf or Word format only) to joypace@itineranttheatre.com
  4. Plays must include contact info (name, phone number, email address, home city and state, country) on the cover sheet.
  5. Plays will require no more than 6-8 actors.
  6. 10 Minute Plays will run no more than 10 minutes, no exceptions.
  7. Short Plays will run no more than 1 hour, no exceptions.


Timeline

Playwrights whose pieces have been chosen for readings will be notified via phone call and email in Late November to mid December at latest.

At most, twenty to thirty plays will be chosen to be produced as staged readings in in Spring as part of our “The Play’s the Thing: New Play Series” in Itinerant Theatre’s studio.

After the plays have closed, the honorarium will be sent to the playwrights.

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