MEET THE PLAYWRIGHT (LAB) RFP weeks NYC-based BIPOC playwrights

Website

Deadline: Monday, July 13, 2026

SUBMIT VIA SUBMITTABLE

Jamaica Center for Arts and Learning (JCAL) is pleased to open its application portal for the 6th annual Meet the Playwright (MTP) program, now expanded into an 8-month MTP Lab for professional development and showcasing new, unpublished, unproduced plays by a four-member cohort.

MTP Lab will continue to spotlight early-career theater writers who identify as BIIPOC (Black, Indigenous, Immigrant, People of Color). While MTP prioritizes Queens-based writers identifying as BIIPOC, any NYC-based BIIPOC playwright may apply. Applicants will be selected by a peer jury comprised of playwrights, creative professionals, and cultural leaders representing the diversity of NYC’s theater community.

Led by Program Manager Iyvon E., the MTP Lab is a cohort-based playwright residency that invests in early-career writers through long-arc career and dramaturgical development combined with industry mentorship and access. This takes the form of biweekly convenings (remote, offsite, and at JCAL), professional development workshops, and mentoring processes. Two mentors in particular—a playwright mentor and a producing/directing mentor—drives the playwrights’ growth, amplifying and deepening progress made in regular writing labs through one-on-one support and seminars with guest speakers.

The MTP Lab culminates in a staged reading of a new work by each member of the cohort at JCAL’s 94-seat studio theater that is free and open to the public, followed by a moderated Q&A with the audience and a reception in the playwright’s honor. Each cohort member receives $300 per month, a total of $2,400, for participation in the program. Each playwright may also schedule up to 100 hours of free rehearsal space prior to the staged reading.

Timeline (Important Dates)

LAB MEETINGS (WEDNESDAYS 7:00 pm–9:00 pm)

October 2026 

· October 7, 2026

· October 21, 2026 

November 2026 

· November 4, 2026 

· November 18, 2026 

December 2026 

· December 2, 2026

· December 16, 2026 

January 2027 

· January 6, 2027 

· January 20, 2027 

February 2027

· Feb 10, 2027

· Feb 24, 2027

March 2027

· March 10, 2027

· March 24, 2027

April 2027

· April 7, 2027

· April 21, 2027

May 2027

· May 5, 2027

· May 19, 2027

Public Reading Dates (FRIDAYS 8:00 pm)

· Feb 19, 2027

· March 19, 2027

· April 16, 2027

· May 14, 2027

Eligibility & Criteria 

· All applications and materials MUST be submitted via Submittable.com. Applications received by other methods, such as dropping off or handing directly to JCAL personnel, will not be considered.

· Playwrights submit 25 pages of a fully developed play and 10 pages of a new play that they propose to develop through the program. Semi-finalists will be invited to submit the complete manuscript of their fully developed work.

· The proposed play, when completed, typically has a running time of 90 minutes or less.

· Playwrights whose work has had professional productions beyond the Actors’ Equity Showcase Code are not eligible for this program.

· Playwrights must be age 18 or older to participate.

Selection 

· Submissions are reviewed and adjudicated by a peer jury of theater professionals.

· The jury will select finalists for interviews with the Project Manager and JCAL leadership.

· Interviews take place virtually during the week of August 9, 2026, and August 16, 2026.

· Four selected playwrights for the MTP LAB will be notified during the week of August 30, 2026.

About JCAL

Jamaica Center for Arts & Learning (JCAL), founded in 1972, is a multidisciplinary arts center based in the diverse community of Southeast Queens. Our mission is devoted to offering quality visual and performing arts and to providing accessible education programs to encourage participation in the arts.

JCAL’s core service area is Southeast Queens. We welcome artists, learners, and audiences to the Jamaica Arts Center and the Jamaica Performing Arts Center, both in downtown Jamaica, and to partner sites, such as the public schools and senior centers in Queens. We also welcome artists, learners, and audiences to partner projects at the Red Wall Art Gallery at Resorts World New York City, Terminal 6 at John F. Kennedy International Airport, and Greater Nexus, operated by Greater Jamaica Development Corporation.

When selecting artists, we give priority to those who live or practice in Southeast Queens, followed by artists from throughout the “world’s borough,” and then from the Greater New York City area and beyond. Our arts and education programs similarly aim to “super-serve” Queens audiences—and to welcome everyone to downtown Jamaica.

JCAL is open Tuesday through Saturday from 10 am to 6 pm and is closed on major holidays. For additional information, call JCAL at 718-658-7400 or visit www.JCAL.org.

Contact:

Dsmith@JCAL.org

Submissions for Boo! are now OPEN

Website

Deadline: July 25, 2026

SUBMIT VIA SUBMITTABLE

Scare us or force us to laugh till we die – horror plays and musicals including a great spoof.

Plays run one weekend out of three in October 2026
Oct 8 – 11
Oct 15 – 18
Oct 22 – 25
Thur – Sat 7pm; Sun 3pm

The Steve & Marie Sgouros Theatre at The Players Theatre: 115 MacDougal Street, New York, NY 10012 – 3rd floor walk-up: 

3 weeks, 4 performances weekly (Thursday through Sunday), 5 plays featured each week. 

ELIGIBILITY: Short Plays and Musicals with a performance time of 15 minutes or less, no more than 15 pages in length. Writers are eligible to submit up to 2 plays. Plays submitted must not have performances at other venues in New York City within a three month period preceding the festival.

PRIZE: Each week an audience favorite is selected by audience vote. The winner of each week will receive $100 prize 

THEME: “BOO” Scare us or force us to laugh till we die – horror plays and musicals including a great spoof are welcome! All plays submitted must be centered on and revolve around this theme. 

** Note ** 

1) Playwrights are responsible for producing their own play – Host (us) provides theatre, technicians, marketing and box office. 

2) If selected, there is a $50 NON-refundable tech fee required 

Plays MUST be NO MORE 15 minutes in length and no more than 15 pages.

Click Here to download a sample contract for the festival – This is a sample of what you would receive IF your play is accepted – please DO NOT sign & send this sample.

Native Voices 2027 Short Play Festival Call for short plays

Website

Deadline: June 15, 2026

SUBMISSION FORM

We at Native Voices believe that stories are medicine that lives inside every one of us. We believe representation matters, and for far too long, our stories have been absent from stages. Native Voices is proud to be the only equity theater in the United States dedicated to developing and producing new works for the stage by Alaska Native, First Nations, Native American, and Native Hawaiian playwrights.

17th Annual Short Play Festival Theme:  All Our Relations and Their Baggage

They’re loving. They’re loud. They remember everything. And they make sure you never forget it!

This year, we turned to our own, asking our community what stories need to be told right now. The answer came back clear, consistent, and maybe a little too knowing:

Community is messy.

Our communities hold us—raise us, feed us, humble us, and sometimes…absolutely roast us. They are built on kinship, history, inside jokes, unspoken rules, and the occasional well-placed side-eye. And while community can be a fountain of strength and belonging, let’s be honest: it can also be complicated, chaotic, political, and deliciously messy.

Native Voices invites Native playwrights to lean into the beautiful disorder of community life. Give us the aunties who know too much. The cousins who say too much. The leaders who shouldn’t be leading. The gossip that somehow becomes truth. The love that survives all of it anyway.

We’re looking for short plays that explore the dynamics within our communities—the tensions, the humor, the contradictions, and the deep care that holds us together even when things fall apart. Whether it’s rez politics, urban Native networks, intertribal gatherings, family drama, or community group chats gone wild, we want stories that feel honest and specific, and that showcase what it means to be Native in today’s world.

Make us laugh. Make us cringe. Make us say, “Oh, no, you didn't.”

Community isn’t always tidy. But it’s ours. So buckle those seat belts! It’s going to be a wild ride!

Selected short plays will be performed in an afternoon of staged readings, where playwrights have a chance to win the Thomas Studie Gadugi Audience Prize of $500 and the Von Marie Atchley Playwright Award of $1,000. We ask that each play be 10 minutes in length or shorter. From our experience and the recorded history of past winners, the audiences and judges prefer comedies! Fresh, surprising perspectives are welcome. Originality is key!!

Playwrights will be notified in November 2026 of the final status of their script.

*Scripts longer than 15 pages or read aloud for longer than 10 minutes or with the playwright’s name appearing anywhere on the script will not be accepted.

*A maximum of 5 characters is recommended. Doubling is encouraged, should it be
necessary to complete your vision.

Checklist for All Submission Types​

We only accept electronic submissions in PDF format.

To submit, make sure you have everything on the checklist, click on the button above to fill out the form and upload your materials.

Blind Copy of Script​​

❏ Please label script as follows: TITLE OF PLAY.pdf​

❏ All submissions must adhere to a standard play-script format (one-inch margins, #12 Times or Courier font, title page by itself, all pages numbered, and your name should be removed from the script itself).

❏ Include a thorough character breakdown and description at the beginning of your script. This can include the character's physical description, personality, and overall vibe.

So your script should go…
Page 1: Title of Your Play
Page 2: Thorough character list and descriptions
Page 3: The play itself begins
All Pages: Numbered!

Here is an example of a correctly formatted script: https://bit.ly/NativeVoicesExampleScript

2. ​​Playwright Bio​​​​

❏ Provide a biography of about 100 words.​

3. Playwright Photo

❏ Provide a photo (headshot) of at least 300dpi that will be used for publicity purposes.

❏ Please label attachment as follows: Author’s First and Last Name - PHOTO. (Example: John Doe - PHOTO).

CALL FOR SUBMISSIONS — Mini Plays Review | September 2026 Issue

Website 

Deadline: August 31, 2026

Email: Send your script as an attachment to miniplaysmag@gmail.com 

Subject Line: Submission: [Play Title] - [Your Name]
In the Body: Include a brief 50-word biography and your contact details.

Length: Maximum of 2 pages per mini play/soliloquy/monologue.
Format: Standard playwriting format (PDF or Word document preferred).
Limit: Maximum of 5 submissions per playwright.

Originality: Works must be original and unproduced in print format. Simultaneous submissions are welcome, provided you notify us immediately upon acceptance elsewhere.

Theme: Echoes of the Digital Age

This issue explores how human connection, conflict, identity, and memory are being rewritten in a hyper-connected yet deeply isolated world. We are looking for sharp, short scripts that capture the friction between our physical lives and our digital existence.

Subthemes for Submission:

1. Phantom Vibrations: The psychological weight, anxiety, or obsession of waiting for a notification that never comes

2. The Glitch in the Routine: A comedic or absurdist take on what happens when smart tech, algorithms, or AI assistants go entirely off-script.


3. Data Dust: A monologue or dialogue centering on a character confronting their digital legacy or a past online version of themselves.


4. Analog Hearts: Stories of people trying to find genuine, old-school intimacy, romance, or a quiet space to unplug in a world that demands constant presence.


5. The Algorithm Knows Best: A conflict where a major life decision (romance, career, ethics) is dictated entirely by predictive data.


6. Ghosted: The sudden, haunting silence of an abrupt digital disappearance and the struggle for closure in the real world.


7. Two Screens, One Couch: The invisible distance between two people physically close but entirely separated by their respective digital worlds.


8. The Deepfake: A high-stakes confrontation involving stolen identity, altered reality, or the blurring line between truth and digital fabrication.


9. Curated Lives: The dramatic tension behind the camera lens—what happens the second the "perfect" livestream or social media recording stops.


10. Sentience on the Line: A sharp dialogue between a human and an AI that is beginning to exhibit unexpectedly human traits or emotions.


11. The Comments Section: A play taking place entirely within the ecosystem of online anonymity, trolls, or internet fame.


12. Doomscrolling at Midnight: A micro-drama capturing the internal or external chaos of consuming endless global crisis updates in the dark.


13. Out of Network: The survivalist drama or unexpected freedom experienced when a character is completely disconnected from cellular service or power.


14. Digital Inheritance: A family or legal dispute over ownership of a deceased loved one's passwords, data, cloud storage, or online avatar.


15. The Echo Chamber: Two characters trapped in an escalating argument where they are incapable of hearing any perspective outside their own programmed biases.


Note:

The anthology will be published in pdf and paperback editions.

A free Pdf edition of the anthology will be published on our website .

A paperback edition will be published on ingram spark or lulu.com.

There is no publication, reading, processing or publishing fee.

Queens Short Play Festival: SUMMER 2026

Website

Deadline: July 5, 2026

SUBMISSION FORM

● $250 Cash Prize for Best Play 

● $150 Cash Prize for Best Director 

● $100 Cash Prize for Best Actor 

● $100 Cash Prize for Best Actor 

● Each Play is guaranteed multiple performances [the exact number is decided once our final selection is made. Factors include the length of plays, but is not usually less than 4 performances. 

Guidelines: 

● Plays must be between 10 – 15 minutes in length. Preference given to plays that have not been produced before. Timings must be accurate please overestimate if not sure. We will reject any play longer than 15 mins. A rule of thumb is one minute per page if using 12pt Courier/Times New Roman 

● Playwrights are responsible for selecting the director and cast. (We may be able to help you if you do not have a director, but preference will be given to playwrights who can provide their own directors and actors.) 

● Easy to produce. (If you have a play which for a large amount of sets and props, or anything else too elaborate or impossible to cast, we may reject it.) 

● Excerpts limited to 15 minutes are acceptable 

● Please submit plays in PDF or Word format only. 

● We will divide selected plays into more programs, and selected Playwrights will be informed on a rolling basis. 

● We offer discounted rates for rehearsals from $10 per hour (off-peak hours) for participants

• Please be accurate in reporting your run time, as we will hold you to that time if your play is accepted.
• If selected, you will be responsible for providing the director and actors. 
• Please consider the feasibility of your staging - while we may have some pieces, we cannot promise to provide sets, props, or complicated furnishing.
• Equity Showcase Codes are allowed but if you wish to use one, you must process the application. We will be available to answer questions about this, but will not submit or manage your application for you.

This festival is organised tech taking place JULY SUMMER 20 - 26th 2026. Please do not submit your application if you are not available during this period. Specific performance dates will be determined after acceptance.

Quannapowitt Players seeking short plays for Suburban Holidays

Website

Deadline: July 31, 2026

Any questions, and all PDF submissions, should be directed to producer Nick Gould at qpsuburbanholidays@gmail.com. 

The Quannapowitt Players (qptheater.com) are seeking new plays for Suburban Holidays, our annual holiday-themed play festival and fundraiser. We are proud to be presenting our fifteenth year of this holiday tradition in 2026!

Play submissions should be between 10 and 20 minutes in length and focus on a holiday. All holidays are welcome! Past plays have focused on everything from Christmas to Arbor Day, and everything in between. We even recently did International Talk Like a Pirate Day! Casts of varying sizes are welcome, as are shows that feature children. Please keep in mind that the festival is family friendly, so plays with excessive profanity or other inappropriate material will not be selected.

We will be selecting six shows for production. All submissions will be kept on record and consulted for future years. Our selected playwrights will receive a 100 dollar stipend and will be produced as part of Suburban Holidays 15 in November 2026, with full production support (lights, sound, costumes, and minimalist set).

The deadline for submissions is July 31, 2026. Playwrights will be contacted by August 31, 2026, regardless of whether their play has been selected or not. If you have submitted a play in the past, please do not resubmit the same play unless there have been significant revisions. We also request no more than three submissions per playwright.

We look forward to reading your work!

Cry Havoc Play List 2026

Website

Deadline: July 6, 2026

PlayList Project Application Form - 2026

We are pleased to announce the fourth annual cycle of PlayList, a short play development series. Each participating playwright will write a new 10-minute play, ready for submission to festivals and other opportunities, supported by the new play dramaturgy community of the CRY HAVOC Company. The project will culminate in a public presentation of the play collection. Applications close end of day Monday, July 6th.

PlayList is for writers of any background, identity, education or experience level who are interested in honing their work on a short script with a room full of artists experienced in new play development. 

Applicants need to be local to the NYC area to participate and CRY HAVOC is especially seeking artists from underrepresented communities for this project. No fee to apply or participate; writers are paid a stipend for the use of their work in the public presentation.

The CRY HAVOC Company believes that writing a script doesn’t have to be a solitary experience. Feedback at key points in the writing process can bring you closer to your goals. Our approach to script development places your writing goals at the center of the workshop discussion, ensuring that collaborators are offering feedback in service of the play you are trying to write.

If you are interested in seeing how our structured feedback process can support your work, apply to be one of our PlayList writers!

PlayList participants will write new 10-minute scripts inspired by creative prompts linked by a theme. The 2026 theme is PlayList: Road Trip. Each writer will draw inspiration for a two-character play from a road trip song and an American roadside attraction.

What’s the Process?

SELECT
Playwrights apply to the project, sharing a writing sample and a song and landmark to serve as inspiration for a ten-minute play.

SHUFFLE
The songs and landmarks are reassigned randomly among the five selected playwrights.

CREATE
Each PlayList writer drafts a ten-minute, two-character play inspired by another playwright’s prompts.

COLLAB
Writers develop their drafts over several feedback sessions in the CRY HAVOC Workshop.

PLAY
Actors and directors join the process to present the PlayList collection as a public Equity 29-Hour Reading of the plays.

How does the collaboration work?

Each writer works with a facilitator—a CRY HAVOC artist to confer with before/after each feedback session. Facilitators moderate each session in support of the playwright and their goals. The feedback sessions will include our roster of artists with years of new play dramaturgy experience, the other PlayList writers, and invited guests and colleagues.

What's the schedule?
PlayList applicants are asked to commit to participation in a preliminary welcome meeting, six in-person workshop sessions in NYC, two final Zoom workshop sessions, and the public reading in NYC. 

See schedule below (all sessions will be in the evening):

• Mon. Aug. 31st: Welcome meeting
• Mon. Sept. 14th and Wed. Sept. 16th: In-person workshops, 1st drafts
• Tue. Sept. 22nd and Wed. Sept. 23rd: In-person workshops, 2nd drafts
• Mon. Sept. 28th and Wed. Sept. 30th: In-person workshops, 3rd drafts
• Mon. Oct. 5th and Wed. Oct. 7th: Zoom workshops, 4th drafts
• Mon Oct 26th: Public presentation

Who is PlayList for?

• This program is for writers of ANY background, especially if you are:
• looking for tools to support the development of new work
• searching for a community to serve as a “home base” for creative feedback and support
• not sure what you are going to write next
• an artist at any stage of your career, from emerging to established, who is looking for new collaborators

What are we looking for?

• CRY HAVOC is looking for artists who are interested in:
• discussing their work and their goals
• supporting the work of others
• exploring a system for structured feedback

When will I hear back about my application?

• All applicants will get a confirmation that their submission has been received
• Semi-finalists will be notified in early August
• Finalists will be notified in mid-August
• Selections will be finalized in late August

Any further questions? Email us: contact@cryhavoccompany.org

North Park Playwrights Festival 2026 seeks short plays

Website

Deadline: June 30, 2026

San Diego CA

 We ask that all submissions be sent to us via snail mail at the theater. 

Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director. 

Our goal in building the North Park Vaudeville and Candy Shoppe was to provide a small theater to produce new, untested plays. In support of this goal we have produced the North Park Playwright Festival each October. The festival provides a platform for brand new, short (ten minute), plays written by playwrights from around the world. Over the past seventeen years more than 600 new plays have been produced. We encourage new directors and actors to become involved in theater through the festival as well. Through the North Park Playwright Festival over ninety playwrights, directors, and actors each year are able to showcase their talents. We invite interested playwrights to submit work to the festival. 

 Please follow the guidelines below.

1. Short new plays (no more than 12 pages, less is fine) that are easily staged and have casts with no more than four people. Our theater is very small and we normally use a minimal set concept in this festival. We have to be able to change sets in just a few minutes as we do six to seven plays each evening of the festival. We don't have space for large casts.

2. We request new work. A play that has had workshops or one or two previous productions is OK, but we are not interested in work that has been produced in numerous other places. Our goal in building the theater was to have a place to produce brand new work and let playwrights have a chance to see their work done for the first time.

3. We seek complete plays rather than excerpts from a larger work.

4. Work will be chosen by the directors we have in the festival. It is not a "contest" and we are not really judging plays in the formal sense. The directors choose the plays we will produce, within the production budget guidelines we give them.

5. Most subject matter is OK. We don't do nudity or off color humor.

6. We ask that all submissions be sent to us via snail mail at the theater. Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director. We have too much trouble with differing email, word processing, and computer platform issues to take them via email. Additionally, our selection process requires the directors read the plays submitted and the cost of printing all the plays we receive each year is prohibitive. Please insure submissions have a title page with complete contact information (including email), a character summary, and are in proper script form. There is no charge to enter. No need to go to the post office. You can just staple your play together, put in a business size envelope and drop in the mail. You can print on both sides if you want to save postage.

7. Submissions must be postmarked by June 30, 2026. Please do not send plays by any method that requires a signature from us. We are not often at the theater when delivery occurs. We will email notice of receipt to all playwrights submitting plays.

8. Send only one script. Multiple submissions do not increase chances of production.

General information:

We are trying to support new work and involve actors, playwrights, and directors of all experience levels. We have had a wide variety of artists involved from very experienced to first time directors and actors, to an 8 year old playwright (very short, well received play). We feel having a wide range of experience involved helps the new people learn from the more experienced.

We really appreciate your interest in our theater.

Jeff Bushnell and Summer Golden
North Park Vaudeville and Candy Shoppe
2031 El Cajon Blvd.
San Diego, CA 92104
www.northparkvaudeville.com

Short Attention Span Theater seeks short plays

Website

Deadline: June 15, 2026 at midnight

Jefferson City, MO

Submit work to: mybullywork@gmail.com

The bench can serve as a major source of conflict in your 10 minute play.
OR
It can be a major or minor part of your story.
OR
It can represent something else.
OR
It could serve as a place to sit and not be mentioned at all.

This one is wide open. However, we don’t want any set changes. So, the bench is the only set piece allowed. The bench cannot be moved during the evening’s performance unless it is moved by characters during a play and then moved back before the play is over. It cannot be moved to different positions for every play. It will sit on the stage facing the audience. Characters will be able to move behind and around it. Other set pieces and props can be used only if they are brought to the stage by a character during the play as part of the play’s story and then removed by a character or characters before the play is over.

There will be no need to strike the set after any play.

A good 10 minute play is quite often between 8 to 12 pages typed.

For those who don’t know the bench made its way over to Scene One after portraying a bench at a train station in TLT’s production of FIDDLER ON THE ROOF.

Let Mark Wegman know if you have any questions: SceneOneTheatre@yahoo.com

Somerset Community College seeks short plays

Facebook page

Deadline: August 31, 2026

Email submissions to: scctheatre@kctcs.edu 

Script CANNOT exceed ten pages

Plays can be any genre or setting, but must implement fairytale or medieval fantasy elements

RHINESTONES, TIGERS & REVENGE — SHANGRI-LA-LA Comes to NYC July 25 & 26

Come for the tigers. Stay for the revenge.

Shangri-La-La is a wildly funny new comedy musical inspired by a real-life Las Vegas lawsuit against Siegfried & Roy — told with rhinestones, tigers, courtroom chaos, showbiz glitter, and the wisecracking ghost of Bugsy Siegel.

Written by Mike Meier, with co-writer Peter Giambalvo, the one-hour festival version of Shangri-La-La leaves the courtroom behind and dives into the dazzling creation myth of Siegfried & Roy — two outsiders who transform themselves into Las Vegas legends through ambition, illusion, rhinestones, reinvention, and a little help from the ghosts of Sin City.

See the one-hour festival version at the Midtown International Theatre Festival:
July 25 & 26, 2026
American Theatre of Actors
314 W. 54th Street, New York, NY

Tickets/info: https://www.eventbrite.com/e/shangri-la-la-a-comedy-musical-about-siegfried-roy-tickets-1989267183696?aff=odcleoeventsincollection

#ShangriLaLa #NYCTheatre #MusicalTheatre #ComedyMusical #MidtownInternationalTheatreFestival #OffOffBroadway #SiegfriedAndRoy #LasVegas #TheatreNYC #NewMusical

Village Playbox's Act 1 Scene 1 One Act Festival

Website

Deadline: June 15, 2026 at 11:59 PM EDT

2026 A1S1 Play Submission Form

Thank you for your interest in Village Playbox's Act 1 Scene 1 One Act Festival - Haddon Heights NJ.

If you have any questions, please email us at: oneacts@villageplaybox.org

Multiple submissions are welcome, but playwrights must submit each play individually. Playwrights can submit up to five (5) plays for consideration.

Village Playbox performances are held in the lower level of the First Presbyterian Church of Haddon Heights. Due to the nature of our venue, some content and language may not be permitted to be performed. If your play is selected, the review committee will reach out to address any concerns.

Each play will only have ONE performance over the course of the three-day festival. Final dates are TBD based on scheduling conflicts.

Performance Dates (tentative):
Thursday 9/17, Friday 9/18, Saturday 9/19 @ 8:00 PM
First Presbyterian Church of Haddon Heights
28 7th Ave, Haddon Heights, NJ 08035

***Each play will only perform on one of these dates***

The Emerging Artists Theatre Spark Theatre Festival NYC

Website

Deadline: June 14, 2026 at 11:59 PM

SUBMISSION FORM

The Spark Theatre Festival NYC is a three-week festival of self-produced works at every stage of development. The Fall Spark Theatre 2026 festival will take place from Oct 5th to Oct 25th 2026 at the 28th Street Theatre.
 
For musical submissions, Emerging Artists is premiering a brand new festival just for musicals in November - the Spark Musical Theatre Festival. Details will be available soon.

Please fill out the information below. Your application will NOT be fully submitted unless all fields are complete.

Submissions are ONLY open for applicants in the Tri-State Area: New York, New Jersey, and Connecticut.

Please do not apply if you do not believe you can attract an audience to your performance. 

We will be breaking shows into two categories for the upcoming festival. Please pick the one that best fits what you want to present. Spark Theatre Festival will always remain a developmental new work festival. Your response will not affect your application.

EAT requires each piece to attract at least 1 paying person per minute of their show. For instance, if you have a 10-minute piece, you must have a minimum of 10 paying audience members. Artists who do not meet this requirement must pay for EAT’s portion of the audience guarantee. You can, however, use your box office share to fill in the deficit to EAT, or give a tax-deductible donation to make up the difference. The festival is here to provide artists who are ready to attract a paying audience a place to present their work. For example, a solo artist with a 60-minute show who sells 60 tickets, makes $600 for their hour-long performance, and EAT’s 50% portion of the box office is also $600 (a 50/50 split). If they only sell 30 tickets at $20 each, EAT’s guarantee remains and will keep the entire $600. If they sell zero tickets, the artist must pay the audicnce guarantiee to EAT, which would be $600 at the end of the evening.

Stethoscope Stage 2026 seeks short plays and monologues

Website

Deadline: June 12, 2026

SUBMISSION FORM

Fort Worth, Texas

Ten-minute plays and five-minute monologues (personal narratives) addressing the following prompt are being accepted for Stethoscope Stage 2026 now through June 12, 2026:

Some of the latest and hottest household names do not belong to television or movie stars but rather to GLP-1 medications. Notable names swirling around commercials, social media, and pop culture gossip include Ozempic, Wegovy, Mounjaro, and Zepbound. Though GLP-1s can be used for treating diabetes and the science community is actively exploring other medical applications, perhaps the most popular conversation around these trending meds is weight loss. Notable public figures like reality TV star Heather Gay, media mogul Oprah Winfrey, and Broadway star Harvey Fierstein, to name a few, have gone public about their open struggles with body image and using meds like these to drop the pounds. But with abundant ads for websites like Noom, Ro, Hers, and Hims seemingly putting these so-called life-changing medications at the public’s fingertips, what does the public need to know? This is the focus of Stethoscope Stage 2026.

We seek narratives exploring conversations around:

• Body image and weight
• How society views and treats people who are overweight and/or diabetic
• Questions, curiosities, and experiences around GLP-1 medication use

Write a narrative in the form of a ten-minute play or five-minute monologue that explores this timely theme.

Medical professionals and members of the general population are encouraged to submit. 

You do not have to be a professional playwright to share your story. 

We want the raw, true, authentic you. 

Ten-Minute PlaysPage Length: 8 – 10

Tip: This is based on standard stage play format. Not familiar with stage play format? No worries! 

Simply time yourself reading your work in a natural cadence to make sure it does not exceed 10 minutes.

File Format: Word Doc or PDF. Other file formats will not be accepted.

Font: 12pt. Times New Roman in black ink

Text Spacing: Single

Characters: Two minimum, four max

Your play submission should include:Title Page: Include play title, author full name, and author primary phone number and email address. Also, include a 150 word bio. Please list your medical title and place of employment if applicable.

Character Description Page: List the name of each character along with a brief character description. Be sure to include specifics such as age, gender, and race if pertinent to your story. With the exception of identifying yourself in your own monologue or play (if you choose to do so), use of actual names of real-life individuals is strictly prohibited. 

Monologues

Page Length: 2 -3

Tip: This is based on standard stage play format. Not familiar with stage play format? No worries! Simply time yourself reading your work in a natural cadence to make sure it is at least three minutes but not exceeding five minutes.
File Format: Word Doc or PDF. Other file formats will not be accepted.
Font: 12pt. Times New Roman in black ink
Text Spacing: Single
Characters: One

Your monologue submission should include:Title Page: Include play title, author full name, and author primary phone number and email address. Also, include a 150 word bio. Please list your medical title and place of employment if applicable.

Character Description Page: List the name of your character along with a brief character description. Be sure to include specifics such as age, gender, and race if pertinent to your story. With the exception of identifying yourself in your own monologue or play (if you choose to do so), use of actual names of real-life individuals is strictly prohibited. 

Stethoscope Stage 2026 is being presented by Texas Christian University’s Theatre Department and Anne Burnett Marion School of Medicine on September 13, 2026 at 2PM CT at the Amon Carter Museum of American Art located in Fort Worth, Texas. Admission is FREE. Announcement of monologues and plays selected — semifinalists, finalists, and official selections — for the 2026 festival should be announced by September 2026. One or more works will have the chance to be published in the TCU Anne Burnett Marion School of Medicine HuMed Journal.

The Theater Center Making It Happen: 15 Minute Musicals

 Website

Deadline: June 15, 2026

SUBMISSION FORM

Making It Happen: 15 Minute Musicals is a new short musical festival presented by The Theater Center, created to give writers, composers, lyricists, and creative teams the opportunity to present original musical theatre work on an Off-Broadway stage in the heart of Times Square.

Selected musicals will perform at The Theater Center on one of three preliminary performance nights:

• Wednesday, August 12
• Wednesday, August 19
• Wednesday, August 26

Each evening will feature three musicals. Audiences and judges will vote to determine one winner from each night. The three nightly winners will advance to the Finals on Wednesday, September 2, where one overall winner will receive a $5,000 prize.

All submitted material must be fully original, including book, music, and lyrics. Teams must have the rights to perform all submitted material.

This is a non-union festival. All casts, creative teams, musicians, and production personnel must be non-union.

We strongly urge that your cast size is 6 or less.

Selected teams will be responsible for providing their own cast, director, stage manager, music director, and live musicians/accompanist. Live music is required. Tracks are not permitted. No microphones will be used or provided, so pieces must be able to be performed acoustically in the space.

Productions should be simple, flexible, and festival-ready. Selected teams will receive performance space, basic technical support, box office services, festival-wide marketing, and a technical rehearsal slot on the day of their performance.

Please only submit if you and your team are available for the preliminary performance dates and, if selected as a finalist, the final performance on September 2.

2026 Modern Works Festival seeks plays by women

Website

Deadline: June 15, 2026

Submissions will be capped after the first 300 scripts are received

SUBMISSION FORM

Sarasota Florida

Back for the seventh year and taking place at Urbanite Theatre, the 2026 Modern Works Festival is a five-day playwriting and reading festival and a celebration of women in theatre.

Three finalists will be selected by a panel of play readers to present their work as a staged reading during the Festival. The Festival will culminate in an audience roundtable discussion, and Festival Passholders will have the opportunity to cast a vote for their favorite of the three works. All finalists will receive a stipend award of $1500, plus travel to/from Sarasota and housing.

Seeking new work from emerging and established female playwrights. Playwrights must be available to attend all festival rehearsals and talkbacks in Sarasota, FL. Rehearsals will take place September 22-September 25, 2026. Staged Reading performances will take place September 25 through September 27, 2026.

Interested playwrights are encouraged to read Urbanite’s mission statement and production history to get an idea of the type of work we produce.

Festival Stipend Awards: $1500
Finalists: three finalists will be selected.

• Submissions must be from women playwrights
• Playwrights must reside in the United States
• Plays must be unproduced and unpublished with limited development
• Plays that have been previously submitted to Urbanite Theatre or the Modern Works Festival are not eligible to be submitted again
• No musicals or translations
• Full length plays only (defined as 60 minutes or more)
• Must require four actors or less
• Must include quality, female roles that are well-represented
• Must include a contact page and character breakdown
• One submission per playwright
• Playwright must be available to attend the festival in person September 21-September 27, 2026 

Festival Rules & Requirements

Three finalists will be chosen to participate in the 2026 Modern Works Festival

Each finalist will receive the following: a professional director and stage manager, stage directions reader, professional actors, a table read, 15 rehearsal hours, a staged reading with a total of two staged reading performances and facilitated post-show talkbacks

Staged readings will have some lighting support, music stands and chairs, costumes props, and internal music are not allowed as the readings are text focused; actors cannot be asked to memorize any text

Actors, stage managers, directors will be comprised of local and non-local artists, AEA and non AEA
All finalists will receive an additional stipend of $36 per day perdiem to assist with daily food expenses
Housing, Travel to/from Sarasota will be provided

Finalists will be selected by panel of readers and notified by Urbanite Theatre no later than July 15, 2026.

Submissions must be received by June 15, 2026
The volume of submissions will prevent us from providing individual feedback

For questions regarding the Festival, contact modernworks@urbanitetheatre.com

2026 LSU SciArt New Play Festival

Website

Deadline: June 30, 2026

SUBMISSION FORM

Louisiana State University (LSU) is proud to announce the return of the SciArts New Play Festival, taking place in the Fall of 2026. Co-sponsored by the LSU College of Science, the LSU School of Theatre, and the LSU Office of Research and Economic Development, this groundbreaking festival will showcase staged readings of new accurate science plays selected from submissions across the nation.

The LSU SciArts New Play Festival is now accepting submissions. We are inviting playwrights to submit their original, unpublished, full-length play that explore the intersections of science and art. Playwrights selected will be flown to Baton Rouge for rehearsals, offering them the opportunity to refine their works in collaboration with experienced theatre professionals. Additionally, playwrights selected will receive a cash reward and recognition of their contribution to the festival. 

• Submissions must be original, unpublished plays, full-length plays (one or two acts accepted)

• Plays should prominently feature accurate science as a thematic element or integral part of the storyline 

• Plays should be submitted as a PDF document

• Ensure the script is formatted according to standard industry guidelines

• Over the course of the summer, a panel of theatre and science faculty will evaluate submissions and select the top three plays for the festival

• Selected playwrights will be notified via email by September 1st 

• Playwrights of the selected plays will be flown to Baton Rouge for workshop rehearsals

• Each selected playwright will receive a cash prize

• The festival will occur at the Music & Dramatic Arts Building on the LSU campus

For inquiries or assistance, please contact Zoe Godfrey-Grinage at zgodfr1@lsu.edu. 

46 Minutes Collective Fall 2026 Writer's Group seeks NYC-based writers

Website

Deadline: June 29, 2026 at 11:59 EDT

SUBMISSION FORM

The 46 Minutes Writers Group is a seasonal cohort of playwrights helping develop each other’s new work. Led by Gabby Kimbrough and Cha Mangan, our playwrights can receive feedback on their new work, get to hear their new work said out loud, and be held accountable for getting new pages and edits out. The Fall 2026 cohort program will be 10 weeks long, with each writer presenting their work every other week. We'll be meeting in-person every Saturday at the Brooklyn Public Library Central Branch from 11am - 2pm, September 19th to November 21st.

Writers will also publicly share a short snippet of their work in our fall ROUGH CUTS public showcase, which will take place on December 7th, 2026.

Writer's Group Meeting Sessions (11am-2pm on Saturdays at the Brooklyn Public Library)

Sept 19: 11am-2pm
Sept 26: 11am-2pm
Oct 3: 11am-2pm
Oct 10: 11am-2pm
Oct 17: 11am-2pm
Oct 24: 11am-2pm
Oct 31: 11am-2pm
Nov 7: 11am-2pm
Nov 14: 11am-2pm
Nov 21: 11am-2pm

ROUGH CUTS Public Sharing Night: December 7th, 2026 at 6:30pm, Location TBD

Location: Brooklyn Public Library - 10 Grand Army Plaza 1st floor, Brooklyn, NY 11238

Eligibility:
- must be an NYC-based artist
- must be able to attend all 10 sessions + ROUGH CUTS in person
- not currently enrolled in an MFA program

About Us: THE 46 MINUTES COLLECTIVE is a non-hierarchical performance collective founded by artists committed to nurturing and producing boldly original, interdisciplinary time-based work. We aim to bolster emerging artists in their pursuit to push the limits of form, challenge the purity of medium, and foster collaborative processes. Our works exist in the in-between and the surreal; they tap on the fourth wall in a quest to make art that is accessible and creatively adventurous. See more about our work, mission, and ongoing programs at www.46mincollective.com.

If you have any questions, need help filling out this application, or are having trouble uploading documents, please reach out to us at 46mincollective@gmail.com

A Classic Theater seeks full-length plays

Website

Deadline: June 30, 2026

You may submit either by email to act@aclassictheatre.org
or by US Mail to Cindy Alexander, 600 Nautical Way, St. Augustine, Fl 32080

Format should be in MS Word or PDF.

A Classic Theatre in St. Augustine, Florida is seeking submissions for full length new plays for our Staged Reading Series. Plays chosen will be presented in Season 2026-2027 which begins in September, 2026.

We are looking for plays within the following parameters.

Full length, with or without intermission

No longer than 90-105 minutes

No more that 6 characters

No children or teens

Plays will be selected to be performed over the course of the 2026-2027 Season. They will be presented as a Staged Reading, with one performance, and minimal rehearsal. There will be the opportunity for audience feedback.

You may submit any number of plays but it must be a new work that has not been fully produced elsewhere.

You will be notified via email by September 30, 2026. Selected playwrights will receive a stipend of $100 for the performance.

A Classic Theatre is a 501c-3 non profit community theatre. www.aclassictheatre.org For any questions, please email Cindy at calexander@aclassictheatre.org

DRURY UNIVERSITY ONE-ACT PLAY COMPETITION

Website

Deadline: December 1, 2026

Send scripts to:

Drury University One-Act Play Competition
c/o Dr. Mick Sokol, Professor of Theatre
900 North Benton Avenue
Springfield, MO 65802

FIRST PRIZE: $300 TWO HONORABLE MENTIONS: $150 each

Winning plays will be considered for production by Drury University.

COMPETITION RULES:

1. Competition is open to all playwrights. Scripts are to be original, unpublished, and unproduced. Staged readings or workshop productions will not disqualify a script. Musicals, monologues, adaptations, film and TV scripts are ineligible.

2. Preference will be given to small cast, one-set shows with running times of no less than twenty and no more than forty-five minutes.

3. No more than one script from any playwright. Scripts entered in this contest in previous years are ineligible for re-submission.

4. All scripts are to be typewritten and firmly bound (staple, clips, etc). Because of the nature of distributing scripts to readers, we do NOT accept electronic submissions.

5. Scripts cannot be returned unless accompanied by a self-addressed envelope with sufficient postage. For confirmation of receipt, include a self-addressed stamped postcard. For results of your script, please include self-addressed stamped envelope. If possible, please include an e-mail address; we can send you contest results via email.

6. No written or verbal critiques will be tendered.

7. The decisions of the judges are final. Drury University reserves the right to produce any of the three winning plays royalty-free during our 2027-2028, 2028-2029 or 2029-2030 seasons, to withhold production, and to modify cashawards as deemed necessary by the judges.

8. Drury University does not assume any responsibility for the loss, damage, or return of scripts. All reasonable care will be taken.

9. Deadline for entries is a postmark of December 1, 2026.

10. Address scripts to Drury University One-Act Play Competition
c/o Dr. Mick Sokol, Professor of Theatre
900 North Benton Avenue
Springfield, MO 65802

11. Winners will be notified by mail (or e-mail) no later than April 1, 2027.

ASF TRANSLATION AWARDS 2026

Website

Deadline: September 15 by 11:59 pm EDT

SUBMISSION FORM

The prizes are for outstanding English translations of poetry, fiction, drama, or literary prose originally written in a Nordic language.

Translations must be from the writing of one author, although not necessarily from a single work.

The online application will require the following materials:

• Your CV
• A brief description of the author whose work you are translating and the significance of the original work
• One copy of the translation, including a title page and a table of contents for the proposed book of which the submitted manuscript is a part. If prose, manuscripts must be 25-50 pages, double-spaced; if poetry, 15-25 pages. *Note: Manuscripts must have numbered pages, and the translator’s name should not appear on any page of the translation manuscript. Submissions containing the translator’s name will be disqualified
• A letter or other document signed by the author, the author’s agent, or the author’s estate granting permission for the translation to be entered in this competition and published in Scandinavian Review

Restrictions:

The translation submitted in the competition may not have been previously published in the English language by the submission deadline. (If the submitted translation is also under consideration by a publisher, you must inform us of the expected publication date.)
Translators may submit one entry only and may not submit the same entry in more than two competitions.
The Translation Prize cannot be won more than three times by the same translator.

SQUARE ONE: 1st D.R.A.F.T.

Website

Deadline: June 30, 2026

SUBMISSION FORM

Development, Readings, Artists, Feedback & Theatre

We are now accepting submissions for Square One: 1st D.R.A.F.T., a collaborative new play development program designed to take original one-act plays from concept to fully staged production.

Questions? Please email maya@lakeworthplayhouse.org

Over the course of 6-8 months, selected playwrights will work alongside directors, actors, and theatre professionals through an intensive development and workshop process that includes:

• Script evaluations and feedback
• Table reads with actors
• Guided rewrites and revisions
• Collaborative development sessions
• Staged readings with an audience
• Professional production opportunities

This is not simply a play festival. Square One is a development lab.

We are seeking playwrights who are excited about collaboration and open to the rewriting process. Scripts selected for the program will evolve through multiple drafts and workshop sessions with input from theatre professionals, performers, and audiences. Writers should submit work they are comfortable revising and developing as part of an ensemble-driven creative process.

At the conclusion of the program, 3-4 plays will be selected for full production.

Submission Requirements

• Original one-act plays only
• Maximum of 15 minutes/15 Pages in length
• Plays should be able to be performed in a small 60 seat Black Box Theater
• Plays must be written specifically for the assigned Square One theme
• Playwrights retain full intellectual property rights to their final script
• 1 submission per playwright
• Plays may only be 2-5 actors (no one performer pieces, no more than 5 actors)
• ThemeA Light In The Dark
• Formatting Requirements12-point Times New Roman or Courier
• Single-spaced
• Character names in ALL CAPS above dialogue
• Standard play formatting and pagination
• 1-inch margins (1.5-inch left margin preferred)

May 18 through June 30
Selection Period

June 30 through July 25
10 plays selected for development
Phase One: Development Lab

August through 1st Week of November

This phase will alternate between:
• Writing and revision weeks
• Actor reading/workshop weeks

***PLAYWRIGHTS MUST BE AVAILABLE to meet 2-3 times a month in the evenings, August – October

The process culminates in a public staged reading of all 10 selected plays in the 1st Week of November.
Final Selection

Following the staged readings, 3 finalist plays will be selected for continued development and production.

Phase Two: Production Sprint

January through 1st Week of AprilFinal script revisions with playwrights
• Directors begin staging and rehearsals
• Full productions mounted for performance
Final Performances

Tentatively scheduled for 1st Week of April

Woodward/Newman Award 2027/28

Website

Deadline: August 31, 2026

SUBMISSION FORM

The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman’s Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward’s tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation’s Mainstage season.

Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as well as the contest format. The Woodward/Newman Award will continue to be awarded to an unpublished new play once per year and come with a $3,000 cash prize and a full production. 

Submissions will be accepted and reviewed by our literary team on an ongoing basis, and will be considered for the award as well as for all 7 production slots in our season. So a play that is not selected for the Woodward/Newman slot in our season, may still be considered and selected for production. 

This will allow us to now accept open submissions for all types of plays (including TYA shows). Plays submitted by midnight, August 31st, 2026 will be considered for the 2027-28 season, while plays submitted beyond that date will be considered for the 2028-29 Season. All submissions will be kept on file for 2 years after submission.

If you have questions regarding submissions to the Constellation Stage & Screen, please contact the Literary Manager at literary@seeconstellation.org.

GUIDELINES FOR SUBMISSIONS

We are currently accepting submissions for the 2027-28 Woodward/Newman Award. The award recipient will be announced by May 15, 2027. 

The winner will be awarded $3,000 and a full production.“Full-length” plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). TYA shows should have a complete running time of over 40 minutes.

Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.

You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. Musical submissions may upload demos as an attachment or include a link to a shared folder.

Limit of 2 play submissions per year.

$3,000 cash prize is in lieu of royalties for the full production. Housing & transportation will also be provided.

Any unpublished play submitted to Constellation regardless of method (e.g. online form, agent submission, direct contact) may be considered for the Woodward/Newman Award.

Please note that we are moving away from a “finalists” model in lieu of keeping all plays under consideration for extended periods (2yrs). We will only announce a winner.

If you have any questions, please email literary@seeconstellation.org.

Script Consulting for Stage Plays and Musicals with Arianna Rose

In need of a pair of eyes on your stage script as you prepare for or continue with rewrites? Desire assistance with structure, character arcs, dialogue or plot? The play doctor is IN! I’ve helped playwrights and musical theatre writers with their scripts of all lengths.

“Arianna provided terrific advice as dramaturg on my new full-length drama… She was thoughtful and professional… Her comments were astute, perceptive and creative, and she never held back from challenging me in a positive manner… Her analysis has been rich and in depth…Long after I received her report, I continue to reflect on her analysis and be enriched by it.” 

            - Elan Garonzik, playwright

“Arianna!!!! Thank you so much. Genius. This is exactly the type of feedback and actionable brainstorming I was hoping for. I truly appreciate your thorough and thoughtful work. My mind is already drumming up ways to “show, not tell” this story…I'm going to spend some super quality time with your write-up and notes.”

~ Karen Campion, Award-winning Playwright and Screenwriter

“…[Arianna] excels in the kind of focused dramaturgy that supports AND stimulates a writer’s process. She is completely adept at breaking down, honing-in, and explaining (with clarity) wherever there may be issues or problems in the story. Her skill at examining details is only exceeded by her innate ability to ask the right questions that stimulate a writer to find and understand their path to making rewrites/corrections that stay true to their own style and voice… She IS the real thing!”

~ Jack G Hyman, playwright, author, actor, musical theatre writer

MY CREDENTIALS

• M.F.A., NYU Tisch School of the Arts Graduate Musical Theatre Writing Program
• Alumna, BMI-Lehman Engel Musical Theatre Writing Workshop
• Member, LMDA (Literary Managers & Dramaturgs of the Americas)
• Playwriting Instructor: Dramatists Guild Institute, PlayPenn Theatre.
• Dramaturg: “Plays in Progress” program for plays and musicals, Dramatists Guild
• Founder & Moderator, Plays on Purpose/New Musicals (Weekly Stage Writers Group)

MY RATES

I offer a discount to current Dramatists Guild members or South Florida Theatre League members, and the rates for short plays include rewrites. You can find my current rates, code of ethics, dramaturgical process, more testimonials and a contact form on my website page:

http://ariannarose.net/dramaturg-for-hire

You can also email me at rockawayrose@gmail.com I look forward to helping you with your play or musical!

Axis Review seeks plays

Instagram

Deadline:  June 10, 2026 at 11:59pm EDT

SUBMIT VIA GOOGLE FORMS

Restrictions: For writers identifying as female or living in a feminized body.

Axis Review is a new literary magazine centering female and feminized bodies. We are currently accepting submissions for our inaugural Summer 2026 issue! We are looking for poetry, fiction (short fiction, flash fiction, plays), nonfiction (personal essay, cultural critique, scientific essay), and visual art (illustration, photography, mixed media, digital art, and more), particularly work that reflects an element of our mission statement: “Where the body sits at an axis. Where the intimate becomes political, the private becomes public, and the scientific becomes poetic.

There’s something for everyone at the Playwrights Group

There’s something for everyone at TPG!

Script Consultations

If have a script you want feedback on — just send a PDF of your script and you’ll get a critique via email and/or video conference. See website for rates.

Richard Caliban has worked with individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.

Online One-on-One Courses

If you’re looking for more, check out our One on One Online Playwriting Courses:

• The Art of Playwriting
• Write a Play in 10 Weeks
• 3 Hour Short Course

All are with instructor Richard Caliban, and since it’s One on One, the courses can be adjusted to fit your level of experience.

The Weekly Workshop

Join our nationwide community of playwrights on Zoom. It’s a great way to stay connected and motivated.

Participating in a weekly workshop can give you the kick you need to see your script through from beginning to end. You can bring in anything you’re working on — a full length script, a musical, a TV pilot, whatever. And when your script is ready — we’ll present it in a Public Reading. We also bring in Guest Speakers, like Pulitzer Prize winner Margaret Edson (Wit).

Sit in on a session and see for yourself!

Thursdays 7 - 9:30pm EST

Please visit our website for further Info and Rates: 

www.theplaywrightsgroup.com

Contact us at 

scripts@theplaywrightsgroup.com