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Saturday, December 29, 2012

Mixed Blood submission guidelines

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Mixed Blood welcomes submissions of contemporary plays that pursue and realize the company’s mission and aesthetic. Mixed Blood uses theatre to address pluralism, usually manifest in race, culture, language, disability, gender, nationality, affectional orientation, and political worldview. Predictably unpredictable, the theatre particularly invites polyglot plays, scripts from the global stage, and work that advances the art form. We prefer e-submissions.

If you think you play might be a good fit for us, please send a query letter, your bio or resume, a brief synopsis, and a 10-page sample of your play to the Mixed Blood Literary Manager - literary@mixedblood.com

Our Mission


Mixed Blood Theatre, a professional, multi-racial company, promotes cultural pluralism and individual equality through artistic excellence, using theater to address artificial barriers that keep people from succeeding in American society.

Our Vision
To be the definitive destination where theater artists and audiences representing the global village can create and share work that spawns a ripple effect of social change and revolutionizes access to theater.

Our Core Values
Pluralism
Mixed Blood’s programming, audience, artists, board and staff model a plurality of coexisting peoples that makes the broadest range of human differences acceptable to the largest number of people.

Excellence
The company’s evolution is toward better programs and operations that ensure artistic excellence, operational efficiency and financial solvency.

Egalitarian
Mixed Blood offers an environment of transparency and consideration that is in keeping with the company’s mission of individual equality.

Predictably Unpredictable
Mixed Blood advances its artistry and mission through the selection and production of bold, new, and risk-taking programming.

Broad Focus
Mixed Blood connects its decisionmaking to a broader perspective by asking and answering “how does each significant decision advance Mixed Blood, its communities, and the regional theatre movement?”

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