Women in the Age of Trump: CLINTON VERSUS TRUMP SEX ROMP GO! (excerpt) by Xavier Toby

CLINTON VERSUS TRUMP SEX ROMP GO! by Xavier Toby is a finalist for NYCPlaywrights project "Women in the Age of Trump."

Xavier Toby on his play:

I believe that most people are reasonable and good, no matter their political beliefs. They hold down jobs, raise families, and are convinced they are good humans, doing the best they can. So it's essential to me that my characters, no matter their political views, are never carictures. We're all just people trying to get by, jam-packed with good and bad, and I suppose that's what I try to write about. These are terrifying times, where too few of us know or care enough about politics, but shouting that someone is wrong, through art or a megaphone, is no way to bridge the chasm. We need to be inclusive, and my biggest worry is that society and the environment will fall apart before we've figured out how. Oh, and jokes. We always need more jokes.

XAVIER TOBY is a playwright, comedian and author from Australia who now resides in New York City. His work has been performed around the world, and for the last two years has been a member of the Athena Theatre Playwrights Group. http://www.athenatheatre.com | http://www.xaviertoby.com/

19TH ANNUAL NEW PLAY CONTEST

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Entry fee waived for members of The Dramatists Guild (Please provide proof of membership). 
19TH ANNUAL NEW PLAY CONTEST Theatre Conspiracy will be accepting submissions for its Nineteenth Annual New Play Contest between December 2016 and March 30, 2017. 

All works submitted will be read and judged by a panel of qualified theatre teachers, directors and performers. Script Parameters: Work submitted to the contest must be a full length play with seven actors or less and have simple to moderate technical demands. Plays having up to three previous productions are welcome. No musicals, we are a tone deaf theatre company!. Remuneration: First place: $700.00 and full production. However, it is our goal to produce more than one entry each year.

Submission Guidelines: 

1. Send complete script to Theatre Conspiracy Inc. 10091 McGregor Blvd. Ft. Myers, FL 33919 or send via e-mail to tcnewplaycontest@gmail.com 

2: Include Biography of the Playwright and character breakdown.

3: If you would like to have the script returned include SASE. If not include an SASE for results.

4: Include a non-refundable administrative fee of $5.00. Make checks payable to Theatre Conspiracy (DO NOT MAIL CASH). Entry fee waived for members of The Dramatists Guild (Please provide proof of membership).

5. Deadline for submissions is postmark date of March 30, 2017. Please do not spend $20 to overnight or second day your script! Save your money!!!!

6. One entry per playwright per year please. Send your best script.

NYSUMMERFEST PLAYWRIGHT AND MUSICAL COMPETITION

SUBMISSIONS WANTED

Welcome to the best and most supportive festival in US Play and Musicals between 5 and 90 minutes accepted

TO SUBMIT

http://newyorktheaterfestival.com/summerfest-festivals/submission-rules-summerfest-playwrights-festivals/

BEST PLAY OR MUSICAL  $3,500

BEST DIRECTOR, ACTRESS, ACTOR, SINGER EACH $500 BEST STAGE MANAGER, SET DESIGNER AND LIGHTING DESIGNER EACH $200 BEST MUSIC SCORE $300 BEST ORIGINAL PLAY $200

NO FEES REQUIRED TO SUBMIT  TO THIS FESTIVAL.

WHY YOU WILL NOT FIND ANY OTHER FESTIVAL EVER THAT OFFERS ALL WE OFFER

Submissions Accepted from Everywhere in the US Shows from outside NY and NJ can only run if the entire cast and crew are from New York City.

Discount tickets: GUTLESS & GRATEFUL

Use the discount code AMY at this link, 
http://metropolitanroom.com/event.cfm?id=239500 to get $10 off per ticket 

Following sold-out runs at The Triad NYC, The Bijou Theatre, United Solo Festival, Barrington Stage Company (Tony-Award winning William Finn’s Cabaret Series) and a nationwide tour from Washington D.C. to Hawaii, the captivating Amy Oestreicher will bring her hit one-woman musical Gutless & Grateful back to NYC at the internationally acclaimed Metropolitan Room on February 5th and March 26th at 7pm, 2017. 

Through interwoven song and dialogue, performer Amy Oestreicher shares a primal piece of live-storytelling – weaving her near death experience and inspiring perspective with an eclectic set of songs, comedically highlighting struggles, triumphs and “beautiful detours” in her life. https://amyoes.com/metroom/

Kitchen Theatre Company Play Submission Guidelines

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Kitchen Theatre Company (KTC) primarily finds new plays through submissions by agents and recommendations by directors who have worked at the KTC. However, unsolicited plays are accepted on a rolling basis. Keep in mind that unsolicited plays may take up to ten months to be read.

KTC is committed to contributing to the field of American theater by producing new plays. KTC seeks plays that complement our mission of creating bold, intimate, and engaging theater. Playwrights will be contacted once KTC has received their play and again only if their play is selected for production. Due to the high volume of play submissions that the theatre receives, KTC is unable to contact every playwright when their play is not selected to be produced. Please do not e-mail or call the theatre with inquiries about a submission.

Submission Guidelines
KTC is highly unlikely to produce a play with more than 5 characters and more likely to produce a play with 4 or fewer characters. Plays with more than 6 characters will not be considered.


For more specific information about what kind of work KTC produces, visit our production history.


KTC does not accept one act plays unless they are full-length in run time (seventy-five to ninety minutes).

KTC does accept musicals on the condition that they meet the above character count and run time rules. Submit with 3 recorded songs and a complete piano score with lyrics.

Plays from international playwrights are accepted and encouraged. However, the plays must be written in English or have been translated into English.

Please submit only one play to KTC within an 18-month period.

To submit a play for consideration, download and complete the application and send it along with the first ten pages of the play (cover page and character outline is not included in this ten page count) and a FULL BUT CONCISE synopsis in PDF format (no Word documents) to submissions@kitchentheatre.org. Please do not mail submissions. KTC is a green theater and likes to go as paperless as possible.

The 8th Annual Festival of Shorts

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Thank you for your interest in the 8th Annual Festival of Shorts hosted at the Wade James Theater by Edmonds Driftwood Players. The Festival this year will be presented in four performances – Friday and Saturday, July 7 and 8 at 8pm; Saturday and Sunday, July 8 and 9 at 2pm.

We are so excited to announce our theme for 2017 ”Unintended Consequences”.

How many times have you never meant to do something but ended up doing the very thing you tried to avoid? Or perhaps you wanted to help someone and ended up creating a bigger mess? Maybe you didn’t want to help someone and ended up being the biggest blessing they ever received. So often, our actions produce consequences that we never thought, never foresaw, never believed could happen. For good, for bad, for ugly, for interesting, for hilarious…the details are up to you!

In order to enter the festival, please DO the following:

• Submit an original, never before produced script for a play that will last no longer than 15 minutes with 6 characters or less, which can be staged with minimal sets, props, and costumes.
• Incorporate the theme of “Unintended Consequences” into your story.
• All scripts should be submitted electronically to: shorts@edmondsdriftwoodplayers.org
• Submit your play by 5pm Pacific Standard Time on Friday, March 31, 2017.
• Submit two documents:
• A cover page with the name of the title and your full name, address, email address and phone number.
• Your play in ‘Standard Stage Play Format’ with the title of the play ONLY. No identifying information about the playwright is to appear in this “blind” copy. All plays which fail to submit a blind copy of their play will be disqualified. The blind copy of the script preserves anonymity in our judging process.

In order to enter the festival, please DON’T do the following:

• Don’t submit a play with a single character. This means NO monologues, please!
• Don’t submit a play that includes nudity, excessive bad language or could in any way be construed as a hard ‘R’ or ‘X’ rating.
• Don’t include excessive props or things like glitter or feathers that would be hard to clean up and delay transitions for our festival. Eight plays will be presented at each performance (4 plays before intermission, 4 plays after intermission). Please don’t make it hard for our production team to stage your show.
• Don’t submit a play that has been produced on any stage, anywhere prior to March 31, 2017. We will do a search for each play before notifying our 8 finalists. Any evidence that a play has been previously produced will result in disqualification of the script from our festival.

If you have any questions, please email: md@edmondsdriftwoodplayers.org

We look forward to hearing from people all over the planet, so have fun! Hopefully your story about unintended consequences will be a hit with our judges and we’ll see you in July for our 8th Annual Festival of Shorts!

The Playwrights Group - a Weekly Workshop

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The Playwrights Group seeks new members to meet on a weekly basis in Manhattan to do readings of members material — anywhere from a few pages to an entire script. It can be a full length, 10 minute play, webisode, musical, film, etc. Contact them at scripts@theplaywrightsgroup to schedule a visit.

INFINITY 10-MINUTE PLAY CONTEST

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Our first short play festival—an evening of ten 10-minute plays and musicals, will be performed in the Washington DC area in the fall of 2017. The only restriction is that it cannot be currently published (or be under consideration for publication). Only one submission is permitted per playwright. Past productions are ok. There is no fee for submissions. Plays will be accepted through the spring of 2017. Plays are adjudicated by theatre professionals. Audience members will not get a vote! The top ten plays will be published by Infinity Stage and performed onstage next year. In addition, we offer these prizes:

First place: $200
Second place: $150
Third place: $100
Fourth Place: $50

There are no restrictions on your submission, per se, but it is more likely to be considered if it meets the following criteria:

1. Its running time is between 7 and 17 minutes
2. It is light or comedic in nature, rather than dark and brooding
3. It contains no vulgarisms or nudity
4. It has a cast of 3-7
5. It has a preponderance of female roles
6. Any musical has a backing instrumental CD
7. It is typed in formatting approved by Samuel French

Please send a PDF script, contact info and bio to mistercomposer@gmail.com

Women in the Age of Trump: EARLY RETURNS by Ramon L. Delgado

LAURA'S EARLY RETURNS by Ramon L. Delgado is a finalist for NYCPlaywrights project "Women in the Age of Trump."

Professor Delgado on the inspiration for this monologue:

“Laura’s Early Returns” attempts to contrast past civil rights gains with possible future losses through memories of a lost, loving relationship. Three drafts over three days were needed to strike a balance between the character’s personal story and the social comment."

Retired Professor Emeritus RAMON L. DELGADO  is the author of eight published short plays, notably “Waiting for the Bus” in the Bantam Press collection Ten Great One Act Plays and the full-length play A Little Holy Water. Three of his one-acts are available from Samuel French. He was editor of The Best Short Plays series from 1981-1989 and is a member of the Dramatists Guild.

Kevin Spacey Foundation: Artists of Choice

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Editor's note: this grant is focused on companies not individuals, for projects that already have a budget, funders, a venue etc. As the FAQs state, they expect to be "one of several funders."

KSF Artists of Choice supports artists in the creation of new work by providing financial support (£10k / $10k) and mentoring. Open to artists who have exciting, creative and unique projects across the genres of Musical Theater, Dance, Film and Theater.

Applications open: March 13, 2017, Application close: April 14, 2017, Shortlisted applicants notified: May 8, 2017

London interviews: May 15 to 19, 2017, New York interviews: May 22 to 26, 2017.

A KSF Artists of Choice Award gives you a financial boost of up to £10,000 / $10,000 and advice on how to promote yourself / your company and your project.

Each year we select eight KSF Artists of Choice, four UK based applicants and four US based applicants.

We work with companies producing either:

A Play

A Musical

A Dance Piece

A Short Film

Blank Theatre Young Playwrights Festival

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The Blank Theatre Young Playwrights Festival is a 24-year-old nationwide playwrighting competition for writers ages 9 to 19.

The 12 best plays are chosen by a panel of theatre professional from submissions across America.

No other national competition awards young playwrights with seeing their vision come to life on stage in a professional production.

Winning playwrights are provided careful mentoring and direction from industry professionals to help prepare their work for public performance and hone their skills, talent and confidence.

DEADLINE: Submissions must be postmarked or submitted by March 15, 2017FEES: There are NO fees for submitting your play(s)
ELIGIBILITY: Playwrights must be 19 years old or younger on March 15, 2017; co-written plays are allowed, provided all writers meet age requirement. If submitting online each playwright MUST submit a copy of their play with their own contact information.
CONTENT: Original plays and musicals on ANY subject.
LIMIT: Up to 3 plays per playwright or playwright team.
FORMAT: All script pages must be numbered. If submitting by mail, plays must be printed on one side per page and unbound. Plays submitted via theblank.submittable.com must be in Word or PDF format.
COVER SHEET: Online submissions should ONLY include contact information in the submission form and NOT in a cover sheet or anywhere else in the attached document. Mailed in submissions must include a Cover Sheet with: Title, Playwright Name, Playwright Date of Birth, Age, School Name, E-Mail Address, Contact Phone Number, Mailing Address.

NO RETURNS: Scripts will NOT be returned so please do not send any originals.
NOTIFICATION: We will contact Festival Competition winners in April 2017
PERFORMANCE: Winning plays will be performed in the Festival in Los Angeles in June 2017.

Fade to Black seeks 10-minute plays

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Script submissions will be accepted from
Tuesday, February 1, 2017 until Saturday, April 1, 2017.

TO PREVENT DISQUALIFICATION

Please adhere to contest requirements and guidelines.

Remember: Your submission form MUST be completed before you email your play.

See instructions below.

Your play must not be previously produced by yourself or another theatre.
Your play must not be published.
You must be the African American author of the play.
The theme and subject matters of the work is open to the playwright's imagination.
Local Houston directors and actors are encouraged to participate.
Selected playwright finalists will be contacted no later than Monday, May 1, 2017.
There is no fee to submit.
Grand prize winner will be chosen by audience vote and awarded a cash prize.
Only three (3) scripts submissions are allowed per playwright.
All applicants must be at least 18 years of age.

To qualify:

Your play must be an original, not previously produced, unpublished work written by an African American playwright.

“Produced” - Your play was marketed for production date(s) by either you (its playwright) or a theatre company and was performed before an audience who purchased tickets to see the event.

Staged readings are not considered productions. If your play has only had public or private readings, but has not been produced as a full scale stage performance, you are permitted to submit the play.

​"Published" - Your play is an officially published work and commands royalties from the producing theater each time it is performed.


Submission form must be completed.

Your play must be submitted in pdf format.

Your play must be between 8-10 minutes long.

Generally 8-10 pages of dialogue. Industry standard: 1 page=1 minute).

Your play should accommodate a “bare-stage” set requiring only a minimum of removable stage props and require basic lighting and sound cues.

Play must not be a musical.

Play must not be written for children or youth.

Play must not be a re-submission of previous Fade To Black festival seasons.

Play must not be considered a translation or adaptation.


To submit:


Complete the script submissions form. Click here [submissions without completed form will not be accepted].


After submission form is completed, email pdf of original work to: submissions@wmgellc.com


Email header should read: Submission: Fade to Black. Your name and the name of the play


Your play should include cover pages including: Your name, contact information, title of the play as well as any character descriptions or pertinent details you have regarding the play.

Peekskill High School Drama Department Ten-Minute Play Festival

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The Peekskill High School Drama Department will be accepting 10-minute play submissions for their 1st Ten-Minute Play festival. Students will be in charge of selection, acting, designing, directing, and producing chosen work which will culminate in a full-scale evening of drama in May 2017. This is a quest to expose our students to outside theatre resources and make connections with worldly practitioners. Peekskill, NY, is an urban community just an hour north of Manhattan (Located in the richly artistic and historic Hudson Valley). Please feel free to read more about Peekskill High School on the web at www.peekskillcsd.org or visit Peekskill High School Drama Company’s facebook page.

Guidelines as follows:

*Only Ten Minutes (or less).

*Deadline: April 1st, 2017. Selected plays will be notified mid-April.

*Playwright may submit as many plays as they wish.

* Three characters maximum. Any gender/any age.

*Please provide a cover letter. Include contact information and a title page with character descriptions and any specific production needs.

*Must be unpublished, but may have had professional productions/workshops/readings.

*All content, themes, and genres welcome. School appropriate language recommended.

*NO ELECTRONIC SUBMISSIONS.

Send to: 

Peekskill High School, 

1072 Elm Street, Peekskill, NY 10566 

Attention Terry Sandler, Director of Drama

*Scripts will not be returned. Unless you wish for them to be destroyed, we keep them on file for future usage.

* For further questions, please email tsandler@peekskillcsd.org. Thank you and we look forward to receiving your work.

Elite Theatre Company One-Act Play Writing Competition

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North American Playwrights Only

Competition Overview

The Elite Theatre Company’s 2017 One-Act Play Writing Competition offers North American playwrights the opportunity to submit for judging no more than one (1) one-act play with a running time of no more than 30 minutes each. There will be up to 5 winners; each winner may have their one-act play(s) produced on stage by Elite Theatre Company in 2018, for a run of up to 12 performances.

(ETC reserves the right to produce the one-acts at any venue during the calendar year.)

Script Submission Rules
Electronic submissions only.
Send to oneact@elitetheatre.org as a Word or PDF document only.
Must have name, address, e-mail address and telephone number on title page.
To be accepted into the competition, one-act play scripts must:

1. Be written by a U.S. or Canadian playwright;

2. Be original and unpublished;

3 Be written in generally accepted play script format;

4. Have a running time of not more than 30 minutes (under 20 minutes is recommended);

5. Be a comedy, drama, mystery, thriller or a monologue (no musicals or children’s plays will be accepted); and

6. Be received between March 1 - 31, 2017.
ONLY THE FIRST 100 SCRIPTS WILL BE ACCEPTED FOR JUDGING. (NOTE: In 2016, we received 100 scripts on the first day of the submission period.)

Scripts not in compliance will not be accepted for judging. Playwrights will be notified via e-mail only when their script has been received.

It is recommended that the play have single or unit sets; no more than six (6) characters; and not require complicated costuming, sets, props or special effects. These are recommendations only and will not disqualify a play from the competition.

Judging

The judges are comprised of qualified playwrights, theatrical directors, producers or theater educators.

The Literary Manager of The Elite Theatre Company and the Judges shall have sole discretion over the manner in which the plays are judged, and their determination of the winners will be final.

Winner Notification
Winners of the competition shall be notified by e-mail or mail by October 15, 2017. Winners may make minor corrections and changes to their script before rehearsals begin in December, 2017. Additional consultations may take place between the winning playwrights, ETC’s Artistic Director and Festival Producer before rehearsals and again before performances.

2018 One-Act Festival
By submitting a script for judging, the playwright gives the rights to Elite Theatre Company to produce and perform the play during the calendar year of 2018, if chosen by the judges to be a finalist, for up to 12 performances, during its regularly scheduled Annual One-Act Festival. Each finalist playwright shall be paid $100 before the first performance of the play.

Determination of the order of plays, directors, and production staff for ETC’s 2018 One-Act Festival will be made solely by ETC’s Artistic Director and/or Festival Producer. Winning playwrights are encouraged to attend a performance of their play. Two (2) complimentary tickets will be given to each winning playwright to attend any performance. Transportation and lodging will not be provided by ETC.

ETC Contact & Website
For additional information not covered here, please contact Steve Grumette at literary@elitetheatre.org or Tom Eubanks at ad@elitetheatre.org. For information about Elite Theatre Company, we encourage you to explore the rest of our website.

Dan I Rodden Jr Play Award (Egbert-Rodden Writing Awards)

Award for full length play.

http://egbertroddenwa.wixsite.com/erwa

Dan I Rodden Jr embraced the variety and challenge of life fully. His care for others extended to his sons, daughters-in-law, and his grandchildren.

Specific Rules

• Submissions for the award must be unproduced or scheduled for production at the time of submission. However, we encourage writers to seek production opportunities during the submission period. 
• Plays must be at least 75 minutes in length. No musicals are considered. 
• Subject matter is open but excessive violence or language, or gratuitous abuse or sexual content will be rejected. Plays with blasphemy directed at any religion will not be considered. 
• Yearly deadline closes March 27. Plays may be submitted at any time to be considered for the next award. 

The Award Series

Our grandparents HH and Jane Egbert and Dan I and Naomi Rodden were not people you would have heard of before. On the surface of things, they lived everyday American lives. But they also all took great risks in their own ways to make a better world for themselves, their families, and their country. We wanted to honor their memory in a small way by giving some encouragement in the writing arts, something all our grandparents cared for deeply.

The Egbert-Rodden Awards are meant to encourage writers to create new work. The Awards are not a publication or production award and no materials will be published or produced. Please understand the following before you submit.

General Rules

1. Each award carries a $100 prize. 
2. The award winner is responsible for any taxes. 
3. The author must supply a valid PayPal account for payment or the award. 
4. The award winner agrees to allow his or her name and likeness to be announced. 
5. The author of the submission affirms that s/he is the author of the piece submitted. 
6. The author affirms that the piece is unpublished or unproduced and not slated of publication or production at the time of submission. 
7. We encourage the writer to pursue all avenues for publication and production while the submission is being considered. Post-submission publication or production has no effect on the award selection. 
8. Award winners who cannot be contacted or do not respond in a timely manner will be withdrawn from consideration. 
9. The judges' decisions are final and they may reject a submission for any reason.

And Toto Too Submission Guidelines

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We are now accepting submissions for our 2018 season.

REQUIREMENTS:

• Woman playwright
• Full length or long one acts
• Play may not have had fully produced performances in Colorado, readings are fine
• 7 or less characters (do not double up your characters to make it fit)
• Finished plays only
• Minimal settings (our theatre space seats only 56 and won't handle multiple sets)

SUBMISSION REQUIREMENTS

Electronic only (if you send a hard copy it will be returned to sender unopened)
First 10 pages

Production History

Synopsis

If these guidelines are not followed your script will not be read. We will contact you only if we are interested in seeing a full script. We do not give feedback on why your play was not accepted. Thank you for submitting we look forward to reading your work.

Send to submissions@andtototoo.org

Young Playwrights Festival 2017

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Ends on March 16, 2017

The Blank Theatre Young Playwrights Festival is a 24-year-old nationwide playwrighting competition for writers ages 9 to 19.

The 12 best plays are chosen by a panel of theatre professional from submissions across America.

No other national competition awards young playwrights with seeing their vision come to life on stage in a professional production.

Winning playwrights are provided careful mentoring and direction from industry professionals to help prepare their work for public performance and hone their skills, talent and confidence.

DEADLINE: Submissions must be postmarked or submitted by March 15, 2017

FEES: There are NO fees for submitting your play(s)
ELIGIBILITY: Playwrights must be 19 years old or younger on March 15, 2017; co-written plays are allowed, provided all writers meet age requirement. If submitting online each playwright MUST submit a copy of their play with their own contact information.
CONTENT: Original plays and musicals on ANY subject.
LIMIT: Up to 3 plays per playwright or playwright team.
FORMAT: All script pages must be numbered. If submitting by mail, plays must be printed on one side per page and unbound. Plays submitted via theblank.submittable.com must be in Word or PDF format.
COVER SHEET: Online submissions should ONLY include contact information in the submission form and NOT in a cover sheet or anywhere else in the attached document. Mailed in submissions must include a Cover Sheet with: Title, Playwright Name, Playwright Date of Birth, Age, School Name, E-Mail Address, Contact Phone Number, Mailing Address.

NO RETURNS: Scripts will NOT be returned so please do not send any originals.
NOTIFICATION: We will contact Festival Competition winners in April 2017
PERFORMANCE: Winning plays will be performed in the Festival in Los Angeles in June 2017.

NYSUMMERFEST PLAYWRIGHT AND MUSICAL COMPETITION

SUBMISSIONS WANTED

Welcome to the best and most supportive festival in US Play and Musicals between 5 and 90 minutes accepted

TO SUBMIT

http://newyorktheaterfestival.com/summerfest-festivals/submission-rules-summerfest-playwrights-festivals/

BEST PLAY OR MUSICAL  $3,500

BEST DIRECTOR, ACTRESS, ACTOR, SINGER EACH $500 BEST STAGE MANAGER, SET DESIGNER AND LIGHTING DESIGNER EACH $200 BEST MUSIC SCORE $300 BEST ORIGINAL PLAY $200

NO FEES REQUIRED TO SUBMIT  TO THIS FESTIVAL.

WHY YOU WILL NOT FIND ANY OTHER FESTIVAL EVER THAT OFFERS ALL WE OFFER

Submissions Accepted from Everywhere in the US Shows from outside NY and NJ can only run if the entire cast and crew are from New York City.

PLAYWRIGHTS' LAB ACCEPTING APPLICATIONS FOR MEMBERSHIP

Our  Playwrights Lab. consists of an exciting and varied group of playwrights who meet for 3 hours a week, to listen to professional actors read their plays.  After the readings, there is constructive discussion about how well the play is working, and serving the objective of the playwright.

These are not  cold readings; Pulse provides the actors for the scenes, and gets scripts to the actors, so that they can read the scripts before the workshop meets.

The group is currently under the leadership of internationally produced award winning playwright Lezley Steele.  It is administered by Brian Richardson. All playwrights involved are expected to participate in discussion about all the works being read, not only their own plays.

One of the many distinguishing features of our Lab, is that the playwrights receive FULL READINGS OF THEIR WORK, as many times as they need in the workshops environment, until it is deemed ready for a full public audience.  They are thus able to re-write and hear their changes as often as they wish!  A unique and most valuable opportunity and learning experience for the development of the plays!

Works from our Playwrights Lab. have been performed in venues all over NYC and in other States. We take selected plays to full production level, as part of our new play development program.

The Playwrights, under the leadership of Ms. Steele continue working on the script until they feel it is ready for a public viewing.  When the play is deemed ready, it  is presented in a full public staged reading.  Pulse casts the play, provides the director, and provides the presentation venue.

PLEASE NOTE:  This is not a beginning level class.  

The Playwright must have a work in progress, and be willing to continue working on the script; this is not a workshop for people who consider that their work is already completed.

There is a nominal monthly fee towards the space, and the casting for the actors for all the readings. There is no submission fee. More info at www.pulseensembletheatre.org/playwrights-lab

Playwrights are admitted into the group based upon their writing skills and enthusiasm for the process.

It is the playwright’s responsibility to meet the deadlines as set up by Pulse.

TO APPLY, PLEASE SUBMIT A SCENE FROM YOUR WORK IN PROGRESS.  PLEASE SEND A 20 - 30 PAGE SAMPLE “ ATT. PLAYWRIGHTS’ LAB.”  Also

Please complete an application form, and please SUBMIT it with your scene 

The Nora Salon reading series

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Nora’s Playhouse is proud to announce The Nora Salon (TNS), a new monthly reading series devoted to supporting and promoting the work of emerging women playwrights from diverse backgrounds and life experiences.

We envision TNS as an informal gathering of artists and Nora’s supporters who want an inside look at how plays get from page to stage, and the opportunity to participate in the development process. Our first salon will take place in January 2017 in Downtown Brooklyn.

We welcome submissions of any genre and length, provided they:

• are by women playwrights in the NYC area,
• centrally feature women’s stories and perspectives,
• have not yet had a production.

Finished pieces and works-in-progress both welcome.

Please email a copy of your submission along with a brief cover letter to submissions@norasplayhouse.org.

Primary Stages: Write a Play in 2 Days

WORKSHOP: A PLAY IN 2 DAYS WITH MELISSA ROSS

Instructor: Melissa Ross (Writer, Of Good Stock at MTC, Nice Girl at Labyrinth)

Saturday, May 6 and Sunday, May 7

1:00pm – 6:00pm both days

This 2-day writing extravaganza is designed to push you to write an inspired first draft in 48 hours. Sounds crazy, right? But it can be done! The class is specifically focused on using your intuition and liberating you from the trap of overthinking. You will be given exercises by email in the week leading up to the course in order to start planting seeds, and throughout the weekend Melissa will lead you in exercises that will shake up tired assumptions about how to create. Bring in a preliminary idea or simply come in with an open mind, and by Sunday evening you will have—at the very least—the foundation of your next play.

Register

Our award-winning faculty, comprised of working professionals in the field, provides practical skills and expert guidance in a collaborative community atmosphere.

We provide students easy and convenient payment plans to break up tuition. Primary Stages ESPA is a home for all artists, in all stages of their careers. For more information, call 212.840.9705 x211 or email espa@primarystages.org.

Next Act! New Play Summit 6

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Submissions are now being accepted for Capital Repertory Theatre’s Sixth Annual NEXT ACT! NEW PLAY SUMMIT!

Next Act! now in its sixth year, is an expansion of Capital Repertory Theatre’s (theREP) commitment to the development of new work. At the same time, the weekend long summit is designed to complement the Upper Hudson Valley’s rich diverse populations. The summits directly reflect the theatre’s mission, “to create meaningful theatre generated from an authentic link to the community.” Next Act! New Play Summit 6 takes place October 20 - 23, 2017 and will feature readings of four never-before produced plays, with additional special events throughout the weekend.

As in years past, the theatre is devoted to finding a play that can be produced in an upcoming season. Evidence of this devotion can be found in theREP’s productions of Suzanne Bradbeer’s The God Game (2015) and Naked Influence (2016), Sherry Kramer’s How Water Behaves (2015), and Bob Morris’ (2017) production of Assisted Loving; Dating With My Dad, all of which started at Next Act.

Accepting full length plays only.

(No Musicals.)

Multi-cultural and ethnically diverse pieces encouraged.

Comedy and Drama welcome!

ELIGIBILITY

Eligible plays can not have been previously produced, though previous readings are allowed. No more than 7 characters. (Please do not submit works in which actors play multiple roles, unless it is a device used to illuminate generations.)

Plays previously submitted to Next Act will not be considered for this years’ Summit.

Agent and non-agent submissions accepted.

Submission Deadline: END OF DAY – Friday March 31, 2017.
HOW TO SUBMIT

Playwrights should submit one document, as a Microsoft word or PDF file attachment. This document must include: a short one-paragraph synopsis – that illuminates the plays entire plot including its ending; the character descriptions and the first 10 pages (and only the first ten pages) of their play. Submission documents must be void of playwright’s name and contact information.

Submissions that do not conform to the guidelines stipulated will not be accepted.

Email your submission to mhall@capitalrep.org with 2017 SUBMISSION in the subject line. (There is a spam filter on this email account to protect it from hackers. First time users please prove that you are human by following the link to ensure your submissions delivery.)

A small stipend and limited travel available for playwrights selected.

Electronic submissions preferred.


PLAYS SELECTED:

Playwrights selected for the summit will be notified at the beginning of August.

Three plays will be selected to have readings (with an eye towards a potential future production) during the annual 4-day summit, which takes place October 20 – 23, 2017.

Capital Rep is a professional LORT D theatre, established in Albany in 1981.

Distilled Theatre Company seeks radio play scripts

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Distilled Theatre Company is excited to present our fifth season of dtc radio! dtc radio curates and produces new story-based radio plays that air for free on iTunes and are available through any podcast app. The dtc radio team will work with you on script development and when a final draft is complete, the team will find a director, actors, a sound designer, and produce the script. There will be 5-6 new plays in Season five, all around 20min in length.

Have you ever read a quote and thought to yourself “Well that get’s straight to the point!”? This season we are looking for plays inspired by a quote that tells it like it is. We have included some of our favorites below, but are open to ALL interpretations. Feel free to email distilledtheatre@gmail.com with any questions!

https://docs.google.com/forms/d/122-TS_AiAJpn8-0fSv3gejDpt9Q24VX4vBOk4PTNseg/edit?usp=sharing

*dtc radio is currently located in New York City, San Diego, and Fort Lauderdale. We request applicants only from near these areas so the playwright can be involved in the process.

Playwrights on Park Reading Series

We are currently accepting submissions for the 2017-2018 season of the Playwrights on Park Reading Series at Playhouse on Park in West Hartford, CT.

DEADLINE FOR SUBMISSIONS: March 15.

IMPORTANT INFO:

Playwrights MUST be able to come to West Hartford for the day of the reading. There will be a talkback with the playwright and the cast after the reading. There will be a rehearsal the day of the reading in which attendance by the playwright is optional, but strongly encouraged. Transportation may be provided from NYC or New England locations by the Playhouse.

We will ultimately choose 5-6 readings for the 2017/2018 season. Final selections will be made by June 1.

The plays will receive a cast of professional actors and a director and will be presented as a staged reading for a public audience. After the reading, a moderated audience discussion with the actors, the director, and most importantly, the playwright, will give both the Playhouse on Park and the playwright constructive feedback to further develop the playwright's vision for the play. 

Playwrights on Park is a new and exciting artistic endeavor for Playhouse on Park. Our mission is to develop and produce original plays and musicals, to foster emerging and established playwrights, and to become a leader in new play development. We aim to help establish the Greater Hartford Area as a premiere destination for the cultivation and exploration of innovative theatrical work.

www.playhouseonpark.org

Submission Guidelines:

▪ Please submit a FULL script and character breakdown (Please submit in PDF format). No hard copies please.

▪ Include any production or workshop history, as well as biographies of the playwright, and any collaborators

▪ Playwrights may self submit or go through a literary agent.

▪ For musicals please submit the music on a CD or by mp3.

▪ Connecticut-based and NYC playwrights are strongly encouraged to submit

▪ NO FEE CHARGED 

Submit plays to newworks@playhousetheatregroup.org

Sasha Brätt, Literary Manager
Sean Harris, Artistic Director

Trade a Play Tuesday

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One Tuesday, in January 2014, I had just finished a ten-minute play that I wasn’t sure about. I usually don’t ask for feedback on ten-minutes, but this one was a little unusual, and I felt like I wanted some. So I posted on the Playwright Binge asking if anybody wanted to trade a ten-minute play for feedback. The response was incredible! I ended up reading 20 ten-minute plays that day, and got a ton of feedback on mine that helped shape it and make it funnier.

So today, I woke up, it’s Tuesday, I have a couple new ten-minutes, and I thought why not make this a regular thing? There are no development opportunities for ten-minute plays but, as with any play, a ten-minute can be improved with thoughtful feedback and attention.  (You may also send ten-page scenes that you’d like some feedaback on.) So let’s provide for each other what doesn’t exist.

If you don’t have a play today, don’ t worry:  I’ll remind you about TAPT each week on the Official Playwrights of Facebook page and Twitter (please follow me at @donnahoke to see the confirmation reminders–IF THERE IS NO REMINDER, THERE IS NO TAPT THAT WEEK, but this is very rare, so always feel free to inquire), so when you see that we’re on, send your play and somebody will be ready to read it. And if you’ve haven’t got one, here’s why I think you should.

Playwrights can send their ten-minute plays or ten-page scenes to me at donna@donnahoke.com with the subject #TAPT (Trade A Play Tuesday).  I will trade them two-by-two as they come in. Subject matter can be anything, but there are  two important rules:

1) It must be a ten-minute play or a ten-page scene. No sneaking in any longer one-acts.  If you are sending a ten-page scene, please give your reviewer some context. READERS: If you receive something longer than ten minutes, you do not have to read it. Please alert me, so I can remind the sender about the rule. Senders, PLEASE be courteous about this rule; it’s not fair to others who are following it.

2) You MUST read and provide feedback within a reasonable time frame: Ideally, this would be WITHIN THREE HOURS, but certainly NO LATER THAN THE END OF THE DAY (that means midnight EST). We all know that once something languishes in your email, it can get lost forever, which would not be fair to the playwright who is diligently reading your play and awaiting your stellar wisdom. If you can’t give a thoughtful critique within this time frame, don’t send it until you have the time to dedicate.

The earlier in the day you send your play, the better. This gives me the best ability to match people with people they haven’t been matched with before; you can also send it the night before, or even whenever you remember during the week; I’ll hang on to it until Tuesday. And on Tuesday, you must do your trade. I also ask that you not send things past five o’clock; it’s rare that I’d get someone to trade you with that late. It’s okay if you tell your reader you can’t respond until after five, but sending that late doesn’t tend to work well.

 Once you’ve sent your feedback and received yours, if you feel like you want more AND are willing to read another play–send it again. I’ll trade you with another playwright. AN IMPORTANT WORD ABOUT FEEDBACK: Please take the time to give thoughtful and honest feedback, the kind you would like to receive yourself.  Praise is wonderful, but praise-only critiques, as we all know, are rare birds that we spot infrequently.  They are not a substitute for a thorough read and feedback.

And that’s it. Spread the word. And if you’ve got a new ten-minute, send it. Let’s get this thing rolling. You’ll get feedback AND meet a cool new playwright. What have you got to lose?

NYSUMMERFEST PLAYWRIGHT AND MUSICAL COMPETITION

SUBMISSIONS WANTED

Welcome to the best and most supportive festival in US Play and Musicals between 5 and 90 minutes accepted

TO SUBMIT

http://newyorktheaterfestival.com/summerfest-festivals/submission-rules-summerfest-playwrights-festivals/

BEST PLAY OR MUSICAL  $3,500

BEST DIRECTOR, ACTRESS, ACTOR, SINGER EACH $500 BEST STAGE MANAGER, SET DESIGNER AND LIGHTING DESIGNER EACH $200 BEST MUSIC SCORE $300 BEST ORIGINAL PLAY $200

NO FEES REQUIRED TO SUBMIT  TO THIS FESTIVAL.

WHY YOU WILL NOT FIND ANY OTHER FESTIVAL EVER THAT OFFERS ALL WE OFFER

Submissions Accepted from Everywhere in the US Shows from outside NY and NJ can only run if the entire cast and crew are from New York City.

Theatre Southwest's Festival of Originals 2017

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Theatre Southwest of Houston, Texas is now accepting entries from now until March 15, 2017 for the 20th Annual Theatre Southwest Festival of Originals! The TSW-FOO is FREE to enter and will once again be calling for short one act (20 minute) plays in any and all genres from all over the country and the world. Please check below for submission guidelines and see how you can enter for a chance to win a cash prize and to see your work produced.

Submission Guidelines:

Each playwright may submit up to 2 plays for consideration.

All entries should be unpublished and previously unproduced in the Houston area.

All Genres are accepted.

Monologues or One Actor plays are not accepted.

Plays should be 20 minutes in length (give or take a minute or two). Page count should be no less than 17, but no more than 22 pages.

There is no maximum limit of characters or sets, but common sense should be used as 5 plays will be produced in one evening.

Number all pages of the scripts, and scripts should be securely bound or stapled in the upper left hand corner.

Scripts must be submitted by postal mail ONLY. Emailed PDF or Word files will not be considered.

Be sure to include your contact information; phone number, email, and mailing address on the title page of the script.

List all characters with a brief character description.

Please include a one paragraph synopsis of the play.

Make sure all mailed entries are POSTMARKED by March 15, 2017 (the Ides of March)

Scripts cannot be returned.

One hundred dollars will be paid to all playwrights selected for production.

Scripts should be mailed to:

Theatre Southwest
8944 Clarkcrest St.
Houston, Texas 77063-4004
Attn: TSW-FOO

For more information or background on past productions, go to

http://www.theatresouthwest.org/

Broadway Bound Theatre Festival

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The Broadway Bound Theatre Festival (BBTF) is a new festival based in NYC, proudly proclaiming 'Where Playwrights Take Center Stage.' All applicants undergo careful scrutiny by our panel of talented playwrights, before being accepted to the only curated theatre festival dedicated to transforming playwrights into producers.

Enter Now
Submission Deadline: March 15, 2017


Acceptance Offers will be made in early April 2017
Participation Fee: $750, payable upon acceptance

Performance Dates: July 31 through Aug. 20, 2017
Opening Night Ceremony: July 29, 2017

Closing Night Ceremony: Aug. 20, 2017


There are two steps which must BOTH be completed in order to submit to Broadway Bound Theatre Festival 2017:

1. Application: Applicants must fill out the Broadway Bound Theatre Festival - Playwright Application below.

2. Materials Email: Applicants must email a PDF version of their script, as well as a headshot to the email address provided upon the completion of this form. All submitted files MUST be PDFs and saved as "Full Name - Title."

Optional:

3. There is no cost to submit your script for consideration in BBTF 2017. However, if you would like to purchase an in-depth critique of your work, please visit our online store and provide your order number in the cover letter of your materials submission email.

Unlike any other festival, upon completion of the decision-making process, you will receive a brief critique of your work which should help you understand the reason for our decision. You may submit up to two scripts per season. However, only one will be selected. A total of 20 plays will be accepted into the 2017 festival.

Babes with Blades JS&P 2017-18

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BWBTC’s international playwriting competition, founded in 2005 to increase the number of quality scripts featuring fighting roles for women. Since its inception, JS&P has been sponsored by Fight Master David Woolley, SAFD.

The winner receives the Margaret W. Martin Award: the play undergoes development via BWBTC’s Fighting Words program prior to premiering as part of an upcoming BWBTC season, and the playwright receives a $1,000 cash prize.The winner is chosen through a blind selection process: company members find out the identity of the playwright only after voting in the piece to be produced.

Use either one of the images below (or, if you’re feeling particularly art-y, both) as the basis for a new play that 1) features complex roles for women, and 2) explores staged violence as a storytelling tool.

(Click images to view at full size)

JS&P 2017-18 Submission Guidelines

The winner of Joining Sword & Pen 2017-18 will receive the Margaret W. Martin Award:

The winning script will be workshopped through Fighting Words in 2017.
The winning script will be produced as part of Babes With Blades’ 2018-19 Season.
The winning playwright will receive a $1000 cash prize.

U.S. and International submissions accepted.

In order for their scripts to be considered, playwrights must observe and adhere to ALL of the following SUBMISSION REQUIREMENTS.

1. Please email your submission in a PDF file to Delia Ford:
swordandpen@babeswithblades.org.
IMPORTANT: This will be a BLIND SUBMISSION PROCESS.
Your email submission should contain two separate attachments:

a) Your cover page. INCLUDE the play’s title, playwright’s name, and full contact information (name, phone numbers, email, mailing address).
b) Your script. INCLUDE a list of characters, and the page number where the contest’s image is incorporated. DO NOT INCLUDE ANY contact information, of any kind, in the body of your script. An author’s identity will only be revealed to the ensemble once a selection has been made.

2. Submissions are due NO LATER than March 9, 2017. By submitting a script, you are agreeing to adhere to the deadlines on the workshop and production schedule.

3. All submissions must be new, original works, inspired by the artwork that is the focus of the contest. Previously written, workshopped, published or performed submissions will not be considered and we will not contact you. Please do not insert the contest image into an existing script.

4. The moment depicted in the inspirational image must be physically dramatized/incorporated into the play. We want to (literally) perform that moment on stage. Please include the page number of your script where the contest’s image is depicted in your submission email.
Please note: the models in the inspirational images are intended as prompts, to provide an emotional starting point for your reference. You are NOT required to incorporate those specific people, body types, races, ages, etc. into your script – rather, take the moment depicted and make it your own.

5. Only FULL LENGTH submissions will be accepted: at least 60 pages (75-120 minutes) in length. Do not send incomplete submissions, excerpts, or a synopsis. They will be rejected.

6. Please include a list of characters. Both all-female and mixed-gender casts will be considered, but women must be in most/all of the primary roles, and women must be featured in most/all of the combat.

7. Scripts submitted will be considered the original creations of the authors, not Works for Hire. The author will retain all copyright rights and privileges granted thereto. If a winning script is subsequently published, we ask authors to note “Babes With Blades Theatre Company” as the original producing company.

8. Please let us know in your submission email where you heard about JS&P.

Additional Considerations

1. Physical conflict is a big part of what we do, so the inclusion of fights is important as long as they serve the story and the characters. Quantity is not key – quality is.

2. We typically perform in black box theatres on limited budgets, so less is often more. Scripts that require fewer than 12 actors and uncomplicated/limited scenery tend to work best for us.

3. Please take a few moments to peruse our website to familiarize yourself with the
mission and direction of our company, our acting ensemble, and our past shows, including previous JS&P winners.

Still have questions?

1. Try visiting our FAQ for more information.

2. Please email Delia: swordandpen@babeswithblades.org

Playwrights Realm submission guidelines

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If you wrote a play and you’re dying to have us read it, then you’re in luck. We love reading new plays that have not yet had a professional production in NYC. We’ve gone paperless – it’s the 21st century, people – so please don’t send hard copies. Email a ten-page sample with an introductory email (or as they used to call it a cover letter) to literary@playwrightsrealm.org.

Last Chance for Spring Writing Classes at Primary Stages ESPA

The weather is getting warmer, and things are heating up at Primary Stages ESPA. Many classes have already started, and this your last chance to take advantage of the fantastic opportunities to stay on top of your writing goals this Spring. You can secure your spot with just a $50 deposit using code DEPOSIT when registering online!

March 8: The First Draft Section E with Winter Miller (Writer, In Darfur at The Public): Winter sees the class as being part of a sacred team, all working to elevate the work. She will seek for you to be an active participant in your own development as a writer.

March 12: The First Draft Section F with Eddie Sanchez (Writer, Barefoot Boy with Shoes on at Primary Stages): Eddie's class is all about being a safe place to try things. One week you may bring in a scene that totally slays, the next week, not so much. But this is the room where you can try.

March 15: ONLINE: The First Draft with Jeni Mahoney (Writer, Fata Morgana at BCT; Founding Artistic Director, Seven Devils Playwrights Conference): In this online class, Jeni will guide you through the development of your first draft, providing concrete deadlines and constructive feedback that will encourage you to get your ideas on the page.

March 16: The Craft of the Adaptation with Richard Vetere (Writer, screen adaptations include The Third Miracle, produced by Francis Ford Coppola, and The Marriage Fool starring Carol Burnett): Adapt source material of any form (play, novel, tv show, web series...the sky's the limit!) into a screenplay, writing specifically with the camera in mind.

March 19: ONLINE: The Web Series with Kate Wetherhead (Writer, Director, Creator of "Submissions Only"; Actor, Broadway's Legally Blonde and ...Spelling Bee): Your own home will transform into a TV writer’s room as you write the first season of your web series, a platform for writers to do what they want, unrestricted by producers or censors, and uniquely positioned to go viral for maximum exposure.

Our award-winning faculty, comprised of working professionals in the field, provides practical skills and expert guidance in a collaborative community atmosphere.

We provide students easy and convenient payment plans to break up tuition. Primary Stages ESPA is a home for all artists, in all stages of their careers. For more information, call 212.840.9705 x211 or email espa@primarystages.org.

Four Quarter Theater accepting 10 minute musicals

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Four Quarter Theater, a NYC based theater ensemble, is currently accepting 10 minute musicals for our spring season Musicals.

In each quarter of the year, and aligning with the seasons, Four Quarter Theater aims to produce a new set of ten-minute plays. Each season is framed around a theme, which relates to the season in which the quarter falls. Each theme is open to artistic interpretation and is provided as a thematic framework to guide the playwright. The format of the performances will be staged readings in New York City.

Four Quarter Theater is currently accepting 10 minute musicals for our spring 2017 season Musicals. The term “musicals” is understood to include musicals, plays with music, thematic revues, or any comparable iteration.

Below please find our submission requirements and additional guidance to successfully submit your piece to Four Quarter Theater. Please note that playwrights are eligible to submit one piece per season only. 

We are currently accepting submissions until March 10, 2017.
If you have any questions, please do not hesitate to contact our Director of Submissions, Dana Trottier, at 4qtsubmissions@gmail.com, or view additional information on our website at fourquartertheater.com.

Submission Requirements and Eligibility

§ The musical must be a stand-alone musical and presentable in ten minutes.

§ Cast should not exceed 5 actors.

§ Submissions must include script and libretto/lead sheets/piano score in PDF format only.

§ Music files of songs are also needed and should be submitted in MP3 or MP4. Each song should be submitted separately or as one piece with labeled tracks. The submission of music can be as simple as composer singing tracks with piano. Please place all required music files in a shared folder or drop site (Drop Box, Google Drive) and send a folder link with submission.

§ Music for each piece will be performed live and should be able to be performed with a single piano.

§ There is a submission limit of one play per theme. The playwright must designate the theme submitted for in the subject line of the email (Musicals).

§ Original and never before produced musicals are highly encouraged.

§ Please submit all necessary materials electronically to 4qtsubmissions@gmail.com by March 10, 2017

Electronic submission must include

§ Title, author’s name, address, phone number, email address.

§ A brief description (100 words max) of the musical.

§ PDF of script and link for music.

Selection of Musicals

The play selection process is conducted by the Play Selection Committee. As many as seven plays are selected for each series (approximately 4 times a year). Only selected playwrights will be contacted. Plays not chosen for this quarter/year may be considered for future series if considered by the company to be theme appropriate.

Four Quarter Theater reserves the sole right to make all production decisions with regard to the plays selected. Four Quarter Theater reserves the right to photograph, audio and video record selected plays to be utilized for promotional materials; promotional video and audio recordings will only include clips of performances and never the full performance of the selected play. Any recordings will be shared with selected playwrights.

Four Quarter Theater is committed to highlighting work of emerging artists. There is no financial compensation for entries, nor is any financial commitment required by the playwright.

We look forward to reading your submissions.