We never post opportunities that require a submission fee. LEARN MORE.

Wednesday, October 7, 2026

THINK FAST A virtual short play competition 2027

Website

Deadline: November 16, 2026

Email your script to OneActFest@TheTheaterProject.org with the required acknowledgement:

You MUST include the following acknowledgement in the body of your email: “If my play is accepted and I choose to take part in the festival, I understand that I will be responsible for the casting and rehearsal of my play and that I will be charged a $100 participation fee. I also affirm that generative AI was not used to create my script.”

Title page should include author's name and email address/contact information.

One entry per writer ONLY.

Online submissions only.

Submission Requirements

Dramas and comedies accepted.

Maximum 15 minutes running time. Plays that exceed 15 minutes will not be considered.

Zoom Performances

Live talkbacks with playwrights follow the evening performances
All ticket buyers vote electronically for Audience Favorite Play at the conclusion of each performance and receive links to all talkbacks and the awards announcement.

Nominations and winners for Best Actor, Actress, and Director, Audience Favorite (Play), and Judges' $500 Prize are announced post-show Sunday afternoon at our virtual cocktail party (BYOB)

How It Works

If your play is selected, ​​​The Theater Project will supply a stage manager/technical director to oversee the Zoom recording process.
Individual playwrights supply the actors and directors and make their own agreements regarding actor and director compensation.

Production Fee: $100. Participating playwrights (finalists) will be charged a $100 fee to cover the $500 prize as well as the cost of hiring the stage manager/technical director.

Playwrights invited to participate must have plays that are ready to perform and supply their own actors and directors who are recorded via Zoom by The Theater Project.

Why a production fee?

The Theater Project does not charge a submission fee for its THINK FAST festival. We do, however, charge a $100 production fee to help cover the cost of the $500 prize as well as the hiring of a stage manager/technical director to work with the productions on their technical needs, supervise a rehearsal, and record the final performance on TTP’s Zoom platform.

While we’d rather not charge a fee, we would be unable to offer this showcase without help from participating playwrights. Thank you for your understanding and flexibility!

GAYDAR OFFENSIVE ONE-ACT PLAYWRITING FESTIVAL seeks NYC-based playwrights

Instagram

Deadline: November 1, 2026

To be considered for this festival, submit the following to againstthewall.nyc@gmail.com with "GAYDAR FESTIVAL" in the subject line. 

Each playwright may submit up to two scripts at this time. One-act plays: 30-60 minutes.

Please be sure to have all the following information listed in one pdf in submission

-Name of play
-No musicals
-Playwright name
-Playwright bio
-Synopsis
-Character Breakdown
-Script 
-Social media handles
-Any artist that may already be attached to said script

Against the Wall Productions is proud to announce the call for script submissions from gay playwrights based in NYC for their inaugural GAYDAR OFFENSIVE ONE ACT PLAYWRITING FESTIVAL set to be presented in June 2027 in New York City. Festival is produced and curated by B.Michael Peterson, the company's Artistic Director.

Six scripts will be selected for this festival, and each playwright will also act as a co-producer with Peterson. The festival does not charge a submission or participation fee. The co-producer will be responsible for rehearsal space, casting, supplying a director and be in charge of their own budget.

Against the Wall Productions will provide a tech time slot for each show with a technical director and performance space during the festival. They will also provide marketing on their social media and other advertising, but each show is responsible for promoting their show to their own networks. Each co-producer will receive 40% of each ticket sold.

Additional Information
-Playwrights must live in NYC
-Follow our Instagram page @atw.productions for future updates and announcements
-Scripts must be unpublished and unproduced at the time of the festival
-Scripts selected will be contacted by the end of January 2027

Tuesday, October 6, 2026

Audible Emerging Playwrights Fund

Website

Deadline: November 18, 2026 (11:59PM EST)

SUBMISSION FORM

The Emerging Playwrights Fund (the “Fund”) is calling theatrical visionaries who are ready to push boundaries and captivate audiences through the intimate, limitless world of audio drama.

This is storytelling without walls. Your words, world-class performers, and millions of listeners waiting to be transported.

Who Should Apply

We're seeking early-career theatrical writers who craft immersive fictional experiences that engage, entertain, and inspire. We value diverse perspectives, innovative approaches to form, and stories that harness the unique intimacy and immediacy of audio storytelling. Whether your work explores internal worlds through sound, creates vivid landscapes through language, or experiments with narrative structure—if it pushes boundaries and demands to be heard, we want it.

For this cycle, we're particularly interested in original audio dramas in the following genres:

Action & Adventure including Mystery, Thrillers, Horror, Sci-Fi & Fantasy

Core Fiction including Contemporary Fiction, Romance, and Literary Companion Pieces


About the Fund

Audible is a leading creator and provider of premium audio storytelling. Since 2017, our theater initiative, which includes the Minetta Lane Theatre in New York City, has been built on one mission: to radically increase access to exceptional plays and performances.

The Emerging Playwrights Fund sits at the heart of that mission. We invest in and nurture self-identifying emerging playwrights—some of the most inventive, creative, and provocative storytellers working today. Through the Fund, we connect extraordinary performers with remarkable original work, amplifying new voices and bringing them to millions of listeners. To date, Audible Theater has commissioned 50 projects through the Fund. We support the creation of original dramatic work written with audio in mind, but theatrical in spirit—stories that live and breathe in the listener's imagination.


What the Fund Provides

Audible will select up to five applicants to receive a fee of $25,000 each to write and develop an original audio play. In addition to the fee, Audible may provide the selected applicants with creative and logistical resources to assist each artist and project, including but not limited to: development and production fees, casting expertise and talent budget, access to Audible’s state-of-the-art studio and production equipment.

Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our listeners and our world. We actively encourage submissions from emerging playwrights of all races, genders, sexual orientations, abilities, and backgrounds.

Your voice, amplified.

Submission Guidelines

One full-length script for an original play (in English language only) that represents your voice ("Script”). Submitted as a pdf or word doc

A professional biography (up to 300 words)

A pitch or summary for an original audio play (Action & Adventure OR Core Fiction preferred)

Please note, by submitting an application you will be directed to a third-party website (hosted by Accubate) and you agree to the applicable Audible and Accubate privacy notice(s).


Eligibility criteria

Any applicant over the age of 18, resident in US or UK may submit an application. Employees or independent contractors, or immediate family members (spouses, domestic partners, parents, grandparents, siblings, children, and grandchildren) or those living in the same household of employees or independent contractors of Audible Inc., including any of its affiliates (collectively, “Audible”), or any entity involved in any aspect of the administration of the Fund may not submit a Script for consideration, unless it is determined by Audible in its sole discretion in accordance with Audible’s then current policies and procedures that no conflict of interest exists in connection with accepting the relevant submission for consideration.

Monday, October 5, 2026

Spartan Theatre One Page Play Festival – “Haunting Holidays”

Website

Deadline: October 11, 2026 at 11PM PDT
Spokane WA

Submit your one-page play in MS Word or PDF format 

Festival Date: Friday, December 4, 2026 at 7:30 PM

The Spartan Theatre at Spokane Falls Community College proudly announces our Third Annual Festival One Page Plays: Haunting Holidays!

We are seeking submissions from playwrights across the globe to be presented in a reader’s theatre format. Selected plays will be performed live at SFCC’s Spartan Theatre on Friday, December 4, 2026, at 7:30 PM.

Last year’s festival received over 100 submissions from playwrights all over the world, making it a truly global celebration of creativity. We are excited to build on that momentum and see how playwrights will haunt the holidays this year!

What We’re Looking For:

We want one-page plays that creatively explore the theme Haunting Holidays. Whether it’s a ghostly gathering at a festive dinner, a spooky twist on a traditional celebration, or a chilling winter tale, we encourage all kinds of imaginative interpretations.

All holidays are welcome: New Year’s Day, Independence Day, Thanksgiving, Arbor Day, Talk Like a Pirate Day, Valentine’s Day, Halloween, Mother’s Day, Father’s Day, St. Patrick’s Day, April Fools, Cinco de Mayo, or any other day of cultural or personal significance you’d like to haunt with your imagination.

What to Expect:
  • Selected plays will receive a staged reading in a reader’s theatre format, focusing on the script and storytelling.
  • Playwrights will be notified of their selection by November 25, 2026.
  • There is no submission fee, and no participation fee if selected.
  • Length of Plays:Plays should be one page only (roughly 1–2 minutes of performance time).
  • Guidelines:Open to all playwrights worldwide. There are no restrictions on age, nationality, or gender. All are welcome!
  • Only ONE submission allowed per playwright. Send us your best work!
  • Previously produced or published works are welcome, however scripts submitted to last year’s festival is ineligible.
  • Plays must be primarily in English.
  • No Musicals.
  • Strong language is acceptable. 
  • No Self-Production Required!
If your play is chosen, SFCC will handle all aspects of the production. You do not need to self-produce or cover any costs.

For questions, please contact our Festival Director, Rebecca Cook: racook321@gmail.com

Sunday, October 4, 2026

Request for Proposals: *snap* Festival 2027

Website

Deadline: October 16, 2026 by 11:45pm

Burlington VT

SUBMISSION FORM

The Flynn is committed to using the arts to build connections and strengthen communities. The *snap* Festival is a celebration of the power of first-person narratives. We believe everyone has stories to tell and that sharing these stories teaches empathy by allowing us to recognize commonalities and learn about each other’s unique experiences.

From January 22 - 24, 2027, the Flynn will celebrate the power of storytelling and solo performance with a weekend-long festival that will include workshops and solo performances by professional and emerging artists.

Through a series of performances and workshops, we will create a dialogue between performers and the audience and provide opportunities for the community to join and support the conversation. Performances will include meaningful time for questions and thoughts from the audience. Our expectation is that performers will listen to audience feedback and have it shape their work and that our audiences will develop a deeper understanding of this important art form.

All writers, poets, rappers, songwriters, storytellers, and other solo performers from New England and New York are invited to apply and submit a proposal for a performance to be showcased in the 2027 *snap* festival. Selected works will be performed by the artist and told from the first-person perspective. We are interested in stories about your experience told from your perspective. 

Artists and Projects will be chosen based on the following criteria:

1. The work you submit illuminates your unique perspective.

2. Works must be new, original, and must not be previously produced. This festival offers the opportunity to showcase a piece that has not yet been performed in front of an audience. Scripts or the equivalent must be submitted as part of this application.

3. You will be performing your own work and will perform it with no other performers.

4. Your piece must be written and performed in the first person.

5. Performance length will be approximately 15 minutes. The performance may be a complete work, or a section of a longer work.

Resources

1. An honorarium of $500 will be provided.

2. Accommodations will be provided for the duration of the festival.

3. Up to $200 in travel costs will be reimbursed, upon submission of receipts.

4. The Flynn will cover the production costs of the festival including stage labor, sound equipment, security, ushers, and box office. All final production costs and expenses will be decided by the Flynn Center at its discretion. This festival is primarily about the development of a new work and requests involving other production elements (set, lights, costumes, etc.) may not always be accommodated.

5. The Flynn will actively market and publicize the festival and the public showing of your work on January 23, 2027 in FlynnSpace.

6. Your work may be selected for further development with an invitation to serve as an artist in residence.

Timeline

1. ‎September 21 – October 16, 2026: Applications are accepted on a rolling basis.

2. Final date to submit an application is Friday, October 16, 2026. Submissions close at 11:45pm.

3. A brief in-person or zoom interview will be scheduled as part of the selection process with select applicants. Interviews will take November 4-6, 2026.

4. Proposals will be chosen by the Flynn and a panel of judges.

5. Artists will be informed of their acceptance no later than November 10, 2026.

6. The *snap* festival takes place January 22 – 24, 2027 with performance of new works on January 23, 2026. You will arrive in Burlington on or around January 21 for a group dinner!

Schedule
The festival will take place at The Flynn Center from January 22 – 24, 2027. The performance of your 15-minute piece will be on January 23, 2027 in FlynnSpace.

Saturday, October 3, 2026

Big Idea Theatre 2027 One-Act Festival Submissions

Website

Deadline: October 5, 2026 at 11:59 PM PDT

SUBMISSION FORM

This is your chance to see your work come to life on stage and connect with new audiences. Writers of all backgrounds and experience levels are encouraged to submit.

Some Guidelines:
  • Unit Sets work best in our space
  • We aren't equipped to do musicals or children's theatre
  • Plays that run somewhere around or between 20 to 60 minutes are ideal
  • We will choose 6 plays via committee of theatre lovers to be presented as part of the festival from 
  • January 22rd - February 7th, 2026 in Sacramento, CA.
We have produced scripts from all over the world! However, since we are a community theatre, we do give special consideration to works from or connected to the Sacramento Region.

Please only submit one script.

We receive HUNDREDS of scripts! Please be patient while we read them all and get back to you!

Sesame Street Writers Room 2027

Website

Deadline: October 5, 2026 12PM EDT

SUBMISSION FORM

Fresh new writing talent that reflects our vast audience. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other children’s entertainment and media industry leaders. Each participant will develop and write a pilot script for their own original kids’ concept.
  • Up to 6 writers will be selected 
  • Sessions are expected to take place virtually from February 2027 to June 2027.
  • Learn from industry writers, producers, agents and executives 
  • Learn and complete all steps of creating an original pilot episode script
  • Learn and complete all steps of creating a 3-5 minute speculative script based on Sesame Street
  • Includes 8 three-hour instructive sessions with an accomplished industry professional, 3 one-hour mentoring sessions with Sesame Street writer, and 15 one-hour office hours sessions on creating original children’s content.
  • Up to two writers will have the exciting opportunity to see their script brought to life in a live table read featuring Sesame Street performers
Original script sample: 12-page maximum; should NOT contain Sesame Street elements, characters, or intellectual property;  can be an excerpt from a larger piece  wholly written by the applicant; must model a 3 act story structure; and be kid-friendly content for viewers up to age 12…we’re looking for great characters and stories that inspire kids to be smarter, stronger and kinder! 

Please submit only one script with your initial application. If you advance to the second round, you may receive an email with instructions on submitting a second script sample at that time.

Resumes: 2-page maximum. Anything longer will be disqualified.

More info on your script: what’s the bigger picture/idea of your script sample? (up to 100 words)

Personal statement: tell us about yourself, for example, why you want to write for children’s educational media, and how your lived experiences influence the stories you want to tell in children’s media, etc. (up to 250 words)

Eligibility Check List
  • Participants must be a U.S. citizen or permanent residen
  • No extensive media writing experience, such as having written more than six episodes for a produced network or streaming scripted/narrative series
  • Participants must be 21+ years old Participants must be able to attend and complete writing assignments for all 11 sessions, and attend the 15 office hours sessions, which will be held virtually from February 2027 to June 2027. The final session and showcase will be held in-person in New York City.

Smith & Kraus 2027 Annuals seeks 10-minute plays and monologues

Website

Deadline: December 1, 2026

They have hit their limit for 10-minute plays -THEY ARE ONLY ACCEPTING MONOLOGUES NOW.

Submissions open October 1st-December 1st for the Smith & Kraus 2027 Annuals.

MONOLOGUE GUIDELINES

For The Best Men & Women’s Stage Monologue 2027

Monologues MUST BE FROM PLAYS. They cannot be stand-alone pieces.
They must be from plays produced between August 2025 through November 2026

*Monologues from plays that only had Virtual Productions are NOT eligible.

Monologues should be 1-3 minutes long.

Monologues should be pieces that have onstage action and work well for auditions.

**You may submit to both the Women's and Men's Anthology, but only ONE submission per book.

Do not submit any monologue that has been submitted previously in the past year.

IF YOU SUBMIT MORE THAN ONE MONOLOGUE PER ANTHOLOGY, THEY WILL NOT BE READ!

To submit for Men's Monologues, CLICK HERE.

To submit for Women's Monologues, CLICK HERE.

They have hit their limit for 10-minute plays - do not send.

10-MINUTE PLAY GUIDELINES
  • Submissions will close when we reach 250 scripts or end of day on December 1st, whichever comes first.
  • Plays must be produced between August 2025 through November 2026.
  • Plays with only virtual productions are not eligible.
  • Plays produced as staged readings are eligible ONLY if the reading was performed LIVE in front of an audience, not virtually.
  • No Radio Plays. No Musicals. No Children's Plays. No solo shows. No Zoom plays.
  • Plays should run approximately 10 minutes.
  • Please include a cover page with a brief synopsis.
  • Please include a page with Character Breakdown, Setting/Place, and Time.
  • Only ONE submission is permitted per playwright. If you submit more than one play, they will not be read.

Thursday, October 1, 2026

Call for Submissions for the Making It Happen Festival of 10 Minute Plays

Website

Deadline: October 12, 2026

SUBMISSION FORM

Making It Happen: 10 Minute Plays is a new play festival presented by The Theater Center, created to give writers, and creative teams the opportunity to present original theatre work on an Off-Broadway stage in the heart of Times Square.

We are now accepting submissions for fully original 10-minute plays. Selected plays will perform at The Theater Center on one of three preliminary performance nights: Wednesday, November 4, Wednesday, November 11, or Wednesday, November 18. Each evening will feature 4 plays, with audiences and judges voting to determine one winner from each night. The three nightly winners will advance to the Finals on Wednesday, December 2.

All submitted material must be fully original. Teams must have the rights to perform all submitted material.

This is a non-union festival. All casts, creative teams,, and production personnel must be non-union.

We strongly urge that your cast size is 6 or less.

Play must be 10 minutes or less.

Selected teams will be responsible for providing their own cast, director, and stage manager. If you don't have a director, one can be provided. No microphones will be used or provided, so plays must be able to be performed acoustically in the space.

Productions should be simple, flexible, and festival-ready. Selected teams will receive performance space, basic technical support, box office services, festival-wide marketing, and a technical rehearsal slot on the day of their performance.

Please only submit if you and your team are available for the preliminary performance dates and, if selected as a finalist, the final performance on December 2.

Tuesday, September 29, 2026

NYPSI's Horowitz-Sondheim Clinic ~Affordable Treatment For Theater Artists

THE HOROWITZ-SONDHEIM CLINIC FOR THEATER ARTISTS at  New York Psychoanalytic Society & Institute offers affordable treatment to playwrights, composers, and lyricists of the theater. *




The Horowitz-Sondheim Clinic was launched in September 2025, and offers affordable treatment to playwrights, composers, and lyricists of the theater. *

This clinic owes its creation to a generous grant from the Stephen Sondheim Foundation, reflecting the profound gratitude Sondheim held for his psychoanalyst, Milton Horowitz, an esteemed NYPSI member. As Sondheim himself expressed: "to find you're not the only one in the world, which is of course what everybody goes through... Every time I would tell Milton something I'd expect him to be shocked and he'd say, Yes...' And after about five sessions I realized, He's heard everything!

And I'm just another ordinary neurotic fellow." (Secrest,1998, p. 229)

The Horowitz-Sondheim Clinic offers psychotherapy, psychoanalysis, and psychological testing.

The Clinic does not provide psychotropic medication. Psychotherapy and psychological testing are provided by a variety of licensed mental health practitioners, Clinical Psychology Doctoral students, and Licensure-Qualifying trainees in Psychoanalysis, all under the supervision of highly trained psychoanalysts. Psychoanalysis is conducted by psychoanalytic candidates, all of whom are supervised by psychoanalysts especially qualified for the training of psychoanalysts. On occasion, psychoanalysis is offered by a graduate psychoanalyst.

Theater playwrights, composers, and lyricists interested in sliding-scale treatment at the Horowitz-Sondheim Clinic are encouraged to apply (link below). While treatment is not free, no one will be turned away as a result of financial limitations. The fee will be mutually agreed upon after a review of the individual's financial situation. Please indicate whether you are interested in obtaining psychotherapy (once or twice a week, typically), psychoanalysis (four or five times a week), oi psychological testing. Note that for psychoanalysis, at least two of the sessions must be conducted in person.

You may download a printable application for Adult Psychotherapy, Psychoanalysis, and/or Psychological Testing.

DOWNLOAD THE PDF

[1] Secrest, Meryle. (2011). Stephen Sondheim: A Life. Penguin Random House.


* Those who are not lyricists, composers, or playwrights of the theater can still receive affordable treatment by applying directly to the NYPSI Treatment Center at https://nypsi.org/find-treatment/

Snowdance 2027 seeks 10-minute plays

Website

Deadline: October 9, 2026

Entries may be emailed to snowdance@overourheadplayers.org. 

Email scripts (pdf format) to: snowdance@overourheadplayers.org

*Alternately* Mail Submissions to:

SNOWDANCE
c/o Sixth Street Theatre
318 Sixth Street
Racine, Wisconsin 53403

Any questions can be directed to us by e-mail at: snowdance@overourheadplayers.org. Or call the Box Office at (262) 632-6802.

1) Competition is open to original 10-minute or shorter plays free of royalty and copyright restrictions. Submission is considered to be approval to produce the piece with stated royalty if selected for production in the Snowdance® Festival. Musicals, adaptations, and translations will not be considered.

2) Plays must run 10 minutes or less. A rule of thumb: 1 page (8 1/2 x 11) of single-spaced, average dialogue will total about 90 seconds. Read it out loud - time it - test it - and re-write if need be.

3) Submissions must be emailed or postmarked on or before October 9, 2026.

4) Scripts should follow the standard format (Check any script writing book in your library). If mailing a physical copy, manuscripts must be on standard 8-1/2” x 11” paper, cleanly typed and securely bound.

5) Plays can have a cast of 1 to 4 characters and should be easily staged. Avoid any elaborate set requirements. And remember it is a 'COMEDY FESTIVAL'.

6) The writer's name, address, phone number, and e-mail address should be included on the title page only. The title page should also include a cast list, set requirements, and a 1-3 sentence synopsis of the play.

7) Submit one (1) copy of your script.

* Plays selected for the festival will be produced by Over Our Head Players.

Monday, September 28, 2026

FALL 2026 Online Classes in Writing the Ten-Minute Play with Arianna Rose

Online classes in Writing the Ten-Minute Play are open for pre-enrollment. The payment window opens October 9th.  

"Writing for the Stage: The Ten-Minute Play"

Six Sessions, 3 hours each:

1. Thursdays, 1:00 – 4:00 pm  OR 6:30 – 9:30 pm  EDT    October 15 – November 19 
 
2. Mondays, 1:00 – 4:00 pm OR  6:30 – 9:30 pm EDT   October 12 – November 16

Tuition: $299 early bird through 10/10; $349 after
Course Repeaters Tuition: $175

Minimum 3 participants per section; maximum 8.

Recent Participant Testimonials:

““Arianna’s mastery of the 10-minute play form is undeniable, and her passion for the craft is contagious… The “writer’s group” portion of the class became a highlight for me; it created a supportive space to share work, give and receive feedback, and learn from one another. Arianna’s organization and commitment to equity in the Zoom room created a safe, thoughtful, energizing space that didn’t just help me write a play—it helped me grow as a writer.”
~ Laura Thoma 

I’ve taken more than a few playwriting classes, both in-person and online, and your class was by far the most productive and useful…I have a newfound appreciation for the plays I’ve read and how to write them, thanks to you.“ 
~ Tom Cocklin, 2-time participant

“I enjoyed the class immensely and learned a lot. I would definitely recommend it to playwrights of all levels. The course was well organized, it's clear you are passionate about the subject, care for your students and have deep knowledge that you are so generous to share…"
~ Jeff Perlman

“Arianna is extremely skilled at sharing insightful, individualized feedback in a supportive environment. Her focus on dramatic structure was particularly helpful, and the course also offered invaluable and specific real world advice for writing and submitting short plays to festivals…"
~ Donna R. Boyd, 2-time participant
Course Description:

Ten-minute play festivals dominate submission opportunities. While short-form plays share similarities with full-lengths, the dramatists who excel in this form write into the differences. You’ll learn the tools to write to the highest level of craft and make your work more producible.

The course combines lecture, reading, discussion, and in-class sharing of your writing for feedback. Topics: elements of a successful 10-minute play, dramatic structure, generating ideas, character development, giving and receiving constructive feedback, effective rewrites, formatting your play, submissions, and log-keeping.

Arianna has taught this course since 2023 at the Dramatists Guild Institute, PlayPenn Theatre, Delray Beach Playhouse, and independently. Her short plays have been presented in 39 states and 12 countries to date; won numerous awards; published in Smith & Kraus Anthologies, Applause Books, Ghostlight Publications, Theatre Odyssey Publications, Purple Light Publications.
 
Contact Arianna Rose at rockawayrose@gmail.com, or via the website where there is more information:

https://ariannarose.net/playwriting-classes-and-other-workshops

Interested but not available?
Email rockawayrose@gmail.com to be added to the mailing list.

One-on-One Private Dramaturgy/Script Consulting
Prefer one-on-one coaching? Member, Dramaturg and Literary Managers Association of the Americas (LMDA) and the Dramatists Guild Plays-in-Progress Mentor Program. More information:
http://ariannarose.net/dramaturg-for-hire

Big Idea Theatre 2027 One-Act Festival

Website

Deadline: October 5, 2026 at 11:59 PM PDT

Sacramento CA

SUBMISSION FORM

This is your chance to see your work come to life on stage and connect with new audiences. Writers of all backgrounds and experience levels are encouraged to submit.

Some Guidelines:
  • Unit Sets work best in our space
  • We aren't equipped to do musicals or children's theatre
  • Plays that run somewhere around or between 20 to 60 minutes are ideal
  • We will choose 6 plays via committee of theatre lovers to be presented as part of the festival from 
  • January 22rd - February 7th, 2026 in Sacramento, CA.
We have produced scripts from all over the world! However, since we are a community theatre, we do give special consideration to works from or connected to the Sacramento Region.

Please only submit one script.

We receive HUNDREDS of scripts! Please be patient while we read them all and get back to you!

UMBRELLAS FOR FISH seeks one-minute plays


Deadline: October 2, 2026

Submission email:  ufjournal@aol.com

HOW TO SUBMIT

1. Prepare your manuscript according to the guidelines above.

2. Include a 50–100 word third-person author bio.

3. In the body of your email, include:

Your full name
Title of the play
Country of residence
The subtheme your play most closely relates to
A brief 1–3 sentence description of the play

4. Attach your manuscript as a DOC, DOCX or PDF file.

5. Name your file:

YOURNAME.docx

6. Send your submission to:

ufjournal@aol.com

SUBJECT LINE FORMAT

ONE-MINUTE PLAY — [TITLE] — [AUTHOR'S NAME]

SUBMISSION GUIDELINES

Submit original work only.
Submit manuscripts in DOC, DOCX or PDF format only.
Use a readable 12-point font.
Number all pages.
Include a title page with the title of the play and author's name.
Scripts should follow standard dramatic formatting where appropriate.
Include a third-person author bio of 50–100 words at the end of the manuscript.
Multiple submissions are welcome (in a single email).
Simultaneous submissions are welcome; please notify us immediately if your work is accepted elsewhere.
Please submit only work for which you hold the necessary rights.


UMBRELLAS FOR FISH
An International Journal of Absurd & Existential Drama

Umbrellas for Fish is pleased to announce a special international anthology of Absurd and Existential One-Minute Plays: ONE MINUTE BEFORE NOTHING HAPPENS

What can happen in one minute?
  • A lifetime can end.
  • A universe can begin.
  • Someone can forget why they entered a room.
  • A chair can refuse to be sat upon.
  • Two strangers can wait for something that never arrives.
  • A person can discover the meaning of life—just in time to forget it.
  • Or, perhaps, nothing happens.
We are seeking original one-minute plays that explore the strange, comic, unsettling, irrational, and deeply human experience of existence.

This anthology celebrates the extraordinary possibilities of theatrical brevity. We invite playwrights to create worlds in miniature—moments of revelation, confusion, silence, contradiction, catastrophe, comedy, and cosmic indifference.

Your play has approximately one minute.

What will happen before nothing does?

THEME & SUBTHEMES

All submitted plays should engage broadly with absurdist, existential, surreal, experimental, or philosophically unsettling theatre.

Writers may interpret the following themes freely and imaginatively.

1. Waiting for Something That Never Arrives
Characters wait—for a person, an answer, a bus, God, death, an announcement, or something they cannot name.

2. The Meaning of Life Is Temporarily Unavailable
A search for meaning meets bureaucracy, confusion, technical difficulties, silence, or an unexpected customer-service representative.

3. One Minute Until the End of the World
The apocalypse is imminent—or perhaps it has already happened, and nobody noticed.

4. Conversations with the Universe
The universe may finally respond. Unfortunately, it may have misunderstood the question.

5. Time Has Stopped, but Everyone Is Late
Clocks malfunction, time repeats, yesterday returns, or characters remain trapped inside a moment.

6. Nobody Remembers Why We Are Here
Identity, memory, purpose, and location dissolve into increasingly uncertain explanations.

7. Instructions for Existing
Characters receive rules for life, consciousness, happiness, breathing, or being human—but the instructions may be incomplete.

8. The Last Ordinary Thing
A familiar object, habit, conversation, or everyday action becomes suddenly strange, impossible, or profoundly significant.

9. Silence Has Something to Say
What happens when silence becomes a character—or when words become less trustworthy than what remains unspoken?

10. The Wrong Person Has Been Chosen to Exist
A bureaucratic, cosmic, or administrative error has occurred. Someone may have been given existence by mistake.

11. Exit Signs Point in Different Directions
Characters attempt to escape a room, a relationship, a memory, a role, a system, or existence itself.

12. Everything Is Fine, Except for Everything
Ordinary life continues despite an unnamed catastrophe, an impossible situation, or the slow collapse of reality.

13. A Small Eternity
One minute becomes endless. A brief moment expands into repetition, memory, regret, anticipation, or infinity.

14. The Things We Cannot Explain
Something impossible happens, and everyone attempts to explain it—making the situation increasingly incomprehensible.

15. One Minute Before Nothing Happens
  • The central theme of the anthology.
  • Something is about to happen.
  • Or perhaps something has already happened.
  • Or perhaps nothing is happening at all.
  • The characters may be waiting for a beginning, an ending, a revelation, a disaster, or a moment that never arrives.

WHAT WE ARE LOOKING FOR
  • We seek original one-minute plays that are:Absurd, existential, surreal, experimental, or darkly comic
  • Theatrically imaginative and stageable
  • Concise but emotionally, intellectually, or philosophically resonant
  • Bold in form, structure, voice, or theatrical logic
  • Strange for a reason—not merely random
  • Open to ambiguity, contradiction, uncertainty, and unanswered questions
  • Memorable enough to leave an impression long after sixty seconds have passed

We welcome:Monologues
  • Dialogues
  • Ensemble pieces
  • Experimental dramatic fragments
  • Non-linear theatre
  • Surreal theatrical situations
  • Dark comedy
  • Minimalist drama
  • Meta-theatre
  • Unconventional forms of dramatic writing
We are particularly interested in plays that take creative risks and demonstrate a strong sense of theatrical possibility.

SUBMISSION LENGTH
Each play should be designed to be performed in approximately one minute.

Maximum Length: 2 pages

There is no minimum or maximum number of characters.
A play may contain dialogue, silence, movement, stage directions, or any combination of theatrical elements.


Response Time
Approximately 1–2 weeks

Publication Date
OCTOBER 15, 2026

FEE
There is no reading fee, submission fee, or publication fee.


RIGHTS

If a work is selected for publication, the playwright retains all intellectual property, copyright, and performance rights to the work.

By accepting publication in ONE MINUTE BEFORE NOTHING HAPPENS: A Special International Anthology of Absurd & Existential One-Minute Plays, the author grants Umbrellas for Fish non-exclusive permission to publish the work as part of the anthology.

All rights remain with the author following publication. Authors remain free to reproduce, perform, publish, or republish their work elsewhere, provided that first publication in ONE MINUTE BEFORE NOTHING HAPPENS is acknowledged where appropriate.


PAYMENT
  • Umbrellas for Fish is currently a non-paying market.
  • As an independent literary journal and publishing initiative operating without grants, institutional funding, or regular donations, we are presently unable to offer royalties, honoraria, or other forms of monetary compensation to contributors.
  • Authors whose work is selected for publication will receive publication credit and international exposure through the anthology.


EDITORIAL VISION

Umbrellas for Fish is devoted to theatre that embraces uncertainty.
We believe that theatre does not always need to provide answers.
Sometimes a question is enough.
Sometimes a contradiction is enough.
Sometimes a person standing in an empty room, holding an umbrella over a fish, is enough.

With ONE MINUTE BEFORE NOTHING HAPPENS, we want to explore what theatre can accomplish in the smallest possible spaces.

A minute can contain:
A beginning.
An ending.
A joke.
A catastrophe.
A confession.
A silence.
A universe.
Or nothing at all.

We welcome playwrights from all countries, backgrounds, and stages of their careers. We are especially interested in amplifying voices and theatrical perspectives that have been underrepresented in the dramatic canon.

YOU HAVE ONE MINUTE.
MAKE SOMETHING HAPPEN.
OR DON'T.

ONE MINUTE BEFORE NOTHING HAPPENS

A Special International Anthology of Absurd & Existential One-Minute Plays

PUBLICATION DATE: OCTOBER 15, 2026

Sunday, September 27, 2026

The International Human Rights Art Festival seeks 10-minute plays

Website

Deadline: September 30, 2026

New York NY

Seeking 10-minute, 2-character (only) plays, on any human rights concern, to be a part of a special event at this year's International Human Rights Art Festival (December 12, 2026).

Five playwrights will receive $50 each and two comp tickets to see their play produced.

The International Human Rights Art Festival is pairing with And Scene to present a unique evening of theater on Saturday, December 12, 2026, 7 pm at the Wild Project, as part of a yearly Festival. The show will be followed by a party.

Specifically, And Scene Producer Mick Szal will bring together New York's top improvisers and actors from Broadway, TV and beyond perform scenes. The catch: one of the actors will be "on (your) book," while the other will be completely improvising. The actors will know their lines and the improvisers will improvise with no prior knowledge of the scenes. (The format was inspired by Stephen Rudy and was originally performed under the name "Gravid Water" at UCB.)

Please send your 10-minute, 2-character play WITH NO ATTRIBUTION (BLIND SUBMISSIONS ONLY) to hello@humanrightsartmovement.org, with the subject line of your email with your last name_play title (Beckett_WaitingForGodot) for consideration.

Deadline September 30, 2026. All decisions by November 1.

Saturday, September 26, 2026

The script doctor is in the house! 🩷

Sarah Congress is an award-winning playwright and script doctor for film, TV series, theatre, and fiction here to help YOU take your script to the next level. She provides a fun, nurturing, therapeutic, environment to best suit your individual writing needs.


Script Services:
  • Help clients fine-tune their scripts
  • Offer rewrite suggestions to help tighten and polish your story
  • Improve dialogue
  • Punch up jokes and suggest opportunities for humor 
  • Help you learn how to HOOK a reader's interest 
  • Assist in finding submission, production, and publication opportunities 
Group Classes:
Sarah Congress is an award-winning comedic playwright represented by Anthony Tall in Los Angeles. She is also a script doctor for film, television and theatre. Her play Dubai Chocolate is one of three new plays accepted in the 2026 All Exits New Jersey Play Lab Statewide Play Reading Series and will be produced this November at River Union Stage. Her romantic period piece Last Sunrise was produced by NYLon Fusion Theatre Co. in their Gilded Cage play festival June 2025 at TADA. Last Sunrise was presented with writers: John Patrick Shanley, Lyle Kessler (Orphans) and Migdalia Cruz (Fur). Her ten-minute play Overdose won 2nd place for BEST SHORT in the 2023 Downtown Urban Arts Festival at Playwrights Horizons.

Visit Sarah's website to learn more and connect.

Women's Work Short Play LAB '27

Website

Deadline: September 30, 2026 by 11:59 PM

SUBMISSION FORM

New Perspectives Theatre Company's WOMEN’S WORK LAB for short plays provides a supportive and nurturing environment to emerging and mid-career women playwrights while maintaining a rigorous feedback process that leads to production within six months.

Six playwright members are selected each year, along with a similar number of directors. The LAB meets monthly (the second Sunday) from February through June, allowing for time in between sessions for writers to continue to develop and revise their work in response to specific feedback from the dramaturgical team. Members are expected to bring work to each session beginning with the development of an original short play based upon an assigned theme.

Monthly feedback from the directors/dramaturgs focuses on the nuts and bolts of creating a 20-30 minute script ready for production. In a process unique to NPTC, feedback is given in a unified manner so playwrights do not have conflicting advice about what to work on, and so that the script moves forward according to NPTC's instructions as the producing entity. This approach creates a collaborative group from which members can draw inspiration and energy while modeling professional standards. Scripts are then produced in our annual MEGANNE GEORGE Women's Work Short Play Festival.

Applications are due by September 30, at 11:59 pm. Finalist interviews take place early December. The final cohort will be selected no less than two weeks after the finalist interview.

If you have any questions, please e-mail sp-apps@newperspectivestheatre.org

Friday, September 25, 2026

Playwrights First submission window open

Website

Deadline: September 30, 2026

Overall, we look for:
- Imagination and originality in both style and subject or point of view.
- Characters that intrigue and move us.
- A compelling action revealing the human condition.
- Theatricality inherent in the above.​

Rules:
One, single full-length play per playwright in English from anywhere in the world.
Not produced full-scale prior to submission. Readings, workshops, and college productions are acceptable.
No joint authorships, adaptations, translations, musicals, or shorts.​

​Award:

$1,000 first place.
Award listing of playwright and play title on our website.
Professional reading in NYC when feasible.

SUBMISSION INSTRUCTIONS

In a single email provide the following 3 documents described below (Items A, B & C). Please make sure each document is its own separate PDF document, and include all 3 PDFs in the same email (as file attachments) to:
Playwrightsfirst1st@gmail.com
Note: This address is for submissions only.

Item A) Playscript in PDF format. The play should follow standard playwrighting convention and include a cover page, a character list/breakdown, page count, etc. Please, name your file using this format:Your Last name TITLE OF PLAY.pdf (Example: Shakespeare TWELFTH NIGHT.pdf)Note: The TITLE of the play is in ALL CAPITAL LETTERS

Item B) Playwright/Production Resume, CV, or Narrative Biography in PDF format. Name your file like this:Your Last name RESUME.pdf (Example: Shakespeare RESUME.pdf)Note: RESUME is in ALL CAPITAL LETTERS

Item C) Brief (3 paragraphs max) Summary of play in PDF format. At the top of your page, please provide your full name and the full title of your play. Name your file like this:Your Last Name SUMMARY.pdf (Example: Shakespeare SUMMARY.pdf)Note: SUMMARY is in ALL CAPITAL LETTERS

IMPORTANT NOTE: Paper copies will not be accepted. PDF format ONLY.

PLEASE, BE CERTAIN TO USE THE CORRECT NAMING CONVENTION FOR EACH FILE (follow examples above). THIS YEAR, SUBMISSIONS NOT FOLLOWING OUR REQUESTED NAMING CONVENTIONS WILL NOT BE ADMITTED.

Each file MUST begin with your last name. Please leave one space after your last name -- do NOT use a dot, a dash, an underline. Please do NOT abbreviate the name of your play. Please do NOT use your first name. Please do not use your initials. We appreciate your attention to this detail as it helps our staff keep your materials organized.

Thursday, September 24, 2026

Call for new works by Latina/e playwrights

Website

Deadline: September 25, 2026, at 5:00 PM (PDT)

Portland Oregon

CLICK HERE TO SUBMIT FOR MUNDO DE LAS MUJERES NEW PLAY READING FESTIVAL

Call for new works by Latina/e playwrights to receive a staged reading during Mundo de las Mujeres in March 2027

Milagro is pleased to announce the Mundo de Mujeres New Play Reading Festival, a celebration of new works by Latina/e playwrights as part of Milagro’s annual Mundo de Mujeres Women’s History Month Festival. This festival seeks to amplify Latina/e voices and stories exploring themes of womanhood, gender, sexuality, family relationships, identity, motherhood, sisterhood, and other experiences central to Latina/e communities.

The festival will feature staged readings of three new plays in varying stages of development, presented on the first three Wednesdays of March 2027 (March 3, 17, 24). Selected playwrights will receive an honorarium and a staged reading featuring a director, dramaturg, and a cast of local professional actors, providing an opportunity to hear their work in front of a live audience and continue its development.

Submission Timeline

Submission Deadline: September 25, 2026, at 5:00 PM (PDT)
Selected playwrights will be notified by early January 2027.
Casting will take place throughout January and February.
Rehearsals will occur during the week leading up to each respective reading.

Applicants must meet the following requirements:
  • Open to playwrights who identify as Latina/e.
  • Original full-length plays only (approximately 70–120 minutes).
  • Scripts may be written in English, Spanish, or be bilingual.
  • Preference will be given to plays requiring six actors or fewer.
  • Plays requiring more than six actors should include the playwright’s preferred doubling plan.
  • Playwrights are permitted to submit multiple scripts
  • Plays that have received, or are scheduled to receive a full professional production that premiers before September 2027 are not eligible.
  • Playwrights are strongly encouraged to attend their reading and participate in post-reading discussions, if possible.

Submission Requirements
A PDF of the script formatted according to the Dramatists Guild of America Traditional or Modern Play Format.
A playwright biography (maximum 90 words).
A play synopsis (maximum 150 words).
A brief development history, if applicable.

If you have questions, please contact mia@milagro.org.

Invisible Theater seeks monologues for Fourth Annual Going It Alone

Website

Deadline: October 1, 2026

SUBMISSION FORM

Tuscon Arizona

Submissions are now open for Invisible Theatre's 4th annual all-monologue show: GOING IT ALONE!

The show is a collection of monologues chosen from submissions. We celebrate the unique challenge of writing for a solo performer and performing solo.

Must be a solo piece Must be a standalone monologue. Not a monologue taken from a full-length play you've written.

• Open to all playwrights worldwide

Performance of piece must be less than 6-7 minutes. No exceptions.

Any topic

1 submission per playwright permitted

10-12 monologues will be selected.

Small honorarium paid to chosen playwrights. Selected monologues will be cast, performed and directed by Tucson theatre artists in June 2027

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