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Showing posts with label monologues. Show all posts
Showing posts with label monologues. Show all posts

Friday, September 18, 2020

Jewish Women's Theater seeks short plays for At-Home Salon Theatre Season

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Deadline: December 1, 2020


Click to view our themes for the 2021 Season

Three easy steps to SUBMITTING YOUR MATERIAL

Step 1: Click to view our themes for the 2021 Season
VERY IMPORTANT TO SUBMIT TO THE THEME
Step 2: Carefully read Submissions Guidelines
Step 3: Fill out Writers Survey


Submission Guidelines 

JWT produces contemporary American stories that have some Jewish content or Jewish resonance.

Seeking first person narratives or stories.

Most of the stories are true. If you want to see your work performed on our stage, your best chance is to submit a first-person narrative OR a short story that is no longer than 1500 words AND illuminates a theme that JWT is exploring in the upcoming seasons (themes listed below.) Stories, one-acts, poems or songs will be considered. Sometimes we incorporate short, 5-8 minute plays into these salons if they fit the theme.

Submit your material to ronda@jewishwomenstheatre.org. Be sure to let us know the theme to which you are submitting in the subject line of your email. Make sure your name and title of your work appear on your submission. Fill out our writer’s survey HERE to complete your submission.


Themes for 2021 At-Home Salon Theatre Season


Remembrance of Things Present
The legacy of the Shoah in stories from the next generations are not only funny and insightful, but deeply moving.

Star Spangled Sabra
Caught between two promised lands, Israeli Americans share their story of longing, loss and love in the Diaspora.


Family Matters
We love them. We hate them. We can’t live with them; we can’t live without them. The matters of family, and why family matters, are as old as the Bible. This show reveals our most personal family stories.


Deadline for submissions
October 1, 2020


Persian Sunrise, American Sunset

Evocative and humorous Iranian stories that explore the heartbreak and triumph of a new generation forging its own identity while trying to honor its heritage. Email submit@jewishwomenstheatre.org for submissions to this particular show. Thank you!


Deadline for submissions
October 1, 2020

Thursday, September 17, 2020

Lift Every Voice Black Women Speak Monologue Festival

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Deadline: November 15, 2020 midnight EST

Fantasy Theatre Factory in Miami, Florida, understands that black female playwrights are underserved when it comes to the production of their work. We are holding a call for black female playwrights from the United States to submit monologues that reflect their personal experience. These monologues will be presented by Fantasy Theatre Factory in February, 2021 during Black History Month. An honorarium will be paid to those playwrights whose scripts are selected.


Submission Guidelines:

-Submissions accepted from female black playwrights who reside in the United States.

-Two submissions per writer maximum.

-The monologue may be part of a larger work or a stand-alone piece.

-Deadline for submissions is November 15, 2020; midnight EST.

-Monologue should read between 2 and 5 minutes.

-Preferred format is PDF

-On the cover page, indicate name, address, phone and email address.

Email scripts to: blackfemaleplaywrights@gmail.com

Saturday, September 12, 2020

Rose Theatre Co. seeks monologues

web site

The Rose Theatre Co., a DC-based professional organization, is seeking short comedic monologues for the creation of a curated digital film series titled IN CHARACTER. Selected monologues will be produced and released by The Rose for use across digital platforms, including Instagram and You Tube. Writers may make multiple submissions. This is an open-ended project. Writers will retain all rights to their words. The Rose Theatre Co. will retain all rights to the audio-video content and their production of the monologues submitted. Please note that all submissions are voluntary and unpaid.

GUIDELINES:

1. For the first round we’re looking for pieces that are COMEDIC (light-hearted) in tone but all genres welcome.

2. Scripts should run 2 to 4 minutes

3. Should require no more than one actor

4. The submission should be devoid of all stage directions and settings. An optional explanatory paragraph of the piece may accompany the submission but should not be a part of the script itself.

5. Your script should be a standalone piece where the audience loosely experiences an entire arc of story ... a sense of a beginning, a middle (turning point, change, revelation) and a sense of resolution.

6. Your script will be assigned to a professional actor contracted by The Rose Theatre Co. and will be performed in one pass. Be advised that scripts may not be assigned according to age, gender, race, or ethnicity.

7. We’re looking for compelling, well-told and entertaining first-person stories. Non-traditional pieces (stand-up, literary, poems, spoken-word) are welcome provided they meet the guidelines.

To apply, or learn more about The Rose Theatre Co, please go to www.rosetheatre.net/submissions To help us reduce our environmental footprint, please make your submission online. Only digital submissions will be considered at this time. Printed or mailed submissions will not be accepted, read or returned. Thank you for your support.

EarthQuake: Moving the Earth with Our Voices A Global Zoom Festival

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Deadline: September 20, 2020, 11:59 PM Pacific Time

Call for Submissions for EarthQuake: Moving the Earth with Our Voices A Global Zoom Festival

Same Boat Theater Collective is soliciting short plays and theatrical pieces for EarthQuake: Moving the Earth with Our Voices, a global Zoom festival of performances to further the cause of environmental justice. 

We are looking for theater pieces that raise the awareness of how specific environmental issues affect the lives and communities of the underrepresented and underprivileged among us. The festival intends to produce work that gives an opportunity for a diversity of voices to be heard, with an emphasis on underrepresented and underprivileged artists. Same Boat will cast and direct the zoom performances.

Submission

10-20 minute scripts, monologues and other theatrical works (movement, puppetry, etc.) that can be performed live on Zoom and give thoughtful, engaging responses to one (or more) of the following questions1. What does being _____________ [an African American woman, e.g.] have to do with the environment?

Urban wilderness.” How has human activity specifically affected the environmentwhere you live?

Is misinformation a pandemic?

Guidelines for Submission:
  • Scripts and monologues must be fully production ready and possible to be performed on Zoom.
  • Pieces must be 10 – 20 minutes in length 
  • Maximum three performers per piece. 
  • While we are looking for work that can be performed live, we will consider presenting video pieces in our livestream productions, such as movement and puppet pieces. For this category, please provide a fully produced video for us to consider.
  • The work must tell a story as opposed to solely creating an impression or mood. 
  • Only work that has not had a professional production will be considered. However, work that has had a reading or non-professional run will be considered.
  • If the work is a collaboration, please ensure the names of all participants appear on the manuscript.
  • At the front of the script, please include a cast breakdown with pertinent details about the characters.
  • Please fill out and submit the application form.

Performances:

There will be three Livestream Zoom performances, one each from: The San Francisco Bay Area, London, and New Delhi on Sunday, October 25, 2020. The festival will be aired at 5pm in each of the respective time zones. Each Livestream will consist of several plays running about 90 minuets. Each play will be performed once in one of the geographical areas of the company’s choice.
How to submit:
Please send submissions to SameBoatTheater@gmail.com by
11:59pm, Pacific Time, September 20, 2020.
Participant choices will be made on October 1, 2020.

Sunday, September 6, 2020

Currently Seeking 10-Minute Plays & Monologues for Smith & Kraus Publications


Deadline: December 11, 2020 8PM EST

For The Best Men’s & Women’s Monologues 2021, and Best 10-Minute Plays 2021
Edited by Debbie Lamedman

OPEN TO ALL WRITERS
NO SUBMISSION FEE
Website for information

For The Best Men's & Women's Monologues 2021
  • Monologues must be from plays. They cannot be stand-alone pieces.
  • They must be from plays produced between January 2019-September 2021.
  • Staged Readings performed live or virtually during the Pandemic will be accepted.
  • Monologues should be from 1-3 minutes long.
  • Monologues should be active! No stories about something that happened in the past—(those types of pieces are not good for auditions!)
  • Please include a descriptive blurb containing a brief summary of the play; the name/age of character; to whom the character is speaking and the dramatic context of the scene.

For The Best 10-Minute Plays 2021
  • Plays must be produced between January 2019-September 2021
  • Staged Readings performed live or virtually during the Pandemic will be accepted.
  • Plays should not exceed 10 pages.
  • Please include a brief synopsis.
  • No Radio Plays. No musicals.
Click here to submit:
Please fill out this form thoroughly before attaching a PDF of your submission. Only one entry per submission form.

You may submit up to two monologues and two 10-Minute plays.
DEADLINE: DECEMBER 11, 2020 8 PM EST

Friday, September 4, 2020

Fifth Avenue Theatre of New York Virtual Fall 2020 Play Festival seeks 10-minute plays

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Deadline: October 31. 2020

Submissions are now being accepted for the Fifth Avenue Theatre of New York Virtual Fall 2020 Play Festival, to take place in November 2020.

Seeking short plays (no more than 10 pp/minutes), from playwrights from across New York City and surrounding areas.

Also seeking monologues (no more than 4pp/minutes). Musicals welcome! 

One submission per playwright. 

No unpleasant profanity, as this is a family friendly festival! 

No submission fee. 

Please include name, address, telephone number and email address on your submission. We do not produce your work, we provide a venue for you to present actors performing your play virtually. 

There are no costs involved for anyone. Seeking actors and directors, too! 

Send your submission to fifthavenuetheatre@gmail.com for more information.

 Links to videos of your plays will be posted to our website for viewing and voting.

Thursday, September 3, 2020

Rockford New Words Festival

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Deadline: October 15, 2020 5PM CSTRockford IL

10 Minutes of Words Written for Live Performance
Theme: WE CAN’T BREATHE
Award: $200

The Rockford New Play Festival is now ROCKFORD NEW WORDS!

Why the change? We’re expanding to include all words written for live performance, including:
  • Spoken Word
  • Poetry
  • Choreopoems
  • Plays
  • Zoom Scripts
  • Raps and Spoken Lyrics
  • Storytelling
  • Monologues
Six new works will be chosen and presented in a staged performance on Jan 21, 2021. Artists/Writers can choose to perform their own works (Live or on Zoom), or have them presented by professional performers.

Artists/Writers each receive $200.

WE CAN’T BREATHE

2020 has been a year like none other with COVID-19 and BLM protests responding to the murders of George FLoyd, Breonna Taylor, Ahmaud Arbery, and so many others.

At the center of it all is our breath: we are breathing in a virus, we are breathing in tear gas, or we are breathing our last breath.

Rockford New Words is looking for personal and passionate works that speak to where we are at in this moment in time.

We Can’t Breathe.


RULES
  • New Words: written after Aug 12, 2020
  • Theme: We Can’t Breathe
  • One Written Work per writer
  • Language: English
  • Originality: no translations, adaptations, or excerpts of other works
  • Copyright: you must own it
  • Eligibility: no published or produced works
  • Length: 10 pages or less
  • Time: 10 minutes or less
  • Format: Any

HOW TO SUBMIT

There are 4 ways to submit. Choose whichever way works for you:

1. ONLINE FORM

Fill out the online application and upload a copy of your work:
ONLINE APP


Have questions? words@thewssr.org


2. EMAIL

Fill out the online email application and then email us a copy of your words:
EMAIL APP

Email your words to words@thewssr.org

3. US MAIL

Print and fill out this application and mail it with a copy of your words:

PRINT APP

Mail the application and a copy of your words to:

The West Side Show Room
PO Box 4041
Rockford, IL 61110

Submissions must be postmarked by Oct 15, 2020. Have questions? words@thewssr.org

(Applications are also available at the Rockford Area Arts Council, see below for more info.)


4. DROP OFF

Print and fill out the application:
PRINT APP


Then drop it off with your words at the Rockford Area Arts Council during business hours, or through the mail slot:

Rockford Arts Council
713 E State St
Rockford, IL 61104

Applications are also available at the Rockford Area Arts Council during business hours. Call or email in advance to make sure there is someone in the office:

Phone: (815) 963-6765
email: info@artsforeveryone.com


Words will be accepted until October 15, 2020 at 5:00pm CST. We will let you know the status of your submission by December 15, 2020.

Have questions? words@thewssr.org

Tuesday, September 1, 2020

The Strand Theater Company Brown Sugar Bake-Off

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Deadline: September 7, 2020
Baltimore MD

The Strand Theater Company stands in solidarity with our beloved Baltimore community as we seek justice for Ahmaud Arbery, Breonna Taylor, George Floyd, and all people oppressed by systems of racism. In our efforts to learn more and do more to impact social change, we are proud to team up with Two Strikes Theatre Collective for a virtual bake-off playwrighting festival, focused on Black womxn.

Inspired by Paula Vogel’s Bake-Offs, our Brown Sugar Bake-Off is an artistic response to the worldwide outcry against systemic racism. Though Black Lives Matter was founded by three Black women, the movement (much like liberation movements before it) has historically erased and undervalued Black women.

How this works:
  • Black womxn playwrights have until September 7, 2020 to write a short play using all the ingredients and following the provided “Recipe” (aka the rules)
  • Led by Two Strikes Theatre Collective and the Strand Theatre Company, our panel of readers will then select a collection of plays that will be presented in a virtual performance Festival that launches Strand Theater Company’s 2020-2021 Season. 
  • Each selected submission will be assigned a director and a cast, and will follow a three-week rehearsal period, leading up to the Festival on October 17, 2020. All performances will be pre-recorded. Playwrights will participate in live Q&As on the day of the Festival.
  • The Festival will be presented free of admission fees to the public. Donations will be encouraged to support the participants. Stipends will be provided to all Festival participants.
Brown Sugar FREE Playwriting Workshop (led by Dr. Nae Phillips and Christen Cromwell): Our Festival is open to the Baltimore community and beyond. We understand that there may be some who would like to participate in the Festival but may not know where to begin. Or, perhaps they want a refresher on how to write a short play. This free workshop is designed for you. Interested in joining the workshop? Please email info@strand-theater.org to sign up.

Food for Thought as you prepare your submission:
  • Read this article: “The Reckoning Will Be Incomplete Without Black Women and Girls.”
  • Read this quote: “White women and black men have it both ways. They can act as oppressor or be oppressed. Black men may be victimized by racism, but sexism allows them to act as exploiters and oppressors of women. White women may be victimized by sexism, but racism enables them to act as exploiters and oppressors of black people. Both groups have led liberation movements that favor their interests and support the continued oppression of other groups. Black male sexism has undermined struggles to eradicate racism just as white female racism undermines feminist struggle. As long as these two groups or any group defines liberation as gaining social equality with ruling class white men, they have a vested interest in the continued exploitation and oppression of others.” ― bell hooks, AIN'T I A WOMAN: BLACK WOMEN AND FEMINISM (1981)

The Recipe (aka the rules):
  • Playwrights must identify as Black womxn.
  • Submissions can be a short play, choreopoem, monologue, etc. 
  • The play/submission cannot exceed 10 pages (10 minutes or less).
  • Submission must have 5 characters or less
  • All performances will be pre-recorded. If actors are in the same space, the characters must remain six feet apart from one another.
  • Must include all of the following ingredients. 
The Ingredients:
Submissions must include all ingredients, which can be physical/literal or metaphysical/symbolic.
  • a Black womxn protagonist
  • a wig
  • a sign
  • a gathering 
  • brown sugar


Timeline:
Recipe Drop - July 20, 2020
Free Playwrighting Workshop- August 22, 2020
Submission Deadline - September 7, 2020
Selected plays announcement - Late September 2020
Rehearsal Period - 21 Days prior to the Festival
Virtual Festival performances - October 17, 2020

Completed play submissions should be forwarded to tstc.baltimore@gmail.com with the following subject format:
  • Brown Sugar Bake-Off SUBMISSION [Last Name]
  • The body of the email should contain the playwright’s first and last name, address, and a primary phone number
  • Please attach a character list containing the genders (if needed) and ages of characters if the script calls for them
  • The play should be included as a PDF attachment, with the playwright’s name and contact information removed from the actual script (blind submission)

WE ARE LOOKING FOR ACTORS AND DIRECTORS interested in taking part in the Festival.
Please e-mail your interest to tstc.baltimore@gmail.com with the following subject format:
Brown Sugar Bake-Off ACTOR [Last Name]
Brown Sugar Bake-Off DIRECTOR [Last Name]

Stipends will be provided to all Festival participants

Friday, August 21, 2020

Troubadour Theatre seeks monologues

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Deadline: Friday August 21, 2020 at 8PM GMT.
Brighton UK

WRITERS! Troubadour Theatre @troubadour2018 are calling for submissions for their Dark Work Monologues series.

They are seeking monologues between 2-3 minutes in length that have an element of darkness/sinister theme/unexpected dark twist. They are not in a position to pay, unfortunately.

First submission window is from Sat 15th August – Fri 21st August 8.00pm.

Please send your submissions to: info@troubadourtheatre.org

Attach your monologue as an attachment, (not pasted into the email.)

This is a rolling opportunity. New submission windows will be posted on @troubadour2018.

Get writing!

Deadline: this window is open from Sat 15th August – Fri 21st August 8.00pm (new submission windows to follow).

Monday, August 10, 2020

The Rose Theatre Co is seeking short comedic monologues

web site

No deadline provided.

The Rose Theatre Co., a DC-based professional organization, is seeking short comedic monologues for the creation of a curated digital film series titled IN CHARACTER. Selected monologues will be produced and released by The Rose for use across digital platforms, including Instagram and You Tube. Writers may make multiple submissions. This is an open-ended project. Writers will retain all rights to their words. The Rose Theatre Co. will retain all rights to the audio-video content and their production of the monologues submitted. Please note that all submissions are voluntary and unpaid.

GUIDELINES:

1. For the first round we’re looking for pieces that are COMEDIC (light-hearted) in tone but all genres welcome.

2. Scripts should run 2 to 4 minutes

3. Should require no more than one actor

4. The submission should be devoid of all stage directions and settings. An optional explanatory paragraph of the piece may accompany the submission but should not be a part of the script itself.

5. Your script should be a standalone piece where the audience loosely experiences an entire arc of story ... a sense of a beginning, a middle (turning point, change, revelation) and a sense of resolution.

6. Your script will be assigned to a professional actor contracted by The Rose Theatre Co. and will be performed in one pass. Be advised that scripts may not be assigned according to age, gender, race, or ethnicity.

7. We’re looking for compelling, well-told and entertaining first-person stories. Non-traditional pieces (stand-up, literary, poems, spoken-word) are welcome provided they meet the guidelines.

To apply, or learn more about The Rose Theatre Co, please go to www.rosetheatre.net/submissions To help us reduce our environmental footprint, please make your submission online. Only digital submissions will be considered at this time. Printed or mailed submissions will not be accepted, read or returned. Thank you for your support.

Wednesday, August 5, 2020

‘Hear Me Out’ New American Monologue Competition Festival

web site

Deadline: August 15, 2020 Noon EDT
‘Hear Me Out’ New American Monologue Competition.
Labor Day, 2020. Festival Theme: ‘Me & My Masks’

All writers who consider themselves American are invited to submit one monologue on this year’s festival theme ‘Me & My Masks’ to compete for $5,000 in prizes and a shot at being named one of the 12 Finalist Winners which will premiere in a special Labor Day event open to the public and held entirely online via Zoom. The top cash prizes will be selected and awarded by an elite panel of judges including playwrights Kia Corthron, Gary Garrison, Julie Jensen, Kate Snodgrass and Doug Wright.

On Monday, September 7th, 2020, Roland Tec and Pinkplot Productions will host an online festival of monologues on the theme ‘Me & My Masks.’ All writers considering themselves American are invited to submit one monologue on this subject, not to exceed 4 pages or 2,000 words in length. Only one submission will be accepted from each writer.

SUBMISSION DEADLINE: Saturday, August 15th at Noon, EDT.

Monologues will be judged by a circle of theatre professionals on the following criteria:

Does the character speaking feel fully realized and authentically human?

Is this a monologue rather than just a story, the distinction being that in a monologue, the speaker’s intention drives the language from beginning to end. The person speaking is speaking for a reason, beyond the simple telling of a story.

Does the monologue relate in some way to the theme of the festival, “Me and My Masks?” Please note: The festival theme is intentionally open-ended. You may use the word “mask” literally or figuratively. Please consider the festival theme to be a point of departure, provided as your inspiration for your own wholly original creation. There is no need to incorporate any specific words or language into your entry. Please remember: the best monologues are born of a specific character in a specific situation speaking to a specific person or group of people.

Selection and Public Presentation:

Twelve monologues will be selected for online presentation at the September 7th Festival Event. From these twelve, three prizes will be awarded: The Golden Mask, The Silver Mask and the Bronze Mask. A Special Prize for the Most Daring Monologue will also be announced at the event. Audience capacity at this Labor Day Zoom Event will be capped at 250. Monday, September 7th at 6PM, EDT via Zoom.

In the tradition of so many great playwrights who began as actors, you are strongly encouraged to perform your own monologue. However if you’re absolutely terrified of this, you may bring your favorite actor friend to perform it for you or if that’s not feasible either you may indicate that you prefer we cast your monologue. (If you choose to leave the casting to us, monologues will be assigned to seasoned professional actors who will work on the material alone. If you wish to give notes to your actor before the presentation on September 7th, you may request a private YouTube video of your actor reading the monologue after which you may email notes. But actors who are generously giving their time to this experiment will not be allowed to enter into a formal rehearsal process.)

The 12 Competition Finalists’ entries will be assembled into a PDF and will be distributed to university theatre departments and conservatory training programs.

Regardless of whether your submission is chosen for the Labor Day presentation, all writers are encouraged to submit a video recording of their entry. All writer-created videos will be posted on a designated YouTube channel along with a link to the writer’s website or agent/representative email.

If you submit a monologue to the competition you’re strongly encouraged to attend the Labor Day Festival.

If your monologue is selected as one of the 12 Competition Finalists, your attendance at the September 7th Premiere (held online via Zoom) is mandatory. Any writer failing to attend the September 7th event will forfeit their position as one of the 12 Competition Finalists.


SUBMISSION DEADLINE: August 15, 2020, Noon, EST.

Saturday, July 18, 2020

Fresh Fruit Festival LGBTQ Monologues

web site

Deadline: July 23, 2020

APPLICATION FORM

The Fresh Fruit Festival, now in its 19th consecutive year, is requesting works in the following format for development in filmed virtual presentation: LGBTQ MONOLOGUES, on the THEME: “The Ache for Home”

Do you FEEL at home? ARE you home? WHERE is home, and how did you get there? Did your character get to Home Base? Whose Homecoming is it anyway? Are you Home on the Range? -the City? -the Planet?

Works must be 2 to 4 minutes in performance length, and relate to the LGBTQ experience. Works may be stand-alone, or part of a larger piece (but work as a self-contained excerpt). Eight written monologues will be chosen by curators , to be resubmitted as digitized short films for entry into the development program. All of these will receive:
  • Hosted presentation of the finished works.
  • PDF Program, for download.
  • Basic Audio Post-processing: Including our own, customized intros; basic sound FX or ambient sound. (No music unless you guarantee rights, or solo perf of public domain)
  • Basic Video editing (of standard formats), for continuity & scene shaping.
  • Marketing on Social media.
  • Two assisted tech consults: For SOUND (check balance, dynamic range, ambient problems, clarity, mic use) and for VIDEO (placement, ambiance, and setting). Note: Applicants are advised to send us a draft version of your video file in advance of these.

All 8 semi-finalist films will be hosted in a high-definition platform for a set span of 1 to 2 weeks, during which the public will be free to vote for a later audience choice award. A panel of judges will also be voting on more technical criteria to help select 3 finalists. All 3 will receive a cash stipend, and be eligible for awards in several categories at our annual award ceremony, later in the season.

Final, filmed, submissions should be: Rehearsed, stage managed, and directed specifically for intended virtual presentation; Have appropriate costuming; Have some attempt at “setting” – however simple.

TIMELINE: Written submissions due by JULY 23; Semi-finalists announced AUGUST 4. By end of August Semi-finalists will be presented online. Click on Apply button when ready to send a written draft. (Please apply once only; you can always send revisions etc. by email). Thanks! 

Sunday, July 5, 2020

Equity Library Theater of New York Summer 2020 Virtual Play Festival seeks short plays & monologues

web site

Deadline: August 1, 2020
Submissions are still being accepted for the Equity Library Theater of New York Summer 2020 Virtual Play Festival, to take place in August 2020 in New York City, via video submissions. 

Seeking short plays (no more than 10 pp/minutes), from playwrights from across the globe. Also seeking monologues (no more than 4pp/minutes). Musicals welcome! Basic set requirements. One submission per playwright. 

No unpleasant profanity, as this is a family friendly festival! 

No submission fee. Please include name, address, telephone number and email address on your submission. We do not produce your work, we provide a venue for you to present actors performing your play. There are no costs involved for anyone. Seeking actors and directors, too! There will be voting for best play.

Email: equitylibrarytheater@gmail.com.

www.equitylibrarytheater.info

Tuesday, June 30, 2020

RAZE THE SPACE THEATRE ENSEMBLE’s international festival seeks monologues

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Deadline: July 10, 2020 11.59 p.m. PST

Los Angeles based RAZE THE SPACE THEATRE ENSEMBLE’s ten-minute international plays festival will go ahead in 2020. It will NOT be a play festival or reading on Zoom, but feature a series of monologues performed by different actors, filmed in physical theatre spaces, and broadcast at a later date.

RAZE is currently operating within an extremely limited budget, cannot offer remuneration or guarantee your work will be performed.

PANDEMIC is the 2020 festival theme. Put it at the heart of the monologue you submit. Comedy or Drama, we want monologues that excite, surprise, challenge, and move us. Monologue submissions that do not meet the following criteria will not be considered:
  • Submission deadline is 11.59 p.m. PST, Friday, July 10, 2020
  • All entrants must be over 18 years old. 
  • Monologues must be no longer than 10 minutes, no shorter than 5 minutes.
  • ONE SUBMISSION per writer only.
  • The monologue must be original work in English, written specifically for the stage by the person making the submission.
  • · Monologues must not have been previously produced, performed, or published. We want new, original work only. However, if your monologue has previously received a staged reading, that's fine. 
  • Monologue submissions must be in Word or PDF and sent as an email attachment to razethespacetheatre@gmail.com. Include the words ‘Pandemic monologue’ in the subject line of your email and a brief hello in the body of the email.
We will announce a shortlist of plays within two weeks of the submission deadline and invite shortlisted writers to an in-house online workshop featuring the work where we’ll read, discuss, and give feedback on the work. The writer is not obliged to attend the session and it will not affect our decision in the final selection of material, it’s simply part of our rehearsal process.

From the shortlist, we will select around six monologues for performance.

Visit the website www.razethespace.com to learn more about RAZE THE SPACE and its work as well as the featured actors on our NOW PLAYING page who will be some of those taking part in the festival.

PLEASE READ THE FOLLOWING INFORMATION CAREFULLY:

By submitting their work to RAZE THE SPACE as part of its 2020 ten-minute international monologue festival PANDEMIC, the playwright agrees that if selected, they give permission for the work to be filmed and made available in video format without royalty through the RAZE THE SPACE website for a duration of no more than one year from the time that the content is first uploaded to the website.

Saturday, June 20, 2020

Black and Brown Theatre presents All the Web's a Stage Monologue Competition

web site

Deadline: Sundays June 7 - 21 3PM EST


Instead of a traditional judging panel, we've decided to give the power to the actors who will actually use these monologues. 9 actors will select from the monologues you submit and record their favorite monologue to be posted on our YouTube, Instagram and Facebook Pages.

Who are you writing for? Each Sunday from May 31-June 14 we will post the next group of actors looking for monologues and you can watch their video on our Instagram or Facebook page @bandbtheatre. 

Actors are looking for 1-2 minute monologues. Each actor has different needs so be sure to watch their video to see what they're looking for.

To submit, please email your 1-2 minute monologue in the body of the email to BlackandBrownTheatre@gmail.com and if you are writing for a specific actor from our roster, please include their name in the subject line. If your monologue is chosen, we will need the name you would like to be credited as for our social media channels. Due to our limited staff, we will not be sending out rejection emails, but the actors will send out congratulation emails to those selected. You may submit as many monologues for as many actors as you'd like and you can resubmit a monologue ie: If you submit a monologue for Maurizio in week 1, you can resubmit it for Jillian in week 2 if you feel they both might like it. You may submit monologues that have already been produced, but they must be 100% original and your own material.

Monologues are due Sundays June 7-June 21 at 3pm EST depending which actors you are submitting monologues for. Please note actors will read monologues as soon as you send them so send early if you want to be read first. Each week's deadline will be announced on Black and Brown Theatre's Facebook and Instagram Pages.

To learn more about Black and Brown Theatre's work, please visit: www.BlackandBrownTheatre.org

BandBTheatre on all social media

Sunday, May 24, 2020

bkONE productions is seeking submissions

web site

Deadline: June 1, 2020

Currently seeking scenes, monologues, sketches, songs, short films, poetry and more for an anthology series that they are producing.

Works should be original and focus on the mindset and situations people are dealingwith. The struggles, joys confusions & mania that has come with this evolving Coronavirus pandemic.

"Zoom friendly" works a plus!

Seeking all types of works for consideration, for all ages, backgrounds and types.

SUBMIT HERE

Tuesday, May 12, 2020

Quarantine: The Musical - Call For Monologues

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DEADLINE : May 20, 2020
Carrollwood Players Theatre announces an open call for submissions of original monologues and original songs for QUARANTINE: THE MUSICAL

Quarantine: The Musical is a collaborative project for writers, actors, singers, and musicians. This special production will be presented live by Carrollwood Players Theatre in mid to late June, 2020.

While it is possible this performance MAY be presented on stage for a live audience, we anticipate this original work will be presented as a live virtual online performance.

Therefore, we request submissions that are both created by, and intended to be performed by, the submitter(s). Your submission of your monologue(s) and/or original song(s) will also be considered your audition.

We are seeking original material addressing all aspects of the COVID-19 pandemic. We are seeking a variety of material, ranging from comedic to dramatic. All submissions, including songs, should be suitable as a stand alone piece. Selected pieces will be compiled together by the director to create Quarantine: The Musical.

Submission Deadline: 11:59 p.m, Wednesday, May 20th, 2020

Guidelines for Submissions:

1. All submitted material must be 100% original, written by you or one or more collaborator(s), and intended to be performed by you as a monologue or song.

2. Monologues should be approximately 5 minutes in length and tell a compelling story about a specific character. Monologues may be comedic or dramatic and must be written in the first person style. Monologues must be intended to be performed by you, but can be written by you and/or a collaborator. Please, no scenes with multiple characters. We are seeking monologues only.

3. Songs should be approximately 3-5 minutes in length and may address either a specific character’s story, or our collective pandemic experience. Songs must use 100% original music and lyrics and may be comedic or dramatic. Songs do not necessarily have to be written in the first person style. Songs must be written by you and/or one or more collaborators, and be intended to be performed by you and/or any other person(s) in your household. You must be able to provide live accompaniment on an instrument(s) played by yourself and/or others in your household, or using a backing track created from your own original music.

4. Submit your work as a VIDEO of you performing the piece. If you are submitting a song that will be performed by you WITH others in your household, all performers should perform in your submission video. Lyrics/lines do not have to be memorized for your submission/audition video, but if your submission is a song, it must be performed in your video with your instrument(s) or backing track..

5. Your submission video should begin with a brief introduction of each person appearing in the video, including each person’s name and email address. followed by a performance of the piece.

6. Send your video as a file or private link by email to info@carrollwoodplayers.org and include in the body of your email the names, email addresses, and phone numbers of anyone appearing in the video.

7. Submissions must be received by 11:59 p.m. on Wednesday, May 20th, 2020.

8. Selected submissions will be notified by email approximately one week after the deadline.

9. Selected participants should be prepared to participate in rehearsals and performance(s), which will be scheduled based on cast availability. Rehearsals will take place beginning in late May, with performances to take place in mid to late June.

10. To participate, selected participants must have access to a WIFI connection and must have a laptop or desktop computer with webcam and internal mic. Rehearsals, and likely performance(s), will be held online.

11. Due to the likelihood of online performances and the limitations of live virtual performing (buffering/lag times, etc.), any song pieces that will be performed by you WITH someone else, must be performed together, in person, from your household. Please, no submissions of duets or group songs that would involve singers/musicians in different locations. Limiting participation in your song to persons who RESIDE in your household is highly recommended.

This is an unpaid project. Writers retain rights for their original material, and grant permission to Carrollwood Players Theatre for use in this project.

Questions about submissions may be submitted by email at info@carrollwoodplayers.org

Monday, April 27, 2020

Applause Theatre & Cinema Books seeks work for publication

web site

Deadline: May 1, 2020

Applause Theatre & Cinema Books is looking for 10-minute plays whose original production is/was in 2019 or 2020 and 1-2 minute monologues from plays produced originally 2018-2020. No stand-alone monologues.

Send submissions to LRHarbison1@gmail.com.

Submission guidelines

Saturday, April 18, 2020

Tampa Bay Theatre Festival

web site

Deadline: April 30, 2020

Submit via SUBMITTABLE

FULL LENGTH PLAYS & MUSICALS:

All Material must be original. Your show can be published or non-published work.

** Your full length show should not exceed 2 hours and 15 minutes including your intermission if you choose to have one. If you do not have an intermission, your show should not exceed 2 hours.

You will have a total of 1 hour to mount your set and to do a tech run. We highly advise that you have a MINIMAL SET. Remember, this is a showcase of full length plays so you may not have time to put up an entire set. Please use the mindset of a black box setting with no panels or a full blown set. Tables, couches, chairs, and small pieces are fine. You must remember to stay within the allotted time frame that you have to set up.

If your play/musical is selected, there is a fee for the usage of the theater where your play will be presented. The fee for the black box/studio theater that seats up to 60 people is $100.00. The fee for a main stage theater which sits between 250 to 260 people is $300.00.

All monies made on your show is 100% yours, the TBTF does not retain any percentage of your earnings.

You must provide your own payment processing service. Eventbrite is the ONLY service that the TBTF allows, you will receive detailed instructions if your play is selected.

The festival DOES NOT produce your show. All entries must be self produced. The TBTF does not provide casting of any sort for your production.

You are allowed to have union actors in your play (EQUITY) but it is up to you follow and abide by union rules when it comes to casting a union actor.

There will be an opening night show at the Straz presented by the Tampa Bay Theatre Festival. This show is simply for entertainment and WILL NOT compete with other full-length plays.

Your sound and lighting will be managed by the staff at the venue where your play is to be performed. You are not allowed to handle their equipment. You can staff one of your team members to sit with the technicians to give them instructions on your cues and lighting.

If your show is in a black box/studio theater, you will have a total of 3 hours and 15 minutes allotted for your entire show. This includes one hour to set up which includes minor lighting and tech/sound run. You will have 1 hour and 45 minutes for your show including 15 minutes for intermission if you don't have an intermission, your show can run for 2 hours.  You will have 30 minutes to strike your set once your show is done.

You must provide your own team of stage hands, stage manager, and crew.
This is a festival and a showcasing of your play. To meet the guidelines provided, we highly advise that you keep your set and lighting to a minimum.
All winnrs will be announced at the Awards Party.

Musicals should also include:

2 to 3  MP3 demo tracks (linked in the cover letter section of the form)
Youtube clips (if available - no promo clips)
Lead sheet (if available)
WHEN YOU PERFORM YOUR MUSICAL YOU MUST USE A LAPTOP, CD, OR AN MP3 WITH YOUR TRACKS ON THEM. NO LIVE INSTRUMENTS ARE ALLOWED, NO EXCEPTIONS.

If your play/musical is selected, you will receive a detailed welcome letter that will cover any additional questions that you may have.  An email and telephone number to reach the TBTF will be provided.

SHORT PLAYS:
  • All Material must be original. Your show can be published or non-published work.
  • The length of short plays cannot exceed 10 minutes and a maximum of 8 cast members.
  • If your play exceeds the 10 minute time frame, it will effect your final score.
  • Short plays are to have a minimum set such as: table, chairs, desk, stoops, stools etc. Once your play is over, you must immediately remove your props as the next show will be waiting to set up. You will have 3 minutes to remove your props and minimal set.
  • The TBTF does not cast or direct your play. Please do not submit your work if you think getting a cast or director will be a challenge for you.
  • Any works previously submitted and performed will not be accepted. 
  • You must be at the theatre on time. If the run through starts and your entire cast is not there your show will be disqualified.
  • The Short-Play competition winner will be announced at the Awards Party.
  • There will be two sessions during the short-play competition. The cast must remain backstage during their session. Cast members do not pay to compete. Tickets must be purchased to attend the additional short-play session that you are not competing in. 
MONOLOGUES AND SCENES
Monologues are not to exceed 2 minutes max. If you exceed your time frame this will count against you and the judges may stop your monologue.
This does NOT have to be an original piece. Your monologue can be from a play, a movie, or something that you wrote.

To enter this competition, please submit a recording by phone of you performing your monologue and email it to tampabaytheatrefestival@gmail.com. If you are selected, you do not have to perform the same monologue that you submitted at the competition, you can perform a different one if you wish.
Winners will be announced at the awards party

HOW TO SUBMIT YOUR PLAY:

Plays can be submitted by way of the website submission page

If you have a recording of your play, you can mail the DVD as an option. Mail it to RL Stage PO Box 4145 Tampa FL 33677. This only for full length shows

WINNERS OF THE SHORT PLAYS, MONOLOGUES, AND SCENE COMPETITION WILL BE ANNOUNCED AT THE AWARDS PARTY.

RELEASE OF LIABILITY
I (We) certify that I have the full right and authorization to submit and enter into a contractual agreement to produce this submission during the Tampa Bay Theatre Festival. I agree to indemnify RL Stage Inc and RQL Productions, its representatives, volunteers, board, sponsors, judges, and affiliates against all claims, losses, damages, and liabilities, from and against any claim or cause of action arising from any claim of infringement or intellectual property rights.

ALL PLAYS/MUSICALS MUST BE SELF PRODUCED AND READY TO MOUNT. THE TBTF DOES NOT PROVIDE ACTORS, DIRECTORS, STAGE HANDS, OR STAGE MANAGERS FOR YOUR SHOW.

I understand that In the event a claim or dispute arises out of this application and/or submission, which parties cannot, with good faith effort resolve in face to face discussions, both parties agree to bring the matter before a member of the American Arbitration Association. The arbitration decision will be binding on both parties. The arbitrator may require the losing party to pay the costs of reasonable attorney fees of the prevailing party. Judgment upon such arbitration award may be entered in court of the competent jurisdiction. The laws of the State of Florida govern this Agreement



Thursday, April 9, 2020

Call for Zoom Plays: monologues, scenes, and plays

web site

Deadline: April 16, 2020

Call for Zoom Plays: monologues, scenes, and plays written to be performed on the Zoom platform.

Learn about Zoom videoconferencing here

Now accepting plays, scenes, and monologues that are written with the context of the scene being a Zoom (or Skype) call. Plays can be two character, or more. Context is key -- there must to be a realistic need for this to be a Zoom call: teenagers talking late at night, a couple separated by borders, classmates trying to Zoom for a class project, lovers making plans to elope, etc.

Submit here: https://forms.gle/gh9oLZXpty3MxrBM7

This effort is sponsored by Project Y Theatre Company, NYC. All submitted plays will be considered for professional production with Project Y in NYC. In addition, the Project Y Co-Artistic directors are theater professors at Carnegie Mellon University and Middlebury College, respectively, and are in search of material to use with their classes.

These new works will also be gathered, organized, and through Google Drive made available for anyone, nationally or internationally, who seeks to use this for educational reasons: teachers, theatre companies, coaches, community organizations, academic institutions, etc. Given the national demand for material like this for use in educational settings, having younger characters might be beneficial, but certainly not required. A diverse range of characters is preferred. You may submit as many times as you like, but please make each a new submission.

All submissions will be eligible for professional production with Project Y Theatre Company NYC.
We are in the midst of an unprecedented temporary departure from the traditions of theatre as we know it, so let's make some new work for this new world.

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