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Monday, November 7, 2022

Premiere Play Festival 2022

Website

Deadline: November 14, 2022, 11:59pm

How to submit: All plays must be submitted as a PDF via Submittable at premierestagesatkean.submittable.com/submit.

All plays submitted to the Premiere Play Festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four to five finalists are subsequently selected for public Equity readings in Spring of 2023.

Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2023 season and receives an award of $3000. The runner-up receives a 29-hour staged reading and $1500. The other finalists will each be awarded $1000.

Premiere Stages accepts script samples and synopses from playwrights without an agent. Submissions must include:

-Brief synopsis of the play (no more than half a page)

-History of the play’s development (or statement that it has none)

-The playwright’s bio or resume

-Script sample from the play (no more than 10 pages plus title page and character breakdown)

- Please Note: Premiere Stages will request full scripts to read if the play seems viable for the 2023 season. In 2022, almost half of the 35 Semi-Finalists were first received as samples.
  • Plays must be full-length and have a cast size of no more than eight.
  • Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2023.
  • Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
  • Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
  • Submissions are limited to one script per playwright.
Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
Submitters will be notified via Submittable of their status no later than April of 2023. We thank submitters for their patience; we evaluate up to 950 submissions per year and give each one careful consideration.

There is NO self-producing requirements and NO participation fees.

Sunday, November 6, 2022

Call for Plays Women Playwrights Series

Website

Deadline: November 11, 2022

Women Playwrights Series (WPS)

WHAT IS THE WOMEN PLAYWRIGHTS SERIES?

Plays presented in the developmental WPS program are finalists in the Susan Glaspell Award Competition, and are under consideration for full production in a subsequent season at the Centenary Stage Company, the professional theatre in residence on the campus of Centenary University. Due to COVID-19, this opportunity may be delayed.

Playwrights selected for the workshop process will receive a $200 honorarium. Additional funds for travel and housing is available for one playwright each season.

“CSC audiences have embraced this series. Theatre is all about collaboration. As part of this series, the playwright has the opportunity to get feedback from the audience during their development process.”

PLAYWRIGHTS

Interested in submitting your full length play for consideration? Click here for guidelines and additional information

CALL FOR PLAYS

Submission Window: Oct. 3 - Nov. 11, 2022

The WPS is a developmental program dedicated to providing a working forum for the unique and under-served voice of women writing for the theatre today. Each season 3 new plays are selected for a collaborative workshop process, with a professional director and actors, which takes place in a brief rehearsal period of approximately 1 week, allowing time for the playwright to hear and adapt their work with other professionals. The process culminates in a presentation of the work for the general public as part of the series, giving CSC audiences larger exposure to new work.


GUIDELINES
  • Full length plays only
  • No prior AEA production
  • Seven character maximum
  • Cover letter attached
  • One letter of recommendation
Please send digital copy of script to wps@centenarystageco.org

some scripts in-print anthology "Monologues by LGBTQIA+ Scriptwriters for LGBTQIA+ Actors" Seeking Submissions

Website

Deadline: November 30, 2022

some scripts literary magazine presents a special issue 6: an in-print anthology titled "Monologues by LGBTQIA+ Scriptwriters for LGBTQIA+ Actors"! 

Submissions opened on November 1st and will close on November 30th. Submissions are welcome from playwrights worldwide. Submissions are only allowed by LGBTQIA+ scriptwriters for this upcoming issue. some scripts does not require you to self-ID, however.

While we welcome monologues from all members of the LGBTQIA+ community, we are especially interested in featuring monologues by BIPOC scriptwriters; disabled scriptwriters; and scriptwriters who are trans, nonbinary, intersex, ace/aro; as well as anyone else not mentioned who have otherwise intersecting identities.

Monologues can be excerpts from stage plays, screenplays, radio plays/audio dramas, or Zoom plays. Monologues can also be stand-alone works.

As long as it’s a monologue of some varying length that an LGBTQIA+ actor could foreseeably use for an audition, classwork, or showcase (or gets people to want to read your longer work where it originates from), we’d love to read it!

Please only submit 1-2 monologues for consideration. This is to ensure that we are able to read from as many scriptwriters as possible. There is a small group of invited contributors who were brought on prior to the open submission period.

This will be some scripts’ first in-print anthology. All scriptwriters chosen for the anthology will be compensated with a $10 token payment and a free printed copy of the anthology.

To submit to some scripts' anthology "Monologues by LGBTQIA+ Scriptwriters for LGBTQIA+ Actors": Include a title page in a separate PDF or Word document from the script, detailing your preferred name to be published, email address, a short bio, pronouns if you want, the title of the piece, and any socials.

Then include your piece as a separate document (PDF or Word) with no personal information attached to it. Please include a short synopsis detailing the given circumstances for the monologue, any required identification for the character, and other important details. PDF and Word document submissions are okay. Please include necessary trigger warnings for the safety of our reading team members. (For example, "TW: mention of sexual assault, body horror, homophobic slur") 

Compile the title page PDF and blinded copy into an email addressed to somescriptslitmag@gmail.com
Feel free to say hello and introduce yourself in a cover letter in the body of the email if you wish! We love getting to know the larger scriptwriting community more and are so happy that some scripts continues to reach more people.

Please find a sample copy of the contract coming soon on our website!

Saturday, November 5, 2022

One-Act Submissions for CapitalQ Theatre Festival

Website

Deadline: November 28, 2022
or after 75 submissions

We are interested in plays at all levels of development from playwrights of all levels of experience. What we are looking for is an exciting story surrounding the queer experience that begs to be performed on stage. Our goal is to aid playwrights in presenting the story they are excited to tell on stage, with whatever resources they find valuable. We are especially interested in a myriad of stories about the LGBTQ+ experience and are hoping our festival’s representation accurately represents the diversity in our community.

IMPORTANT APPLICATION DETAILS:
- We are defining a one-act play as a play between 10 and 40 minutes long that takes place over one act.
- This festival is specifically for playwrights who identify as LGBTQ+. At this time, we are not accepting plays written by allies.

The application window will close on November 28th or after 75 submissions.

WISCONSIN-BASED PLAYWRIGHTS SUBMIT HERE

NON-WISCONSIN-BASED PLAYWRIGHTS SUBMIT HERE


Regular, Full-Length Submissions

StageQ's mission is to celebrate and advance theatre written by and about LGBTQ+ peoples. We accept show submissions all year round.

We normally announce our season in May of each year and planning for each season typically starts around August of the year prior.

For full length plays please email a synopsis and script to info@stageq.com

Friday, November 4, 2022

Lakeshore Players is seeking submissions for the 19th annual 10-minute play festival

Website

Deadline: December 15, 2022
Or 300 entries have been accepted

Submission form: 19th Annual 10-Minute Play Festival Submissions. 

Lakeshore Players is seeking submissions for the 19th annual 10-minute play festival. The ten plays selected will be performed live in White Bear Lake, Minnesota in summer of 2023. Play submissions will be accepted through December 15, 2022. We are capping the contest at 300 submissions. 

Once Lakeshore has accepted 300 entries, submissions will be closed.

ALL PLAYWRIGHTS

Please read the following rules and requirements carefully.

• The play should be approximately ten minutes in length. Plays over 15 minutes long will not be accepted.

• The play must have no more than five onstage (speaking or non-speaking) characters.

• You may submit only one play, so send us your best! Please do not make more than one submission.

• The play should be in a "play format" making it easy for the readers. (We suggest 12-point, easy-to-read fonts, such as Times New Roman or Arial)

• The play must be unpublished and unproduced at the time of submission. If you have had a past staged reading of the play, please let us know as it can still be accepted, but no produced productions are allowed. (We do screen for this, so be honest).

• Submitting your play to our contest grants Lakeshore Players the right to produce your play in our 19th annual festival and photograph and/or videotape it for archival purposes if it is chosen as a winning selection.

HIGH SCHOOL PLAYWRIGHTS

High school playwrights are encouraged to enter. Plays must include a letter from a teacher or school administrator, written on school letterhead, verifying that the play was written during high school (in addition to the guidelines below).


ADDITIONAL GUIDELINES:

• The play should have simple technical requirements. We only have about one minute in between plays to change scenes, so please think about using simple furniture pieces (table, chairs) when writing.

• We will not accept plays that propagate racist, sexist or ableist stereotypes.

Plays with excessive offensive language, misogynistic through-lines, and extraneous violence or gore will be less likely to be accepted.


SUBMISSIONS ACCEPTED THROUGH OUR ON-LINE ENTRY FORM.

Please submit all entries through the following form: 19th Annual 10-Minute Play Festival Submissions.
Lakeshore will not be accepting entries that are physically mailed or emailed. Please use only the form above to submit.

Only plays submitted as outlined below will be accepted:

• You MUST upload two copies of your script.

o One copy must contain all contact information on the title page:

Play title

§ Playwright’s name

§ Playwright’s mailing address

§ Playwright’s phone number

§ Playwright’s email address


o The other copy MUST BE BLANK on the title page (neither playwright name nor contact information on any page). This is to assure that our judges have no bias when reading & selecting these plays.


WINNING PLAYWRIGHTS

Lakeshore Players will then produce the ten winning plays in our annual festival at the beginning of June in 2023. In return for that, each winning playwright will receive a royalty of $10 per performance ($80 for a total of eight performances), a link to photographs, and a copy of the program. Additionally, each playwright will receive a pair of complimentary tickets to a performance.


Any questions? Please e-mail Lakeshore Players at 10mpf@lakeshoreplayers.org.

Thursday, November 3, 2022

Malvern Theatre Short-Play Writing Competition 2022 ~ Intergenerational Conversations

 Website

Deadline: November 25, 2022

We’re delighted to announce this short-play writing competition proudly supported by City of Stonnington (Australia.) 

We’re looking for short-play scripts that meet the following criteria:

The theme is ‘Intergenerational Conversations’;

The script must be set in a café, with simple staging requirements;

The conversation is between 2 or 3 characters, including one young person 16-25 years old and one older person 40+ years old;

Up to 15 minutes performance time;

To be submitted by Friday 25 November, as an attachment in standard WORD format – emailed to malverntheatrecompany@gmail.com

A small panel of script readers will choose the 8 best plays that meet the above guidelines.

Winners will be announced early 2023, and each will be awarded a prize of $250.

Winning plays will be performed on the Malvern stage early in 2024, and recorded for release on our YouTube channel.

Tuesday, November 1, 2022

NY THEATER FESTIVAL SPRING/SUMMERFEST 2023 - THEATER/FESTIVAL COMPETITION

NYTheater Festival Spring/Summerfest 2023 - Theater/Festival/Competition - Plays/Musicals - Total Prizes $7,500 - First Prize $3,500 - Full Lengths - One Acts - Shorts – Solos

NYTheater Festival Spring/Summerfest 2023 - Theater/Festival/Competition

WELCOME TO THE LARGEST AND ONE OF THE MOST PRESTIGIOUS THEATER FESTIVAL/COMPETITION IN THE UNITED STATES. WE ARE CURRENTLY ACCEPTING SUBMISSIONS FOR OUR 25TH CONSECUTIVE SEASON. WE HAVE HOSTED MORE THAN 1,200 PLAYS AND 300 MUSICALS  

THEATER PLAY/MUSICAL COMPETITION

 

Submit now so your production can come to life in the heart of New York - our plays and musicals have been WOWING New Yorkers for over a decade!  

to submit, go to:

http://newyorktheaterfestival.com/summerfest-festivals/

  

Introducing NYC’s fastest growing competition - Now accepting submissions only from writers and producers  who live within a 30 mile radius from Manhattan.

 

PRIZES:

We offer up to $7,500 in Prizes. $3,500 alone goes to the season’s best production (either a play or a musical) 

There is no other festival that gives away this much money in prizes. Our winners are selected by the festival’s team of judges, unlike many festivals that are nothing but popularity contests where winners are determined by who brings in the largest audience. We believe that sometimes the simple productions with smaller budgets and smaller audiences turn out to be the best shows, and therefore go on to win 1st Place Prize.  At this festival, we love honest writing and sincere, heart-felt performances.

Prize categories include: 

BEST PRODUCTION: $3,500

BEST PLAY OR MUSICAL SHORT:  $500

MOST CREATIVE PLAY OR MUSICAL: $500

BEST DIRECTOR: $500

2 BEST ACTORS: $500 each 

2 BEST ACTRESSES: $500 each 

BEST SINGER $500

BEST MUSICAL SCORE $300

BEST CHOREOGRAPHY $300

 

A LIVE PERFORMANCE OF YOUR WORK IS ESSENTIAL FOR IMPROVEMENT. IF YOU SO CHOOSE, THE FESTIVAL WILL REACH OUT TO AUDIENCE MEMBERS WHO ATTENDED YOUR PRODUCTION WITH A QUESTIONNAIRE. FEEDBACK FROM AN AUDIENCE WILL INFORM YOUR WORK AND GIVE YOU THE KNOWLEDGE TO IMPROVE YOUR WORK FOR ANY FUTURE RUN OF YOUR PRODUCTION 


Here’s a chance to have your Play or Musical performed live on a stage in Manhattan, New York City!

Accepting plays and musicals of all genres and all lengths (between 5-90 minutes long). The New York Theater Festival has been a haven for playwrights for 11 consecutive years of theater. Read below to find out why!

 

Why is the New York Theater Festival a mecca for new and

 original plays?  

Simple.  

We offer:

§  A quality venue.

75  seats . A stage with plenty of room for large scenes with many actors (30’x22’). Plenty of space backstage, lots of room in the wings, a huge dressing room complete with mirrors and lights, and plenty of storage space for your props/costumes.

 

§  Need furniture/set pieces? No problem.

There is no other festival that offers you 85 set pieces/furniture for free! Our set pieces are stored backstage for easy accessibility for any performance. Not only do we invite you to use our set pieces, we also offer free storage for all of your hand props and/or costume pieces for the duration of your run.  Transporting set pieces in Manhattan is a nightmare - you’d have to double park your truck outside of the theater for every performance, only to return to find your windshield sporting a new parking ticket. It’s equally a hassle to lug all of your props, set items, and costumes back and forth on the subway during your run.  Don’t sweat it.  We have space - and that’s not easy to come by in NYC! Check out our props:

https://newyorktheaterfestival.com/props/


§  Easy to use technology.

Where else will you get a lighting plot of 65 lights, complete with LED lights? Our lights can create a flush in a full range of deep colors, allowing you many different creative options to light your show.  You are also free to use our projector that projects 21×12′ on our backdrop.  Our lighting and sound boards are extremely easy to use, even for those with little to no previous experience. You do not need to have training in tech to use them.

 

§  If MUSIC is the food of love, play on!

Need music?  We have a solid upright piano you can use

 

§   We offer long techs.


We all know it’s very important to have ample rehearsal time for your tech.

For a Full-Length (60-90 minutes) we provide 4 hours for your tech.

For a One-Act (30-45 minutes) we provide 2 hours, and for a Short (5-20 minutes) we provide you 1 hour.

Other places might offer little to no time for tech rehearsals, but we understand that you can’t get anything done in that time. We don’t want to risk your show looking worse than it could be just because you never got to run the show with lights. Our goal is to make sure you feel confident with your show before you open. That’s why we offer a generous amount of tech time (After all, time is money!)

§  What’s more important than advertising your show?


Many theater festival’s websites do not advertise your show. Those that do only do so with vague descriptions and a thumbnail of a poster. Check out our web pages where we list previous productions and you will immediately see the difference - Large posters and detailed information!

We create a page for your show, with a link that you can share with confidence to family, friends, colleagues, and community.

Furthermore, cast and crew from all other productions in a season are granted free tickets to see all of the other shows in the festival!

Check out our posts:

https://newyorktheaterfestival.com/winterfest-festivals/shows-date-2019-winterfest/ 


§  Prime performance hours

We give you ideal prime time slots with a variety of times, allowing all audience members to find a performance they can attend; we also include 30 minutes of time to set up before each show.

§  No seasonal volunteers

One of our principle team members is always at the theater to support you during your tech, box office times, and performances.  You will always see a familiar face!  Feel free to ask for help or special guidance to make your performance a success.  Your questions will be answered in a matter of hours from the festival’s team.  You will never have to wait days for a response.  Our staff is knowledgeable and experienced, providing you with real answers and a personal touch.

§  Award ceremony

At the end of the festival, we host an unforgettable awards ceremony to honor your talent in front of your artistic colleagues - similar to the Oscars!

Sunday, October 30, 2022

Sundog Theatre in New York City is seeking Radio Plays for January 2023

Website

Deadline: November 30, 2022

Sundog Theatre's longtime, interrupted-by-the-pandemic series "The Originals" continues this winter on MakerPark Radio's internet-based station in NYC. Sundog is seeking plays that actors will read, broadcast live on the web, and heard/seen throughout NYC, the US, and worldwide in January 2023.

Producers: Ritty Mahoney & Susan Fenley

Guidelines:
-- Original dramas or comedies-no more than 5 characters. Not produced elsewhere except for a reading.
-- Like true radio plays, sound effects should be written into the script to set the scenes.
A Foley operator will create the effects.
-- Plays should not rely on visuals to tell a story and set the mood, only words/music/sound.
-- Ideal running time: 45-60 minutes.
-- Exhibit care with any sexual/violence situations. We cater to a broad audience and families.
-- Sundog will pay a remuneration of $150 for each play that is used.
-- No fee to submit.

Mail (sorry-easier on the eyes and no potential virus issues) submissions to:
Sundog Theatre
Radio Plays
PO Box 183
Staten Island, NY 10301

Postmark deadline: November 30 - no fee to submit. 

Submissions - the sooner the better.

6th Annual New Work Weekend

Facebook page

Deadline: November 15, 2022

SPQR Stage Company is soliciting 10 minute plays for its 6th Annual New Work Weekend, occurring President's Day Weekend in February, at studio stage in Somers Point, New Jersey. 

Please submit, adhering to the following guide lines:

1. Ten minutes in length.
2. Two, but no more than three characters.
3. ONE submission of your work.
4. Play has to have an arc and characters must change.
5. Play has to have significant stakes. No plays about your relationship break up. 
    Terminal illnesses are banned.
6. A willingness to revise.
7. Deadline for submission - November 15, 2022.

Two plays will be chosen to be staged for SPQR's 2nd Annual Harvest Weekend in October, 2023.

Please submit to: spqrstageco@aol.com

Saturday, October 29, 2022

ellipsis… literature & art annual literary journal accepts drama

Website

Deadline: November 1, 2022


Please submit one English language drama piece per year, up to 8,000 Words.

Use 12 point font.

ellipsis… literature & art is the annual literary journal published by the students of Westminster College since 1965. We sponsor a yearly poetry contest ($100 prize), judged by Laurie Ann Guerrero in 2021 and Carolyn Forche in 2022. Saddiq Dzukogi will judge the 2023 contest.

All accepted poems are eligible. Contributors include well-known writers, up-and-coming writers, and never-before-published writers.

We accept original English language submissions in poetry, short fiction, creative non-fiction, drama, and art. Submit poems in one document, please. 

Our submission period is August 1 through November 1 for poetry, short fiction, drama, and creative non-fiction. 

We accept art submissions from August 1 through January 31.

Please include a 75 word contributor’s note and your address, telephone number, and email address.

Simultaneous submissions are welcome but withdraw your submission immediately if your work is accepted elsewhere. Note that we do not republish pieces, including work online.

We usually pay $10 per poem and page of visual art, and $3 per page of prose, plus two free copies of the issue. We cannot pay international contributors.

Submissions cannot be accepted via email.

The Playwrights Center Many Voices Fellowship 2023

Website

Deadline: December 1, 2022 at 11:59 PM CST

The Many Voices Fellowship is intended to support early career Black playwrights, playwrights of color, and/or Indigenous playwrights (what's this?) who demonstrate extraordinary potential, artistic vision, and a commitment to a professional development residency in Minnesota. Starting on July 1, 2023, the fellowship is expanding from a one-year residency to a two-year residency(July 1, 2023-June 30, 2025), and the salary will be increasing to $25,000/year, to enhance sustainability for each playwright.

Within each two-year cycle, Jerome Fellows will now be classified as part-time employees of Playwrights’ Center, with a salary of $25,000/year (paid bi-weekly), and eligible for all employee benefits, including employer-sponsored health insurance. Fellows will continue to have $3,000/year available to support customized play development through workshops with professional directors, dramaturgs, and actors.

Beyond the financial support, the fellowship includes working in an individualized and hands-on way with Playwrights’ Center artistic staff—some of the most experienced theater professionals in the country—to develop plays and connect playwrights to producers of new work. This holistic and customized combination of financial support, play development support, and professional connection is career-changing for most playwrights.

Applicants must reside in, and have the legal right to work in, the United States during the fellowship term. Applicants may not have had more than two different works fully produced by professional theaters by the time of the application. Productions that open after December 1, 2022 do not count.

Playwrights who have not received a Many Voices Fellowship in the past are eligible.
Playwrights who have received one Many Voices Fellowship in the past are eligible.
Playwrights who have received two Many Voices Fellowships in the past are not eligible.

Previous Many Voices Fellowship recipients must apply with a different play than the one that accompanied their previous successful application. Playwrights who have received other Playwrights’ Center fellowships may apply, provided they still meet the Many Voices Fellowship eligibility guidelines. Recipients may not receive any other Playwrights' Center fellowships during the two-year cycle.

Fellows commit to spending the two-year fellowship period in Minnesota and actively participating in the Center's programs. Fellows will now be part-time employees of Playwrights' Center, paid on the same bi-weekly pay cycle and eligible for the same benefits, including employer-sponsored health insurance, as all other employees. Fellows may spend no more than 10 weeks/year (20 weeks over two years) out of town during their residency. Housing and travel are not provided.

The Many Voices Fellowship was created in 1994 in partnership with the Jerome Foundation in order to create a home for early career playwrights of color, Black playwrights, and/or Indigenous playwrights who would provide the American theater scene with diverse voices and aesthetics. Since that time, the Many Voices program has provided over 140 fellowships for more than 100 early career playwrights, offering class instruction, play development workshops, and mentoring opportunities. Many Voices fellowship recipients include Zola Dee, Marvin González De León, Jessica Huang, Naomi Iizuka, Candrice Jones, Daniel Alexander Jones, Aditi Kapil, Janaki Ranpura, Katie Ka Vang, Josh Wilder, Harrison David Rivers, Aamera Siddiqui, Saymoukda Duangphouxay Vongsay, and Kit Yan.


"Without a doubt the greatest gift that the Playwrights’ Center has to offer, and what will undoubtedly bring me back to it in the future, is the kind, dedicated, and wonderful community of people that I met there. If in the future someone asks me where to look for the future of theater, I know exactly where to point them."
—P.C. Verrone
Many Voices Fellow, 2021-22
The Application

(NOTE: The primary language used by evaluators during the selection process is English. If text is intentionally written not in English, a line of context would be helpful to an evaluator. Playwrights’ Center acknowledges this is an ethnocentric practice and hopes to expand access in the future. While most Fellowship activities and engagements are conducted in English, Playwrights' Center staff are available to discuss additional support and resources as necessary.)

Each application will contain the following pieces:

-Application Form
(including contact details, eligibility, and demographic information)

-Playwriting Resume
Please mark clearly which productions (if any) meet the criteria for being "fully produced by a professional theater." Professional productions are defined as full length productions—running at least 45 minutes in performance— for which the author and primary artists (actors, directors, and creative collaborators) were reasonably compensated and that received at least three public performances each. Ten-minute or one-act plays and university, college, secondary school, amateur, and Equity showcase/waiver productions are not considered full professional productions. Productions that open after December 1, 2022 do not count.

-1 page Artistic Statement and Goals
This is a one-page artistic statement and description of your goals for the two-year fellowship term. While contextualizing your current artistic life, please describe your artistic goals for the fellowship term. The fellowship offers time to write and develop work with professional collaborators—and the opportunity to utilize the many and varied resources of the Playwrights' Center, including career support, connections with artistic leaders, and teaching and community engagement. In what specific ways would this fellowship impact your artistic growth? How does this fellowship fit in with your larger career goals? A successful artistic statement will provide insight into your vision as a theatermaker and will support your submitted script. It will also articulate that you are ready to take advantage of this career-development opportunity, and that you are committed to spending two years in Minnesota in a cohort of other writers.

-Full-length play script
A full-length play generally runs at least 45 minutes. If you are hoping to submit a script that is shorter than 45 minutes in length, please contact Julia at juliab@pwcenter.org to discuss. All script submissions must be written only by the applicant—no co-written submissions will be accepted. Scripts for musicals may be submitted by the book writer only. Previous Many Voices Fellowship recipients must apply with a different play than the one that accompanied their previous successful application. The submitted script must be a complete draft that represents your best playwriting.

-Two letters of recommendation
Please request two letters of recommendation from individuals who are familiar with your work as a playwright. Letters must be received by the application deadline: December 1, 2022. You will be sending a request through the application portal below. You may request letters through the application system before finishing your final application, so we recommend that you click on the link below and begin your application sooner rather than later to give your recommenders time to complete their letters. Letters of recommendation from previous applications cannot be re-used for this program.

Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.

Note: You will need to make a SlideRoom account in order to apply. If you are a Playwrights' Center member, your PWC login will not automatically log you in to SlideRoom—they are two different systems. If you already have a SlideRoom account, you should be able to access the application using your existing login.

For a video tutorial on using SlideRoom, please click here.

An information session about the application and the fellowship will be held on Wednesday, November 2, 2022 at 12:00 p.m. CST on Zoom at this link.

Applications for the 2023-25 Many Voices Fellowship are due Thursday, December 1, 2022 at 11:59 p.m. CST.

Friday, October 28, 2022

MDOCS STORYTELLERS' INSTITUTE VISITING FELLOWS 2023

Website

Deadline: November 20, 2022

APPLICATION

A non-fiction arts residency May 31st- June 30th, 2023 that includes room and board, a travel stipend, and a $2500 honorarium.

FEE: No fee

RESTRICTIONS: Open to all playwrights who work with non-fiction texts relating to the theme.

This year our theme is Off the Beaten Path: Outside the Hero’s Journey –– Realty is more complicated, more collaborative, and more interesting than what we have come to call the Hero’s Journey. It does not follow a beginning, middle, and end, with rising action and turning points that deliver a resolution with all threads tied up neatly in a bow. 

Many non-fiction makers have always created work that is outside the Hero’s Journey. Work that meanders through squiggly time, that is polyvocal, and that de-centers simple conflict in favor of growth. However, artists are increasingly trained to present themselves as the hero of their own artistic-biographical story, with their process acting as the journey, and their product acting as the boon brought home to audiences, erasing the collaboration that goes into non-fiction storytelling and forcing makers to narrativize their practice and commoditize themselves. 

INSTITUTE INFORMATION
The Institute runs from May 31st- June 30th, 2023 on the Skidmore College campus.

Fellowship includes:   
  • Community and feedback from a renowned group of multidisciplinary artists/storytellers/documentarians
  • $2500 honorarium
  • Travel stipend of up to $500
  • Public presentation/exhibition opportunities  
  • Access to MDOCS DocLab production equipment and space
  • Room and board – in Skidmore’s Sussman Village Housing and through Skidmore dining hall
  • Access to Skidmore facilities including the Lucy Scribner library and the Williamson Sport Center

Requirements: 
  • Applicants must have a non-fiction-based practice and propose a non-fiction-based project. 
  • Applicants must have an interest in teaching and learning. 
  • Accepted fellows are expected to fully engage with institute events and be in residence for its duration. If a fellow is not in residence for the full institute, their stipend will be reduced. 

What you need to apply:

A completed application, which includes a work sample that demonstrates your experience in non-fiction creative work and two references.

Suits and Sage Magazine open for submissions

Website

Deadline: November 1, 2022 at 11:59pm EST

  • Playwrights may submit up to 5 plays
  • Selected submissions will be notified by email by November 15th, but submissions that have not been accepted into the November issue may still be in consideration for future issues.

Tuesday, October 25, 2022

The Sauk: CALL FOR 'PLAYS-IN-DEVELOPMENT' SCRIPTS

Website

Deadline:  October 28, 2022 5PM EST

The submission period will begin Friday, October 14 and continue through 5 p.m. on Friday, October 28.

The Sauk, Hillsdale County's Community Theatre, located in Jonesville, Michigan is seeking entries to consider for our eighth annual Plays-In-Development in 2023. We are seeking unproduced plays. These can be any style (comedy, drama, young audience and/or musical) and any length (one-act or full-length). It is understood (and expected) that changes will be made to the script between initial submission and performance.

The selected plays will first go through notes with the artistic director. A show-specific director will then be assigned. The director will work with the playwright prior to an audition draft being submitted. Auditions will take place in mid-March with two weeks of rehearsals prior to public readings. It is expected that the selected playwrights will be involved in the process and be in attendance for final rehearsals and the public reading in Jonesville, MI.

Playwrights are encouraged to make changes to their scripts throughout the rehearsal process (often handing in new drafts on a weekly or even daily basis). The public staged readings will take place on April 21 and 22, 2023. Playwrights will be on site the week leading up to the readings. A royalty is provided to the selected playwrights and The Sauk will provide travel and lodging.

The goal of Plays-in-Development is to help playwrights improve plays that have yet to be produced. By working with a director and actors, the playwright can learn vital information about their work. After the public readings, playwrights are able to participate in a talkback with the audience. We want playwrights to leave the experience with positive and constructive feedback to improve their plays.

Please e-mail a draft copy of the script, a one paragraph plot description and playwright's contact information to Executive Director Trinity Bird at saukpid@gmail.com. Playwrights may submit no more than two scripts. We are NOT looking for scripts intended to be performed online. Scripts with strong roles for teens are encouraged! Any script received prior to October 14, 2022 at noon must be resubmitted.

The submission deadline is 5 p.m. (EST) on Friday, October 28, 2022.

The play selection committee will review all submissions and select the scripts to be part of the process. The selected plays will be announced on or before December 2, 2022.

To view our 2020 Plays-in-Development online readings and learn more about past Plays-in-Development, visit www.thesauk.org/pid.html.

Monday, October 24, 2022

The Playwrights Group ~ Please join us for a reading of Deb Patrick’s wonderful new play

 


Please join us for a reading of Deb Patricks wonderful new play

about the life and death of Gladys Atkinson Sweet.

Use this Zoom link to attend the reading: 

https://us02web.zoom.us/j/86530936772 

Take advantage of our online offerings! 

 

Weekly Zoom Workshop


This is a great way to keep yourself focused and to connect with other playwrights across the country. Get feedback on a finished script or one you’re just getting started on. We read everything from a one page scene to a full length. Plays, musicals, film scripts — whatever it is you’re working on.


Sit in on a session and see for yourself!
Tuesdays or Thursdays 7 - 9:30pm EST
Check out our website for more details and rates. 


Script Consultations


Have a script you want feedback on?  Just send a PDF of your script and you’ll get the answers you’re looking for via email and/or video conference. See website for rates.  

Richard Caliban has worked with  individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.


Online One-on-One Courses 


If you’re looking for more, check out our One on One Online Playwriting Courses:

       The Art of Playwriting

       Write a Play in 10 Weeks


Since it’s One on One, the courses can be adjusted to fit your level of experience. 

Please visit our website for further Info and Rates: 

www.theplaywrightsgroup.com

Contact us at 

scripts@theplaywrightsgroup.com

Sunday, October 23, 2022

Currently Seeking 10-Minute Plays & Monologues for Smith & Kraus Publications

Smith & Kraus website

Deadline: November 30, 2022

To submit click here

For The Best Men’s & Women’s Monologues 2023, and Best 10-Minute Plays 2023
Edited by Debbie Lamedman

OPEN TO ALL WRITERS
NO SUBMISSION FEE

PLEASE READ SUBMISSION GUIDELINES CAREFULLY!

For The Best Men's & Women's Monologues 2023

• Monologues must be from plays. They cannot be stand-alone pieces.
• They must be from plays produced between April 2022 and July 2023.
• Staged Readings performed live or virtually will be accepted only if the readings occurred in the above-mentioned window will be accepted.
• Monologues should be from 1-3 minutes long.
• Monologues should be active pieces that work well for auditions.
• Please include a descriptive blurb containing a brief summary of the play; the name/age of the character; to whom the character is speaking, and the dramatic context of the scene.

YOU MAY SUBMIT UP TO 2 MONOLOGUES FOR THE WOMEN'S ANTHOLOGY

YOU MAY SUBMIT UP TO 2 MONOLOGUES FOR THE MEN'S ANTHOLOGY

IF YOU SUBMIT MORE THAN TWO MONOLOGUES PER ANTHOLOGY, THEY WILL NOT BE READ!

For The Best 10-Minute Plays 2023

Plays must be produced between April 2022 and July 2023.
• Any Staged Readings performed live or virtually will be accepted. If the play was performed as a reading, it must have been done through a theatre company or organization, not just a bunch of your friends reading your play on Zoom.
• Please include a cover page with a brief synopsis.
• No Radio Plays. No Musicals. No Children's Plays.
• Make sure your play runs approximately 10 minutes.
• Only one submission permitted per playwright. If you submit more than one play, it will not be read.

Special One Minute Play Anthology 'Contemporary Minute Plays-Volume 3

Facebook Page

Deadline: October 31, 2022 

SUBMISSION FORM

We are open for submissions for our Special One Minute Play Anthology 'Contemporary Minute Plays-Volume 3' . 

Please send all submissions to dramaanthologyfreshwords@gmail.com as per the following guidelines:
  1. The One Minute Plays can be a tragedy or comedy or tragi-comedy.
  2. We shall not accept works promoting or glorifying- violence, sexual abuse, racism , hatred or any political ideology.
  3. Maximum 2 submissions.
  4. You can send one-minute play (Maximum 2 pages for each work).
  5. Also please send a summary of the work.
  6. All submissions to be sent to dramaanthologyfreshwords@gmail.com
  7. Submission deadline: October 31, 2022. (The selected playwrights will be informed on or before November 10th, 2022 through email.).
  8. Mention YOUR NAME followed by 'SUBMISSION FOR ONE MINUTE PLAYS ANTHOLOGY VOLUME 3' in the subject line of your email

General Guidelines:
  1. All submissions must contain a cover letter and a short literary profile (Maximum 70 words) of the playwright in the third person narrative.
  2. All submissions must be sent typed in MS Word or PDF doc as attachment with the email.
  3. The author should mention:
  4. Legal Name:
  5. Pen name (if any):
  6. Snail mail address:
  7. Playwright must send a high resolution photo(JPEG format) of self as a separate attachment with the submission.
  8. Simultaneous submissions are welcome but please immediately inform us in case they are accepted elsewhere.

Website: https://sites.google.com/view/freshwordsmagazine/submit
Twitter: @magazine_words
Linkedin: https://www.linkedin.com/in/som-c-a7aa36217/
Patreon: https://www.patreon.com/freshwordsmagazine

Support us: https://www.buymeacoffee.com/freshwordsmag

Facebook: https://www.facebook.com/Fresh-Words-An-International-Literary-Magazine-106332345070389/

PLEASE NOTE: THERE IS NO SUBMISSION OR PARTICIPATION FEE.

2023 Snowdance® 10 Minute Comedy Festival

Website

Deadline: November 1, 2022

Over Our Head Players is accepting submissions for the "2023 Snowdance® 10 Minute Comedy Festival," now through November 1, 2022. "Snowdance®" entry is open to original 10 minute or shorter comedies for the stage. 

Winning entries will be performed together by the OOHP Snowdance ensemble in the winter of 2023. Concluding each performance, audience members can vote for their favorite individual comedy; the audience favorites will earn cash prizes for the playwright. Entries may be sent to SNOWDANCE, c/o Sixth Street Theatre, 318 Sixth Street, Racine, Wisconsin, 53403. Alternatively, entries may be sent by email to snowdance318@gmail.com. Once again, we request that scripts have a maximum of three characters, and entries less than 10 minutes are actively encouraged.

Rules for the Snowdance Comedy Competition, which is open to everyone without age or geographic restriction, are relatively simple. In summary, competition is open to unpublished, 10 minute or shorter comedies. Musicals, adaptations, and translations will not be considered. Entries must be postmarked by November 1, 2022. The writer’s name, address, phone number, and e-mail address should be included on the title page and only the title page. The title page should also include a cast list and a one-to-three sentence synopsis of the play. Plays can have a cast of one to four characters; plays should be easily staged, avoiding elaborate set requirements. Submit one typed manuscript in standard format, securely bound. Complete rules are posted on the Rules page. Any questions can be directed to Rich Smith via the box office, at 262-632-6802, or by e-mail at snowdance318@gmail.com. Scripts will not be returned.

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