Website
Thank you for your interest in submitting your play to us at Kervigo! We have received an overwhelming amount of submissions and are therefore temporarily closing our open submissions.
However, in alignment with our constant evaluation we have found that Global Majority Writers (Writers who identify as Black, Indigenous, and/or People of Color) are still vastly underrepresented in our database of writers. Therefore, we are leaving this submission process open for writers who identify as such until we have a majority of Global Majority Writers represented in our submissions.
If you do not identify as a Global Majority Writer, please do not submit your written work with us at this time and continue to check this page for updates on when we will be opening up submissions again.
What are we looking for?
-New or reimagined work (play or musical)
-Hasn’t had a full production in New York
-Would benefit from development (whether it’s a reading, workshop, production, or anywhere in between)
-Written by a person of the Global Majority
-Centers at least one of the following:
Women, Non-Binary, and/or Gender Nonconforming Characters
LGBTQIA+ Characters
Characters With Varying Access Needs
Global Majority Characters
To submit, please fill out this Google form. In it you will be asked for:
-One PDF packet that includes, in this order: 1) brief synopsis with the piece’s development and/or production history, if any, 2) character breakdown, 3) brief statement answering the question, “Why Now?” and 4) current draft of the script. For musical submissions, please include the libretto with lyrics, and at least two song demos. Please remove any identifiers such as your names, pronouns, location, etc. in all parts of your packet, and name your packet after the title of your piece (ex. if your play is called 1234, name your packet 1234).
We never post opportunities that require a submission fee. LEARN MORE.
Showing posts with label global majority. Show all posts
Showing posts with label global majority. Show all posts
Thursday, January 13, 2022
Subscribe to:
Posts (Atom)
Blog Archive
-
▼
2026
(366)
-
▼
September
(34)
- Qutub Minar seeks short plays for its October 2026...
- Obsidian seeks short work for publication
- AUTHENTIC 10 SHOWCASE seeks 10-minute plays
- Open: Journal of Arts & Letters seeks drama submis...
- Sesame Street Writers Room 2027
- Prism Community Players 4th Annual Playwrights Scr...
- Pegasus PlayLab 2027
- Queer Scare 10-minute Play Festival
- Scenes from the Staten Island Ferry 2026
- Mouths of Babes Theatre Company (MoB) is now accep...
- 46 Minutes Collective Mixed Bag show
- Gene Frankel Theatre Festival seeks one-act and sh...
- The 29th Magazine seeks short plays for February 2...
- Free tickets - THIS IS NOT A DRILL
- Mini Plays Review seeks short plays and monologues...
- Northern Michigan Asylum Playwriting Contest
- KNOW THEATRE 23RD ANNUAL PLAYWRIGHTS AND ARTISTS F...
- The Dorothy and Lewis B. Cullman Center for Schola...
- Radcliffe Institute Fellowship 2026
- Black Cat Theatre seeks full-length scripts
- Utah Shakespeare Festival Words Cubed seeks full-l...
- Runway Theater seeks Vignettes for Valentines
- Playing Ace: A New Asexualities Play Festival seek...
- Propsect Musical Theater Lab seeks writers for ann...
- Apricity Magazine open for short play submissions
- UMBRELLAS FOR FISH seeks one-minute plays
- DRURY UNIVERSITY ONE-ACT PLAY COMPETITION
- Madlab Theatre Roulette 2027 seeks short plays
- The Soliloquist Journal seeks soliloquies
- Clockhouse opens for submissions for Volume 14 (su...
- Savage Wonder seeks 10-minute plays or musicals
- Complimentary tickets available: IS THIS THING ON?
- Premiere Stages seeks full-length plays
- 10th annual PlayGround Solo Performance Festival
-
▼
September
(34)