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Showing posts with label women-only. Show all posts
Showing posts with label women-only. Show all posts

Friday, July 19, 2019

Women's Writes Festival (UK)

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The first Women's Writes Festival will take place at The Arcola Theatre on Sunday 29th September!
If you're interested in getting involved as a Playwright then read on....

Women’s Writes PLAYWRIGHT information

About Women’s Writes

Women’s Writes is a festival of new writing showcasing female
voices. The aim of the evening is to promote female identifying playwrights and stories with female driven narrative.

What to submit

We’re looking for plays about complex, intricate female characters who don’t stick to any of those boring archetypal forms. Women who are intelligent, courageous, fallible and complex. Your piece will be female driven narrative, although characters of all genders are welcomed.
You can submit either a 10 minute extract from a larger piece of work or a 10 minute short play.

**Submission Deadline; 24th of August! **

Please keep in mind that there will be no set or props provided, so keep things simple. Best to stick to the bare minimum of props, or to things the directors/actors can easily source themselves. It’s best also to stick to casts of fewer than three/four.

There will be a basic tech set up for minimal sound and lighting but each play will only have a short slot to tech their play - so don’t give them anything too fancy to deal with. Stick to basic lighting and sound.

How to submit

Send your 10 minute play or 10 minute extract over to; womenswritesfest@gmail.com along with
a brief (less than 100 word) synopsis and a little bit of information about you!

What happens next?

If your short is included in Women’s Writes then it will be paired with a director and cast to rehearse.

Where is it?

The first Women’s Writes Festival will take place at The Arcola Theatre on Sunday the 29th of September. The day will consist of two performances. The first show will begin at 5pm and the second show will begin at 8pm.

Monday, July 15, 2019

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

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The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

Finishing grants for film, television, and digital projects
Funds for the creation of music recordings or videos
Production funds for live theatre
In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role.

Grants will be given in the following categories (amounts listed are the maximum potential grant):

Fiction Feature (running time of 60 minutes or more) - $50,000
Fiction Short (running time of 59 minutes or less) - $25,000
Fiction Webisode/Webseries (all forms) - $20,000
Documentary Feature (running time of 60 minutes or more) - 50,000
Documentary Short (running time of 59 minutes or less) - $25,000
Documentary Webisodes/Webseries (all lengths and forms) - $20,000
Music: Classical/Experimental/Jazz/New Music - $20,000
Music General - $20,000
Theatre Production - grant amounts up to $50,000
In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

Applications for the 2020 cycle will be available on Wednesday, July 10 and will close on Tuesday, October 1 at 11:59 PM EST. Recipients will be announced in March 2020. View NYC Women's Fund FAQs here, and click below to view guidelines for each project category.

Film Project Guidelines
Music Project Guidelines
Theatre Project Guidelines

Anyone can apply and be awarded a grant regardless of actual or perceived sex, gender, gender identity or gender expression, sexual orientation, age, religion, creed, partnership status, marital status, disability (including use of a service animal), race, color, national origin, alienage, citizenship status, military status, or any other class protected by City, State, or Federal law.

Saturday, July 13, 2019

Centenary Stage Company Women Playwrights Series

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Deadline for open submissions: November 2, 2019

Deadline for New Dramatists, Agent and PW Center Submissions: January 15, 2020

Playwrights with work on NPX may contact program director Catherine Rust (Catherine.Rust@centenaryuniversity.edu), with name of play to be downloaded for consideration.

NOTE: We are rarely able to consider work with over 7 cast members.

The Centenary Stage Company, a professional theatre in residence on the campus of Centenary University in Hackettstown, NJ is accepting submissions for the 2019 Women Playwrights Series (WPS) and Susan Glaspell Contest.

Now in its 27th year, the WPS is a developmental program dedicated to providing a working forum for the unique and under-served voice of women writing for the theatre today. Each season 3 new plays are selected for a collaborative workshop process, with a professional director and actors, which takes place in a brief rehearsal period of approximately 1 week, allowing time for the playwright to hear and adapt their work with other professionals. The process culminates in a presentation of the work for the general public as part of the series, giving CSC audiences larger exposure to new work, as well as offering the playwright an opportunity to get feedback from the audience during the development process.

Playwrights selected for the workshop process will receive a $200 honorarium. Additional funds for travel and housing is available for one playwright each season.

The Susan Glaspell Contest
One play from the WPS Festival will be selected by a panel of judges as the winner, to be featured in a subsequent CSC main-stage season as a full production, with an additional award of $1500 to the playwright.

Guidelines for WPS Glaspell Contest submission

Submit full-length play, with no prior AEA production
(If play has had one workshop production, please include information in your cover letter about the company, # of performances, and contact infor, if applicable.)

Please include 1 letter of recommendation from a professional colleague or professor/instructor familiar with your work.
NOTE: We are rarely able to consider work with over 7 cast members.

Send submissions to:
Attn: Catherien Rust, WPS Program Director
Centenary Stage Company
400 Jefferson Street
Hackettstown, NJ 07840

Saturday, June 29, 2019

Ivoryton Playhouse Women Playwrights Initiative 2020


Fourth annual Women Playwrights Initiative: PASSION POWER PROSE 2020.
Our mission is to Inspire, Empower, Validate, and Celebrate women playwrights.
Please read the submission policy carefully
Starting June 15, 2019 women playwrights are invited to submit one-act plays written solely by women. Scripts must be in standard Samuel French playwriting format: 12 point font, character name centered, 1” margin all around. Email scripts to Laura Copland laurac@ivorytonplayhouse.org.

We are specifically looking for TWO ten-fifteen minute plays, and TWO longer plays up to one hour—approximately 50 pages. Plays running longer than one hour will not be considered. Each play will have one staged reading on either Saturday afternoon or Saturday evening on February 22, 2020.
No one-person plays or musicals will be accepted.

Only one submission per playwright will be accepted. Scripts will not be returned.

Submissions are limited to the first 150 scripts received. No play will be accepted before June 15.

These are blind submissions. The title page must include ONLY the name of the play, the characters, and the setting. DO NOT include a synopsis. A separate file is required with the playwright’s name, email address, mailing address, telephone number, and the name of the submitted play. Please also include a resume as a separate file and NOT included in the PDF file of the play.

The call is open from June 15 to August 15, 2019 OR until we receive 150 plays

Playwrights will be notified if their play was received after receipt of 150 plays or the deadline and thus, not considered.

Submissions will be acknowledged by email. Playwrights will be notified in the fall of 2019 by email if their play is selected. Playwrights whose plays were not selected will also be notified.
All ethnicities and all ages are strongly encouraged to apply.

The four selected playwrights will be invited to stay for the week of workshopping beginning the arrival day, Sunday, February 16, 2020 through to the staged readings on Saturday February 22, (performance inclement weather date and/or departure day on Sunday, February 23, 2020.)

The WPI is a workshop and playwrights are encouraged and should be prepared to work on their play, including rewrites, as needed.

Stipend: PLAYWRIGHTS: $500, plus travel from your nearest airport or train station to Ivoryton, CT on Sunday, February 16, 2020 and from Ivoryton on Sunday, February 23, 2020. Housing is provided.

DIRECTORS: The WPI also seeks resumes from women directors. Stipend: $300 and housing is provided, if needed. All ethnicities and ages strongly encouraged to apply.

READERS: We also seek resumes from male and female readers to evaluate the plays and to email feedback on a form provided. All readers will receive free admission to the staged readings. All ethnicities and ages are strongly encouraged to apply.
To download a pdf copy of these instructions, please follow this link:  WPI 2020 CALL FOR SCRIPTS

Play submissions, and Director and Reader resumes should be emailed to Laura Copland, Director of Play Development, and Founder and Director of the WPI at the Ivoryton Playhouse, laurac@ivorytonplayhouse.org.

Sunday, June 16, 2019

Urbanite Theatre: Modern Works Festival seeks plays by women

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The submission window is now open.
SUBMISSION DEADLINE: JUNE 28, 2019

Click here to submit your play.
You must have a Google account to submit via Google Forms.

Festival Performance Dates:
October 8-13, 2019
Sarasota, FL

Playwright Eligibility:
Seeking work from emerging and established female and female-identifying playwrights. Playwrights must be available to attend the festival in Sarasota, FL, including rehearsals, to be considered for selection (October 5 - 13) 

Travel and housing is provided.

No Entry Fee
Festival Awards:
Winner $3,000 (1)
Finalist $500 (2)
Travel, housing and per diem provided for all three finalists.

Submission Rules and Requirements:

Interested playwrights are encouraged to read Urbanite’s mission statement and look at our production history to get an idea of the type of work we produce.  Urbanite Theatre will only consider submissions that meet the following criteria:
  • Submissions must be from female or female-identifying playwrights.
  • Playwrights must reside in the United States. 
  • Plays must be unproduced and unpublished with limited development. 
  • No musicals, translations, or adaptations.
  • Full-length plays only (at least 60 minutes)
  • Plays must require five performers or fewer.
  • Quality, female-identifying roles must be well-represented.
  • Plays must include a contact page and character breakdown.
  • One submission per playwright.
  • Any plays that do not follow these requirements will be dismissed.
  • Playwrights must be available to attend festival, including rehearsals, in Sarasota to be considered for selection (October 5 - 13). Housing, transportation and per diem will be provided to finalists.
Festival Rules and Guidelines:
  • Three finalists will be chosen to participate in the Modern Works Festival. 
  • Finalists will be selected by panel of readers and notified by Urbanite Theatre on August 12, 2019. 
  • The volume of submissions will prevent us from providing individual feedback.
  • ONLY finalist playwrights will be contacted. 
  • Plays that have been previously submitted to the Urbanite Theatre or the Modern Works Festival are not eligible to be submitted again.
  • Each finalist will receive the following: a professional director and cast, a table read, 12 rehearsal hours, a staged reading with a total of three public performances, and facilitated post-show talkbacks. 
  • Each finalist play will be assigned a play development mentor to work with before, and during the festival.
  • Finalist playwrights are required to participate, in person, at the festival, if selected. Travel will be provided ($600 transportation limit), and local housing within walking distance to the theatre will be provided. A car is not provided at this time.
  • Playwrights are required to participate in the rehearsal process and attend the readings and talkbacks for their play.  
  • Winner of festival will receive a $3,000 prize. 
  • The two remaining finalists will each receive an award of $500.
  • No other royalties or payments will be issued.
  • Submissions will be capped after the first 300 scripts are received.
  • Winner will be chosen by a group of panelists in conjunction with an audience vote and will be announced October 13, 2019. 

Saturday, June 1, 2019

VIOLET SURPRISE: FEMSLASH FEST

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VIOLET SURPRISE: FEMSLASH FEST is a short play festival that reimagines the possibilities for well-known, well-loved female-identifying characters to be in queer relationships, and for those relationships to be parodied positively and within the world of the original fandom.

Whether you're down with OTP (One True Pairing) or you have an entire fleet of 'ships, we invite you to create a Sapphic spoof of the characters' signature sizzle that celebrates and elevates the perfection of their connection.

Write the subtext you see and the maintext you want to see. Inspiration – and subtext – can be found anywhere and everywhere: from Anne of Green Gables to The Baby-sitters Club to A League of Their Own. It's particularly present on TV: Buffy the Vampire Slayer, Call the Midwife, Designing Women, A Different World, Downton Abbey, Gilmore Girls, The Golden Girls, Grace and Frankie, I Love Lucy, Laverne & Shirley, Living Single, Once Upon a Time, SVU, That's So Raven, Xena: Warrior Princess.

The possibilities are limitless, which is why submissions are open to romantic pairings of female-identifying characters in any fandom in any medium and in any genre. Whether your leading ladies come out of science fiction and fantasy, Disney or Shakespeare, classic literature (love Jo in Little Women?) or classic sitcoms (love Jo on The Facts of Life?), we request only that your writing be in 'ship shape and in playscript format, and that the material be kept PG. Onstage intimacy is acceptable (what's femslash without a first kiss?), but we want the show to be appropriate for audiences of all ages.

VIOLET SURPRISE: FEMSLASH FEST is curated and produced by Iris Sowlat and Allison Fradkin in collaboration with Otherworld Theatre Company, and will be presented in Chicago August 9-11, 2019.

Guidelines

Submissions are open to playwrights who identify as female, trans, or non-binary.

Plays can be up to 10 pages and include up to 4 characters.

Playwrights may submit 2 scripts for consideration.

Send your scripts in PDF format to allisonfradkin@aol.com with "Violet Surprise" in the subject line. Questions may also be directed to that address.

The deadline for submissions is June 8, 2019.

Playwrights will be notified of our selections by June 22.

Web site: https://www.otherworldtheatre.org/

Wednesday, May 29, 2019

Jewish Women's Theatre seeks short plays and monologues

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Okay, you’re Jewish, that’s a good start, but how “Jewish” do you have to write? When submitting material, consider the following parameters for your submission:

Please check the themes of the season and submit accordingly. We will not accept late submissions this year.  Thank you!

Sex Addiction & Love in the 21st Century
Deadline for submissions June 1st 2019

  • Please make sure your name and title of your work appear on your submission.
  • An element of Jewish resonance is important, but your submission does not need to feature being Jewish as the prominent theme or subject.
  • Feature women or a woman’s point of view, but not exclusively. Male characters are welcome.
  • Short one-acts (10 minutes max) and monologues (7 minutes max) are preferred.  Will read full-length, but unlikely will produce.
  • 1500 words or less preferred
  • Must be topical for the 21st century. While we consider plays set in another time period, we mostly select contemporary pieces.
  • Small cast a must. One-person shows okay.
  • Previously produced or published work is welcome. Please include production and/or publication history. A new version of a classic or an adaptation from another medium would definitely be of interest.

Although the primary focus of JWT is on the writing, music is often a part of our events. We encourage composers, song-writers, and performers to submit individual work. Musicals are welcome.

Submit your material to ronda@jewishwomenstheatre.org. Be sure to let us know the salon you are submitting for in the subject line of your email.

Sunday, May 19, 2019

Urbanite Theatre Modern Works Festival 2019

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SUBMISSION DEADLINE: JUNE 28, 2019

Click here to submit your play.

Festival Performance Dates:
October 8-13, 2019
Sarasota, FL

Playwright Eligibility:
Seeking work from emerging and established female and female-identifying playwrights. Playwrights must be available to attend the festival in Sarasota, FL, including rehearsals, to be considered for selection (October 5 - 13) Travel and housing is provided.

No Entry Fee

Festival Awards:
Winner $3,000 (1)
Finalist $500 (2)
Travel, housing and per diem provided for all three finalists.

Submission Rules and Requirements:
Interested playwrights are encouraged to read Urbanite’s mission statement and look at our production history to get an idea of the type of work we produce.  Urbanite Theatre will only consider submissions that meet the following criteria:

  • Submissions must be from female or female-identifying playwrights.
  • Playwrights must reside in the United States. 
  • Plays must be unproduced and unpublished with limited development. 
  • No musicals, translations, or adaptations.
  • Full-length plays only (at least 60 minutes)
  • Plays must require five performers or fewer.
  • Quality, female-identifying roles must be well-represented.
  • Plays must include a contact page and character breakdown.
  • One submission per playwright.

Any plays that do not follow these requirements will be dismissed.

Festival Rules and Guidelines:

  • Three finalists will be chosen to participate in the Modern Works Festival. 
  • Finalists will be selected by panel of readers and notified by Urbanite Theatre on August 12, 2019. 
  • The volume of submissions will prevent us from providing individual feedback.
  • ONLY finalist playwrights will be contacted. 
  • Plays that have been previously submitted to the Urbanite Theatre or the Modern Works Festival are not eligible to be submitted again.
  • Each finalist will receive the following: a professional director and cast, a table read, 12 rehearsal hours, a staged reading with a total of three public performances, and facilitated post-show talkbacks. 
  • Each finalist play will be assigned a play development mentor to work with before, and during the festival.
  • Finalist playwrights are required to participate, in person, at the festival, if selected. Travel will be provided ($600 transportation limit), and local housing within walking distance to the theatre will be provided. A car is not provided at this time.
  • Playwrights are required to participate in the rehearsal process and attend the readings and talkbacks for their play.  
  • Winner of festival will receive a $3,000 prize. 
  • The two remaining finalists will each receive an award of $500.
  • No other royalties or payments will be issued.
  • Submissions will be capped after the first 300 scripts are received.
  • Winner will be chosen by a group of panelists in conjunction with an audience vote and will be announced October 13, 2019. 

Click here to submit your play.

Tuesday, May 7, 2019

And Toto Too submission guidelines

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We are now accepting submissions.

REQUIREMENTS:

Woman playwright

Full length or long one acts

Play may not have had fully produced performances in Colorado, readings are fine

7 or less characters (do not double up your characters to make it fit)

Finished plays only

Minimal settings (our theatre space seats only 56 and won't handle multiple sets)

SUBMISSION REQUIREMENTS

Electronic only (if you send a hard copy it will be returned to sender unopened)

First 10 pages

Production History

Synopsis

If these guidelines are not followed your script will not be read.  We will contact you only if we are interested in seeing a full script.  We do not give feedback on why your play was not accepted. Thank you for submitting we look forward to reading your work.

Send to submissions@andtototoo.org

Wednesday, April 10, 2019

Plays In Progress Series seeks full-length plays

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Athena Project, located in Denver, Colorado, is proud to announce the call for submissions for its Plays In Progress Series (PIPS). This Series is an opportunity for new plays to be developed in one of three models: concert or table readings and our workshops.

Rehearsals and presentation will take place in Denver at a location to be determined over the course of approximately March-April 2020. Three to six new plays will be selected based on a blind submission process and given a dramaturg, director, cast and basic design elements during presentations. Scripts are accepted from March 1 – April 15, 2019.

Submission Guidelines are as follows:
  • Playwright must be a woman and may submit only ONE full-length script. Full-length is defined by at least 60 pages in standard playscript format.
  • Previously un-produced plays only. Scripts with prior workshops, readings or academic productions are accepted, but the script should be revised for the playwright to get the most from this opportunity.
  • Submission must include:
  • a. BLIND script in PDF format – PAGE ONE of PDF script MUST have TITLE, CHARACTER BREAKDOWN & SYNOPSIS of script, 200 word limit (This file will contain NO playwright contact info*)
  • b. Cover letter addressing: 1) what the playwright would like to accomplish working with a director, dramaturg and cast and 2) how she heard about the call for submissions
  • c. Resume 
  • Plays submitted without all supporting materials included will be disqualified.
  • We recommend the playwright be able to travel to the area for rehearsals as needed, and for at least one performance at her own expense. We will select 3-6 playwrights to participate in the PIP Series and hope to strike a balance between local and national work. Exact rehearsal and performance schedules will be worked out with the director, dramaturg, and playwright after all plays are selected. Travel stipends are offered.
  • Contact us via LiteraryManager@AthenaProjectArts.org if you have any questions about submitting. You will receive a confirmation upon receipt of materials.

*Contact information must be listed ONLY on resume and cover letter, not on the script, the first page of which will be its title, a character breakdown and a short synopsis (submissions will be read blind).

Timeline:
  • Deadline to submit all materials is midnight, April 15, 2019**
  • Three – six finalists will be selected by September 2019
  • Directors and Dramaturgs will be selected by October 2019
  • Casting will be between November-December 2019
  • Rehearsals will begin in February 2020
  • Plays In Progress Series will open approximately March or April 2020

**Athena Project reserves the right to close submissions before April 15, 2019.

Tuesday, April 9, 2019

Parnip Ship seeks plays

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Deadline: April 21st, 2019
THE PARSNIP SHIP IS ALWAYS LOOKING FOR NEW PLAYS AND NEW VOICES...
and for Season Five, we are specifically looking for plays exclusively written by
female-identifying playwrights*.

As we believe there are as many distinctive styles and voices as there are playwrights, we remain open to a wide range of plays that will engage audiences in an intimate setting and on a podcast format. We see our recordings as a fun collaborative effort among us, the playwright, the directors, musicians and the actors!

Submission form online

Before you send in your play for consideration, please either attend a live episode recording or take a listen to one of our episodes and read our FAQs on submissions. If you have any other questions or concerns, please email submissions@theparsnipship.com

*Cis-, Trans-, Non-Binary Femme Folx and Women of Color are encouraged to apply if they identify

Saturday, March 2, 2019

Philadelphia Women's Theatre Festival 2019

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The Philadelphia Women’s Theatre Festival will take place August 1 -August 5 2019.

PLAYWRIGHT APPLICATION

Please e-mail the site's form, a digital version of your play, a brief introduction letter, and a resume with two references to info@phillywomenstheatrefest.org by March 15th. Playwrights chosen for a staged reading will receive at least one performed staged reading of the play along with response and feedback from industry professionals.

PRESENTED WORK APPLICATION

Please e-mail this form, a digital version of your play, a brief introduction letter, and a resume with two references to info@phillywomenstheatrefest.org by March 15th.

Monday, January 21, 2019

Global Female Voices and Global Female Arab Voices

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Global Female Voices and Global Female Arab Voices will premiere excerpts of new plays in translation and from the wider English-speaking world.

We are welcoming submissions from all female-identifying playwrights that are based (or previously resided) outside of the UK, or who are part of the international community. We are particularly interested in reading submissions from playwrights from Arab countries and the Arab diaspora.

The performances of rehearsed readings will be taking place on the following dates:
- Global Female Voices, Arcola Theatre: Saturday 23rd February 2019
- Global Female Arab Voices, Rich Mix: Saturday 9th March 2019 (part of the Arab Women Artists Now festival)

We are looking for plays from contexts beyond the Western world; exploring issues and settings that audiences might not otherwise see in London theatres.

Playwrights should be based outside of the UK.

Plays can be any length, from any period, and with any number of characters; and must be in, or translated into, English.

If you are submitting a play that has been translated and if the play or translation is still under copyright, you must ensure that both the playwright and the translator (or the relevant rights-holders) give their authorisation for the translation to be submitted and to participate.

DEADLINES FOR SUBMISSIONS:
Global Female Voices - 12 noon, 24th January 2019
Global Female Arab Voices - 12 noon, 31st January 2019

GOOGE DOCS SUBMISSION FORM

Saturday, January 12, 2019

Ain't I a Woman Playfest

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Play must be an original, unpublished and unproduced piece written by a Woman-of-color  playwright (female-identified, transsexual, transgender, or gender-queer encouraged to apply).
Maximum Length: 10-12 pages not including title page. Play should run in the 10-15 minute range.
Submissions should require minimum set, costume and technical needs.
Submissions should have a title page with the following information:
                                       
*Playwright's name
*Mailing Address
*Phone Number
*Email Address​

Submission must be submitted as a PDF to aintiwomanfest@gmail.com by January 31, 2019 .
Email header should read: SUBMISSION: AIN'T I. YOUR NAME. TITLE OF PLAY      

Sunday, January 6, 2019

Persistent & Nasty seeks scripts from women, trans-women and non-binary individuals

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Deadline: January 7, 2019

We are inviting script submissions from women, trans-women and non-binary individuals. The prompt for writers this time around is fairly broad; we are looking for scripts that explore / respond to the phrase hope for the future. Writers are invited to interpret this however they wish.

CRITERIA FOR INTERESTED WRITERS:

  • 15-30 minutes in length (approximately 20-30 pages).
  • The script can be written for theatre, film, TV or radio.
  • Priority will be given to scripts that explore themes of gender equality, diversity and representation. 
  • Priority will be given to scripts that have more than one female character.
  • Casting will be age, ethnicity and disability blind (unless clearly justified within the narrative)
  • If the submitted script is an excerpt from a longer piece, the excerpt should be able to stand alone and be understood.
  • Please use as close to industry standard formatting as possible. Minimum requirement is 12pt font size, double line spacing and page numbers.
  • Alongside the script itself, please provide the following:
  • a brief synopsis
  • character descriptions
  • a few words on what inspired you to write this particular piece
  • a short biography

Follow our Facebook page to receive updates/details.

Twitter: @PersistentNasty

Instagram: @PersistentandNasty

HOW TO APPLY:

Please send the above information to our script submission inbox at persistentandnasty@gmail.com

Saturday, January 5, 2019

Babes with Blades Seeking Female, Trans or Gender Non-Conforming Playwrights

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(*New for this round)

What We’re Looking For

1. Please email your Joining Sword & Pen (JS&P) submission in a PDF file to swordandpen@babeswithblades.org.

IMPORTANT: This will be a BLIND SUBMISSION PROCESS.

Your email submission should contain two separate attachments:

a) Your cover page. INCLUDE the play’s title, playwright’s name, and full contact information (name, phone numbers, email, mailing address).

b) Your script. INCLUDE a list of characters, and the page number where the contest’s image is incorporated. DO NOT INCLUDE ANY contact information, of any kind, in the body of your script. An author’s identity will only be revealed to the ensemble once a selection has been made.

2. JS&P submissions are due NO LATER than midnight February 7, 2019.

3. The winner of the contest agrees to participation in the Fighting Words new plays program (workshops and festival reading – dates TBD), and grants Babes With Blades Theatre Company rights to produce the world premiere production of the winning play in our 2020/2021 Season (dates TBD).

4. All JS&P submissions must be new, original works, inspired by the artwork that is the focus of the contest. Previously written, workshopped, published or performed submissions will not be considered and we will not contact you. Please do not insert the contest image into an existing script.

5. The moment depicted in the inspirational image must be physically dramatized/incorporated into the play. We want to (literally) perform that moment on stage. Please include the page number of your script where the contest’s image is depicted in your submission email.

Please note: the models in the inspirational images are intended as prompts, to provide an emotional starting point for your reference. You are NOT required to incorporate those specific people, body types, races, ages, etc. into your script – rather, take the moment depicted and make it your own. Bear in mind that Babes With Blades Theatre Company encourages scripts that allow for a diverse world of characters onstage!

Inspirational Images for JS&P 2018-2019 Competition:



'






Helpful Hints:

  • If your script does not pass the Bechdel Test, it is unlikely to be a good fit for us.
  • Our roots are in stage combat (Fights are the realization of high narrative stakes).
  • We do not accept or produce musical scripts.
  • Our venues are generally small black box spaces. So is our cashbox.

Friday, December 28, 2018

Call for Submissions: SHE PLAYS staged readings

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SHE PLAYS

Plays about women, written by women, directed by women.

Part of WHAM! Women History Artist Month produced by Goddard Riverside, Silver Glass Productions and 29th Street Playwrights Collective.

NYC-metro-based women playwrights only.

Our goal is to give women playwrights an opportunity to develop and present their work as a staged reading and participate in the process.

Submissions open Dec 28 -- Submissions Close on Jan 11.

Event date: March 18th, 7:30pm at the Bernie Wohl Theatre 647 Columbus Ave btw 91st & 92nd Streets. (Tech rehearsal Sun Mar 17 10-2pm)

Please submit plays up to 10-minutes in length and monologues, no more than 5 minutes.

One submission per playwright. Send us your best. Only first 150 plays will be read.

Plays will be performed as a staged reading by actors we cast.

Each play will have a director and 3-5 hours of rehearsal. You must be available to attend both rehearsals and performance.

NYC metro area women playwrights only! This is a community-building event. We want you to be there, participate, network and celebrate.

Stipend for all participants (including playwrights): $25.00

Submit: Here
PDF ONLY
Contact info on the first page.
One Submission

Facebook: https://www.facebook.com/29StPlaywrights
Twitter: @29StPlaywrights

Questions? Email us at 29thstplaywrightscollective@gmail.com

Thursday, December 13, 2018

Panglossian Productions seeking submissions for Weekend of Women

web site

Panglossian Productions is seeking submissions for our Weekend of Women on March 29-30, 2019.

We are looking for both full-length and 10-minute plays written by and featuring women.

Here is what you need to know:
- You may submit more than one play (as long as you feel that it is worthwhile, submit it)
- Cast size should range between 2-6 people
-You will be notified via email if your play is selected to be featured
- Submissions should be emailed in PDF format to wow@panglossian.org and contain the following information

1. Playwright name
2. Playwright contact information including email address
3. A brief statement about the playwright and the piece itself (be creative, but honest)

-If you have further questions, please email them to wow@panglossian.org

Why are we doing this?

According to our namesake, the dementedly optimistic Dr. Pangloss, “All is for the best in the best of all possible worlds.”

Most of the time, the world falls short.  As any young artist who decides to build a life in the performing arts discovers, it’s hard to get experience without already having it. It’s even harder to convince people to take a gamble on new works and innovative ideas, no matter how exciting they may be.

What’s safe is always… well… safe.  And that’s fine.  But safe things don’t ignite passion in us.  They don’t make us catch our breath or question how we live or want to go running into the streets to tell people what we’ve seen.  So, we choose projects that take risks and that are worth the risk.

We exist in order to boldly and thoughtfully create:

• Unpretentious productions that challenge our audience without patronizing them.
• Opportunities for talented and dedicated young artists to gain meaningful experience.
• Development of new, innovative, substantive, and semi-crazy artistic ventures.

Visit us online at panglossian.org or find Panglossian Productions on Facebook.

Thursday, December 6, 2018

The 13th Annual Women’s Work Festival

web site

We are now open for submissions for our 13th Women's Work Festival that will be taking place March 4-8 2019 in St. John's Newfoundland Canada.

If you would like to submit your play please email it to womensworkfestivalnl@gmail.com.

We are an international festival of plays-in-progress featuring play readings, music performances, workshops, and panels, promoting work by women (self-identified). Despite some bumps in 2017, we're still here and we're delighted that our festival is happening in 2018!

Our festival has a history of success  in helping to launch playwrights from the page to the stage. In our first 10 years, there were 21 professional productions of 17 WWF plays from new, emerging, and established playwrights. As we approach this year's festival, we'll feature some of the writers and hear about their experiences here and where it led them.

WWF gratefully acknowledges support from Canadian Heritage’s BCAH Fund for their continuing, generous support of our festival in 2018. We are delighted to have the long-term support of RCA Theatre, and support from the City of St. John’s.

Wednesday, November 28, 2018

The Kentucky Women Writers Conference Prize for Women Playwrights

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The submission period for the Prize for Women Playwrights is November 1 - 30, 2018, at this LINK. The Kentucky Women Writers Conference awards a biennial Prize for Women Playwrights to bring more scripts by women to the stage, through a collaboration among our program, partnering director Eric Seale, and a guest judge tba. The winner receives a world premier production for a paying audience in November 2019, with royalties, plus a cash prize of $500. The winning script may be workshopped prior to its production. If you would like to receive our bi-monthly listserv with updates about this contest and our other programming, please send your request to kentuckywomenwriters@gmail.com.

Producer and Director

Eric Seale, artistic managing director of Central Kentucky Community Theatre in Springfield, KY, and former director of Actors Guild of Lexington, will independently produce and direct the winning script.

Guest Judge

tba

Eligible Playwrights

The competition is open to all women playwrights living anywhere on Planet Earth. There are no restrictions on age, experience, or residence. Co-authored scripts are eligible if at least 50 percent of co-authors are female.

Eligible Plays

One-act or full-length scripts in English, with a running time between 45 and 90 minutes, that have not been published or commercially produced as of the entry deadline or before the release of the KWWC production. We are seeking a new play that can be produced as a world premiere. Many kinds of preliminary productions, even those charging admission, do not disqualify your script, including:

  • an Equity or other showcase
  • a workshop production
  • a script-in-hand staged reading
  • a student lab performance

We place no limitations on subject matter. Scripts may be based on factual events, purely fictional, or adaptations. We are not seeking musicals or children's plays.To ensure an equitable judging process, please submit only a "blind" script, with all personal identifying information removed.  Limitations:


  • Reading time must be in the range of 45-90 minutes.
  • Casts must be limited to 8 actors (1 actor may play multiple roles).
  • The production will be in a small theater. Set, lighting, sound, costume, and prop requirements should be kept to a minimum.
  • Deadline and Timeline

Entries must be electronically submitted by 11:59 p.m. on November 30, 2018
Winner will be posted on our Web site in January 2019
Winning script may be workshopped.
Production will occur in November 2018 in Lexington, KY, venue tba.


Judging Process and Criteria

All entries will be screened by KWWC staff for completeness and adherence to contest guidelines. Judging will consist of two rounds. In round 1, a diverse panel of theater professionals and educators will choose 5-10 finalists. In round 2 a guest judge will choose 1 winner. Judging will be guided by literary merit and theatrical potential.

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