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Showing posts with label grants/awards. Show all posts
Showing posts with label grants/awards. Show all posts

Thursday, November 12, 2020

Café Royal Cultural Foundation NYC Grants

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Deadline: November 16, 2020 at 9AM

Café Royal Cultural Foundation NYC will award a publishing grant to authors of fiction / creative non-fiction, poetry and playwriting.

Deadline: Our Fall Grant schedule is now open and ends on Monday November 16th at 9:00am. Click on the apply button below to download the application. Once completed, please e-mail application to publishinggrant@caferoyalculturalfoundation.org.

Amounts: Up to $10,000.00

Eligibility: Authors in fiction / creative non-fiction, poetry and playwriting. The applicant must be the originator of the written material.

Grants awarded in this category may fund costs associated with continuing the composition of work submitted.

Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying.

The processing time of application can take up to three months. Please make sure to submit your application with ample time before the start date of your project.

Review Procedures: Funding decisions will be made by the Café Royal Cultural Foundation executive committee. The following criteria will be applied in evaluating grant proposals:

Quality of the writing and the importance of the project to publish

Artistic excellence, accomplishment to date, and the promise of future achievements in writing

Application Requirements:

Up to and no more than a 30 page PDF of the work, for the Café Royal Cultural Foundation executive committee to download and read.

A letter of intent from the publisher with a date of planned publication, if no publisher is assigned, Café Royal Cultural Foundation may work with writer to help find a publisher.

A short description of the project.

A short author biography of the person(s) involved.

List of costs that the grant money be used for - must not exceed the amount of $10,000.00

Click on the apply button below to download the application. Once completed, please e-mail application to publishinggrant@caferoyalculturalfoundation.org.

We accept applications all year round. Applications will only be received by e-mail. The processing time of application can take up to three months. Please make sure to submit your application with ample time before the start date of your project and please refrain from inquiries in the meantime.

APPLY FOR A LITERATURE GRANT

Saturday, October 17, 2020

Exiled Tongues Artist-in-Residence

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APPLY FOR EXILED TONGUES 2020 ARTIST-IN-RESIDENCY PROGRAM


In order to support emerging artists of color, Exiled Tongues is providing $200 microgrants to artists of color who articulate a new, inclusive path forward for American theater in 2021 and beyond. Grants are unrestricted and can be used for anything. Artists must only comply with residency goals.

ABOUT US

Exiled Tongues is a theater collective that provides financial, artistic, and collaborative support to artists who center diasporic consciousness. We realize that mainstream American theater suffers from a severe lack of representation and deserves serious discussion on colonization and the legacy of post-colonialism especially within the American context. Our productions showcase the complex stories of BIPOC and acknowledge intersectional identities. We use our intersectional identities as a form of theatrical empowerment and seek to make change beyond theater and into our communities.

Tuesday, September 15, 2020

Jonathan Larson Grant 2021

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Deadline: September 24, 2020 11:59 PM EDT
Application Guidelines 2021

The 2021 Jonathan Larson Grants application will close on Thursday, September 24th 2020 at 11:59PM Eastern Daylight Time (EDT). 

Click here to apply

General Criteria

The Jonathan Larson Grants are intended to honor and recognize emerging musical theatre artists. Composers, lyricists, and librettists who work in musical theatre are the focus of the grants. ATW is committed to serving artists who are creating new, fully producible works for the theatre, and advancing the art form. The grants do not honor a specific piece or project.
Grant awards are based on merit, and are intended for those artists with a demonstrated commitment and dedication to a career in musical theatre. Further, the grants are not intended to be scholarships, and artists applying for grants should be working professionally in the field.
Applications are accepted in the following areas:
Individuals may apply as lyricists, composers, librettists, or any combination of the three.
Collaborative teams may apply together as composer, lyricist, and/or librettist, or any combination of the three.

Collaborators who work together regularly are strongly encouraged to apply as a team.If your collaborative team has more than three individuals, please contact the ATW offices.

United States citizenship is not a requirement to receive the grant, but you must be eligible to work in the U.S. and reside/work here on at least a part-time basis and submitted work should be predominately in English.

Artists may apply only once per grant cycle. You may not apply as part of a team and as an individual applicant.

Prior Jonathan Larson Grant Recipients are not eligible.

(Applications that do not adhere to these general criteria will not be considered)
  • Required Materials–Applicants must submit the following through our online portal to be considered:
  • General Information
  • Artistic Statement—on the form provided, describe your achievements and goals for your career as a creative artist or collaborative team (one per application). Please do not make specific monetary requests as part of the application.
  • Creative Curriculum Vitae—productions/workshops/readings, educational history, and including list of awards (one for each applicant or each member of a team, please submit multiple CVs in one, combined .pdf or .doc file).
  • Work Sample List—(please see below for further information)
  • Applicants may provide a letter of support/recommendation from theatre artists or educators, although this is component is not mandatory to submit an application.

WORK SAMPLE LIST

Applicants are also required to submit a comprehensive Work Sample List; a list of all the song and libretto selections with authorship information. Work samples are only required in accordance with your application focus.

For instance, if you are applying as a composer only, please only submit music, and dramatic context for the song. Do not submit a book or lyrics for adjudication. The same would be true if you were applying as a lyricist or book writer, only submit samples for the area or areas for which you wish to be considered.

Once you have completed the Work Sample list, you will have the opportunity to upload your material.

Notes on uploading work samples:
Audio Files/Song Selections—upload selected songs (accepted formats include MP3, MP4, WMA, WAV, ACC (M4A) and FLAC). Select individual tracks and pieces that reflect your best work.
Dramatic Context/ Lyric Sheets—describe the dramatic context and provide the lyrics for each song selection
Libretto—Please submit one-act only of a musical book (or if your work does not have a traditional act-break, an excerpt of 60 pages or less). .pdf format is preferred. You may start your libretto with a 1-page synopsis of the show in its entirety.

On Selecting Work Samples:

Regardless, if you work creatively in all three disciplines (music, lyrics, and book) or you are applying as a collaborative team, you should submit combined work samples that represent the full range of your work. For example, Jonathan Larson might have submitted one application that included three song selections from Rent, two song selections from Tick, Tick…Boom!, and the book of Act II from Rent. Please do not submit a recording of an entire act or production. Select individual tracks and pieces that reflect your best work.

The Jonathan Larson Grants are intended to honor and recognize emerging musical theatre writers. We are aware that artists work in multiple disciplines; and while it is not necessary that you only work in musical theatre, selections of representative work submitted for the grant must be for musical theatre. Applications submitting oratorios, operas, symphonic scores, or film scores will not be considered.

Adapted Works: Should you choose to submit selections from work which is adapted from an existing work, you must provide proof of rights for that adaptation as part of your application.

Sunday, May 31, 2020

Jeremy O. Harris and The Bushwick Starr provide financial relief for playwrights

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Jeremy O. Harris and The Bushwick Starr are partnering to provide financial relief to playwrights during this period of isolation in response to the COVID-19 pandemic

APPLY HERE

This grant will distribute 152 unrestricted cash awards of $500 each directly to US-based playwrights, of any employment and/or immigration status. To us, a practicing playwright is a person who generates live performance in a theatrical setting through the creation of text and action. Playwrights in need at any stage of their practice or career are encouraged to apply. Grantees will be chosen through a random lottery after submissions have closed.

TO APPLY: Playwrights are asked to submit a piece of writing to demonstrate eligibility for this grant, which is designated for playwrights. Shorter plays and texts are acceptable as long it constitutes and translates into an evening of performance. We ask for page numbers denoting an excerpt that you would like us to read. Although the grant process is not merit-based we are always interested in familiarizing ourselves with as many artists as possible, and will attempt to look at all writing that is submitted during summer 2020.

Awards will be granted by random lottery. Application will open on Friday, May 29 2020 at 3pm Eastern time and remain open until we receive 1500 submissions. We will then randomly select 152 recipients from the pool of 1500 applicants (10% of the applicant pool). Submissions will be viewed and administered by The Bushwick Starr curatorial staff to confirm eligibility.

Grants will be issued in cash by electronic fund transfer or check, we aim to make payments no later than Monday, June 15 2020.

You do not need to demonstrate need, skill, or merit to be eligible for funding. However, we hope you will weigh your level of need when considering whether to apply. If your experience of need is not urgent or acute, please consider stepping back and letting those who could most benefit from our limited resources access them first. If you know someone who is eligible and would benefit, please consider inviting them to apply.

If you have further questions, please refer to the FAQs. All other questions or concerns from grantseekers may be directed to: grants@thebushwickstarr.org

Saturday, May 30, 2020

The PEN/Heim Translation Fund

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Deadline: June 1 2020 11:59 PM EST


The PEN/Heim Translation Fund was established in the summer of 2003 by a gift from Priscilla and Michael Henry Heim in response to the low number of literary translations currently appearing in English. Its purpose is to promote the publication and reception of translated world literature in English.

Deadline: Submissions will be accepted from April 1, 2020 through June 1, 2020.

Who is eligible:
  • The PEN/Heim Translation Fund provides grants to support the translation of book-length works of fiction, creative nonfiction, poetry, or drama that have not previously appeared in English in print or have appeared only in an outdated or otherwise flawed translation.
  • Works should be translations-in-progress, as the grant aims to provide support for completion.
  • There are no restrictions on the nationality or citizenship of the translator, but the works must be translated into English.
  • The Fund seeks to encourage translators to undertake projects they might not otherwise have had the means to attempt.
  • Anthologies with multiple translators, works of literary criticism, and scholarly or technical texts do not qualify.
  • Translators who have previously been awarded grants by the Fund are ineligible to reapply for three years after the year in which they receive a grant. 
  • Please note that projects that have been previously submitted and have not received a grant are unlikely to be reconsidered in a subsequent year. 
  • Projects may have up to two translators. 
  • Translators may only submit one project per year.

How to apply:

Translators must complete the below applications form by 11:59 PM (EST) June 1, 2020. The below application will require the following materials. Please use a standard 12pt font with 1 inch margins.

1. The application form, with all items completed:
A 1-2 page, single-spaced statement outlining the work and describing its importance.
A biography and bibliography of the author, including information on translations of his or her work into other languages.
A CV of the translator, no longer than 3 pages.
If the book is not in the public domain and the project is not yet under contract, please include a photocopy of the copyright notice on the original (the copyright notice is a line including the character ©, a date, and the name of the copyright holder, which appears as part of the front matter in every book), and a letter from the copyright holder stating that English-language rights to the book are available. A letter or copy of an email from the copyright holder is sufficient.
If the translation is currently under contract with a publisher, please submit a copy of the contract.


2. An 8–10 page, single-spaced sample of the translation. For prose, this should be within the range of 3,000-5,000 words. For poetry, please include 1-2 poems per page, within the 8–10 page range.

3. The same passage in the original language (and, if the work has been previously translated, the same passage in the earlier version).


Please be mindful of the requirements for 12pt font and 1 inch margins. The judges reserve the right to withdraw from consideration any submissions that go over these requirements.


Contact awards@pen.org with any questions.

Saturday, April 11, 2020

The Bret Adams & Paul Reisch Foundation Emergency Assistances Grants

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Deadline: April 14, 2020

3/25/20 COVID-19 EMERGENCY RESPONSE UPDATE

In response to the COVID-19 Theatre closures, we are redirecting our entire 2020 grant budget into emergency assistance grants of $2500 to playwrights, composers, librettists, and lyricists who have had a full professional show cancelled, closed, or indefinitely postponed due to COVID-19. We hope to be able to give up to 40 grants of $2500.

The direct link to the google form to enter the lottery is here:

https://forms.gle/arerNXYsBGiYwkn2A


Criteria:

You are eligible to enter the lottery for a grant of $2500 from the Bret Adams & Paul Reisch Foundation if you are:

1) A playwright, composer, lyricist, or librettist

2) Have had a full professional production (defined for these purposes as a LORT, Off-Broadway, or Broadway production, not a reading or workshop) of which you are a writer that was cancelled, closed, or indefinitely postponed due to the COVID-19 closures.

The form will be active until April 14th, and after that date we will be doing a random selection, to make sure the process is totally impartial.

Each artist may only submit ONE time, even if you have had more than one production cancelled. If you submit more than once, your entries will be removed.

Saturday, September 28, 2019

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

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The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

Finishing grants for film, television, and digital projects
Funds for the creation of music recordings or videos
Production funds for live theatre
In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role.

Grants will be given in the following categories (amounts listed are the maximum potential grant):

Fiction Feature (running time of 60 minutes or more) - $50,000
Fiction Short (running time of 59 minutes or less) - $25,000
Fiction Webisode/Webseries (all forms) - $20,000
Documentary Feature (running time of 60 minutes or more) - 50,000
Documentary Short (running time of 59 minutes or less) - $25,000
Documentary Webisodes/Webseries (all lengths and forms) - $20,000
Music: Classical/Experimental/Jazz/New Music - $20,000
Music General - $20,000
Theatre Production - grant amounts up to $50,000
In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

Applications for the 2020 cycle will be available on Wednesday, July 10 and will close on Tuesday, October 1 at 11:59 PM EST. Recipients will be announced in March 2020. View NYC Women's Fund FAQs here, and click below to view guidelines for each project category.

Film Project Guidelines
Music Project Guidelines
Theatre Project Guidelines

Anyone can apply and be awarded a grant regardless of actual or perceived sex, gender, gender identity or gender expression, sexual orientation, age, religion, creed, partnership status, marital status, disability (including use of a service animal), race, color, national origin, alienage, citizenship status, military status, or any other class protected by City, State, or Federal law.

Thursday, September 26, 2019

QUEENS COUNCIL ON THE ARTS NEW WORK GRANT

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Grant Amount: $3000

Deadline: October 29, 2019  

For this grant, individual artists and collectives that live in Queens or have a permanent studio in Queens may apply.

Fiscal sponsorship is not required.

THE NEW WORK GRANT SUPPORTS ARTISTS THAT LIVE QUEENS OR HAVE THEIR ART PRACTICE IN QUEENS, IN THE CREATION OF NEW WORK THAT CONTRIBUTES TO THE CULTURAL LIFE OF THE BOROUGH.

PROJECT FUNDING IS AVAILABLE FOR:

  • Queens-based individual artists for the creation of new work.
  • New Work is defined as work that has not been produced or presented to an audience before.
  • Unincorporated Artist Collectives or collaborations between multiple artists. If an artist collective or collaboration applies, one Queens-based artist will be the “lead applicant” and will need to fill out an individual application for the collective’s project. Artist collectives can only apply once for the New Work Grant.
  • Artists working in all disciplines. Project disciplines can include (but are not limited to):
  • Music
  • Theater
  • Dance
  • Photography, Film and Video
  • Literature (including Poetry and Spoken Word)
  • Visual arts (Painting, Drawing, Printmaking, Sculpture and Site-Specific Installations)
  • Fiber Arts
  • Folk Arts 
  • Media Arts
  • Community-Engaged Art 
  • Multidisciplinary Arts
All projects must culminate in an exhibition or presentation in the 2020 calendar year that are accessible and engage the general public of Queens

Grant funds can be used for:
  • Artists' fees 
  • Marketing and publicity costs 
  • Supplies and materials needed for the execution of the project
  • Venue rental for the project (general home/studio rent is not eligible)

This program is supported in part by public funds from the New York City Department of Cultural Affairs, Greater New York Arts Development Fund, in partnership with the City Council

WHO CAN APPLY

Resident of Queens or artists who have a full-time studio in Queens (PO boxes are not accepted)
Applicants that are at least 18 years of age
Artists working in any discipline - visual, literary or performing art forms
Applicants that attend a QAF Information Session

WHO CANNOT APPLY

Students, full or part-time, either currently enrolled or who will be enrolled in 2020. This includes degree programs and certificate programs.

Artists who received funding in 2019 for DCA individual artist support (QAF New Work Grant).

Past recipients who failed to submit a final report or who did not properly credit funding as stipulated in the QAF Cultural Contract.

Individual Artists applying through any other 2020 QAF grant even through partnerships for organization support

Applicants who are out of compliance with any Queens Council on the Arts funding contract.

ARTISTS WHO RECEIVE A NEW WORK GRANT WILL NEED TO SUBMIT THE FOLLOWING MATERIALS UPON ACCEPTANCE:

Proof of Queens Residency (i.e. signed official lease, bank statement, or utility bill with the grantee’s name and Queens address)

More information online

Saturday, September 21, 2019

2019 NALAC Fund for the Arts (NFA): Artists/Ensembles

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Deadline: September 25, 2019 CENTRAL STANDARD TIME

The NALAC Fund for the Arts Artist/Ensemble grant program supports the work of Latinx artists in all disciplines. For the 14th cycle, the NFA offers five grant categories for artists and ensembles who meet the eligibility requirements outlined in the NFA guidelines: Artist Grant ($10,000), Adán Medrano Legacy Award in Film ($10,000), the San Antonio Artist Grant ($5,400), the Puerto Rico Artist Grant ($5,000) and the NALAC Pod Grant ($5,000)

We encourage you to read through the NFA guidelines for more information on the grant categories, eligibility and evaluation criteria prior to submitting a grant application.

Who is Eligible to Apply?

U.S. or Puerto Rico-based Latinx artists in any artistic discipline working individually or as part of an ensemble, arts collective or community-based arts and culture group are welcome to apply for the NALAC Fund for the Arts.

What does the NALAC Fund for the Arts Support?

Grant funds may be used to support any stage of the creative process, including but not limited to living wages, research, production, living expenses, documentation, evaluation, occupancy, travel, training. The number and amounts of awards are contingent on availability of funds.

Funding Period

Proposed activities must take place between January 1, 2020 and January 1, 2021. Award notifications will be made in January 2020.

Support

Download the NFA guidelines for Artists/Ensembles here: https://nalac.org/grants/nalac-fund-for-the-arts/

Email the Programs Team at grants@nalac.org or call the NALAC Staff at 210.432.3982 for more information.

Submit an inquiry to the NALAC Support Desk here: https://airtable.com/shrhMk3RplrHLocGd

Friday, February 8, 2019

The MAP Fund grants

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The MAP Fund invests in artistic production as the critical foundation of imagining — and ultimately co-creating — a more equitable and vibrant society. MAP awards $1 million annually to up to 40 projects in the range of $10,000 – $45,000 per grant.

MAP supports original live performance projects that embody a spirit of deep inquiry, particularly works created by artists who question, disrupt, complicate, and challenge inherited notions of social and cultural hierarchy across the United States. Funded projects address these concerns through the processes of creating and distributing live performance to the public, and/or through the content and themes of the work itself. MAP is committed to intersectional anti-racism, and does not support cultural appropriation or oppressive project language, structures, or content.

The program pursues its mission by annually welcoming applications for new live performance projects. Each year, MAP hires a different cohort of peer reviewers who recommend the projects they believe most align with MAP’s goals through a rigorous, facilitated review process.

 MAP will accept online proposals through ​11:59 p.m. EST on February 15, 2019​. Late
proposals will not be not accepted for any reason.

Monday, January 21, 2019

The Bridge Award

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AITAF is thrilled to announce that Pulitzer Prize winning playwright, Tony Kushner will be the Final Selecting Judge for the 2019 Bridge Award!

Submissions opened on December 1st 2018 and will close on February 1st 2019.

The Bridge Award was established in honor of our tenth anniversary with the purpose of recognizing an emerging playwright of exceptional talent within the United States military. The award consists of a $10,000 prize, and an AITAF produced reading of the winning work.

In addition to bringing world-class theater to the military, AITAF is committed to supporting and sharing the talents of those who serve. This Award will offer a deserving current military service member or veteran artist important connections with the theater community and access to developmental resources, helping to facilitate a deeper understanding and more active dialogue between military and civilian communities.

Eligibility/Guidelines:

  • Author must currently serve or have served in the United States military. All selected finalists will be required to provide proof of service.
  • All submissions must be full-length, completed plays.
  • Musicals, screenplays, or one-act plays are ineligible.
  • All submissions must be unpublished.
  • The submitted play may not have received a professional, reviewed production.
  • The submitted play may address any subject matter or theme; military settings or content are not given any extra consideration.
  • Each author may submit one play per year; multiple submissions are not allowed.
  • Once a play has been submitted, no further revisions or new drafts may be entered.
  • Plays with a producer, producing organization or theater attached are not eligible.
  • Submission Guidelines
  • Submissions will be accepted December 1st 2018 through February 1st 2019.
  • Please submit your play in PDF form with the title: Title of Play.pdf
  • Please include a brief accompanying statement, including a description of your service (dates, military branch, foreign countries served in, if applicable.) This description may be 250 words or fewer.
  • Only finalists will be notified of their status.
  • When the winning playwright is named, finalists will also be announced.


CONTACT US: If you have any questions, comments or complaints regarding the Competition, please contact Host through the “Contact Us” page on Host’s website, https://aitaf.org/contact/, or by mail at 220 36th Street, B520, Unit 21, Brooklyn, NY 11232.

WINNERS’ NAMES: The Winner will be posted to the AITAF website, aitaf.org, on or about May 1, 2019 and available until approximately June 1, 2019.

Monday, December 24, 2018

The Neukom Institute Literary Arts Award for Playwriting

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This award is for full-length plays addressing the question “What does it mean to be a human in a computerized world?”

Submissions must include a blind copy of the play, a resume/bio, a production history of the play and a 1 page statement of purpose that answers the following questions:
1. How does your play address the theme of exploring humanity in our computerized, digital world?
2. What are your goals for this play in its current form?
3. The winning play will receive two readings: one at VoxFest at Dartmouth College in July 2019, and the second at Northern Stage in White River Junction, VT, during their 2019/2020 season.  How would you use this two-part development process to achieve these goals?

Note that plays that have received a full production are not eligible for the competition.

Questions? Email Kate Mulley at kate@voxtheater.org

SUBMISSION FORM

Wednesday, October 31, 2018

The Richard Rodgers Awards 2019

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Administered by the American Academy of Arts and Letters

These awards, created and endowed by Richard Rodgers in 1978 for the development qf the musical theater, subsidize fall productions, studio productions, and staged readings by nonprqfit theaters in New York Ciry qf works by composers and writers who are not already established in this field. The winners are selected by a jury qf the American Academy qf Arts and Letters.

REQUIREMENTS AND ELIGIBILITY

The term "musical theater" is understood to include musicals, plays with songs, thematic revues, or any comparable work. The submission of innovative and experimental work is encouraged. The work submitted must be of significant length to fill an evening, and it may consist of a group of smaller, related pieces.

The jury will consider only completed works. Care should be taken to submit the work in its best possible form as it may  not  be  submitted  again,  in  another  year,  even  if substantially revised.

Only one submission by a collaborative group or a sole creator will be accepted. Applicants must be citizens or permanent residents of the United States.

Works by members of the Academy and previous winners of the production awards are not eligible for consideration. Former winners of Richard Rodgers awards for staged readings or studio productions may submit new works.

An applicant whose works in the musical theater have received professional or amateur productions in New York City or out of town is eligible unless, in the judgment of the jury, the applicant has already achieved significant recognition in the field of musical theater through the work submitted or through any previous work. Under special circumstances  and  at  the  discretion of the jury, applicants who have achieved recognition in fields outside the musical theater may be eligible. Works which have been produced by professional theater companies before a paying audience are eligible only if such productions received no more than 21 performances  by a for­ profit company or 50 performances by a nonprofit company.
SUBMISSION OF MATERIAL


The name(s) of the author(s) must be blocked out on each of the items submitted,  with the exception of the application form. Write only the title of the work on the script, plot summary, CD.

Entry must include four items:

Script with lyrics, preferably not bound. Binder clips, folders, or loose pages are acceptable. Do not send score, videos, or visuals.

Half-page synopsis of the action and a list of characters.

CD must contain at least 45minutes of music, including a minimum of eight songs, recorded in chronological order. Orchestrations are not necessary; piano and vocals are sufficient. Songs must be in sequence on the CD and each song's clearly typed into the script where it appears.

Please include a separate track sheet of recorded songs with page numbers indicating where they appear in the script and specify the total number of minutes recorded.

Application form signed by all collaborators in a sealed envelope with the title of the work on the outside. Applicants submitting work which has already been  produced  must  give full information concerning these  productions,  including programs. A work is not  eligible if one of the collaborators is deceased.

If the submitted work (or a portion thereofj is an adaptation of material which is not in the public domain, candidates must submit licenses, permissions, or  authorizations necessary  to permit the work to be produced in conformity with applicable copyright laws. The music must be original.

Materials  will  be  returned  if   a   self-addressed,   stamped   mailer   is   enclosed. Addresses must be valid for at least six months. The Academy will take all due care of materials but it cannot be held responsible for their safe return.

DEADLINE: MATERIAL MUST BE RECEIVED BY WEDNESDAY, NOVEMBER 1, 2018


APPLICATION FORM ONLINE

Monday, October 8, 2018

2018 “Made in NY” Women’s Film, TV and Theatre Fund Guidelines and Eligibility Requirements

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The “Made in NY” Women’s Film, TV and Theatre Fund (“Women’s Fund”) is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) designed to address the underrepresentation of all who identify as women in film, television and theatre. The NYC Women’s Fund, administered by the New York Foundation for the Arts (NYFA), provides grants to support film, television, digital, and live theatre projects that reflects the voices, experiences and perspectives of all who identify as women.

The program will provide finishing grants for film, television, and digital projects and theatre productions. Recipients will work with NYFA Project Coordinator and funds will be dispersed at certain mutually agreed upon points in the process to ensure projects are completed on a timely basis.

Applicants can apply in the following categories:

● Fiction Feature (running time of 60 minutes or more) - grant amounts up to $50,000
● Fiction Short (running time of 59 minutes or less) - grant amounts up to $25,000
● Fiction Webisode/Webseries (all forms) - grant amounts up to $20,000
● Documentary Feature (running time of 60 minutes or more) - grant amounts up to
$50,000
● Documentary Short (running time of 59 minutes or less) - grant amounts up to $25,000
● Documentary Webisodes/Webseries (all lengths and forms) - grant amounts up to
$20,000
● Theatre Production - grant amounts up to $50,000

2018 Cycle Dates

Application will open on:  Tuesday, July 31, 2018

Application will close on:  Tuesday, October 16, 2018 @ 11:59pm EST

Eligibility Criteria

1. Projects must be made by, for, or about all who identify as women; and/or feature a strong female perspective; and/or include a female director; and/or a meaningful female producer credit; and/or include a meaningful female writing credit; and/or include a female protagonist(s).
 
 2. All projects must be completed by March 31, 2020.  “Completed” means ready to be shown theatrically, on television, through a streaming service or online; for theatrical productions, the piece must be fully staged for a general audience in New York City. Projects can be either not-for-profit or commercial in nature. Recipients will work with NYFA Project Coordinator and funds will be dispersed at certain mutually agreed upon points in the process to ensure projects are completed on a timely basis.

3. Film, TV and Digital Projects :
a. Must have started principal photography and should be able to project final cut
and be ready to implement distribution strategy described in the application by
March 31, 2020.
b. Must be “Made in NY” meaning: (1) 75% of its total shooting days take place in
New York City, or (2) 75% of its production costs are “qualified production costs”1
c. Must adhere to content standards suitable for public broadcasting.
d. City must have three (3) years of non-exclusive royalty free rights to air
programming either in its original state or edited version beginning up to four (4)
years after original release date.
e. Funds can be used for any purpose critical to the completion of the project.
f. Projects can be live action or animated.
g. Applicant can be either the filmmaker or a producer.

4. Theatre Projects :
a. Must be an original play or book of a musical (with dialogue, lyrics and music) that has not been produced previously.
b. Must be able to project a professional staging (including paid cast and crew) of the developed work by March 31, 2020 for a minimum of 5 performances.
c. Must present a free performance or invited dress rehearsal for New York City audiences or provide free tickets by lottery or other means to be agreed upon over the course of the run equal to the number of seats in the theatre.
d. Must be rehearsed and performed in New York City.
e. Applicants can be theatre companies, commercial or not-for-profit producers, or
playwrights planning to self-produce.

Application

Applications must include:

1. A detailed synopsis of the full project.

2. How the project represents voices, experiences and perspectives of all who identify as
women.
1 "Qualified production costs" means the below-the-line production costs only to the extent such costs are incurred directly in New York City and are attributable to the use of tangible property or the performance of services within New York City directly and predominantly in the production (including pre-production and post-production) of a qualified film.
3. Bios for applicant and key artists.

4. Current state of the project and plans for having it completed by March 31, 2020.

5. Amount of funding requested and description of anticipated use of funds and how they
will move the project to completion.

6. Overall project budget (please include potential festival fees and creation of a DCP or
other appropriate projection print format).

7. For Film, TV and Digital projects, please provide support for Made in NY criteria listed in
3b above.  For Theatre projects, please provide information regarding rehearsal and
performance locations.

8. Distribution/exhibition plan. We understand that there may not be commitments at this point, but please describe your plans: festivals to which you will submit; exhibitors and streaming services you will contact. For webseries please describe your plan to drive traffic to your project. For theatre projects, a description of the venue, target audience and marketing plan, and names of any artists committed to the project. For independent producers or playwrights planning to self produce, Letters of Agreement or Intent from potential venue partners.

9. Two professional references who are not paid by or have a financial stake in the project or for Theatre Companies, a three-year production history.

10. Work samples as detailed below.

Work Samples

For feature length films:
Applicants should include two work samples  from the project for which they are seeking support: a short clip of up to 10 minutes in length and a longer sample between 45 and 90 minutes, which gives a sense of the overall scope and trajectory of the film. There will be a comments section to provide context for the clips.  For the short clip, do not submit a trailer.

For short films and webseries:
Applicants should include two work samples  from the project for which they are seeking support: a short clip of up to 5 minutes in length and a longer sample of up to 40 minutes, which gives the overall scope and trajectory of the film. There will be a comments section to provide context for the clips.  For the short clip, do not submit a trailer.

For theatre productions:
Applicants should include: a 15-page excerpt of the script to be produced, and the complete script.

Musicals Only : Musical applications also have the option of including an audio sample of up to 10 minutes. The audio sample needs to come from the project for which you are seeking support.
For more information visit  www.nyfa.org/NYCWomensFund  or email NYCWomensFund@nyfa.org

Saturday, September 15, 2018

2019 Elliott Hayes Award

web site

Application Information

Named in honor of Elliott Hayes, the former dramaturg and literary manager at The Stratford Festival and a dual citizen of Canada and the USA, this award recognizes excellence in dramaturgical work on a specific project over the past two years. Eligible projects may include, but are not limited to, production, season planning and implementation, educational programming, or advocacy for the profession.

The recipient of the 2019 Elliott Hayes Award, presented at the annual LMDA conference, will receive $1000 US and a travel stipend to the following LMDA conference.

There is no application fee. Applications will be evaluated through an anonymous application process. The application is open to all.

Applications will be accepted from August 15 at 12:00 AM PST through October 1st 2018 at 11:59 PM PST. All applicants will be notified of the panel decision and the winner will be notified by November 15, 2018. However, the public announcement will be kept private until the presentation of the award at the LMDA Conference in Summer 2019.

Application Guidelines

1. For the purposes of this application, if you self-identify as a dramaturg, you are a dramaturg. If you come from a culture that does not view dramaturgy as separate from other parts of the creative process, or does not have a word for dramaturgy, and you feel your work fits within the rubric above, please contact me at awards@lmda.org to speak further.

2. All applications must meet the above-mentioned standards for eligibility.

3. Only one application per person.

4. Although we welcome applicants from anywhere in the world, the application must be in English.

5. The application must be a minimum of 500 and a maximum of 4000 words. The will be no reward for brevity nor punishment for length. Within the already stated boundaries, the essay should be exactly as long as it takes for you to make a strong, clear, and cogent argument for the nomination you are putting forth.

6. At this time, we do not have the capability to review secondary materials such as videos or slideshows. Although their inclusion will not disqualify an application, they will not be reviewed. No letters of reference are needed - nor will they be read if sent. As well, please do not include a resume in your application, as we are concerned with only the strength of your proposal and what currently engages you, not your history.

7. In order to facilitate the anonymous application process, you must provide two separate documents in.doc or.docx format - the first discussing the work with no identifying information (including the name of the work, your name or the name of the person you are nominating, or the city, state or country in which the event took place. In other words, nothing can be included which is searchable on Google or any other search engine. The phrases "the work”, “the director”, and “the process” are all fine substitutes. The second document will include all of the identifying information not present in the first, including your name and contact info or the name and contact information of the person/work you are proposing. Your application will be reviewed by a panel of dramaturgs who represent the extraordinary talent and diversity found within our profession. As VP of Grants and Awards, I am the only person who will see the identifying information, and the panelists will not know the identity of the winner until after a decision has been reached.

8. Although you are welcome to propose the work of others, that other person must be known to you, you must have had a real-life interaction with said person, and you must be able to provide contact information for them.

9. Any project you propose cannot have been completed before July 1st, 2017. It is fine if the project is still underway. Ideally, it should be completed by December 31st 2018, though exceptions may be made for extraordinary work.

10. Each project may only be proposed once for the Elliott Hayes Award. While there is no limit to the number of years in a row one can apply (see note below), each year must feature a new project.

11. The winner of the award must appear at two conferences, either in person or virtually (using an application such as Skype.) The first appearance would be to accept the award, and the second to present it to the next year’s winner.

12. The winner of the Elliott Hayes Award is required to sit on the next year’s adjudication panel.

Note: If you have won or received a special commendation for the Elliott Hayes Award, you may not reapply for three years.

If you have any further questions, feel free to contact Bernardo Mazón Daher, VP of Grants and Awards, at awards@lmda.org

We look forward to your consideration!

To Submit:

Send your essay without identifying information in PDF format per the instructions here and a separate PDF with all of the identifying information outlined here to awards@lmda.org.

If you don't receive an acknowledgement of your application within 48 hours, please contact lmdanyc@gmail.com.

Thursday, September 6, 2018

Jonathan Larson Grants 2019

web site

General Criteria

The Jonathan Larson Grants are intended to honor and recognize emerging musical theatre artists. Composers, lyricists, and librettists who work in musical theatre are the focus of the grants. ATW is committed to serving artists who are creating new, fully producible works for the theatre, and advancing the art form. The grants do not honor a specific piece or project.

Grant awards are based on merit, and are intended for those artists with a demonstrated commitment and dedication to a career in musical theatre. Further, the grants are not intended to be scholarships, and artists applying for grants should be working professionally in the field.
Applications are accepted in the following areas:

  • Individuals may apply as lyricists, composers, librettists, or any combination of the three.
  • Collaborative teams may apply together as composer, lyricist, and/or librettist, or any combination of the three.
  • Collaborators who work together regularly are strongly encouraged to apply as a team. If your collaborative team has more than three individuals, please contact the ATW offices.
  • United States citizenship is not a requirement to receive the grant, but you must be eligible to work in the U.S. and reside/work here on at least a part-time basis and submitted work should be predominately in English.
  • Artists may apply only once per grant cycle.  You may not apply as part of a team and as an individual applicant.
  • Prior Jonathan Larson Grant Recipients are not eligible.
(Applications that do not adhere to these general criteria will not be considered)

Required Materials – Applicants must submit the following through our online portal to be considered.

APPLICATION INFORMATION

Completed Application Forms, including:

General Information
Artistic Statement— on the form provided, describe your achievements and goals for your career as a creative artist or collaborative team (one per application). Please do not make specific monetary requests as part of the application.
Creative Curriculum Vitae—productions/workshops/readings, educational history, and including list of awards (one for each applicant or each member of a team, please submit multiple CVs in one, combined .pdf or .doc file).

SAMPLES OF WORK

  • Comprehensive Work Sample List—a list of all the song and libretto selections with authorship information. Work samples are only required in accordance with your application focus.  For instance, if you are applying as a composer only, please only submit music, and dramatic context for the song.  Do not submit a book or lyrics for adjudication.  The same would be true if you were applying as a lyricist or book writer, only submit samples for the area or areas for which you wish to be considered.Once you have completed the Work Sample list, you will have the opportunity to upload your material.
  • Libretto—Please submit one-act only of a musical book (or if your work does not have a traditional act-break, an excerpt of 60 pages or less). .pdf format is preferred. You may start your libretto with a 1-page synopsis of the show in its entirety.
  • Audio Files/Song Selections—upload selected songs (accepted formats include MP3, MP4, WMA, WAV, ACC (M4A) and FLAC). Select individual tracks and pieces that reflect your best work.
  • Dramatic Context/ Lyric Sheets—describe the dramatic context and provide the lyrics for each song selection
  • Applicants may provide a letter of support/recommendation from theatre artists or educators.


About Selecting Work Samples:

Regardless, if you work creatively in all three disciplines (music, lyrics, and book) or you are applying as a collaborative team, you should submit combined work samples that represent the full range of your work.  For example, Jonathan Larson might have submitted one application that included three song selections from Rent, two song selections from Tick, Tick…Boom!, and the book of Act II from Rent.  Please do not submit a recording of an entire act or production.  Select individual tracks and pieces that reflect your best work.

The Jonathan Larson Grants are intended to honor and recognize emerging musical theatre writers. We are aware that artists work in multiple disciplines; and while it is not necessary that you only work in musical theatre, selections of representative work submitted for the grant must be for musical theatre.  Applications submitting oratorios, operas, symphonic scores, or film scores will not be considered.

Adapted Works: Should you choose to submit selections from work which is adapted from an existing work, you must provide proof of rights for that adaptation as part of your application.

ONLINE APPLICATION

Monday, August 27, 2018

ARTIST COMMISSIONING PROGRAM seeks Queens (NYC) based playwrights & composers

web site

The Artist Commissioning Program (ACP) awards Queens-based choreographers, playwrights, and composers $10,000 each towards the creation of a new, original work. This innovative program democratizes the traditional commissioning process, which has historically been reserved for a privileged few. Two things make ACP distinct from a typical arts award: 1) its aim to fill gaps in American culture, as well as 2) pair artists with a cohort of "art producers". Art Producers select the artists in a panel and serve as a support structure for the cohort. Both Artists and Art Producers receive access to professional development programming and collaborative arts events throughout the year-long program. Read more about each role below.

WE ARE NOW ACCEPTING APPLICATIONS

DEADLINE: OCTOBER 12 AT 11:59PM

UPCOMING INFORMATION SESSIONS

JAMAICA

MONDAY, SEPTEMBER 17
6 - 8pm,
REGISTER HERE
Hall of Fame Studios
89-37 164th St
Jamaica, NY 11432

TUESDAY, OCTOBER 2
6 - 8pm,
REGISTER HERE
King Manor Museum
150-03 Jamaica Avenue
Jamaica, NY 11432

FLUSHING

WEDNESDAY, SEPTEMBER 12
6 - 8pm,
REGISTER HERE
Flushing Town Hall
137-35 Northern Blvd
Flushing, NY 11354

TUESDAY, SEPTEMBER 25
6 - 8pm,
REGISTER HERE
Flushing Library (Room A & B)
41-17 Main Street
Flushing, NY 11355

Sunday, August 5, 2018

2018 “Made in NY” Women’s Film, TV and Theatre Fund Guidelines and Eligibility Requirements

web site

The “Made in NY” Women’s Film, TV and Theatre Fund (“Women’s Fund”) is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) designed to address the underrepresentation of women in film, television and theatre. The NYC Women’s Fund, administered by the New York Foundation for the Arts (NYFA), provides grants to support film, television, digital, and live theatre projects that reflects the voices, experiences and and perspectives of women.

The program will provide finishing grants for film, television, and digital projects and theatre productions. Recipients will work with NYFA Project Coordinator and funds will be dispersed at certain mutually agreed upon points in the process to ensure projects are completed on a timely basis.

Applicants can apply in the following categories:

● Fiction Feature (running time of 60 minutes or more) - grant amounts up to $50,000
● Fiction Short (running time of 59 minutes or less) - grant amounts up to $25,000
● Fiction Webisode/Webseries (all forms) - grant amounts up to $20,000
● Documentary Feature (running time of 60 minutes or more) - grant amounts up to
$50,000
● Documentary Short (running time of 59 minutes or less) - grant amounts up to $25,000
● Documentary Webisodes/Webseries (all lengths and forms) - grant amounts up to
$20,000
● Theatre Production - grant amounts up to $50,000

2018 Cycle Dates

Application will close on:  Tuesday, October 16, 2018 @ 11:59pm EST 

Applications will be available at:  www.nyfa.org/NYCWomensFund

Eligibility Criteria
1. Projects must be made by, for, or about women and female-identified individuals; and/or feature a strong female or female-identified perspective; and/or include a female or female-identified director; a meaningful female or female-identified producer credit; and/or include a meaningful female or female-identified writing credit; and/or include a female or female-identified protagonist(s).
“Made in NY” Women’s Film, TV and Theatre Fund
2018 Program Guidelines 1
 
   2. All projects must be completed by March 31, 2020.  “Completed” means ready to be shown theatrically, on television, through a streaming service or online; for theatrical productions, the piece must be fully staged for a general audience in New York City. Projects can be either not-for-profit or commercial in nature. Recipients will work with NYFA Project Coordinator and funds will be dispersed at certain mutually agreed upon points in the process to ensure projects are completed on a timely basis.

3. Film, TV and Digital Projects :
a. Must have started principal photography and should be able to project final cut
and be ready to implement distribution strategy described in the application by
March 31, 2020.
b. Must be “Made in NY” meaning: (1) 75% of its total shooting days take place in
New York City, or (2) 75% of its production costs are “qualified production costs”(1)
c. Must adhere to content standards suitable for public broadcasting.
d. City must have three (3) years of non-exclusive royalty free rights to air
programming either in its original state or edited version beginning up to four (4)
years after original release date.
e. Funds can be used for any purpose critical to the completion of the project.
f. Projects can be live action or animated.
g. Applicant can be either the filmmaker or a producer.
4. Theatre Projects :
a. Must be an original play or book of a musical (with dialogue, lyrics and music)
that has not been produced previously.
b. Must be able to project a professional staging (including paid cast and crew) of
the developed work by March 31, 2020 for a minimum of 5 performances.
c. Must present a free performance or invited dress rehearsal for New York City audiences or provide free tickets by lottery or other means to be agreed upon
over the course of the run equal to the number of seats in the theatre.
d. Must be rehearsed and performed in New York City.
e. Applicants can be theatre companies, commercial or not-for-profit producers, or
playwrights planning to self-produce.

Application

Applications must include:

1. A detailed synopsis of the full project.
2. How the project represents a strong female or female-identified perspective.
1 "Qualified production costs" means the below-the-line production costs only to the extent such costs are incurred directly in New York City and are attributable to the use of tangible property or the performance of services within New York City directly and predominantly in the production (including pre-production and post-production) of a qualified film.
“Made in NY” Women’s Film, TV and Theatre Fund

2018 Program Guidelines 2
   
 3. Bios for applicant and key artists.

4. Current state of the project and plans for having it completed by March 31, 2020.

5. Amount of funding requested and description of anticipated use of funds and how they
will move the project to completion.

6. Overall project budget (please include potential festival fees and creation of a DCP or
other appropriate projection print format).

7. For Film, TV and Digital projects, please provide support for Made in NY criteria listed in
3b above.  For Theatre projects, please provide information regarding rehearsal and
performance locations.

8. Distribution/exhibition plan. We understand that there may not be commitments at this point, but please describe your plans: festivals to which you will submit; exhibitors and streaming services you will contact. For webseries please describe your plan to drive traffic to your project. For theatre projects, a description of the venue, target audience and marketing plan, and names of any artists committed to the project. For independent producers or playwrights planning to self produce, Letters of Agreement or Intent from potential venue partners.

9. Two professional references who are not paid by or have a financial stake in the project or for Theatre Companies, a three-year production history.

10. Work samples as detailed below.

Work Samples

For feature length films:

Applicants should include two work samples  from the project for which they are seeking support: a short clip of up to 10 minutes in length and a longer sample between 45 and 90 minutes, which gives a sense of the overall scope and trajectory of the film. There will be a comments section to provide context for the clips.  For the short clip, do not submit a trailer.
For short films and webseries:

Applicants should include two work samples  from the project for which they are seeking support: a short clip of up to 5 minutes in length and a longer sample of up to 40 minutes, which gives the overall scope and trajectory of the film. There will be a comments section to provide context for the clips.  For the short clip, do not submit a trailer.

For theatre productions:
Applicants should include: a 15-page excerpt of the script to be produced, and the complete script.

For more information visit  www.nyfa.org/NYCWomensFund  or email NYCWomensFund@nyfa.org
“Made in NY” Women’s Film, TV and Theatre Fund

Saturday, May 5, 2018

The Relentless Award 2018

web site

The Relentless Award, established in honor of Philip Seymour Hoffman and his pursuit of truth in the theater, is the largest annual cash prize in American theater awarded to a playwright in recognition of a new play.

What we are looking for:
• Plays that are challenging.
• Plays that exhibit fearlessness.
• Plays that are not mainstream.
• Plays that exude passion.
• Plays that are relentlessly truthful.

The American Playwriting Foundation encourages submissions by first-time playwrights, playwrights of color, and playwrights of all gender identifications.

Prize:
• The author of the Relentless Award-winning play will receive $45,000.
• The winning playwright will have the option to have the winning play published by the Dramatists Play Service.
• The winning playwright will have a week-long residency at SPACE on Ryder Farm, an artist residency program housed on a working organic farm in Brewster, New York. The author can elect to have a director, a dramaturg and actors join him or her while in residence on the farm.
• The selected play will have a national roll-out through the Ed Vassallo Relentless Reading Series, established to help bring to life and develop the winning play by presenting a series of staged readings at some of the top theaters across the United States.
• When the winning play is selected, Finalists and Semifinalists will also be named.

Deadlines:
Submissions will be accepted from March 1, 2018 – May 15, 2018 through Submittable.com, see link at bottom of this page.

Eligibility/Criteria for Submission:
• Play must be unproduced.
• Authors must have either United States citizenship, possess a green card, or currently reside in the United States and have lived here for at least four years.
• Plays with a producer, producing organization, or theater attached for future production are not eligible.
• One-act plays, musicals and plays for children are not eligible.
• The author must be at least 21 years old.

How to submit your play:

When submissions open, there will be link to Submittable.com at the bottom of this page that you can use to submit your play.

• NOTE: please DO NOT have your name or other identifying info (email/phone number) on any of your manuscript pages. Please also exclude agent info, development info, and dedications. This will preserve the author's anonymity for the judges.
• Please provide your script file in pdf (rather than Word documents), with the title format: TITLE OF PLAY.pdf. Do not include your name in the file script title.
• You'll receive confirmation that your script has been received. As submissions are processed manually, please allow up to two weeks to receive this confirmation.

For even more information please see our FAQ here.

​Submit your play.

You will be directed to our submissions platform, Submittable, where you will be asked to create an account if you do not have one.

Friday, March 30, 2018

The Arch and Bruce Brown Foundation grant guidelines

web site

The Arch and Bruce Brown Foundation offers grants to production companies to offset expenses in producing theatrical works (plays, musicals, performance art, operas, choral works, orchestral works with text) and film or video. All works must be LGBTQ-themed and must be based on, or inspired by, history. See What Is Historical? for more information.

Grants may be used toward any aspect of a production. Grants do not exceed $1,500; the amount of each is decided on an individual basis.  When choosing which projects to fund, the foundation gives priority to new works and to productions aimed at creating new audiences for LGBTQ-themed performing-arts works. Please note: The foundation no longer supports revivals of plays by well-known LGBTQ playwrights.

Please be advised that the foundation is NOT a production company. Grantees are responsible for producing the works for which they receive grants.

Also, please note that the foundation makes production grants only to incorporated not-for-profit entities such as theatrical companies, film and video production organizations, and the like. If you are an individual not associated with a not-for-profit organization that will produce your work, you are not eligible for consideration for a production grant. If you or your group is not an incorporated not-for-profit but is affiliated with a not-for-profit that can act as your fiscal sponsor, please tell us the name of that organization and provide documentation of its 501(c)3 status.

Proposals may be submitted throughout the year; please allow 60 to 90 days for a response.

PROPOSAL REQUIREMENTS:

Submit your proposal electronically, as an email with attachments, to: info@aabbfoundation.org.
In the body of your email, describe the proposed production, provide brief information about the organization mounting the work, include information about the historical inspiration for the work, and explain how the grant will be utilized. If you wish, you may include other relevant information about the project; such information may include theater capacity, ticket prices, planned production dates, community outreach efforts, or (for a film or video project) projected distribution.
In your email, please ask for a specific dollar amount. If we approve your proposal, we may not be able to provide funding at the level requested, but it is essential for us to know exactly how much money you are asking for.
Please make sure to provide your email address, phone number, and postal mailing address.
If a production budget is available, please include it as an attachment, specifying which expense(s) a grant from the foundation will pay for.
Include the work to be produced as an attachment. The required content of submissions varies by genre (see immediately below), but all submitted works must concern LGBTQ life and must be based on history. Texts, scores, etc. should be clearly labeled with the work’s title, the author’s or composer’s name, the submitting organization, and all appropriate postal and email addresses and phone numbers.

Specific requirements by genre are as follows:

For plays, musicals, or screenplays:

Manuscripts should be in standard play or screenplay format, using a 12-point or larger font, and saved as a .doc, .docx, or PDF.
In the case of musicals, audio segments should be attached as MP3 files and limited to a total of 10 minutes. We will request more if necessary. If samples are available online, please provide us with a link to the relevant website.
For opera, choral works, orchestral works with texts, or song cycles (popular or classical):

A piano-vocal score if scored for orchestra OR a full score if the work is for a small ensemble or chorus.
A complete libretto OR a complete book and lyrics.
Audio segments attached as MP3 files and limited to a total of 10 minutes. We will request more if necessary. If samples are available online, please provide us with a link to the relevant website.
For film or video projects:

A screenplay, treatment, or prospectus.
A link or links to websites for viewing trailers, clips from the work-in-progress, and/or excerpts from previous works.

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