We never post opportunities that require a submission fee. LEARN MORE.

Tuesday, February 22, 2022

Feels Blind Literary Submissions for Issue #7 are open

Website

Deadline: March 6, 2022

Submissions made on Mondays are free

Feels Blind Literary welcomes submissions of short fiction, creative nonfiction, poetry, plays, and art from new and emerging writers and artists who are nonbinary or identify as women.

Submissions for Issue #7 are open until March 6, 2022 and should be sent to feelsblindliterary@gmail.com. The submission fee is always waived on Mondays. Please put in the subject line the category to which you are submitting and include a short bio written in the third person.

We are adamant about not creating a barrier in terms of who can submit and how often, which is why every Monday is a free submission day during opening reading periods. On other days, we have decided to start collecting fees. Here's why- we've noticed many literary magazines and organizations expressing solidarity with the Black Lives Matter movement and we've been considering how to do the same. Feels Blind Literary is committed to speaking out against social and environmental injustice, police brutality, and unconstitutional attacks on our free press. With that being said, we didn't feel just saying we're committed to these causes was enough. Rather, we knew we needed to demonstrate that commitment in tangible and monetary ways, both by continuing to elevate marginalized voices in the work that we publish and by raising money for causes we believe will help directly combat racism in this country.

​As such, all non-Monday submissions must include a $3 submission fee through the donation tab below. A portion of the fees for this reading period will go directly to the Richmond Community Bail Fund. If you include a $10 donation, we will guarantee a 2-week or less response time to your work.

We hope other literary magazines and organizations are following a similar model. We can offer words of support, but even as writers we recognize words too often fall short. When we say we're in this together, everything we do needs to be in direct service to this sentiment.
​​
Submission Details

Simultaneous submissions are accepted, but immediately withdraw your work if it is accepted elsewhere.

Submissions must be previously unpublished, original works.

Please do not submit more than one entry per reading period.

If we publish your work, please wait a full year before submitting new work.

We will do our best to respond to each submission within 60 days. If 60 days has passed, please send us an inquiry at feelsblindliterary@gmail.com. We will try our best to respond much sooner, however.

Plays: Send one one-act play up to 15 pages.

While we won't know exactly what we like until we see it, we do like honest, accessible work. Things that are overly abstract or don't make readers feel something don't do it for us. We want you to make us laugh and/or cry. We want you to challenge us as readers. We want your work to pass the Bechdel Test. We will not tell you which writers we worship, though we will tell you we don't worship Raymond Carver, Ernest Hemingway, or John Updike.

​​​Rights revert to the author upon publication. All work published in our online issues will be considered for an annual print anthology. While we cannot pay contributors at this time, we hope this changes in the future.

Monday, February 21, 2022

On and Off Theatre Workshop seeks audio drama scripts

Facebook page

Deadline: March 3, 2022

The On and Off Theatre Workshop (@onandoffwkshop) is looking for audio drama scripts to be produced in their next season. Chosen plays will get a full audio production and the playwright will receive a small stipend. Requirements below.

What we’re looking for:
  • 10-minute plays or 40- to 50-minute plays
  • 6 characters or less — no doubling
  • Plays that work for audio-only production
  • Deadline: March 3rd at midnight Mountain Time
Send a New Play Exchange link or full script to onandoffwkshop@gmail.com.

Sunday, February 20, 2022

Dragonfly Multicultural Arts Center seeks plays for its 2022 summer outdoor season

Website

Deadline: March 1, 2022

Dragonfly Multicultural Arts Center, a nonprofit community theater based in Plainfield, NJ, is seeking plays for its 2022 summer outdoor season. Submission period is February 9-March 1, 2022. The playwright of any play chosen will receive a small royalty.

Play Requirements
  • Scripts should be 60-90 minutes in length—No Longer.
  • Only one submission per playwright. Choose your best one.
  • Play must be appropriate to be performed on a porch without any set.
  • Play must be a comedy.
  • Play must lend itself to diversity in casting and multiculturalism.
  • No Covid or end of the world themes.
  • No talking animals or talking objects.
  • Play should be appropriate for ages 14-adult.
  • Play should have low production cost—modern costumes and minimal props.
Submit the following to DragonflySubmissions@gmail.com:
o A detailed synopsis of no longer than two paragraphs
o A list and description of the characters
o Production History
o Playwright’s town of residence

Unfortunately, we will only be able to respond to playwrights whose scripts we are interested in.
DragonflyArtsNJ.org

Liberation Theatre Company Writing Residency Program 2022 - 2023

Website

Deadline: February 28, 2022 11:59 PM EST

SUBMIT VIA SUBMITTABLE

Liberation Theatre Company (LTC) is proud to present our fifth year of The Writing Residency Program 2022 - 2023 (supported by NYSCA); furthering our commitment to the development of new Black playwrights for the American theatre.

It is a rare opportunity burgeoning playwrights have to hone their craft under their own vision through provided resources from an organization that only seeks to uplift their voices. For that I owe Liberation Theater Company an unlimited amount of gratitude. Nathaniel Johnson - Residency Playwright 2017/18


We will select four early-career playwrights and provide them with dramaturgical and professional support over a ten-month period, during which time they will each be required to complete a new full-length play.

Beginning in May 2022, selected playwrights will attend monthly group meetings to share and refine their works-in-progress in a collaborative, energized setting via Zoom; meet individually with LTC’s Artistic Director and staff who will provide additional support for their artistic needs, concerns and process; and have the resources of a director and professional actors during a table reading as their play begins to take shape.

Additionally, through connections with the larger New York City theatrical community, LTC will provide access to theatre tickets (when available) and seek to support, inspire, and assist playwrights in any way a small and dedicated company can.

The Residency will conclude in February 2023 with public readings of each playwright’s finished play. Upon successful completion of the program, each playwright will receive an honorarium.

Eligibility

To be considered for the Writing Residency Program all applicants must be 

a) residents of New York City at the time of participation (May 2022 – February 2023). 

b) Applicants must have written at least two full-length plays or three one-act plays. 

The applicant must not have received a production of any of their work that was more developed than a Showcase presentation under the Actors’ Equity Association production code.

Application Submission Procedure

To be considered for the 2022 - 2023 Writing Residency Program, Liberation Theatre Company will only accept submissions via this online form. If you have questions about the program or the application process, please email: info@liberationtheatrecompany.org.

The following materials must be uploaded and submitted in PDF form no later than 11:59 PM EST on Monday, February 28, 2022. Make sure that all documents are properly labeled with your name.

1. Completed Online Application Form

2. Letter of Intent. This should be limited to 1,000 words and address all of the following points:
  • Your writing career thus far and where you feel you are in your creative and professional life
  • Your career goals and how you will use the Residency to further those goals
  • Briefly describe the play you will complete over the 10-month program
  • Why you feel ready for a rigorous residency such as this
  • Have you participated in a residency/fellowship before? If so, describe your experience.
  • Anything else you think may be relevant

3. A 10-page Work Sample that best represents you as a playwright

4. The full script from which you selected your 10-page work sample

5. Your playwriting resume (not a bio). Please include one personal or professional reference, with the person’s title or institutional affiliation, phone number and email address. (Referrer must be someone familiar with you and your work.)

Saturday, February 19, 2022

PlayTime 2022

Website

Deadline: March 7, 2022

Our application period for PlayTime 2022 has started (February 7th- March 7th)! It's our on-going new play development program for Women or BIPOC playwrights. Each season, we provide emerging playwrights with workspaces; professional collaborators; and, administrative, organizational, and logistical support. Selected playwrights utilize these resources to further develop and prepare a pre-existing draft of an original play for a public audience.

The 7-week lab (held via Zoom) allows us to support the playwright through review and critique, table readings, and dramaturgical feedback. The final week is dedicated to preparing a staged reading for the live and in-person public. Applicants will receive notification of their application's outcome by the end of March. On behalf of all of us here at DQT, thank you for sharing your work with us! PlayTime workshops will be held every Tuesday evening on the following dates:

April 5th @ 7pm EST
April 12th @ 7pm EST
April 19th @ 7pm EST
April 26th @ 7pm EST
May 3rd @ 7pm EST
May 10th @ 7pm EST
May 17th @ 7pm EST
May 24th @ 7pm EST

Friday, February 18, 2022

The Black Motherhood and Parenting New Play Festival 2022

Website

Deadline: March 1, 2022 11:59 PM EST

SUBMITTABLE SUBMISSION FORM

Blackboard Plays and Parent Artist Advocacy League (PAAL) partner to uplift the experiences of Black Parenthood. The Black Motherhood and Parenting New Play Festival was established to tell stories from and about Black artists with families.

MISSION STATEMENT

Since 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora. Blackboard Reading Series was incubated at Nancy Manocherian's the cell in Chelsea's Manhattan as a resident series for 10 years before Blackboard made its home in The Mary Rodgers Room at The Dramatists Guild in 2018. Feature Readings and Community Nights are two ways that Blackboard supports the development of new work by Black Playwrights. Blackboard was founded by Garlia Cornelia Jones.

Parent Artist Advocacy League (PAAL) is a national advocacy organization serving as a resource hub, community, and solutions generator for caregivers in the performing arts and media and the institutions who support them. PAAL created the first all-gender, all-discipline national PAAL Childcare Grants for individuals and institutions. PAAL has participated internationally in think tanks, on panels, and facilitated workshops on parenting in the arts at multiple gatherings, including the national TCG conferences, BroadwayCon, Actors Equity Association, Professional Association of Canadian Theatres, and the first national conversation on caregiving in the Latinx community at the Latinx Theatre Commons Annual Convening, Miami in Motion, in 2019. PAAL commits to anti-racist roots in structure, practice, policy, principle, and production, through Vertical 50/50, centering support on BIPOC artists, and gathering resources for active anti-racism in caregiver support.

PURPOSE STATEMENT

PAAL and Blackboard established #BMPFest to showcase the creative output of Black parent playwrights. They issued an open call in October 2020 for writers who identify as Black parents or caregivers to submit up to 10 pages of work that they would develop into a one-act.


SEEKING

The Black Motherhood and Parenting New Play Festival (#BMPFest) is seeking new plays by Black Parent and caregiver playwrights for its upcoming theatre festival in the Fall of 2022.

#BMPFest is open to those that identify as Black parents and caregivers.

#BMPFest is seeking stories centering the Black parenting and caregiving experience.

This includes, but is not limited to stories from artists with family responsibilities.

PAAL and Blackboard are transgender and non-binary affirming spaces. All language referencing "mother," "parent," "dad," "caregiver," and their derivatives include and refer to any individual who identifies with them.

SUBMISSION DEADLINE

March 1st, 2022 at 11:59 PM EST

SUBMISSION DETAILS

Please submit up to 10 pages MAX of a play that you would develop into a One-Act (30 - 45 minutes.)

Ten (10) Semi-Finalists will have a feature digital (zoom) reading as part of Blackboard Plays’ ‘21-22 Season.

Four (4) Finalists will develop their One-Act centering on the Black parenting and caregiving experience to premiere digitally during the Fall of 2022.
If you are chosen as one of our ten (10) semi-finalists, we will request the full script for review.
Diverse Gender representation will be prioritized in the review and selection process.
Each produced play will have digital production elements and an assigned director.

Although we ask for a sample of 10-pages, this is not a 10-minute play festival. . Video Submissions will not be accepted.

Each of the four (4) Finalists will be paid a stipend of $1,000. USD, as well as a $500. USD Caregiver Reimbursement Stipend per artist.


2022 Platform Presents Playwright’s Prize for plays no more than 10,000 words

Website

Deadline: March 7, 2022, 12PM

Platform Presents are thrilled to announce submissions for the 2022 Platform Presents Playwright’s Prize are now open.

This is an open call for distinctive, dynamic plays, no more than 10,000 words.

(NOTE: NYCPlaywrights estimates 10,000 words in a standard play script to be about 75 pages.)

The prize includes ongoing mentoring and producing the winning script, as well as the £5,000 cash prize.

The competition closes at 12pm on 7th March 2022.


Judges confirmed so far are Aki Omoshaybi (Actor, Writer & Director), Charlotte Colbert (Director), Dianna Agron (Actor & Producer), Dipal Acharya (Writer & Journalist), Dougray Scott (Actor & Producer), Helena Lee (Writer & Journalist), Jack Farthing (Actor), Jasmine Lee-Jones (Writer & Actor), Jessica Ronane (Casting Director), Laura Weir (Writer), Pearl Mackie (Actor), Pippa Bennett-Warner (Actor), Sara-Ella Ozbek (Writer) and Zoe Rocha (Producer).

For the 2021 Prize, 734 plays were submitted by writers from London to New York, LA to Melbourne. These were shortlisted to 10 by our Script Editor Meghan Cosgrove, our Script Reader Adrianna Bertola, Gala Gordon and Isabella Macpherson, and then judged (un-named) by an incredible group of industry experts across theatre, television and film.

The prize includes ongoing mentoring and producing the winning script, as well as the £5,000 cash prize.

Instagram - @platformpresents

The competition closes at 12pm on 7th March 2022.

Thursday, February 17, 2022

2022 Relentless Musical Award

Website

Deadline: March 1, 2022

SUBMIT VIA SUBMITTABLE FORM

The American Playwriting Foundation is accepting applications for The 2022 Relentless Musical Award in honor of Adam Schlesinger. The creators of the winning submission will receive $65,000, the largest prize in American theater presented to an unproduced musical.

The Relentless Award, founded in honor of Philip Seymour Hoffman, places special emphasis on works that are fearless in their choice of subject matter, featuring passionate voices that are relentlessly truthful. The winning musical, along with finalists and semifinalists, will also receive development opportunities through a series of staged readings at Theatre Row as well as at some of the top regional theaters in the country.


The Relentless Musical Award will honor works that:
Are challenging.
Exhibit fearlessness.
Exude passion.
Are relentlessly truthful.

All submitted materials will be evaluated anonymously. Even the final judges will have no knowledge of the identity, gender or race of a work’s creators. Our criteria for submission casts a wide net of eligibility, but we especially encourage submissions by first-time composers, lyricists, and book writers of all identities. Our goal is to discover and promote new works from people whose voices have been historically under- or un-represented in musical theatre.


Eligibility/Criteria for Submission

Only full-length works of musical theatre are eligible for the 2022 Relentless Musical Award.

The work must be unproduced and cannot have had a previous professional production or a current production commitment.

Applications are limited to shows by writers with United States citizenship, those who possess a green card, or currently reside in the United States and have lived here for at least four (4) years.

Musicals that utilize extant music not written by the applicant(s) (e.g. “jukebox musicals” or musicals with parody lyrics) are ineligible.

Writers must be at least 18 years old*.​​

​(*except in NE and AL where writers must be 19 years old, and MS where writers must be 21 years old)

Works may be based on underlying material, in which case proof of authorization or right to adapt the underlying material must be uploaded with the application if it is not in the public domain.

We welcome and encourage musicals that include non-English languages, but in recognizing the current limitations of our reading committees, request that an English translation be included for any non-English text.

Writers and composers who have had a show produced on Broadway or the West End are ineligible.

Musicals considered to be “Theatre for a Young Audience” are ineligible.

Shows may only be submitted for consideration ONCE; if submitted for the 2022 Relentless Musical Award, the show will be ineligible for future Relentless Musical Awards.

If you have any questions whether your show fits these requirements, please email LSpector@bfany.org

Materials

As all work will be evaluated anonymously; writer/composer names and personal information should be removed from all documents and file names.


Materials required


“Heart of the Book” – A script excerpt containing three consecutive scenes or approximately 20-25 consecutive pages; this excerpt should also contain at least one song that is recorded and uploaded as part of the score excerpt.


“Heart of the Score” - Five songs that represent the score in its entirety; at least one of these songs should be a part of the script excerpt.


Full Script.


All Songs – all the songs that have been written/recorded, representing at least 50% of the planned score; these should include the five songs uploaded as the “Heart of the Score”.


Artistic Statement – This should be no longer than a page. Though the musical should be able to stand alone, this document will give the creators an opportunity to share with the readers/Judges anything about the project that they believe is vital to understanding the work and where they think their project is regarding its stage of development. For instance, if the first half of the work is considered finished, yet the second half is a first draft, this information would help us give you the fairest evaluation process. This should include the artists’ conception/aim for the finished show and where the writer(s) think they are in their process.


All materials should be uploaded electronically along with the application form information.


All score materials should be uploaded in the form of music/audio files or zipped folder containing music/audio files. PDFs of sheet music will not be accepted.

How to submit your show:

The submission window is from January 25, 2022 until March 1, 2022.

There is a link to Submittable.com at the bottom of this page to submit your musical.


REMINDER: please DO NOT include your name or other identifying info (email/phone number) on any of your manuscript pages. Please also exclude agent info, development info, and dedications. This will preserve the anonymity of the writer(s) for our evaluators.


You'll receive confirmation your application has been received. Our staff will reach out to you if there are any problems.


For even more information:

Please see our FAQ here.

Shawnee Playhouse accepting submissions - one-act/short & full-length

Website

Deadline: March 31, 2022

***Submission fee will be waived if playwright submits hard copies of play, with a copy for each reader/character and the Host/Director.***

Each year, Worthington Players will produce and perform the original work(s) of a playwright(s), chosen by our Executive Committee from among submissions received in our open contest and read before a live audience.

Beginning with the 2017 season, works produced previously at any theatrical venue are no longer eligible for consideration.

Original Play Submission Requirements

Submissions are now being accepted for the 2023 productions. Plays will be read over the summer of 2022 and the winners will be produced in 2023.
Deadline for submission is March 31, 2022.

Short Plays Should Include:
  1. Page Numbers
  2. Brief plot summary & setting description
  3. Title on every page (footer)
  4. List of all characters with description (M/F, age, race, etc.)
  5. # # # or END to assure that all the pages are included


Full Length Plays Should Include:

  1. The Full Play 
  2. A 30 Minute selection. This a something that could be presented as a representation of your work to our voting committee.
  3. Stage directions
  4. Synopsis
  5. Anything additional you would like the audience to be aware of
  6. Page Numbers
  7. Brief plot summary & setting description
  8. Title on every page (footer)
  9. List of all characters with description (M/F, age, etc)
  10. # # # or END to assure that all the pages are included

Submissions must be accompanied by a submission fee and the Shawnee Playwrights Series Form available below

Submission Fees are as follows

$25 for Full Length
$15 for One Act/Short Play

***Submission fee will be waived if playwright submits hard copies of play, with a copy for each reader/character and the Host/Director.***

Tuesday, February 15, 2022

New Online Classes Announced at Primary Stages ESPA!

New online writing classes have been added to the lineup at Primary Stages ESPA! Whether you’re looking to tell your own story, motivate yourself to start a first draft, or revise your draft in an environment that puts the play in playwriting, we have the class for you:

Solo Performance

Instructor: Judy Gold (Emmy Award-Winning Actor, Writer, and Comedian)
Thursdays from 11:00am – 2:00pm
Starts February 24
Online via Zoom

Like Anna Deavere Smith, Nilaja Sun, John Leguizamo, Sharon Washington, Sarah Jones, Daniel Beaty, and other brave solo performers who have come before you, this class will guide you through the process of telling your personal story on stage. Led by Emmy Award-winning actor and writer Judy Gold, you’ll leave this 8-week online class with a performance piece based on your own fascinating life and a new perspective on the art of solo storytelling.

Fast First Draft

Brittany K. Allen (Writer and Actor; Redwood at Portland Center Stage, Kilroy's List)
Mondays from 7pm - 10pm ET
Starts March 7
Online via Zoom

This class is holistic, curious, delight-driven, and collaborative, cultivating group accountability and affirming all whimsical impulses. Brittany believes the first draft is about mainly getting out of your own way and taking big, bold swings. This 5-week class will emphasize a sense of play and ethical collaboration as you embark on a first draft of a new play, urging every writer to think deeply about how their identity shapes their creative point of view.

Rewriting Your Draft

Instructor: Kate Moira Ryan (Writer (with Judy Gold), 25 Questions for a Jewish Mother)
Tuesdays from 6:30pm - 9:30pm ET
Starts March 1
Online via Zoom

This class puts the play in playwright! Designed to be fun and supportive, this 8-week class will help you tackle the revision process and develop a stronger version of your play. You can work on 10-minute plays, one acts, or a full-length play of any genre (including adaptations, one-person shows, and musicals), as long as it’s for theater.

Start and end dates vary. Click here for the full list of writing classes.

Our award-winning faculty, comprised of working professionals in the field, provides practical skills and expert guidance in a collaborative community atmosphere.

Primary Stages ESPA provides students easy and convenient payment plans to break up tuition. For more information, call 212.840.9705 x215 or email espa@primarystages.org.

Magnetic Theatre One-Act Play Festival

Website

Deadline: February 28, 2022 at 11:59 PM EST

SUBMISSION VIA GOOGLE DOCS

The One Act Play Festival is scheduled for November 2022

Submissions are free and open to all playwrights with plays 5-15 minutes long

SUBMISSION GUIDELINES

Playwrights may only submit one piece for consideration

Please limit your cast to a maximum of six actors

Scripts with minimal set, costume, and prop requirements are preferred

We are not considering theatre for young audiences at this time

We will not accept screenplays or musicals at this time

The Magnetic Theatre tends to produce plays that have not received major/recent productions in the Asheville area. We respond primarily to plays with a sure command of language, that are accessible to a diverse and discerning audience, and clear dramatic action that truly uses the resources of live theatre.

If you wish to submit a play for consideration, please click the button below and include a complete manuscript (bio, resume, and any other supporting materials (e.g. reviews) that might help pique our interest in you and your work are optional but encouraged).

Rhino Theatre's 2022 6th Annual One-Act Jamboree

Website

Deadline:  March 1, 2022

Submission fee waived for members of Dramatist Guild (must include copy of front and back of current card with submission)

Show Dates: JULY 15, 16, 17 (Friday 8pm Saturday 2pm and 8pm and Sunday 2pm)

WEBSITE FOR SUBMISSIONS: https://www.rhinotheatre.com/oneacts

Writers must submit their one-act plays (with a running time of 20 minutes or less)

Entries will be judged on plot, character development, dialogue and overall quality.

Please send manuscripts and enclose your $20 reading fee (per manuscript)
Submission fee waived for members of Dramatist Guild (must include copy of front and back of current card with submission)

Mail to:

Rhino Theatre Group, LLC
237 Hamburg Turnpike
Pompton Lakes, NJ 07442

Attention: One Act Jamboree

Alternatively, you may submit your play via our website here. Click "Submit A Play for 2022" to send your manuscript via email. 


CONTACT EMAIL: joann@rhinotheatre.com

CONTACT PHONE NUMBER: 973-2489491

Between 6 and 10 winners will receive the opportunity of a staged production of his or her play at the
Rhino One Act Jamboree, which will be held July 15, 16, 17, 2022 at Rhino Studio 237.

The production will have auditioned actors, directors chosen by committee, producers, stage managers, ushers, ticket takers and tech crew.

If your play is chosen, a $50 participation fee will be required prior to auditions for your play. As the playwright, you are invited to auditions and will have input regarding casting and production presentation. However, Artistic Director may choose to exercise her authority regarding questionable content and/or presentation of the show with consideration and protection of the reputation of the company in its entirety.

Prizes:
At the conclusion of the jamboree, one winner will receive a $250 cash prize based on audience vote.

Monday, February 14, 2022

The Process Accountability Lab (PAL)

Website

Deadline: Friday, February 18, 2022 @ 11:59PM

The Process Accountability Lab (PAL) is a six-week program for artists looking for a boost of creative energy in the form of an accountability buddy! The lab aims to create community and foster support for wherever you’re at in your 2022.

HOW IT WORKS: Sign-up with an idea or a project you want to move forward. Your form responses will match you with an individual or small cluster of community members: these will be your PALs: the individuals with whom you'll process your ideas into existence. Over six weeks, you and your PALs will create your own creative ecosystem.

After a kick-off meeting - you and your PALs will decide how often to gather and how much structure you need. FGP will be there like the bumpers on the bowling alley with prompts and guidelines to keep you going! The program will run for six-weeks between late February and mid-April.


Sign up online at https://docs.google.com/forms/d/e/1FAIpQLSd28E4ED63MyRBhYfgySuJHBs4Qd9AbDotMsOjJ--Qzg4hbLQ/viewform

EMAIL: info@freshgroundpeppernyc.com

VSA PLAYWRIGHT DISCOVERY PROGRAM

Website

Deadline: March 9, 2022 at 11:59 PM

SUBMISSION FORM

Young writers with disabilities are invited to submit a 'ten-minute script' of any genre. Scripts may be for plays, musicals, multimedia, video, film, TV, podcasts, or other writing for performance. Entries may be the work of an individual student or a collaboration of two students that includes at least one student with a disability. A panel of theater professionals selects division winners.

Writers are encouraged to craft short (10 minute) works from their own experiences and observations through the creation of fictional characters and settings, writing realistically, metaphorically or abstractly about any topic, including the disability experience.

Writers must be in ages 15-18 and must have a disability. Please read the eligibility for participation.

Multiple winners will receive exclusive access to participate in virtual professional development activities provided by the Kennedy Center. Winners will have the opportunity to work with industry professionals in further development of their own script, as well as participating in networking opportunities.

Apply by Wednesday, March 9, 2022 at 11:59 p.m. Eastern.

Sunday, February 13, 2022

The Michael and Joan Kornblit 10-minute Playwriting Competition offered by Jewish Theatre of Oklahoma

Website

Facebook page

Deadline: February 15, 2022

SUBMIT HERE

Mothers in the Bible: Smart Women, Tough Choices

Requesting monologues and/or one-acts from playwrights around the globe dealing with Mothers in the Hebrew Bible.

All entries must be under 10 minutes. Anything that reads longer than 10 minutes will not be considered.

Limit three submissions per playwright.

Those selected for production will each receive a $100 prize.

Selected pieces will be announced by March 15, 2022.

Selected pieces will have works professionally performed in salon-style productions on April 30 at 8 p.m. and May 1 at 2 p.m. in Oklahoma City (venue TBD).

Plays will be chosen by blind submission committee.

As we usher in Mothers’ Day 2022, Jewish Theatre of Oklahoma (JTO) invites playwrights to take a reverent but realistic view of some of the greater and lesser-known mothers in the Hebrew Bible. While it’s simple to see mothers as beacons of goodness, nurturers, and dedicated followers of God, sometimes mothers need to break bonds, commit sins, and even rebel against God.

In our first “Mother’s in the Bible” festival, “Smart Women, Tough Choices,” JTO asks playwrights to explore the complexities of motherhood through stories about the strengths, weaknesses, successes, and failures of mothers that fill the pages of the Hebrew Bible.

Here are just a few examples of possible topics:

· Was it strength that led Sarah to exile Hagar and Ishmael or jealous insecurity?

· Lot’s daughters seduced their father to become mothers. What are the implications?

· Tamar chose to dress like a prostitute and seduce Judah. Ends justify the means?

· What might a conversation between Moses and his mother, Jochebed, have sounded like?


Saturday, February 12, 2022

SUBMIT A PLAY: Playwrights on Park Reading Series

Website

Deadline: February 15, 2022

We are currently accepting submissions for the 2022 season of the Playwrights on Park Reading Series at Playhouse on Park in West Hartford, CT.

Our Mission

PLAYWRIGHTS ON PARK is an exciting artistic endeavor for Playhouse on Park. Our mission is to develop and produce original plays, to foster emerging and established playwrights, and to become a leader in new play development. We aim to help establish the Greater Hartford Area as a premiere destination for the cultivation and exploration of innovative theatrical work. Playwrights selected as part of the Playwrights on Park Reading Series will have a day of rehearsal, followed by a reading of their play and a talkback with the audience.

IMPORTANT INFO: Playwrights MUST be able to come to West Hartford to attend the staged reading and the audience discussion that follows. There will be a rehearsal the day of the reading in which attendance by the playwright is optional, but strongly encouraged. 

Transportation may be provided from NYC or New England locations by the Playhouse. Readings will be on select Sunday nights throughout the season at 7:00pm.

Playreading dates TBD

We will choose FIVE plays for readings for the 2022/23 season. Final selections will be made by April 1st, 2022.

Submission Guidelines

> BIPOC, LGBTQIA+, womxn, Latinx, and differently abled artists are strongly encouraged to submit
> We are seeking FULL LENGTH plays with smaller casts (5 or less), No musicals or One-Acts at this time
> Please submit a FULL script and character breakdown (Please submit in PDF format). Plays must be submitted electronically
> Include any production or workshop history, as well as biographies of the playwright, and any collaborators
> Playwrights may self submit or go through a literary agent.
> Connecticut-based and NYC playwrights are strongly encouraged to submit
> NO FEE CHARGED

Submit plays to newworks@playhousetheatregroup.org with the subject line SUBMISSION.

Best Medicine Rep Theater Company seeks full-length plays

Website

Deadline: February 28, 2022

Best Medicine Rep Theater Company is accepting scripts through February 28, 2022. 

We are looking exclusively for full-length comedies with simple technical demands and a cast of no more than 5 people. 

 Previously produced plays are welcome, as long as they have not been previously produced in the DC/Baltimore area. 

 Please email the full script as a pdf file to Literary Manager Alexandra Parker at bestmedsubmissions@gmail.com.

Drama Notebook updated submission guidelines

Website

Thank you for your interest in submitting a play to Drama Notebook.

Due to a huge influx of plays during the past two years, we are currently only accepting the following types of work:
  1. Plays based on popular works in the public domain, such as: Peter Pan, Alice in Wonderland, Beauty and the Beast, Pinocchio, The Jungle Book, The Legend of Sleepy Hollow, Anne of Green Gables, The Scarlet Letter, The Sword in the Stone, The Velveteen Rabbit, Swiss Family Robinson, etc.
  2. Works based on authors in the public domain such as: Beatrix Potter, Agatha Christie, Charles Dickens, Lewis Carroll, Mark Twain, Robert Louis Stevenson, Jane Austen, etc..
  3. Plays for kids in Spanish or French.
  4. Plays of a timely or educational nature, such as: Christmas plays, Chinese New Year play, Valentine’s Day play detailing the origins of Cupid, plays that explain nature, geography or science, etc.
  5. Plays for very young children or early readers.
If you have any questions as to whether your work will fit our guidelines, feel free to reach out to us on our contact page.

~INFORMATION FOR SUBMISSIONS~

Have you written plays for kids and teens and simply want to have them used and performed?

Drama Notebook is accepting play script submissions from playwrights, teachers, and actors who have written scripts or scenes for children and teens. We are building a huge library of royalty-free, high-quality scripts for use in educational settings.

Most drama teachers pay for materials out-of-pocket, and cannot afford to pay royalties, per-script fees, video fees, etc. By sharing your work, you will be benefiting thousands of educators in over 100 countries.

We can either license your script for a small fee, or purchase the copyright for a slightly larger amount. This is not life-changing $ to be sure, but you will experience the joy of knowing that your work is being performed by students all over the world.

When we publish your script, we include your bio, a link to your website (if applicable), and a way for teachers to contact you when their students perform your play!

Ready to submit your plays?

1. Download more detailed information below.
2. See an example of a formatted script.
3. Download our handy script template (optional).
4. Fill out the play submission form.

What to expect after submitting your play…

We will write you right back and let you know that we received your piece, and will read it and get back to you as soon as possible. If your script is accepted, we will send out a simple license or copyright agreement, complete your payment and get to work on formatting your play. It usually takes a few weeks to publish each script.

Friday, February 11, 2022

Long Wharf Theatre Literary Program & New Work Development

web site

Long Wharf Theatre has a proud and rich history of forming meaningful relationships with artists, supporting the development of their work, and moving their projects towards production.

We are particularly interested in incubating new pieces that center BIPOC voices, push form, and feature innovative dramaturgy. We are also eager to support projects that originate with artists other than playwrights, such as designers, directors, dramaturgs, and activists. Many of these works have become part of the modern American canon with more than thirty Long Wharf Theatre productions transferred to Broadway or Off-Broadway runs.

We are revitalizing our commitment to playwrights at all stages in their careers, and are now welcoming scripts from unrepresented playwrights as well as agents.

The following are examples of ways we have supported and continue to support new work development. These offerings are flexible, as we are committed to tailoring the process to suit the needs of each artist. We strive to be nimbly responsive to our artists’ goals.

Submit A Play For Consideration



Email scripts to:
literary@longwharf.org

The body of the email must include:
Author’s Name
Title
Type of material (one-act, musical, adaptation, etc.)
Synopsis of the play (500 words or less)

Please Note: We are only accepting scripts by electronic submission at this time.

The attachment of the email must include:

A script excerpt no more than twenty pages and music sound files, if applicable.

Type of Materials:
Full-length, One act, 10-minute scripts, musicals, adaptations, translations, virtual/Zoom plays.

Special Interests:
Plays by BIPOC writers, plays centering cultural narratives, stories of joy and resilience, multi-disciplinary work, and theatrical innovation.

Submission Period:
Year-round

Response Time:
4–6 months

Accountability:
If the response time has been exceeded, we invite follow-up emails.

Thursday, February 10, 2022

Original Works Publishing submission guidelines

Website

Original Works Publishing accepts unsolicited submissions all year round. Please follow the guidelines closely. Incomplete submissions will not be accepted.

THE RULES

OWP does not accept unproduced submissions under any circumstances.
OWP does not publish adaptations, translations, musicals, or works for younger audiences.
Only submit one play per email.

Do not send an inquiry email or synopsis or samples of multiple plays asking if any are of interest. Just submit the play in a complete submission package per the guidelines.

THE GUIDELINES
  • For Full Length Plays: We now only accepts plays that have received eight (8) or more performances in a production run and have been reviewed. 
  • All Other Lengths: Do not need 8 performances or review, but still must have been fully produced.
  • When emailing your submission please include all of the following material you have available.
  • Your play attached as a PDF or Word document, including cover page.
  • Short synopsis and character breakdown.
  • Production history. (Include theatre company and dates.)
  • Select review highlights, quotes, and awards or nominations received.
  • Any posters or logos from the productions.
  • Playwright resume or bio.

Send it all to:

SUBDEPT@ORIGINALWORKSONLINE.COM

Please list the title of your submission and length (full length, one act, etc.)

in the Subject line.

Response Time

OWP receives a large number of exciting new plays, all of which are closely evaluated. Please give us a minimum of three - six months to respond.

Snail Mail Submissions

OWP no longer accepts snail mail submissions. Let's keep it green. Save money on postage, save trees, save printer ink.

Currently accepting:
FULL LENGTHS

ONE ACTS - (25-45 minutes.)

MONOLOGUE SHOWS

FRINGE FESTIVAL HITS

NOT CURRENTLY ACCEPTING INDIVIDUAL TEN MINUTE PLAYS FOR "eTens" or TEN MINUTE PLAY COLLECTIONS

Wednesday, February 9, 2022

The Playwrights Group

 


Take advantage of our online offerings! 

 

Script Consultations

 

Have a script you want feedback on?  Just send a PDF of your script and you’ll get the answers you’re looking for via email and/or video conference. 

 

Richard Caliban has worked with  individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.

 

Weekly Zoom Workshop

 

Get feedback on a finished script or one you’re just getting started on. We read everything from a one page scene to a full length. Plays, musicals, film scripts — whatever it is you’re working on. This is a great way to keep yourself focused and to connect with other playwrights across the country. 

 

We meet (virtually) Thursdays from 7 - 9:30pm EST.  Check out our website for more details and rates — and arrange to sit in on a session and see for yourself.

 

Online One-on-One Courses

 

If you’re looking for more, check out our One on One Online Playwriting Courses:

 

       The Art of Playwriting

       Write a Play in 10 Weeks

 

Both are One on One with instructor Richard Caliban, who has spent his life in rehearsal rooms getting words on a page up onto a stage. And since it’s One on One, the courses can be adjusted to fit your level of experience. 

 

Please visit our website for further Info and Rates: 

www.theplaywrightsgroup.com

 

Contact us at 

scripts@theplaywrightsgroup.com

Queens Arts Fund 2022

Website

Deadline: February 14, 2022 11:59 PM

To be eligible for QAF grants, applicants must be based in Queens NYC and be at least 18 years of age. 

QUEENS ARTS FUND (QAF) OFFERS PROJECT-BASED GRANTS TO QUEENS INDIVIDUAL ARTISTS, ARTIST COLLECTIVES, AND SMALL NONPROFIT ORGANIZATIONS TO SUPPORT THE LOCAL PRODUCTION OF ARTWORK AND CULTURAL PROGRAMS THAT HIGHLIGHT, ENGAGE, AND BOLSTER THE DIVERSE COMMUNITIES OF THE QUEENS BOROUGH.

QAF is committed to furthering racial, cultural, and economic equity in its funding practices. Projects created by BIPOC artists, immigrants, and first-time grant applicants, and projects created by and for people living in Southeast Queens, Eastern Queens, and South Queens neighborhoods have historically received limited or low-funding in past QAF grant cycles and will be prioritized in the 2022 panel review process.

New Work Grant Application Session: Friday, January 21, 2022 at 11:30am - RSVP Link

All prospective applicants are invited to attend a QAF information session.  First-time applicants are strongly encouraged, but not required, to attend a session prior to submitting an application.

Live & In Color is looking for new musicals

Website | Facebook | Instagram | Twitter

Deadline: March 1, 2022

Live & In Color is looking for playwrights, composers, and lyricists of color and/or other underrepresented communities interested in developing their new musical.

The selected musical submission will have a two-week workshop in the fall at The Bingham Camp in Salem, Connecticut culminating in a staged presentation to an invited audience.

To Apply
To submit your musical, you can fill out this form. The deadline is March 1, 2022.
We are not currently accepting submissions for plays. Please check back later.

For any questions email Dennis Corsi at dennis@liveandincolor.org

Submission Requirements
  • The musical must be able to be performed with 4 actors or less.
  • All submissions should include:
  • Single page synopsis
  • Single page character breakdown
  • Demo of score (2-3 songs)
  • Sample of dialogue (~10 pages)
  • Brief production/development history (properties with prior full productions not accepted.)
  • The playwright may submit more than one musical.
  • Properties with prior full productions not accepted
  • Finalists will be notified via email in the spring. 

Tuesday, February 8, 2022

The Geneva Theatre Guild Playwrights Play Reading Event

Website

Deadline: February 12, 2022

They have reached their 150 play limit, do not send.

The Geneva Theatre Guild is now accepting submissions of original one-act play scripts with a running time of 30 minutes or less for the annual Playwrights Play Readings event. The deadline for submissions is February 12th.

This year we hope to present our Play Readings live, in person and via livestream, at local venues. The weekend of April 24-26 has been chosen for performance dates (current COVID conditions permitting). More information will be publicized closer to the event.

All selected playwrights will be invited to participate in a talk-back session after each performance with the cast and director of each play, giving writers of all ages the chance to not only experience the actors' interpretations of their work but to receive audience feedback in real time.

Every play submitted will be given a blind review by our play selection committee, which will choose the works to be presented this season. Playwrights will be notified of the decision on their play by March 20th.

The guidelines for all submissions are as follows:

1. A BLIND copy without any info identifying the author of the play should be submitted electronically in PDF format to the Geneva Theatre Guild’s season planning email address: seasonplanninggtg@gmail.com

2. A SEPARATE TITLE PAGE (also in PDF format ) should include the title of the play, the playwright’s name, address, phone number, email address, and approximate running time of the play.

3. Include a brief synopsis of the plot, setting, and a list of characters before the first page of dialogue.

4. All pages must be numbered.

5. Limit - one play per author which cannot have been previously published or previously submitted to the Geneva Theatre Guild’s Playwrights Play Readings.

6. The number of submissions accepted will be cut off after the first 150 have been received.

Auditions for Playwrights Play Readings are scheduled for March 28th and 29th at the Presbyterian Church in Geneva. Further information about auditions will be released in early March.

The Theatre of Others Audio New Play Festival 2022

Website

Deadline: February 13, 2022 at 11:59 PM EST


The Theatre of Others is seeking submissions of 20-30 minute plays for its second annual Audio New Play Festival, which will be produced in September and October 2022. 

This year’s prompt is “FIFTY YEARS FROM NOW.” You may interpret the prompt broadly - your play exploring whatever themes it generates for you.


Plays will be released on a weekly basis via The Theatre of Others Podcast, which can be found on Apple Podcast, Spotify, Stitcher, and all your favorite podcast platforms. 

If your play is chosen, you will be responsible for your own rehearsals and production. 

The Theatre of Others will provide assistance with casting, dramaturgy, and/or technical design, and will help connect you with the artists you need to round out your team, be that a director, designer, or actors. You are welcome to assemble your own cast and crew; or, we are ready to assist you in this process as much or as little as you require.

REQUIREMENTS

The play must be crafted specifically for the audio play medium. Its sound design must be integral to the storytelling.

The piece must either be a brand new play or an existing play you’d like to significantly adapt to meet the needs of the audio play medium.

The play should still be under construction. That is, it should still be at a stage when the dramaturgical assistance The Theatre of Others has to offer can still be of help.

While we encourage broad interpretation, the play’s relationship to this year’s prompt, “FIFTY YEARS FROM NOW,” should be recognizable.

Each playwright may submit only one proposal. Playwrights who submit more than one proposal or script will be disqualified.


How to apply
Email your submission on or before February 13, 2022 at 11:59 PM EST to podcast@theatreofothers.com.

Submission should include the following:

Name of playwright and the working title of the play.

Name of director (if you have one at this time).

Names of any other artists currently attached to the project.

A 100-250 word synopsis of the play, including how it relates to the theme of FIFTY YEARS FROM NOW.

100-250 words on why this play is suited for the audio play format.

Please submit:


Resume for the playwright and director (if applicable).

A maximum 10-page writing sample. Playwrights who submit more than 10 pages will be disqualified. The sample can be either taken from a previous play or from the current proposed project. If the sample is from a previous play, please provide a 2-3 sentence synopsis of that play for context.

Monday, February 7, 2022

Walking Shadow Theater is accepting new plays

Website

Deadline: February 15, 2022

To submit, please email a PDF with the subject line “Play Submission: Title of Play” to walkingshadowrt@gmail.com

Please include a brief synopsis and character breakdown in the body of the email, as well as your contact information. If you are submitting multiple scripts, send each one individually.

WSRT is looking for ensemble pieces that have a run time of 70-90 minutes, or roughly 50-80 pages.

Additionally, all scripts need to be conducive to a virtual setting; for example, pieces reliant on physical action, slapstick comedy, or direct character interaction may not translate well to a virtual platform. We’re not particular about content, setting, character tropes, etc. All options are on the table.

Building natural dialogue, believable relationships, and storyline continuity are aspects of script and story development that our company members excel at assessing. We all love a good monologue or two, though overuse of monologues can be detrimental to a virtual reading.

The above items are merely guidelines, not firm rules. If your script is shorter or longer than suggested, or if a character absolutely must get a pie in the face, our Vetting Committee will take that into consideration during the review process.

Arc Stages’ Adult Playwriting Festival seeks 10-minute plays

Website

Deadline: February 15, 2022


Arc Stages’ Adult Playwriting Festival is open to any writer ages 18 and over.

A select number of plays will be produced in a professional reading-style performance at Arc Stages.

Submission Guidelines:
  • Plays should be 1 to 10 pages in length, double-spaced.
  • There is no restriction on style, subject, or form, except plays should be inspired by the theme of love.
  • Collaborations are permitted.
  • Plays must be typed, in dialogue format.
  • Please submit plays in PDF format.

Sunday, February 6, 2022

NY THEATER FESTIVAL COMPETITION SPRING/SUMMERFEST 2022

PLAYS/MUSICALS - TOTAL PRIZES $7,500 - FIRST PRIZE $3,000 - FULL LENGTHS - ONE ACTS - SHORTS - SOLOS

Best actress $500, Best Supporting Actress 500, Best Actor,  Best Supporting Actor $500, Best Director $500, Singer $500, Best Short $500, Most Creative Play or Musical $500, Best Music Score $300, Best Choreography  $200

All genres/submissions accepted from playwright that live no further than 30 miles from Manhattan and provided they are between 5 and 90 minutes long.

Productions must run with a complete cast and crew from NYC or 30 miles radios. Equity productions are welcome to participate.

PLAYS AND MUSICALS SUBMITTED MUST BE UNPRODUCED, OR PRODUCED BEFORE 2017, IN WHICH CASE CAN ONLY PARTICIPATE WITH A COMPLETE NEW CAST AND CREW
ONLY ONE SUBMISSION PER PLAYWRIGHT IS PERMITTED

Productions must run with a complete cast and crew from NYC or 30 miles radios. Equity productions are welcome to participate.
You can take advantage of our Audience Feedback System.

We find that it is usually constructive for playwrights and other members of a production team to receive audience feedback concerning the quality of their productions.

If you so choose, the Festival will reach out to all audience members who attended your production, with a questionnaire they can fill out, answering specific questions and providing general feedback.

Audience input can be very helpful if you are shaping your show for another run, or simply a rewrite. We believe this process will help perfect your production, or can simply help you to learn and grow as an artist for your next production.

Our Fall/Winter season in 2021 ran smoothly, without any problems.

We hosted 90 productions without a single Covid infection.

WE ARE ACCEPTING SUBMISSIONS FOR OUR 18TH CONSECUTIVE SEASON. WE HOSTED MORE THAN 1,000 PLAY SO FAR + 250 MUSICALS.

Plays and Musicals must be unproduced or produced before 2017 in which case the run must include a completely new cast and crew.


Submit to be among the plays and musicals in a Festival/Competition that is 

WOWING New Yorkers. 

to submit, go to:

http://newyorktheaterfestival.com/summerfest-festivals/


Introducing NYC’s fastest growing competition. 


PRIZES:
We offer up to $7,500 in Prizes. $3,000 alone goes to the best play or musical.
Can you find another festival that gives away this much money in prizes? Our winners are selected by the festival’s team, so it’s not simply some “popularity contest” based on whoever brings in the largest audience.  Sometimes the most “non-glitzy” smallest budget productions with the fewest audience members win first prize, simply because it was excellent.  We love sincere, heart-felt performances, and honest writing. 


Here’s a chance to have your play live on a New York City Stage! Submit your work to the Spring/Summerfest festival competition. Accepting plays and musicals of all genres between 5-90 minutes in length. The New York Theater Festival has been a haven for playwrights for 17 seasons - 10 continuous years of activity. Read below to find out why!


Why is New York Theater Festival a mecca for new and original plays?  

Simple.  

We offer:

  • A quality venue.
75 beautiful red fabric seats . A stage the size of your average 2 bedroom apartment in Manhattan (30’x22’) with plenty of backstage space, room in the wings, a large dressing room complete with mirrors and sink, and a clean and functional bathroom.
  • Need set/prop pieces? No problem.
What other festival offers you the use of 100 set props/furniture in their storage for free? Not only do we invite you to use our items, we also offer free storage for all your hand props for the duration of your run. It’s no fun double parking your truck outside of theaters for every performance, only to find your windshield sporting a new parking ticket. It’s annoying lugging all your props, set items, and costumes back and forth on the subway throughout the length of your run. Don’t sweat it. We have space- and that’s not easy to come by in NYC! Check out our props: https://newyorktheaterfestival.com/props/
  • Easy to use technology.
Where else will you get a lighting plot of 65 lights, complete with LED lights that can create a flush in a full range of deep colors for your scenes. 
  • If MUSIC is the food of love, play on!
Need music? We also have a good upright piano you can use
  • We offer very long techs. 
Do you know how important it is to have ample tech rehearsal time? 
For a Full-Length (60-90 minute) we give 4 hours for your tech. 
For a One-Act (30-45 minute) we give you 2.5 hours for your tech, For a Short (5-20 minute) we give you 60 minutes for your tech. 
What can you accomplish with short tech rehearsals, or none at all? Absolutely nothing (say it again!) We don’t want to risk your show looking miserable during your run because you did not have enough time to prepare. We want you to feel confident with how it will look. That’s why we offer a generous amount of tech time. (After all, time is money!)
  • What's more important than advertising your show?
Many festival websites do not advertise your show. Many that do will have mundane descriptions and a thumbnail of a poster. Check out our pages with previous productions. Large posters, detailed information, and a catchy blurb of your show… That’s more like it! You can share the link without embarrassment and send it to your family, friends, colleagues, and community. All cast and crew from all productions are granted free tickets to see all of the other shows in the festival! 
 
Check out our posts:
  • No seasonal volunteers
One of our principle team members is always at the theater to support you during your tech, box office times, and performances. You will always see a familiar face! Feel free to ask for help or special guidance to make your performance a success. Your questions will be answered in a matter of hours from the festival’s team. You will never have to wait days for a response. Our staff is knowledgeable and experienced, providing you with real answers and a personal touch
  • Award ceremony
An unforgettable award ceremony at the end of the festival to honor your talent in front of your artistic colleagues, similar to the Oscars!
Plays are considered on a first-come first-served basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators! 

New York Theater Festival

Website

 
Deadline: March 31, 2022

Email - by filling up our submission's form

Productions from 5 to 90 minutes
  • 5 to 20 In the Short Category, 30 to 45 in the One Act Category 
  • 60 to 90 in the Full length Category
The Festival hosts only fully developed productions, no readings or publications
 
The Festival accepts only submissions from playwright that are residents within 30 miles from Midtown Manhattan.

Only 1 Play per submissioner
 
Only unproduced Plays or Musicals will be accepted. 

Submitters will receive an answer in 5 days from the date they submitted. 

If their work is accepted they will receive then a set of dates for their run and the Paperwork of the Festival to sign.

Dramatists Guild Seminar

Do You Know Your Rights? 

An Introduction to the Dramatists Bill of Rights

February 22
Atlantic Time: 7:30pm – 9:30pm
Eastern Time: 6:30pm – 8:30pm
Central Time: 5:30pm – 7:30pm
Mountain Time: 4:30pm– 6:30pm
Pacific Time: 3:30pm – 5:30pm

The webinar is open ALL theatre writers. Please share this event with your fellow dramatists.

Playwrights, composers, lyricists, and librettists often struggle professionally in theatres throughout the country, and even on Broadway, due to the wide-ranging demands and expectations that are imposed on them by their producers (and other collaborators), and are presented as “standard” terms. It is essential, therefore, that dramatists know the Dramatists Bill of Rights, which the Dramatists Guild established in 1926 and has defended ever since.

To ensure this ownership and control over your work, the Guild recommends that any production that involves a dramatist incorporates a written agreement in which both the producer and the writer acknowledge certain key industry standards.

During the webinar will walk through the key standards and open the room to questions.

REGISTER

KC Melting Pot Theatre seeking full length plays by African-American playwrights

Website

Deadline: February 28, 2022

KC Melting Pot Theatre is seeking full length plays by African-American playwrights. 

Three finalists will receive a staged reading during our new play festival in the summer of 2022 and judges will select one of those to receive a full production summer 2023 and $500 stipend

Plays can be about about anything but we are not accepting musicals, children’s shows or one-character shows.
  • Please email submissions to newplays.kcmpt@gmail.com
  • Only one submission per playwright.
  • No plays that have been previously produced (previous readings are acceptable)
  • Finalists will be notified by email on or before May 1st, 2022.

Saturday, February 5, 2022

23 Miles South submission guidelines

web site

23 Miles South accepts submissions of full length and one act plays with a focus on female or other marginalized people as main characters and a primarily female cast. We especially need plays for young actors.  Send your play, synopsis and character descriptions to 23milessouth@gmail.com with "play submission" in the subject line.   If selected for production, playwright will receive a royalty payment.

Friday, February 4, 2022

East West Players Play Submission Guidelines

Website

Thank you for your interest in submitting your script to East West Players.

Please note that our mission focuses on the Asian Pacific experience, and the majority of the new works we workshop and produce revolve around Asian and Asian American characters and/or themes. We are interested in both plays and musicals. Works need not be “issue-oriented,” in that race/immigrant issues can be an unspoken component in the work.

We are particularly interested in new comedies, musicals, and works that unearth the history of Asians in America.

Writers are strongly encouraged to browse through our production history, which can be found here. Ask yourselves what kind of plays we’ve produced in the past, and who our audience is.

Manuscripts are now being accepted via email. Scripts should be emailed to literary@eastwestplayers.org. Emailed versions of scripts are preferred.

Scripts should be submitted in a PDF format and must include the following:

1. A cover sheet, including your name, address, telephone number, website and email address.
2. A theatrical resume (two pages max) listing major productions, workshops, readings, commissions, publications, awards, etc., as well as education and training information.
3. A 100 word max synopsis of the play.

Due to the large volume of submissions we will only reach out to playwrights whose work we are interested in.

If you have questions as to whether your work might be suitable for our theater or if you are a playwright with multiple works and not sure what to submit, email: literary@eastwestplayers.org for assistance. Thank you!

Tuesday, February 1, 2022

Free Online Writers Festival


45th UCR Writers Week Festival
 
February 12 and 14-18, 2022

Online. Free and open to the public

Captioned & ASL translated

February 19 Post-festival ticketed celebration with our Lifetime Achievement Award partner LA Review of Books. Learn more

Register here or on any session time on this page.

S.P.O.T. Mentorship One Act Festival seeks 10-minute plays

Website

Deadline: February 4, 2022 12AM

Google Docs Submission Form

The Theme of the Festival is "What Makes Me Tick... A Festival of Passion." 

With a strong emphasis on representing marginalized communities.

The Projected Date of our Performance is: 

May 13, 14, 15: Pending

I am seeking:

Play/ Musical Submissions 

- No longer than 10 mins in length - REALLY 10 mins. No one wants to sit through a 2.5-hour One-Act Festival. 

- No more than four characters per piece

- If instrumentation is required, writers and directors will be asked to find said musicians with the help of the SPOT production team.

- Stories of passion - What makes you unapologetically YOU. Time for you to be recognized. 

- We will only be using 10 Pieces. 

- Pieces are open to reworkings if that is the goal and intent of the playwright. This is an opportunity for - playwrights to have their work read and realized.

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