web site
Named in honor of Elliott Hayes, the former dramaturg and literary manager at The Stratford Festival and a dual citizen of Canada and the USA, this award recognizes excellence in dramaturgical work on a specific project over the past two years. Eligible projects may include, but are not limited to, production, season planning and implementation, educational programming, or advocacy for the profession.
The recipient of the 2018 Elliott Hayes Award, presented at the annual LMDA conference, will receive $1000 US.
There is no application fee. Applications will be evaluated through a blind submission process. The application is open to all.
Applications will be accepted from July 13, 2017 through October 6, 2017 at 11:59 PM EDT. All applicants will be notified of the panel decision and the winner will be notified by January 19, 2018. However, the public announcement will be embargoed until the presentation of the award at the LMDA Conference in Summer 2018.
Application Guidelines
1. For the purposes of this application, if you self-identify as a dramaturg, you are a dramaturg. If you come from a culture that does not view dramaturgy as separate from other parts of the creative process, or does not have a word for dramaturgy, and you feel your work fits within the rubric above, please contact me at awards@lmda.org to speak further.
2. All applications must meet the above-mentioned standards for eligibility.
3. Only one application per person.
4. Although we welcome applicants from anywhere in the world, the application must be in English.
5. The application must be a minimum of 500 and a maximum of 4000 words. The will be no reward for brevity nor punishment for length. Within the already stated boundaries, the essay should be exactly as long as it takes for you to make a strong, clear, and cogent argument for the nomination you are putting forth.
6. At this time, we do not have the capability to review secondary materials such as videos or slideshows. Although their inclusion will not disqualify an application, they will not be reviewed. No letters of reference are needed - nor will they be read if sent. As well, please do not include a resume in your application, as we are concerned with only the strength of your proposal and what currently engages you, not your history.
7. In order to facilitate the blind submission process, you must provide two separate documents in.doc or.docx format - the first discussing the work with no identifying information (including the name of the work, your name or the name of the person you are nominating, or the city, state or country in which the event took place. In other words, nothing can be included which is searchable on Google or any other search engine. The phrases "the work”, “the director”, and “the process” are all fine substitutes. The second document will include all of the identifying information not present in the first, including your name and contact info or the name and contact information of the person/work you are proposing. Your application will be reviewed by a panel of dramaturgs who represent the extraordinary talent and diversity found within our profession. As VP of Grants and Awards, I am the only person who will see the identifying information, and the panelists will not know the identity of the winner until after a decision has been reached.
8. Although you are welcome to propose the work of others, that other person must be known to you, you must have had a real-life interaction with said person, and you must be able to provide contact information for them.
9. Any project you propose cannot have been completed on or before December 31, 2016. It is fine if the project is still underway. Ideally, it should be completed by June 15, 2019, though exceptions may be made for extraordinary work.
10. Each project may only be proposed once for the Elliott Hayes Award. While there is no limit to the number of years in a row one can apply (see Note below), each year must feature a new project.
11. The winner of the award must appear at two conferences, either in person or virtually (using an application such as Skype.) The first appearance would be to accept the award, and the second to present it to the next year’s winner.
12. The winner of the Elliott Hayes Award is required to sit on the next year’s adjudication panel.
Note: If you have won or received a special commendation for the Elliott Hayes Award, you may not reapply for three years.
If you have any further questions, feel free to contact me (Brad Rothbart, VP of Grants and Awards) at awards@lmda.org
We look forward to reading your applications.
To Submit:
Send your essay without identifying information in .doc or .docx format per the instructions here and a separate .doc or .docx with all of the identifying information outlined here to eha@lmda.org.
If you don't receive an acknowledgement of your application within 48 hours, please contact lmdanyc@gmail.com.
We never post opportunities that require a submission fee. LEARN MORE.
Saturday, August 26, 2017
Blog Archive
-
▼
2017
(660)
-
▼
August
(44)
- Cooperative Performance call for submissions
- Irvington Town Hall (NY) Theater Stage Door Playwr...
- Seeking Provocative new Plays: The Owl and Cat The...
- SUBMISSIONS FOR STILL CRAZY: PART 2
- Sky Cooper New American Play Prize
- BETC’s New Play Development Program
- Urban Stages: SMALL CAST PLAYS
- Slingshot Reading Series
- Därkhorse Drämatists “Tales from the Script”
- Halloween Play Opportunity
- NEO Ensemble Theatre is accepting one act plays
- Four Quarter Theater seeks 10-minute plays
- Elliott Hayes Award for Outstanding Achievement in...
- New Ideas Festival 2018
- Manhattan Repertory Theatre is seeking fully produ...
- Residency - Writers Omi at Ledig House
- Blackboard Plays submission guidelines
- University Settlement Artists-in-Residence program
- Online Writing Classes at Primary Stages ESPA!
- Soundwork Monologue competition
- Cecile’s Writers Magazine seeks plays
- Ticket give-away: COME LIGHT MY CIGARETTE
- Theatre Roulette 2018
- Discount tickets: COME LIGHT MY CIGARETTE
- Billie Burke Ziegfeld Award 2017
- FUNHOUSE II SCRIPT SUBMISSIONS: Original theatre i...
- Fellowships for Creative and Performing Artists an...
- La Mama Experiments Play Reading Series
- Woodside Players of Queens Fall 2017 Play Festival
- Small Fish Radio Theatre Annual Horror Show 2017
- HERE Artist Residency Program
- The First Draft at Primary Stages ESPA!
- Henley Rose Playwriting Competition For Women (Kno...
- The Yale Drama Series is seeking submissions for i...
- Ivoryton Playhouse Women Playwrights’ Initiative
- An evening of Monologues & Shorts
- Lakeshore Players Theatre Active Voice: Staged Rea...
- Fall Writing Classes at Primary Stages ESPA!
- NAUGHTY READINGS - Lowell MA
- Villa Ruffieux Residency Valais Switzerland
- MILDRED and ALBERT PANOWSKI Playwriting Competition
- Players Theatre Short Play & Musical Festival - Bo...
- The Ten-Minute Musicals Project
- 2017 Playwrights and Artists Festival
-
▼
August
(44)