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Showing posts with label ethnicity-based. Show all posts
Showing posts with label ethnicity-based. Show all posts

Saturday, January 18, 2020

Liberation Theater Company Writing Residency Program 2020-21

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Deadline 11:59 PM EST on Wednesday, April 1, 2020. 

Writing Residency Program 2020-21
For our fourth year we are proud to announce The Writing Residency Program 2020 - 2021 (supported by NYSCA and A.R.T. NY); furthering our commitment to the development of new Black playwrights for the American theatre.

The writing Residency Program will select four early-career playwrights and provide them with dramaturgical and professional support over a ten-month period, during which time they will each be required to complete a new full-length play.

Beginning in May 2020, selected playwrights will attend monthly group meetings to share and refine their works-in-progress in a collaborative, energized setting; meet individually with LTC’s Artistic Director and staff who will provide additional support for their artistic needs, concerns and process; and have the resources of a director and professional actors during a table reading as their play begins to take shape.

Additionally, through connections with the larger New York City theatrical community, LTC will provide access to theatre tickets (when available) and seek to support, inspire, and assist playwrights in any way a small and dedicated company can.

The Residency will conclude in February 2021 with public readings of each playwright’s finished play. Upon successful completion of the program, each playwright will receive a $500 honorarium.

Eligibility:
To be considered for the Writing Residency Program all applicants must be
a) residents of New York City at the time of participation (May 2020 – February 2021).
b) Applicants must have written at least two full-length plays or three one-act plays. The applicant must not have received a production of any of their work that was more developed than a Showcase presentation under the Actors’ Equity Association production code.

Application Submission Procedure:
To be considered for the 2020 - 2021 Writing Residency Program, Liberation Theatre Company will only accept submissions via this online form. If you have questions about the program or the application process, please email: info@liberationtheatrecompany.org.

The following materials must be uploaded and submitted in PDF form no later than 11:59 PM EST on Wednesday, April 1, 2020.

Make sure that all documents are properly labeled with your name.

1. Completed Online Application Form

2. Letter of Intent. This should be limited to 1,000 words and address all of the following points:  
  • Your writing career thus far and where you feel you are in your creative and professional life.
  • Your career goals and how you will use the Residency to further those goals.
  • Briefly describe the play you will complete over the 10-month program. 
  • Why you feel ready for a rigorous residency such as this. 
  • Have you participated in a residency/fellowship before? If so, describe your experience.
  • Anything else you think may be relevant.
 3. A 10-page Work Sample that best represents you as a playwright

 4. The full script from which you selected your 10-page work sample

 5. Your playwriting resume (not a bio). Please include one personal or professional reference, with the person’s title or institutional affiliation, phone number and email address. (Referrer must be someone familiar with you and your work.)​​

SUBMIT VIA SUBMITTABLE

Tuesday, January 7, 2020

Ain't I a Woman Playfest

Facebook page
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Deadline: January 31, 2020

Looking forward to another great festival.❤️ Submissions NOW open for Season 3 of Ain't I a Woman Playfest 2020!!

We are looking for original, unproduced 10-min plays from WOC playwrights. Deadline to submit is January 31, 2020.

You can email your submissions to aintiwomanfest@gmail.com

Friday, January 3, 2020

HEAR HER CALL 2020

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DEADLINE 1/11/2020

PLAY SUBMISSION FORM

In March 2020, Conch Shell Productions - in collaboration with Milton G. Bassin Performing Arts Center at York College - will present our second annual HEAR HER CALL CARIBBEAN-AMERICAN WOMEN’S THEATER FESTIVAL. The festival is a celebration of the unique, innovative voices of Caribbean American female playwrights and writers from across the nation.

"Hear Her Call" will create an opportunity for diverse audiences to explore and celebrate the unique ethnic/cultural diversity of women whose ancestors or who they themselves immigrated to the Americas from any of the 28 multi-lingual Caribbean cultures.

  • Anguilla
  • Antigua and Barbuda
  • Aruba
  • Bahamas
  • Barbados
  • British Virgin Islands
  • Cayman Islands
  • Cuba
  • Dominica
  • Dominican Republic
  • Grenada
  • Guadeloupe
  • Haiti
  • Jamaica
  • Martinique
  • Montserrat
  • Netherlands Antilles
  • Puerto Rico
  • Saint Barthelemy
  • Saint Kitts & Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Vincent
  • Trinidad & Tobago
  • Turks & Caicos Islands
  • US Virgin Islands

We are accepting submissions of fully produced of one-acts,  readings of full-length plays, as well as poetry/monologues/etc.

We will only consider one submission per writer.

Please note, Conch Shell Productions will only provide script feedback to playwrights who opt for the script feedback service.

Featu one act play productions will be allotted 2-3 performance times.

Submission Deadline EXTENDED: JANUARY 11, 2020 at 11:59pm.

“Hear Her Call” will take place March 4-March 7, 2020 (Performance times TBD).

Performance location: Milton G. Bassin Performing Arts Center at York College – 94-45 Guy R. Brewer Blvd., Jamaica New York 11451

The festival will closing/award ceremony will take place on Saturday, March 7th, 2020.

SUBMISSION DETAILS

One-Act Plays

1. No submission fee required

2. Optional script feedback/analysis: This year, Conch Shell Production offers playwright the option to pay $40 to receive a detailed 2-page script analysis.

3. English language scripts with some text in other languages and/or dialects are acceptable.

4. Seeking new plays written by Caribbean American females that feature at least one Caribbean-American or Caribbean character, plus
a. inspires audiences to redefine their stereotypical views about American people of Caribbean heritage,  
AND/OR 
b. explores unique strategies for overcoming challenges, living an enriched life, finding joy, AND/OR inspiring change in society
5. We will be showcasing artist-produced one act plays.
a. The playwright (or indie theater company) is responsible for self-producing the fully produced play or reading (ex. engaging all performers and members of the production/creative team, assuming all production and marketing expenses, renting rehearsal space, etc.)  
b. The play must be original to the submitter, unpublished, complete, and not previously produced in NYC. No adaptations or works that involve third-party rights will be considered.
6. GENRES: Comedy, movement/language performance pieces, one-woman performance pieces, Theater for Young Audiences, magical realism, Afro Futurism, Non-linear storytelling, mystery, or a mixture of genres.

7. Participants should plan on minimal production value: No sets. Basic festival lighting design.   Minimal props/set pieces. QLab is available in the venue.

8. The festival is not being produced under the Equity festival code. Each producer is free to determine whether to do present their play as an Equity or non-Equity showcase.

9.  Plays must be in traditional script format with font size 12, all character names in all caps & aligned to the left, stage directions in italics (click here for example).

10. Only one submission per writer.

Saturday, December 28, 2019

Teatro LATEA seeks full-length scripts

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Is looking for full length stage scripts by Afro-Latinx playwrights to produce a staged reading during the second week of January 2020 in honor of Martin Luther King and the civil rights movement.

No fee to submit

The theater will produce the staged reading.

Only for New York City based playwrights.

Deadline: December 30th

To submit please email a PDF file to tatironderos@gmail.com

The playwright will be notified on January 3rd if their play was selected.

New, never produced plays are encouraged, but not mandatory.

Saturday, December 21, 2019

Sesame Street Fellowship Program

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All applicants will be asked to submit the following items with their application through their profile on the Writers' Room portal. For additional questions about any of the requirements, please visit our FAQ page or contact us at writersroom@sesame.org

Application Check List
  • Application form: 2020 applications are available now!
  • Resume: this can feature your overall work experience, NOT only writing experience
  • Personal statement: tell us about yourself, for example, why you want to write for children's educational media, how your experiences influence the stories you tell, why you value diversity/representation in children's media, etc. (up to 250 words)
  • Original script sample: 11-page maximum, it should NOT contain Sesame Street elements, it can be an excerpt from a larger piece you've written, it must be kid-friendly content for viewers up to age 12...we're looking for great characters and stories that inspire kids to be smarter, stronger and kinder!
  • More info on your script: what's the bigger picture/idea of your script sample? (up to 100 words)
  • Application must be submitted by January 10, 2020 5PM EST.
Am I Eligible?
  • All participants must meet the following criteria in order to qualify for the program. For additional questions about eligibility, please visit our FAQ page or contact us at writersroom@sesame.org
Eligibility Check List
  • Participants must be a U.S. citizen or permanent resident
  • Participants must be 21+ years old
  • Must come from an underrepresented racial group
  • The Sesame Street Writers’ Room fellowship is an effort to identify and increase the presence of underrepresented voices in children’s media writing. For this specific purpose, underrepresented groups are those who identify as any of the following: Asian, Pacific Islander, Black, Hispanic, Native American, Middle Eastern, or multiracial.
  • No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series
  • Participants must be able to attend all eight weekly sessions in NYC, which will be held from early May to mid-July. Travel and lodging expenses are the participant's sole responsibility.

Thursday, November 28, 2019

Loud 'N Unchained Black Theater Festival

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Produced by Loud 'N Unchained and Broom Street Theater

Submission Form

June 12, 2020 - June 28, 2020

Performances Fridays, Saturdays and Sundays

Loud 'N Unchained and Broom Street Theater are proud to present the Loud 'N Unchained Black Theater Festival. This festival will be produced at Broom Street Theater and will have performances on Fridays, Saturdays and Sundays for three weeks starting June 12, 2020 through June 28, 2020.

This festival is focused on producing works by Black artists. We are currently accepting submissions to the festival for a variety of performance arts.

Submission period is open until January 31, 2020.

All artists will be notified by March 1, 2020.

Once the selections have been made, there will be a call for artists and actors. Auditions for the production will be in late March/ early April with rehearsals running from the end of April through opening weekend. All theatrical submissions will be directed by Dana Pellebon. The artistic committee of T Banks, Dana Pellebon, Janine Gardner and Doug Reed will review all alternative performances for inclusion and those performances will have rehearsal time with the Director.

Guidelines for Submission:
1. Work must be written/originated by a Black artist.
2. All submissions will be reviewed to ensure that content is not transphobic, racist, misogynistic, or otherwise harmful to the Black community in its intent.
3. Submissions can include the following:
a) Full length theatrical play (60-90 minutes long)
b) Short theatrical play (5 to 20 minutes long)
c) Spoken word (0-5 minutes long)
d) Dance (0-5 minutes long)
e) Musical performance (10-25 minutes long)
f)     Drag or Burlesque (0-5 minutes long)
g) Other (5-25 minutes long)

4. All plays and spoken word pieces must be submitted via pdf or word document. This document should not have your name printed on the document. Title and Contact information will be on the Google Form submission.

5. Dance or Musical Performance must be submitted via video. It can be a link to a performance or an actual video.

Sunday, November 24, 2019

Live & In Color - Call for Submissions

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Live & In Color is looking for playwrights, composers, and lyricists of color and/or other underrepresented communities interested in developing their new musical or play. The work must be able to be performed with a multiethnic cast.

The winning musical submission will have a two-week workshop this fall at The Bingham Camp in Salem, Connecticut culminating in a staged presentation to an invited audience.

The winning play submission will have a one-week development period this fall at The Bingham Camp in Salem, Connecticut culminating in a reading for an invited audience.

To Apply
Submit the required materials via email to Director of New Works, Dennis Corsi, at dennis@theatreincolor.org.

Submissions due March 1st, 2020.

Submission Requirements

MUSICALS

The musical must be able to be performed with no more than 8 actors, although preference will be given to smaller casts.

All submissions should include:
  • Single page synopsis
  • Single page character breakdown
  • Demo of score (2-3 songs)
  • Sample of dialogue (5-10 pages)
  • Brief production/development history (properties with prior full productions not accepted.)


PLAYS

  • The play must be able to be performed with no more than 5 actors. 
All submissions should include:
  • Single page synopsis
  • Single page character breakdown
  • Script sample (10-20 pages)
  • Brief production/development history (properties with prior full productions not accepted.)

Saturday, November 23, 2019

Jewish Repertory Theater submission guidelines

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Jewish Repertory Theater accepts submissions of full length and one act plays for production at our theater as well as plays that may be presented as a part of our three-part reading series each season. Our theatre is interested in works that explore Jewish identity and stories, and that appeal to a diverse range of audiences. We also may consider works that are written by a Jewish playwright that explores topics outside of Judaism.

Please note at this time we are considering plays that:

- Have specific and substantial Jewish content

- Have a cast size that does not exceed five people for full productions, (casting may include multiple roles played by one actor) and up to 12 for staged reading productions

- Explore Jewish identity through humor, drama, or both

- Explore unknown or rarely written about Jewish topics or history

- Have a set design that can accommodate a smaller stage

- Have been written by a Jewish playwright

The Jewish Repertory Theater Staged Reading Series strives to bring engaging content to our patrons between our regular season productions. In the past we have done readings of both published and un-published works. Plays that are chosen will typically receive a one-night reading and will be cast with professional actors from the Buffalo theater community. The readings will be publicized throughout the season along with our full-scale productions. Plays chosen for the reading series will be considered for full-scale productions in future seasons.

We are currently accepting submissions for our 2020-2021 season. Script submissions (PDF and Word docs preferred) and any questions may be directed via email.

Thank you for your work and talent  in creating art for the world to see and hear!

Sunday, October 27, 2019

NATIONAL LATINX PLAYWRITING AWARD

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Submissions for the 2020 National Latinx Playwriting Award are now open. Latinx playwrights residing in the United States, its territories or Mexico are encouraged to submit scripts for the award.

Each script will be read and evaluated by a culturally diverse panel of theatre artists; finalists will be judged by ATC artistic staff.

Submission Procedure

We respectfully ask that you adhere to the following application requirements:

  • Submit a single script via U.S. mail.
  • Scripts must be postmarked by November 1, 2019. Please include a title page on the script that includes the play’s title, the author’s name, and contact information (including a phone number, mailing address, and email).
  • Include a cover letter of no more than one page, describing the play’s developmental history, and how the play fits into the playwright’s broader career trajectory.


Submit manuscripts to:

National Latinx Playwriting Award
ATTN: Elaine Romero, Playwright-in-Residence
Arizona Theatre Company
343 S. Scott Ave. Tucson, AZ 85701

Eligibility

The award is open to all Latino playwrights currently residing in the United States, its territories, or Mexico.

Scripts may be in English, English and Spanish, or solely in Spanish. (Spanish-language and bilingual scripts must be accompanied by an English translation.)

Plays must be unpublished, professionally unproduced, and not currently under option at the time of submission.

Full-length and one-act plays (minimum length: 50 pages) on any subject will be accepted.

Scripts

The physical scripts become the property of Arizona Theatre Company and will not be returned. In this case, “property” means the physical property of the theatre, not the intellectual property or any rights to the play.

The winner will be notified by Fall 2020.

For more information contact Elaine Romero, ATC Playwright-in Residence: info@arizonatheatre.org.

Saturday, September 21, 2019

2019 NALAC Fund for the Arts (NFA): Artists/Ensembles

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Deadline: September 25, 2019 CENTRAL STANDARD TIME

The NALAC Fund for the Arts Artist/Ensemble grant program supports the work of Latinx artists in all disciplines. For the 14th cycle, the NFA offers five grant categories for artists and ensembles who meet the eligibility requirements outlined in the NFA guidelines: Artist Grant ($10,000), Adán Medrano Legacy Award in Film ($10,000), the San Antonio Artist Grant ($5,400), the Puerto Rico Artist Grant ($5,000) and the NALAC Pod Grant ($5,000)

We encourage you to read through the NFA guidelines for more information on the grant categories, eligibility and evaluation criteria prior to submitting a grant application.

Who is Eligible to Apply?

U.S. or Puerto Rico-based Latinx artists in any artistic discipline working individually or as part of an ensemble, arts collective or community-based arts and culture group are welcome to apply for the NALAC Fund for the Arts.

What does the NALAC Fund for the Arts Support?

Grant funds may be used to support any stage of the creative process, including but not limited to living wages, research, production, living expenses, documentation, evaluation, occupancy, travel, training. The number and amounts of awards are contingent on availability of funds.

Funding Period

Proposed activities must take place between January 1, 2020 and January 1, 2021. Award notifications will be made in January 2020.

Support

Download the NFA guidelines for Artists/Ensembles here: https://nalac.org/grants/nalac-fund-for-the-arts/

Email the Programs Team at grants@nalac.org or call the NALAC Staff at 210.432.3982 for more information.

Submit an inquiry to the NALAC Support Desk here: https://airtable.com/shrhMk3RplrHLocGd

Friday, August 2, 2019

The Crossroads Project: Diverse Voices Playwriting Initiative

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The Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by playwrights of color in accordance with the mission statement of the Crossroads Project. A diverse panel of judges comprising faculty members and students will select one playwright as the winner of the contest.

 The winning playwright will receive:

An award of $500.

 An invitation to Illinois State University in Bloomington-Normal, IL for a one-week new play development workshop, culminating in a public staged reading. The playwright may also be invited to offer guest lectures/colloquia. The Crossroads Project will cover costs for travel, housing, and meals during the workshop.

To be eligible to win the contest, a playwright must be available for a one-week workshop in late March 2020 (exact dates TBD). The playwright must also be residing in the United States in the spring of 2020.

The deadline for submissions is August 15, 2019, 11:59p.m. CST. There is no entry fee. We only accept electronic submissions.

Inquiries about the Diverse Voices Playwriting Initiative should be directed to:
Kee-Yoon Nahm, D.F.A.
Assistant Professor in Theatre Studies
Chair, The Crossroads Project
Email:knahm@ilstu.edu

The winning playwright will be notified by mid-January.

Please follow the following guidelines when submitting your play:

  1.  A playwright may only submit one play per contest. The writer of the play must submit their own work.
  2. Submissions must include a Playwright’s Statement (max. 250 words). Copy-and-paste your Playwright’s Statement into the text box in the online submission form. In the statement, describe your inspiration for writing the play, as well as how you believe a workshop in a university setting will further your development process
  3. Plays that have been previously fully produced or published are ineligible for the contest. Plays that have previously had workshops or staged readings are eligible.
  4.  Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of plays in other languages are not accepted. 
  5.  The submitting playwright must either be the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.
  6.  Submissions must be full-length plays.
  7.  Musicals are not accepted. However, plays with limited music requirements are accepted.
  8.  The primary language of the play must be English.
  9.  There are no other restrictions in subject matter or style.
  10.  The Crossroads Project reserves the right to accept or reject any submitted play for any reason.

Thursday, June 27, 2019

USC Bedrosian Center/Red Nation Celebration Institute seeks plays by indigenous authors

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USC Bedrosian Center/Red Nation Celebration Institute is accepting submissions of full length plays written by American Indian/Indigenous authors.

Winners from outside of Los Angeles will receive travel and accommodations to USC in November 2019 to workshop their script with professional actors, director, and dramaturge.

This call for submission supports our mission to give opportunities for Native American and non-Native students to learn, collaborate, study, and amplify the stories of Indigenous peoples. We are offering a call for original scripts from Indigenous playwrights.

The selected play will be featured in the opening ceremonies of the 24th Annual Red National International Film Festival at the USC Bedrosian Center in November 2019. Travel and accommodation will be provided to playwrights outside of the Los Angeles area.

Plays with a message are preferred, though there is no preference of genre. There is no fee to enter a submission, only one submission per person.

Application requirements & instructions:
All materials for application are due July 1, 2019

Email submissions to RNCIMedia@gmail.com

The applicant must identify as American Indian or Indigenous and be over 18.
The front page of the script must list:
title of play
author’s full name
author’s date of birth
author’s home address
author’s email address
author’s phone number

Sunday, June 23, 2019

NEWvember Dublin Festival 2019

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We are now pleased to invite submissions of new plays for the 2019 NEWvember Dublin festival:

CRITERIA FOR SUBMISSIONS

  • submitted plays should be previously unproduced (we will consider plays that have had readings before but are still in development)
  • plays should have a cast size of 2-8
  • plays should have a running time of 30 to 120 minutes
  • we will only accept one submission per writer each year
  • we are interested in plays from playwrights based in Ireland, and Irish playwrights around the world
  • we ask that the writers of the chosen plays attend the reading of their play towards its further development and to be present for a post-reading Q&A with the audience
  • there is no fee for submissions
  • while we are open to all styles and subjects, we do have a preference for narrative and character-driven stories. Plays will be selected based on their originality, range, production potential, narrative quality and emotional resonance


PROCESS OF SUBMISSION:

You will be asked to include:
your play as a PDF (without the writer’s name, email or other identifying marks on any page throughout the script – to aid our blind reading process). The script should include a character list. Please ensure the file name of your play matches the name of the play e.g. theweir.pdf
Within the form, you will be asked to include your name, play title and contact details (location, email and phone), which will be kept in a database unseen by the reading panel.

SUBMISSION DATES:

The window for submissions opens Monday June 3rd 2019.
The closing date for submissions is Friday June 28th 2019 (12 midnight GMT).
Please note that these criteria will be applied strictly and any submissions made after the closing date or not following the submission guidelines will not be considered. In addition, our festival’s reading panel will not be able to provide feedback on specific plays or on the status of your application.

The writers of the plays that have been shortlisted will be contacted in September and will be asked to send any updated version of their play, as this will be the final version considered and the version read at the festival if chosen.

The invited plays will be announced in October.

CASTING: Please note – the chosen plays will be read by an ensemble of actors, each performing roles in multiple plays in the festival. While we will endeavor to provide the best match of cast for each play that is read, in terms of characters’ listed ages/ethnicities, we also need to form an ensemble to best cover the entire range of the festival’s program. We appreciate our playwrights’ understanding of our ensemble-based casting.

NEWvember 2019 Submission Form Online

Friday, June 7, 2019

Native Voices at the Autry Call for Scripts 2019-2020

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*Please note that we only accept submissions written for the stage or theater by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights.

SHORT PLAYS

Deadline: June 17, 2019

Short plays submitted by June 17, 2019 will be considered for Native Voices’ 9th Annual Short Play Festival, to take place in November 2019 at the American Indian Arts Marketplace at the Autry in Los Angeles. Read more about the theme for the Short Play Festival below.

BONES, BINGO & BLACKJACK!

The 9th Annual Short Play Festival

Whet your appetite for clever, funny, dramatic, and thoughtful 10-minute scripts. Indian gaming has served many roles and goes back to ancient times when the winning bet could be life or death. It’s brought both prosperity and problems to the REZ in modern times. What’s your story?

Short plays are fun.  Tell us the stories you like best.  Make the audience laugh or cry - but make them feel something! Many short plays go on to become full-length scripts.

Native Voices invites playwrights to answer the question: “What has gaming done for you lately?” Plays can be fun-spirited or political, funny or dramatic.

Some ideas to spark the imagination are:


  • Throwing bones - games of life and death
  • Bingo big and small
  • Casinos
  • Casinos and the Mob!
  • Per Cap
  • Wealth
  • Distribution of wealth!
  • Economic Development
  • Self-sufficiency
  • Promoting robust tribal governments
  • Tribes as the primary beneficiaries of gaming activities
  • Impact on local tribes
  • What happens at Indian Gaming and Tradeshow Conventions stays at Indian Gaming and Tradeshow Conventions!
  • National Indian Gaming Association

Scripts that are longer than 15 pages or read aloud at longer than 10 minutes will not be accepted. Fresh, surprising perspectives are welcome, and unique theatricality is a must.

Selection Process: Short plays (15 page maximum) that are related to the theme and are received by June 17th, 2019 will be read and evaluated by a national reading panel comprised of Native American theatre artists and community members along with nationally-recognized theatre artists. The panel will select 5 to 8 plays for the festival based on the creative use of the theme, originality, theatricality, structure, and execution.

Selected plays will be given a staged reading on November 10, 2019, as part of the Autry Museum of the American West’s American Indian Arts Marketplace.  A panel of judges will select the 2019 Von Marie Atchley Award for Excellence in Playwriting, a $1,000 cash prize!

Plays must be submitted using our online submission form and in the correct format. Please see our “Checklist for All Submissions” below for further details.

Checklist for All Submissions

Please label script attachment as follows: PlayTitle_Author’s Last Name, First Initial (Example: MyNewPlay_Doe, J.doc).

All submissions must conform to a standard play-script format (one-inch margins, #12 Times or Courier font, all pages numbered).

Include a title page with full contact information (mailing address, phone numbers, e-mail address) and a draft or revision date.

Include a character breakdown at the beginning of your script.

Provide a biography of 75–100 words. Please label attachment as follows: Bio_Author’s Last Name, First Initial (Example: Bio_Doe, J.doc).

Provide a press-ready photo of at least 300dpi.  Please label attachment as follows: Photo_Author’s Last Name, First Initial (Example: Photo_Doe, J.doc).

Provide development history for the play. Label attachment as follows: DevHistory_PlayTitle_Author’s Last Name, First Initial (Example: DevHistory_MyNewPlay_Doe, J.doc).

To submit, fill out our online form and upload your submission materials here: Native Voices Script Submission Form

Please do not send treatments or outlines. Previously submitted plays should only be resubmitted if the play has undergone significant dramatic changes. Previously produced plays should be submitted under the 2020 General Submission for Production Consideration. Plays that are not selected are kept on file for consideration for future opportunities. Playwrights are encouraged to make multiple submissions (up to three per event), but selection will be limited to only one play per playwright, per event.

Where to Send Submissions

We now only accept electronic submission (preferably PDF format).

To submit, fill out our online form and upload your materials here: Native Voices Script Submission Form

Wednesday, May 29, 2019

Jewish Women's Theatre seeks short plays and monologues

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Okay, you’re Jewish, that’s a good start, but how “Jewish” do you have to write? When submitting material, consider the following parameters for your submission:

Please check the themes of the season and submit accordingly. We will not accept late submissions this year.  Thank you!

Sex Addiction & Love in the 21st Century
Deadline for submissions June 1st 2019

  • Please make sure your name and title of your work appear on your submission.
  • An element of Jewish resonance is important, but your submission does not need to feature being Jewish as the prominent theme or subject.
  • Feature women or a woman’s point of view, but not exclusively. Male characters are welcome.
  • Short one-acts (10 minutes max) and monologues (7 minutes max) are preferred.  Will read full-length, but unlikely will produce.
  • 1500 words or less preferred
  • Must be topical for the 21st century. While we consider plays set in another time period, we mostly select contemporary pieces.
  • Small cast a must. One-person shows okay.
  • Previously produced or published work is welcome. Please include production and/or publication history. A new version of a classic or an adaptation from another medium would definitely be of interest.

Although the primary focus of JWT is on the writing, music is often a part of our events. We encourage composers, song-writers, and performers to submit individual work. Musicals are welcome.

Submit your material to ronda@jewishwomenstheatre.org. Be sure to let us know the salon you are submitting for in the subject line of your email.

Monday, May 13, 2019

Little Wonder “Breaking Boundaries” Radio Play Competition 2019

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After last years competition resulted in more than 300 entries, over 70 pieces of individual feedback, and by the end of this year at least 9 published plays, we’re back. This year we will have two new competitions for original unpublished 1600-2000 word full cast audio dramas for up to 4 actors.

Competition Rules, Submission Guidelines and Dates

  1. The competition #BBLWRP2019 is organised by Little Wonder Radio Plays
  2. Entry is only open to writers who consider themselves writers of colour and/or writers with a disability.
  3. Entry is open to all writers of all nationalities or residencies, over the age of 16 (or whatever age is required to handle mature content in your home nation. #BBLWRP2019 is an adult competition, and our station contains adult content.)
  4. Submissions must be previously unpublished radio plays, in script form, in English, between 1600 and 2000 words. The word count does not include the cover page.  Make sure to include the script title on the first page.
  5. Entries must be uploaded in a *.DOC, *.DOCX or *.PDF Format via the entry form on the Little Wonder Website.
  6. Entries can be from individuals or groups of writers, but authors/groups may only enter one play.
  7. Entries must be received between From 0000 19th April – 11:59 PM 30th May European Central Time. Entries received outside this period will not be considered.
  8. Submissions should be between 1600-2000 words double-spaced in courier 12 point with page numbers at the bottom centre of each page.
  9. The cover page of your work should include the title, your name, and your contact details (address, phone and email).
  10. The first page of your work should include the title of your play, centered and underlined. No other page in the document should include your name.  Judges will read works ‘blind’ (ie. The cover page will be removed before they see the document)
  11. Below the script title should be a cast list, describing all characters in the play.
  12. Judging shall be done in two stages, with the top entries being formed into first a longlist and then a short list before final judging. In addition to the longlist by scoring criteria, a number of wild card entries may be selected to ensure representation of the diversity of material and writers submitted.
  13. Judging the longlist shall be done by current Little Wonder members and associates, and the shortlist by the Little Wonder writing team. The judging team will grade longlist according to originality, creativity and innovative use of the medium (that is, sound).  The shortlist will also take into account the writer’s ability to respond positively to feedback.
  14. Longlisted writers will receive short notes and feedback on their work, and the chance to revise and resubmit before the shortlist date.  Longlisted writers will be asked to respond to notes provided. Writers not responding to notes in a timely way may be disqualified.
  15. Shortlisted plays will be performed at a public reading in Paris
  16. Judging of the winner shall be done by Little Wonder Radio team, considering writers response to notes through long and short listing process, and the reaction and feedback in the public reading.
  17. The winner of #BBLWRP2019 competition will have their play recorded and published as a Full Cast Audio Drama within a year of the competition completion. Prior being confirmed as the winner shortlisted writers must agree not to record and publish their work through another medium within this period.
  18. Entries cannot be returned so please remember to retain a copy
  19. Entries must be an original piece of fiction and not an account of real events – either historical or current. However, stories can feature well known public figures from present day or from, take place in historical eras (e.g. the English Civil War) or use real-life experiences as a creative springboard as long as the story is FICTIONAL.
  20. The entrant warrants that they have not used material or depicted events that actually took place or used the personal details of any living persons in the story. As the stories will be published it is important that entrants do not include any personal details about themselves. The entrant must not include their name in the title or body of the story or on any page other than the cover page. Entries which do contain this information may be removed from the competition.
  21. All entries must be the original work of the entrant and must not infringe the rights of any other party. Little Wonder Radio Plays accepts no responsibility if entrants ignore these Terms and Conditions and entrants agree to indemnify Little Wonder Radio Plays against any claim by any third party from any breach of these Terms and Conditions.
  22. Little Wonder Radio plays are targeted at modern, discerning and adult Little Wonder Radio plays try to ensure as wide as possible writer discretion in content, subject, language and vernacular.   However little Wonder Radio plays reserve the right to disqualify any works which it considers defamatory, illegal in content or otherwise containing material making it unsuitable to broadcast.
  23. Entrants retain the copyright in their entries but grant to Little Wonder Radio Plays a perpetual non-exclusive royalty-free license to publish, broadcast (across all media) and post the entry online and on any other platforms yet to be envisaged. This license will be deemed to include all the necessary rights and permissions to enable such use by little Wonder Productions, to fulfil the prizes and to complete the administration of this competition.
  24. The competition operates on a right of first refusal.  By submitting your play you are granting us the right to publish your play, under the conditions described herein.  This right persists until as long as your play is still in competition.  Should you make it to the Shortlist, we will contact you directly to discuss publication of your play.  The winner will be published by Little Wonder.  Please do not submit your plays elsewhere, as you will be in breach of this condition.
  25. By submitting a story the entrant agrees that the Little Wonder Radio Plays may at its sole discretion edit, adapt, abridge or translate the entry for the purposes listed above.
  26. Little Wonders Radio’s decision as to each stage of this competition is final. No correspondence will be entered into.
  27. Little Wonder reserves the right to disqualify any entry which breaches any of these Terms and Conditions, or to withhold a prize if in its opinion entries do not reach the required standard.
  28. Little Wonder Radio plays reserves the right to amend these Terms and Conditions or cancel this competition at any stage, if deemed necessary in its opinion, or if circumstances arise outside of its control.
  29. Little Wonder Radio plays, its sub-contractors, subsidiaries, agencies and/or any other organization associated with this competition cannot accept any responsibility whatsoever for any technical failure or malfunction or any other problem with any server, Internet access, system or otherwise which may result in any entry being lost or not properly registered or recorded. Proof of sending is not proof of receipt.

Thursday, May 2, 2019

INGENIO Milagro 2019

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Through INGENIO, Milagro seeks to create a space where Latina/o playwrights can develop their plays in a safe, supportive environment with mentors and artists to whom they can relate. INGENIO serves as an intrinsic step in the creation of new full-length theatrical works. Rehearsals and workshops culminate in concert-style readings and feedback sessions with audiences of theatre professionals and members of the public. Playwrights are strongly encouraged to be available to attend in person.'

CALL FOR SUBMISSIONS

Submissions are being accepted for INGENIO Milagro 2019, to take place September 15 – 22, 2019. Four plays will be selected, assigned directors and actors, rehearsed, and presented in concert-style readings over three days.

GENERAL GUIDELINES

  • Open to all Latina/o-identified playwrights
  • Original full-length plays, at least 70 minutes and no more than two hours in length
  • Plays can be in English, Spanish, or bilingual
  • Plays with over eight actors will require doubling; playwrights are asked to provide preferred casting breakdown
  • Chamber musicals will be considered
  • Published plays and those that have received, or are scheduled to receive, a full professional production are not eligible
  • Previously submitted plays that have received rewrites are welcome


TO SUBMIT

  • Scripts must be in PDF format and should follow the Dramatist Guild’s of America Traditional or Modern play format. Other than the cover page, the script shall have no identifying information about the playwright.
  • Include playwright’s biography (90 words/~580 characters), play synopsis (150 words/~975 characters), and play’s development history, if applicable.
  • Submit via email to ingenio@milagro.org no later than May 15, 2019. Selected playwrights will be notified by June 15, 2019.

Friday, April 19, 2019

2019 - 2021 I AM SOUL - PLAYWRIGHT RESIDENCY

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APPLICATION DEADLINE MAY 1

National Black Theatre (NBT), the nation’s first revenue-generating Black arts complex, was founded in 1968 by the late visionary artist and entrepreneur Dr. Barbara Ann Teer. Since its inception, NBT has been at the forefront of a broader movement of engaging the arts for social change, economic growth and transformation in innovative ways that build community. NBT is a leading institution engaged in intentional creative place- making by leveraging the power of theater arts with Black culture and creativity. Throughout its rich history, NBT has maintained a strong commitment to creating a space in which new and underrepresented voices can be brought to the forefront to provide unique and diverse perspectives on the myriad critical issues of equity and social justice that affect our nation today. During the last 50 years, NBT has produced over 300 original works, toured globally & launched international extensions, like the National Black Theatre of Sweden.

I AM SOUL - Playwright Residency, Launched in 2012, is the only program in the country that is dedicated to Black playwrights, whose work demonstrates exceptional artistic merit and excellence in the theatrical field, with a commitment to production. Coined as a dream MFA program this residency also seeks to unleash the soul of a playwright on the page so that they can develop, hone and explore new ways of artistic expression in a safe, supported and transformative environment. Alongside NBT’s Artistic Director, the selected playwright (s) will develop a new play during the eighteen (18) month residency. This process culminates with a Workshop Production in NBT’s following season.
With I AM SOUL, NBT seeks to deepen the artistic relationship between Black theatrical institutions and Black playwrights in order to re-establish Black theatrical institutions as the foremost supporters and producers of new works created by Black playwrights.

RESIDENCY COMPONENTS:
The I AM SOUL - PLAYWRIGHT RESIDENCY recognizes up to two Black playwrights annually. The chosen playwright(s) work must demonstrate exceptional artistic merit and excellence in the field.
The selected playwright will receive:

A min stipend of $5000 [pending funding]
Administrative support: Access to office space, and black and white printing
Artistic support: Dramaturgy, in-house readings, two 29-hour workshop
A workshop production in the 2020-2021 season for six public performances
Two Complimentary tickets to National Black Theatre productions that season, as well as additional services and opportunities that NBT has to offer.

ELIGIBILITY, CONDITIONS, & REQUIREMENTS:
• Applicants must be citizens or permanent residents of the United States.

 2019 - 2021 I AM SOUL - PLAYWRIGHT RESIDENCY

• Applicants for the residency may not have had more than two plays produced by professional theaters at the time of application or during the residency. These are defined as productions for which the author and primary artists (actors, directors, and creative collaborators) were compensated and received at least three public performances. Ten-minute or one-act plays and university, college, secondary school, amateur, and Equity showcase/waiver productions are not considered full productions. 


• TheIAMSOUL-PLAYWRIGHTRESIDENCYisavailabletoBlackplaywrights,21yearsofageorolder, who are citizens or permanent residents of the United States. 

• Students in K-12 educational programs or enrolled in undergraduate and graduate degree programs for playwriting are not eligible. 

• The resident playwright commits to spending the 18-month residency period by actively participating in the National Black Theatre community.
• The resident playwright commits to completing one full-length work, which will receive a workshop production at the National Black Theatre in the 2020-2021 season. 

• The residency period begins September 1, 2019 and ends March 31, 2021. All residency requirements must be met during that time.
• Work in partnership with NBT to curate a Playwright’s Workshop and/or Symposium open for the community to participate in.
• TheselectedplaywrightisrequiredtoserveontheSelectionCommitteeforthe20210-2022IAMSOUL-

PLAYWRIGHTS RESIDENCY.
• Applicantshavetocommittobeingpresentandactivelyparticipatingduringtherehearsalprocessofall workshop opportunities.

• Playwrights may not receive more than one residency at NBT through this program.

SELECTION PROCESS:

Applications are screened for eligibility by the National Black Theatre and evaluated by a selection committee of professional theater artists within the field who select the five to seven finalists. From that group the committee selects finalists that National Black Theatre’s Chief Executive Officer and Artistic Director will evaluate. The selected finalists receive a scheduled interview. Selection is based on artistic potential, commitment and originality. The selection process is guided by the National

Black Theatre’s mission statement:

Core Mission:
1. To produce transformational theater that helps to shift the inaccuracy around African Americans' cultural identity by telling authentic stories of Black lifestyle;
2. To use theater arts as a means to educate, enrich, entertain, empower & inform the national conscience around current social issues impacting our communities;

 2019 - 2021 I AM SOUL - PLAYWRIGHT RESIDENCY
3. To provide a safe space for artists of color to articulate the complexity, beauty & artistic excellence intrinsic in how we experience the world in the domain of acting, directing, producing, designing, play writing and entrepreneurial autonomy.

Guiding Principles:

HOME: The commitment to creating a destination dedicated to Black artists where they have a sense of being and belonging. For people of African descent, having an artistic home helps heal the wounds of historical displacement and forced migration that Black people have suffered in America ever since the establishment of slavery. “Welcome To Your Home Away From Home” -Dr. Teer

BRAVE AND SACRED: The establishment of a brave and sacred space connected to indigenous practices to welcome Black artists, activists, and NGOs within the field to exercise creative autonomy in taking risks to connect, support, train, and incubate artists.

BLACK LIBERATION: The unapologetic and intersectional love, celebration, preservation, cultivation, illumination, generation, and transcontinental connectivity of the African Diaspora.

HUMAN TRANSFORMATION: The act of creating and elevating the belief and practice that exposure to an intentional environment that celebrates and reveals the truth of the Black cultural experience and aligns it with our shared humanity promotes the purpose of liberation from systematic oppression for all people.

INTEGRITY: The incontestable practice of remaining mission-centered and engaging with others from an authentic space of honesty, love, and respect.

TO APPLY:
Using the subject line I AM SOUL - PLAYWRIGHT’S RESIDENCY, send an email to submit@nationalblacktheatre.org as a single PDF document, containing the following elements, arranged in this sequence:

1. AN APPLICATION COVER SHEET with the following information presented in clear format: NAME
COMPLETE MAILING ADDRESS HOME PHONE, OTHER PHONE EMAIL ADDRESS
PLAY TITLE
PLAY SYNOPSIS

If you are represented by an agent at that time of applying please make us aware and let us know who that agency is.

2. A WRITING SAMPLE: One full-length play that is at least 50 pages in length and has been written only by the applicant (no co-written submissions will be accepted). Please identify 20 pages that you would like for the panelists to read. Please note that the panelists are only required to read these pages. The submitted script must be a complete draft that represents your best playwriting. The submitted play should not have the playwrights name attached to it as the committee reads the plays as a blind submission.

3. Answer these following questions:
a. What inspires you and your work? [250 word max]
b. How important is collaboration within your process? [250 word max]
c. Why are you interested in doing this residency now? Incorporate three goals you wish to obtain
after going through a process like this. [500 word max]

4. A PLAYWRITING RESUME [listing all readings, productions, awards, commissions, etc.]

5. If Playwright is chosen as a finalist they will be asked to submit a one page single spaced proposal outlining ideas, story and/or subject matter they would want to focus their residency on creating. This must be a NEW play.

Name the application packet file with your last name followed by soulapp [Example: application packet sent by Jane Smith = Smithsoulapp.pdf)

Email your application packet by May 1, 2019 at 11:59 pm. No late applications will be accepted.
Receipt of application materials will be confirmed via email.

DEADLINE & IMPORTANT DATES:

Applications must be received by: Finalists will be notified on: Recipient(s) will be notified on: Residency term:
May 1, 2019 at 11:59 pm
June 5, 2019
July 10, 2019
September 1, 2019 - March 31, 2021

QUESTIONS:
Contact:
Program Coordinator : Belynda Hardin submit@nationalblacktheatre.org
CC: Kayla@nationalblacktheatre.org


Saturday, April 13, 2019

USC Bedrosian Center/Red Nation Celebration Institute seeks full length plays

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USC Bedrosian Center/Red Nation Celebration Institute is accepting submissions of full length plays written by American Indian/Indigenous authors.

Winners from outside of Los Angeles will receive travel and accommodations to USC in November 2019 to workshop their script with professional actors, director, and dramaturge.

This call for submission supports our mission to give opportunities for Native American and non-Native students to learn, collaborate, study, and amplify the stories of Indigenous peoples. We are offering a call for original scripts from Indigenous playwrights.

The selected play will be featured in the opening ceremonies of the 24th Annual Red National International Film Festival at the USC Bedrosian Center in November 2019. Travel and accommodation will be provided to playwrights outside of the Los Angeles area.

Plays with a message are preferred, though there is no preference of genre. There is no fee to enter a submission, only one submission per person.

Application requirements & instructions:
All materials for application are due July 1, 2019

Email submissions to RNCIMedia@gmail.com

The applicant must identify as American Indian or Indigenous and be over 18.
The front page of the script must list:
title of play
author’s full name
author’s date of birth
author’s home address
author’s email address
author’s phone number

Tuesday, April 9, 2019

KC Melting Pot Theatre is now accepting short plays

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KC Melting Pot Theatre is now accepting short plays (10-15 pages) for their inaugural New Works Development Festival. Six selected scripts will be assigned a director, professional cast and receive a week of rehearsals culminating in a short play festival at the end of the week.

One chosen play from the finalist will then receive a development opportunity to make their short play a full-length show and have a workshop production during 2020-2021.

The development process. At this time we are only accepting plays from African American / Black playwrights at this time.

Theme/topic can by anything however we are not accepting any musicals, children's stories or one-character plays.

1. One script per playwright

2. Please submit blind copies of your script (no identifying information on the script). Include playwright name and contact info in body of email.

3. Scripts should be in pdf or word document and written in standard play format. 12pt font in Times New Roman or New Courier.

4. Minimal tech and set requirements.

5. Playwrights will be responsible for their own travel and accommodations.

6. Submissions will be cut off after 100 entries.

7. Email your script to newplays@kcmeltingpot.com. Please include ONLY the script. No bios, resumes, synopses or headshots. 

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