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Sunday, February 4, 2024

Water’s Rising Festival of New Climate Action Plays

Website

Deadline: February 12, 2024
Gloucester, MA 

Submission online

Gloucester Stage is seeking full-length plays with themes concerning climate change. Although coastal climate change is at the top of mind here, we are open to all plays tackling any theme of climate action.
Unproduced plays will take priority, but fully-produced work can also be submitted. 3 plays from the submitted pool will be selected by the Literary Team for the weekend of performances. Once selected, we will find a local director who shares a similar interest and aesthetic for the piece. Casting will be decided amongst the director, playwright, and GSC’s Artistic Director.

By pairing art with advocacy, we can deepen our connection to our earth’s future.
Each play will be paired with a climate expert(s) to keynote the talkback after each performance, addressing the themes of the theatrical piece, highlighting organizations that are taking action, and elaborating on how it affects Gloucester and the global landscape.

Play Submission Form
Submissions are due Monday, February 12, 2024. You will be notified by Friday, March 2 as to whether or not your play has been chosen for a reading.

The readings will take place between Thursday, April 25 – Sunday, April 28, 2024. We would love to have the playwrights participate in the festival weekend, either virtually or in-person, so please note your availability when applying.

Gloucester Stage is committed to upholding the work of local authors and stories from under-represented communities. Learn more about our action steps on Equity Diversity and Inclusion.

Saturday, February 3, 2024

Reading Series at Playhouse on Park in West Hartford, CT 2024

Website

Deadline: February 14, 2024

Submit plays through this Google Form

No late submissions will be accepted.

IMPORTANT INFO:

Playwrights MUST be able to come to West Hartford to attend the staged reading and the audience discussion that follows. There will be a rehearsal on the day of the reading in which attendance by the playwright is optional but strongly encouraged. Transportation may be provided from NYC or New England locations by the Playhouse. Readings will be on select Sunday nights throughout the season at 7:00 pm.

Playreading dates TBD

We will choose FIVE plays for readings for the 2024/25 season. Final selections will be made by May 1st, 2024.

Submission Guidelines:

● BIPOC, LGBTQIA+, womxn, Latinx, and differently-abled artists are strongly encouraged to submit

● We are seeking FULL-LENGTH plays. No musicals or One-Acts at this time

● We are only seeking plays with small casts (4 or fewer actors), particularly 2 or 3 character casts.

● Include any production or workshop history, as well as biographies of the playwright, and any collaborators. Please let us know if this play has had an equity reading within the past 6 months.

● Playwrights may self-submit or go through a literary agent.

● Connecticut-based and NYC playwrights are strongly encouraged to submit

● Please do not submit any plays that have already been submitted to Playwrights on Park in the past.

● Any submission that goes against the above guidelines will be automatically disqualified.

🌟 NYCPlaywrights Zoomers ~ membership available 🌟

NYCPlaywrights Zoomers meets each Monday from 7 - 9:30 PM to read plays, with professional actors.

You can join us - a couple of slots available starting in February.

Or sit in on a session for free.

For more information:

Thursday, February 1, 2024

Festival of Ten XIV ~ 14th Biennial Festival of Ten-Minute Play

Website

Deadline: March 15, 2024
Or until they reach 500 submissions

SUBMISSION FORM

The Department of Theatre and Music Studies at SUNY Brockport is pleased to announce its 14th Biennial Festival of Ten-Minute Plays.

Brockport’s Festival of Ten began in 1999, and every two years since then audiences have enjoyed these performances consisting of 10 ten-minute plays. Our Festival of Ten has grown over the years and now has an International reputation, with playwrights from as far away as Australia. For each festival we accept 500 submissions, ultimately selecting ten to produce. Plays can be submitted beginning February 1, 2024, until March 15, 2024, or until we reach 500 submissions.

Submission Guidelines
  • All plays will be submitted online. Submitted plays should have the name of the playwright removed.
  • Each script must have a running time of 7–14 minutes.
  • Only original scripts allowed.
  • Maximum of two scripts per playwright.
  • Plays that have been read or performed in any manner for a paying audience prior to submission are not accepted.
  • Plays written by current Brockport Department of Theatre and Music Studies faculty and staff (full and part-time) are not accepted.
  • Entries will be acknowledged via email.
  • Only the first 500 scripts received will be considered.
  • The top ten scripts will be produced in fully realized productions as part of the SUNY Brockport’s Festival of Ten XIV (February/March 2025).
  • Finalists will be notified by November 30, 2024.
If you are unsure how to format your play, view this sample format for an example. If you have questions or need more information, please email festivalof10@brockport.edu.

To submit a play click the button below when submissions are accepted (February 1 – March 15, 2024). If you are submitting more than one play, please create a separate submission for each one.

Wednesday, January 31, 2024

Spring 2024 Online and In-Person Classes at Primary Stages ESPA!

Spring 2024 classes at Primary Stages ESPA are open for enrollment! We’re excited to announce online AND in-person writing, acting, and directing classes. Here are just some of the classes in our lineup of opportunities in the writing department:

The First Draft - In-Person and Online!

Instructors:

Gina Femia (Writer, Kilroy’s List and Leah Ryan Prize honoree)

Matthew Paul Olmos (Writer, a home what howls at Steppenwolf this season)

Caridad Svich (Writer, OBIE Winner for Lifetime Achievement)

This class will guide you through the development of your first draft, providing concrete deadlines, constructive feedback, and a collaborative environment to get your ideas on the page.

Rewriting Your Draft

Instructors:

Calamity West (Writer, Roundabout/Underground, The Goodman, Williamstown)

Stefanie Zadravec (Writer, The Electric Baby)

As soon as you finish your last line of dialogue, the need for rewrites begins. This class will help you tackle the revision process and develop a stronger version of your play.

Fundamentals of Playwriting

Instructor: Tasha Gordon-Solmon (Writer and Director; Faculty, NYU Tisch Dramatic Writing Program)
Build a toolbox of the fundamentals, so your first play (and each play you write after that!) can be built on a strong foundation.

Writer’s Lab - In Person!

Instructor: Mêlisa Annis (Writer, Director, and Dramaturg; Faculty, NYU Tisch Dramatic Writing Program)

Run like a professional playwriting group, this class will give you the community and support you need to move your play forward.

Screenwriting

Instructor: Daniel Talbott (Writer, "The Conners"; Artistic Director, Rising Phoenix Rep)

Explore the components of screenwriting, particularly focusing on structure, form, and language, and begin to develop a first draft of your screenplay.

The Business of Theater

Instructor: John Gould Rubin (Artistic Director of The Private Theatre, Creator and Director of Turn Me Loose)

This 5-week class is for theater artists of any discipline to learn about theater as a business in order to produce your own work and better understand the priorities for your work no matter your role within a production.

Classes begin in February. Start and end dates vary. Click here for the full list of writing classes.

Our award-winning faculty, comprised of working professionals in the field, provides practical skills and expert guidance in a collaborative community atmosphere.

Primary Stages ESPA provides students easy and convenient payment plans to break up tuition. For more information, call 212.840.9705 x215 or email espa@primarystages.org.

Tuesday, January 30, 2024

Cut to the Chase one-act play festival

Website

Deadline: February 22, 2024
Or they receive 400 plays

DO NOT SEND - THEY HAVE RECEIVED 400 PLAYS

Submissions are now open for the 21st Cut to the Chase one-act play festival, presented by The Artistic Home Studio. A staple of Chicago’s theater community for over two decades, Cut to the Chase presents six new plays, showcasing moment-to-moment acting in an intimate theater space.

This year’s Cut to the Chase will celebrate the theme: face to face. 

 Performances will take place May 2 - May 5, 2024 at The Den Theatre in Chicago.

Play Submission Should Meet The Following Requirements:

- One-act plays of no more than 12 minutes 

- Previously unproduced in Chicago

- Writers are asked to send only one play, choosing their most  appropriate script for this festival

- Writers are encouraged to submit plays that generally fit this year’s theme: face to face

- Plays will be chosen in part on their ability to provide a range of voices and an opportunity for showcasing a diverse cast

- Please include play title and playwright’s name on the script

Submission Deadline: February 22, 2024

(A maximum of 400 plays will be read.)

Send PDF submissions or questions to: CTTCplays@gmail.com

The Realm's Scratchpad Series 2024

Website

Deadline:  Monday, February 5th, 2024 at 11:59pm EST

Scratchpad Series opens The Realm’s doors to early-career playwrights from across the country, deepening our ability to do what we do best: listening to what playwrights need, and giving it to them. 

Whether it’s a place to hear a rough draft aloud for the first time, space to fine tune a more mature work, or time to focus in on a particular aspect of a piece, The Realm aims to provide playwrights with what they need to thrive. Scratchpad is a chance for The Realm to engage with an entirely new group of playwrights each year, erasing limitations of geography or access by identifying and inviting playwrights from across the country to participate.

A paid developmental process of up to one week culminating in a reading (internal or public, at the writer’s discretion) of the Play.

Professional collaborators, such as a director, cast, and The Realm’s artistic staff. The Realm will facilitate introductions to directors and will work with a casting director to help you find a cast as needed.

Dramaturgical development and discussion with the Realm’s artistic staff prior to and following your reading.

Professional development guidance and industry introductions.

Scratchpad is planned as an in-person process, for which the Realm will provide support for the Playwright’s travel and housing.


Who We're Looking For

We love plays with evocative language, plays that contemplate big, unanswerable questions, that are intellectually curious, embrace the complexity of life, and demonstrate an understanding of the possibilities of dramatic storytelling. And of course, plays that are inherently theatrical—that could never be anything other than a play!

As a playwright-centric company hoping to help create the next generation of successful playwrights, we believe it is our responsibility to ensure that the playwrights and the stories we support fully reflect the diversity of the society we live in. As such, we encourage writers and stories with unique cultural perspectives, experiences and backgrounds. With Scratchpad in particular, we aim to help artists break through any barriers that may exist—geographical, economic or otherwise—bringing voices and stories as diverse as our country to work with us and hopefully one day be seen on stages far and wide.

With regards to Scratchpad, preference will be given to projects that can’t be served by the Realm’s Writing Fellowship (i.e. musical projects, playwrights who do not live in the greater NYC area etc.)

“The Scratchpad series at the Playwrights Realm not only helped me in growing and enriching my work, but also provided professional contacts and resources that were previously unavailable to me. My one week workshop resulted in an enormous leap forward in my play Ballad of the White Tiger, and the subsequent reading led to inquiries about my work from organizations that I had been previously unsuccessful in reaching.”

Are you our next playwright?

Monday, January 29, 2024

CAFÉ ROYAL CULTURAL FOUNDATION PERFORMANCE GRANTS

Website

Deadline: February 6, 2024

Café Royal Cultural Foundation awards performance grants to individuals and groups focused on the production of theater, music, dance, and performance art.

Performer(s) applying must be a United States Citizen or Resident Alien and a resident of New York City and have lived in New York City for a minimum of one year prior to applying and plan to be a resident through the completion of their project.

If your performance is a play, it must be a full production. Readings will not qualify.

To ensure that each submission receives the attention it deserves we will be only accepting 40 application for each of our categories.

Submissions: Our Winter 2024 Grant cycle is currently open and ends on Monday February 6th, 2024 at 9:00 am Eastern Time or when reach our limit of 40 applications, which ever comes first.

Sunday, January 28, 2024

Jane Chambers Award 2024

Website

Deadline: February 5, 2024

SUBMISSION FORM

The Jane Chambers Playwriting Award recognizes new feminist plays and performance texts created by women and genderqueer writers for the stage that present a feminist perspective and contain significant opportunities for female performers. We welcome plays that experiment with form and/or that feature non-binary characters. This annual award is given in memory of lesbian playwright Jane Chambers who, through her plays A Late Snow, Last Summer at Bluefish Cove, My Blue Heaven, Kudzu, and The Quintessential Image, became a major feminist voice in American theatre.

This award is administered by the Women and Theatre Program (WTP) in partnership with The Association for Theatre in Higher Education (ATHE).

Authors and nominators need not be ATHE members. Self-nominations are welcome. In order to be considered plays should have been written recently but do not need to have premiered. However, to qualify as “new” for this contest, any premiere or publication needs to have occurred no more than 18 months prior to the submission deadline. Playwrights may submit only one play per year.

A shortlist of finalists will be publicized on the ATHE website by the third week in June, followed by the announcement of the Winner by July 20, annually. The winner will receive an award of $1K from the WTP Program, up to $500 towards travel expenses (reimbursement), conference registration and two nights in the conference hotel from ATHE.

Student Submissions should be sent separately and directly to the Student Coordinator per the WTP website and student guidelines. All guidelines must be followed–including sending the play to the current coordinator’s address–to be considered.

For questions about the Jane Chambers Playwriting Award, contact Subcommittee Chairs Jennifer-Scott Mobley and Maya Roth, or, if you are signed in, via the 'contact' form.

For Information about the Student Jane Chambers Award, please contact the student coordinator.

Heartland Theatre Company seeks 10-minute plays about ghosts

Website

Deadline: February 1, 2024

Heartland Theatre Company is seeking eight 10-minute original plays to be considered for production in June of 2024 as part of our 21st annual 10-Minute Play Festival. This year, the theme is GHOSTS.

PLEASE FOLLOW THESE RULES:

1. Your play must fit the theme – GHOSTS – or it will not be considered.
2. Your play must fit our theater and its performance space.
3. We require internet submissions in MS Word or PDF.
4. When formatting your play, we ask that you follow our style sheet.
5. We are looking for NEW plays. Please do not send us anything that has previously been produced.
6. Your play must contain at least two (2) characters, but no more than four (4).
7. Heartland Theatre Company has a pool of actors ranging in age from 18 to 80. Make sure that your characters can be played by actors within that range.
8. Your play should consist mainly of dialogue, not monologues.
9. No children’s plays, musicals, or plays which were previously chosen as winners in any Heartland Theatre playwriting competition will be considered.
10. Do not put your name on the play itself, as submissions are judged blind. Make sure your title and page numbers appear on every page of the play, however.
11. Please read and consider the Judging Criteria.
12. Those plays which win and are staged will be videotaped for archival purposes.
13. No contracts beyond the guidelines mentioned here will be offered.
14. Only one entry will be accepted from each playwright.
15. Your play must be written in English.
16. Keep your play under ten minutes in length.
17. Remember that something has to happen in those ten minutes.
18. MAKE IT GOOD!

All entrants must complete and submit the
Heartland Theatre 10-Minute Play Entry Form.

Your play must be in the theme GHOSTS or it will not be considered. You must attach your script in MS Word format (preferred) or PDF when you send the entry form.

If you have any questions, please email playfest@heartlandtheatre.org

DEADLINE FOR ALL ENTRIES IS FEBRUARY 1, 2024. Finalists will be notified approximately mid-March. Winners will be announced approximately mid-April.

YOU will be notified if your script is a finalist or selected for performance. Winners will be posted on this web page, but the playwrights of those scripts not selected will not be notified. We appreciate the efforts of all playwrights who submit their scripts.

2024 10-MINUTE PLAY FESTIVAL PERFORMANCES:

May 30,31 & June 1,2 | 6,7,8,9 | 15,16,17 | 13,14,15* – 2024

*Two performances June 15

Saturday, January 27, 2024

Go Try Play Write January 2024

Website

Deadline: January 31, 2024

Google Docs submission form

We're proud to announce a new monthly playwriting contest in collaboration with Bamboo Ridge Press. Every month, Kumu Kahua's artistic director Harry Wong III will select a writing prompt on the first day of that month. We're looking for 5-page monologues or 10-page scenes based on that prompt; the due date for submissions are always the last day of the month. All entries must be written in traditional play format; instructions on this format can be found here (https://www.dramatistsguild.com/script-formats), courtesy of the Dramatists Guild.

There will be one winner each month. Scripts will be submitted to the judges anonymously. Winners will receive $100 and a subscription to Bamboo Ridge Press. Woo!

January 2024 prompt: A New Year’s resolution prompt. 

Write a ten (10) page maximum scene or a six (6) page maximum monologue of the first challenge to a person’s New Year’s resolution. It’s a resolution that the character has made, and you should choose whether they succeed or fail when confronted.

Winning entries will be performed/read by actors, filmed, shared via social media, and archived on Kumu Kahua Theatre and Bamboo Ridge websites.

Gulfport Community Players Summer 2024 One-Acts

Website

Deadline: March 15, 2024 
or the first 300 scripts (whichever comes first)

The Gulfport Community Players is accepting submissions for the Summer 2024 One-Acts. Established in July 2000, the Summer One-Acts is the longest-running one-act competition in the Tampa Bay Area. We accept submissions from authors who reside in the United States of America. We read all plays that are correctly submitted. Entries are judged anonymously.
  • Running time 5 to 15 minutes maximum
  • New and never produced in the Tampa Bay Florida area
  • No adaptations, children's plays, monologues, or musicals
  • Family-friendly, no nudity or foul language
  • Cast size 6 maximum
  • Simple staging, set pieces, and costumes
  • You can submit up to three plays
  • Scripts should be written for stage not for film or digital recording
  • No entry fees.
SUBMIT ELECTRONICALLY ONLY:: include a cover page with author's contact information, telephone, mailing address and email. Refrain from including a resume. You should attach a SEPARATE PDF attachment of the play and eliminate any author information from all script pages. Include the number of characters, character breakdown, and synopsis of the play on the first page.

SUBMIT TO: gulfportplayers@gmail.com

Do not send any plays via US mail. They will be disqualifed.
Stipend of $50 will be paid for any one act that we produce
All applicants will be notified of decisions by April 15, 2024
Plays will be presented July 11-21 at the Hickman Theater of Gulfport
Audience members vote for their favorites
Awards are presented in August 2024

Friday, January 26, 2024

Hendersonville Theatre 2024 One Act Play Festival

Website

Deadline: March 1, 2024 at 11:59 PM EST

SUBMISSION VIA GOOGLE DOCS

Hendersonville Theatre seeks new one-act plays for our 2024 One Act Play Festival. The Festival runs August 23-25, 2024. Submissions are due by March 1st at 11:59 pm EST.
About the Festival

A selection of 8-15 finalists will be performed on stage.

Production and performances will be supervised by Hendersonville Theatre’s Education Director, Beth Norris, utilizing the talents of Hendersonville Theatre’s actors.
About Hendersonville Theatre

Hendersonville Theatre is a critically acclaimed non-professional theatre company dedicated to the support and growth of all artists who participate in the collective imagination that is theatre. Since 1966, Hendersonville Theatre has provided an inviting and nurturing environment for live theatre and high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas.

Festival Submission Guidelines
  • Submissions are due by March 1st at 11:59 pm EST.
  • The scripts that are submitted must be the final version.
  • Playwrights may submit either a one-act play between 60-75 minutes or up to three ten-minute plays.
  • Plays that are submitted should feature six actors or less.
  • Scripts with minimal set, costume, and prop requirements are preferred.
  • One entry per person. If you attempt to make multiple submissions, Hendersonville Theatre will only consider one entry.
  • Plays must be unpublished and must not have had a professional production.
  • Plays must be submitted electronically in PDF format or as a Word document.
  • We will not be considering any musicals, screenplays, or theatre for young audiences’ scripts for this festival.
  • We will not consider any direct or near-direct adaptations for this festival. Adaptions are a complete retelling of the original work, and changes such as setting, context, or perspective will be allowed.
Online submissions will receive a confirmation email.

Notification will be made sometime in late Spring 2024.

If chosen, playwrights will receive a standard Dramatists Guild-approved contract. They will receive two complimentary tickets to the festival and recognition in the playbill and festival webpage, including a personal bio. Participation is voluntary; playwrights will receive no stipends or monetary prizes.s.

Hendersonville Theatre reserves the right to change the festival’s rules at anytime.

Submitting a script assumes that the playwright agrees to the festival guidelines.

Questions? Email dakotamann@HVLtheatre.org.

Hendersonville Theatre reserves the right to reject any script for any reason. Hendersonville Theatre reserves the right to determine the ineligibility of a winner.

BY SUBMITTING THE MATERIAL, THE APPLICANT HEREBY AGREES TO INDEMNIFY, HOLD HARMLESS, AND DEFEND THE FESTIVAL, ITS EMPLOYEES, DIRECTORS, REPRESENTATIVES, AND AFFILIATES FROM ANY LIABILITY, CLAIMS, AND DAMAGES IN CONNECTION WITH THE SUBMISSION AND FROM ANY FEES AND EXPENSES, INCLUDING BUT NOT LIMITED TO REASONABLE ATTORNEYS’ FEES, THAT ANY OF THEM MAY INCUR IN CONNECTION THEREWITH.

Thursday, January 25, 2024

THE ROAD THEATRE’S UNDER CONSTRUCTION PROGRAM

Website

Deadline: February 10, 2024

Submissions are open through FEBRUARY 10th. The program will start on or about the first week in March. The LIVE program will meet on WEDNESDAY evenings at THE ROAD THEATRE in North Hollywood and the virtual on ZOOM with Day to TBD once the group has been selected. The program will run through NOVEMBER/DECEMBER. We meet bimonthly to start and then move into meeting once a week. Live readings will be scheduled in 2025.

Requirements:

1) Please submit 20 pages of a play that you have previously written.

2) Then submit an idea…the play you want to write over the 9- month commitment. Be prepared to “pitch” that idea if selected for the ZOOM interview.

3) In your submission, please also include a short bio about yourself and if you are interested in the live group (which meets in North Hollywood) or the virtual/Zoom group. 

Please send submissions: underconstruction@roadtheatre.org.

4) Being available to participate in person. We all know stuff comes up but for the program to be successful you need to be there.

We will hold ZOOM meetings with our finalists the final days of FEBRUARY. ALL PLAYWRIGHTS who have submitted will be notified about the final decisions of the committee. Please note that you need to be available to participate and be available as a member of UC by showing up for yourself and your fellow playwrights. If you CANNOT make the commitment, please reconsider applying for this year.

Wednesday, January 24, 2024

Asian Story Theater seeks work from BIPOC playwrights

Website

Deadline: February 1, 2024 Noon PST

A new collaborative theater project is looking for up to 10-minutes or 10 pages from qualifying BIPOC writers. 

At least 10 selected scripts will be featured in an online showcase for directors working with Asian Story Theater, San Diego Black Ensemble, Teatro Máscara Mágica, and additional theaters of color in San Diego, Los Angeles, and the bay area. 

We are looking for SMART and FUNNY material, the more creative the better. Material may include original music, standup, spoken word, screenwriting. Edgy politics are welcome, adult humor, even puppets. 

Pieces selected for this reading will receive $100

There is no fee to apply. 

Please submit online by NOON ON THURSDAY, FEBRUARY 1, to INFO@ASIANSTORYTHEATER.ORG. 

Include contact info and a short paragraph about yourself.

This showcase is part of the developmental phase of a two-year program to develop new material around a political, social justice issue. Winning writers, and potentially other writers submitting material, may be invited to work adapting one of our stories, themes, or characters, or to propose a relevant story of their own. This showcase is to get our attention by sharing something you’ve done, a glimpse of your style and voice to help us guess what you might do with us going forward.

Thank you for considering this invitation. We look forward to reading your work!

Masque & Spectacle open for 10-minute plays

Website

Deadline: January 31, 2024

Masque & Spectacle reads submissions for its bi-annual issues November 1 – January 31 and May 1 – July 31. Submissions received outside of this time period will be automatically deleted. Responses can be expected within a month. Acceptance rate is around 10%. Submissions not titled/tagged or formatted or properly under the Submissions Guidelines will not be considered for publication.

We do not accept previously published work, and we ask for First Electronic Rights and Non-Exclusive Archival Rights upon acceptance. Unfortunately, we are unable to pay contributors at this time.

Simultaneous submissions are accepted, but please let us know if your work has been accepted elsewhere.

For any queries, please contact us at masqueandspectacle@gmail.com.

We welcome 10-minute plays (up to approximately 10 pages in length). No full-length plays will be considered at this time.

While traditional plays are welcome, we are particularly interested in innovative and/or interdisciplinary texts that break new ground, either in relation to their subject matter, or in how the text itself is performed/written/represented on stage.

Playwrights may submit one previously unpublished 10-minute play for consideration. The script should be accompanied by a cover letter, which includes your name, address, phone number, and email address. Proper playwriting format should be used. If you are uncertain about this format, several examples can be found online.

Send drama submissions to masqueandspectacle@gmail.com. Attach written submissions in a single Word doc or docx file, and include the word “DRAMA” in the email subject line.

Monday, January 22, 2024

The Playwrights Group ~ the Weekly Workshop

                
The Weekly Workshop

Join our nationwide community of playwrights on Zoom. 

It’s a great way to stay connected and motivated.

Participating in a weekly workshop can give you the kick you need to see your script through from beginning to end.  You can bring in anything you’re working on — a full length script, a musical, a TV pilot, whatever. And when your script is ready — we’ll present it in a Public Reading. We also bring in Guest Speakers, like Pulitzer Prize winner Margaret Edson (Wit). 


Sit in on a session and see for yourself!

Tuesdays or Thursdays 7 - 9:30pm EDT

Check out our website for more details and rates. 


Script Consultations


If you don’t have time for the workshop but have a script you’d like some feedback on — just send a PDF of your script and you’ll get a critique via email and/or video conference. See website for rates. 

Richard Caliban has worked with  individuals on their scripts from all over the world — Indonesia, China, Greece, Australia, Serbia, as well as right here in New York. A script consultation will provide you with feedback on the structural soundness of your story, the dramatic arc of your protagonist, thematic unity and much more.


Online One-on-One Courses


If you’re looking for more, check out our One on One Online Playwriting Courses:

       The Art of Playwriting

       Write a Play in 10 Weeks


Both are with instructor Richard Caliban, and since it’s One on One, the courses can be adjusted to fit your level of experience.

Please visit our website for further Info and Rates: 

www.theplaywrightsgroup.com



Contact us at 

scripts@theplaywrightsgroup.com

Sunday, January 21, 2024

Jakespeare One-minute Play Festival

Website

Deadline: January 31, 2024

Jakespeare Theatre Company is interested in one-minute plays that play in the sci-fi genre, including (but not limited to): aliens, time travel, future worlds, advanced technology, and space travel!

We welcome comedies, dramas, and everything in between!

Plays should be (mostly) family-friendly.

Length/Character/Format

Your play should be no more than 60 seconds in length.

​Please type in a basic font (Arial, Helvetica, etc), size 12, single space, and run no longer than 1-1.5 pages.

​We request you have no more than 4 characters in your play, and sets/costumes/props are minimal.

Submissions

We will only accept one submission per playwright.​

There is no cost to submit your work.

There is no financial compensation for submission, nor if your play is selected.

The playwright retains all rights to their work.

Dates

Submissions are open until 11:59pm on Wednesday, January 31st.

Selections will be announced in March.

Performances will take place in Summer 2024.

Follow the link below to submit your play!

Saturday, January 20, 2024

Glass Ceiling Breakers: 2024 A Festival of Short Plays and Films by Women Artists

Website

Deadline: January 24, 2024 11:59PM

GCB 2024 is scheduled for June 14, 15 and 16, 2024 at the Philipstown Depot Theatre in Garrison NY.

Submission guidelines for films can be found on Film Freeway where all films must be submitted:: https://filmfreeway.com/GCB

Films selected for Best of the Fest will have an additional screening at the Bedford Playhouse in Fall of 2024

Submission guidelines for plays:

● Plays must be written by female or female identifying playwrights.

● Plays should be no more than 12 pages (excluding the title page) in standard play format. Type size (12) with 1” margins. (longer plays will not be read)

● Save File as follows in PDF only: LAST NAME_TITLE OF PLAY_GCB24

● Please only submit plays that have not been produced in Westchester or Putnam Counties NY from June 2023 to June 2024. Readings are ok.

● All plays must be received by 11:59pm on January 24, 2024.

● Playwrights may submit up to 2 plays.

● Monologues are accepted but we prefer plays. Monologues should not be more

than 3 pages.

● BIPOC playwrights are strongly encouraged to submit.

Playwrights will be informed in mid-March

Plays can be submitted here: https://forms.gle/4QrFhRRTPLZf1Ynv7

If selected, playwrights are responsible for producing their play. There is no compensation for plays or films. Theatre Revolution may provide some production assistance (not financial) in some or all of the following areas: casting, directing, rehearsals, props, etc.

In all cases, Theatre Revolution will provide limited set pieces, lighting and sound equipment, and production staff.

There will be a mandatory pre-production meeting via ZOOM for all playwrights or their representatives in March 2024. Questions? Email us. theatrerevolution1@gmail.com We are looking forward to reading your work!

Learn more about us at www.theatrerevolution.org and on Facebook and Instagram

HERE ARTIST RESIDENCY PROGRAM 2024

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Deadline:  February 1, 2024 at 3pm EST 

One of the most robust residency programs in the country and serving as a national model, HARP provides a commission, developmental support, career planning, and an opportunity for a full production to cross-genre artists within a collaborative environment of peers working across disparate art forms – including theatre, dance, music, puppetry, visual art, and new media. Each HARP artist receives significant long-term support of $125,000, which includes $50,000 in cash and more than $75,000 in equipment, space, and services over 2-3 years to tailor each residency to each artist’s individual needs.

With the launch of URHERE (our new digital and outdoor platform), HERE has expanded our HARP cohort to include digital and outdoor artists. Selected artists will partake in a 1-2 year residency to create digital native and/or outdoor works that will premiere on URHERE. URHERE HARP residents will receive $50,000 ($25,000 in cash and $25,000 in equipment, space, and services) over 1-2 years. Through significant investment of time and resources, dynamic work within a strong community is created.

Throughout the year, we offer a window into the creative process of the artists in our nationally recognized HERE Artist Residency Program (HARP). Watch for RAW / Resident Artist Works to catch these fresh in-process works!

While in residence, the artist or team’s residency is linked to a specific project in development and an exploration of ideas and processes intrinsic to their artistic growth. HERE believes that artists must be in control of the work that they create. This control goes hand in hand with a responsibility to participate in all phases of their artistic projects from inception through all development stages to full production. HARP is designed to respond to the ideas and needs of its artists.

The artists must be proactive in bringing those ideas and needs to HARP and each other; they shape workshop and discussion offerings, create performances, and work with HERE staff to publicize and promote HARP events. We expect our artists to be both good citizens of the HERE community as well as ambassadors to the public.

Artists retain ownership of all work initiated, developed, or workshopped during their residency. For the projects that go to full production, HERE and the artists will negotiate a separate rights agreement. However, in all public materials about the artist or team, the following must appear: "(Name of Artist or Team) was/is a member of the HERE Artist Residency Program (HARP), 20 __ - 20__, NYC", and in all public materials relating to the work’s development, the following line shall appear: “Development of (Name of Work) was made possible through the HERE Artist Residency Program (HARP), 20_ - 20_, NYC." For works that go to full production, the following line shall appear: “(Name of Work) was commissioned, developed, and produced through the HERE Artist Residency Program (HARP), 20_ - 20_, NYC.”

Selection Criteria:

HARP is designed to assist individual artists or collaborative teams (writers, performers, composers, directors, designers, dramaturgs, puppeteers, choreographers, singers) working in a multi-genre form in live performance. Multi-genre form refers to the full integration (not just as backdrop) of two or more genres (theatre, dance, music, puppetry, media, and visual art) in the work.

We define an appropriate artist/team for our program as one who has:

Completed their education within the last 8-15 years.

Had at least a few significant residency or commissioning opportunities.

Created a body of work over at least 5 years & at least one full evening-length work.

Earns some income from their art practice.

Never been selected as a HARP artist.

Artists must also meet the following criteria:

The artist or team are residents of the NY metro area

The artist, team, and collaborators are fully vaccinated and willing to participate in whatever testing protocols HERE utilizes to ensure the health and well-being of the performing ensemble.

The artist or team finds themselves at a point in their career where they are developing a distinctive form/style/content of work or are interested in stretching the previously accepted boundaries of their work by experimentation.

The artist or team is interested in actively participating in the HERE community and in a peer-based program to exchange resources, ideas, critique, and support.

The artist or team are proposing a project that is very early in its development process, meaning at its inception and has not been previously workshopped, and any underlying rights for pre-existing material for the project have already been secured.

Additionally, we believe that diversity is extremely important within the makeup of our residency program and actively pursue this diversity both from the work itself in terms of genre and content and in the background of the artists.


Timeline:

Information Session: Monday, November 27, 2023 5:30 - 6:30pm EST

Application Due Date: Thursday, February 1, 2024 at 3pm EST

Final Decisions Announced: Friday, April 12th, 2024

Residencies Begin: April, 2024


Selection Process Overview:

Applications are at first reviewed by the HERE Programming team to ensure they are complete (we might reach out if there is missing information).

Next, the applicant-selected panels will then review all applications and rank them in relation to our guidelines. The panels will then discuss the projects, rerank and recommend the finalists.

The HERE curatorial staff (who do not serve as voting panelists) - Remi Harris and Amanda Szeglowski - will then meet with the finalists and make a final decision on which 2-3 artists will be invited to join the community of existing resident artists.


Send any questions to programming@here.org or call 212-647-0202 x 320.

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