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Sunday, October 4, 2026

THE DOOR OPENS AT MIDNIGHT : An International Anthology of Three-Page Plays

Website

Deadline: October 30, 2026

Email all submission to: dramaanthologyfreshwords@gmail.com 

Please send your play as a Word document or Pdf.

Include:

Title
Author's name
Country
Short bio (50–100 words)
Email address

Email subject: SUBMISSION — THE DOOR OPENS AT MIDNIGHT


Fresh Words invites playwrights, dramatists and writers from around the world to submit original three-page plays for a special Halloween anthology.

We are looking for short dramatic works that can create a complete theatrical experience in just two pages.
  • The play may be frightening.
  • It may be funny.
  • It may be absurd.
  • It may be tragic.
  • It may be mysterious.
  • It may be something we cannot easily name.
  • The only requirement is that something happens when the door opens.


THE PROMPT: THE DOOR OPENS AT MIDNIGHT
  • Take the prompt literally—or don't.
  • The door could be:
  • The door of a house
  • A hotel room
  • A hospital
  • A classroom
  • A prison
  • An apartment
  • A theatre
  • A train
  • A dream
  • Another world
  • The past
  • The future
And the person—or thing—on the other side could be anyone or anything.

Saturday, October 3, 2026

Big Idea Theatre 2027 One-Act Festival Submissions

Website

Deadline: October 5, 2026 at 11:59 PM PDT

SUBMISSION FORM

This is your chance to see your work come to life on stage and connect with new audiences. Writers of all backgrounds and experience levels are encouraged to submit.

Some Guidelines:
  • Unit Sets work best in our space
  • We aren't equipped to do musicals or children's theatre
  • Plays that run somewhere around or between 20 to 60 minutes are ideal
  • We will choose 6 plays via committee of theatre lovers to be presented as part of the festival from 
  • January 22rd - February 7th, 2026 in Sacramento, CA.
We have produced scripts from all over the world! However, since we are a community theatre, we do give special consideration to works from or connected to the Sacramento Region.

Please only submit one script.

We receive HUNDREDS of scripts! Please be patient while we read them all and get back to you!

Sesame Street Writers Room 2027

Website

Deadline: October 5, 2026 12PM EDT

SUBMISSION FORM

Fresh new writing talent that reflects our vast audience. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other children’s entertainment and media industry leaders. Each participant will develop and write a pilot script for their own original kids’ concept.
  • Up to 6 writers will be selected 
  • Sessions are expected to take place virtually from February 2027 to June 2027.
  • Learn from industry writers, producers, agents and executives 
  • Learn and complete all steps of creating an original pilot episode script
  • Learn and complete all steps of creating a 3-5 minute speculative script based on Sesame Street
  • Includes 8 three-hour instructive sessions with an accomplished industry professional, 3 one-hour mentoring sessions with Sesame Street writer, and 15 one-hour office hours sessions on creating original children’s content.
  • Up to two writers will have the exciting opportunity to see their script brought to life in a live table read featuring Sesame Street performers
Original script sample: 12-page maximum; should NOT contain Sesame Street elements, characters, or intellectual property;  can be an excerpt from a larger piece  wholly written by the applicant; must model a 3 act story structure; and be kid-friendly content for viewers up to age 12…we’re looking for great characters and stories that inspire kids to be smarter, stronger and kinder! 

Please submit only one script with your initial application. If you advance to the second round, you may receive an email with instructions on submitting a second script sample at that time.

Resumes: 2-page maximum. Anything longer will be disqualified.

More info on your script: what’s the bigger picture/idea of your script sample? (up to 100 words)

Personal statement: tell us about yourself, for example, why you want to write for children’s educational media, and how your lived experiences influence the stories you want to tell in children’s media, etc. (up to 250 words)

Eligibility Check List
  • Participants must be a U.S. citizen or permanent residen
  • No extensive media writing experience, such as having written more than six episodes for a produced network or streaming scripted/narrative series
  • Participants must be 21+ years old Participants must be able to attend and complete writing assignments for all 11 sessions, and attend the 15 office hours sessions, which will be held virtually from February 2027 to June 2027. The final session and showcase will be held in-person in New York City.

Smith & Kraus 2027 Annuals seeks 10-minute plays and monologues

Website

Deadline: December 1, 2026

They have hit their limit for 10-minute plays -THEY ARE ONLY ACCEPTING MONOLOGUES NOW.

Submissions open October 1st-December 1st for the Smith & Kraus 2027 Annuals.

MONOLOGUE GUIDELINES

For The Best Men & Women’s Stage Monologue 2027

Monologues MUST BE FROM PLAYS. They cannot be stand-alone pieces.
They must be from plays produced between August 2025 through November 2026

*Monologues from plays that only had Virtual Productions are NOT eligible.

Monologues should be 1-3 minutes long.

Monologues should be pieces that have onstage action and work well for auditions.

**You may submit to both the Women's and Men's Anthology, but only ONE submission per book.

Do not submit any monologue that has been submitted previously in the past year.

IF YOU SUBMIT MORE THAN ONE MONOLOGUE PER ANTHOLOGY, THEY WILL NOT BE READ!

To submit for Men's Monologues, CLICK HERE.

To submit for Women's Monologues, CLICK HERE.

They have hit their limit for 10-minute plays - do not send.

10-MINUTE PLAY GUIDELINES
  • Submissions will close when we reach 250 scripts or end of day on December 1st, whichever comes first.
  • Plays must be produced between August 2025 through November 2026.
  • Plays with only virtual productions are not eligible.
  • Plays produced as staged readings are eligible ONLY if the reading was performed LIVE in front of an audience, not virtually.
  • No Radio Plays. No Musicals. No Children's Plays. No solo shows. No Zoom plays.
  • Plays should run approximately 10 minutes.
  • Please include a cover page with a brief synopsis.
  • Please include a page with Character Breakdown, Setting/Place, and Time.
  • Only ONE submission is permitted per playwright. If you submit more than one play, they will not be read.

Ninth Annual Eric H. Weinberger Award for Emerging Librettists

Website

Deadline: November 30, 2026

APPLICATION FORM

All submissions must be sent through the online application form. Only one submission per playwright/librettists will be accepted.

The Eric H. Weinberger Award for Emerging Librettists is a juried cash and production grant given annually to support the early work and career of a deserving musical theatre librettist. It commemorates the life and work of playwright/librettist Eric H. Weinberger (1950-2017), who was a Drama Desk Award nominee for Outstanding Book of a Musical (Wanda’s World), and the playwright/librettist of Class Mothers ’68, which earned Priscilla a Drama Desk Award.

The winner will receive $2,000 to help with cost-of-living expenses. The winning musical will receive development assistance in the 2027 New Works Development Program of Amas Musical Theatre, culminating in an Amas Lab production with New York theatre professionals. Amas was the development home for several of Mr. Weinberger’s musicals, including the World Premiere of Wanda’s World and the New York Premiere of Tea for Three.

The winner of the Award is announced in Spring 2027.

Amas Musical Theatre will not ask for any fees for entry or for any fiduciary involvement

from the playwright/librettists at any point of the process.

Submission Requirements

The Musical must:

• Be a full-length show (at least 80 minutes)

• Have no more than eight actors (actors may play multiple roles; if so, please include a suggested breakdown of role distribution)

• Be complete and ready for readings, workshops and/or productions

• Have a demo that is an accurate representation of the music and style of the show (at least five songs)

• Have full underlying rights clearance of any pre-existing material used in the script (music, source material, etc.)

• Not have had a full production or be published in any way, even if with a different name.

What to Submit

All documents must be submitted as PDF files and they should be named with the part of the submission it refers to and the title of the show in the format of

1. Biography and resumes of the creative team, including writer, composer, lyricist (if applicable)

2. History of the musical'ss development, and any previous titles it has gone through (if applicable, maximum one page)

3. Brief synopsis (maximum 150 words)

4. Brief artistic statement on the piece itself, including all source material, inspiration, goal, message, etc. (maximum one page)

5. Proof of rights (if applicable)

6. Demo and track listings (Demo selections to be posted as a Dropbox or Google Drive link)

7. PDF document of the full-script and sheet music, if available (no writers named)

​​

Guidelines for Materials

All submissions must adhere to the following or your application will be disqualified before reaching our selection committee.

Proof of Rights

If the musical contains any copyrighted material, please submit a signed letter from the authors and/or underlying rights representative stating that underlying rights have been secured.

Full Script

The full script must include:

1. Title page (which should only have the title on it and absolutely no other information)

2. Character breakdown (maximum one page)

3. The complete script with page numbers

For the anonymity of your submission, the full script and sheet music cannot include any information on playwright/ librettist or contractually attached people, previous casts, or any agents. All submissions will go through a blind evaluation process, any personal information you provide will only be available to Amas Musical Theatre staff.

Demo Tracks

The recording should be a significant representation of the songs in the show that accurately highlights the style and character of the score and lyrics.

• Demo tracks should:

1. Include at least one song from the first 25 pages

2. Have at least five recordings available – they do not need to be professional or studio quality, but they must be clear enough to hear lyrics, melody, and accompaniment

3. Have singers of appropriate vocal types for their respective roles

4. Be full songs only, no medleys of spliced songs

For the anonymity of your submission, tracks cannot include any personal identifiers for playwright/librettist(s), the performers recorded, or contractually attached people.

The Selection Process

Scripts will be read and evaluated through a blind submission process by Amas Musical Theatre’s literary team. A group of finalist plays will be read and evaluated by a selection committee, comprised of distinguished artists and playwrights, using a blind evaluation process. Committee members will not be given any additional information beyond the title of the show, the script, and the demo tracks.

Any personal information you provide in the application is seen by the Amas Musical Theatre staff only, not the selection committee. 

Our process is based on the quality of the work submitted.

Round 1 (September-December)

1. Our literary team reads the first 25 pages of the book and listens to the demo for any track related to these pages.

2. The team fills out evaluations for each show, which determine the submissions that continue to Round 2.

Round 2 (January-April)

1. The selection committee reads the scripts in full and listens to all demo tracks submitted.

2. Committee members write their evaluations to determine which one is best suited for the Award.

3. The winner is announced in the Spring of 2027.

4. The application’s primary contact is notified and a development schedule is created with the winner.

We will not be able to provide feedback regarding why a particular piece was or was not selected.

The Winner will:

• Receive $2,000 to help pay for cost-of-living expenses.

• Receive development assistance in the 2027 New Works Development Program of Amas Musical Theatre.

• Have the selected show rehearsed and performed by New York theatre professionals in an Amas Lab production.

• Be present in New York City for the development process.

Friday, October 2, 2026

The Gallery Players 30th Annual Black Box New Play Festival

Website

Deadline: November 1, 2026

The Gallery Players in Park Slope, Brooklyn, New York, is seeking plays for its 30th Annual Black Box New Play Festival to be presented from June 10th through June 20th, 2027. Each play selected will be paired with a director and given a black minimally designed box production (lighting designer working in rep plot, sound designer, and sets created by directors from available theatre stock), with non-equity actors.

Playwrights must be available, if not in person, via Zoom or other virtual venue to work with directors to create another draft of their play. This process will take place from January 2027 through May 2027. The degree of revision will be dependent on the needs of each play and the collaboration between yourself and the director.

Submission guidelines:

1). Plays must be un-produced (readings are ok); must be the play’s world premiere

2) Length of Plays: Plays should be 10 - 50 minutes. Plays must have at least 4 characters, more is even better. No one-character plays. No period costume pieces (period plays that use modern dress are OK). You may submit up to two (2) plays for consideration.

3). Format: Pages must be numbered; A cover page with Title of the play and playwrights contact information is required, along with a page that gives plot synopsis of the play and a character breakdown. DO NOT write your name anywhere else on the script.

4) Submit a copy of your playwriting resume

5) Provide a brief written statement that addresses what you are hoping to get out of the experience and revision process (aside from having your play produced)

6) Send a digital copy of your play(s) along with your resume and statement letter to: info@galleryplayers.com

We will only contact you if your play has been accepted into the Festival. We will confirm that we received your digital copy via email. All playwrights chosen will be notified by DECEMBER 2026.

Please note that playwrights CANNOT direct their own work for this festival and will be paired with one of the 2027 Black Box cohort directors.

Any scripts not chosen for the Festival will be deleted to protect your copyright.

Playing Ace: A New Asexualities Play Festival seeks short and full-length plays

Website

Deadline: November 1, 2026

Madison, Wisconsin

SUBMISSION FORM - PDF files preferred

  • Staged reading and inclusion in an anthology proposal
  • Plays must be connected to concepts of asexuality or aromance. Further descriptions of how that is defined can be found on our website.
  • Playwrights may submit only one play
  • Plays must not be previously published.
The “Playing Ace” play festival is an opportunity for folks who are interested in showcasing and exploring asexual worldmaking to connect and share their work! We aim to provide opportunities for playwrights to produce and then publish their work, to expand the reach of these important stories. Over the next year, we will be collecting and carefully reviewing play submissions to be showcased in a staged reading held in Madison, Wisconsin in spring 2027. Playwrights will have the support of a dramaturg during the play rehearsal process and will see how live audiences react to their play. After the play festival, playwrights will have an opportunity to join a proposal to publish their play in the first anthology of asexual plays!

Overall, we recognize that there is a growing need to share stories about asexual lives, experiences, and perspectives. As asexuality becomes more of a topic for discussion in the world, it is important that we create spaces where stories and perspectives can be shared. We believe that theatre is a fantastic place to come together and create new communities, and with the proposal for an anthology, we want to ensure that these stories are shared with as many people as possible.


Thursday, October 1, 2026

Call for Submissions for the Making It Happen Festival of 10 Minute Plays

Website

Deadline: October 12, 2026

SUBMISSION FORM

Making It Happen: 10 Minute Plays is a new play festival presented by The Theater Center, created to give writers, and creative teams the opportunity to present original theatre work on an Off-Broadway stage in the heart of Times Square.

We are now accepting submissions for fully original 10-minute plays. Selected plays will perform at The Theater Center on one of three preliminary performance nights: Wednesday, November 4, Wednesday, November 11, or Wednesday, November 18. Each evening will feature 4 plays, with audiences and judges voting to determine one winner from each night. The three nightly winners will advance to the Finals on Wednesday, December 2.

All submitted material must be fully original. Teams must have the rights to perform all submitted material.

This is a non-union festival. All casts, creative teams,, and production personnel must be non-union.

We strongly urge that your cast size is 6 or less.

Play must be 10 minutes or less.

Selected teams will be responsible for providing their own cast, director, and stage manager. If you don't have a director, one can be provided. No microphones will be used or provided, so plays must be able to be performed acoustically in the space.

Productions should be simple, flexible, and festival-ready. Selected teams will receive performance space, basic technical support, box office services, festival-wide marketing, and a technical rehearsal slot on the day of their performance.

Please only submit if you and your team are available for the preliminary performance dates and, if selected as a finalist, the final performance on December 2.

Tuesday, September 29, 2026

NYPSI's Horowitz-Sondheim Clinic ~Affordable Treatment For Theater Artists

THE HOROWITZ-SONDHEIM CLINIC FOR THEATER ARTISTS at  New York Psychoanalytic Society & Institute offers affordable treatment to playwrights, composers, and lyricists of the theater. *




The Horowitz-Sondheim Clinic was launched in September 2025, and offers affordable treatment to playwrights, composers, and lyricists of the theater. *

This clinic owes its creation to a generous grant from the Stephen Sondheim Foundation, reflecting the profound gratitude Sondheim held for his psychoanalyst, Milton Horowitz, an esteemed NYPSI member. As Sondheim himself expressed: "to find you're not the only one in the world, which is of course what everybody goes through... Every time I would tell Milton something I'd expect him to be shocked and he'd say, Yes...' And after about five sessions I realized, He's heard everything!

And I'm just another ordinary neurotic fellow." (Secrest,1998, p. 229)

The Horowitz-Sondheim Clinic offers psychotherapy, psychoanalysis, and psychological testing.

The Clinic does not provide psychotropic medication. Psychotherapy and psychological testing are provided by a variety of licensed mental health practitioners, Clinical Psychology Doctoral students, and Licensure-Qualifying trainees in Psychoanalysis, all under the supervision of highly trained psychoanalysts. Psychoanalysis is conducted by psychoanalytic candidates, all of whom are supervised by psychoanalysts especially qualified for the training of psychoanalysts. On occasion, psychoanalysis is offered by a graduate psychoanalyst.

Theater playwrights, composers, and lyricists interested in sliding-scale treatment at the Horowitz-Sondheim Clinic are encouraged to apply (link below). While treatment is not free, no one will be turned away as a result of financial limitations. The fee will be mutually agreed upon after a review of the individual's financial situation. Please indicate whether you are interested in obtaining psychotherapy (once or twice a week, typically), psychoanalysis (four or five times a week), oi psychological testing. Note that for psychoanalysis, at least two of the sessions must be conducted in person.

You may download a printable application for Adult Psychotherapy, Psychoanalysis, and/or Psychological Testing.

DOWNLOAD THE PDF

[1] Secrest, Meryle. (2011). Stephen Sondheim: A Life. Penguin Random House.


* Those who are not lyricists, composers, or playwrights of the theater can still receive affordable treatment by applying directly to the NYPSI Treatment Center at https://nypsi.org/find-treatment/

Snowdance 2027 seeks 10-minute plays

Website

Deadline: October 9, 2026

Entries may be emailed to snowdance@overourheadplayers.org. 

Email scripts (pdf format) to: snowdance@overourheadplayers.org

*Alternately* Mail Submissions to:

SNOWDANCE
c/o Sixth Street Theatre
318 Sixth Street
Racine, Wisconsin 53403

Any questions can be directed to us by e-mail at: snowdance@overourheadplayers.org. Or call the Box Office at (262) 632-6802.

1) Competition is open to original 10-minute or shorter plays free of royalty and copyright restrictions. Submission is considered to be approval to produce the piece with stated royalty if selected for production in the Snowdance® Festival. Musicals, adaptations, and translations will not be considered.

2) Plays must run 10 minutes or less. A rule of thumb: 1 page (8 1/2 x 11) of single-spaced, average dialogue will total about 90 seconds. Read it out loud - time it - test it - and re-write if need be.

3) Submissions must be emailed or postmarked on or before October 9, 2026.

4) Scripts should follow the standard format (Check any script writing book in your library). If mailing a physical copy, manuscripts must be on standard 8-1/2” x 11” paper, cleanly typed and securely bound.

5) Plays can have a cast of 1 to 4 characters and should be easily staged. Avoid any elaborate set requirements. And remember it is a 'COMEDY FESTIVAL'.

6) The writer's name, address, phone number, and e-mail address should be included on the title page only. The title page should also include a cast list, set requirements, and a 1-3 sentence synopsis of the play.

7) Submit one (1) copy of your script.

* Plays selected for the festival will be produced by Over Our Head Players.

Monday, September 28, 2026

FALL 2026 Online Classes in Writing the Ten-Minute Play with Arianna Rose

Online classes in Writing the Ten-Minute Play are open for pre-enrollment. The payment window opens October 9th.  

"Writing for the Stage: The Ten-Minute Play"

Six Sessions, 3 hours each:

1. Thursdays, 1:00 – 4:00 pm  OR 6:30 – 9:30 pm  EDT    October 15 – November 19 
 
2. Mondays, 1:00 – 4:00 pm OR  6:30 – 9:30 pm EDT   October 12 – November 16

Tuition: $299 early bird through 10/10; $349 after
Course Repeaters Tuition: $175

Minimum 3 participants per section; maximum 8.

Recent Participant Testimonials:

““Arianna’s mastery of the 10-minute play form is undeniable, and her passion for the craft is contagious… The “writer’s group” portion of the class became a highlight for me; it created a supportive space to share work, give and receive feedback, and learn from one another. Arianna’s organization and commitment to equity in the Zoom room created a safe, thoughtful, energizing space that didn’t just help me write a play—it helped me grow as a writer.”
~ Laura Thoma 

I’ve taken more than a few playwriting classes, both in-person and online, and your class was by far the most productive and useful…I have a newfound appreciation for the plays I’ve read and how to write them, thanks to you.“ 
~ Tom Cocklin, 2-time participant

“I enjoyed the class immensely and learned a lot. I would definitely recommend it to playwrights of all levels. The course was well organized, it's clear you are passionate about the subject, care for your students and have deep knowledge that you are so generous to share…"
~ Jeff Perlman

“Arianna is extremely skilled at sharing insightful, individualized feedback in a supportive environment. Her focus on dramatic structure was particularly helpful, and the course also offered invaluable and specific real world advice for writing and submitting short plays to festivals…"
~ Donna R. Boyd, 2-time participant
Course Description:

Ten-minute play festivals dominate submission opportunities. While short-form plays share similarities with full-lengths, the dramatists who excel in this form write into the differences. You’ll learn the tools to write to the highest level of craft and make your work more producible.

The course combines lecture, reading, discussion, and in-class sharing of your writing for feedback. Topics: elements of a successful 10-minute play, dramatic structure, generating ideas, character development, giving and receiving constructive feedback, effective rewrites, formatting your play, submissions, and log-keeping.

Arianna has taught this course since 2023 at the Dramatists Guild Institute, PlayPenn Theatre, Delray Beach Playhouse, and independently. Her short plays have been presented in 39 states and 12 countries to date; won numerous awards; published in Smith & Kraus Anthologies, Applause Books, Ghostlight Publications, Theatre Odyssey Publications, Purple Light Publications.
 
Contact Arianna Rose at rockawayrose@gmail.com, or via the website where there is more information:

https://ariannarose.net/playwriting-classes-and-other-workshops

Interested but not available?
Email rockawayrose@gmail.com to be added to the mailing list.

One-on-One Private Dramaturgy/Script Consulting
Prefer one-on-one coaching? Member, Dramaturg and Literary Managers Association of the Americas (LMDA) and the Dramatists Guild Plays-in-Progress Mentor Program. More information:
http://ariannarose.net/dramaturg-for-hire

Big Idea Theatre 2027 One-Act Festival

Website

Deadline: October 5, 2026 at 11:59 PM PDT

Sacramento CA

SUBMISSION FORM

This is your chance to see your work come to life on stage and connect with new audiences. Writers of all backgrounds and experience levels are encouraged to submit.

Some Guidelines:
  • Unit Sets work best in our space
  • We aren't equipped to do musicals or children's theatre
  • Plays that run somewhere around or between 20 to 60 minutes are ideal
  • We will choose 6 plays via committee of theatre lovers to be presented as part of the festival from 
  • January 22rd - February 7th, 2026 in Sacramento, CA.
We have produced scripts from all over the world! However, since we are a community theatre, we do give special consideration to works from or connected to the Sacramento Region.

Please only submit one script.

We receive HUNDREDS of scripts! Please be patient while we read them all and get back to you!

UMBRELLAS FOR FISH seeks one-minute plays


Deadline: October 2, 2026

Submission email:  ufjournal@aol.com

HOW TO SUBMIT

1. Prepare your manuscript according to the guidelines above.

2. Include a 50–100 word third-person author bio.

3. In the body of your email, include:

Your full name
Title of the play
Country of residence
The subtheme your play most closely relates to
A brief 1–3 sentence description of the play

4. Attach your manuscript as a DOC, DOCX or PDF file.

5. Name your file:

YOURNAME.docx

6. Send your submission to:

ufjournal@aol.com

SUBJECT LINE FORMAT

ONE-MINUTE PLAY — [TITLE] — [AUTHOR'S NAME]

SUBMISSION GUIDELINES

Submit original work only.
Submit manuscripts in DOC, DOCX or PDF format only.
Use a readable 12-point font.
Number all pages.
Include a title page with the title of the play and author's name.
Scripts should follow standard dramatic formatting where appropriate.
Include a third-person author bio of 50–100 words at the end of the manuscript.
Multiple submissions are welcome (in a single email).
Simultaneous submissions are welcome; please notify us immediately if your work is accepted elsewhere.
Please submit only work for which you hold the necessary rights.


UMBRELLAS FOR FISH
An International Journal of Absurd & Existential Drama

Umbrellas for Fish is pleased to announce a special international anthology of Absurd and Existential One-Minute Plays: ONE MINUTE BEFORE NOTHING HAPPENS

What can happen in one minute?
  • A lifetime can end.
  • A universe can begin.
  • Someone can forget why they entered a room.
  • A chair can refuse to be sat upon.
  • Two strangers can wait for something that never arrives.
  • A person can discover the meaning of life—just in time to forget it.
  • Or, perhaps, nothing happens.
We are seeking original one-minute plays that explore the strange, comic, unsettling, irrational, and deeply human experience of existence.

This anthology celebrates the extraordinary possibilities of theatrical brevity. We invite playwrights to create worlds in miniature—moments of revelation, confusion, silence, contradiction, catastrophe, comedy, and cosmic indifference.

Your play has approximately one minute.

What will happen before nothing does?

THEME & SUBTHEMES

All submitted plays should engage broadly with absurdist, existential, surreal, experimental, or philosophically unsettling theatre.

Writers may interpret the following themes freely and imaginatively.

1. Waiting for Something That Never Arrives
Characters wait—for a person, an answer, a bus, God, death, an announcement, or something they cannot name.

2. The Meaning of Life Is Temporarily Unavailable
A search for meaning meets bureaucracy, confusion, technical difficulties, silence, or an unexpected customer-service representative.

3. One Minute Until the End of the World
The apocalypse is imminent—or perhaps it has already happened, and nobody noticed.

4. Conversations with the Universe
The universe may finally respond. Unfortunately, it may have misunderstood the question.

5. Time Has Stopped, but Everyone Is Late
Clocks malfunction, time repeats, yesterday returns, or characters remain trapped inside a moment.

6. Nobody Remembers Why We Are Here
Identity, memory, purpose, and location dissolve into increasingly uncertain explanations.

7. Instructions for Existing
Characters receive rules for life, consciousness, happiness, breathing, or being human—but the instructions may be incomplete.

8. The Last Ordinary Thing
A familiar object, habit, conversation, or everyday action becomes suddenly strange, impossible, or profoundly significant.

9. Silence Has Something to Say
What happens when silence becomes a character—or when words become less trustworthy than what remains unspoken?

10. The Wrong Person Has Been Chosen to Exist
A bureaucratic, cosmic, or administrative error has occurred. Someone may have been given existence by mistake.

11. Exit Signs Point in Different Directions
Characters attempt to escape a room, a relationship, a memory, a role, a system, or existence itself.

12. Everything Is Fine, Except for Everything
Ordinary life continues despite an unnamed catastrophe, an impossible situation, or the slow collapse of reality.

13. A Small Eternity
One minute becomes endless. A brief moment expands into repetition, memory, regret, anticipation, or infinity.

14. The Things We Cannot Explain
Something impossible happens, and everyone attempts to explain it—making the situation increasingly incomprehensible.

15. One Minute Before Nothing Happens
  • The central theme of the anthology.
  • Something is about to happen.
  • Or perhaps something has already happened.
  • Or perhaps nothing is happening at all.
  • The characters may be waiting for a beginning, an ending, a revelation, a disaster, or a moment that never arrives.

WHAT WE ARE LOOKING FOR
  • We seek original one-minute plays that are:Absurd, existential, surreal, experimental, or darkly comic
  • Theatrically imaginative and stageable
  • Concise but emotionally, intellectually, or philosophically resonant
  • Bold in form, structure, voice, or theatrical logic
  • Strange for a reason—not merely random
  • Open to ambiguity, contradiction, uncertainty, and unanswered questions
  • Memorable enough to leave an impression long after sixty seconds have passed

We welcome:Monologues
  • Dialogues
  • Ensemble pieces
  • Experimental dramatic fragments
  • Non-linear theatre
  • Surreal theatrical situations
  • Dark comedy
  • Minimalist drama
  • Meta-theatre
  • Unconventional forms of dramatic writing
We are particularly interested in plays that take creative risks and demonstrate a strong sense of theatrical possibility.

SUBMISSION LENGTH
Each play should be designed to be performed in approximately one minute.

Maximum Length: 2 pages

There is no minimum or maximum number of characters.
A play may contain dialogue, silence, movement, stage directions, or any combination of theatrical elements.


Response Time
Approximately 1–2 weeks

Publication Date
OCTOBER 15, 2026

FEE
There is no reading fee, submission fee, or publication fee.


RIGHTS

If a work is selected for publication, the playwright retains all intellectual property, copyright, and performance rights to the work.

By accepting publication in ONE MINUTE BEFORE NOTHING HAPPENS: A Special International Anthology of Absurd & Existential One-Minute Plays, the author grants Umbrellas for Fish non-exclusive permission to publish the work as part of the anthology.

All rights remain with the author following publication. Authors remain free to reproduce, perform, publish, or republish their work elsewhere, provided that first publication in ONE MINUTE BEFORE NOTHING HAPPENS is acknowledged where appropriate.


PAYMENT
  • Umbrellas for Fish is currently a non-paying market.
  • As an independent literary journal and publishing initiative operating without grants, institutional funding, or regular donations, we are presently unable to offer royalties, honoraria, or other forms of monetary compensation to contributors.
  • Authors whose work is selected for publication will receive publication credit and international exposure through the anthology.


EDITORIAL VISION

Umbrellas for Fish is devoted to theatre that embraces uncertainty.
We believe that theatre does not always need to provide answers.
Sometimes a question is enough.
Sometimes a contradiction is enough.
Sometimes a person standing in an empty room, holding an umbrella over a fish, is enough.

With ONE MINUTE BEFORE NOTHING HAPPENS, we want to explore what theatre can accomplish in the smallest possible spaces.

A minute can contain:
A beginning.
An ending.
A joke.
A catastrophe.
A confession.
A silence.
A universe.
Or nothing at all.

We welcome playwrights from all countries, backgrounds, and stages of their careers. We are especially interested in amplifying voices and theatrical perspectives that have been underrepresented in the dramatic canon.

YOU HAVE ONE MINUTE.
MAKE SOMETHING HAPPEN.
OR DON'T.

ONE MINUTE BEFORE NOTHING HAPPENS

A Special International Anthology of Absurd & Existential One-Minute Plays

PUBLICATION DATE: OCTOBER 15, 2026

Sunday, September 27, 2026

The International Human Rights Art Festival seeks 10-minute plays

Website

Deadline: September 30, 2026

New York NY

Seeking 10-minute, 2-character (only) plays, on any human rights concern, to be a part of a special event at this year's International Human Rights Art Festival (December 12, 2026).

Five playwrights will receive $50 each and two comp tickets to see their play produced.

The International Human Rights Art Festival is pairing with And Scene to present a unique evening of theater on Saturday, December 12, 2026, 7 pm at the Wild Project, as part of a yearly Festival. The show will be followed by a party.

Specifically, And Scene Producer Mick Szal will bring together New York's top improvisers and actors from Broadway, TV and beyond perform scenes. The catch: one of the actors will be "on (your) book," while the other will be completely improvising. The actors will know their lines and the improvisers will improvise with no prior knowledge of the scenes. (The format was inspired by Stephen Rudy and was originally performed under the name "Gravid Water" at UCB.)

Please send your 10-minute, 2-character play WITH NO ATTRIBUTION (BLIND SUBMISSIONS ONLY) to hello@humanrightsartmovement.org, with the subject line of your email with your last name_play title (Beckett_WaitingForGodot) for consideration.

Deadline September 30, 2026. All decisions by November 1.

Saturday, September 26, 2026

The script doctor is in the house! 🩷

Sarah Congress is an award-winning playwright and script doctor for film, TV series, theatre, and fiction here to help YOU take your script to the next level. She provides a fun, nurturing, therapeutic, environment to best suit your individual writing needs.


Script Services:
  • Help clients fine-tune their scripts
  • Offer rewrite suggestions to help tighten and polish your story
  • Improve dialogue
  • Punch up jokes and suggest opportunities for humor 
  • Help you learn how to HOOK a reader's interest 
  • Assist in finding submission, production, and publication opportunities 
Group Classes:
Sarah Congress is an award-winning comedic playwright represented by Anthony Tall in Los Angeles. She is also a script doctor for film, television and theatre. Her play Dubai Chocolate is one of three new plays accepted in the 2026 All Exits New Jersey Play Lab Statewide Play Reading Series and will be produced this November at River Union Stage. Her romantic period piece Last Sunrise was produced by NYLon Fusion Theatre Co. in their Gilded Cage play festival June 2025 at TADA. Last Sunrise was presented with writers: John Patrick Shanley, Lyle Kessler (Orphans) and Migdalia Cruz (Fur). Her ten-minute play Overdose won 2nd place for BEST SHORT in the 2023 Downtown Urban Arts Festival at Playwrights Horizons.

Visit Sarah's website to learn more and connect.

Women's Work Short Play LAB '27

Website

Deadline: September 30, 2026 by 11:59 PM

SUBMISSION FORM

New Perspectives Theatre Company's WOMEN’S WORK LAB for short plays provides a supportive and nurturing environment to emerging and mid-career women playwrights while maintaining a rigorous feedback process that leads to production within six months.

Six playwright members are selected each year, along with a similar number of directors. The LAB meets monthly (the second Sunday) from February through June, allowing for time in between sessions for writers to continue to develop and revise their work in response to specific feedback from the dramaturgical team. Members are expected to bring work to each session beginning with the development of an original short play based upon an assigned theme.

Monthly feedback from the directors/dramaturgs focuses on the nuts and bolts of creating a 20-30 minute script ready for production. In a process unique to NPTC, feedback is given in a unified manner so playwrights do not have conflicting advice about what to work on, and so that the script moves forward according to NPTC's instructions as the producing entity. This approach creates a collaborative group from which members can draw inspiration and energy while modeling professional standards. Scripts are then produced in our annual MEGANNE GEORGE Women's Work Short Play Festival.

Applications are due by September 30, at 11:59 pm. Finalist interviews take place early December. The final cohort will be selected no less than two weeks after the finalist interview.

If you have any questions, please e-mail sp-apps@newperspectivestheatre.org

Friday, September 25, 2026

Playwrights First submission window open

Website

Deadline: September 30, 2026

Overall, we look for:
- Imagination and originality in both style and subject or point of view.
- Characters that intrigue and move us.
- A compelling action revealing the human condition.
- Theatricality inherent in the above.​

Rules:
One, single full-length play per playwright in English from anywhere in the world.
Not produced full-scale prior to submission. Readings, workshops, and college productions are acceptable.
No joint authorships, adaptations, translations, musicals, or shorts.​

​Award:

$1,000 first place.
Award listing of playwright and play title on our website.
Professional reading in NYC when feasible.

SUBMISSION INSTRUCTIONS

In a single email provide the following 3 documents described below (Items A, B & C). Please make sure each document is its own separate PDF document, and include all 3 PDFs in the same email (as file attachments) to:
Playwrightsfirst1st@gmail.com
Note: This address is for submissions only.

Item A) Playscript in PDF format. The play should follow standard playwrighting convention and include a cover page, a character list/breakdown, page count, etc. Please, name your file using this format:Your Last name TITLE OF PLAY.pdf (Example: Shakespeare TWELFTH NIGHT.pdf)Note: The TITLE of the play is in ALL CAPITAL LETTERS

Item B) Playwright/Production Resume, CV, or Narrative Biography in PDF format. Name your file like this:Your Last name RESUME.pdf (Example: Shakespeare RESUME.pdf)Note: RESUME is in ALL CAPITAL LETTERS

Item C) Brief (3 paragraphs max) Summary of play in PDF format. At the top of your page, please provide your full name and the full title of your play. Name your file like this:Your Last Name SUMMARY.pdf (Example: Shakespeare SUMMARY.pdf)Note: SUMMARY is in ALL CAPITAL LETTERS

IMPORTANT NOTE: Paper copies will not be accepted. PDF format ONLY.

PLEASE, BE CERTAIN TO USE THE CORRECT NAMING CONVENTION FOR EACH FILE (follow examples above). THIS YEAR, SUBMISSIONS NOT FOLLOWING OUR REQUESTED NAMING CONVENTIONS WILL NOT BE ADMITTED.

Each file MUST begin with your last name. Please leave one space after your last name -- do NOT use a dot, a dash, an underline. Please do NOT abbreviate the name of your play. Please do NOT use your first name. Please do not use your initials. We appreciate your attention to this detail as it helps our staff keep your materials organized.

Thursday, September 24, 2026

Call for new works by Latina/e playwrights

Website

Deadline: September 25, 2026, at 5:00 PM (PDT)

Portland Oregon

CLICK HERE TO SUBMIT FOR MUNDO DE LAS MUJERES NEW PLAY READING FESTIVAL

Call for new works by Latina/e playwrights to receive a staged reading during Mundo de las Mujeres in March 2027

Milagro is pleased to announce the Mundo de Mujeres New Play Reading Festival, a celebration of new works by Latina/e playwrights as part of Milagro’s annual Mundo de Mujeres Women’s History Month Festival. This festival seeks to amplify Latina/e voices and stories exploring themes of womanhood, gender, sexuality, family relationships, identity, motherhood, sisterhood, and other experiences central to Latina/e communities.

The festival will feature staged readings of three new plays in varying stages of development, presented on the first three Wednesdays of March 2027 (March 3, 17, 24). Selected playwrights will receive an honorarium and a staged reading featuring a director, dramaturg, and a cast of local professional actors, providing an opportunity to hear their work in front of a live audience and continue its development.

Submission Timeline

Submission Deadline: September 25, 2026, at 5:00 PM (PDT)
Selected playwrights will be notified by early January 2027.
Casting will take place throughout January and February.
Rehearsals will occur during the week leading up to each respective reading.

Applicants must meet the following requirements:
  • Open to playwrights who identify as Latina/e.
  • Original full-length plays only (approximately 70–120 minutes).
  • Scripts may be written in English, Spanish, or be bilingual.
  • Preference will be given to plays requiring six actors or fewer.
  • Plays requiring more than six actors should include the playwright’s preferred doubling plan.
  • Playwrights are permitted to submit multiple scripts
  • Plays that have received, or are scheduled to receive a full professional production that premiers before September 2027 are not eligible.
  • Playwrights are strongly encouraged to attend their reading and participate in post-reading discussions, if possible.

Submission Requirements
A PDF of the script formatted according to the Dramatists Guild of America Traditional or Modern Play Format.
A playwright biography (maximum 90 words).
A play synopsis (maximum 150 words).
A brief development history, if applicable.

If you have questions, please contact mia@milagro.org.

Invisible Theater seeks monologues for Fourth Annual Going It Alone

Website

Deadline: October 1, 2026

SUBMISSION FORM

Tuscon Arizona

Submissions are now open for Invisible Theatre's 4th annual all-monologue show: GOING IT ALONE!

The show is a collection of monologues chosen from submissions. We celebrate the unique challenge of writing for a solo performer and performing solo.

Must be a solo piece Must be a standalone monologue. Not a monologue taken from a full-length play you've written.

• Open to all playwrights worldwide

Performance of piece must be less than 6-7 minutes. No exceptions.

Any topic

1 submission per playwright permitted

10-12 monologues will be selected.

Small honorarium paid to chosen playwrights. Selected monologues will be cast, performed and directed by Tucson theatre artists in June 2027

Wednesday, September 23, 2026

Murmuration Playwriting Cohort 2026/2027

Website

Deadline: September 27, 2026 at 11:59PM ET
Or until they receive 200 submissions

SUBMISSION FORM

The Murmuration Playwriting Cohort is an eight-month program dedicated to developing new work by early and mid-career NYC playwrights. A cohort of six selected playwrights will meet bi-weekly (1 in-person & 1 virtual) on Monday evenings from November 2026 to June 2027 to share work, brainstorm ideas, and receive feedback from fellow writers. Selected playwrights will have the opportunity to workshop their projects and grow in community, with access to resources and support from the Murmuration Theatre Leadership team. The program culminates in a public staged reading series in June 2027.

Because community building requires significant time and energy - we ask you to be honest with yourself and with us about your ability to commit to the program. If you already feel spread thin in terms of artistic homes/projects/etc, please make space for another artist to have this opportunity.

We will be accepting submissions through September 27th, 2026 at 11:59PM ET or until we receive 200 playwright submissions - which ever comes first. All applicants will be notified on their application status on or around October 19th.

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