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Showing posts with label fellowship. Show all posts
Showing posts with label fellowship. Show all posts

Tuesday, July 6, 2021

American Woman playwriting fellowship

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Deadline: August 7, 2021

Submissions for our playwriting fellowship, American Woman, are now open!

American Woman is an on-going theatre development and presentation project comprised of solo shows by and about women in the United States. It has two primary components:

1. Lab – solo pieces conceived and developed from proposal to performance draft.
2. Public Presentation – presentation with production elements for a paying public.

This project speaks to the broad and varying definitions of those two words: American Woman – regardless of whether or not these words are used individually or in tandem. The project aims to examine American women through varying lenses, be it historical, cultural, racial, or political. It’s an exploration that’s especially relevant now since we’re arrived at a moment in our country’s history when there is a clear legislative push to narrow or limit the definition of both the word “American” and the word “woman.” American Woman will include solo shows and plays by women of different races, places of birth, religions, cultures, gender identifications, ages, physical challenges, and classes. Our project will resist narrow definitions, encourage inclusivity, and contribute to positive discourse.

The development phase of American Woman is executed through a monthly four-hour workshop facilitated by the project leader and project dramaturg. Brainstorming leads to text that receives review and critique before graduating to table reads of early drafts. At each session, writers are given dramaturgical notes and encouraged to revise their work for the next session. Emphasis is put on expressing characters through action, dramatic structure, and story theory.

By resourcing playwrights of color and women playwrights from the early developmental phase all the way through to a full production, the DQT realizes its mission to produce work written by playwrights from these underrepresented groups. Additionally, by donating blocks of free tickets to educational enrichment programs including Girls Write Now, Urban Art Beat, TEAK, and Harlem RBI, we continue to encourage diversity in our base audience, which is an equally vital component of our mission.

The application deadline is August 7th, 2021. Interviews will be conducted throughout August, and selected candidates will be notified August 31st. Due to the high volume of applications, only selected candidates will be notified of their acceptance. But on behalf of all of us here at DQT, thank you for sharing your work with us!

Saturday, June 26, 2021

The Frank Moffett Mosier Fellowship for Works in Heightened Language

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Deadline: August 31, 2021

Monetary award to playwright: $3000 for full-length works, $1500 for one-acts.

Synecdoche Works may support further development of a submitted work at its discretion.

Conditions for Consideration

Submissions must be in a heightened version of the English language in order to provide a meaningful challenge to the actors. This includes, but is not limited to, works using metre, verse, rhyming schemes, pidgins, creoles, and code-switching.

Plays must contain at least 60% heightened language.

Submissions may be translations or adaptations of works in the public domain.

One-act submissions should target a minimum 40-minute final running time. Full-length submissions should target a minimum running time of 90 minutes.

Authors awarded a grant must be willing to participate in a brief rehearsal process culminating in a Zoom reading of their submitted work.

Submitted works cannot be currently attached to a theater or production company.

Submitted works cannot have had a prior development cycle outside of an educational program.

Submission deadline: August 31, 2021

Submission portfolio must include:
The play in standard script format, emailed as an attachment to Synecdoche Works.
A brief author biography, maximum of 200 words.

Please visit synecdocheworks.org for more information.

Monday, June 21, 2021

Van Lier New Voices Fellowship

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Deadline: July 2, 2021

SUBMIT VIA SUBMITTABLE

The Lark is accepting applications for its Van Lier New Voices Fellowship program, supported by The New York Community Trust’s Edward and Sally Van Lier Fund with support from the Jerome Foundation.

The Van Lier New Voices Fellowship supports playwrights of color age 30 and under, who demonstrate financial need. During a year-long residency, Fellows will work on multiple artistic projects through an individually-tailored program of Lark play development programs, and form relationships with other theater makers at various career stages from all parts of the world. The Fellowship includes a cash award of $35,000, plus access to a $5,000 Opportunity Fund and to a wide range of Lark resources, including artistic program participation, office and rehearsal space, and staff support. 
LEARN MORE>

In the 2021-22 cycle, The Lark will award two Fellowships. Applications will be accepted through July 2, 2021. Finalists will be notified in August 2021. The 2021-22 Fellowship period begins September 15, 2021 and ends June 30, 2022.

Tuesday, May 18, 2021

THE GATEKEEPERS COLLECTIVE LEARNING TO LOVE PLAYWRIGHT’S FELLOWSHIP APPLICATION

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Deadline: May 31, 2021 11:59pm EST

The Gatekeepers Collective (TGC) is collaborating with award-winning playwright Donja R. Love (Sugar in Our Wounds, Fireflies, one in two) to curate an intergenerational development process in which narrative theatrical works reflecting stories of self-acceptance as a rite of passage on the way to queer/same-gender love are created. Four young, Queer African American/Black playwrights will be provided a stipend and partnered with older same-gender loving (SGL) men in dialogue about their respective journeys from varying degrees of invisibility and self-denial to self-acceptance and love. The fellows will create One-Act plays that will be presented in staged readings and moderated discussions, performed by professional actors under the direction of TGC Director, John-Martin Green in the Fall of 2021.

Eligibility:

The TGC Playwright’s Fellowship is intended to support young, emerging same gender loving (SGL) /Queer, male-identified African Descended playwrights.

The applicant must be a NY resident in order to be eligible for the TGC Learning to Love Fellowship.

The applicant must be between the ages of 18 and 35.

The applicant must have up to 10 pages of work ready to submit.

Playwrights may submit a work that is co-authored but only the submitting artist will be eligible for the fellowship.

The work submitted should be primarily in English.

Fellows must be available to commence a month-long ethnographic research process with a SGL elder with whom they will be partnered as of 7/6, and participate in ten two-hour (4-6pm EST) bi-weekly workshops with playwright Donja R. Love on: 8/11, 16, 18, 23, and 25, and on 9/27, 29, 10/4, 6 and 11/1.

Fellows’ One-acts will be mounted as staged readings with professional actors in mid-November at a theater TBA


Guidelines:

Please submit 10 pages of material written for the stage that you think best represent your work as a playwright. TGC’s work focuses on themes of healing, self-reclamation, and self-determination. Please bear this in mind when choosing your submission materials.

Please make sure work sample is 10 pages.

Please type your entry in a reasonable font and include stage directions where necessary. Please submit a .pdf of your entry so that all formatting will remain intact and no edits can be accidentally made while your submission is being reviewed.

Submissions must be received by the deadline to be considered. The deadline is May 31, 2021 at 11:59pm EST.

Submissions will be adjudicated by a panel of artists and peers drawn from the NYC Theatre Community, and TGC.

The four fellows will be notified by email and announced publicly.

If you are a playwright who would like to apply for The Gatekeepers Collective Learning to Love Playwrights Fellowship, please use this link: APPLICATION FORM

Saturday, January 30, 2021

Playwrights Realm Scratchpad Series and Writing Fellowship

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Deadline: February 7, 2021

We believe art is better when everyone can participate - which is why you don’t need an agent or an MFA for us to read your plays. Once a year, we open submissions for the programs below, which everyone can apply to!

Applications for our 2021-22 Scratchpad Series and Writing Fellowship are now open! The deadline is Sunday, February 7th, 2021. International writers are now also welcome to apply to Scratchpad!

APPLY NOW

Please note that while playwrights can submit to both the Writing Fellowship and Scratchpad Series with a single application, or choose to submit to just one program, we accept only ONE script total, per playwright, per season.


Wednesday, January 13, 2021

MCKNIGHT FELLOWSHIPS IN PLAYWRITING

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Deadline: January 14, 2021

The McKnight Foundation, a family foundation based in Minnesota, advances a more just, creative, and abundant future where people and planet thrive. The McKnight Fellowship in Playwriting recognizes and supports mid-career playwrights living and working in Minnesota who demonstrate a sustained body of work, commitment, and artistic excellence. The fellowship, which runs July 1, 2021-June 30, 2022, includes: a $25,000 stipend, an additional $2,500 to support a play development workshop and other professional expenses, and $1,400 in travel funds. Past recipients include: Carlyle Brown, Lisa D'Amour, Barbara Field, Keli Garrett, Marvin González De León, Jeffrey Hatcher, Christina Ham, Tori Sampson, Carson Kreitzer, May Lee-Yang, Kira Obolensky, Harrison David Rivers, Stacey Rose, and Rhiana Yazzie.

Applicants must reside in and have the legal right to work in the U.S. during the fellowship term. Applicants must have been continuous residents of Minnesota since January 14, 2020, and must maintain residency in Minnesota during the fellowship year. Applicants must have a minimum of one work fully produced by a professional theater at the time of application. Recipients of 2016-17, 2017-18, 2018-19, 2019-20, and 2020-21 McKnight Artist Fellowships in any discipline are not eligible. Full-time students are not eligible. Staff and board members of the McKnight Foundation and the Playwrights' Center and their immediate family members are not eligible. Fellowship recipients may not receive any other Playwrights' Center fellowships, grants, or Core Writer program benefits during the grant year. If a recipient is a Core Writer, the Core term will be extended by one year. Applicants may only apply for one McKnight Artist Fellowship each year in any discipline

Each application will contain the following pieces:

-Application Form (including contact details, eligibility, and demographic information)

-Playwriting Resume
Please note clearly which productions listed on your resume (if any) meet the criteria for being "fully produced by a professional theater." Professional productions are defined as productions for which the author and primary artists (actors, directors, and creative collaborators) were reasonably compensated and that received at least three public performances each. Ten-minute or one-act plays and university, college, secondary school, amateur, and Equity showcase/waiver productions are not considered full professional productions. Productions that open after January 14, 2021 do not count.

-Artistic Statement
Use this statement to describe your artistic goals and vision as a theater maker. This is also an opportunity to provide context for the play you submitted and discuss how it fits into your larger body of work and how you envision your work developing.

-Full-length play script
A full-length play generally runs at least one hour. All script submissions must be written only by the applicant—no cowritten submissions will be accepted. Scripts for musicals may submitted by the book writer only. If you have previously received a McKnight Artist Fellowship, this script must have been completed after that fellowship year.

-References
Please list two individuals who are familiar with your work as a playwright and who we may contact during the evaluation process.

Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.

Note: You will need to make a SlideRoom account in order to apply. If you are a Playwrights' Center member, your PWC login will not automatically log you in to SlideRoom—they are two different systems. If you already have a SlideRoom account, you should be able to access the application using your existing login.

For a video tutorial on using SlideRoom, please click here.

Applications for the 2021-22 McKnight Fellowship in Playwriting is due Thursday, January 14, 2021 at 11:59 p.m. CST

Sunday, January 3, 2021

Sesame Workshop Writers’ Room Fellowship

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Deadline: January 8, 2021 5PM EST

Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept.

The Sesame Street Writers’ Room fellowship is an effort to identify and increase the presence of underrepresented voices in children’s media writing. For this specific purpose, underrepresented groups are those who identify as any of the following: Asian, Pacific Islander, Black, Hispanic, Native American, Middle Eastern, or multiracial.

What Are The Requirements?

All applicants will be asked to submit the following items with their application through their profile on the Writers' Room portal. For additional questions about any of the requirements, please visit our FAQ page or contact us at writersroom@sesame.org

Application Check List
  • Application form
  • Resume: this can feature your overall work experience, NOT only writing experience
  • Personal statement: tell us about yourself, for example, why you want to write for children's educational media, how your experiences influence the stories you tell, why you value diversity/representation in children's media, etc. (up to 250 words)
  • Original script sample: 11-page maximum, it should NOT contain Sesame Street elements, it can be an excerpt from a larger piece you've written, it must be kid-friendly content for viewers up to age 12...we're looking for great characters and stories that inspire kids to be smarter, stronger and kinder!
  • More info on your script: what's the bigger picture/idea of your script sample? (up to 100 words)
Application must be submitted by January 8, 2021 5PM EST.

All participants must meet the following criteria in order to qualify for the program. For additional questions about eligibility, please visit our FAQ pageor contact us at writersroom@sesame.org


Eligibility Check List
  • Participants must be a U.S. citizen or permanent resident
  • Participants must be 21+ years old
  • Must come from an underrepresented racial group
  • No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series
  • Participants must be able to attend and complete writing assignments for all 8 sessions, which will be held from May to July 2021.

Sunday, September 13, 2020

The Dorothy and Lewis B. Cullman Center for Scholars and Writers Fellowship

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Application Deadline: September 25, 2020, 5 p.m. EDT

Notification: March 2021
Award Period: September 7, 2021–May 27, 2022
Stipend: $75,000

The Dorothy and Lewis B. Cullman Center for Scholars and Writers supports projects that draw on the research collections at The New York Public Library's Stephen A. Schwarzman Building (formerly the Humanities and Social Sciences Library). The Center looks for top-quality writing from academics as well as from creative writers and independent scholars. Visual artists whose projects require extensive use of Library collections are also encouraged to apply. The Center aims to promote dynamic conversation about the humanities, social sciences, and scholarship at the highest level—within the Center, in public forums throughout the Library, and in the Fellows' published work.

Successful candidates for this Fellowship will need to work primarily at the Schwarzman Building rather than at other divisions of the Library. Applications from those working in languages other than English are welcome; however, the applicant must be conversant in English, and the application materials must be in English.

In order to avoid real or apparent conflicts of interest, the Cullman Center for Scholars and Writers does not accept applications from New York Public Library staff members or their partners, or from people active on the Library’s Board of Trustees, Board Advisory Committees, or Library Council.

Please visit www.nypl.org/research-collections for detailed information about the collections of the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street.

Fellows are required to work at the Cullman Center for the duration of the Fellowship term and may not accept other major professional obligations during the term. Some Fellows may have a few prior commitments but must limit research trips, attendance at scholarly meetings, and speaking engagements to short periods of time. Anyone who needs to be away for more than two days must notify the Center's Director or Deputy Director. The Library will pro-rate stipends for Fellows who spend too much time away from the Center. Fellowships will not be granted for academic projects to post-doctoral fellows or to applicants doing graduate-school dissertation research.

The Cullman Center will not accept dossier letters in place of new letters of recommendation.Completed applications and supporting materials—research proposal, Curriculum Vitae, letters of recommendation, and creative writing sample or art work sample—must be submitted by 5 p.m. EDT on September 25, 2020.

Sunday, August 9, 2020

Radcliffe Institute Fellowship 2021

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Deadline: September 10, 2020

Cambridge, MA

Radcliffe fellows are exceptional scientists, writers, scholars, public intellectuals, practitioners, and artists whose work is making a difference in their professional fields and in the larger world.

Based in Radcliffe Yard—a sanctuary in the heart of Harvard University—fellows join a uniquely interdisciplinary and creative community. A fellowship at Radcliffe is an opportunity to step away from usual routines and dive deeply into a project. With access to Harvard’s unparalleled resources, Radcliffe fellows develop new tools and methods, challenge artistic and scholarly conventions, and illuminate our past and our present.

Throughout the year, fellows convene regularly to share their work in progress. Coming from diverse disciplines and perspectives, they challenge each other’s ideas and support each other’s ambitions. Many say that it is the best year of their professional lives.

Our online application for the 2021–2022 fellowship year is now available.

The deadline for applications in humanities, social sciences, and creative arts is September 10, 2020.

The deadline for applications in science, engineering, and mathematics is October 1, 2020.

The Radcliffe Fellowship Program awards 50 fellowships each academic year. Applicants may apply as individuals or in a group of two to three people working on the same project. We seek diversity along many dimensions, including discipline, career stage, race and ethnicity, country of origin, gender and sexual orientation, and ideological perspective. Although our fellows come from many different backgrounds, they are united by their demonstrated excellence, collegiality, and creativity.

Sunday, March 29, 2020

2021 Page 73 Development Programs Application

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Deadline: April 5, 2020 11:59 PM EDT

New York City

Each year Page 73 meets the talented playwrights we work with through this free application. Applicants can choose to apply for the 2021 Page 73 Playwriting Fellowship and/or the 2021 Interstate 73 writers group. Please read below for more information about each program and for instructions on submitting an application.

Applications include a resume, 10-page playwriting sample, and letter of intent addressing specific questions posed below.

Please note that you cannot save your work in the form.

If you have any questions or concerns, please email info@page73.org.

Applicants for both programs:

1. The applicant must be a US resident at the time of participation;

2. The applicant must have completed at least 2 full-length plays or at least 3 one-act plays;

3. The applicant must have made a commitment to playwriting as a professional goal;

4. The applicant must have never received a production of his/her work in New York City that was larger than an Actors' Equity Showcase Code presentation;

5. The applicant must not be enrolled in a full-time degree/certificate program at the time of participation.

Interstate 73 applicants:

Attendance at all Interstate 73 sessions is extremely important; please do not apply for Interstate 73 if you will be unable to attend group meetings in New York City on a regular basis. Playwrights' stipends are tied to attendance. Priority is given to writers who are not involved in a similarly structured institutional writing group and who will be present in the New York City area for the calendar year.

We understand this application occurs well in advance of 2021 and appreciate that schedules and institutional affiliations change. If you are not sure about your involvement in other writers groups or your location for 2021, you are welcome to apply for Interstate 73 and update us accordingly regarding your eligibility.


Page 73 only accepts submissions via this online form.

If for some reason you are unable to submit via this form or have questions about these programs or this application process, please email info@page73.org.


The following materials must be submitted by 11:59 PM EST on April 5, 2020 to be considered for the 2021 development programs.

A. Completed Online Application Form *NOTE: Please have all your PDF documents ready to upload. The work on this form cannot be saved.


B. Letter of Intent (uploaded as a PDF)


1,000 word limit. Please address all of the following questions.

1. Please introduce yourself. Tell us briefly about your work. What interests you? What do you hope to accomplish through your writing?

2. What do you consider to be your greatest artistic challenge at this point in your career?

3. What do you consider to be your greatest professional challenge at this point in your career?

4. Being specific, how do you feel Page 73's program(s) will help you address the challenges you describe in questions 2 and 3?


C. A 10-page sample from a full script (uploaded as a PDF). No title page is necessary; you will list the title of the work in the Online Application Form. We are very open to receiving samples that do not come from the beginning of your play. If you feel your sample requires a brief contextual introduction, feel free to include that on the first page.


D. The full script from which you selected your 10-page sample (uploaded as a PDF)

E. Playwriting Resume (uploaded as a PDF). Note: We do not wish to receive a bio in place of or in addition to a resume.


F. Name and Contact Information of a professional reference.

Alpine Fellowship 2020

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Deadline: April 1, 2020

Awarded for the best playwriting response theme of the 2020 Alpine Fellowship: Forgiveness and Retribution.

Aimed at encouraging theatre writers at the start of their careers to explore and challenge philosophical ideas using the dramatic form.

The prize will be £3,000 plus a rehearsed reading at the Fellowship’s annual Symposium to which the winner will be invited to attend. Runners up will be invited to attend the Fjällnäs symposium to exhibit their work, all food and accommodation covered. Travel expenses will be reimbursed up to a total of £500.

Rules:

Open to all nationalities, aged 18 and above.
All genres permitted.
The final piece must be no more than 45 minutes in length and require no more than four actors.
The winning play will be performed as a rehearsed reading so simplicity in staging is preferred.

Key dates:

Applications open: 1st January 2020
Applications close: 1st April 2020
Shortlist (top 10 entries) announced: 1st May 2020*
Winners announced: 15th May 2020*

SUBMISSIONS VIA SUBMITTABLE

*Please note: we reserve the right to change the date of the shortlist and winners announcement if required for any reason.

Saturday, March 14, 2020

Princess Grace Fellowship

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Deadline: March 16, 2020

We encourage emerging playwrights to apply at the beginning of their careers so that through the New Dramatists Fellowship, they can develop their work as well as benefit from being a part of a unique, diverse, dynamic community of professional playwrights. An applicant’s status as an emerging playwright is evaluated during the adjudication process.

One playwright will be selected to receive:
• A grant in the amount of $7,500
• A one-season (September – June) artistic residency at New Dramatists, Inc. in New York City (For Award recipients living outside of the New York metro area, your on-site residency can be adapted according to your schedule with reimbursement provided for transportation costs to/from New York.)
• Inclusion of the winning script in New Dramatists’ library
• Advocacy for the recipient and their script to New York and National theatre communities for the duration of the fellowship, including opportunities to gather with the Princess Grace community, New Dramatists writers, and other theatre professionals
• Mentorship from a New Dramatists resident playwright for the duration of the fellowship
• Opportunity for winning play to be licensed and published by Samuel French, Inc.

Submission requirements:
• All candidates must be United States citizens or have permanent resident status.
• Eligible playwrights must not have had more than 3 public productions of their full-length plays mounted by a producing theatre.

Developmental readings and workshops, university productions, and self-productions are admissible.

You must submit one unpublished, full-length play (A full-length play is a single play that constitutes a full evening of theater. For example, a 90-minute intermissionless play is a full-length play.)
• There is no restriction on subject matter
• Co-written material will not be accepted
• No adaptations of previously published material

The Foundation is looking to identify and support original, authentic, unheard voices in the theater. The panel will consider the submitted play in terms of the originality of the storytelling, quality, and offering of new perspectives.

APPLICATION STEP-BY-STEP

The submission Window opens on Friday, February 14, 2020 10:00AM EST, and closes on Monday, March 16, 2020 5:00PM EDT

To begin your application, click on the “Begin Application” button below. You will be asked to create a username and enter your email address. Once you have clicked “Submit,” you will receive an email with instructions on how to log in. From this point forward, you will be guided through a simple process collecting all of your admissions materials in seven easy steps:

1. Log in. You will be asked to confirm you are a US Citizen, or permanent resident, and to certify that you are an early-career artist.

2. Fill in your full name, address, and phone number.

3. Upload your playwriting resume.

4. Upload one full-length work (play or book of a musical) (The following files may be used: txt, pdf, doc, docx, rtf).

5. Upload your personal statement.

6. Enter the name and email of a reference. If you are selected to advance to the final round in June, we will email your reference directly with a brief questionnaire.

7. Review your application, and click “Submit Your Application” to complete the process. You will receive an email confirming your application has been received.

You may save your application at any point and return to it later
before submitting. Once the application window closes at 5:00 (EDT) p.m. on March 16, you may not alter your application in any way.

If you have any questions, please email us.

SUBMIT ONLINE

Thursday, January 16, 2020

Playwrights Realm Writing Fellowship 2020

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Deadline: February 2, 2020

Submit via Submittable

The Playwrights Realm Writing Fellowship Program awards four early-career playwrights with nine months of resources, workshops and feedback designed to help them reach their professional and artistic goals. Over the course of the season, Fellows develop a single new play. Monthly group meetings provide a collaborative, energizing space for writers to share and refine their work. One-on-one meetings with The Realm’s artistic staff support each writer’s specific artistic process. Fellows work with a director, design consultants, and actors over the course of two readings to see their work come to life. Professional development resources are also an integral part of the program and are tailored to the individual group of Writing Fellows. Mentor opportunities, meet-and-greets, and professional seminars are designed to shed light on the business of theatre, and empower the Fellows to be active, informed participants in their own careers. The culminating event of the program is our INK’D Festival, which features a public reading of each Fellow’s play.

Writing Fellows Receive

$3,000 Award

Internal reading

Public reading

Professional development activities

Access to Realm office resources

An occasional hug

What We’re Looking For

Above all, we look for dedicated early-career writers who crave a long-term, rigorous development process. We value intellectual curiosity, imagination and bravery. We love plays with evocative language, plays that contemplate big, unanswerable questions, that embrace the complexity of life, and demonstrate an understanding of the possibilities of dramatic storytelling. And of course, plays that are inherently theatrical—that could never be anything other than a play!

As a playwright-centric company hoping to help create the next generation of successful playwrights, we believe it is our responsibility to ensure that the playwrights and the stories we support fully reflect the diversity of the society we live in. As such, we encourage writers and stories with unique cultural perspectives, experiences and backgrounds.

Program Criteria

Playwrights must be able to attend meetings and readings in New York City approximately twice monthly from September 2020 through early June 2021.

Playwrights should identify as early-career.

Submitted script must be a full-length play, at a stage of development that would benefit from a nine-month developmental process.

Plays should have no commitments to other theaters that will limit their development with The Playwrights Realm.

Those enrolled in an academic program during the span of the fellowship are not eligible.

Plays which have had a production outside of an academic environment are not eligible.

Plays committed to another similar development process during the same period as the Writing Fellowship are not eligible.

Writing Fellows Application Components

Online application (short-answer questions)

Theatrical résumé

A complete draft of the play you wish to develop, with your name and play title on a cover page (PDF format)

Optional professional reference or letter of recommendation

Follow up questions may be sent at a later date (See detailed information on questions here)

Saturday, December 21, 2019

Sesame Street Fellowship Program

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All applicants will be asked to submit the following items with their application through their profile on the Writers' Room portal. For additional questions about any of the requirements, please visit our FAQ page or contact us at writersroom@sesame.org

Application Check List
  • Application form: 2020 applications are available now!
  • Resume: this can feature your overall work experience, NOT only writing experience
  • Personal statement: tell us about yourself, for example, why you want to write for children's educational media, how your experiences influence the stories you tell, why you value diversity/representation in children's media, etc. (up to 250 words)
  • Original script sample: 11-page maximum, it should NOT contain Sesame Street elements, it can be an excerpt from a larger piece you've written, it must be kid-friendly content for viewers up to age 12...we're looking for great characters and stories that inspire kids to be smarter, stronger and kinder!
  • More info on your script: what's the bigger picture/idea of your script sample? (up to 100 words)
  • Application must be submitted by January 10, 2020 5PM EST.
Am I Eligible?
  • All participants must meet the following criteria in order to qualify for the program. For additional questions about eligibility, please visit our FAQ page or contact us at writersroom@sesame.org
Eligibility Check List
  • Participants must be a U.S. citizen or permanent resident
  • Participants must be 21+ years old
  • Must come from an underrepresented racial group
  • The Sesame Street Writers’ Room fellowship is an effort to identify and increase the presence of underrepresented voices in children’s media writing. For this specific purpose, underrepresented groups are those who identify as any of the following: Asian, Pacific Islander, Black, Hispanic, Native American, Middle Eastern, or multiracial.
  • No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series
  • Participants must be able to attend all eight weekly sessions in NYC, which will be held from early May to mid-July. Travel and lodging expenses are the participant's sole responsibility.

Thursday, November 21, 2019

IASH/Traverse Creative Fellowship

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IASH and the Traverse Theatre will commission a play on or inspired by any aspect of the Institute’s current interests. The stipend will be £10,000 and the recipient will have a private office and full Fellowship at IASH, and contribute to the Institute’s events, including giving at least one work-in-progress seminar during the tenure of the Fellowship.  During the period of the Fellowship the playwright will receive dramaturgical support from the Traverse’s Literary Department. The recipient must be Edinburgh-based for the duration of the residency, as their regular presence at IASH is expected and they will be encouraged to play a part in the artistic life of the theatre.

The tenure of the Fellowship will be between 6 and 10 months, by agreement, with the intention that the playwright will submit a complete play to the Traverse at the end of 2020.

The ideal candidate will be a writer who wants to engage actively with the Traverse and is eager to make the most of the unique environment that IASH provides to further their thinking and develop their work. You can find out more about IASH via the About page.


We encourage ideas from writers that want to actively engage with both the Institute's interests and the Traverse Theatre's desire to entertain, excite, provoke and delight audiences alike - whether through a brilliant story, an innovative new form or use of technology, or with a striking new theatrical concept.

Please send a cover letter and CV to iash@ed.ac.uk by 5pm on 29 November 2019.

Interested applicants are invited to put in writing why they would like to take up this Fellowship and what they would like to explore in their commissioned play.  Applications should demonstrate an awareness of the work and ethos of the Traverse and IASH, and a sense of how the writer and their work might fit into this. Applicants should have had a minimum of two professional productions of their work. Interviews will be held in central Edinburgh on Wednesday 11 December 2019.

Wednesday, October 2, 2019

Blade of Grass Fellowship

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We believe in the power of socially engaged artists to participate meaningfully in creating a more just, equitable, sustainable, joyful, and compassionate future. We know this means that artists must take time and care to develop relationships built on mutual trust, as well as work with diverse non-arts partners and communities. We understand there are no ready-made roadmaps or guaranteed outcomes for this type of work, and are committed to learning how artists navigate these processes and relationships.

Our fellowship program is meant to support courageous artists in creating exchanges, experiences, and structures that highlight seemingly intractable social problems, inspire audiences, and energize folks to participate in and sustain long-term social change work. This is hard and time-consuming organizational, intellectual, and emotional work.

We are committed to providing relatively unrestricted funding that incorporates a collaborative research component. Additionally, field research replaces grant reporting written by the artist, and is grounded in the goals and areas of inquiry defined by the artist and the perspective of project participants.

Selected Fellows will receive:

  • $20,000 in minimally restricted support
  • Comprehensive written field research reports that utilize action research methodology
  • Expenses paid 2-day orientation retreat in NYC to engage a cohort of peer artists and A Blade of Grass staff and board (a requirement for the fellowship)
  • Ongoing invitations to networking events for all A Blade of Grass Fellows and alumni twice annually (attendance voluntary)
  • Ongoing promotion of fellow’s projects through A Blade of Grass social media networks and website
  • In addition to direct artist support, another primary goal of ABOG is to make the “invisible” parts of socially engaged art visible. We do this through documentary films, publications, web content, and public programming. However, these content collaborations are not an obligation of the fellowship, and will be based on mutual interest under a separate contract.

Fellowship Projects may become the focus of A Blade of Grass content and programming including:

  • Curriculum and advocacy that advance the field of socially engaged art
  • Inclusion in our biannual magazine (available in print and free online)
  • Participation in documentary videos focused on curatorial themes of interest to the field
  • Other web content (podcasts, interviews, critical essays)
  • Participation in ongoing public programs


Open Call Deadline: October 16, 2019 at 11:59PM (EST)

All interested and eligible applicants will submit their full narrative application and supplementals through Submittable, with only semifinalists having to submit more detailed budgets and timelines upon later request from A Blade of Grass. Artist collectives are welcome to apply! They will need one member to submit a single application on behalf of the collective. Required application materials and timeline are below.

Submit the following materials by the Open Call deadline:

  • A maximum 100-word project summary
  • A maximum 2,000-word project narrative that describes your project
  • Work Samples: A single PDF or Word document with up to 10 still images with captions and/or up to 2 video/audio links with captions and cue points
  • Supplemental Materials: A single PDF or Word document with up to 5 supplemental documents or links (press clips, critic reviews, catalog text, your own creative or analytical writing samples). For longer documents, please provide key excerpts.
  • A CV (or multiple CVs if applying as a collective)
  • Contact information for three references
  • An informational diagram that describes your stakeholder network and/or project participation. Click here to see examples.


Click here to access the application

Wednesday, September 11, 2019

Princeton Arts Fellow

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Princeton Arts Fellows, funded in part by The Andrew W. Mellon Foundation, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching.

We will be accepting applications in Creative Writing, Dance, Music, Theater, and Visual Arts.

Applicants should be early career composers, conductors, musicians, choreographers, visual artists, film makers, poets, novelists, playwrights, designers, directors and performance artists -- this list is not meant to be exhaustive -- who would find it beneficial to spend two years working in an artistically vibrant university community.

Fellowships are for two 9-month academic years. An $83,000 salary for each year is included. Fellows will be in residence for academic years 2020-2021 and 2021-2022 at Princeton, interacting with our students, faculty and staff as part of the Lewis Center for the Arts and the Department of Music. The normal work assignment will be to teach one course each semester subject to approval by the Dean of the Faculty, but Fellows may be asked to take on an artistic assignment in lieu of a class, such as directing a play or creating a dance with students. Although the teaching load is light, our expectation is that Fellows will be full and active members of our community, committed to frequent and engaged interactions with students during the academic year.

Princeton Arts Fellows may not hold concurrent teaching positions at other institutions for the duration of the fellowship.

Interviews of finalists will take place on campus during January 6-7, 2020. All finalists are expected to attend the on-campus interview.

While Fellows need not reside in Princeton, they will be required to spend a significant part of the week on campus.

This Fellowship cannot be used to fund work leading to a Ph.D. or any other advanced degree. Holders of Ph.D. degrees from Princeton are not eligible to apply.

Please apply online by September 17, 2019, 5:00 p.m. EST. 

All applicants must submit a curriculum vitae, a statement of 500 words about how you would hope to use the two years of the fellowship at this moment in your career, and contact information for three references (please do not ask recommenders to send letters; the search committee will contact relevant recommenders directly). In addition, work samples should be submitted online (i.e., a writing sample, images of your work, video links to performances, etc.).

Applicants can only apply for the Princeton Arts Fellowship twice in a life time.

We cannot confirm receipt of applications nor can we accept applications submitted after the deadline. Statements are limited to 500 words and writing samples to 3,000 words.

Selection will be based on artistic achievement; the potential for excellent teaching; and the likelihood of significant contributions to the artistic life of the Princeton community. Appointments will be made at the rank of lecturer.

Advanced degree preferred.

To learn more (including FAQ, profiles of past fellows, etc.): arts.princeton.edu/fellowships

These positions are subject to the University's background check policy.

Requisition No: D-19-LCA-00006
*Required information is denoted with an asterisk.

How to Apply
The form online must be completed to submit your application for this position.

It is recommended that you read through the entire application and gather the required application materials before beginning your application. You will not be able to save or return to edit a partial application. Only complete applications will be accepted for consideration and the application form must be completed in its entirety before it can be submitted.

Upon submitting your application, you will receive a confirmation email at the email address that you provide in your application. In some cases, your references may be contacted using the email address that you provide for them and may be asked to provide their recommendation via a web-based form similar to the application form.

Be sure to provide the correct email addresses for you and all of your references to ensure that communications from Princeton University are properly delivered.

For more information send an email to lca-fellowships@princeton.edu or call 609-258-0788 .

Sunday, September 8, 2019

TARGET MARGIN THEATER INSTITUTE 2020

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Deadline: September 30, 2019

 WHAT IS THE INSTITUTE
The Institute is a year-long fellowship (January – December) that harnesses Target Margin Theater’s history of nurturing emerging talent, providing a $1,000 stipend, support and space for five diverse artists to challenge themselves and their art-making practices. The Institute is a place for open-ended questioning and experimentation within, and at the edges of, the form of theater.

There is no curriculum or “teaching” structure. There is no final result or project. The Institute values form-breaking work, artistic originality and process over production. The core goal is rigorously to question our own assumptions about what the theater is, what it could be, and what we would like it to be. We demand only that Fellows push these principles and challenge themselves continuously.
2020

STIPENDS – Each Fellow receives a $1,000 stipend to relieve financial burdens and nurture their artistic practice.

INTENSIVES – Fellows gather quarterly for 3 - 5 day retreats throughout the 2020 year (January – December). These are led by Target Margin Artistic Director David Herskovits and Associate Artistic Director Moe Yousuf, and the Fellows themselves. Intensives provide space and time for Fellows to collaboratively play / practice / test existing performance and theatrical frameworks.

EXPERIMENTS – Each Fellow will engage in an artistic experiment. It might test an idea; question a principle the Fellow becomes interested in; allow the Fellow to change their process or working approach; or challenge the Fellow’s assumptions about collaboration. It has no performance goal or production outcome.

OPEN STUDIOS – In late fall 2020 we will host a one day event in our space open to our local community and peers in the field. The form of the Open Studios will be shaped by the Fellows and created to highlight their specific ways of working within our Institute throughout the year. It may be an open showing, an invited rehearsal, conversation, facilitated dialogue, or participatory event.

ADVENTURES – Throughout the year, TMT organizes extracurricular experiences for Fellows to attend as a group. Past Adventures have included intimate conversations with visionaries such as Richard Foreman, visiting the Library for Performing Arts’ Archive of Recorded Sound, Special Exhibitions at Pioneer Works, the Museum of Jewish Heritage, attending a Godzilla Film Festival at Japan Society, visiting the Dream House, or hosting a spontaneous dance party.

BREAKFASTS – Fellows and TMT Artistic Staff have breakfast together one morning each month; this is an opportunity for informal sharing, conversation, and reflection. We ask that all Fellows commit to attending as many breakfasts as possible. After all, it’s the most important meal of the day.

 WHO SHOULD APPLY?

We are looking for five artists who have demonstrated a serious commitment to their artistic practice and an interest in the TMT’s principles, and are ready to move in a radical new direction. Fellows should be poised to embrace the open- ended questioning that guides the Institute.
Applicants may emerge from any theatrical discipline (actors, designers, writers, directors, producers, stage managers, administrators, etc.). We will also accept applications from other artistic fields (music, visual art, literature, etc.) as long as the connection to performance is clearly articulated.
The Institute is a substantial time commitment and given the Institute’s unstructured nature, Fellows must be energetic and motivated to initiate and shape their work. The Institute is for artists who have already established a serious professional practice and are now looking to extend, disrupt, and transform it.

HOW TO APPLY

WHAT IS THE TIMELINE?
WE ARE ACCEPTING 2020 INSTITUTE APPLICATIONS FROM SEPTEMBER 3 – 30, 2019.
We will then review applications and conduct interviews, with the aim of choosing our Fellows by December 15, 2019.'
OUR FIRST INTENSIVE WILL TAKE PLACE IN JANUARY 2020.
All Intensives are mandatory and if you are not available at this time we advise you to apply in a later year. The remaining three Intensives sessions (spring, summer, fall) will be scheduled in consultation with the Fellows.
FOCUSED EXPERIMENTS / OPEN STUDIOS COMMENCE IN LATE FALL 2020.
Exact dates will be scheduled in consultation with the five Fellows, however if you are already aware that you have extensive conflicts in Fall 2019 we recommend that you apply in a later year.
BREAKFASTS BEGIN JANUARY 2020.
We meet once a month for a communal breakfast in the great state of Brooklyn. Our first breakfast will be scheduled (and those thereafter) in consultation with the Fellows.

ADVENTURES ARE CONTINUOUS. AS THEY SHOULD BE.

1. COMPLETE OUR ONLINE APPLICATION

2. EMAIL YOUR RESUME / BIO & YOUR SUPPLEMENTAL MATERIALS TO: INSTITUTE@TARGETMARGIN.ORG.

Saturday, August 17, 2019

Radcliffe Institute Fellowship 2020

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Radcliffe fellows are exceptional scientists, writers, scholars, public intellectuals, and artists whose work is making a difference in their professional fields and in the larger world.

Based in Radcliffe Yard—a sanctuary in the heart of Harvard University—fellows join a uniquely interdisciplinary and creative community. A fellowship at Radcliffe is an opportunity to step away from usual routines and dive deeply into a project. With access to Harvard’s unparalleled resources, Radcliffe fellows develop new tools and methods, challenge artistic and scholarly conventions, and illuminate our past and our present.

Throughout the year, fellows convene regularly to share their work in progress. Coming from diverse disciplines and perspectives, they challenge each other’s ideas and support each other’s ambitions. Many say that it is the best year of their professional lives.

Our online application for the 2020–2021 fellowship year is now available.

The deadline for applications in humanities, social sciences, and creative arts is September 12, 2019.

The deadline for applications in science, engineering, and mathematics is October 3, 2019.

The Radcliffe Fellowship Program awards 50 fellowships each academic year. Applicants may apply as individuals or in a group of two to three people working on the same project. We seek diversity along many dimensions, including discipline, career stage, race and ethnicity, country of origin, gender and sexual orientation, and ideological perspective. Although our fellows come from many different backgrounds, they are united by their demonstrated excellence, collegiality, and creativity.

Saturday, August 10, 2019

The Dorothy and Lewis B. Cullman Center for Scholars and Writers Fellowship

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Application Deadline: September 27, 2019, 5 p.m. EDT
Notification: March 2020
Award Period: September 8, 2020–May 28, 2021
Stipend: $75,000

The Dorothy and Lewis B. Cullman Center for .Scholars and Writers supports projects that draw on the research collections at The New York Public Library's Stephen A. Schwarzman Building (formerly the Humanities and Social Sciences Library). The Center looks for top-quality writing from academics as well as from creative writers and independent scholars. Visual artists whose projects require extensive use of Library collections are also encouraged to apply. The Center aims to promote dynamic conversation about the humanities, social sciences, and scholarship at the highest level-within the Center, in public forums throughout the Library, and in the Fellows' published work.

Successful candidates for this Fellowship will need to work primarily at the Schwarzman Building rather than at other divisions of the Library. Applications from those working not in English are welcome; however, the applicant must be conversant in English, and the application materials must be in English.

In order to avoid real or apparent conflicts of interest, the Cullman Center for Scholars and Writers does not accept applications from New York Public Library staff members or their partners, or from people active on the Library’s Board of Trustees, Board Advisory Committees, or Library Council.

Please visit www.nypl.org/research-collections for detailed information about the collections of the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street.

Fellows are required to work at the Cullman Center for the duration of the Fellowship term and may not accept other major professional obligations during the term. Some Fellows may have a few prior commitments but must limit research trips, attendance at scholarly meetings, and speaking engagements to short periods of time. Anyone who needs to be away for more than two days must notify the Center's Director or Deputy Director. The Library will pro-rate stipends for Fellows who spend too much time away from the Center.

Fellowships will not be granted for academic projects to post-doctoral fellows or to applicants doing graduate-school dissertation research.

The Cullman Center will not accept dossier letters in place of new letters of recommendation.

Completed applications and supporting materials—research proposal, Curriculum Vitae, letters of recommendation, and creative writing sample or art work sample—must be submitted by 5 p.m. EDT on September 27, 2019.

New York Public Library staff members are not able to make corrections or additions once applications are submitted.

The Cullman Center is made possible by a generous endowment from Dorothy and Lewis B. Cullman in honor of Brooke Russell Astor, with major support provided by Mrs. John L. Weinberg, The Andrew W. Mellon Foundation, The Estate of Charles J. Liebman, The von der Heyden Family Foundation, John and Constance Birkelund, and The Samuel I. Newhouse Foundation, and with additional gifts from Helen and Roger Alcaly, The Rona Jaffe Foundation, William W. Karatz, Merilee and Roy Bostock, and Cullman Center Fellows.

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