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Saturday, May 9, 2026

Equity Library Theater of New York Summer 2026 Play Festival

Website

Deadline: June 1, 2026

SUBMISSION FORM

Submissions are now being accepted for the Equity Library Theater of New York Summer 2026 Play Festival. Seeking short plays (no more than 10 pp/minutes), from playwrights from around the town and around the globe. Also seeking monologues (no more than 4pp/minutes). Musicals welcome! One submission per playwright. No submission fees. Please include name, address, telephone number and email address on your submission. We do not produce your work; we provide a venue in Manhattan for you to present actors performing your play.

There are no costs involved for anyone. Seeking actors and directors, too! Submit by June 1st, 2026. 

Friday, May 8, 2026

The Ryan Hudak LGBTQ+ Dramatic Writing Award 2026

Website

Deadline: June 16, 2026 5PM

SUBMIT VIA SUBMITTABLE

The Ryan Hudak LGBTQ+ Dramatic Writing Award is open to New York State playwrights and screenwriters, including those who live within the five boroughs of New York City.

Applicants must:
  • Be a working playwright or screenwriter. Acceptable forms of playwriting or screenwriting include stageplays, screenplays, teleplays, libretti, radioplays, audiodramas, puppet plays, and experimental web series. While librettists may apply, audiotapes are not eligible.
  • Self-identify as LGBTQ+.
  • Be a current full-time resident of New York State for a minimum of 12 months at the time the application closes.
  • Be the originators of the work, i.e. screenwriters or playwrights, not interpretive artists such as actors. Collaborations are not eligible.
  • Be at least 25 years of age at the time the application closes.
  • Not be enrolled in a degree-seeking program of any kind.
  • Not have received The Ryan Hudak LGBTQ+ Dramatic Writing Award previously. Past recipients of other NYFA grant programs are eligible to apply.
  • Not be a NYFA employee, members of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the above.

Tuesday, May 5, 2026

Jersey Central Theatre Company seeks plays involving New Jersey history

Website

Deadline: May 29, 2026

Please email scripts along with a short cover note by May 29th to jerseycentraltc@gmail.com

Jersey Central Theatre Company seeks new scripts of plays or screenplays (finished or in progress) involving New Jersey history for consideration for a staged reading, to be presented in celebration of the country’s Semiquincentennial, on Sunday afternoon, August 2nd at the Patricia M. Kuran Cultural Arts Center in Fanwood, NJ. 

The reading will be produced with professional actors under the AEA 29-Hour Reading Agreement. Ideally, scripts should be full-length or long one-acts (approximately 30 – 60 minutes) with a cast of 5 or less. 

We are especially seeking new works by regional area writers, as we prefer to have authors in attendance to participate in a talk-back/Q&A with the audience following the performance. 

There will be a $50 stipend paid to the selected author. 

Monday, May 4, 2026

Lakewood Playhouse FESTIVAL OF NEW VOICES 2026

Website

Deadline: May 18, 2026
We are only able to accept the first 100 entries

Do not send they have closed submissions.

Following the overwhelming success of our inaugural new writing festival last year, Lakewood Playhouse is delighted to announce the return of the Festival Of New Voices and submissions are now open!
​
We are seeking exciting new works that celebrate new voices and diverse perspectives for our 2026 festival. Up to six new works will be selected by a team of local arts professionals to be given readings during the festival in July. These readings are developmental in nature and should be seen as works in draft. A playwright and cast talkback will follow each staged reading.

Submission Guidelines:
1. Submissions must be new theatrical works.
2. Musicals will be accepted but must contain original compositions and nothing that requires external licensing.
3. Scripts must be completed drafts. No incomplete drafts or treatments.
4. Submissions must be unproduced and unpublished. Previous readings and/or workshops are acceptable.
5. The playwright(s) must be the sole owner of the script copyright.
6. Submissions are limited to one work per playwright.

Submissions must include the following:

The SCRIPT, including on the cover:
- NAME OF PLAY
- PLAYWRIGHT'S NAME(S)
- CONTACT INFORMATION (Address, Phone Number, Email Address)

Supporting materials:
- COVER LETTER (including full contact details)
- BIO OF PLAYWRIGHT(S)
- SCRIPT SUMMARY (Character Breakdown, Setting, Time Period)
- A QUESTION YOU HOPE THE READING WILL ANSWER ABOUT THE WORK

All files should be in PDF format.

Due to the high volume of submissions expected, we are only able to accept the first 100 entries. Any submissions that do not contain all of the elements listed above will not be eligible for consideration.

Submission Deadline: May 18th, 2026
Rehearsal Dates: June 29th-July 14th, 2026
Festival Dates: July 15th-19th, 2026

Email submissions to newvoices@lakewoodplayhouse.org by May 18th. The deadline may close earlier if our submission limit is reached.

The Kleban Prize for Musical Theater 2026

Website

Deadline: May 15, 2026 at 11:59pm EDT


LYRICIST SUBMISSION FORM

Edward Kleban, the lyricist of A Chorus Line and other extraordinary works, created the Kleban Prize in his Will, which is given annually to writers of extraordinary promise – to a librettist and a lyricist, respectively. Kleban designed the prize based on his personal experience as a promising writer. He was acutely aware that, though composers and musicians may often work within the theater, lyricists and librettists generally have to work outside the theater in order to support their writing. He wanted a prize of sufficient size to allow promising writers the time to simply write; his creation of the prize flowed from his desire to help other worthy artists like himself.

The prize is administered by New Dramatists on behalf of the The Kleban Foundation, Inc. Board of Directors. To ensure a robust and equitable adjudication, applications (including work samples) are submitted and reviewed blind by an independent panel of musical theatre artists and industry leaders. The Kleban Foundation Board sets the amount of the Prize annually. In recent years, a sum of $100,000 in each category has been paid in two annual installments to Prize recipients.

Eligibility

Kleban’s instructions, as interpreted by the Board, specify that applicants must meet either of the following criteria: 1) The applicant must previously have received a production of one of their works on a stage or in a workshop performance; or 2) The applicant must be or have been a member or an associate of a professional musical workshop or theater group, i.e., ASCAP, BMI Theater Workshop or the Dramatists Guild Fellows Program.Any individual whose work has been performed on the Broadway stage for a cumulative period of two years prior to the opening of the application window is not eligible. In the case of multiple Broadway productions, the sum of the lengths of the runs must not exceed two years.

If the material is co-written (written by more than one lyricist or more than one librettist) all writers must apply as a team. (This does not include the composer unless s/he has also contributed lyrics or text.) Each applicant must be eligible in their own right to apply.

Applicants may apply in both categories, but must submit a separate application for each category and may win in only one such category.

Applicants may only apply once per category per year.

Applicants may win in only one category.


Application Materials

Submissions are coded and reviewed blind. The name(s) of the writer(s) must NOT appear on any submission materials, including in the file names or file author information. Do NOT include hyperlinks in your files. Failure to meet this requirement may render the applicant ineligible. Only work from musical theater will be considered. Materials must be in English.

LYRICIST CATEGORY

Submissions must include lyrics for a minimum of five and a maximum of eight songs.
The lyrics may be from one or various shows.
Audio files/recordings of each song are strongly encouraged but are not necessary. Acceptable formats are mp3, ogg, and wav.

LIBRETTIST CATEGORY

Submissions may consist of a full-length musical book, or one act from two separate shows.
Lyrics should be included in the libretto even if they were written by someone other than the librettist.
Submission files must be in either word or PDF formats. Audio files are not accepted in the librettist category.

Application Step-by-Step

You will no longer be required to have an account on the New Dramatists website to complete a 2026 application.

It is in your best interest to prepare your materials for upload in advance, and to complete the application in one session. Your progress will be saved automatically if you continue in the same browser, but there is not an option to save.

1. Click the appropriate button below to begin your application. If you are applying in two categories, simply return to this page.

2. You will be asked to confirm you are eligible to apply. In the text field you must provide details substantiating your eligibility. Optionally, upload a resumé.

3. Fill in your full name, address, phone number and email address. If you have a co-lyricist or co-librettist, enter their information here.

4. For a Lyricist application, upload a text document for each song. You will also have the option to upload audio files for each song. For a Librettist application, upload your Musical text file. If you are submitting two acts from separate musicals they must be combined into one file. DO NOT INCLUDE YOUR NAME ON ANY OF THESE SUBMISSION MATERIALS.

5. Check the box that you have read and agree to our Privacy Policy, and click “Submit Your Application” to complete the process. You will receive a confirmation that your application has been received.

Sunday, May 3, 2026

The People’s Theatre is seeking playwrights for the New Horizons Reading Festival

Website

Deadline: May 15, 2026
or when 100 submissions are received

SUBMISSION FORM

The People’s Theatre is seeking playwrights whose work engages with stories, experiences, and perspectives that have been historically underrepresented in the American theatre. We are especially interested in uplifting work that reflects the voices and lived experiences of immigrants, People of Color, Black, Indigenous, and LGBTQIA+ communities, while welcoming applications from playwrights of all backgrounds.

ELIGIBILITY:
  • The applicant must have completed at least 1 full-length play or at least 2 one-act plays.
  • Local NYC and its surrounding areas. If not living in the NYC metropolitan area, you must be willing to travel to NYC for in-person sessions.
  • Must be available to attend in-person workshops and Reading Festival.
Three playwrights will be chosen to develop new plays each under the mentorship of award-winning playwright Marco Antonio Rodriguez. The culminating plays will be showcased at New Horizons Play Reading Festival in December 2026, for inaugural season at our new brand new home The People’s Theatre: Centro Cultural Inmigrante - at 419 West 206th Street, New York. We would like the program and the New Horizons Play Reading Festival to align with the themes of Purpose, Home and Belonging.

YOU WILL RECEIVE:
Ongoing Support to Develop Your Play: 
  • Develop your work-in-progress into a 90 min play in workshops led by award-winning playwright Marco Antonio Rodriguez.
  • Actor Readings and Feedback: 
    • Have actors read your latest writing during workshops and receive supportive feedback.
  • Insight on the business of show business and resources to access: 
    • Gain show business insights and resources from well-recognized industry members to advance your career.
  • Director and Actors for Staging: Have your play directed and staged by professionals.
  • Showcase your work: Present your play at New Horizons Play Reading Festival at our new brand new theater The People’s Theatre: Centro Cultural Inmigrante.
  • Industry Professionals: We invite agents and industry professionals to attend your play reading.
  • Shared Dinner: Enjoy meals provided during each in-person workshop
  • Compensation includes a $1,500 participation award and a $100 commuting stipend
The People's Theatre will receive:
  • The right of first refusal to produce the selected plays within three years.
SCHEDULE:
Developmental Workshops
  • 8/11/2026, 5:30-8:30pm (In-person)
  • 8/25/2026, 5:30-8:30pm (In-person)
  • 9/8/2026, 5:30-8:30pm (In-person)
  • 9/22/2026, 5:30-8:30pm (In-person)
  • 9/29/2026, 5:30-8:30pm (In-person)
  • 10/13/2026, 5:30-8:30pm (Zoom)
  • 10/27/2026, 5:30-8:30pm (In-person)
  • 11/3/2026, 5:30-8:30pm (In-person)
Location: The People's Theatre, 419 W 206th St, New York, NY 10034

New Horizons Reading Festival
Nov 30- Dec 6, 2026

Each play will receive 10 hours of rehearsal over two days, culminating in two public staged readings.

Venue: The People's Theatre Studio Theatre

Reflection meeting
1/26/2027, 5:30-8:30pm, Reflection (In-person)

SUBMISSION SCHEDULE
May 15, 2026: Submissions Close, or when 100 submissions are received
The week of June 22, 2026: Finalists invited to online interviews
The week of July 13, 2026: Participants Selected

For any questions regarding The People’s Theatre Playwrights Unit 2026, please email sinny@peoplestheatreproject.org.

Ruby Slippers Theatre CALL FOR SUBMISSIONS ADVANCE THEATRE FESTIVAL: 2026/27

Website

Deadline: May 15, 2026

Open to anybody but they give preference to people in the Vancouver area.

For over ten years, Ruby Slippers Theatre’s Advance Theatre Festival has developed and showcased five dramatic readings over five days of new works written and directed by equity-deserving artists. Many of these plays go on to be fully professionally produced.

If you are a playwright and your play is chosen to participate in the Advance Theatre Festival, Ruby Slippers Theatre, in partnership with The Shadbolt Centre for the Arts, will cover the costs of all rehearsals prior to the day of the reading, your technical rehearsal, promotion, theatrical venue, and all artists’ fees.

If you are a director interested in participating, please submit your resume and cover letter for consideration.

Playwrights: please send your play synopsis, brief bio, and a maximum fifteen-page script excerpt to info@rubyslippers.ca by May 15, 2026. 

One submission per person, please. Successful candidates will be notified by June 15, 2026.

The 2026/27 Advance Theatre Festival will take place in January/Feb of 2027. Exact dates TBD.

Our Curator for ATF 26/27 is Faly Mevamanana. You can read about her here: https://www.rubyslippers.ca/about/artist-in-residence-2025-2026/

Priority will be given to inclusivity, considering all cultural backgrounds, orientations, identities, abilities, and ages.

The Advance Theatre Festival is brought to you by Ruby Slippers Theatre in partnership with The Shadbolt Centre for the Arts and Playwrights Guild of Canada. It takes place in Vancouver, B.C., on the unceded lands of the Coast Salish People.

Saturday, May 2, 2026

The Peoples Improv Theater seeks productions for Spring/Summer 2026

Website

Deadline: none given

SUBMIT VIA GOOGLE FORM

The PIT is holding an open call for scripts to program in one of its four spaces. Available for readings, workshops, or fully staged plays/musicals!

The length of plays wanted: 10 minutes to 90 minutes

Access to venue, tech time marketing, front of house team, and ticketing. Space to present your latest work and invite your community

We also recommend you include the following: 

The playwright may submit more than one play.

Friday, May 1, 2026

THE TENS FESTIVAL 2026 seeks 10-minute plays

Website

Deadline: May 23, 2026 at midnight EDT

Email Scripts to: Pancho@ParishPlayers.org 

Email Subject Line: Use the title of the play as the subject line of your email. 

File name: Name your PDF with the title of the play, a hyphen, and your own last name,
e.g. Hamlet-Shakespeare.

Types of Plays: Comedies or Dramas must be no more than 10 minutes in length.

Setting: Simple; the festival will offer 6 to 8 plays, and minimal set changes are required.

Notification of Selection: No later than June 20th, 2026.

Performance Dates: October 2026.

Producer: Beata Isaacs Randall

How to submit your script:

File format: PDF ONLY!

Please Note: No more than one script per playwright. We prefer new, unproduced plays; however previously produced and already published original plays will be considered. We will also give preference to "local" (New England) playwrights.

Questions? Email Pancho@ParishPlayers.org using the subject line: TENS QUESTION.

Wednesday, April 29, 2026

LOL Short Play Comedy Festival 2026

Website

Deadline: May 8, 2026 11:59 PM

SUBMISSION FORM

Now seeking COMEDY pieces from 8 – 15 minutes. If it makes us laugh, it’s fair game! Pieces can be short plays, short musicals, or comedy sketch pieces (can be more than one skit combined).

All pieces submitted must be comedies.

DATES & LOCATIONS: July 16 – 26 2026 The Steve & Marie Sgouros Theatre at The Players Theatre: 115 MacDougal Street, New York, NY 10012 - 3rd floor walk up: 3 weeks, 4 performances weekly (Thursday through Sunday), 5 new plays featured each week. Each play performs four times in its selected week (Week 1 or Week 2). 

 ELIGIBILITY: Short Plays, Short Musicals, Short Comedy Sketches (minimum 8 minutes, can be more than one skit combined) with a performance time of 15 minutes or less, no more than 15 pages in length (not including title page). Writers are eligible to submit up to 2 plays/pieces.

PRIZE: Each week a audience favorite is selected by audience vote. The winner of each week will receive $100 prize. If you are the winner, you must submit a PayPal account to receive your prize. THEME: "LOL" Make it all about the laughs! All pieces must be comedies. 

 1) Playwrights are responsible for producing their own play - Host (us) provides theatre, technicians, marketing and box office. 

2) If selected, there is a $50 NON-refundable tech fee required Pieces MUST be NO MORE 15 minutes in length, which equals approximately 15 pages of script (not including title page). Submissions open: April 10, 2026 Submissions close: May 8, 2026 Piece selection announced soon thereafter (it may take a few weeks after the close of the submission window).

Tuesday, April 28, 2026

Stage Left Theater Queer Voices Festival

Website

Deadline: April 29, 2026


Our ode to pride Month, we are thrilled to present staged readings of queer-written works presenting by our strong and proud LGBTQIA+ community. Lift every voice. Share every story. Shine together.

Open to Queer and Trans writers.

Accepting monologues, short two or three person plays, and songs. All pieces must run no longer than 5 minutes.

Submissions must be original works.

Join us in celebrating the voices, stories, and creative power of the Queer community.

Each piece will be presented with minimalist design of acting blocks and basic wash of lights. Any additional staging elements would be up to the director of each piece to provide. The festivals at Stage Left live somewhere between a full production and a fully staged reading as the focus will be on the words and not the spectacle.

This opportunity will be limited to 14 pieces.

Selection Notification: May 8th, 2026

Performance Dates: June 4th- 7th, 2026

This is an unpaid opportunity, but all playwrights will be provided with a filmed performance of their piece within a month of the show.

Monday, April 27, 2026

Appalachian Festival of Plays and Playwrights 2026

Website

Deadline: May 1, 2026

Please send play and a brief synopsis to:  apfestival@bartertheatre.com

Plays must be written by an Appalachian playwright (currently living in a state that contains the Appalachian Mountain Range— which, for our purposes, run from New York to Alabama.)

OR 

The plays must be set in the Appalachian region.
Plays must be unpublished and must not have had a full professional production.
Plays must be full length.
Plays must be submitted electronically.

Six new Appalachian plays are chosen from the submissions to be given public readings by Barter’s company.

The playwrights are brought in at the beginning of the festival week to be a part of the rehearsal process. Each play is given about 8 hours of rehearsal time with the focus being on clarity of story.

After each reading, there is a moderated discussion between a panel made up of three regional theatre professionals and, most importantly, the audience, for their feedback. That way, the playwright receives feedback from three separate groups: artists, panelists, and audience.

Playwrights have found this to be a very useful step in developing their plays, as well as a wonderful opportunity to meet other artists, make new friends, and enjoy the beauty of Southwest Virginia!

AFPP 2027 Submission Deadline: May 1st, 2026

Sunday, April 26, 2026

Surfside Playhouse Readers’ Theatre - CALL FOR 10-MINUTE PLAYS & MUSICALS

Website

Deadline: May 1, 2026
Only the first 100 submissions will be considered

NOTE: they are no longer accepting "straight plays" - only musicals will now be accepted from now until May 1.

Summer Stories – Readers’ Theater

Submit to: NancyMaticanBock@gmail.com

Surfside Playhouse is seeking summer-themed 10 minute scripts for an upcoming Readers’ Theater production.

Musicals strongly encouraged. Plays welcome.

Theme examples include:
beach days, vacations, summer camp, family reunions, Memorial Day, July 4th, Labor Day, road trips, romance, friendships, coming-of-age moments, bonfires, sunshine, and more.

Submission Window: April 20 – May 1

One submission per playwright

Requirements:

• 10 minutes max
• 6 characters or fewer
• Title page with playwright name, email, city
• Musicals must include book, music, lyrics (with cities)
• First page must include character breakdown + 2–3 sentence synopsis
• Musicals must include score + demos (with and without vocals)

Selected works will be presented as part of Surfside Playhouse Readers’ Theatre on May 30th at 2pm in Cocoa Beach.

Go Try Play Write April 2026

Website

Deadline: April 30, 2026

SUBMISSION FORM

We're proud to announce a new monthly playwriting contest in collaboration with Bamboo Ridge Press. Every month, Kumu Kahua's artistic director Harry Wong III will select a writing prompt on the first day of that month. We're looking for 5-page monologues or 10-page scenes based on that prompt; the due date for submissions are always the last day of the month. All entries must be written in traditional play format; instructions on this format can be found here (https://www.dramatistsguild.com/script-formats), courtesy of the Dramatists Guild.

There will be one winner each month. Scripts will be submitted to the judges anonymously. Winners will receive $100 and a subscription to Bamboo Ridge Press. Woo!

The prompt for April 2026 is an “Are you ready to order, yet?” prompt:

Write a 10-page maximum scene or an eight-page maximum monologue about a restaurant where the food is great, but the service sucks. It could be a sit-down restaurant, plate lunch counter, food truck — wherever you go buy food that you no can resist. (This prompt was inspired by the cast of Blu’s Hanging!)


Saturday, April 25, 2026

Nomad Theatre seeks 6-10 short plays set in a bar

Website

Deadline: April 27, 2026

SUBMISSION FORM

Nomad Theatre seeks 6-10 short plays to be a part of our upcoming show in August 2026. Submissions will open on March 2nd and closes on April 27th, 2026, at midnight. Selected playwrights will receive notification by June 30th. If you have not received notification from us by that date, we did not choose you for the production.

Nomad Theatre returns to its roots with the Bar Plays.

A bar is a special kind of crossroads...a place where strangers become confidants, where regulars guard their favorite stools, where celebrations and heartbreaks unfold under the same low light. It’s a sanctuary, a confessional, a stage for small truths and big revelations.

Pull up a chair and take a glimpse into the lives of characters navigating conversations, secrets, and emotions within the intimate confines of a local watering hole. Belly up to the bar for an evening of short plays that all take place in “The Bar”, where anything can happen, and often does.
Selected plays must take place in a bar. We encourage you to use the space creatively. They must be unpublished and unproduced at the time of submission.

This call is open to all playwrights worldwide. Selected playwrights receive a $25 honorarium, full production of their show and a ticket to attend. We encourage anyone to submit, even if you’ve never written a play. We want to support underrepresented playwrights, including women, LGBTQIA+, BIPOC, disabled, neurodiverse, etc, and encourage you to submit.

Entries will be judged on the following criteria:
  • How well it meets the theme of the Bar
  • Overall writing quality (Plot - we like different or quirky, weird, out-of-the-box theatre; Character Development; Dialogue)
  • Suitability for our actors and space - low tech, 1-4 characters, flexible castingSubmission 

Guidelines:
  • One submission per playwright
  • A running time of 10-12 minutes long, or roughly 8-15 pages
  • A cover page should include the title, the playwright’s name, contact information, a brief synopsis, and character descriptions.
  • Pages should be numbered.
  • Minimum of 1, maximum of 4 actors (characters may be double cast)
  • Label your document as TITLE OF PLAY_LastName
  • Must take place in a bar.
  • No musicals.
We suggest formatting similar to the Dramatist Guild Guidelines: https://www.dramatistsguild.com/sites/default/files/2020-01/General-SFI-Formatting-Guidelines-Complete.pdf

If you have questions or need any accommodations for submission, please email nomadtheatresubmissions@gmail.com

Nomad's mission is to provide an immersive theatre experience by exposing audience members to eclectic and moving stories, taking theatre outside of a traditional theatre space and into site-specific locations.

Friday, April 24, 2026

Tiny Beautiful Letter Project

Website

Deadline: May 11, 2026 by 7:00 PM (PDT)

SUBMISSION FORM

We invite you to take part in a meaningful, community-wide initiative inspired by the Pulitzer Prize-winning Rabbit Hole by David Lindsay-Abaire and our production of it, as part of our Immersive Experience program, which seeks to highlight and explore the key themes of each production.

Through the Tiny Beautiful Letter Project, we are collecting anonymous letters that are raw, vulnerable, and honest, exploring the feelings most people don’t know how to express: grief, death, heartbreak, loss, identity, loneliness, love, and everything in between. Selected letters will be part of a culminating special event, where some may be read aloud to an audience or shared in creative ways.

Submission Guidelines

Stay Anonymous: Do not include personal identifying information; you may sign with a pseudonym or phrase.

Word Count: While there is no strict limit, we encourage letters of at least 500 words.

Be Honest & Thoughtful: Share your truths while being mindful of your words.

Themes We Seek: Grief, loss, resilience, identity, vulnerability, or questions seeking guidance.

Why Participate?
The Tiny Beautiful Letter Project celebrates the beauty and depth of human experience. Your unique contribution will help highlight the small yet powerful connections that sustain us all.

Regardless if you submit or not, we invite you to join us on Saturday, June 6 for the live reading of selected letters and encourage you to also attend a performance of Rabbit Hole and engage with our immersive events.

Together, let’s celebrate the power of storytelling, honesty, and connection.

Together, let’s celebrate the power of storytelling and connection.

Thursday, April 23, 2026

EksenaPH Workshop seeks 10-minute & short plays

Instagram Account

Deadline: April 26, 2026 at midnight

SUBMISSION FORM

Eksena PH Workshop, based in the Philippines, seeks “What If” stories. Original works that explore possibilities, alternate paths, and questions that start with “Paano kung…?”

Fresh ideas, unfinished thoughts, and works-in-progress are very welcome.

SCRIPT GUIDELINES

  • Length: 10–15 minutes
  • Language: Tagalog / English / Regional Language
  • *If Regional Language, please include a Tagalog version
  • Unfinished / Work-in-Progress scripts are highly encouraged
  • Basta never pa na-staged in any form

 WHO CAN JOIN

  • Writers without prestigious awards
  • First-time writers (no experience needed)
  • No age limit
  • Maximum of 3 scripts per writer

Wednesday, April 22, 2026

Applications for the 2026-27 PlayGround-NY Writers Pool are being accepted

Website

Deadline: April 30, 2026

– 25 early-career playwrights as well as 3 alternates will be competitively selected from applications to form the Writers Pool.

– Members of the Writers Pool may submit scripts to be considered as part of the Monday Night PlayGround-NY staged reading series. Four times each season, September through March (see tentative schedule below), PlayGround-NY will announce a prompt and Writers Pool members have just four-and-a-half days to generate an original short script (max. 10 pages) inspired by the prompt. The top six scripts each round will be staged publicly with leading local directors and actors. Those not selected may submit their scripts to Recess for cold readings via zoom (see below).

– From the plays staged throughout the season, up to six will be selected for Best of PlayGround-NY (produced in April 2027).

– Writers Pool members can gain peer feedback on their work by participating in Recess cold readings (one week after each Monday Night PlayGround-NY and generally via Zoom) as well as through a staff one-on-one session (available upon request). New this year, Writers Pool Alternates will have full access to Recess.

ELIGIBILITY REQUIREMENTS AND RESPONSIBILITIES
– Writers must reside within the five boroughs of New York City
– Writers Pool members must commit to submitting for ALL FOUR Monday Night PlayGround-NY events in a given season (see below for schedule, subject to change). Writers failing to meet the eligibility requirements must sit out the remainder of the season and one additional full season. Alternates are asked to submit each round and may be admitted to the Pool should there be an opening during the season.
– The submission of a script to Monday Night PlayGround-NY grants PlayGround-NY the exclusive option to stage the play as part of the Monday Night PlayGround-NY and, should it be so selected, to present the world premiere as part of Best of PlayGround-NY and non-exclusive option to publish the script in a “Best of PlayGround” anthology.
– Current members of the Writers Pool must reapply in order to be considered for the following season.


WHAT TO SUBMIT
– Playwrights must submit a 10-page max, properly formatted script as PDF attachment. Both previously produced and unproduced scripts are eligible. See below for formatting examples.
– The script must have the playwright’s name, address, email and phone number at the top of the first page and include a detailed cast breakdown, and all pages must be numbered.
– The script title must be labeled by Lastname, Firstname_Title (e.g., Shakespeare, William_The Tempest).
– Excerpts from longer works are not accepted but short plays that meet the above requirements and are derived from a longer work are accepted.
– BIPOC, trans/gender-non-conforming & playwrights with disabilities are encouraged to apply.
– Applications must be received by 11:59pm PT on Thursday, April 30, 2026.

To view sample script formats, click the link(s) below.
Submission Format #1
Submission Format #2

WRITERS POOL ANNOUNCEMENT
– Applicants will be notified of selections on or before August 1, 2026.
– Selected writers must attend a mandatory company meeting on Sunday, August 16 (time tbd).

2026-27 SCHEDULE (subject to change)
MNP1 Topic Announced: September 18, 2026
MNP1 Scripts Due: September 22, 2026
MNP2 Topic Announced: October 30, 2026
MNP2 Scripts Due: November 3, 2026
MNP3 Topic Announced: December 18, 2026
MNP3 Scripts Due: December 22, 2026
MNP4 Topic Announced: January 29, 2027
MNP 4 Scripts Due: February 2, 2027

Tuesday, April 21, 2026

Page 73 Development Programs 2027

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Deadline: April 26, 2026 by 11:59 PM ET

SUBMISSION FORM

The following materials must be submitted by 11:59 PM EST on April 26, 2026 to be considered for the 2027 development programs.

A.  Completed Online Application Form (Below) *NOTE: Please have all your PDF documents ready to upload. The work on this form cannot be saved.

B.  Letter of Intent (700 word limit, uploaded as a PDF)
Please introduce yourself and your writing to us in this Letter of Intent. Your letter must answer the following questions:
1. How would the Page 73 development program(s) that you're applying for help you address your current artistic challenge(s)?
2. How would the Page 73 development program(s) that you're applying for help you address your current professional challenge(s)?

C.  A sample from a full script (uploaded as a PDF). Please include the play's character list and a 10-page excerpt. We are open to receiving samples that do not come from the beginning of your play, however please choose consecutive pages.

D.  The full script from which you selected your 10-page sample (uploaded as a PDF)

E.  Playwriting Resume (uploaded as a PDF). Note: We do not wish to receive a bio in place of or in addition to a resume.

Each year Page 73 meets the talented playwrights we work with through this free application.

Page 73 has two development programs available to early-career playwrights through this application. Playwrights may apply for either or both programs as they see fit and are eligible (see below).

1. The Page 73 Playwriting Fellowship

The Page 73 Playwriting Fellowship provides a year of comprehensive support to one early-career playwright who has not received a professional production in New York City (please see eligibility requirements below). Through this program, Page 73 provides artistic and financial resources to this writer as they develop one or more new plays of their choosing. The Page 73 Playwriting Fellow receives an unrestricted award of $20,000, a development budget of $10,000 managed by Page 73 and the Fellow over the course of the Fellowship year, and at least one workshop culminating in a public reading.

The Fellow is encouraged to think creatively about using Fellowship resources to meet concrete goals that might not otherwise be possible. These goals may include, but are not limited to, development of one or more new plays, assistance in building relationships within the New York City theater community, research, and/or travel. Please note that Page 73 does not commit to producing the work of the Fellow. Page 73 also helps the Fellow identify and connect with collaborators, including directors, designers, actors, and dramaturgs.

The Fellow will actively work with Page 73 for the 2027 calendar year. After selection, the Fellow will collaborate with Page 73’s staff to design a plan for the year and establish a timeline for the development work to be done on the new play or plays.

If the Fellow is not a New York City resident, they must be prepared to travel to New York during the Fellowship year in order to fully engage in the opportunities that the Fellowship provides.

Anyone who wishes to be considered for the 2027 Fellowship must submit this application.
2. The Page 73 Writers Group

The Page 73 Writers Group is a yearlong writers group consisting of seven or eight playwrights. Led by Page 73’s Artistic Director and Associate Artistic Director, the Writers Group meets twice monthly on weeknight evenings at our office in Fort Greene, Brooklyn. Each playwright receives a $3,000 stipend for participating. Participants take turns bringing in pages for the group to discuss.

The Writers Group begins in January and meetings run through December; sessions are typically suspended for a period in the summer. Please consult the eligibility requirements below. Page 73 selects participants from individuals we meet through this application process as well as from individuals who have become known to the company through other means.
 
Note: While Page 73's staff may, at their discretion, offer a spot in the Writers Group to a playwright who meets the eligibility requirements but has not submitted an application for the program, anyone who wishes to be considered for the 2027 Fellowship must submit this application.

Applicants for both programs:

1. The applicant must be a US resident at the time of participation;

2. The applicant must have completed at least 2 full-length plays or at least 3 one-act plays;

3. The applicant must have made a commitment to playwriting as a professional goal;

4. The applicant must have never received a production in New York City that is fully contracted with Actors Equity Association and ran for at least four weeks or twenty-one performances;

5. The applicant must not be enrolled in a full-time degree/certificate program at the time of participation.

Writers Group applicants: 

Attendance at all Writers Group sessions is extremely important. Please do not apply for the Writers Group if you will be unable to attend meetings in New York City on a regular basis. Priority is given to writers who are not involved in other similarly supported institutional writing groups.

We understand this application occurs well in advance of 2027. If you are not sure about your plans for 2027, you are welcome to apply for the Writers Group and update us regarding your eligibility.

Monday, April 20, 2026

Passage Theatre Seeks One-Person Plays Centering Untold American Stories for Summer 2026 Festival

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Deadline: April 27, 2026 at 11:59 PM

SUBMISSION FORM

Passage Theatre is holding a WORD ON FRONT 250 Solo Performance contest. A “Solo Performance” means a one-person show, written and performed by YOU. Give us your uniquely Trenton American Story. What does it mean to be YOU? What does it mean to be an American, a New Jerseyan, a Trentonian, or from whatever patch of land you call home. Show us your untold America.

Playwright/Performers must be local to travel to Trenton, NJ (a direct train ride from New York City) at their own expense and self-produce their one-person show.

Seeking submissions of one-person shows to run between 30-60 minutes.

The top 5 plays will be selected to premiere at Passage Theatre’s WORD ON FRONT 250 festival on the following dates:

Saturday, June 27th
Thursday, July 2nd
Friday, July 10th

Plays will be adjudicated by a panel of judges selected from Passage Staff and the Trenton Community.Passage Theatre is holding our WORD ON FRONT 250 Solo Performance contest. 

A “Solo Performance” means a one-person show, written and performed by you. Give us your uniquely Trenton American Story. What does it mean to be YOU? What does it mean to be an American, a New Jerseyan, a Trentonian, or from whatever patch of land you call home. Show us your untold America.

The top 5 plays will be selected to premiere at Passage Theatre’s WORD ON FRONT 250 festival on the following dates:
  • Saturday, June 27th
  • Thursday, July 2nd
  • Friday, July 10th
Plays will be adjudicated by a panel of judges selected from Passage Staff and the Trenton Community.

Plays will be adjudicated by a panel of judges selected from Passage Staff and
the Trenton Community.

  • All submissions must include a complete fully-finished script. Passage Theatre will NOT make any edits to your script before winners are announced, it must be ready for performance at the time of submission.
  • Scripts should adhere to standard playwriting format: 12-point Courier New font, 1-inch margins, and 1.5-inch left margin. Key elements include centered, all-caps Scene Headings, indented and italicized Stage Directions, and centered character names above dialogue. The script is single-spaced with double-spacing between speakers. Here is an example of a properly formatted page.
  • Scripts must be 30-70 pages in length. Scripts that are under 30 pages or over 70 pages will be disqualified. Your final performance should be roughly 60 minutes or less.
  • Filmed clips of your performance work in addition to your script is strongly preferred.
  • The script must be of your own authorship, it is preferred that the performer and author are the same person. If you choose to use a different performer than yourself you are accepting full responsibility and guidance over that performer. If you do not have a performer and are unwilling to perform yourself, your script will be disqualified.
  • Passage Theatre will not be responsible for the direction of your script. If a director is needed, you must provide them. Passage Staff may give minor directorial consultation during rehearsals, upon request of the performer.
  • Performances selected will occur during late June and early July 2026. Passage Theatre will provide your technical sound and lighting elements. Technical rider must be attached:
    • In a separate document explain your TECH: Lights, Sound, Costumes,
    • Props, and Set. Passage will facilitate and produce your technical elements to the best of our ability. The author/performer must have these elements designed and guide the creative vision.
    • The author/performer must provide props and costumes.
    • No firearms of any kind, including props, can be included in these performances.
    • Video projection must be limited to 10 minutes or less throughout the entire script.
    • Passage Theatre will not be constructing any full scenery pieces beyond the WORD ON FRONT tableau.

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