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Thursday, December 25, 2025

Arkana Magazine seeks short plays for its Micro issue

Website

Deadline: March 16, 2026 at 1AM

SUBMIT VIA SUBMITTABLE

For our Micro Issue, please submit scripts for the stage or screen that would last, if performed, five minutes or less.

We publish work by established and emerging writers unaffiliated with the University of Central Arkansas. We accept previously unpublished fiction, poetry, creative nonfiction, scripts for the stage or screen, translation, artwork, and illustrated narrative through our Submittable submission manager.

Simultaneous submissions are always welcome. We only ask that you withdraw your piece as soon as you accept another opportunity.

As a compendium of the rare, intriguing, and unheard, we’re looking for quality writing that is thought-provoking and literary. 

We are especially interested in work that explores the identities and experiences of writers from the Delta region, BIPOC, immigrant, LGBTQ+, women, disabled, and neurodivergent writers, the resource-poor, writers over 50, those who have experienced or been impacted by incarceration, or anyone whose voices have traditionally been silenced.

MICRO ISSUE SUBMISSION GUIDELINES
  • Up to 500 words of prose (fiction or nonfiction), double-spaced
  • Limit 1 submission per genre until you’ve received a response
  • Up to three poems per submission, up to 10 lines per poem
  • Up to 5 photographs or pieces of art. For illustrated narrative, one page or panel.
  • Cover letter with a brief biographical statement
  • Up to 5 minutes of script for the stage or screen
  • Up to 1 minute for a video essay

The Robert J. Pickering / J.R. Colbeck Award for Playwriting Excellence 2026

Website

Deadline: December 31, 2025

This annual award was established to honor past member and playwright, Bob Pickering, and to provide a vehicle for playwrights to see their works produced. In 2020, the award was renamed to also honor longtime BCCT member and Pickering director, J.R. Colbeck. $200 is awarded for first place, $50 for second place and $25 for third place.

Types of Plays Accepted

Full length, unproduced plays and musicals. Children's plays are accepted. We are unable to return without a self-addressed stamped envelope.

Selection Process

BCCT committee members read and review each entry and select ten finalists from which the first, second, and third place winners are chosen by the membership at large.
Production

BCCT reserves the right and agrees to produce the first place winner in this yearly competition. First place winners are required to sign a production contract.
Production House

BCCT productions are staged in the historic Tibbits Opera House in Coldwater, Michigan. Built in 1882, Tibbits is a completely restored 500-seat proscenium theater.
How to Submit

BCCT does not accept digital submissions. Send hard-copy submissions to:

Branch County Community Theatre
14 S. Hanchett St.
Coldwater, MI 49036

Wednesday, December 24, 2025

Curtain Rising: Staged Readings of New Works seeks short plays

Website

Deadline: January 12th, 2026

To submit your play, follow this link

Playwrights may submit more than one play.

Plays will be announced in early February 2026. 

The 2nd Stage at Burlington County Footlighters Theatre in Cinnaminson NJ is producing our fourth annual Curtain Rising: Staged Readings of New Works as part of our 2025-2026 season. 

This thought-provoking event will showcase short one-act plays which explore the underlying theme of If Not Now, Then When?

We are currently accepting script submissions (previously unproduced) and will select plays for minimally staged readings to be performed on Friday February 27th & Saturday February 28th, 2026. The 2nd Stage is our black box performance space, seating about 30 people. Playwrights agree to have their work be presented with no monetary compensation. Playwrights will receive production stills and two (2) comp tickets (one for the playwright and one guest) for Saturday night’s performance.

Playwrights must be present at the Saturday evening performance to see their work and participate in our audience talkback session. Playwrights should be aware that our 2nd Stage is not ADA accessible. There is a staircase that attendees need to climb to access the space. If you cannot access the space, please let us know when you submit. We do have an alternative plan to accommodate playwrights with mobility challenges.

In order to be considered:

Plays need to fit within the theme, have no more than five characters, be performed in 10-15 minutes, and have minimal staging/technical requirements. Plays should not have been formally produced.

Questions? Contact Heidi at curtainrising@bcfootlighters.com

https://www.facebook.com/2ndStageAtBCF

Palace Theatre Short Play Festival

Website

Deadline: January 9, 2026

 SUBMISSION FORM

At The Rex Theatre, Manchester, New Hampshire 

To be eligible for the Palace Theatre Short-Play Festival you must be a United States Resident.

The 2026 Festival is seeking Short- Plays.

Each writer may submit no more than ONE Short Play.

All plays submitted for the festival must be between 8 and 15 Minutes.

Entries must be submitted in a PDF Document format.

Submitted plays should not have had a previous professional production (readings and workshops are OK).

Playwrights will be responsible for casting + Directing their own Plays.

Please note if you require casting assistance from local theatre partners, please indicate so on the casting questions on the submission form.

-Plays may not be written using any generative artificial intelligence (AI).

-Plays must be written primarily in English (the use of non-English words or phrases within the context of the play are allowed).

Playwrights will be responsible for the accommodation of their cast during the festival – The Palace Theatre will work with you to acquire discount rates with our Hotel Partners.

Accepted Short Plays will be notified: Monday February 2nd 2026

Chosen Playwrights are asked to pay a one-time $100 Pre-Production Fee.

There is No-Fee for the following: Theatre Rental, Audio Visual, Sound Technician, Lighting Technician, Rehearsal Space.

Plays will have access to a Video Wall upstage Center. The Video Wall is 25’ Wide and 13’ Tall. 1080i resolution and can run MOV and JPEG files.

Performances will be:
  • Friday April 10th 2026 @ 7:30pm
  • Saturday April 11th 2026 @ 7:30pm
All Performances at The Rex Theatre, Manchester New Hampshire 03104

Cash Awards for Best Play

Each ticketholder to the festival will have a chance to vote in Audience Choice.

Awards for the following:

Audience Award for Best Play 2026

Judges Award for Best Play 2026

Tuesday, December 23, 2025

Crowname seeks submissions for Issue #8

Website

Deadline: March 1, 2026

Please email crownamestudios@gmail.com to submit.

Please submit writing and art you feel represents a topic, item, people, etc. that is often overlooked, censored, or pushed into the footnotes. 

Examples: disability, LBGTQIA+, homelessness, women’s rights, underserved and neglected communities, etc. If you are part of any of these communities, you are strongly urged to submit!

Guidelines (Please Read)

Please note that at this time we cannot offer payment for publication. We hope this changes in the future, but until then, publication in Crow Name is unpaid. Contributors will always, however, receive a high-quality PDF of our magazine for their own printing/admiring/saving pleasure.

We are committed to a safe and positive environment for our community. This means that we do not tolerate racist, sexist, bigoted, antisemitic, homo/trans/bi/queer/acephobic, Hinduphobic, Islamaphobic, ableist, violent, or otherwise hateful or discriminatory pieces and practices. Please note that we will not tolerate anyone who submits anything of this nature, and our no-tolerance policy extends to any hateful and/or unsafe practices not listed.

We are also committed to making sure people of all different backgrounds and abilities are able to enjoy our site. We encourage people from all different backgrounds to submit.

We will NOT accept anything created with or with help from artificial intelligence such as Chat GPT or any other generative AI model. Any author or artist found to have used AI in the creation of their submitted piece will be rejected and banned from submitting to Crow Name in the future, and your name may be shared with other literary magazines and publications, who may make their own determinations on whether or not to accept submissions from you. Your submission constitutes an unwritten agreement that your piece was not created wholly or in part by any generative AI software.

We are accepting submissions from December 19th to March 1st, and submissions will be considered based upon the current theme listed above. If we have already announced our decisions for the current theme, please re-submit if you would like to be considered for the next one. Please feel free to re-submit and withdraw.

We also accept previously published pieces so long that you, the writer/artist/maker, have full legal rights to the piece. 

Do:
  • Submit via Microsoft Word or PDF. 
  • Submit funky, fantasy, sci-fi, realistic fiction, poetry, script, comics, podcasts/audio essays, nonfiction, eccentric, playful formatting, art, short film, animation, and anything weird and cool.
  • Submit excerpts.
  • Submit 1-5 pieces at a time, up to 20 pages total. 
  • Submit to other magazines, papers, and journals simultaneously (but tell us if you’ve been accepted elsewhere).
  • Submit revisions.
  • Submit art in CMYK color mode, in at least 300 dpi, and in TIFF or PNG files.
  • Submit audio in the MP3 file format, and video in MP4.

Don’t: 
  • Submit racist, sexist, bigoted, antisemitic, homo/trans/bi/queer/acephobic, Hinduphobic, Islamaphobic, ableist, violent, or otherwise hateful or discriminatory pieces not listed. 
  • ABSOLUTELY NO AI ART, WRITING, OR OTHERWISE. 
  • Try to send something to us via snail-mail (we don’t have an actual address).
  • Send us things that don’t follow our “Do’s”
  • If You’re Accepted:We will send you confirmation of your acceptance or rejection via email. 
  • By accepting our acceptance, you give Crow Name permission to publish your work. 
  • You will retain all ownership and copyright to your work.
  • We will copy-edit your work, and/or may ask for small revisions. 
  • We retain the right to remove any work from our site at any time with or without notification. 

Submit:

Please note that submission constitutes an acceptance of our guidelines.
Please email crownamestudios@gmail.com to submit. Thanks!!

Vivid Stage seeks full-length plays, 2025

Website

Deadline: December 31, 2025

DON'T SEND - THEY HAVE CLOSED THEIR SUBMISSION WINDOW​
OR

Mail printed script to:

Laura Ekstrand, Artistic Director

VIVID STAGE
Oakes Center
120 Morris Avenue
Summit, NJ 07901

Playwrights, we'd love to read your script! Please take a look at the parameters below. Scripts will be considered for our Meet the Artist reading series in May, and for production on our mainstage.

SUBMISSIONS: We accept scripts from November 1, 2025 through December 31, 2025, or until we reach our cap of 300. Please DO NOT SUBMIT plays from January through October. Responses are made annually in late spring.

Also, please DO NOT SUBMIT BLIND COPIES of your script. Make sure your name and email address are on the script itself. We use your contact info in the script to reply to your submission. If you submit a blind copy, your script will not be considered.

Many thanks for sharing your time and talents.

Full-length comedies or dramas (no musicals)

Solo shows for our Summer Solo reading series are welcome

One script per writer

Cast size of no more than 9

Contemporary topics

Focus on “the human story”

Warmth and optimism

Please check spelling, punctuation and format

Review our mission and history for further information on what we’re seeking


Please note:

No teen or child casts

No historical or period pieces

No short plays (less than 60 minutes)

No musicals


Submission Guidelines


Monday, December 22, 2025

2026 Elizabeth Alexander Creative Writing Award

Website

Deadline: December 31, 2025 at 11:59 PM

SUBMISSION FORM

The Elizabeth Alexander Creative Writing Award celebrates an author whose work embodies the lyrically powerful and historically engaged nature of Dr. Alexander’s writing. We aim for this award to highlight different forms of knowledge production that emerge from the artistic, political, and cultural advocacy undertaken by women of color nationally, transnationally, and globally.

Each year we award two winners: one in Poetry and one in Prose. Each winner will receive a $500 Prize, publication in Meridians, and will have the opportunity to spend a week-long residency at Meridians at Smith College the following Fall or Spring.

The award is open to all genres, including: poetry, fiction, play scripts, and non-fiction. All submissions will be judged anonymously. 

Works engaging with feminism, race, and transnationalism will be prioritized. Translated works and manuscripts in languages other than English are encouraged as well.

We only accept previously unpublished work for publication. We only accept one submission for entry to the EACWA contest. Simultaneous submissions will not be considered.

PLAY SCRIPTS
Play scripts should be typed, Times New Roman font, and no more than 5,000 words.

SUBMISSION GUIDELINES: 
  • No identifying information or contact information on the manuscript itself. 
  • All submissions for the award must be submitted through this Google Form. E-mailed and/or mailed hard copy submissions for the award will NOT be considered.
  • Please attach your submission as a PDF
  • Please make sure your submissions has the following: 
  • Title on the manuscript
  • Double-spaced (unless poetry or play which may utilize whatever formatting is necessary)
  • 1-inch margins (unless poetry which may utilize whatever margins are necessary)
  • 12-point, Times New Roman font (or similar, with exceptions for poetry submissions, translations, and plays which may require differing fonts)
  • Include page numbers if work exceeds one page
  • Award Review Process:
  • All submissions will undergo preliminary review by the Meridians editorial staff, and finalists will be reviewed double-anonymously by members of the Meridians Creative Writing Advisory Board.
  • Winners will be notified in February 2026. 

Nomad Theatre seeks 10-minute plays

Website

Deadline: January 1, 2026 at midnight

SUBMISSION FORM

Nomad Theatre seeks 6-10 short plays to be a part of our upcoming show, Down on Honey Dew Acres in May 2026. Submissions will open on August 11th and close on January 1st, 2026 at midnight. 

Selected playwrights will receive notification by April 7th, 2026. If you have not received notification from us by that date, we did not choose you for the production.

Down on Honey DEW Acres will blend immersive storytelling with the laid-back spirit of farm life.

Selected plays must take place in a cedar barn on a real Central Illinois farm: Honey DEW Acres. We encourage you to use the space creatively. They must be unpublished and unproduced at the time of submission.

Submission Guidelines:
  • 1 submission per playwright.
  • 8-15 pages long (or about ten minutes in length) 
  • Formatted using the Dramatist Guild Guidelines: https://www.dramatistsguild.com/sites/default/files/2020-01/General-SFI-Formatting-Guidelines-Complete.pdf
  • Cover page should include title, playwright’s name, contact information, brief synopsis, and character descriptions.
  • Playwright’s name MUST NOT appear on any other pages.
  • Pages should be numbered.
  • Minimum of 1, maximum of 4 actors (characters may be double cast)
  • Must take place in a barn.
  • No musicals.
If you have questions or need any accommodations for submission, please email nomadtheatre@gmail.com

Nomad's mission is to provide an immersive theatre experience by exposing audience members to eclectic and moving stories, taking theatre outside of a traditional theatre space and into site-specific locations.

Sunday, December 21, 2025

Untitled Musical Project Spring 2026 Writers' Group

Website

Deadline: December 31, 2025 at 11:59pm EST

APPLICATION FORM

UNTITLED Musical Project is now accepting applications for the the Spring 2026 UNTITLED Writers' Group! UNTITLED Musical Project is a 501c3 not-for-profit organization dedicated to supporting musical theatre writers of BIPOC, LGBTQIA+, and their intersecting identities by fostering their work from inception. Through writers’ groups, developmental readings, dramaturgical support, and resources aimed to further artists’ professional careers in the creation of new musical theatre, UNTITLED creates a space and community where BIPOC and LGBTQIA+ writers can create bold, new, and challenging works.

The UNTITLED Musical Writers' Group is a space for marginalized musical theatre writers of BIPOC/Global Majority, LGBTQIA+/Queer, and their intersecting identities to develop new musical theatre in community and engage in supporting and critiquing their colleague's work.

Once Upon a Crocodile open for short plays

Website

Deadline: December 31, 2026

Send your play pasted into the body of an e-mail with “Submission” in the Subject line, to: onceuponacrocodile@gmail.com

Seeks short plays:  2000 words maximum.

Black, 12pt Times New Roman font, please. Make sure to proofread your work before flapping it at us.

Once Upon A Crocodile publishes fiction to 6,000 words and poetry to 45 lines. “Once Upon A Crocodile is an e-zine that wants to bring a mile-wide grin to its readers (snaggle-toothed or not) with humorous stories and poetry.” Read the complete guidelines here.

Verbal abuse won’t be tolerated from writers or would-be writers. If you send insulting, angry messages at any point in the process (even after your piece is published) then the Crocodile won’t be reading anything else from you and your piece will be retracted. Thanks for your understanding.

The Crocodile aims to respond within one month, and you will be asked for a short biographical doohickey on acceptance. If you’ve heard nothing after a month, send a message to the same email address above but put “Query” in the subject line.

While acerbic or sarcastic humour is excellent, we draw a definite line at sexism, racism, or derogatory works about the LGBTQ community, including non-binary people.

The Crocodile can’t pay writers now, though that may change in the future. He will promote your work on social media, because he has opposable thumbs.

Saturday, December 20, 2025

14th Annual Columbus Black Theatre Festival seeks monologues and one-act plays


Deadline: February 28, 2026

SUBMISSION FORM

Mine 4 God Productions is accepting monologues and one-act plays that have diversity, inclusion, and equity of people of color characters for our 14th Annual Columbus Black Theatre Festival (CBTF) that will be held July 2nd, 3rd & 5th, 2026 at The Columbus Performing Arts Center Van Fleet Theatre, located in downtown Columbus, Ohio.

The theme for 2026 is Still Going Strong: Voices of Triumph! Our Founder/Artistic Director, Julie Whitney Scott, was given this theme, as usual, through prayer. It’s a theme that inspires hope and resilience in the face of trouble. The theme represents those that have continued to stay strong before, during, through and after personal storms have invaded their lives, and how they were victorious in the end. It must be a story that is a story and not a lecture to push your views on others. It must be about everyday people and their everyday lives and their voices of triumph.

The entries need to meet the following criteria:

1) No more than 6 characters (Actors can play double-roles if more needed.)

2) No derogatory, hate based, sexually explicit work will be reviewed or accepted.

3) Have minimal set/light requirements.

4) 15 to 20 minutes long for one-act plays. 5 to 10 minutes long for monologues.

5) Written blocking notes of the play can be rearranged by the director to meet venue space.

6) Submit in play format a titled script and a blind script without any identifying information, other than the title, in Time New Roman 12 font, normal spacing and Word Doc or PDF format.

7) Only one play submission per playwright.

8) Complete the submission entry form at www.mine4godproductions.com

Submissions are accepted December 1, 2025, to February 28, 2026. Submissions are free so don’t miss the deadline.

*Due to the number of plays received each year, you will not be notified unless your play is accepted. However, you can email us after March 15th, 2026, and we will be happy to give you feedback on your submission at mine4godproductionsllc@aol.com

Germ Magazine open for submissions

Website

Deadline: none given

Send to germ@germmagazine.com.

Send us your self-contained play excerpts or short films (original movies, documentaries, public service announcements, student films, etc). Attach your work to the body of your email. Include a short note and your bio in the body of your email, including your preferred pronouns. Plays should not exceed 2,000 words.

Films should not exceed 10 mins. in play time. You may submit up to three projects at one time.


Please attach all pieces of work to one email. Do not send multiple emails.

OUR MISSION

Germ’s goal is to provide young people—high school age and beyond—an inclusive space to share their experiences on a wide variety of topics: love, life, health, home, the world, school, career, the future, all things safety, the lighter issues—and the harder ones.
WE WANT TO HEAR FROM YOU

Please write us at germ@germmagazine.com if you’d like to:Say hi, propose a topic, or ask a question.
Submit your writing. See our Literary Submission Guidelines for all the details.
Submit your own works (music albums, books) to be considered for review.
Pitch us a piece for one of our categories, including the Daily Germ, which can be an inspiring/funny/memorable quote or word of the day.
Add some of your Bucket List items to our Before I Die page. Please send no more than five (5) items.
Send a suggestion for our How To…, Be Lovely, or Truth About… categories.

Other submission options:Write a Dear Me letter to your high school or future self.
Show us where you’re Wandering.

Whether you’re wandering in your hometown or traveling, if the place is big or small, we want to see it. You can record your journey via video, pictures, drawings, or words. Please use Google Drive and share your file(s) with germ@germmagazine.com.

SUBMISSION GUIDELINES

While we value your work very highly, we are unable to offer payment except publication at this time.

Although you can find us on Twitter, Facebook, Pinterest, Tumblr, and Instagram, please do not pitch us ideas or send submissions there. Contact germ@germmagazine.com.

If you are pitching ideas, please know that we’ll respond as soon as we’re able. Unless it bounces back to you, we’ve gotten your email and will be in touch.

What to include in your email:Your nameYour hometownYour preferred pronounsA short (fewer than 100 words) description of your pitch/idea
The name of the category/subcategory/column where you think your piece belongs

We do not accept attachments. Please cut and paste your written work into the body of the email, directly following your short description of the work.

Word CountLove, Life, and Daily Germs category submissions: 10–250 words.Other article submissions: between 500–800 words.

We can’t wait to hear from you! ♥

Love,

The Germ Staff

***We will never promote bullying, racism, sexism, misogyny, xenophobia, homophobia, or transphobia, and we reserve the right to block users’ comments or submissions that do not adhere to these guidelines. We will not promote or produce mindlessly graphic or explicit content (violent, sexual, or otherwise), but we will be real when it comes to sex, relationships, and sexuality.***

Oakland Review: Inaugural Playwriting Prize [Vol. LII - "Gibbous" Issue]

Website

Deadline: December 31, 2025 at 11:59 PM

SUBMIT VIA SUBMITTABLE

Inaugural Playwriting Prize [Vol. LII - "Gibbous" Issue]

Playwriting Prize: A competition for twenty-minute stage scripts. Only one playwriting piece will be accepted per issue. The final round will be judged by CMU Drama faculty (ranked #4 globally by The Hollywood Reporter in their 2025 list of best drama schools).

One piece per submission. Your name should not be printed anywhere on your submission, save the document title. Prize pot is $250.

Titles should follow the format “Name, Genre”.

Editors’ Foreword:

Having recently published our half-century issue, the Oakland Review is growing, working, waxing. Taken on its own, “gibbous” represents a concept still in the works, under construction, nearly-there. Perhaps this is what it means to live in a gibbous phase of the decade: something swollen, marked by tension and possibility. How do you—and your work—handle the half-light?

Friday, December 19, 2025

NOVA Lab 2026: Open Call for Scripts

Website

Deadline: January 5, 2026 @11:59PM

Application Form

Theme: Our Future

We are excited to announce our new year-round incubator program NOVA Lab as Cellunova's 2026 Season!

Two selected works will receive creative support throughout the year. The playwrights will participate in an internal workshop and a public script reading workshop in the first half of the year to gather early general feedback. In the Fall, we will present a curated full production series showcasing works developed through the program.

Cellunova Productions invites submissions for a new full-length play (70–80 minutes) under the theme OUR FUTURE. We are seeking works that examine the transformations shaping our community, society, and world today—and chart where we are headed next. We welcome stories that don’t dwell in the past or settle for the present, but look forward with urgency, clarity, and imagination. We strongly encourage applications from BIPOC artists, first-generation immigrants, and others from historically underrepresented communities in the theatre.

We are looking for:

- A script with a runtime of 70–80 minutes under the theme OUR FUTURE.

- A preferred cast size of 2 and maximum cast size of 3. In alignment with our mission to uplift diverse voices, we encourage works that provide strong representation for BIPOC performers. We aim for at least half of the cast to be BIPOC roles or roles castable by BIPOC actors.

- A play centered on futures in the making. This could include the evolution of a community, a development in an industry or science, or transformations unfolding on a galactic scale. There are no limits to where your story takes place—only that it reaches forward in time.

While we welcome big ideas and imaginative settings, the heart of the submission must be a compelling, character-driven story—one that resonates beyond its concept and speaks to what it means to live through change.


Submission Guidelines:

- Playwrights must be 18+ to submit

- English language (multilingual also welcome)

- PDF format, with title and author(s) on the cover page

- Include a brief artist bio (max 300 words)

Lab Participant Award: $500

About Cellunova

We are a multidisciplinary theater company led by first-generation Asian immigrant artists. Our work fuses bold storytelling with new technologies, and builds bridges between indie theater and audiences from industries and communities that don’t typically see themselves on stage. Our productions speak to urgent civic, cultural, and political issues—amplifying emerging voices and fostering dialogue across lines of class, background, and industry.

We are particularly excited by scripts that:

- Center hybrid identities, transnational narratives, and intergenerational experiences

- Reflect underrepresented communities in imaginative or speculative contexts

- Engage thoughtfully with real-world systems or fields—from science and architecture to diplomacy and environmental design

- Challenge traditional stage forms or storytelling structures in innovative ways

From the deep sea to the stars, from disappearing borders to reimagined economies—where do you see us going?

Show us the future, in your voice.

Reunion: The Dallas Review open for submissions for 2026

Website

Deadline: February 1, 2026 1AM

SUBMIT VIA SUBMITTABLE

For over three decades, Reunion: The Dallas Review has been dedicated to finding and publishing exceptional examples of short fiction, drama, visual art, poetry, translation work, and creative nonfiction. Our mission is to cultivate the arts community in Dallas, and promote the work of talented writers and artists both locally and across the globe.

Thank you for considering Reunion: The Dallas Review for your Drama piece! We look forward to reading your work.

At this time, we can read only one submission per person per reading window. Show us your best work. If you do choose to withdraw, please do not upload a new submission until the next reading window.

For Drama: We accept plays, screenplays, one acts, etc. that are formatted to industry standards.
  • General Submission Guidelines:All submitted work must be previously unpublished. We consider anything found on personal blogs, online archives, other websites, social media accounts, online journals, or print magazines as previously published. If you have questions regarding this requirement, please email the editor prior to submitting.
  • A brief cover letter and a biographical statement of no more than 100 words is appreciated.
  • Do not include your name on the submission attachment unless it is part of the work itself. Instead, your name and contact information should be included in the body of your cover letter.
  • All texts should be Times New Roman, 12 pt. font, and double spaced (with the exception of poetry.) We accept text submissions in the following formats: .doc, .docx, .rtf, or .pdf.
  • We do not accept any work above 5,000 words. Any submissions with a word count above this will not be read.
  • Submissions may be multilingual, with English as the main language, but may not be translations. Any translations should be submitted to Reunion's translation portal. Translations will not be accepted in drama submissions.
  • We do not accept any works made with the use of AI. 

Thursday, December 18, 2025

Liminal Space Productions seeks short plays for one-night showcase

Instagram

Deadline: January 15, 2026

Liminal Space Productions, the new theatre wing of Laughpack Productions, is curating a one-night short play showcase at the East Village Basement on Sunday February 15th. 

We're seeking submissions of 6-30 minute casted plays. This is a great opportunity for playwrights to see their work staged in front of a live audience and connect with fellow theater makers.

There is no submission fee and no cost to participate. We welcome plays from creators of all identities, cultures, and backgrounds. A small performance stipend is available for selected acts. There will be a tech and dress rehearsal space provided at an East Village venue the week before. The deadline for submissions is January 15th, 2026.

To submit for booking consideration, please use the following form:
https://docs.google.com/forms/d/e/1FAIpQLScFsV-SJvFUPcOc5717zfFKL-9ec_j9_iZ7CIqe9pajeAdxdw/viewform

Working Theater submission guidelines

Website

Deadline: none given

If you think this is your play, please complete this short form. If you have any questions, reach out to literary@theworkingtheater.org.

Working Theater is a new American play incubator for work by playwrights which centers the lives of working people, by telling their stories in new and unexpected ways. How do we define “working people”? At Working Theater, we’re a broad church. Is your humanity impacted, affected or transformed by your work? You’re a working person, congratulations! Welcome to Team WT.


WHAT WE ARE LOOKING FOR:
  • Stories for, about or made with working people, and/or the issues which affect them, in mind.
  • We invite plays which disrupt traditions of “working-class theater.”
  • We want your play to make us laugh, make us cry, and make us feel a little dangerous.
  • Does your play deal with themes of work, labors visible and invisible, labor history? Is your play pro-worker, pro-union or anti-capitalist? It’s probably a play for us.
  • Does your play come at these themes in unexpected and novel ways? It’s probably a play for us.
  • Full-length plays and musicals.

WHAT WE ARE NOT LOOKING FOR:
  • We are not interested in stories in which working people are passive victims of an oppressive system.
  • “Issue plays,” issue plays is our least favorite oxymoron – all plays have issues, but we are interested in plays which center people.
  • We are not interested in agit-prop (until you show us an agit-prop play that blows our minds!)
  • We are not interested in clichés about the working class – show us something we’ve never seen before, baby!

The Solidarity Project: a Celebration of Historical Nonviolent Resistance

Website

Deadline: December 31, 2025

SUBMISSION FORM

Atlanta Dramatists is producing The Solidarity Project: a Celebration of Historical Nonviolent Resistance. They seek plays ranging from 10 minutes to 30 minutes which illustrate nonviolent resistance throughout history and all over the world. For the purposes of this project, scripts should be inspired by events that occurred prior to 2015. The focus of this festival is history, and the overall themes will be hope and empowerment. Scripts may be historically accurate, historical fiction, historical fantasy, etc. provided they are inspired by actual events.

The resistance depicted must be non-violent, but the play may contain violence in other aspects, such as if there were a violent reaction to a non-violent protest. Atlanta Dramatists is open to the use of music, puppetry, and dance as well as traditional “straight plays.” No projections or elaborate sets; this is a festival of plays that will all share the same set, though chairs, benches, blocks, and tables may be added or removed between pieces.

Each script may utilize up to 5 actors. Unless ethnic specificity is vital to the plot, please allow for flexible yet diverse casting.

Playwrights will receive royalties for the scripts selected. Performances will be at The Academy Theatre in Hapeville, GA, in 2026. (There is a chance the show will tour to other venues, as well.) Playwrights will receive 2 comp tickets. Playwrights may submit up to two scripts each.

Some examples to inspire your research (but you’re not limited to these!):
  • Haiti 1946
  • Indian Independence Movement
  • Women of Liberia Mass Action For Peace
  • South Africa: Anti-apartheid movement
  • Scotland: 
  • Anti-nuclear power protests 
  • Holy Loch protests 1960-61
  • Ireland: 
  • Irish Non-cooperation Movement
  • 1879 Boycott (Irish Land League)
  • France:
  • Coup of 18 Bromaire
  • Jewish Refuge (le chambon-sur-lignon)
  • America:
  • Declaration of Independence
  • Civil Rights Movement
  • Children's Crusade
  • Trail of Broken Treaties
  • Kaho’olowe
  • Montgomery Bus Boycotts 
  • Women's Suffrage parade 1913
  • Poland:
  • Solidarity 
  • Orange Alternative
  • White Rose Resistance
  • Arab Spring 
  • Singing Revolution (Estonia, Latvia, Lithuania)
  • Korea: March 1st Movement

And many more!

Wednesday, December 17, 2025

The Leah Prize 2026

Website

Deadline: This year submissions will be capped at 400. 

APPLICATION FORM

All women, trans and non-binary playwrights who consider themselves emerging (as distinct from fledgling or mid-career playwrights) are eligible to apply for The Leah.

Playwrights from all over the world are encouraged to apply, but the play must be written in English. Eligibility does not require that a submitted work adhere to the traditional three-act structure—the only absolute requirement is that the submitted text be a completed full-length work for theater. (We cannot accept musical submissions at this time)

The winner will be chosen by readers selected by the board members of the Leah Ryan Fund and will receive a cash prize of $5,000 and a public reading/summer workshop as part of the Powerhouse Theater Program at Vassar College in 2026.

Finalists will be contacted in March 2026 and will have one week within which to submit their full play. There is no fee to apply. 

If you have any questions, please contact Dev Bondarin at dev@leahryanfund.org

Brave New Work, a short play development series seeks 10-15 minute plays

Website

Deadline: January 16, 2026

APPLICATION FORM

New York Shakespeare Exchange and The CRY HAVOC Company are thrilled to debut our collaborative project Brave New Work, a short play development series that invites NYC playwrights to create original work inspired by, expanding, reflecting upon, remixing, and critiquing the plays of William Shakespeare.

Across several weeks, four writers will craft short plays responding to a Shakespearean prompt through development workshops facilitated by NYSX and CRY HAVOC, culminating in a public reading of all four plays. Applicants need to be local to the NYC area to participate and we are especially seeking artists from underrepresented communities for this project. No fee to apply or participate; writers are paid a stipend for the use of their work in the public presentation.

In year one of this project—Shakespeare as Prologue—we are looking for playwrights interested in exploring the aftermath of Shakespeare’s plays. Apply with an idea for a new short two-character play that takes place after the end of a Shakespeare play (the moment after the play ends, five years later, 50 years later, 500 years later…)
The Guidelines

• You do not have to be a “Shakespeare Nerd” to participate in this project (but if you are, you are also welcome!)
• Select a single Shakespeare play as your starting point.
• We are looking for a proposal for a 10-15 minute play with two characters.
• One character must be from your chosen Shakespeare play; the other can be invented.
• Writers will be developing their plays in a workshop feedback process; we are looking for playwrights that are interested in discussing their work and supporting the work of others!

How does the collaboration work?
Each writer is paired with a facilitator—a CRY HAVOC or NYSX artist—to confer with before and after each feedback session. Facilitators moderate each session in support of the playwrights and their goals. The feedback sessions will include a combined roster of artists from the NYSX and CRY HAVOC communities, the Brave New Work writers, and their invited guests and colleagues.

The Schedule (all sessions will be in the evening)

Sun. 3/1: welcome meeting with playwrights and staff

Tue. 3/10 and Thu. 3/12: 1st draft feedback workshops

Tue. 3/17 and Thu. 3/19: 2nd draft feedback workshops

Tue. 3/24 and Thu. 3/26: 3rd draft feedback workshops

Tue. 3/31 and Thu. 4/2: rehearsal draft feedback workshops VIA ZOOM

Thu. 4/16: public reading of the play collection

ABOUT US

The CRY HAVOC Company believes that writing a script doesn’t have to be a solitary experience. Feedback at key points in the writing process can bring you closer to your goals. Our approach to script development places your writing goals at the center of the workshop discussion, ensuring that collaborators are offering feedback in service of the play you are trying to write.

New York Shakespeare Exchange uses Shakespeare's body of work as a starting point and toolkit for building stronger, more empathetic communities. We invite our fellow New Yorkers to form a relationship of “exchange” with Shakespeare’s legacy, creating new opportunities for artistic expression, social connection, and mutual learning. This active exchange between centuries-old works and contemporary points of view honors an essential quality of Shakespeare’s creative spirit - to search the world around us for inspiration, and our own imaginations for innovation.

Tuesday, December 16, 2025

Ivo Review 10-minute monologue contest

Website

Deadline: January 30, 2026

Send submissions to editorivoreview@gmail.com. 

The subject line should be the THEME of the issue for which you are submitting work and the CATEGORY of the submission. (Example: LOST - POETRY) Please include a short cover letter with a short 3rd person author's bio in the body of the e-mail and attach submissions in a single .docx attachment.

For this contest we are looking for ten minute monologues for stage performance.

Please do not send us previously published works for this contest, as we are looking for new pieces.
These monologues can be on any theme - Winners and Honorable Mentions will be published in Issue Three of the review.


The deadline for the contest is January 30, 2026. There is no monetary cost for the contest and our general rights statement applies (see our Submission Guidelines for more details!) Any questions about the contest can be sent to editorivoreview@gmail.com.


Token payment prizes subject to our budget in January will be provided to winners and honorable mentions.


What We Look For

We are looking for prose, poetry, fiction, non-fiction, hybrid works, and dramatic works from emerging and established writers from around the world, particularly writers from historically underrepresented communities. We love the concept of narrative - we want to read storytellers telling stories in whatever form that takes for you.

Works should be primarily in English.

We consider simultaneous submissions but if a work is accepted elsewhere please let us know. We will be thrilled for you! We consider reprints but please indicate the original publication so that it can be credited - with a link to the work if possible so that we can also link to that publication.

We love visual art submissions and are always looking for cover art.

We will not consider AI generated work. At this time we are also not considering translations.



How to Submit

For art, please submit one piece that you would like considered for our cover art.

For poetry and flash or micro-fiction, please submit up to five (5) pieces of up to 100 lines for poetry. We consider micro-fiction to be up to 350 words, and flash to be 351 - 1000 words.

For longer works of fiction, non-fiction, or dramatic works please send up to two (2) pieces of up to 3000 words.

For dramatic works, we consider works that would be able to be produced as a 10 minute play or shorter. We love long dramatic monologues, but will also consider ensemble pieces.

Send submissions to editorivoreview@gmail.com. The subject line should be the THEME of the issue for which you are submitting work and the CATEGORY of the submission. (Example: LOST - POETRY) Please include a short cover letter with a short 3rd person author's bio in the body of the e-mail and attach submissions in a single .docx attachment.

Submissions that do not follow these simple guidelines will not be read.

The Westchester Review seeks 10-minute plays

Website

Deadline: Dec 31, 2025 11:59 PM

SUBMIT VIA SUBMITTABLE

The Westchester Review considers previously unpublished stories, creative nonfiction, and poems by established and emerging writers wherever they reside. We are an exclusively online journal, publishing quarterly issues.

We welcome submissions from a diverse range of writers, including voices and perspectives that have historically been underrepresented in the literary sphere. Past contributors are welcome to submit again. All submissions must come through Submittable.

We receive thousands of submissions every year and do our best to respond within five months. Please do not query the status of your submission until at least six months have elapsed.

FOR ALL SUBMISSIONS

Thank you for considering The Westchester Review as a possible home for your work. General submissions are free. We consider simultaneous submissions, but kindly notify us as soon as possible if a piece has been accepted elsewhere. Please include a cover letter that lists word count (for fiction and creative nonfiction) along with your name, address, phone number, and email address. If you have a connection to Westchester County, please note it in the applicable field in Submittable. Westchester authors are acknowledged, but a connection to Westchester is not required in order to submit, and will not affect submissions status.

Please be sure to submit your work through the appropriate portal. Submissions sent through the wrong portal cannot be read. Please submit work only once during a submission period. Multiple submissions cannot be read.

The Westchester Review is not currently a paying market. Our editors and readers are all volunteers. We do our best to promote the work of our contributors via social media.

We do not accept submissions of AI-generated work. We reserve the right to withdraw acceptances of any work found to be AI-generated, even after publication.

Do not send work in PDF format.

We do not accept translations in any of our categories.

Please do not submit revisions of previously declined work unless specifically requested to do so.

PLAYS

We consider 10-minute previously unpublished plays which must be double-spaced and sent as word documents. Anything longer will not be considered. Please do not send work in PDF formats

Monday, December 15, 2025

The New Works Initiative is seeking unpublished full-length plays

Website

Deadline: January 15, 2026 
OR after we have received 150 submissions. Whichever comes first.

Please send submissions to sandra@renolittletheater.org

ACCEPTING PLAY SUBMISSIONS FOR THE 2026-2027 NEW WORKS INITIATIVE
Now accepting submissions for our 2026-27 Season!

The New Works Initiative is seeking unpublished Full-length plays, of any genre, to receive a mainstage production at Good Luck Macbeth Theatre in the 2026-27 season. One play will be selected for full production and two plays will be selected to receive staged readings.

One submission per playwright. We understand that each play will be in a different stage of the developmental process so please indicate whether or not you are interested in a staged reading of your play if you are not selected for the mainstage production.

SUBMISSION CRITERIA:
  • We can only accept scripts as PDF.
  • We do not accept submissions by mail. 
  • We only accept full-length plays.
  • All submissions must contain full contact information and cast requirements. 
  • All submissions must contain a synopsis of the play.
  • All submissions must contain a Character breakdown.
  • Only plays with no more than 6 characters will be accepted.
  • All submissions must contain a brief description of the play’s developmental and production history.
Reno Little Theatre/GLM’s New Works Initiative will not provide feedback for every submission but we do commit to communicating the status of your submission.

The submission deadline is January 15, 2026 OR after we have received 150 submissions. Whichever comes first.


Apricity Magazine seeks short plays for the 2026 issue

Website

Deadline: January 4, 2026 1AM

SUBMIT VIA SUBMITTABLE


Apricity accepts submissions from the performing arts, including but not limited to original music, short film, short play, and dance. Scores, scripts, and screenplays count although live versions are encouraged. Please upload or include a link (of a Youtube video, a webpage, or a Google Drive file) to your submission as well as a brief description of your piece and how you arranged your performance. The maximum time allotted for videos is 15 minutes each. Simultaneous submissions are permitted.
Before you submit, please note the following:

NOTIFICATION: You may expect notification of your acceptance or rejection within three months of submitting your piece. As our staff is composed entirely of university students, however, we do not operate from the end of May through the end of August. Any pieces submitted in April and May may not receive a response until August. 

 NON-PROFIT: We are a non-profit student organization. We intend to direct all net proceeds towards publication improvement and charitable donations focused on education.

FEES: There is no submissions fee, nor is there any payment for publishing your work (currently). However, should you be published in the print publication, you will receive a free contributor’s copy. If you are published online and would like to receive a print edition, you will receive a 60% discount.

We welcome comprehensive use of English and other languages. If your piece contains non-English languages, please include an English translation. Though we are an international magazine, our staff’s common language is English.

We also welcome works previously published elsewhere. If a piece you submit has been accepted by another publication, we will credit the other publication.

If we accept your piece before it has been accepted by another publication, we request that the other publication credits Apricity Magazine upon publication of the piece.

If a piece you submit is accepted by a publication that claims sole publishing rights, please let us know so that we may remove it from consideration. (Do note, however, that most publications allow re-prints as long as the original publisher is credited.)

Works are considered on a rolling basis. All pieces submitted will be considered for online publication. After the deadline for print publication passes, we will consider all pieces submitted before the deadline that were accepted for online publication for print publication.

Kindly keep author bios to under 50 words.

Please note that Apricity Magazine is not active during the summer (from late May to late August). Any pieces submitted during this time will not be evaluated until the fall.

We will not tolerate any form of plagiarism.

Sunday, December 14, 2025

46 Minutes Collective Spring 2026 Writer's Group Application

Website

Deadline:  January 4, 2026 at 11:59 PM EST

SUBMISSION FORM

The 46 Minutes Writers Group is a seasonal cohort of playwrights helping develop each other’s new work. Led by Gabby Kimbrough and Cha Mangan, our playwrights can receive feedback on their new work, get to hear their new work said out loud, and be held accountable for getting new pages and edits out. The Spring 2025 cohort program will be 10 weeks long, with each writer presenting their work every other week. We'll be meeting in-person at the Brooklyn Public Library Central Branch from 11am-2pm every Sunday morning, February 22nd to April 26th.

Writer's Group Meeting Sessions (11am-2pm on Sundays at the Brooklyn Public Library)

Feb 22: 11-2pm
Mar 1: 11-2pm
Mar 8: 11-2pm
Mar 15: 11-2pm
Mar 22: 11-2pm
Mar 29: 11-2pm
Apr 5: 11-2pm
Apr 12: 11-2pm
Apr 19: 11-2pm
Apr 26: 11-2pm

Location: Brooklyn Public Library - 10 Grand Army Plz 1st floor, Brooklyn, NY 11238

About Us: THE 46 MINUTES COLLECTIVE is a non-hierarchical performance collective founded by artists committed to nurturing and producing boldly original, interdisciplinary time-based work. We aim to bolster emerging artists in their pursuit to push the limits of form, challenge the purity of medium, and foster collaborative processes. Our works exist in the in-between and the surreal; they tap on the fourth wall in a quest to make art that is accessible and creatively adventurous. See more about our work, mission, and ongoing programs at www.46mincollective.com.

If you have any questions, need help filling out this application, or are having trouble uploading documents, please reach out to us at 46mincollective@gmail.com

ENCORE Theatre Playwriting Competition 2025

Instagram

Deadline: December 30, 2025

Submit your entry by email to arinvanjari@yahoo.com

ONEJARI Arts Crafts & Music (Plainfield NJ) is happy to announce their third ENCORE Theatre playwriting competition.

We encourage creativity and to continue the activity started by Ashok Vanjari, we are inviting talented playwriters to submit their work. We will be accepting applications in two categories:

• Ten-minute plays

• Thirty minute plays

Plays may be written on any subject in English, Hindi or Marathi.

• Winning plays will be staged during an evening of Encore Theater Festival in April 2026

Please Note - Our last competition's selected playwrights plays were staged during our 2024 & 2025 Encore Theater festival.

• Winning Ten minute and Thirty minutes plays will be produced by ONEJARI Arts Crafts & Music or by invited Theater Institutes, to be staged during an Encore Theater Festival.

Prizes will be made possible through the generosity of ONEJARI Arts Crafts & Music

If any individual or Institute wants to be a part of this project please contact: Dolly Vanjari at arinvanjari@yahoo.com

**Both categories will be awarded cash prizes! **

Submission details:
  • Entries containing all content are welcome, but please note that preference will be given to those that would be appropriate for most audiences and can be staged. 
  • Entries must be received by the deadline to be considered. 
  • All entries are final, but playwrights will have the opportunity for feedback and revision if selected as winners. 
  • Entries will be judged by a panel of judges. 
  • The winners will be notified by email and announced publicly. 
  • Please be sure to submit with followings....
    • Your Name
    • Your Email
    • The title of your work
    • Duration of your play
    • Only original work that has not been previously staged will be permitted to participate

• IMPORTANT - Please make sure that your name is not on any part of the play except the Cover Page as we submit our shows to a panel, blind. for selection...

Saturday, December 13, 2025

Masque & Spectacle seeks short plays for its March 2026 issue

Website

Deadline: January 31, 2026

Send drama submissions to masqueandspectacle@gmail.com. Attach written submissions in a single Word doc or docx file, and include the word “DRAMA” in the email subject line.

Masque & Spectacle reads submissions for its bi-annual issues November 1 – January 31 and May 1 – July 31. Submissions received outside of this time period will be automatically deleted. Responses can be expected within a month. Acceptance rate is around 10%. Submissions not titled/tagged or formatted or properly under the Submissions Guidelines will not be considered for publication. We only consider one submission per author/format during any given reading period. We generally avoid publishing authors in consecutive issues.

The theme for our March Issue is storms.

We do not accept previously published work, and we ask for First Electronic Rights and Non-Exclusive Archival Rights upon acceptance. Unfortunately, we are unable to pay contributors at this time.

Simultaneous submissions are accepted, but please let us know if your work has been accepted elsewhere. Additionally, we do not typically publish the same authors in back-to-back issues.

For any queries, please contact us at masqueandspectacle@gmail.com.

Drama
We welcome 10-minute plays (up to approximately 10 pages in length). No full-length plays will be considered at this time. Shorter plays are also welcome.

While traditional plays are welcome, we are particularly interested in innovative and/or interdisciplinary texts that break new ground, either in relation to their subject matter, or in how the text itself is performed/written/represented on stage.

Playwrights may submit one previously unpublished 10-minute play for consideration. The script should be accompanied by a cover letter, which includes your name, address, phone number, and email address. Proper playwriting format should be used. If you are uncertain about this format, several examples can be found online.

Las Vegas Little Theater’s 2026 ANNUAL NEW WORKS COMPETITION

Website 

Deadline: December 31, 2025

APPLICATION FORM

1. All plays must be full length (90 minutes or more). No musicals please.

2. Plays must have no more than 8 actors – doubling characters is allowed.

3. The set must be simple or representational.

4. Ideally looking for subject matter that will appeal to an age range of 18 – 30.

5. Seeking new plays that have not been professionally produced or published.

6. Plays will be screened by the competition committee. The top 5 will be submitted to the judges.

7. Prizes – 

1st prize = Production of the play in the Fischer Black box in May plus $150

2nd prize = $75

3rd prize = $50

8. Contestants must sign a release form(application) to authorize production

9. Scripts cannot be returned

10. Materials that are adapted from or otherwise derived from copyrighted source material must also submit permission to use the material at the time of submission.

11. The winning author agrees to the production of his/her play with no royalty payment. The author also agrees to allow LVLT to videotape the production. LVLT cannot provide transportation, lodging or other compensation for the author to travel to Las Vegas for the production.

12. Members of LVLT’s board of directors may not submit for this competition

13. Submissions will be accepted through Dec 31, 2025. The winner will be announced no later than March 30, 2026.

14. Decision of the judges is final. Any disputes will be decided by the LVLT board of directors.

15. Only 2 submissions per person please. If more than 2 submissions are received from an individual, only the first 2 received will be considered.

16. Each submission will be assigned a number and author’s names will not be provided on judge’s copies of the script to prevent any bias.


3920 Schiff Dr. Las Vegas, Nevada 89103
(702) 362-7996

Spring Shorts: Savannah Country Day School Upper School Ten-Minute Play Festival

Website

Deadline: December 19, 2025

Performance Dates: April 23–25, 2026

The Upper School of Savannah Country Day School is seeking submissions of original ten-minute plays for our upcoming festival, Spring Shorts! Selected plays will be fully staged and performed by Upper School students in April 2026.

We are committed to the best-practice standards set forth by the Dramatists Guild for contests and festivals, including open, fair, and transparent procedures. Submissions will be accepted without reference to the author’s identity (judging is blind), and every playwright will receive notice of their submission status. We are seeking unpublished plays (previous productions are welcome), and all selected scripts will be performed by high school actors, so content and casting requirements should reflect that. Because this is a festival setting, technical simplicity is preferred. By following these principles, we aim to provide an equitable, professional, and artistically supportive opportunity for all participants.

GUIDELINES FOR SUBMISSION
  • Eligibility: Open to all playwrights. Plays must be suitable for performance by high school students.
  • Length: Running time should be between 9–11 minutes.
  • Format: Please submit scripts in standard play format, as a PDF. Your name should appear only on the title page. Submissions will be read and judged blind.
  • Number of Submissions: Playwrights may submit up to two plays for consideration.
  • Compensation: A royalty of $25 per performance will be paid for each play selected.

SELECTION PROCESS
A panel of students and faculty will review all eligible submissions. All playwrights will be notified of their submission status by January 30, 2026.

SUBMISSION INSTRUCTIONS
Email submissions to: playsubmissions@savcds.org
  • Subject line: Spring Shorts Submission – [Play Title]
  • Attach your play as a PDF file. Ensure your name does not appear anywhere in the document except the title page.
Questions may be directed through Facebook or emailed to playsubmissions@savcds.org.

B Street Theatre’s Seventh Annual New Comedies Festival

Website

Deadline for Pre-Registration Window: December 23, 2025 at 11:59 PM PST

SUBMISSION FORM

Festival Dates: July 12–19, 2026

Location: The Sofia, Home of B Street Theatre, Sacramento, CA

Applications Open: December 30, 2025

Pre-Registration Window: December 5–23, 2025 (guaranteed submission slot)

B Street Theatre will open applications for the seventh annual New Comedies Festival (NCF) on December 30, 2025. Artists who pre-register between December 5 and December 23, 2024 will be guaranteed the opportunity to submit one script. 

The pre-registration process helps us gauge interest in the opportunity and assess the number of readers needed. After the pre-registration window closes, any remaining submission slots will be released to the public on a first-come basis.

In an ever-evolving American theatrical landscape, B Street proudly invites playwrights to submit full- length comedic plays of all styles—romance, farce, satire, dark comedy, physical comedy, commedia dell’arte, improv-based work, audience participation, stand-up-infused forms, music-inflected pieces, and more. We welcome local, national, and international playwrights whose work expands the boundaries of what contemporary comedy can be.

Following the submission and reading process, four finalist plays will be selected for staged readings during the festival. Audience members who attend all four readings will be invited to share feedback, which will be reviewed by B Street’s Artistic Staff. At least one finalist script will receive a full production on the B Street Theatre Mainstage within one year of the festival’s conclusion.

We strongly encourage submissions from historically marginalized voices and invite feedback on how to make our process more accessible and inclusive.

QUALIFICATIONS & ELIGIBILITY

Play Requirements

• Playwright must be 18 or older and legally able to work in the United States.

• Scripts must be unproduced professionally and not scheduled for a professional production before December 31, 2027. (“Professional” means paid artists and a fully realized live production.)

• Scripts must be full-length (minimum 70 minutes). Solo pieces and Theatre for Young Audiences pieces are welcome.

• Scripts must require 6 or fewer actors (unlimited doubling permitted).

• Both original and adapted works are eligible, provided rights for any non-public-domain material are secured. Written permission must be included with the submission.

• “Plays with music” are eligible; original musicals are not. If the script contains songs requiring separate licensing, list titles and writers on the script’s title page.

• Playwrights must be available in Sacramento for the full festival week (July 12–19, 2026). B Street will provide round-trip travel, housing, and a stipend for the four playwrights selected.

• Scripts must meet B Street’s formatting requirements (below).

Submission Formatting Requirements

• Scripts must be submitted as blind PDFs with the playwright’s name and contact information removed.

• Playwrights must retain an editable version (Word, Final Draft, etc.) for festival revisions.

• Only one submission per playwright.

• Playwrights may resubmit a script that was previously submitted to NCF, provided it was not previously selected as a finalist.

• Submissions not meeting the above criteria will not be accepted.

SELECTION PROCESS

• Scripts will be evaluated by a diverse pool of readers, including B Street Artistic Staff, Company Members, playwrights, dramaturgs, and other industry professionals.

• There will be two rounds of external reading; each script will be read by at least two readers per round.

• A third and final round will be conducted by B Street’s Artistic Staff to determine the four festival finalists.

• Reading occurs over approximately two months, with finalists announced no later than June 5,

2026.

ABOUT B STREET THEATRE & THE FESTIVAL

• B Street Theatre is an AEA ITC/SPT-10 professional theatre in Sacramento, CA

• Each finalist play receives:
  • Multi-day rehearsal period
  • professional creative team (director, dramaturg, stage manager)
  • A cast of compensated professional and non-professional actors
  • Two public staged readings between Thursday (7/16) and Sunday (7/19)
• Playwrights may revise their scripts during the rehearsal process and between readings.

HOW TO APPLY

Playwrights wishing to submit must pre-register using the provided LINK.

There is no fee to pre-register or submit.

After the pre-registration window closes, all registered playwrights will receive a link to submit their application and blind script. The application includes:

• Artist Bio

• Artist Statement (500 words or fewer) addressing:

o Your approach to comedic writing

o Why this play fits the New Comedies Festival

o How you/your work would benefit from participating

• Character Breakdown

• Time/Place Description

• Brief Synopsis

• A blind PDF of the full script

A is For seeks one-act plays on reproductive justice

Website

Deadline: January 18, 2026 at 11:59 PM EST

SUBMISSION FORM

A is For is currently accepting submissions for one-act plays about reproductive justice.

The A is For Playwriting Contest and the all it takes is ONE ACT Play Festival engages playwrights who are passionate about abortion rights and reproductive justice, and offers audiences the opportunity to see those stories performed by theatre professionals in live staged readings. Since the inauguration of our Playwriting Contest in 2020, we have received over 1,000 one-act plays about reproductive justice from all around the world, and have brought 12 of them to the stage!

A is For amplifies art and artists working to eradicate stigma against abortion. We believe that theatre deepens our relationship with the world around us by inviting us to empathize, and recognize our own belonging. We are looking for plays that challenge stigma against abortion. We want to hear the stories you want to tell.

Three winners will be announced in late spring 2026, and will receive the following prizes:

1st Place - $5,000
2nd Place - $3,000
3rd Place - $1,500

The winning plays will be presented as staged readings during our ONE-ACT Play Festival in 2026 at a New York City theatre tbd. See what the 2025 winners had to say about their experience here:

Friday, December 12, 2025

Go Try PlayWrite - December 2025

Website

Deadline: December 31, 2025

Submission form

Every month, Kumu Kahua's artistic director Harry Wong III will select a writing prompt on the first day of that month. We're looking for 5-page monologues or 10-page scenes based on that prompt; the due date for submissions are always the last day of the month. All entries must be written in traditional play format; instructions on this format can be found here (https://www.dramatistsguild.com/script-formats), courtesy of the Dramatists Guild.

There will be one winner each month. Scripts will be submitted to the judges anonymously. Winners will receive $100 and a subscription to Bamboo Ridge Press. Woo!

The prompt for December 2025 is:

A social media prompt. Write a ten-page maximum scene or an eight-page maximum monologue of a historical figure living well before the internet making a social media post now on one of the various platforms. Stay away from fictional characters; real people from history. Have fun.

Shubert Fendrich Memorial Playwriting Contest 2026

Website

Deadline: December 31, 2025

INFO ABOUT SCRIPT SUBMISSIONS

To encourage the development of quality theatrical materials for the educational, community and children’s theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest.

Submissions will be accepted on an on-going basis with a December 31 cutoff each year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected by April 30 of the year following submission. The contest winner will receive a $1,000 royalty advance in addition to publication.

Contest entries must meet all general guidelines and submission requirements.

Individuals currently published by Pioneer Drama Service are not eligible for this contest. Pioneer Drama Service employees and their families are also excluded.

Thursday, December 11, 2025

Strongbox Theater second annual short play festival.

Website

Deadline: January 8, 2026

Submit a PDF via email to info@strongboxtheater.com

Seeking 10-minute plays

Strongbox Theater is now accepting submissions for its second annual short play festival. 

Only comedies will be considered for this year’s show. 

All plays will be fully produced. Playwrights will be paid a $100 fee for accepted plays. 

Please submit only one of your best comedies. This is your opportunity to be a big part of Strongbox history as we produce our first production in our long-awaited theater. 

We are expecting sold-out nights. 

Labute Festival seeks one-act plays

Website

Deadline: January 21, 2026

Submissions should be sent to:
LaBute New Theater Festival, St. Louis Actors’ Studio, 360 N Boyle Ave, St. Louis, MO 63108

Created and staged exclusively each summer by STLAS, at The Gaslight Theatre in St. Louis and 59E59 Street and Davenport Theaters in New York.

Submissions will be accepted October 1, 2025 through January 31, 2026(Postmarked).

​PROFESSIONAL SUBMISSIONS

Successful entries will have no more than four characters and be crafted specifically to exploit our intimate performance space. (18′ x 18′ stage) Changes in scenery or setting should be achievable quickly and with few major set moves. Our focus is on fundamental dramaturgy: plot, character and theme.

Professional, new and previously unproduced one-act play submissions should include a letter of inquiry, a synopsis and a 10-page sample from the script. Running time for each performance should not exceed 45 minutes. Up to Eight plays will be chosen. In addition, a new piece from Mr. LaBute will be performed every night for the run of the festival.


For more information: 314-458-2978 or help@stlas.org



Wednesday, December 10, 2025

2026 Call for Plays by US-Based Latine Playwrights

Website

Deadline: December 19, 2025 at 11:59 AM CST
 or when 100 plays are received

DO NOT SEND - they have reached their 100 play limit.

Amphibian Stage, a non-profit professional theatre based in Fort Worth, TX is pleased to accept plays from professional playwrights from all across the nation to be considered for our New Works portion of SparkFest.

We're currently accepting plays for SparkFest’26 (June 5-14, 2026). In 2026, SparkFest, Amphibian Stage's annual performing arts festival, will celebrate Latine artists and the Latine community.

SUBMISSIONS OPEN: December 8th, 2025 at 9:00AM CST Link to Submission Form

We are seeking plays specifically by US-based Latine playwrights. Playwrights – inclusive of those belonging to or descending from the regions of North America, the Caribbean, Central America, and South America that self-identify as Latine – that currently live in and are authorized to work in the U.S. are invited to apply.

What this opportunity is:

Three selected playwrights will receive a 20 hour development workshop followed by 2 staged readings at Amphibian Stage. Rehearsal and readings of the three selected plays will take place between June 7-14, 2026 (exact schedule is TBD). Playwrights will receive a professional stipend of $500. Playwrights located outside of the DFW metroplex will receive airfare and housing during the development time in Fort Worth. Playwrights chosen for development will be involved in director and cast selection.

Eligibility Requirements:

1. You are a playwright who identifies as Latine. Plays by writers belonging to or descending from the regions of North America, the Caribbean, Central America, and South America that self-identify as Latine that are based in and authorized to work in the U.S. will be considered.

2. You must still be developing and working on the script. Published works will not be accepted.

3. You must be available to join us for SparkFest 2026 during the development week between June 7-14 (exact schedule is TBD).

4. The play may not have had a professional World Premiere.

5. Your work is a full-length play. We are not accepting musicals at this time.

6. Only one script per playwright.

7. The playwright must be currently based in and legally permitted to work in the United States. We are not able to sponsor international visas at this time.

No agent submissions, please. Only 100 submissions will be accepted. The application window will close once the cap is reached or on December 19, 2025 – whichever occurs first.

Required Materials (all in PDF format):

a cover letter letting us know why you would like to be part of SparkFest, what you hope to achieve through the development process and anything else we need to know outside of the script itself.

playwright resume and 150 word or less biography

the development and/or production history of your play

the full script

NOTE: The play you choose to send does not need to be about any specific topic – please feel free to submit what you are most artistically interested in working on in 2026. We have additionally chosen the gender-neutral “Latine” specifically to be as inclusive to as many artists that identify within the diverse communities of North, Central and South America and the Caribbean that may identify with the focus of this year’s festival.

FINALISTS ANNOUNCED: February 25, 2026

3 SELECTED PLAYWRIGHTS ANNOUNCED: March 9, 2026

How are plays selected?

Initial rounds are screened by a committee of Latine industry professionals from across the country. Scoring of these plays will reveal finalists. Top 3 are selected by SparkFest’26 Leadership.

If you have questions, please email ally@amphibianstage.com (SparkFest '26 New Works Producing Coordinator).

You can learn more about Amphibian Stage at our website (https://amphibianstage.com/) and SparkFest at its own website (https://sparkfestfwtx.com/).

VILLAGE PLAYWRIGHTS ANNOUNCES OPEN SUBMISSIONS "LOVE IS QUEER" TEN MINUTE PLAY FESTIVAL

Website

Deadline: January 3, 2026

Submit to : villageplaywrights@gmail.com

The festival will be held at The Center 208 W13th NYC
in February 2026. 

Playwrights must be able to attend the festival in NYC

Tuesday, December 9, 2025

Café Royal Cultural Foundation NYC will award a Performance Grant 2026

Website

Deadline: February 2, 2026 at 9AM EST
or if we reach our limit of 40 applications

Café Royal Cultural Foundation NYC will award a Performance Grant to individuals focused on the production of theatre, dance and performance art (all of which can be accompanied by music).

Submissions: To ensure that each submission receives the attention it deserves we will be only accepting 40 applications for each of our categories.

Deadlines: Our Winter 2026 Grant cycle is now open and will close on February 2nd, 2026 at 9:00 am EDT or if we reach our limit of 40 applications, which ever comes first.

Amounts: Up to $10,000.00 

Eligibility: 
  • Performer(s) of theatre, dance and performance art (all of which can be accompanied by music).
  • Grants awarded in this category do not fund costs associated with the creating/composition of new work.
  • Performer(s) applying must be a United States Citizen or Resident Alien and a resident of New York City and have lived in New York City for a minimum of one year prior to applying and plan to be a resident through the completion of their project.
  • If your performance is a play, it must be a full production. Readings will not qualify.
  • We would prefer that the performance of your project take place in New York City’s five boroughs, or in a location in close proximity to New York City that has been discussed and approved by Café Royal Cultural Foundation. Email caferoyaldigital@gmail.com for inquiries.
  • Applicants can only apply with the same project twice.
  • Applicants can only apply to only one category during a grant cycle.
Application Requirements:

Up to and no more than 5 videos links of works/performances for the Café Royal Cultural Foundation Selection and Executive Committees to view or download. Please make sure your links are correct and not password protected. If they are not correct or have password protection your application will be declined and not reviewed by the Selection Committee.

If available, letter of intent from the venue with a date of planned performance. Please note that you do not have to have a commitment from a venue to receive a grant.

A short description of the performance / project.

A short artistic biography of the person(s) involved.

Budget must not exceed the amount of $10,000.00.

List of costs of how you plan to use the grant funds.
(Please review our lists of Approved and Ineligible Budget Items for Performance Grant Funds, located on their website)

You cannot apply for a group or an organization. We want you to be aware that Café Royal Cultural Foundation’s grant-making procedures are to individual grant recipients, referred to as an expenditure responsibility grant. The Funds disbursed to grantees must comply as "direct grants to individuals" and "payments made directly to individuals." You, as an individual, will be responsible for all payments requested in your budget.

If a previously awarded grantee is an actor/director/producer you wish to hire they cannot receive additional funds.
  • You cannot include any fees related to you, the applicant, in the list of costs.
  • You cannot pay yourself artist fees. 
  • If you are an actor, you cannot include an Actor Fee for yourself. 
  • If you are the producer, you cannot include Producer Fees. 
  • If you are a director, you cannot pay yourself a director fee, etc.
We ask that the start date of your performance is no sooner than 90 days after this application's due date (no sooner than May 3, 2026) and no later than 12 months after your grant’s award date (no later than March 24, 2027).

Applicants can only apply with the same project twice.

You may apply in a later cycle with a different project.

We would prefer that the performance of your project take place in New York City’s five boroughs, or at a location within proximity to New York City that has been discussed and approved by Café Royal Cultural Foundation before you apply, please email caferoyaldigital@gmail.com for inquiries.

11th Annual Pyro PlayFest 2026 Call for Plays Theme: "Spark of Creation: Humanity, Invention, and Expression"

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Deadline: January 12, 2026

 SUBMISSION FORM

Paris Junior College Department of Drama's 11th Annual Pyro PlayFest is now accepting submissions!

In a season celebrating new voices, we are looking for bold, original short plays that explore the heart of creativity — the human spirit, invention, imagination, and the drive to express. Whether you tackle these ideas literally, abstractly, or metaphorically, we want to experience the spark that fuels your storytelling!

The chosen submissions will receive a full production on our 3/4 thrust stage space performed by students and community members in late April 2026, right here in Paris, Texas, on the Duane Allen Stage in the Ray E. Karrer Theater.

Please note: This is a non-paying opportunity. While we are unable to offer financial compensation at this time, selected playwrights will have the opportunity to have their work brought to life in front of a live audience by a dedicated team of emerging artists and community members.

Submission Guidelines
  • Unpublished, minimally produced plays (readings okay; no full productions).
  • Length: 10 minutes or less.
  • Page Limit: 10 pages max (standard format, 12-pt font, with page numbers).
  • Cast: No more than 6 characters.
  • Technical Requirements: Keep it simple — minimal sets, basic lighting, and modest props.
  • Theme Connection: Must explore creation, humanity, invention, or expression in some form.
Content Note: Please keep language and themes suitable for a general adult audience.

Important Dates:
• Submission Deadline: January 12, 2026
• Festival Dates: April 22-26, 2026

How to Submit:
Please submit your scripts (Up to three) in PDF format through this Google Form: New Works Submissions

Include a cover page with the following information:
• Play title
• Playwright's name
• Contact email
• Short synopsis (2-3 sentences)
• Character breakdown

Please make sure that your name is not on any part of the play except the Cover Page as we submit our shows to a panel, blind.

Monday, December 8, 2025

Queens Short Play Festival Winter 2026

 Website

Deadline: January 31, 2026

PLEASE NOTE: PLAYS ARE ACCEPTED ON A ROLLING BASIS. WAITING UNTIL THE DEADLINE TO SUBMIT IS NOT ADVISED.


Following our successful Feastival at our new location we are pleased to announce that Queens Short Play Festival is now accepting plays for its Winter 2026 festival. The Secret Theatre seeks to promotenew work and emerging playwrights through our biannual One Act Festival. Last year's festivals were a success, and this year we are excited for more!

No fee to submit or produce.

• $250 Cash Prize for Best Play
• $100 Cash Prize for Best Director
• $75 Cash Prize for Best Actor
• $75 Cash Prize for Best Actor


• Each Play is guaranteed multiple performances [the exact number is decided once our final selection is made. Factors include the length of plays but is not usually less than 4 performances.

Guidelines:

• Plays must be between 10 and 15 minutes in length. Preference given to plays that havenot been produced before. Timings must be accurate; please overestimate if not sure. We will reject any play longer than 15 minutes. A rule of thumb is one minute per page if using 12pt Courier/Times Roman

• Playwrights are responsible for selecting the director and cast.

(We can help you if you do not have a director but preference will be given to playwrights who can provide their own directors and actors.)

• Easy to produce. (If you have a play that, for instance, includes a swimming pool, a large amount of sets and props, or anything else too elaborate or is impossible to cast, we may reject it.)

• Excerpts limited to 15 mins are acceptable

• Please submit plays in PDF or Word format only.

• We will divide selected plays into more programs, and selected Playwrights will be informed on a rolling basis.

• We offer discounted rates for rehearsals from $10 per hour for participants
 

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The Secret Theatre
1010 44th Ave, LIC, NY 11101

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