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Wednesday, February 20, 2019

Appalachian Festival of Plays & Playwrights

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Plays must be written by an Appalachian playwright (currently living in the Appalachian Mountains which, for our purposes, run from New York to Alabama) OR the plays must be set in the Appalachian region.

Plays must be unpublished and must not have had a full professional production.

Full length plays are preferred.

To submit your play electronically:

Send a PDF of the script along with contact info and a brief synopsis of the play to: apfestival@bartertheatre.com

To submit your play by mail:

Please submit the full script in a three-brad folder or unbound, along with your contact info (please include email and phone) and a brief synopsis of the play. Plays will not be returned. Mail to:

Appalachian Festival of Plays and Playwrights
c/o Barter Theatre
PO Box 867
Abingdon, VA, 24212

Deadline for Submissions: Sunday, March 31, 2019

For more information, contact:
Nicholas Piper, Director
Barter’s Appalachian Festival of Plays and Playwrights
P.O. Box 867
Abingdon, VA 24212
276-619-3316

The playwrights of the selected plays will each receive $250 plus transportation and housing so that they may attend their reading.

Curtis Theatre Page to Stage Playwright’s Festival

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The Curtis Theatre announces a call for submissions to the inaugural Page to Stage Playwright’s Festival. This year's theme, “That’s What She Said”, aims to provide a platform for the female voice. Staged readings will run August 30 – September 1, 2019.

Page to Stage will feature one-act and full-length plays. The deadline for submissions is April 15, 2019.

Submissions are open to all playwrights with an emphasis on Southern California based artists. Writers interested in submitting plays should send finished scripts to PagetoStage2019@gmail.com with “Festival Play Submission” and the play title in the subject line. Included in the e-mail should be the playwright’s name, contact information, and a two-sentence synopsis of the play. There is no submission fee.

The purpose of the Page to Stage Playwright’s Festival is to nurture new plays and new playwrights by working with local burgeoning writers and to showcase their works for audiences in our community. Selected plays will be presented as staged readings on the Curtis Theatre stage as part of the 2019/2020 Season. The Curtis Theatre will also use the festival to find and develop material for future seasons. Authors whose manuscripts are selected will receive an honorarium, a written critique from a professional dramaturge, a DVD of the staged reading, and participation in a post-show audience discussion.

The 2019 festival is produced in partnership with Project La Femme. Project La Femme is committed to creating art that challenges dialogue while promoting and amplifying artists who produce socially engaging art projects. Their mission is to create and explore images and definitions of women through diversity, inclusiveness, and honesty.

Pre-submission writers' workshops will be offered in the evenings on February 21 and April 4, 2019. Actors' auditions are scheduled for August 5 & 6, 2019. Anyone interested in directing, designing, or volunteering for the festival, please contact Heather Enriquez by April 15 at HeatherG@cityofbrea.net. More information will be available on the Curtis Theatre Facebook page or by joining the Curtis Creative Collective Facebook group.

The mission of the City of Brea’s Curtis Theatre is to entertain, inspire, and connect our diverse community through exceptional performing arts programs, premium facilities, and professional staff. All readings, rehearsals, and workshops will be at the Curtis Theatre, located in the Brea Civic and Cultural Center, 1 Civic Center Circle in Brea.

Tuesday, February 19, 2019

North Park Playwright Festival 2019

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1.  Short new plays (no more than 12 pages, less is fine) that are easily staged and have casts with no more than four people.  Our theater is very small and we normally use a minimal set concept in this festival.  We have to be able to change sets in just a few minutes as we do six to seven plays each evening of the festival.  We don't have space for large casts.

2.  We request new work.   A play that has had workshops or one or two previous productions is OK, but we are not interested in work that has been produced in numerous other places.  Our goal in building the theater was to have a place to produce brand new work and let playwrights have a chance to see their work done for the first time.

3.  We seek complete plays rather than excerpts from a larger work.

4.  Work will be chosen by the directors we have in the festival.  It is not a "contest" and we are not really judging plays in the formal sense.  The directors choose the plays we will produce, within the production budget guidelines we give them.

5.  Most subject matter is OK.  We don't do nudity or off color humor.

6.  We ask that all submissions be sent to us via snail mail at the theater.  Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director.  We have too much trouble with differing email, word processing, and computer platform issues to take them via email.  Additionally, our selection process requires the directors read the plays submitted and the cost of printing all the plays we receive each year is prohibitive.  Please insure submissions have a title page with complete contact information (including email), a character summary, and are in proper script form.  There is no charge to enter.

7.  Submissions must be postmarked by June 30, 2019.  Please do not send plays by any method that requires a signature from us. We are not often at the theater when delivery occurs.  We will email notice of receipt to all playwrights submitting plays.

8.  Send only one script.  Multiple submissions do not increase chances of production.

General information:

We are trying to support new work and involve actors, playwrights, and directors of all experience levels. We have had a wide variety of artists involved from very experienced to first time directors and actors, to an 8 year old playwright (very short, well received play).  We feel having a wide range of experience involved helps the new people learn from the more experienced.

We really appreciate your interest in our theater.

Jeff Bushnell and Summer Golden
North Park Vaudeville and Candy Shoppe
2031 El Cajon Blvd.
San Diego, CA 92104
www.northparkvaudeville.com

Beverly Hills Theatre Guild - Youth Theatre Competition

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The Beverly Hills Theatre Guild annually sponsors the Competition for Youth Theatre to discover new theatrical works and to encourage established or emerging writers to create quality works for youth theatre. The Play Competition for Youth Theatre represents grades 6-8 and grades 9-12 and offers two prizes:

FIRST PRIZE: $1,200
SECOND PRIZE: $600

Entries must be accompanied by the application form and in accordance with the submission policies and procedures. We accept scripts from January 15th to February 28th for this competition. No scripts will be accepted after these dates and all scripts received after the deadline cannot qualify and will not be returned.

Rules for the Play Competition for Youth Theatre

1. The Michael J. Libow Awards consist of two (2) monetary prizes for plays suitable for grades 6-8 (middle school) or for plays suitable for grades 9-12 (high school). The two prizes will be awarded on the merits of the play scripts, which includes its suitability for the intended audience. The plays should be approximately 45 to 75 minutes in length. There is no production connected to any of the prizes, though a staged reading is optional at the discretion of the BHTG.

2. Authors must be U.S. Citizens or legal residents. Co-Authorships are permissible.

3. The plays must be written in Standard American English. Slang, jargon, and regional dialects, etc., may be used only to establish necessary characterization.

4. Authors may enter up to two (2) scripts in the Play Competition for Youth Theatre.

5. Entries must be unpublished, theatrical works written for the living stage and suitable for the grades designated. Play scripts may have had one (1) non-professional or educational theatre production. But the play may not have been produced on a professional level for which authors, actors or staff were paid.

6. Entries may be original plays, adaptations and/or translations. Authors of adaptations and/or translations of works that are under current copyright must provide (upon request) proof of permission from the copyright holder(s) or their legal agents to use such works.

7. Plays shorter than approximately 45 minutes are not eligible; musicals are not eligible; and plays entered in previous BHTG Competitions are not eligible. (Please note: plays with music, i.e. plays with an occasional interpolated song, are eligible: works that are designated as musicals are not.)

8. Submissions received with postmarks BEFORE January 15th or AFTER the last day of February of the contest year will not be accepted, read or returned. Authors will be notified of ineligible submission and the reasons why.

9. Submissions in noncompliance of these Rules and the Submission Procedures will be ineligible.

10. BHTG has the right to accept or reject any entry without explanation, and will not correspond with, or discuss with, any person the results of the competition, or the acceptance or rejection of any entry.

11. The competition judges' decisions are final in all respects.

12. BHTG has the following rights which it may exercise at its sole discretion:

a. To declare any entry ineligible if prior to Competition's close (June 1) the entry is in violation of rule #6. Authors must notify the BHTG of any change in status.

b. To reproduce as many copies of an entry as are necessary for distribution among the judges.

c. To use the author's name and title of any entry receiving an award for publicity about this Playwright Award and the results of the competition.

d. To present one script-in-hand, rehearsed readings of an award winning entry to an invited, nonpaying audience. No royalty payment will be due to the entry's author for these readings.

13. Each award winner will, at all times, in connection with publications, production, publicity, advertisements, etc. about the award winning entry, designate that the play is an "Award Winner of The Beverly Hills Theatre Guild/Youth Theatre Competition."

14. Each entry will be free from copyright restrictions relating to this Award, and the author will hold the BHTG, its officers, and directors free and harmless from all copyright claims and violations.

15. The BHTG is not a producing organization. No production is connected with the competition nor any prize awarded.

16. Sorry, the Beverly Hills Theatre Guild - Youth Theatre Competition does not sponsor scholarships, fellowships, educational grants, or loans to students or private individuals. Nor does the Beverly Hills Theatre Guild as an organization.


Submission Procedures

1. Each entry must be accompanied by an individual, completed application/entry form. Application forms may be duplicated as necessary. Application forms and Competition rules and Submission Procedures may be obtained by sending #10 business-sized SASE to the address below.

2. Each author must personally sign the application. Entries must be legible and signature clearly the name of the writer(s). The author(s) must sign the entry form. Proxy or agent signatures are not accepted and will lead to disqualification.

3. Bind your entry securely and include a title page with the name of the play, whether it is an "original" or an adaptation/translation from another work, and, if desired, copyright or registration information and date (instead of the author's name, please use "by the author.") On the second page list all characters, time, place, number of acts and scenes, and any other pertinent information such as whether the scripts make use of special effects, e.g., puppetry. Scripts must be bound. A clip holding pages together unfortunately doesn't constitute being "bound". (This is insisted upon for the protection of the script and benefit of the writer. Loose scripts may have pages become misplaced or lost. The competition is not responsible for loss or damage to entries or parts thereof.)

4. Do not show your name, address or any identifying information on any page of your entry. Attach with a removable paper clip, a sheet containing the title of your entry, your name, address, phone number and any other information.

5. To preserve anonymity, all entries will be identified by numbers for judging. All identifying marks will be removed.

6. Submissions will not be returned. This includes either eligible or ineligible submissions. Enclose with your submission a #10 business-sized SASE for our response.

7. You may enclose a self-addressed stamped postcard for acknowledgment of receipt of your entry. Competition winners to be announced on this web site in June.

8. The BHTG is not responsible for loss or damage to entries.

9. No script will be accepted by fax or e-mail. No electronic submissions or correspondence.

10. No entry is returned.

Address All Inquiries and Submissions To:
Candace Coster, Competition Coordinator
Play Competition for Youth Theatre
P.O. Box 148
Beverly Hills, CA 90213


Monday, February 18, 2019

Studio Players 6th Annual Play Festival seeks 10-minute plays

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Studio Players, Kentucky’s Oldest Community-Involved Theater, located in Lexington, has produced 5 solid, exciting years of engaging, thought-provoking and sometimes hilarious theater, in the form of our 10-minute play festival.  

That said, we are  proud to announce our 6th Annual 10-Minute Play Festival, to be performed in July 2019. 

We are looking for 7 strong, entertaining plays to feature so, once again, we are holding a competition. This competition is for 10-minute plays only; it is open to any playwright.  

 The judges will be members of the Studio Players theater community: board members, directors and patrons.

The rules are simple and are as follows:
  1. 
Any playwright may enter; only one script per playwright.
  2. The play must be a 10 minute play (meaning it will be approximately 10 pages long).

  3. All plays should be emailed, with a separate cover page, with: play's title, author's name, email address, mailing address and phone number. The play itself should only have the title; no identifying information contained in or on the 10 page script.

  4. To be considered, each script must be received by March 10th.

  5. The contest is open to the first 300 entries received.

  6. Winning entrants agree to a full production of their scripts, including a video recording of the production with possible publication on youtube.

That's it! The top 7 scripts (as determined by the judges) will be performed by active members of the Bluegrass theater community. 

Each play will be a fully realized, staged production; each performance showing all winning scripts.  The 7 Selected playwrights will each receive $250 in prize money.


All entries should be sent to: sweftdart@yahoo.com with "10-min play fest" in the header.


22th Annual Theatre Southwest Festival of Originals

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Theatre Southwest of Houston, Texas is now accepting entries from now until March 15, 2019 for the 22th Annual  Theatre Southwest Festival of Originals! The TSW-FOO is FREE to enter and will once again be calling for short one act (20 minute) plays in any and all genres from all over the country and the world. Please check below for submission guidelines and see how you can enter for a chance to win a cash prize and to see your work produced.

Submission Guidelines:

Each playwright may submit up to 2 plays for consideration.

All entries should be unpublished and previously unproduced in the Houston area.

ABSOLUTELY NO email entries will be ACCEPTED for consideration

All Genres are accepted.

Monologues or One Actor plays are not accepted.

Plays should be 20 minutes in length (give or take a minute or two). Page count should be no less than 17, but no more than 22 pages.

There is no maximum limit of characters or sets, but common sense should be used as 5 plays will be produced in one evening.

Number all pages of the scripts, and scripts should be securely bound or stapled in the upper left hand corner.

ALL scripts must be submitted by postal mail ONLY. Can we stress that enough?

Be sure to include your contact information; phone number, email, and mailing address on the title page of the script.

List all characters with a brief character description.

Please include a one paragraph synopsis of the play.

Make SURE all mailed entries are POSTMARKED by March 15, 2019 (the Ides of March)

Scripts cannot be returned.

One hundred dollars will be paid to all playwrights selected for production.

Scripts should be mailed to:

Theatre Southwest
8944 Clarkcrest St.
Houston, Texas 77063-4004
Attn: TSW-FOO

Sunday, February 17, 2019

8TH ANNUAL INTERNATIONAL PLAYWRIGHT FESTIVAL

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Second weekend in October, 2019

The Warner International Playwrights Festival (Torrington CT) recognizes the work of emerging and established playwrights from across the country and around the globe.  The Festival gives playwrights a forum for production of their one-act plays that engage and entertain audiences through exploration of the human experience and the human spirit.

CALL FOR SCRIPTS

Please read submission policy carefully:

  • We invite playwrights to submit plays via electronic script submissions, in standard Samuel French playwriting format - 12 point font, character name centered or 3.5 inches from left margin, 1” margin all around.  Plays should be emailed to:  warnersubmissions@gmail.com 
  • Submitted plays should be one-act plays of no less than 12 and no more than 30 pages long, not including your cover page.
  • Submissions will be limited to the first 150 scripts received.
  • Scripts will be accepted internationally but must be written in English. 
  • Previously produced scripts are accepted. 
  • There is no submission fee.
  • Please remove all playwright identification from the script including name, mailing address and telephone/e-mail.
  • In the body of the email include: 
  • Script Name
  • Playwright Name
  • Playwright Email
  • Playwright Telephone Number
  • Playwright postal mailing address. 
  • Please do not send a synopsis or playwright resume.
  • Only one submission per playwright will be accepted.   Scripts will not be returned.
  • If your play is selected, you will be notified, via email, of the readers’ selection on/about August 1.
  • Selected scripts will receive minimal-set (table, 4 chairs, 2 cubes), minimal-tech production (lights up, lights down, 2 sound cues) production.  Please be sure your play will adhere to these parameters for production.
  • Selected playwrights receive two free tickets to the festival.
  • Selected playwrights are invited to attend the festival by their own means.  Accommodation recommendations are available. 
  • To be considered for the Warner International Playwrights Festival scripts must be RECEIVED by 11:50pm Eastern Standard Time on June 1; late entries will not be read.
  • For additional information, contact warnersubmissions@gmail.com​

Helen McCloy Scholarship 2019

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What Is It? The Helen McCloy/MWA Scholarship for Mystery Writing seeks to nurture talent in mystery writing—in fiction, nonfiction, playwriting, and screenwriting.

Who May Apply? The scholarship is open to U.S. citizens or permanent residents only. Membership in Mystery Writers of America is not required to apply. The McCloy Scholarship is intended for serious aspiring mystery writers who wish to improve their writing skills. Applicants should not have received monetary compensation for novels, short stories, non-fiction, screenplays or play scripts in the crime-writing genre.

How Shall the Scholarship Be Used? The scholarship shall be used to offset tuition and fees for writing workshops, writing seminars, or university/college-level writing programs taking place in the U.S. in summer, fall or winter of 2019 or early spring 2020. Applicants must select a specific writing class/workshop/seminar to which scholarship funds would be applied.  To be eligible, the chosen writing program must require the applicant to produce writing and to have writing critiqued. Writing conferences featuring only panels and agent conferences are not eligible.

 What Is the Scholarship Amount? MWA will present two scholarships for up to $500 each. Scholarship checks are issued in late Spring and are made out jointly to scholarship winners and their chosen educational institutions.

 Submission Details Applicants are required to submit:

* ONE Scholarship application form, completed – 2019 McCloy Application Form

* ONE copy of the official description of the writing class/workshop/program (from college catalog, workshop brochure, or other.)

* One copy of a 300- to 500-word essay explaining the applicant’s interest in mystery writing

* One copy of a sample of mystery writing for judging: either a synopsis and 3 chapters from a novel, or 3 short stories, or 3 short nonfiction pieces, or 1 screenplay or 1 play script

The scholarship committee may also require a letter of acceptance and/or syllabus or other documentation from the writing class/workshop/seminar to be attended.

Email all materials in one complete submission package to: McCloy.MWA@gmail.com
Put “submission” in the subject line of the email.

Application Deadline All applications must be postmarked by February 28, 2019. No late applications or emailed applications will be accepted.

Questions? For individual answers and a copy of scholarship FAQs and submission tips (recommended), e-mail the scholarship committee at:   McCloy.MWA@gmail.com

About Helen McCloy Helen McCloy (1904-1994) was a mystery author, editor, publisher, and agent. Creator of psychiatrist sleuth Dr. Basil Willing, McCloy served as president of MWA in 1950, won the Edgar® Award for mystery criticism in 1954, helped to establish MWA’s New England Chapter in 1971, and was named an MWA Grand Master in 1990.

Saturday, February 16, 2019

Little Fish Theatre seeks plays for International Beer Day

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Little Fish Theatre in San Pedro, CA, is looking for two to three short plays (12 minutes or less) to stage for a one-night-only event on International Beer Day, Sunday April 7th. The theater would like to award each play selected with a $25 royalty for the playwright.

The content of each script submitted must have to do with beer in some way, shape, or form. The plays will be performed in between rounds of beer tasting and discussion - palate cleansers, if you will. Beer. Play. Repeat. There is no maximum number of submissions per playwright.

Scripts and questions may be submitted to wildbilsky@gmail.com.

Please use the phrase "Beer Play" in the subject line. 

Please submit your script no later than Sunday, February 17th, 2019.

We look forward to reading your submissions, and giving the chosen ones an eager Los Angeles audience!

https://www.littlefishtheatre.org/pond/beer/
https://www.facebook.com/TheLittleFishTheatre/

Philadelphia Women's Theatre Festival 2019

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The Philadelphia Women’s Theatre Festival will take place August 1 -August 5 2019.

PLAYWRIGHT APPLICATION

Please e-mail the site's form, a digital version of your play, a brief introduction letter, and a resume with two references to info@phillywomenstheatrefest.org by March 15th. Playwrights chosen for a staged reading will receive at least one performed staged reading of the play along with response and feedback from industry professionals.

PRESENTED WORK APPLICATION

Please e-mail this form, a digital version of your play, a brief introduction letter, and a resume with two references to info@phillywomenstheatrefest.org by March 15th.

Shawnee Original Playwrights Series seeks one-act and full-length plays

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***Submission fee will be waived if playwright submits hard copies of play, with a copy for each reader/character and the Host/Director.***

Playwrights are encouraged to submit their original works!

Each year, Worthington Players will produce and perform the original work(s) of a playwright(s), chosen by our Executive Committee from among submissions received in our open contest and read before a live audience.

Beginning with the 2017 season, works  produced previously at any theatrical venue are no longer eligible for consideration.

Original Play Submission Requirements

Submissions are now being accepted for the 2020 productions. Plays will be read over the summer of 2019 and the winners will be produced in 2020.

Deadline for submission is March 31, 2019.   

Short Plays Should Include:
  • Page Numbers
  • Brief plot summary & setting description
  • Title on every page (footer)
  • List of all characters with description (M/F, age, etc)
  • # # #  or END to assure that all the pages are included

Full Length Plays Should Include:
  • The Full Play  
  • A 30 Minute selection. This a something that could be presented as a representation of your work to our voting committee.
  • Stage directions
  • Synopsis
  • Anything additional you would like the audience to be aware of
  • Page Numbers
  • Brief plot summary & setting description
  • Title on every page (footer)
  • List of all characters with description (M/F, age, etc)
  • # # #  or END to assure that all the pages are included

Submissions must be accompanied by a submission fee and the Shawnee Playwrights Series Form.

Submission Fees are as follows
$25 for Full Length
$15 for One Act/Short Play

***Submission fee will be waived if playwright submits hard copies of play, with a copy for each reader/character and the Host/Director.***

Click Here For Submission Form

Paper submissions may be mailed to:
Shawnee Original Playwrights Series
The Shawnee Playhouse
PO Box 159
Shawnee on Delaware,  PA  18356

Shawnee places no limits on the genre, style, or length of plays submitted.
Production of Winning Play

Responsibility for final production of the play lies solely with Worthington Players.  The director will be chosen by the Executive staff of the Shawnee Playhouse.   No monetary prize or compensation is paid.

Each year, Worthington Players produces original submitted works of local and surrounding area playwrights.

Friday, February 15, 2019

Relative Theatrics seeks full-length plays

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SUPPORTING NEW PLAY DEVELOPMENT IN THE LARAMIE COMMUNITY WITH A SERIES OF STAGED READINGS OF NEW WORKS

We will accept submissions PDF format only. They may be sent to relativetheatrics@gmail.com.

Please include in the body of the email submission:
-Playwright bio (including current home base)
-Short synopsis of the play
-Approximate run time
-Cast size (must not exceed 5 actors; however, fewer is preferable)
-Confirmation of ability to attend the festival
-A short statement expressing why you feel your play is a good fit for Relative Theatrics

We are looking for full-length plays with an estimated run time from 80 to 120 minutes, a small cast, and a single or flexible set that speak to the mission of Relative Theatrics.

Selected plays will receive a staged reading with qualified actors to assist in the development process and a $50 honorarium. Additionally, plays will be paired with a Wyoming singer-songwriter to write and perform original music inspired by the play.

The playwright must be able to attend the festival in May.

Submission period: February 4 - March 3, 2019

Playwrights Voiced occurs in Laramie May 22nd, 23rd, 24th, & 25th, 2019 in the LPCC Gryphon Theatre.

The Barn Theater Montville NJ seeks one-act plays

DO NOT SEND - THEY HAVE REACHED THEIR SCRIPT LIMIT.

We are looking for original one act plays for our upcoming Solstice Showcase One Act Festival: June 14th - 16th. The event showcases new works of aspiring writers from the NJ/NY area and beyond as well directors and designers.


Thursday, February 14, 2019

Turn to Flesh COCKTAILS & CLASSICS

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Short plays (1-10 minutes), parodies or homages of classical styles, or well-known pieces of art and literature, featuring vibrant roles for women.

Submissions open JANUARY 1, 2019 and close FEBRUARY 28, 2019 at 11:59 PM EST.

Please keep in mind that any plays sent to us outside of our submission window, or outside our play guidelines, will not be read.  (We are not accepting full-length plays at this time.)

Send submissions in PDF to turntoflesh@gmail.com, with subject line "[Cocktails and Classics 2019] Submission: Play Title, Author Name" as well as a brief cover letter.

Announcements regarding future submission dates are made via our Facebook page and other social media.

The 4th Annual A Light in Dark Places seeks plays

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The 4th annual A Light in Dark Places: A Collection of Plays for Hope in accordance with National Suicide Prevention Week seeks short plays.

Selected plays will receive a six-performance run and a $50 prize.

Performances will be the weekends of Sept. 6th-8th & Sept. 13th-15th at the Stella Adler Academy of Acting & Theatre – Los Angeles in Hollywood.

ALIDP is a nonprofit that uses the arts to bring understanding, resources and hope to those affected by suicide. The plays are to explore the theme of Suicide Prevention with a focus on areas such as the experience of living with mental health conditions, healthy conversations about mental health, suicide loss survivors, and resources for those in need.

Please see the accompanying.pdf produced by the American Foundation for Suicide Prevention, which will provide some guidance on how these issues may best be safely addressed.

Up to six plays will be selected from the submissions.

Selections will be announced no later than May 15th, directors will then be assigned, and casting will commence in August. A four-week rehearsal period is expected.

To apply, playwrights must submit an original 5 to 15 page, double-spaced script (previously produced scripts, excluding readings, are not eligible) via email to: submit@alightindarkplaces.org.

Applications must be received by 11:59 PM, Sunday April 14th, 2019.

For further information on A Light in Dark Places, please visit www.alightindarkplaces.org.

For further information on the subject of Suicide Prevention, please visit: www.afsp.org.

For further information about Stella Adler Academy of Acting & Theatre – Los Angeles, please visit:
http:/www.stellaadler.la

https://afsp.org/creating-light-dark-places/

Wednesday, February 13, 2019

Take Ten Festival seeks 10-minute plays

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Between Us Productions is seeking 10 minute plays for its 7th annual Take Ten Festival, April 8th - 14th at the Workshop Theater Company’s Jewelbox Theater.

Winner will receive a cash prize and a workshop of a longer production produced by Between Us Productions. Tech rehearsals are daytime on Monday April 8th & 9th. You will receive 2 performances in the evening April 9th - 12th with possible performances on the 13th & 14th (maximum of 4). Between Us Productions will provide performance space, 45 mins to 1 Hour of tech time, a board op, and general festival marketing.

There is no fee to submit, but there is a $150 fee to participate.

Please note, this is a self-producing festival.

Between Us will provide what is listed above and is happy to connect you with directors and provide guidance. Please submit by email by Sunday, February, 17th.

Playwrights’ Revolution 2019



Please note: SUBMISSIONS FOR 2019 ARE CLOSED; WE HAVE ACCEPTED 350 SUBMISSIONS AS OF JANUARY 16, 2019.

Every summer Capital Stage presents professional staged readings of new works through our new works festival PLAYWRIGHTS’ REVOLUTION. We seek submissions for new plays from December 1 – February 28.

Playwrights and Agents wishing to submit work should refer to our submission deadlines and criteria below.

Please note: Only submissions that follow the steps below will be accepted.

As Sacramento’s leader of bold, thought-provoking theatre, Capital Stage created the PLAYWRIGHTS’ REVOLUTION. This series of staged readings seeks to identify and develop exciting new plays and playwrights. These new works are brought to theatrical life through a series of staged readings performed by professional actors in Capital Stage’s intimate theatre. Capital Stage invites audiences to take part in the new play development process by attending readings and participating in post-reading discussion.

Qualifications

Capital Stage is particularly interested in plays that fulfill our mission to bring bold, thought-provoking work to the region. Plays must be full-length in any genre: comedy, drama, etc. Musicals, translations, collections of one-acts, children’s plays and any play that has received a full-scale, professional production prior to submission are not eligible. Plays that have had a workshop, reading or non-professional production are still eligible. Only one submission per playwright is allowed each year.

The Selection Process

Capital Stage’s competitive selection process consists of two rounds of selection. The first 350 play excerpts submitted during the first round are reviewed. Then, selected playwrights are asked to provide a full manuscript of their play. Finally, Capital Stage invites 4 to 6 playwrights to have their work included in PLAYWRIGHTS’ REVOLUTION.

Preference will be given to those plays that are aligned with Capital Stage’s mission to bring bold, thought-provoking work to our community.

How to Apply

Step 1. Complete the online submission form to provide Capital Stage with information about the playwright and the play.

Step 2. Email your script sample to literarymanager@capstage.org. In order to be accepted, your script sample must be submitted as a single PDF file that meets the following requirements.

File name must be “Author Last Name_Title of Play”
The first page(s) of the file must include: Title of play, character breakdown and descriptions, synopsis of the play
The following pages must be a 10-page sample of the play
DO NOT include the full name of the author on any pages
Please note: Agents submitting on behalf of a playwright may submit full-length manuscripts following these same instructions.

Some recommendations from our literary manager: Make sure that your synopsis sets the reader up to understand what is going on in your sample. Remember that the reader only has this synopsis and the ten pages that you provide to get to know your work, and that is difficult to do if they are confused about the plot. Also, make sure you are submitting the best ten pages of your work! The sample does not need to be the first ten pages of the play; you should select whichever 10-page section you think presents the best argument for why we should want to read the whole thing.

2019 Deadline: Submissions will be accepted only from December 1, 2018 – February 28, 2019. Local, national, and international playwrights are encouraged to submit. Only the first 350 submissions will be accepted.

Thank you for your interest!

Tuesday, February 12, 2019

Kaiser’s Room seeks musical theatre writer(s)

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Kaiser’s Room seeks musical theatre writer(s) to help create our next inclusive, multi-sensory, musical for individuals of all abilities.

Kaiser’s Room intends to create a new show in the Spring/Summer of 2019 utilizing community stakeholders, parents/caregivers, professionals in the cognitive/developmental disability field, and multidisciplinary artists as collaborators to create a show that provides a safe and supportive environment for imagination, connection, and of course fun.

To be considered please submit the following materials:

1) Resumé

2) Cover letter outlining your interest in this particular type of work

3) Writing Sample (no more than 20 pages) AND/OR Links to up to 3 music samples

*If submitting as a writing team please submit #’s 1& 2 for both collaborators.

Kaiser’s Room is a not-for-profit service organization that provides the opportunity for imagination and connection through theatre and dance for students of all ages and abilities. We support the artist community by providing employment that not only is fiscally profitable but feeds the soul. Kaiser's Room cultivates an environment of YES in all programs and interactions by providing safe, supportive, and fun environments for students and artists alike.

East Valley Children’s Theatre (EVCT) is searching for aspiring playwrights

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East Valley Children’s Theatre is searching for aspiring playwrights to become a part of the theatre’s future seasons of performances. Contest rules and prizes are listed below.

  • All plays must be submitted to East Valley Children’s Theatre no later than March 1, 2019.
  • Playwrights must include a cover sheet with name, address, phone number and email address
  • Plays must be suitable for children to perform and for an audience of children. (Plays with small casts are not as likely to be chosen for performance; casts of 15 or more are preferred)
  • Plays must be 60-90 minutes in length. Shorter plays may be submitted but will not be considered for a seasonal theatrical production.
  • Plays and musicals must not have been previously performed. They must be original and unpublished.
  • Musicals must include a copy of the music in either manuscript or audio recording format.
  • Playwrights are not required to pay an entry fee.

* The first place entry will receive a $500 cash prize, a stipend for travel, and will be produced by East Valley Children’s Theatre in its upcoming season, if it meets all the criteria for performance. Second and third place winners will be announced and recognized.

• Winner will be announced in April 2019.

Send entries to:
East Valley Children’s Theatre
P.O. Box 20514
Mesa, AZ 85277-0514
Or email them to: Karen@evct.org
For more information or questions call EVCT at 480-756-3828.

Monday, February 11, 2019

Shellscrape Theatre Co. seeks full-length plays

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Shellscrape Theatre Co. is a fiscally sponsored non-profit company that produces adapted and original work. Based in NYC, we seek to generate radical and deconstructed performances that encourage a revitalized sense of identity.

We are seeking new full length play submissions and proposals for original work for our 2019 - 2020 mainstage season. For our third season, we are focusing on narratives that explore the absolute extremities of human experience. This encompasses stories from many unconventional walks of life and is broad enough to include even the wildest pieces. Please be advised that we are especially interested in female identifying, non-binary, gender nonconforming, playwrights of color, and LGBTQ+ artists.

Email shellscrapetheatre@gmail.com to submit and include in the subject line, "Play Submission". Our deadline for submissions is March 1st, 2019. 

If you have any questions, please feel free to reach out and for more information about our company, visit us at: https://shellscrapetheatrecompany.com/

New Wave Theater Collective "Spring Break" seeks ten minute plays

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We are seeking submissions from writers for our upcoming mixed-media short play festival "Spring Break," taking place at Medicine Show Theater on Friday, March 15th at 7pm. This short play fest is a collaboration with artist Peter Anthony Stults.

THE PROMPT:
Writers will be provided with 4 illustrations by Peter Anthony Stults. They can select any one of the illustrations that speaks to them, and write a 10 minute short play inspired by the image. There are no content or style restrictions--the world is your oyster!

Please email newwavetheatercollective@gmail.com to express your interest in submitting, and we will provide the illustrations!

Submission deadline is Sunday, February 24th at 11pm

Please submit your materials to newwavetheatercollective@gmail.com.

We will be selecting SIX PIECES to showcase. Your piece will be cast and assigned to one of our directors. Rehearsals will be throughout the first two weeks of March.

14th Annual One Act Play Festival (OAPF)

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Presented by Artists’ Exchange
July 11-27, 2019

Submission Guidelines: Plays should be original, short one act plays; ideal length 10-15 minutes with 20-minute maximum. Previously produced plays acceptable. Playwrights may submit up to three (3) plays maximum.

Seeking Short Plays: Comedic, absurd, dramatic, satirical, farcical, musical, etc. are all welcome for review. Works for actors of all ages (children thru seniors) and abilities are strongly encouraged. Selected plays will be performed at Theatre 82 in Cranston, Rhode Island from July 11-27, 2019

Deadline for Submission: All plays must be received by Friday, April 12, 2019. Any plays received or postmarked past April 12th will not be accepted for review. Plays will be reviewed and judged by a panel of community directors and actors on their artistic and technical merits, and collectively decided on whether they are “selected for performance” or “not selected.” Total number of selected plays is TBD, based on factors including number of submissions, length of plays, etc.

Selected Plays for Performance: The One Act Play Festival (OAPF) Panel will finalize and announce all selected plays for performance by the end of May. Playwrights will receive notification only if their play(s) was/were selected for performance, and the selected plays will also be posted on the festival’s webpage. Playwrights will not be notified if their works were not accepted. By submitting works, playwrights agree to allow Artists’ Exchange to produce their play(s) in the festival for the public’s entertainment and benefit with no performance/royalty fees.

Selected Playwrights: Participation is volunteer; no stipends or monetary prizes are awarded to selected playwrights. All monies collected from ticket sales and submission fees will benefit Artists’ Exchange/Gateways to Change, Inc. and the continuation of the OAPF for years to come. Selected playwrights will receive at least two (2) complimentary tickets and recognition in the playbill and festival webpage, including a personal bio and contact information (if provided). Performances are not video recorded.

To Submit: Please send all plays to Artists’ Exchange by physical mail or email and include your contact information and play title(s). Playwrights may only submit up to three (3) plays maximum. Contact Festival Artistic Director Jessica Chace with any questions or communications at jessica.chace@artists-exchange.org.

By Mail:
Attention: One Act Play Festival Submission
Artists’ Exchange
50 Rolfe Square
Cranston, RI  02910

By Email: In Subject line, please write “One Act Play Festival Submission: [Your Name]” and send to Jessica Chace at jessica.chace@artists-exchange.org.

Contact Information:
Jessica Chace, Artistic Director OAPF
jessica.chace@artists-exchange.org
www.artists-exchange.org 

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