46 Minutes Collective Mixed Bag show

Website

Deadline: September 14, 2026 at 11:59 PM EDT

Brooklyn NYC

SUBMISSION FORM

Mixed Bag is a variety show for first drafts. We provide artists working in a variety of mediums with a low-tech space and audiences to further develop their works. We hope this will be an opportunity to learn about your piece and discover the next steps in your process. 

What we are looking for: 

In-development work that has not yet premiered. One or two developmental readings or showings is okay, but we are looking for work in the earlier stages of development. 

Works in any medium: performance art, dance, theater, film, music, poetry, multi-media, interactive art, magic, mime, juggling, etc. (these can be excerpts of longer works).

Artists who are looking to investigate or discover something about their work.

Cast: Up to 10 performers

Length: Up to 15 minutes

We Can Offer:

A low-tech performance space at Brick Aux to share your work - 628 Metropolitan Ave Brooklyn

One, 20-minute spacing rehearsal/tech the hour before the show.

A Stage Manager to assist with the run of show.

Photos and video of your piece.

An audience of fellow artists and creatives to share in your developmental process with the option for feedback from the audience if that is helpful for your process.

Marketing through the 46 Minutes Instagram and mailing list. If selected, we will ask for additional marketing materials from you/your team.

Brick Aux space capabilities (basic sound system, clip lights, projector, tables and chairs) (learn more here).

A $100 stipend for your work and time.

What You Bring:

Collaborators and creative team.

Any desired props, costumes, lights, design elements, etc. beyond what exists in the Brick Aux space.

An understanding of what you need to present your own work at whatever stage it's at in your process.

An openness to the liminal space that is in-process work and a desire to discover what can be learned when presenting a rough draft.

Please Note: The artist is responsible for all rehearsal process needs. We are unable to provide any rehearsal space or financial assistance at this time. This is designed to be an in-process showing, so we encourage you to come as you are with whatever you have created at this point in time. 

Each artist may only submit one piece per Mixed Bag showing.

If you have any questions please reach out to us at 46mincollective@gmail.com 

We at The 46 Minutes Collective are committed to making our programming accessible to all who wish to participate, so please do not hesitate to reach out to us at 46mincollective@gmail.com with any ways we can support you.

Gene Frankel Theatre Festival seeks one-act and short plays

Website

Deadline: October 3, 2026

Deadline: September 26, 2026

New York NY

Send all required materials to: GeneFrankelTheatrePlayFestival@gmail.com
Subject line: Gene Frankel Theatre Festival – Title of Play

The Gene Frankel Theatre Festival is accepting submissions for its winter edition running from November 30 through December 20, 2026.

The applicants will need to produce the work — director, casting, and all production elements. The Gene Frankel Theatre will help with setting up your technical needs such as lighting, sound, and projections.

Eligible Work

• Short plays (maximum 15 minutes)
• One-act plays (up to 60 minutes)

All genres are considered, including drama, comedy, musicals, movement-based work, and experimental forms. Submitted work should be New York premieres. (Note: We are committed to showcasing works that have never been produced in New York before December 20, 2026. Participation in festivals counts as a production. Staged readings, private workshops, and brief excerpt presentations do not count as productions.) All work MUST be unpublished.

Each play should have 1 - 5 actors. No more than 5 actors will be permitted. Cast and crew should be non-union and 18 and older. The applicants will need to produce the work - director, casting, and all production elements. The Gene Frankel Theatre will help with setting up your technical needs such as lighting, sound, and projections.

Selection Criteria

Pieces will be selected based on artistic merit, originality, clarity of vision, and suitability for festival programming. The goal is to present a high-quality, varied lineup. Submission does not guarantee selection.

Playwrights, whose plays have been selected, will be contacted by September 29.

Submission Materials

Full script in PDF format

Brief synopsis

Character breakdown (Each play should have a maximum of 5 actors)

Indication of category: short play (up to 15 minutes) or one-act (up to 60 minutes)

Production history, if applicable

Please confirm this is a New York Premiere (Note: We are committed to showcasing works that have never been produced in New York before December 20, 2026. Participation in festivals counts as a production. Staged readings, private workshops, and brief excerpt presentations do not count as productions.)

Limit two submissions per applicant.

Optional: Playwright bio, director, cast, brief tech/staging notes, prior production photos or media (if available), and social media or website links may also be included to support your submission.

Participation Details

No submission fee. All participants must be available for all festival dates from November 30 through December 19. 

A $100 participation fee for short plays and a $150 participation fee for one act plays for selected works will apply.

Awards

Selected productions will be eligible for awards, including Best Play, Best Script, Best Actor, Best Actress, and Best Director. Awards will be given in both short play and one-act categories.

Festival Format
Each selected play will be presented in one of several curated blocks. Each block will run approximately 90 minutes (including intermission) and receive three performances during the three-week performance schedule. The Festival will conclude with a Gala event, on December 20, featuring guest performances and an awards ceremony.

The 29th Magazine seeks short plays for February 2027 issue

Website

Deadline: October 1, 2026

SUBMISSION FORM

We're drawn to writers and artists who came up on their own — no formal training, no mentors greasing the wheels, no built-in network. We'll never ask where you studied, or if you did.

We prioritize women, the queer community, the mentally ill, the chronically ill, and the neurodivergent. If you belong to any of these groups, we want to hear from you first.

Submission Guidelines

• Plays: Short plays, one act, intended to be read in a single sitting (Up to 20 pages - soft limit).
• Formatting: 12 pt Times New Roman or Courier. Single-spaced dialogue, with a line break between speeches. Character names in caps above their lines; stage directions in parentheses or italics. PDF/doc/docx formats.
• Please include your name, the piece's title, and page count on the first page.

Note: We don't store your personal data beyond your submission. We will only use your email to contact you about the status of your submission.

Free tickets - THIS IS NOT A DRILL

Daria Miyeko Marinelli’s This is Not Not a Drill

directed by Dominique Rider

Kicking off The Playwrights Realm’s 20th anniversary season, this interactive experience will take you deeper into the history of Downtown Manhattan, and then pull you into the current moment. 

What do you do in these five-alarm fire days? Every time you look there’s another news alert about something terrible. Your to-do list is overflowing, and you want to help but… how and what exactly can you do about it anyway?!? You know what, let’s take a walk.

GET TICKETS VIA THIS FORM

This is Not Not a Drill is an audio-guided walking tour of Downtown Manhattan’s rebellious past meets interactive resistance training. And by resistance training, we mean an offering to help you strengthen the muscles needed in this flood-the-zone semi-fascist mess. Explore the tactics used by this city’s past activists and practice a skill (aka a drill) to add to your tool belt in these very Not a Drill times. Lace up your sneakers, baby. This is a go.

To learn more about This is Not Not a Drill, or to buy tickets, visit our website.

A TICKET FOR EVERY BUDGET: Tickets are available at three different price levels:

Welcome, Regular, and Pay it Forward but all levels grant entry to the same experience. Please select the price level that best suits your budget.

For Parents & Caregivers: As part of the Realm’s Radical Parent-Inclusion project, qualifying attendees are offered reimbursements toward caregiving costs incurred by coming to this event.

Mini Plays Review seeks short plays and monologues for December 2026 issue

Website

Deadline: November 30, 2026

How to Submit
Email: Send your script as an attachment to miniplaysmag@gmail.com
Subject Line: Submission: [Play Title] - [Your Name]
In the Body: Include a brief 50-word biography and your contact details.

Submission Guidelines

Length: Maximum of 2 pages per mini play/soliloquy/monologue.
Format: Standard playwriting format (PDF or Word document preferred).
Limit: Maximum of 5 submissions per playwright. Send all submission in single email.
Originality: Works must be original and unproduced in print format. Simultaneous submissions are welcome, provided you notify us immediately upon acceptance elsewhere.

Theme: Borrowed Time

This issue explores the strange arithmetic of time — what we owe it, what it owes us, and what happens in the narrow windows when it seems to bend, stall, or run out. We are looking for sharp, short scripts about waiting rooms, deadlines, deathbeds, time loops, inheritances, and the small negotiations people make with the clock.

Subthemes for Submission:

• The Waiting Room: Strangers thrown together in a liminal space, each counting down to something different.
• Borrowed Hours: A character who has "bought," "stolen," or been "loaned" time from someone else — literally or figuratively.
• The Last Good Day: A scene built entirely around someone who knows, but hasn't told anyone, that this is their final ordinary day.
• Rewind: A comedic or absurdist take on a character stuck reliving the same five minutes.
• The Inheritance Clock: A family conflict over what a dying or dead relative's "time" — a legacy, a promise, a debt — is now owed to.
• Fashionably Late: The quiet devastation or comedy of someone who has spent a lifetime arriving too late for the moments that mattered.
• Overtime: A workplace two-hander where the real conversation only happens after the shift should have ended.
• The Countdown: A high-stakes dialogue happening in the final sixty seconds before an irreversible decision.
• Aging in Real Time: A monologue or dialogue where a character watches themselves — or someone else — visibly change over the course of the scene.
• The Appointment: Two people meet for a reason neither will say out loud until time forces their hand.
• Daylight Saving: A small, strange dislocation — lost or gained time — that throws a relationship or routine into chaos.
• The Long Goodbye: A scene stretched across a departure that keeps almost-but-not-quite happening.
• Frozen Clocks: A survivalist or dreamlike drama in a place where time has visibly stopped working.
• The Second Chance: A character granted an impossible do-over, and the argument over whether to take it.
• Running Out: A ticking-clock two-hander where the stakes are ordinary, but the urgency is not.

Northern Michigan Asylum Playwriting Contest

Website

Deadline: December 31, 2026

The Northern Michigan Asylum Playwriting Contest invites playwrights to submit original works inspired by, connected to, or thematically centered on the history, architecture, culture, or personal stories associated with the Northern Michigan Asylum (also known as the Traverse City State Hospital). Works may be dramatic, comedic, historical, speculative, or musical in style, but all submissions must honor or explore the site in a meaningful way.

Contest is hosted by Old Town Playhouse (OTP), a community theater serving Traverse City, Michigan, and The Minervini Group LLC (TMG), redevelopers of The Village at Grand Traverse Commons, the original site of the Northern Michigan Asylum.

The contest opens January 19, 2026, and all submissions must be received by December 31, 2026.

Eligibility

• Open to writers of all experience levels.
• Writers must be at least 18 years old at the time of submission.
• Co-authored works are permitted.
• Submissions must be written in English.

Content Requirements

Subject Matter: The play must contain significant themes, settings, characters, or plot elements directly related to the Northern Michigan Asylum/Traverse City State Hospital.

Allowed Formats:

o One-act plays
o Two-act plays
o Musicals

Northern Michigan Asylum Playwriting Contest — Submission Guidelines 

Length Guidelines:

o One-act: 20–60 minutes
o Two-act: 60–150 minutes
o Musicals: 45–180 minutes

• Originality: Only original, unpublished, and unproduced works are eligible.

Prohibition on AI-Generated Content

To preserve artistic integrity and honor the spirit of the competition:

• No portion of the script may be generated by artificial intelligence tools (including ChatGPT, other LLMs, AI story generators, or automated scriptwriting tools).

• Writers may not use AI to draft, plot, or produce dialogue or lyrics.

• AI-assisted proofreading (e.g., spelling/grammar checks) is permitted, but no AI content generation may be used at any stage.

• Entrants will be required to attest that all creative content is human-authored.

Submission Requirements

• Format:

o PDF file only
o Standard script formatting preferred (12-point font, standard margins)
o Include a title page with:

▪ Play title
▪ Author’s name
▪ Contact email
▪ Contact phone number
▪ Whether the play is one-act, two-act, or a musical
• Page Header: Include the play title and page numbers on each page.

Northern Michigan Asylum Playwriting Contest — Submission Guidelines Page 2• Synopsis: Include a 150–300 word synopsis at the beginning (separate page).

• Character Breakdown: Provide a list of characters, including vocal ranges for musicals.

• Optional: A brief (100-word) playwright biography.

Submission Process

• Submissions open January 19, 2026 at 12:00 AM EST.

• All entries must be submitted by December 31, 2026 at 11:59 PM EST.

• Submissions must be sent by email to contest@oldtownplayhouse.com either as a PDF attachment or unrestricted link to cloud storage.

• Each entrant may submit up to two plays.

Evaluation Criteria & Winning

Entries will be judged on:

• Quality of storytelling and dramatic structure

• Creative integration of Northern Michigan Asylum themes

• Originality and artistic vision

• Character development

• Stage feasibility

• Musical quality (for musicals)

One work will be chosen to be fully workshopped and produced in late 2027 or early 2028 by Old Town Playhouse. The performance will take place at Kirkbride Hall located in one of the original Northern Michigan Asylum buildings. [Note: A staged reading may be presented in lieu of a full production if material warrants such].

Judges panel will be comprised of two representatives from Old Town Playhouse, two representatives from The Minervini Group LLC and one outside representative designated by Old Town Playhouse to serve on the panel.

Winning playwright will be notified no later than February 28, 2027.

Northern Michigan Asylum Playwriting Contest — Submission Guidelines 

Rights and Permissions

• Playwrights retain all rights to their work.

• By entering the contest, playwrights grant the organizers permission to excerpt, read publicly, or stage readings for purposes of event promotion from the time the winning script is selected and announced until the closing performance of the OTP production produced in late 2027 or early 2028.

KNOW THEATRE 23RD ANNUAL PLAYWRIGHTS AND ARTISTS FESTIVAL seeks short plays

Website

Deadline: September 15, 2026 at 11:59 PM

 

This submission must include 2 copies of your play in either word or PDF, one “blind” version without name but including which artwork you were inspired by and one with a full title page. If you could paste the painting onto the cover page that would be great. They must be submitted to playwrightsfestatknow@gmail.com. 

Please use the title of your work in the file name and whether it is the blind or named copy Sample file name: Title_ artwork _blind or Title_ artwork_ name. This makes it easier on the person coordinating the files and sending them on to the adjudicators. 

Each year we take three works of art and ask writers to fashion a play, and musicians to compose a piece as they are moved or inspired by the artwork. 

The play must be inspired by one of the works of art below.

We blind-read the submissions, select the best and produce them. The art is exhibited, we perform the plays on the KNOW Theatre stage and ask the audience for feedback. 

It is our annual mixed media event that draws inquisitive art and theatre lovers to KNOW. 

The prizes are awarded are: 

• The Edward Allan Baker Prize for Best of Festival ($300), 
• Artistic Merit ($200) and A
• Audience Favorite ($100). 

Each night from Friday through Sunday we will feature one artwork and the pieces associated with it.

The artwork will follow a refresher on the rules. 

• The play length needs to be between 15 - 20 minutes
• Cast size maximum, 4 characters. Set should be implied.

Plays submitted MUST be a complete play and must include a beginning, middle and an end and contain a conflict. Our judges will be adhering to strict parameters during the adjudication process.

Playwrights may only submit one play for the festival.

The playwright would need to attend at least one of the two weekend performances (which take place in November). In person is preferred but we have in the past Zoomed with playwrights. As our festival is starting to reach a greater number of people in wider locations, we feel that we must take this into consideration. We always hope our playwrights can attend in person and feel the energy and excitement of having their work performed onstage for the first time, but we understand that sometimes this is not logistically possible.

KNOW Theatre Facebook submission event page

The Dorothy and Lewis B. Cullman Center for Scholars and Writers Fellowship 2027

Website

Deadline: September 25, 2026, 5 p.m. EDT. 

Applications cannot be accepted after this deadline.
Notification: March 2027
Award Period: September 7, 2027–May 26, 2028
Stipend: $90,000

Online registration required to submit

The Dorothy and Lewis B. Cullman Center for Scholars and Writers supports projects that draw on the research collections of The New York Public Library's Stephen A. Schwarzman Building (formerly the Humanities and Social Sciences Library). The Center seeks top-quality writing from academics as well as from creative writers and independent scholars. Visual artists whose projects require extensive use of Library collections are also encouraged to apply. Visit www.nypl.org/research-collections for detailed information about the collections of the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street.

The Library expects Fellows to work at the Cullman Center five days a week, Monday through Friday, for the duration of the Fellowship term, which runs from September through May. Successful candidates will need to work primarily at the Schwarzman Building rather than at other divisions of the Library. Applications from those working in languages other than English are welcome; however, the applicant must be conversant in English, and application materials must be in English. Fellowships will not be granted for academic projects to post-doctoral fellows or to applicants doing graduate-school dissertation research.

The Center seeks diversity in race, ethnicity, age, gender, field, and type of project. The Center aims to promote dynamic conversation about the humanities, social sciences, and scholarship at the highest level—within the Center, in public forums throughout the Library, and in the Fellows' published work.

In order to avoid real or apparent conflicts of interest, the Cullman Center does not accept applications from New York Public Library staff members or their partners, or from people active on the Library’s Board of Trustees, Board Advisory Committees, or Library Council.

Fellows may not accept other major professional obligations during the term. Fellows may have a few prior commitments but must limit research trips, attendance at scholarly meetings, and speaking engagements to short periods of time. Anyone who needs to be away for more than two days must notify the Center's Director or Deputy Director. The Library will pro-rate stipends for Fellows who spend excessive time away from the Center.

The Cullman Center will not accept dossier letters in place of new letters of recommendation.Completed applications and supporting materials—research proposal, curriculum vitae, letters of recommendation, and creative writing sample or art work sample—must be submitted by September 25, 2026, 5 p.m. EDT.

The Cullman Center is made possible by a generous endowment from Dorothy and Lewis B. Cullman in honor of Brooke Russell Astor, with major support provided by Mrs. John L. Weinberg, The Andrew W. Mellon Foundation, The Estate of Charles J. Liebman, The von der Heyden Family Foundation, John and Constance Birkelund, and The Samuel I. Newhouse Foundation, and with additional gifts from Helen and Roger Alcaly, The Rona Jaffe Foundation, The Arts and Letters Foundation Inc., William W. Karatz, Merilee and Roy Bostock, and Cullman Center Fellows.

Radcliffe Institute Fellowship 2026

Website

Deadline: September 10, 2026, at 5 PM ET

The Harvard Radcliffe Institute Fellowship Program offers scientists, writers, scholars, public intellectuals, and artists a rare chance to pursue ambitious projects for a full academic year in a vibrant interdisciplinary setting amid the resources of Harvard University.

We welcome applications proposing innovative work that confronts pressing social, scientific, and policy issues and seeks to engage audiences beyond academia. Reflecting Radcliffe's unique history and institutional legacy, we welcome—but do not limit eligibility to—proposals that focus on women, gender, and society or draw on the Schlesinger Library’s rich collections.

We also invite proposals relevant to the Institute’s multiyear focus area, which for 2024–2029 is academic freedom and connecting across difference. Proposals should address intellectual virtues, free and open inquiry, and diversity of thought, as well as political polarization, inequality, religious pluralism, religion and public life, and other policy issues as they relate to institutions of higher education. Within this focus area, we also welcome proposals that constructively challenge disciplinary orthodoxies or advance new and potentially transformative perspectives or approaches.

In addition, we welcome proposals in the areas of science, technology, engineering, and mathematics directly impacted by federal research funding cuts.

Get Started

The application for 2027–2028 fellowship program is now available. Please visit our application portal to access the application.

Application Deadlines

The deadline for applications in the humanities, social sciences, creative arts, and nonfiction and journalism is September 10, 2026, at 5 PM ET.

The deadline for applications in science, engineering, and mathematics is October 1, 2026, at 5 PM ET.
How to Apply

To begin an application, you will need to register as a new user by creating a new account with your name, email address, and password. Once you have registered, you may log in to the Online Fellowship Application Portal and select an application area: Humanities and Social Sciences; Creative Arts; Nonfiction and Journalism; or Science, Engineering, and Mathematics.
Eligibility Criteria

We accept applications in a wide array of disciplines across the humanities, social sciences, and creative arts and applicants must meet discipline-specific eligibility criteria. This fellowship program is not intended to serve as a postdoctoral fellowship, and those currently enrolled in a degree program are ineligible to apply. We accept applications from individuals across career stages and do not require academics to have tenure to apply.

Former Harvard Radcliffe fellows (1999-present) are ineligible.

Application Materials

The fellowship application consists of an application form, curriculum vitae, 1,400-word project proposal (with bibliography when appropriate), a writing or work sample, and the contact information of three references who will be prompted over email to upload letters of recommendation in support of your application. All materials must be submitted via our online application portal.

Black Cat Theatre seeks full-length scripts

Website

Deadline: September 15, 2026

THEY ARE NO LONGER ACCEPTING SUBMISSIONS

Chicago, IL

Full-length scripts, ideally 75-100 minutes in length

aligned w/ BCT values, especially those:

• from queer playwrights
• telling queer stories
• playing with form and/or language

Playwrights from anywhere may submit, but this season we will be prioritizing submissions from Chicago-based writers. Playwrights may submit one script for this opportunity.

The Staged Reading+ process has typically comprised of 4 virtual table-work rehearsals, 4 in-person rehearsals, and 4 hours of tech. Depending on the needs of the individual script, this process could shift slightly. Ideally, the playwright will be able to attend all rehearsals. Performances will take place in Spring 2027 at The Edge Off-Broadway, on the set of Idle Muse Theatre Company's Spring production.

If you have any questions, please contact BCT's Literary Manager, Cori Lang, at literary@blackcattheatrechi.com

Utah Shakespeare Festival Words Cubed seeks full-length plays

Website

Deadline: when they receive 200 submissions
THEY HAVE REACHED THEIR LIMIT - DO NOT SEND

Our Mission

As part of an ongoing commitment to create a diverse body of work, Words Cubed, the new play program at the Utah Shakespeare Festival, nurtures and develops openly-submitted and commissioned-based new plays by providing a professional platform for readings, workshops, and fully realized productions.

WHAT ARE WE LOOKING FOR?

Unproduced scripts ready for development. We are not looking for the ‘best’ play submitted, rather a great one that will benefit from our process.

We love big epic casts, but we’ve found the streamlined development process is best suited to smaller cast shows (6 actors or less). We are open to Shakespeare-adjacent works, however, we are interested in all genres. If you are submitting a Shakespeare-adjacent work, it must be able to stand on its own for audiences that don’t know the original.

Part of our selection process is how the two selected plays complement one another and the season of which they are a part (in this case, the 2027 season). Additionally, a play that is similar in theme or plot to recent Words Cubed selections is less likely to be chosen.

WHAT WILL WORDS CUBED DO FOR YOU?

Words Cubed and the Utah Shakespeare Festival will provide travel to Cedar City, Utah and offer a stipend, lodging, and tickets to our currently running shows. We will provide you with a cast, director, and stage manager, four days of concentrated script work (12 hours total), and four public readings with audience feedback.

WHAT WILL THE READING LOOK LIKE?

Words Cubed readings are simple in scope. This choice is both artistic, as the goal is to focus on the story and allow the playwright to hear it in front of an audience, and practical, as there is limited rehearsal time. We encourage teams to utilize stage directions to paint the fuller picture for the audience. These are “music stand readings”, so lines are not memorized. There are no design elements.

FINE PRINT

No fees. The only thing we require is a signed contract with the following agreement: After your play leaves our process, any subsequent production or workshop will contain the following language: “PLAY TITLE was developed, in part, through Words Cubed, Utah Shakespeare Festival’s new play development program.”

GUIDELINES FOR SUBMISSION

You will be notified by July 1, 2027, whether or not your play was selected. 

FAQ

• You may only submit one play per year.
• If a script was submitted to Words Cubed in the past, it cannot be re-submitted. 
• We only accept unproduced plays.
• Straight plays only, please. Words Cubed is not designed to support a sufficient development process for musicals.
• We only accept updated script drafts if your play makes it to the finalist pool. We will notify you if you become a finalist.
• The two selected playwrights must be available for the Cedar City in-person workshop during the week of August 2 or 9, 2027.

If you have additional questions, please reach out to words3@bard.org.

Runway Theater seeks Vignettes for Valentines

Website

Deadline: September 25, 2026

Grapevine Texas

SUBMISSION FORM

Runway Theatre brings back a beloved tradition with Vignettes for Valentine's, an evening of original short plays celebrating love in all its forms. Selected works will be presented as part of a special Valentine's Day fundraiser on February 13, 2027, with both a matinee (3pm) and evening performance (7:30pm). Whether your story is funny, romantic, bittersweet, heartwarming, awkward, or completely unexpected, we want to read it! Submitted plays should explore themes related to:

• Love
• Relationships
• Romance
• Friendship
• Heartbreak
• Family connections
• Dating
• Marriage
• Second chances
• The many ways people connect with one another

Writers are encouraged to think creatively. Not every story must be a traditional romance. Authors retain ownership of their work. By submitting, playwrights grant Runway Theatre permission to produce
the piece as part of Vignettes for Valentine's should it be selected.

The submission deadline is September 25, 2026, and authors will be notified of their acceptance status in November.

Propsect Musical Theater Lab seeks writers for annual musical theater developmental program

Website

Deadline: September 10, 2026

SUBMISSION FORM

Since 2008, Prospect has offered an annual musical theater developmental program which brings together 8-10 teams of writers, challenging them to create short (10 minute) musicals in response to a curated assignment. The Musical Theater Lab is a high-impact generative opportunity for writers that serves a broad network of artists, providing a platform to share work, create in community, and build professional relationships. In Fall 2026, we celebrate the 20th lab cycle!

From the start of the lab process, writers have one month to write the first draft of their piece. During this month, they meet with Prospect's Associate Artistic Director, Dev Bondarin, and fellow lab writers to discuss their project and the culminating lab performance. This is followed by a two-week process during which each piece is developed and rehearsed with a cast. The short pieces are presented in a culminating concert performance for the general public.

What is Prospect's Musical Theater Lab?

• Monday, September 28: First group meeting of writers in evening (please hold this evening open.)
• Friday, October 2: Show concept pitches due.
• Wednesday, October 7: Cast breakdown due.
• Monday, October 12: Second group meeting of writers in evening (please hold this evening open)
• Thursday, October 15: Libretto first draft due 
• Between Thursday, October 15–Thursday October 23: Individual writer team meetings with director to be scheduled
• Monday Oct 26: Completed rehearsal drafts of script and score due
• Between Wednesday October 28–Wednesday November 11: Rehearsals for each piece scheduled during this period
• Thursday, November 12: Afternoon technical rehearsal & sound check at Symphony Space, 7:30pm performance

COMPLETE LAB TIMELINE:

Lab participants are selected through an open application process. A panel of Prospect's artistic staff members review each application. Applications are open now through Thursday, September 10 at 11:59pm.

Selected Lab writers will be invited to pitch three show concepts. With curatorial input, writing teams will select one of these ideas to develop into an 8-10 minute long musical. The short, new works will be written between September 28 and October 26, workshopped and rehearsed between October 28 and November 11, and presented as a single evening's concert which will take place at Symphony Space on Thursday, November 12. The culminating Lab presentation will be directed by Dev Bondarin, Prospect's Associate Artistic Director.

​How It Works

THE FINE PRINT

• Writers receive a modest honorarium for their participation in the Lab
• Writers retain all copyright/ownership of their work
• Writers may only be part of one lab application
• Writers who have previously participated in the Lab are welcome to re-apply, but not in the cycle immediately following their participation. (Ie: Writers may not participate in two back to back Labs, they must take one year off before re-applying.)

The culminating concert presentation will be performed by a versatile and diverse cast of actor-singers, drawn from Prospect’s network of alumni performers and other recommendations. 

For the Fall 2026 Lab, cast size will be targeted to 1-4 principal performers for each piece. Actors will be shared amongst the projects and appear in two different 10-minute pieces. Additionally, there will be a large chorus of voices available to be shared across the projects, through a special partnership with musical theater students at Manhattan School of Music. Writers are encouraged to attend rehearsals, which take place over a two week period at studio locations in Manhattan. The rehearsals will be a combination of day and evening time slots based on availability schedules submitted by the writing teams.​

The Logistics

Prospect's Musical Theater Lab intentionally operates on a compact timeline and incorporates random, playful elements in order to encourage writers to make bold and in-the-moment choices in their creative process. We invite writers to be as fully engaged with the Lab process as possible. As a first step, please review the timeline to confirm your team’s availability for this project. If you or your collaborators will be unavailable for much of the planned process, it is best to wait for a future cycle to apply. Teams will be notified of the application process outcome by Mon 9/21/26.

This fall, Prospect is celebrating the 20th Cycle of our musical theater lab. We've connected with more than two-hundred emerging writers through the lab... who have generated as many new short musicals featuring the talents of many more hundreds of performers, which have been experienced by thousands of audience members! It's an expansive community.

This year's theme centers storytelling through the use of many voices. Lab participants will be invited to explore how the concept of a "chorus" or ensemble of voices can be used dramatically. In each short musical, this year's writing cohort will be challenged to incorporate the use of a chorus (8 or more voices) in a compelling dramatic context, alongside a core of principal cast members. Whether evoking an ancient Greek chorus, an anthropomorphic concept, a philosophical abstract, or a group of many humans changing the tide of history -- we are excited to see how this creative assignment comes to life on Thursday, November 12, at Symphony Space!

We strive to keep our open application process simple and efficient with a quick turnaround.

Please submit the name, role (composer, lyricist, bookwriter) and a brief bio / info for each member of the writing team.

Writers should apply with their intended collaborator(s). Individual "team of one" writers who wear multiple hats may also apply. New collaborative teams may also apply. (Prospect doesn't create teams or pair writers.) Also, writers may only be part of one application.

Writers are asked to include links to 3 sample songs (either mp3s or videos are acceptable) along with a brief scene sample. Work samples that are representative of the collaborative team applying are best. If the application marks a new collaboration, please be clear in describing the relevance of each sample to the application.

Madlab Theatre Roulette 2027 seeks short plays

Website

Deadline: November 1, 2026

Or until they receive 500 submissions

Email all submissions to andyb@madlab.net.

Scripts should be 5-20 minutes in length.

Include a short synopsis and production history in the body of the email.

If you are an Ohio playwright, please put "Theatre Roulette Submission - Ohio" in the subject line.
If you are a Columbus college student playwright, please put "Theatre Roulette Submission - College" in your subject line.

All other playwrights, please put "Theatre Roulette Submission" in the subject line.Scripts must be in .pdf or .docx format.There is a limit of 2 submissions per playwright.

MadLab Theatre is seeking short play submissions for the 28th annual Theatre Roulette festival.
Theatre Roulette has 3 separate nights of plays. One night will be reserved for Ohio based playwrights. One night will be reserved for Columbus based college playwrights. And the third night will be reserved for anyone and everyone else.

Submission deadline is November 1, 2026 or until we reach our 500 submission cap.

The production will take place from March 18-April 3 of 2027.

All playwrights will be notified of our decisions no later than December 1st, 2026.

The Soliloquist Journal seeks soliloquies

Website

Deadline: October 20, 2026

Where to send: Email your work as a single Word or PDF document to thesoliloquistmag@gmail.com. 
Subject Line: Fall 2026 Submission – [Your Name] 

"Share Your Soliloquy"

For our Fall 2026 Issue, The Soliloquist Journal invites poets and writers to dissect the mechanics of memory loss— chosen and unchosen. What do you let go of on purpose? What slips away against your will? What do you misremember, and why does the misremembering feel like its own kind of truth?

We are looking for raw, vulnerable, and authentic poetry and soliloquies that trace the edges of what has been lost, blurred, or deliberately buried.

SUBTHEMES:

Selective Erasure — The things we choose to forget on purpose: a face, a
betrayal, a version of ourselves we've outgrown.

Phantom Memory — The ache of a memory that lingers after the thing
itself is gone—like sensation in a missing limb.

The Unreliable Archive — Misremembering as its own act of creation: when
the story we tell replaces the thing that actually happened.

Inherited Forgetting — Family silences, generational gaps, and the things
left unspoken until they simply cease to exist.

The Slow Fade — The involuntary kind of forgetting: aging, illness,
distance, and the quiet grief of watching a memory dissolve in real time.

Complimentary tickets available: IS THIS THING ON?

Complementary tickets are available for Adam Bradley's autobiographical solo show, Is This Thing On? - a 60-minute piece combining storytelling and live music, exploring identity, responsibility, and what happens to the parts of ourselves we put aside along the way.

A deeply human solo show about the version of yourself you put down — and whether it’s ever too late to pick it back up.

Tickets at Eventbrite.
Use complimentary code: COMP

Complimentary tickets are offered on a first-come, first serve basis for the performances on Friday September 19, 7PM and Sunday September 20, 2PM. (The Saturday performance is sold out.)

TIP: your best chance for available tickets is the Sunday performance.

Chain Theatre

312 West 36th Street
#4th floor New York, NY 10018

10th annual PlayGround Solo Performance Festival

Website

Deadline: September 15, 2026 by 11:59pm

SUBMISSION FORM

PlayGround invites submission of proposals for the 10th annual PlayGround Solo Performance Festival, to take place at PlayGround’s San Francisco venue, Potrero Stage, with live online simulcast, January 15-February 7, 2027. 

PlayGround is interested in diverse voices and approaches, including storytelling, clowning, music, dance, multimedia, comedy, etc. In addition to new works by individual writer-performers, we are also interested in collaborations between separate writers and performers as well as adaptations of existing material in the public domain, historical biographies and/or historical events. BIPOC, trans/gender-nonconforming, and artists with disabilities encouraged to apply. 

Running time for proposed pieces can be up to 50 minutes without intermission.

FESTIVAL GUIDELINES

PlayGround will select up to 20 performers to each receive 3 public performances at Potrero Stage with live online simulcast within the festival period. Performers will each receive 2 hours of technical rehearsal (date and time TBD). PlayGround will provide the theater, simulcast setup and digital platform, front-of-house and technical staff, marketing, publicity, and box office services.

– Selected projects will receive three performance slots over the course of the festival

– Selections will be determined by lottery; up to 15 slots will be guaranteed to PlayGround-affiliated artists and up to 5 slots will be offered to non-PlayGround artists

– Projects must culminate in the off-book public presentation

– Performances in the 2027 Solo Performance Festival must run be between 30-50 minutes with setup/strike of no more than a half-hour on either side.

– Projects must participate in PlayGround’s radical accessibility program, including free admission (with PWYC donation option) and online simulcast.

– Projects involving union artists will have the opportunity to be presented under PlayGround’s SAG-AFTRA New Media Agreement (deferred) and all performers, regardless of union status, would then be expected to sign a SAG-AFTRA agreement; projects are solely responsible for the terms of artist compensation and for fulfilling those terms.

– Upon selection, projects will be responsible for remitting to PlayGround a $600 facility licensing fee for three performances, due by October 1, 2026.

– PlayGround will provide the following: fully-equipped Potrero Stage, Technical Director, House Manager, Board Operator, Streaming Broadcaster, as well as co-marketing, production management consultation (1 hr), and box office services;

– PlayGround will split box office proceeds 50/50 with producing teams.

Cambiando the Script seeks one-act plays

Website

Deadline: September 6, 2026

Send submissions to operations @amttheater.org

Cambiando the Script returns to AMT Theater on Monday, October 19, 2026, for an evening celebrating the power of bilingual storytelling and the voices that bridge cultures through live theater.

We are currently accepting submissions of original one-act plays with a running time of 45 minutes or less that seamlessly blend Spanish and English into the storytelling. We welcome all genres—including comedy, drama, thriller, romance, musicals, and experimental works. The only requirement is that both languages are woven naturally into the script, reflecting the authenticity and complexity of bilingual life.

We are looking for playwrights who create compelling, thought-provoking stories that explore identity, family, community, love, resilience, and the many experiences that shape our multicultural world. Whether your play entertains, challenges, or inspires, we want work that demonstrates how language can deepen character, emotion, and connection.

If you’ve written a story that lives naturally between Spanish and English, we encourage you to submit your play and become part of an evening dedicated to celebrating bilingual voices on stage.

Submit your script and help us continue changing the conversation—one story at a time.

Selected plays will be presented as staged readings at AMT Theater on Monday, October 19, 2026, giving playwrights the opportunity to hear their work performed before a live audience.

Qutub Minar seeks one-minute plays

Website

Deadline: September 20, 2026

We publish poetry, short stories (maximum 500 words for each story), one minute plays, interviews, book reviews, memoires and travelogues. 

You can submit up to 3 one minute plays at a time.

1 All submissions must carry a cover letter and a short literary bio-data (about 70 words) of the author.

2. We accept submissions only by email. All submissions must be sent to editorqutubminarreview@gmail.com

3. All submissions must carry:

Full legal name of the author:

Pen name (if any):

Postal address:

By submitting your work you accept that you hold the copyright of the work and there is no need to get permission of any third party to publish your work. After publication the copyright of the work will revert back to the author.

We notify the authors regarding acceptance of their works.

Unfortunately, there is no pay at this time.

Blue Ink Award 2026

Website

Deadline: August 31, 2026 by 11:59 PM CT

SUBMISSION FORM

1) There is no fee to submit.

2) Each play must be submitted with a letter written by a qualified theater professional or teacher recommending the play. “Qualified theater professional” is defined as an artistic director, director, literary manager, agent, theater professor, or someone in a similar artistic leadership position.

3) This contest is restricted to plays written predominantly in English. Worldwide submissions are accepted.

4) Submissions must be original, unpublished full-length plays. Adaptations are accepted with proof of rights held unless source text is in public domain.

5) Musicals, translations, and children’s plays are not accepted.

6) Playwrights may submit only one (1) manuscript per year.

7) Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production will be considered.

8) Plays may not be under option or scheduled for professional production or publication at the time of award announcement.

9) American Blues Theater reserves the Right-of-First-Refusal to produce the world premiere of the winning manuscript for one (1) year beginning on date of the public announcement of the winner.

10) Plays and recommendation letters must be submitted digitally as a PDF or Word Document via the submission form at AmericanBluesTheater.com.

11) If you need technological accommodations to submit your play, you may send scripts to American Blues Theater, 5627 N Lincoln Ave, Chicago, IL 60659. Scripts are ineligible if received after Monday, August 31.

12) Questions should be sent to info@AmericanBluesTheater.com.