We never post opportunities that require a submission fee. LEARN MORE.

Wednesday, February 21, 2018

IATC First Annual Playwriting Competition

web site

The IATC is seeking full-length, never produced plays (no musicals) in English, exploring the Italian American experience, to be considered for its First Annual Playwriting Competition.


(See also Evaluation Questions for Playwrights and Defining the Italian American Experience below):

Submit your finished script (no works-in-progress) as a PDF by clicking on the link at the beginning of this sentence.

Subject line of email should read “Contest Submission,” followed by the playwright’s last name.

Scripts should include title of play, playwright’s name, address, phone number and email on the title page.

Accompanying documents should include a short playwright’s bio (max 1 page), synopsis of the play (max 2 pages), and a list of characters (not to exceed 12 actors, though dual roles are permitted).

Playwrights may only submit one play per year for consideration. Playwrights need not be Italian American.

Submissions accepted October 1, 2017, through February 28, 2018, CST.

Playwrights will receive email notification of receipt of their submission. Winning playwrights will be notified by the IATC upon completion of the judging.

Winners will be announced in June 2018, on the IATC website.


The winning play will be produced by the IATC in the Chicago area. (There will be no financial award.)

Three additional plays will receive a staged reading in whole or in part at a later date.

Send general questions via email to: info@italianamericantheatreofchicago.com. Subject line: Contest Question. All entries are final.

The IATC (and judges) will not respond to inquiries about the status of a script during the submission and judging periods.  All entries are final.


When evaluating the merits of a submission, judges will consider how well the work addresses the following questions:

Does the play clearly deal with one or more aspects of the Italian American experience, past or present? Does it treat the subject with honesty in an original and compelling way? Does it avoid stereotype and generalization?

Does the play contribute to the larger conversation about immigration and its impact on individuals, families and society? Whether set in the present or the past, does it raise questions or inspire ideas that contemporary Italian Americans may be uniquely suited to address for the common good?

Is the play well written? Whether comedy, tragedy or history, does it demonstrate an understanding of the basic elements of drama: well-developed characters; a conflict-driven plot; lively dialogue; an engaging setting; and an underlying theme that raises important questions?

Does the playwright have a strong voice and a clear point of view? Can a contemporary audience relate to both?

Does the play have the potential to touch and change an audience in a positive, life-enhancing way? Will theatregoers come away with deeper understanding or fresh insight or a new perspective or a change of heart?

Does the play conform to the Submission Instructions, and is it accompanied by all requested supporting material?

Can the play be produced with a modest set, a reasonable number of characters (12 or fewer), and reasonable technical demands? (Playwrights, keep in mind that the IATC does not yet have Broadway resources!)


“Tutto è destino.”

The Italian American experience is different for every Italian American. Many factors contribute to this diversity: time of immigration, region of origin, employment, education, family and personality. Even within families, the experience differs — between men and women and across the generations. The hand of destiny has many helpers.

Consequently, the Italian American experience cannot be reduced to a few clichés and caricatures, as has too often been the case in the popular culture.

Its variety and complexity are what make it a rich source of character and story. At its best, the Italian American experience embodies the classic hero’s journey; and like all heroes’ journeys, it is a voyage of self-discovery and transformation.

With that in mind, the following subjects and themes offer a starting point for writers interested in exploring the Italian American experience dramatically. They are meant to suggest and inspire, not prescribe or limit in any way:

A Selection of Italian American Themes and Subjects

The role of family as the first and foremost relationship and responsibility– a concept often in conflict with mainstream American values of individualism and self-sufficiency.
The role of Catholicism as a shared religion and cultural touchstone, but also as an affiliation setting Italians apart from the prevailing Protestant establishment.

Achievements in Business, Commerce, Politics, Law, Academia and Sports often acquired against the odds and despite prejudice exacerbated by the widespread association of Italian-Americans with the criminal underworld.

Prominence in the Arts and Sciences as an ongoing affirmation of Italy’s rich tradition of humanism that offers compelling Italian-American success stories in fields as diverse as cinema and nuclear physics, music and medicine, architecture and fashion design.

The Importance of Food as a source of sustenance, physical and emotional; as a measure of success, as a means of self-expression (especially for women), and as an industry that has evolved from pizza carts to five star restaurants.

Blog Archive