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Monday, March 25, 2019

Theatre Travels is currently looking for one-act plays or musicals

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Theatre Travels is currently looking for ONE ACT (90 minutes MAX, 30 minutes MIN) Plays, Plays with Music or Musicals.

We welcome emerging and professional writers to submit their scripts.

Please note, we only accept final drafts that are ready for production.

To submit your ONE ACT play for a new initiative, please email mich@theatretravels.org

Before March 30th 2019

Please note - for the time being we are not accepting any shows that exceed one act (between 30 and 90 minutes). Within the one act we are open regarding genre, style and form. If the play includes music or if it is a musical, please note that on the cover page to attach to your form below.

Due to the overwhelming response, we will only be able to be in touch with playwrights with whom we would like further information from. We thank everyone in advance for their submission.

Please ensure that the following page is attached to your submission: (see online here)

Ten-MInute Musicals Project

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Annual Competition Guidelines

Since the inception of The Ten-Minute Musicals Project, over sixteen hundred submissions have been received, from librettists, lyricists and composers in fifteen nations: Australia, New Zealand, Canada, the United States, Uruguay, Ireland, England, France, Denmark, Germany, Italy, Egypt, Israel, Saudi Arabia, and the Ukraine.
Stories 1.0 is the full-length musical comprised of works selected in the first several rounds. Several works in Stories 1.0 were workshopped in San Francisco, New York City, Miami, and Nashville over the years. Individual segments have been independently workshopped in Dallas, Chicago, London, and Boston.

SEEKING: Complete original stage musicals which play between seven and twenty minutes. Works which have been previously produced are acceptable, as are excerpts from full-length shows, if they can stand up on their own.

MUSICAL STYLE AND THEATRICAL FORMAT: Any musical style: pop, rock, C&W, show, opera, etc; or theatrical format: comedy, mystery, drama, etc.

CAST SIZE: Maximum of ten performers—five women and five men.

SUBMISSIONS SHOULD INCLUDE THE FOLLOWING:

1. A printed script. (Note: printed on paper; not sent as a computer file on disk.) And please make sure your POSTAL ADDRESS appears on it.

2. Lead sheets or piano score. (This need not be at all elaborate; very basic is fine.)

3. A CD or DVD of either the entire piece or just the musical material.

4. A stamped self-addressed large envelope if you want the work returned. (Submissions from outside the USA should enclose four INTERNATIONAL RESPONSE COUPONS to cover postage. These can be obtained at your post office.)

CONCERNING THE ABOVE, PLEASE NOTE:  NO ELECTRONIC SUBMISSIONS -- HARD COPIES ONLY

DEADLINE: Simply postmarked by August 31st. (Do not waste money on overnight express, registered, or certified mail. All that's requested is that the package be postmarked by August 31.) Response will be by November 30th.

FINANCIAL REMUNERATION: $250/US royalty advance for each piece selected, with an equal share of licensing royalties when produced.

SEND TO:

The Ten-Minute Musicals Project
Michael Koppy, Producer
P.O. Box 461194
West Hollywood, CA 90046 USA

Sunday, March 24, 2019

The Chameleon Theatre Circle's 20th Annual New Play Festival

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Submission Deadline: April 30, 2019

The Chameleon Theatre Circle (located in the Twin Cities area in Minnesota) is seeking original works that have never been produced.  All styles and genres are welcomed (i.e. one-acts, musicals, full length dramas, etc.).  The winning plays are scheduled to be showcased in a concert-format festival in the fall of 2019.  All shows submitted will automatically be placed on the slate of shows in consideration for the 2020/2021 season by the Season Planning Committee.

SUBMISSION GUIDELINES
We are proud to announce that for the 20th consecutive year we are not charging a submission fee!  To enter you must complete an entry form, which can be found on our website at www.chameleontheatre.org/newplay, and submit it along with three (3) copies of each script to the address below.  We request that copies of the plays be printed double-sided to save on paper, mailing costs, and storage.  If you are submitting a musical, also include 3 copies of the music on a CD or flash drive.

Do not bind any author identification with your scripts.  We will distribute the scripts “blind” to our readers for complete objectivity.  Include the show’s title on at least the first bound page.  Once the winning scripts have been chosen, we will disclose the playwrights’ identity to our readers (and the world).

We do not accept plays that have been previously produced.  We do accept plays that have had workshops and other readings.  Receipt of play(s) will be acknowledged by e-mail only upon request.  Scripts are non-returnable.

As in past years, this year’s contest will have multiple categories.

TEN-MINUTE PLAYS
Three to five winners will receive $25 each plus a reading at the New Play Festival.  All short plays will be entered in this contest.  Generally, scripts of about 15 pages or less will fall into this category.

ONE-ACT
One to three winners will receive $50 each plus a reading at the New Play Festival.  Any play that can be joined with one or two other shows of similar length to make up a complete evening of theatre will be entered in this contest.  Generally, scripts of about 20-60 pages will fall into this category.

FULL-LENGTH
One to two winners will receive $100 plus a reading at the New Play Festival.  Any play that can constitute a complete evening of theatre will be entered in this contest.  It is important to note that these shows can be one, two, or more acts, as long as it makes up a complete evening of theatre.

MUSICALS
If five or more musicals are submitted, the theatre reserves the right to create a “musical” category.  Musicals are defined as any original play using original or rights permitted musical dialogue to further the story and/or the characters.  Winners, if any, will be awarded a prize amount based on the length of the musical i.e. full-length, one-act, and 10-minute.  In the absence of enough qualifying scripts, or if the theatre determines not to create an additional category, any musical will be entered into the appropriate category as defined above.

THEATRE-FOR-YOUTH
If five or more plays intended for and/or by youth are submitted, the theatre reserves the right to create a “theatre-for-youth” category.  Theatre-for-youth plays are defined as any original play intended for young audiences, young participants, or both.  Winners, if any, will be awarded a prize amount based on the length of the play i.e. full-length, one-act, and 10-minute.  In the absence of enough qualifying scripts, or if the theatre determines not to create an additional category, any theatre-for-youth submission will be entered into the appropriate category as defined above.

OVERALL CONTEST WINNER/AUDIENCE FAVORITE WINNER
At the theatre’s discretion, we reserve the right to designate or not designate an “Overall Contest Winner” from any category and an “Audience-Favorite Winner” from any category at the conclusion of the New Play Festival.  No additional prize money is awarded, just bragging rights.

Each playwright may submit up to two plays in any combination.  Please submit three (3) copies of each script (plus 3 copies of the music on CDs or flash drives for musicals) and the required entry form(s) by April 30, 2019 (in hand, not postmarked by) to:

The Chameleon Theatre Circle
20th Annual New Play Contest
7287 153rd St W # 240069
Apple Valley  MN  55124

The 2019 Glassco Translation Residency

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Playwrights’ Workshop Montréal, in partnership with the Cole Foundation, is now accepting submissions for the 2019 Glassco Translation Residency. The residency will take place June 12-22, 2019 at Fletcher Cottage, home of the late Bill Glassco, in Tadoussac, Quebec.

The Glassco Translation Residency allows playwrights and translators from across Canada and beyond to come together for ten days in Tadoussac, Quebec, to work in-depth on their translation projects.

The chosen participants are provided with a unique opportunity to focus on their projects and to share expertise in a retreat environment. Translations into all languages are welcomed. Over the past 15 years we have supported translation projects into Cantonese, Catalan, Cree, English, French, Innu-aimun, Italian, Portuguese, Spanish, Tamil and Urdu . Award-winning translator and playwright, Bobby Theodore, will serve as residency host and translation dramaturg.

We are now accepting submissions of plays that are slated for translation. The play should ideally have had a production in its original language. At least one component of the project needs to be Canadian. We strongly encourage Indigenous artists to apply.

Please send us:

A description of the project which includes the name of the translator and playwright, an indication of how the Residency will benefit the project, and any details on production interest.
Biography of both the playwright and translator
A copy of the play in its original language
One of the selection criteria for translation projects will be the availability of both the playwright and the translator to attend the residency together.

An honorarium of $750 is offered to each participant. In addition, all costs for travel, meals and accommodation are covered.

Submission deadline: April 1, 2019
Please email submissions (PDF format, 1 file only) to residency@playwrights.ca
Subject line: The 2019 Glassco Translation Residency

Accessibility details: The residency is in Tadoussac, Québec in an 18th century log home. There are 8 steps down to the entrance of the house. The bathrooms are not wheelchair accessible. Please contact Emma Tibaldo at emma@playwrights.ca with any questions or queries.

Saturday, March 23, 2019

Theatre Conspiracy Annual New Play Contest 2019

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Entry fee waived for members of The Dramatists Guild, but proof of membership is required in email or snail mail.

Theatre Conspiracy is now accepting submissions for its Annual New Play Contest between December 2018 and March 2019. All works submitted will be read and judged by a panel of qualified theatre teachers, directors and performers. Work submitted to the contest must be a full length play with seven actors or less and have simple to moderate technical demands. Play having up to three previous productions are welcome. No musicals please, as we are a tone deaf theatre company.

First place winners receive the Janet and Bruce Bunch Play Contest Award, $700 and a full production. However, it is our goal to produce more than one entry each year.

Guidelines:
To submit electronically, email your script to tcnewplaycontest@gmail.com. To send via snail mail, send complete script and check to the Alliance for the Arts ATTN: Bill Taylor 10091 McGregor Blvd. Fort Myers, FL 33919.

Include biography of the playwright and character breakdown

If submitting through snail mail and you would like to have the script returned, please include a self-addressed stamped envelope (SASE). If not, include SASE for results.

We charge a nominal fee of $10 for submissions. If you are submitting a hardcopy of your script, please make checks payable to the Alliance for the Arts. Do not mail cash. Entry fee waived for members of The Dramatists Guild, but proof of membership is required in email or snail mail.

Deadline for submissions is postmark date of March 30, 2019. Do not spend $20 to overnight or second day your script. Save your money!

Send your best script. One entry per playwright, per year.

Shawnee Original Playwrights Series seeks one-act and full-length plays

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***Submission fee will be waived if playwright submits hard copies of play, with a copy for each reader/character and the Host/Director.***

Playwrights are encouraged to submit their original works!

Each year, Worthington Players will produce and perform the original work(s) of a playwright(s), chosen by our Executive Committee from among submissions received in our open contest and read before a live audience.

Beginning with the 2017 season, works  produced previously at any theatrical venue are no longer eligible for consideration.

Original Play Submission Requirements

Submissions are now being accepted for the 2020 productions. Plays will be read over the summer of 2019 and the winners will be produced in 2020.

Deadline for submission is March 31, 2019.   

Short Plays Should Include:
  • Page Numbers
  • Brief plot summary & setting description
  • Title on every page (footer)
  • List of all characters with description (M/F, age, etc)
  • # # #  or END to assure that all the pages are included

Full Length Plays Should Include:
  • The Full Play  
  • A 30 Minute selection. This a something that could be presented as a representation of your work to our voting committee.
  • Stage directions
  • Synopsis
  • Anything additional you would like the audience to be aware of
  • Page Numbers
  • Brief plot summary & setting description
  • Title on every page (footer)
  • List of all characters with description (M/F, age, etc)
  • # # #  or END to assure that all the pages are included

Submissions must be accompanied by a submission fee and the Shawnee Playwrights Series Form.

Submission Fees are as follows
$25 for Full Length
$15 for One Act/Short Play

***Submission fee will be waived if playwright submits hard copies of play, with a copy for each reader/character and the Host/Director.***

Click Here For Submission Form

Paper submissions may be mailed to:
Shawnee Original Playwrights Series
The Shawnee Playhouse
PO Box 159
Shawnee on Delaware,  PA  18356

Shawnee places no limits on the genre, style, or length of plays submitted.
Production of Winning Play

Responsibility for final production of the play lies solely with Worthington Players.  The director will be chosen by the Executive staff of the Shawnee Playhouse.   No monetary prize or compensation is paid.

Each year, Worthington Players produces original submitted works of local and surrounding area playwrights.

CITY LIT ART OF ADAPTATION FESTIVAL (Chicago)

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To submit a proposal for entry into the festival, send a .pdf copy of your adaptation script to Katy Nielsen at AofA@citylit.org.

Proposals must be submitted no later than April 8, 2019. Selections will be announced by April 15, 2019.

City Lit Theater will present THE ART OF ADAPTATION on Friday, Saturday, and Sunday, May 31, June 1 and June 2, and is currently soliciting for pieces for the festival. Submitting playwrights may be located anywhere, but a connection to Chicago is strongly encouraged.

City Lit staff will select six to eight adaptations, each of which will be awarded $200.00.

The selected adaptations will be given two performances over the course of the weekend with performances on Friday and Saturday night and a marathon of all pieces on Sunday. A panel of judges will view the Sunday performances and award an additional $300 cash prize to the adapter of the piece judged the best of the festival.

The deadline for submissions is April 8, 2019.

THE ART OF ADAPTATION takes place at City Lit Theater, in the historic Edgewater Presbyterian Church building at 1020 W. Bryn Mawr Avenue. The performance schedule is Friday, May 31 and Saturday, June 1 at 7:30 pm and Sunday, June 2 at 3:00 pm.


THE RULES:

1. The piece must be 20 minutes or less. If it exceeds the 20-minute limit, it will not be eligible for the prize.

2. The piece must be an adaptation of non-dramatic material—a short story, an essay, a memoir, poetry, an excerpt from a novel, a video game, and so forth; but not material from a play.

3. The piece must be a world premiere adaptation.

4. The adapter is responsible for any royalties that are due for the piece, as well as for any rehearsal or production expenses. City Lit does not provide rehearsal space prior to tech rehearsal, and does not provide the services of a director or any actors.

5. The piece submitted must be the piece performed - no drastic changes can be made to the script after it is accepted.

6. Each piece selected will be performed on the same simple festival set with the same simple light plot. A stock of furniture will be provided. The adapter is responsible for all scenic elements, furniture, costumes, etc.

7. City Lit has a stock of furniture, costumes and props that is available to adaptors. Adaptors must provide a $20 deposit for any stock used. The deposit will be returned in full when all items are properly returned.

8. City Lit will provide the performance space, festival stage lighting, backstage and front-of-house crew, publicity, programs, tickets and the cash prizes.


How to submit

To submit a proposal for entry into the festival, send a .pdf copy of your adaptation script to Katy Nielsen at AofA@citylit.org. Proposals must be submitted no later than April 8. Selections will be announced by April 15th.

Curtis Theatre Page to Stage Playwright’s Festival

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The Curtis Theatre announces a call for submissions to the inaugural Page to Stage Playwright’s Festival. This year's theme, “That’s What She Said”, aims to provide a platform for the female voice. Staged readings will run August 30 – September 1, 2019.

Page to Stage will feature one-act and full-length plays. The deadline for submissions is April 15, 2019.

Submissions are open to all playwrights with an emphasis on Southern California based artists. Writers interested in submitting plays should send finished scripts to PagetoStage2019@gmail.com with “Festival Play Submission” and the play title in the subject line. Included in the e-mail should be the playwright’s name, contact information, and a two-sentence synopsis of the play. There is no submission fee.

The purpose of the Page to Stage Playwright’s Festival is to nurture new plays and new playwrights by working with local burgeoning writers and to showcase their works for audiences in our community. Selected plays will be presented as staged readings on the Curtis Theatre stage as part of the 2019/2020 Season. The Curtis Theatre will also use the festival to find and develop material for future seasons. Authors whose manuscripts are selected will receive an honorarium, a written critique from a professional dramaturge, a DVD of the staged reading, and participation in a post-show audience discussion.

The 2019 festival is produced in partnership with Project La Femme. Project La Femme is committed to creating art that challenges dialogue while promoting and amplifying artists who produce socially engaging art projects. Their mission is to create and explore images and definitions of women through diversity, inclusiveness, and honesty.

Pre-submission writers' workshops will be offered in the evenings on February 21 and April 4, 2019. Actors' auditions are scheduled for August 5 & 6, 2019. Anyone interested in directing, designing, or volunteering for the festival, please contact Heather Enriquez by April 15 at HeatherG@cityofbrea.net. More information will be available on the Curtis Theatre Facebook page or by joining the Curtis Creative Collective Facebook group.

The mission of the City of Brea’s Curtis Theatre is to entertain, inspire, and connect our diverse community through exceptional performing arts programs, premium facilities, and professional staff. All readings, rehearsals, and workshops will be at the Curtis Theatre, located in the Brea Civic and Cultural Center, 1 Civic Center Circle in Brea.

Friday, March 22, 2019

BMI Theatre Workshop

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Deadlines
Composers/Lyricists: August 1, 2019.
Librettists: June 1, 2019.

Applicants will be notified by August 21, 2019.


Composer: Three contrasting compositions - uptempo, comedy song, ballad. Please include copy of score which includes lyrics.

Lyricist: Three contrasting lyrics in PDF format - uptempo, comedy song, ballad.

Composer/Lyricist: Three contrasting songs - uptempo, comedy song, ballad. Please include copy of score which includes lyrics.

Note that if you apply as a composer and a lyricist, you will be accepted as one or the other (that is, as either a composer or a lyricist) and you will be assigned different collaborators over the course of the year. If you apply as both a composer/lyricist and a librettist and are accepted as both, you will spend your first year as a composer/lyricist only, as the two groups meet at the same time.

Auditions
Select applicants will be invited to audition in early September. Librettist are accepted on the basis of their written materials and are not required to audition.

At the auditions, composers and composer/lyricists will be asked to perform at least two contrasting theatrical compositions; lyricists will be asked to recite samples of their theatrical lyrics. All auditions must be done live, using a piano.

Program upon Acceptance
The Workshop runs September through May in New York City. Prospective members must make their own living arrangements in the city or be able to commute weekly.

During the first year, composers and lyricists are paired off and are asked to create appropriate songs based on scenes from various sources. The writers perform their assignments, which are then discussed by the other writers and the moderators. There are analyses and discussions of current and past musicals, with an eye to understanding form and structure. Every effort is made to insure that each writer retains his or her individual style.

In the Workshop’s final phase (Second Year), teams work on a musical. The Workshop functions as a forum and a sounding board for works in progress, as music and lyrics are critically evaluated and open dialogue is encouraged.

At the end of each Second Year, the Workshop Committee determines which writers from the group are invited to join the Advanced Workshop. Not everyone is asked. This Workshop is intended for writers of professional caliber who are expected to contribute to the vitality of the musical theatre scene.

Schedule
The First Year Workshop meets Monday at 6:15 p.m. The Second Year Workshop meets Tuesday at 5:30 p.m. The Advanced Workshop meets Monday at 4:00 p.m.

Fees
There is no fee to apply for or participate in the BMI Lehman Engel Musical Theatre Workshop.

Parish Players THE TENS FESTIVAL 2019

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The Parish Players in Thetford, Vermont seeks 10-minute plays
  • Types of Plays: Comedies or Dramas must be no more than 10 minutes in length. 
  • Setting: Interior Living Room  
  • Deadline for Submission: May 1, 2019
  • Notification of Selection: July 1, 2019
  • Performance Dates: November 7, 8, 9 and 10 (matinee), and 14, 15, 16 and 17 (matinee)
Producers: Toni Egger, Alison Marchione and Linda Neubelt

How to submit:

Format: PDF ONLY!

Titles: Name your PDF file with the title of the play, a hyphen, and your own last name: Hamlet-Shakespeare, for example, only this play would be too long...

Email Subject Line:  Make the title the subject line of your email.

Send Scripts to: Pancho@ParishPlayers.org no later than 12:01AM EDT, May 1, 2019

Please Note: No more than one script per playwright. We prefer new, unproduced plays; however previously produced and already published original plays will be considered.  We will also give preference to "local" (New England) playwrights. We will have only one set this year: the living room. Make sure your play works in this setting.

Questions: Please email Pancho@ParishPlayers.org with the subject line: TENS QUESTION.

Thursday, March 21, 2019

Jumpstart a New Play with Winter Miller at Primary Stages ESPA

Sometimes it’s inevitable: writers just get stuck. This 2-day workshop will inspire you to get cracking on your next play.

Instructor: Winter Miller (Writer, In Darfur at The Public)
Saturday, April 6 and Sunday, April 7
1:00pm – 5:00pm both days

This class might be for you if:
  • You have an idea for a new play and want to get a strong head start. 
  • The stories inside you won’t come out, and you desperately need a jumpstart.

In this class you will:
  • Take on stimulating writing exercises and share ideas aloud in class on the first day. 
  • Build on these exercises on the second day, using them to begin the exciting process of starting a play. 
  • Bypass intellect, harness spontaneity, and get those emotions flowing.

By the end of this class you will:
  • Be jolted out of writer’s block and well on your way to creating a new play. 
  • Have a stash of new writing exercises in your pocket for the next time you find yourself stuck. 
Primary Stages ESPA provides students easy and convenient payment plans to break up tuition. For more information, call 212.840.9705 x215 or email espa@primarystages.org.

Theatre Travels is currently looking for ONE ACT (90 minutes MAX) Plays or Musicals

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We welcome emerging and professional writers to submit their scripts.

Please note, we only accept final drafts that are ready for production.

To submit your ONE ACT play for a new initiative, please email

mich@theatretravels.org

Before March 30th 2019

Please note - for the time being we are not accepting any shows that exceed one act (and 90 minutes). Within the one act we are open regarding genre, style and form. If the play includes music or if it is a musical, please note that on the cover page to attach to your form.

Due to the overwhelming response, we will only be able to be in touch with playwrights with whom we would like further information from. We thank everyone in advance for their submission.

Please ensure that the following page (online here) is attached to your submission.

Jewish Plays Project 2019

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The Jewish Plays Project (David Winitsky, Artistic Director) is excited to announce the opening of Project Submissions for future Jewish Plays Project Seasons.

SUBMIT PLAY HERE

AN IMPORTANT NOTE: SUBMISSIONS ARE OPEN TO ARTISTS OF ALL BACKGROUNDS, DENOMINATIONS, FAITHS, CREEDS, RELIGIONS and other IDEALS. We believe that Jewish identity and culture are specific manifestations of universal human cravings for spiritual, ethical, moral and worldly joy. “Matrilineal descent” is neither important nor necessary.

SUBMISSION DEADLINE: Starting in 2019, the Jewish Plays Project now accepts scripts for new Jewish plays and musicals on an open, rolling basis – there is no submission deadline. 

SUBMISSION PROCESS: Fill out the Project Application Form and attach a play to the form as a PDF. Your play must be submitted with your name and identifying information removed (all plays are reviewed blind). We do not charge a fee to submit (cause we kinda think submission fees are lame).

Submitted plays and musicals will be considered for:

Jewish Playwriting Contest: our national, community-powered search for the most exciting new Jewish plays;

Artist Shabbats: small-group, private sessions focused on one new play;

NYC Readings: public and industry presentations in prominent NYC venues of new plays and musicals that are ready for production;

OPEN: Festival of New Jewish Theater at the 14th Street Y: our ever-changing showcase of new work at our East Village NYC home.

Renegade Readings: rapid response readings for new plays in critical stages of development.

MUSICALS: The JPP does develop musicals (see our workshops of David Hein and Irene Sankoff’s Mitzvah and Deborah Yarchun’s And You Shall Be a Blessing). Submitted musicals must include links to recordings of at least 3 songs to be reviewed.

ELIGIBILITY: The following must be true of a submitted play or musical:

It contains significant Jewish themes, characters, content, or points of view.

It is not a Holocaust play (stories that deal directly with the history of the Shoah, its survivors and their children, or the World War II period more generally).

It does NOT fall into the beloved category of "ethnically stereotypical comedy" (No 'Yiddishemammeh" plays, no "My Afternoon With Bubbe", no "Jewlicious")

It is in English, or primarily in English – we love plays that play with language as a theatrical tool, and plays that explore the differences in language. It just needs to be primarily accessible by an English speaking audience.  (We welcome translations).

It is full length, meaning over 75 minutes in length.

It has not had a full production in the NY Metro region, or a major regional theater (LORT C or above).

The play has never been published in any form.

Wednesday, March 20, 2019

MadLab seeks full-length plays

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To maximize your chance of selection, please read all the guidelines carefully before submitting.

At MadLab, we love reading new full length plays and we desperately want to read yours!

The nitty gritty about submitting your brilliant baby to the Lab:
All submissions should be sent to submissions@MadLab.net.  Please use “MadLab 2019 Season” as your subject.

We’re not picky about what format your script is in (though the standard Dramatist’s Modern Stage Play format is most welcome), so send us what you got as a Word or PDF attachment. Do not send us links to anything - we’re not going to click them.

Please be sure to include your name, address and contact information on your title page.

The submission window opens 3/13/19 and closes when we receive 500 submissions.

Season decisions will be made by the end of 2019. While we would love to follow up with every playwright individually, we receive too many submissions to make this happen. If you don’t hear from us, we’re sorry and please submit again in the future.

We are only accepting 500 submissions with a maximum of 2 plays per playwright.

Plays should have a run time no shorter than 70 minutes and no longer than 2 hours 15 minutes.
Please do not send us 45 page 1-acts or that 200 page beast you’ve been tinkering on for the last five years.  They will not be read.

We are currently not accepting Children’s Theatre pieces, One Act Collections or Musicals.  Not that we don’t appreciate them, they’re just not up our alley right now.

Please proofread your script before sending it to us. We hate to be “those people”, but nothing will get your script put down faster than a your/you’re or a to/too typo.
You will be Paid!  MadLab currently pays playwrights $200 up front and 10% of ticket sales payable after close of show.

“But what are you looking for?”

What makes a play a “MadLab” play?  Like obscenity, it’s hard to define, but we know it and love it when we see it.  Here’s a few tips as to what we like to produce and what our audiences have come to expect:

Plays with a strong Point of View.  Our audiences expect to not only be entertained for an evening, but to leave the theatre with something to think about and remember.  We want to read plays from and for the marginalized and forgotten. We love new takes on old problems. We adore speaking Truth to Power.

Good Stories with Vibrant Characters.  Now, any play can have that strong POV, but the special ones show us that through strong storytelling and equally strong characters.  So, mesmerize us with your craft and enchant us with your characters. Bonus points for well written female characters and casts that give an accurate representation of our multiracial society, as well as those that challenge the concept of binary sexuality.  We’re not saying we won’t produce your play about 10 white suburban dads and their annual golf outing, but…

Plays that are Visual.  Ok, we’ll be completely honest – we are on a shoestring budget as far as sets/costumes go, but we’ve been doing this for 20+ years and we love an artistic challenge.  MadLab is a 75 seat converted garage black box theatre, so plan accordingly. But challenge us. You’d probably be surprised what we’re capable of.

Plays that are modern. We definitely respect your historical masterpiece, but if your play involves iambic pentameter or greek gods it’s probably not our speed.

Make us Laugh.  We’ve been told we have an “offbeat” sense of humor.  We’ve also been told we may require psychological counseling.  Be bold in your comedy writing, don’t worry about offending us (or our audiences), and never be afraid of being silly.

Make us Cry.  See above.

Heck, do both with the same play.  Always the best option to our way of thinking☺

Thanks for your interest.  Good luck with your submission, and regardless of the outcome here, be sure to keep writing and producing new works.

10-15 MIN PLAYWRITING COMPETITION - “SYNTROPY: THE SPIRIT OF LOVE"

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Have you ever felt something calling you forward: a purpose towards which you are striving, something you were meant to achieve or become? Did you know that the same principles of physics that describe causality have a second solution, one that describes how the present is influenced by future purposes just as it is influenced by past causes?

In 2015, the ICRL Press published a book by Ulisse Di Corpo and Antonella Vaninni that describes the phenomenon of syntropy, the complementary principle to entropy. We at the International Consciousness Research Laboratories (ICRL) regard this book, “Syntropy: The Spirit of Love,” as a vital resource for raising awareness of the phenomenon, and are seeking to expand our efforts into the performing arts.

We invite you to submit a script to the inaugural run of the “ICRL Playwriting Competition.” For this event, we are soliciting one-act scripts that can help raise awareness of the principle of syntropy, and its role in human experience. Of the submissions, three scripts will be selected for monetary awards of $50 (third place), $100 (second place), and $200 (first place). Depending on quality and suitability, the first place winner may be contracted to write a full-length play on the subject.

Also, if there are a sufficient number of quality submissions that are well-aligned with the message of “Syntropy: The Spirit of Love,” ICRL will select (approximately) five additional winners to create a one-acts production to be performed at a theater in the greater Baltimore region.

Competition Rules:

  • Scripts will be assessed based primarily on their ability to raise awareness of the principle of syntropy as described in Di Corpo’s and Vaninni’s book. This means the script should: a) clearly relate to and illustrate this topic; and b) do so in a way that will capture and retain an audience’s attention and interest.   Additional information about the book can be found here.
  • Plays should be approximately 10-15 minutes in duration.
  • Aside from the above-mentioned focus on syntropy, there are no limitations on genre or style.
  • Each playwright may submit up to two scripts.
  • There is no entry fee to submit scripts.
  • While there aren’t strict formatting requirements, scripts that are difficult to read will be viewed less favorably (i.e. don’t hurt your chances by making your work difficult to follow).
  • Submissions will be judged blind, so scripts must not contain the playwright’s name or other identifying information.
  •  Scripts are to be submitted electronically to submissions@icrl.org no later than 11:59 pm (east coast, GMT-5) on March 30, 2019. In the submission email, please include the playwright’s name, mailing address, email address, and the title of the script(s) being submitted.
  • We are aiming to announce the winners of the competition in early July, although the specific timetable will depend on the number of submissions received.
  • First, second, and third place awards of $50, $100, and $200 are guaranteed. The contracting of a full-length script from the first-place winner, as well as the determination of whether to produce a one-acts show with a Baltimore theater, is at the discretion of ICRL based on suitability of the submitted scripts.

Tuesday, March 19, 2019

Manhattan Rep Spring Short Play Contest 2019

web site

Seeking fully produced one act plays
cast, directed and ready to be performed)
7 minutes to 20 minutes in length for
MANHATTAN REP'S
SPRING SHORT PLAY CONTEST 2019
May 22  - June 22, 2019
at Manhattan Rep, 17-19 West 45th St. NYC

ALL SHORT PLAY PRODUCTIONS MUST BE 20 MINUTES OR LESS!

FIRST PRIZE for BEST SHORT PLAY -  $500.00

EACH PLAY WILL BE GIVEN A MINIMUM OF FOUR PERFORMANCES,

(And an additional 2 performances if the play goes on to the FINALS.)

We will supply a technician to run the sound and lights.

To submit your one act play production please email:
The complete play in .pdf file format,
a synopsis of the play,
the character breakdown,
the running time of the play,
the set and lighting requirements,
the playʼs production history (if it has been produced before and where)
your mailing address,
and a creative team leader contact email address to:

manhattanrep@yahoo.com

by April 18, 2019

Please put “Spring Short Play Contest” in the subject heading.

We will contact you within a couple days as to your acceptance.

Plays that we love will be accepted on a First-Come First-Served basis.

The earlier you submit the better chances you have of being accepted for we may end submissions before April 18, if we fill up all available performance slots

There is no submission fee. NON-EQUITY ONLY.

Each play will be given a MINIMUM of FOUR performances, with TWO more performances if your play moves on to the finals.

Once accepted, there will be a $125.00 participation fee.

There will be NO additional security fees or Manhattan Repertory Theatre based production fees.

For more information: https://www.manhattanrep.com


Follows is an overview of how the competition will be run and what will be expected from each creative team participating.


The Alternative Theater Company seeks 10-minute plays

web site

Faccebook page

The deadline date : April 21st, 2019

How to submit and the mailing address:
MS Word Thealternativetheatercompany@gmail.com or through the website

The length of plays wanted: 10-minutes.

Semi-finalists are selected to for a series of Staged Readings in the Spring, directed and acted by professionals in NYC. The Final 8 chosen for the Full Off-Broadway Showcase Production in the Fall will receive a percentage of net profits.

There are no restrictions to eligibility, however plays must fit the guidelines of Festival and mission of theater Company.-- Primarily: Mental Health Issues, 2-5 characters, relevant to contemporary society.

There are no limits to number of play submissions.

Plays must not have been previously produced and/or published.

Submitters will be notified on receipt of their submission by autoresponse only.

First Semi-finalists will be announced on the website and social media by May 1st, 2019, and contacted personally prior to that date.

There are NO participation fees expected of the Playwright at any time.

Monday, March 18, 2019

Wayward Sisters Theatre Ensemble announces Wayward Sisters New Play Showcase

web site

The show case will go up at the end of May, and is a great opportunity for playwrights to hear their work aloud, and receive feedback from the audience.

Playwrights: This is our final call for plays that would be interested in participating in our Wayward Sisters New Play Showcase.

We are accepting plays until April 1st. 

We are particularly excited about plays that are written by women, or plays that pass the Bechdel test with a strong female lead.

To submit please email waywardsisterstheatre@gmail.com

Green Stories seeks stage plays on building a sustainable society

web site

This competition is free to enter. There will be prizes and routes to production.

We are looking for Stage Plays that in some way touch upon ideas around building a sustainable society. If you’d prefer to create your story in a different format, click here. We will consider all genres – rom-com, literary fiction, science fiction, mystery, crime etc. – but stories must engage with the idea of environmentally sustainable practices and/or sustainable societies.

Most stories set in the future are dystopian, meaning they have a pessimistic view of society. We will consider all stories, but we encourage you to imagine a more positive settings and practices for your stories. You can find out more about why we recommend positive stories by clicking here. Do feel free to draw upon the resources in this Green Stories website to write your story (found in the menu on the homepage. Each page provides links to articles/videos that describe the ideas and also ideas for how such ideas may be integrated into stories.

The story doesn’t have to be about sustainability or climate change directly. A rom-com, for example, could be set in a society that replaces ownership with borrowing and the heroine goes to a clothes library to pick up a posh dress and borrow jewellery for her big date; or the hero in a crime drama could use a carbon credit card and hear the news in the background reporting on the wellbeing index instead of GDP; or the characters in a legal drama could live in a city where everyone has gardens on their roofs and generates energy from their own waste.

Our short story competition (deadline April 2018) has resulted in an anthology of the 20 best stories called ‘Resurrection Trust’  which will be published 20th March 2019 and available on Amazon. This may well provide some inspiration.

Stage Play Guidelines

Deadline: 30th June 2019

Length: min 1 hour 15 minutes max 2 hours (typically 60-80 pages)

Prizes: £750: 1st prize £500, 2nd prize £100, third prize £50 plus £50 for best student submission (18-25 years) and £50 for best < 18 year submission.

Staging of winning play: Live Your Values production company have said they will read all top-rated scripts with a view to putting on a production in 2020 with a community based theatre group.

Full Guidelines

Plays

  • The competition is open to all nationalities, but plays must be written in English and unpublished for the duration of the competition.
  • Green Stories competitions aim to increase positive views of the future. All plays must contain ideas that solve the environmental, social or economic challenges our world faces today; or be in a world that has moved past environmental damage and extreme economic inequality.
  • Plays must be written for the stage for more than one actor with a running time of 70  – 120 minutes. (full length)
  • By entering the competition, the writer affirms that their entry is original, and they have sole rights to all matters contained within the play.
  • The authors name and contact details must be removed from all pages of the script. All pages to be numbered.
  • The first page of each script should include a completed play synopsis of no more than 200 words, a list of characters, a description of setting.
  • The organisers will not accept responsibility for the loss of scripts in transit.
  • The judge’s decision is final and no correspondence concerning the results will be entered into.
  • Play submissions that do not comply with all competition rules will be read in their entirety but may be discounted from the competition without notification to the writer.


The closing date for all entries is 30th June 2019.

Judging/Prizes

  • Live Your Values Ltd will consider all scripts for production in a community theatre with volunteer performers.
  • If a winning script is produced by the Live Your Values Ltd, the prize money will replace royalties for a three-night run.
  • Judges will consider:
  • Entertainment – is the audience’s attention captured and held?
  • Characters – distinctive characters people can identify with, so they care what happens to them.
  • Message – a clear idea for the future that the audience is likely to understand.

Sunday, March 17, 2019

Calling all Playwrights – 2019’s Night of 1,000 Plays

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Are you a playwright, or sketch writer? Or, do you dream of being one and seeing your work produced on a stage that’s not in your basement? Here’s your chance! Haddonfield Plays & Players (Haddonfield, NJ) is now accepting original short play submissions for its 3rd annual production of “Night of 1,000 Plays!”

Many area theater folks will fondly recall Philadelphia’s Brick Playhouse on South Street, and its annual short play festival, “Night of 1,000 Plays,” an evening of 20+ very short pieces of mostly five minutes or less in length. With full tribute and homage to The Brick, HP&P has revived this annual tradition featuring dozens of local writers, directors and actors coming together in June for a fun-filled evening of organized chaos!

The call for directors and actors will come later, but at this point we are looking for writers to submit their pieces for consideration. Plays should be 5 minutes or less – although a couple of longer pieces may be considered (8-10 minutes max!) Any genre is welcome; but the length tends to best lend itself to comedy. Writers may submit as many pieces as they like!

Please feel free to send pieces that were previously submitted, as well so that we can take a fresh look for 2019.

This year’s deadline for submissions will be April 28th.

For more information or to submit, please email Nightof1000Plays@haddonfieldplayers.com.

Plays In Progress Series seeks full-length plays

web site

Athena Project, located in Denver, Colorado, is proud to announce the call for submissions for its Plays In Progress Series (PIPS). This Series is an opportunity for new plays to be developed in one of three models: concert or table readings and our workshops.

Rehearsals and presentation will take place in Denver at a location to be determined over the course of approximately March-April 2020. Three to six new plays will be selected based on a blind submission process and given a dramaturg, director, cast and basic design elements during presentations. Scripts are accepted from March 1 – April 15, 2019.

Submission Guidelines are as follows:
  • Playwright must be a woman and may submit only ONE full-length script. Full-length is defined by at least 60 pages in standard playscript format.
  • Previously un-produced plays only. Scripts with prior workshops, readings or academic productions are accepted, but the script should be revised for the playwright to get the most from this opportunity.
  • Submission must include:
  • a. BLIND script in PDF format – PAGE ONE of PDF script MUST have TITLE, CHARACTER BREAKDOWN & SYNOPSIS of script, 200 word limit (This file will contain NO playwright contact info*)
  • b. Cover letter addressing: 1) what the playwright would like to accomplish working with a director, dramaturg and cast and 2) how she heard about the call for submissions
  • c. Resume 
  • Plays submitted without all supporting materials included will be disqualified.
  • We recommend the playwright be able to travel to the area for rehearsals as needed, and for at least one performance at her own expense. We will select 3-6 playwrights to participate in the PIP Series and hope to strike a balance between local and national work. Exact rehearsal and performance schedules will be worked out with the director, dramaturg, and playwright after all plays are selected. Travel stipends are offered.
  • Contact us via LiteraryManager@AthenaProjectArts.org if you have any questions about submitting. You will receive a confirmation upon receipt of materials.

*Contact information must be listed ONLY on resume and cover letter, not on the script, the first page of which will be its title, a character breakdown and a short synopsis (submissions will be read blind).

Timeline:
  • Deadline to submit all materials is midnight, April 15, 2019**
  • Three – six finalists will be selected by September 2019
  • Directors and Dramaturgs will be selected by October 2019
  • Casting will be between November-December 2019
  • Rehearsals will begin in February 2020
  • Plays In Progress Series will open approximately March or April 2020

**Athena Project reserves the right to close submissions before April 15, 2019.

Saturday, March 16, 2019

New Voices Fellowship Program 2019

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Applications Now Open!
Deadline: Monday, April 15, 2019

The Lark is accepting applications for the New Voices Fellowship program, supported by The Jerome Foundation.

The New Voices Fellowship supports playwrights of color, age 30 or under, who demonstrate financial need. During a year-long residency, Fellows will work on multiple artistic projects through an individually-tailored program of Lark play development programs, and form relationships with other theatermakers at various career stages from all parts of the world. The Fellowship includes a cash award of $15,000, plus an Opportunity Fund of $3,000 for the purposes of travel, research, autonomous workshops, or other work-related expenses, along with access to a wide range of Lark resources, including artistic program participation, office and rehearsal space, and staff support.

In the 2019-20 cycle, The Lark will award two Fellowships.

Applications will be accepted from February 13, 2019 to April 15, 2019.  Selected fellows will be notified in June 2019.

The 2019 Fellowship period begins July 1, 2019 and ends June 30, 2020.

VISION

The New Voices Fellowship program is a critical component in The Lark’s acclaimed portfolio of fellowships. The portfolio is designed to engage a diverse community of extraordinary playwrights—at various places in their careers—who represent, collectively, a contemporary national vision. The Lark believes that targeted support to early-career playwrights from underrepresented backgrounds is essential to a culture of equity, access, and inclusion, and a national theater that represents the vibrancy of our collective cultural voices. New Voices Fellows will be in residence at The Lark as part of a community of artists at various career levels from across the country and around the world, gathered to explore and illuminate the most important issues of our time.

ACTIVITIES

Fellows will:

Work with Lark staff to identify individual artistic goals for the fellowship year, toward generating and developing new plays through a series of Lark programs appropriate to those goals;
Meet, collaborate, engage and work with a community of other professionals in the field, including playwrights, directors, actors, agents, producers, and other industry leaders as appropriate;
Participate in and/or observe a variety of Lark’s play development processes, whether on or offsite, including retreats, workshops, readings, etc.;
Receive support for the advancement and advocacy of work generated during the fellowship year, along with continued access to Lark development programs beyond the fellowship period.
FINANCIAL AWARD

Fellows will receive:

$15,000 fellowship stipend
$3,000 opportunity fund
Please note that the fellows will receive a Form 1099 for 2019 and 2020 and be responsible for their own taxes. Both stipends are taxable.

ELIGIBILITY

Fellowship applicants must:

  • Be legal residents of New York City;
  • Identify as playwrights of color, age 30 or under at the time of application;
  • Not be enrolled in a college, conservatory or advanced training program during the fellowship period;
  • Demonstrate financial need;
  • Make a case for how the Fellowship and participation in The Lark’s community would promote transformative artistic and professional growth.


APPLICATION:

Please submit the following in .doc or PDF form to newvoices@larktheatre.org:

  • A cover sheet, including your name, address, date of birth, phone number, and email address;
  • A current artistic resume, along with one personal or professional reference (listing the referee’s title or institutional affiliation, along with their phone number and email address). Referrer may be an artistic collaborator, professor, or educator familiar with you and your work;
  • A one-page Artistic Statement that describes (1) where you feel you are in your creative and professional life; (2) career goals; (3) a proposed strategy for using the Fellowship’s resources towards those goals;
  • A one-page Description of Financial Need, describing current income, expenses, and any outstanding financial commitments (such as student loans or other debt), including a statement on how the fellowship stipend might be used and why it would be transformative;
  • A ten (10) page sample of recent work that best represents you as a playwright (Sample may be an excerpt or self-contained 10-minute play). Finalists will be asked to submit a recent full-length play as additional support material.
  • Application Deadline: April 15, 2019


Finalists will be notified in May.  Selected fellows will be announced in June.

Fifth Annual End of the Road New Short Play Festival and Beach Party

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South Baldwin Community Theatre of Golf Shores, Alabama is seeking submissions for the Fifth Annual End of the Road New Short Play Festival and Beach Party to be held July 12, 13 & 14 2019 in Gulf Shores AL. It will consist of three staged readings of eight winning ten-minute plays. There will be an additional slot reserved for a student (18 and under) play.

By submitting your play you are agreeing to participate in the production of the play which means that attendance by the playwright is a requirement for winning scripts.

Plays may have had prior productions but may not have been published. Plays should not exceed 10 minutes in length and should be appropriate for a family-friendly theatre.

Submissions can be made via US mail to:

South Baldwin Community Theatre
PO Box 722
Gulf Shores, AL
36547

Submissions can also be sent via email to pfizplays@gmail.com. Please include your name and contact information on a separate cover sheet. The author's name should not appear anywhere in the body of the script.

Deadline for submissions is April 6, 2019. Winners will be notified by May 20, 2019.

The weekend will include an opening night beach party reception and a closing reception with talk-back. A $100.00 first prize will be give to the Judges' Choice and a $50.00 prize will be given to the Audience Favorite.

For details or questions call 251-968-6721 or go to www.sbct.biz

We are looking forward to reading your play.

Friday, March 15, 2019

The 22nd Annual Aurand Harris Memorial Playwrighting Award

web site

A CONTEST FOR NEW FULL-LENGTH PLAYS for YOUNG AUDIENCES
ENTRY DEADLINE: MAY 1, 2019 
WINNERS ANNOUNCEMENT: OCTOBER 2019

This award was created in 1997 to honor the late Aurand Harris (1915-1996) for his lifetime dedication to all aspects of professional theatre for young audiences.

A panel of judges named by the NETC Executive Board will administer this award. A staged reading of the prize-winning scripts will be held along with the Annual Excellence in Theatre Awards ceremony.

RULES OF ENTRY

  • The contest is open to all playwrights and is for new full-length plays for young audiences. No musicals nor plays targeted at adult audiences
  • All plays will be submitted online to harris-award@netconline.org
  • Plays submitted to the contest must not have been
  •  previously published
  • submitted to NETC’s Gassner Playwriting Contest
  • previously produced by a professional or Equity company.
  • Plays submitted which have had workshop productions or staged readings are eligible and encouraged.
  • Plays submitted to this contest may have been submitted to another playwriting contest, and may have previously won a prize or an award in another contest. However, such plays must not have been published or professionally produced and must not be under option for publication or professional production.
  • Playwrights may submit only one play to the contest in one year.

The play must be submitted, along with:

  • a statement that the play will not have been published or professionally produced as of May 1, 2019, and that it is not under option for publication or professional production and will not be under such option as of May 1, 2019.
  • a list of the play’s workshop and non-professional productions, if any, and awards received, if any.
  • ALL manuscripts and enclosures must be emailed to: harris-award@netconline.org
  • Only manuscripts submitted electronically will be considered.
  • Plays that do not meet the above requirements will not be considered.

Appalachian Festival of Plays & Playwrights

web site

Plays must be written by an Appalachian playwright (currently living in the Appalachian Mountains which, for our purposes, run from New York to Alabama) OR the plays must be set in the Appalachian region.

Plays must be unpublished and must not have had a full professional production.

Full length plays are preferred.

To submit your play electronically:

Send a PDF of the script along with contact info and a brief synopsis of the play to: apfestival@bartertheatre.com

To submit your play by mail:

Please submit the full script in a three-brad folder or unbound, along with your contact info (please include email and phone) and a brief synopsis of the play. Plays will not be returned. Mail to:

Appalachian Festival of Plays and Playwrights
c/o Barter Theatre
PO Box 867
Abingdon, VA, 24212

Deadline for Submissions: Sunday, March 31, 2019

For more information, contact:
Nicholas Piper, Director
Barter’s Appalachian Festival of Plays and Playwrights
P.O. Box 867
Abingdon, VA 24212
276-619-3316

The playwrights of the selected plays will each receive $250 plus transportation and housing so that they may attend their reading.

Thursday, March 14, 2019

Playwrights Week at the Lark 2019

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Deadline: Monday, April 1, 2019 (11:59pm EST)

Playwrights’ Week is an annual, intensive, seven-day festival designed to foster a peer-based community among a cohort of writers with new work in development. Selected via a year-long Open Submissions process, we provide approximately five playwrights with crucial creative resources in a nurturing and rigorous laboratory setting, which includes a series of group conversations around the work. Each new play receives twelve hours of rehearsal in advance of a public staged reading, focused on the writer’s self-stated developmental goals.

Our support criteria emphasizes ambitious, fresh, playful, engaging, energizing, provocative, powerful, and theatrical work by writers with clear artistic goals who are open to a collaborative development process.

Important Information:

  • Playwrights’ Week 2019 will take place between October and November 2019.
  • Each applicant should expect a confirmation of application receipt in April 2019 and a final response in September 2019.
  • While there is no official minimum number of pages for submitted full-length plays, we do not accept 10-minute plays or musicals. 
  • Previously produced plays ARE eligible for consideration.
  • Plays previously submitted to this program are accepted, but we strongly encourage the submission of new work.
  • Writers living outside of the U.S. can apply if the script was originally written in English.
  • Due to the volume of submissions to this program, we will be unable to accept revised scripts during the selection process.
  • Housing and travel will be provided for all out of town writers.
  • Email any other questions to: submissions@larktheatre.org.

A complete submission is composed of two parts:

A completed application form.
A full-length script, with your name or any identifying information removed as we are committed to an anonymous initial review.

Download the Application Form

 Playwrights' Week 2019 Application Form (84.8 KB)

Please review the following SUBMISSION GUIDELINES:

  • Submit ONE completed application and ONE full-length play.
  • No more than ONE play per playwright will be considered.
  • List only the play title on the cover page. No personal information.
  • Submit only .doc or PDF files as attachments. 
  • Please EMAIL your script and completed application as two separate attachments in the same email to: submissions@larktheatre.org

We look forward to reading your script!

Unleavened Plays Festival seeks 10-minute plays

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Congregation Beth Elohim (www.cbebk.org) – a spiritual, cultural, and intellectual hub for Reform Jewish life in Brooklyn, NY – is excited to announce its first annual Unleavened Plays Festival.

The Festival is seeking six 10-minute plays, each reflecting the underlying theme of “PLAGUE(S).” The plays will be performed as an evening of staged readings at CBE on Sunday, April 15, 2019 -- the weekend before Passover begins, as people around the world begin to think about the Jewish people’s efforts to escape Egypt and head out into the desert toward freedom.

Don’t be put off by the potential darkness in our theme! We are looking for comedies, dramas and anything in between that build on the theme in a creative and dynamic direction. The plays needn’t be about Passover in any explicit way. Rather,we are hoping for plays that offer interesting characters, engaging stories, and exciting food for thought.

There’s no fee for submission, and previously produced plays are acceptable.

The six selected plays will be presented by professional actors and directors.

Deadline for submission is March 17, 2019. Plays chosen will be announced by the end of March.

Guidelines:

1.    Plays should respond to our theme, but feel full of imagination in how they engage with the theme. Do not feel the need to be literal or write specifically about Passover. Instead, aim to surprise and delight us.

2.    Plays should feel Jewish in some basic way, but they do not have to be about exclusively Jewish characters or events. And plays should definitely avoid Jewish stereotypes.

3.    The running time should be right around 10 minutes, and scripts may be no longer than 10 pages (not counting the title page & cast page).

4.    Casts should be limited to 5 actors or less (though doubling is acceptable).

5.    No special lighting or sound effects will be possible, so please avoid them along with complicated set-ups.

6.    All submissions should be sent as PDFs in standard play format.

7.    Playwrights may submit only one script.

8.    Please use this format:

Title page: Title, author's name, address, phone number, and email address

Second page: Cast with description of characters and setting.

Third page: This should be the first page of the script itself. Please include title and page numbers on every page.

Send Entries to:
Congregation Beth Elohim Theater Projects at cbetheater@gmail.com

We look forward to hearing from you!

Wednesday, March 13, 2019

Lotus Lee Children’s Play Initiative

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The Children’s Play Initiative aims to highlight new works that inspire and engage children audience. Previously, we have showcased numerous successful productions in the cultural exchange between China and the United States which stands as the basis for the Lotus Lee Foundation. Winning entries will display a distinct understanding of the unlimited possibilities of theatre through compelling and dynamic stories with intriguing plots, fascinating characters and an informed global perspective.

Submission Rules

There is no entry fee. Please follow these guidelines in preparing your manuscript:

This contest is restricted to only plays written in the English language.

Submissions must be original, unpublished full-length plays written in English. Translations and adaptations are not accepted.

Plays that have been professionally produced or published are not eligible. Only plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered.

Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.

Plays must be typed/word-processed, page-numbered, and in professional play format.

The Lotus Lee Foundation reserves the right to reject any manuscript for any reason.

The Lotus Lee Foundation reserves the right of the judge to not choose a winner for any given year of the competition and also reserves the right to determine the ineligibility of a winner, in keeping with the spirit of the competition, and based upon the accomplishments of the author.

Electronic submissions for the 2019 competition must be submitted no later than 11:59PM EST on June 1, 2019. You will receive a confirmation of your successful submission within two business days.

If you are submitting your play electronically, please omit your name and contact information from your manuscript. The manuscript must begin with a title page that shows the play's title, a 2-3 sentence keynote description of the play, a list of characters and a list of acts and scenes. Please enter the title of your play, your name and contact information (including address, phone number, and email address), and a brief biography where indicated in the electronic submission form.

We will only represent material for which we can be the exclusive licensing agent for the mainland China territory.

Timeline

Submission deadline: 11:59PM, June 1, 2019 EST.

Winner announcement: September 1, 2019

Prize

The winner will be offered a licensing contract for the submitted play to be translated and produced in mainland China.

SUBMISSION FORM ONLINE

Tuesday, March 12, 2019

Center at West Park’s Theater Artist Residency Program

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The Center at West Park’s Theater Artist Residency Program nurtures exemplary and boundary-pushing theater artists and companies by providing free performance space, subsidized rehearsal space, and a 50/50 split of ticket sales. We support the creation of new works and the re-working of classic texts in contemporary contexts in order to diversify and enrich the theater community of New York and to attract and challenge enthusiastic and adventurous audiences.

All Resident Artists are offered one to four weeks in our intimate 60-seat Balcony Theater to produce and perform their shows. Resident Artists are expected to present full productions during the residency, including set, costume, and lighting design. The Balcony Theater comes equipped with a rep lighting plot and PA sound system. Please note that the Balcony Theater is only accessible by stairs.

Applications for the Fall 2019 Season (September-December) are now open and are due by Friday, March 15, 2019 at 5:00pm. Applicants will be notified by April 1, 201

APPLICATION ONLINE

MRT Seeking fully produced 10 - 60 minute 1 act plays

web site

Seeking fully produced,
(cast, directed and ready to be performed by Late March/April/Early May, 2019 )
10 - 60 minute 1 act plays
for Manhattan Repertory Theatre's
SPRING PLAY CELEBRATION
March 28 - May 4, 2019
at Manhattan Repertory Theatre,
17-19 West 45th St. NYC


Each 10 - 60 minute play will be given:
A short tech rehearsal,
A full dress rehearsal with the other plays participating,
A minimum of THREE performances, and
A technician to run your sound and lights

To submit your 10-60 minute play production please email:

The complete script of the play as a .pdf,
a synopsis of the play,
the character breakdown,
the set and lighting requirements,
the play's production history (if it has been produced before and where)
your mailing address,
and a creative team leader contact email address to:

manhattanrep@yahoo.com

by March 25, 2019.

Please put “SPRING PLAY CELEBRATION” in the subject heading.
We will contact you within a day or so, as to your acceptance.

Plays that we love will be accepted on a First-Come First-Served basis.
The earlier you submit the better chances you have of being accepted for we may end submissions before MARCH 25, 2019,
if we fill up all available performance slots

There is no submission fee.

We will supply a technician to run the sound and lights.

Once accepted, there will be a $85 participation fee.

For more information, please log on to: www.manhattanrep.com

Monday, March 11, 2019

In the Moment One Act Series Playwrights Wanted-SPRING BREAK PROJECT

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Creative Circuit Studios is joining forces with a Graduate Capstone project for the University of the Incarnate Word in San Antonio, TX to bring to light the difficult realities of mental health and graduate students. The Capstone student firmly believes that art, specifically theatre, can and should be used as a tool for social change and awareness.

After having read a recent study about poor mental health in graduate students across our nation, and surveying graduate students representing her own school and multiple universities throughout the nation, she was inspired to join forces with the annual One Act Series Event, which features talented playwrights like yourselves. Together, we can create a powerful evening of performances that gives back to the community and hope to those affected by your works.

Playwrights must submit the following information in an email, plus your script attached in WORD or PDF format to projecttheatre2019@gmail.com by MIDNIGHT March 31, 2019.

There is no submission fee to submit as many plays as you choose within the guidelines.

*** WRITERS WILL RETAIN FULL RIGHTS AND CREDIT FOR ALL OF THE WORK
SUBMITTED AND PRODUCED. THIS IS A NON-PAYING EVENT. ***

  • Name of Playwright/Name of Show as subject line of email
  • Contact information (Name, telephone number, email)
  • Play synopsis & Cast breakdown
  • List of previous productions/publishings/applicable pertinent information.
  • All submissions should be between 5-15 minutes.
  • All submissions should explore the topic of mental health (anxiety, depression,
  • PTSD, or other depressive disorders) and graduate school.
  • Submissions should ideally contain between 2-6 characters.
  • Plays with extensive technical requirements will be considered but those with
  • fewer demands will receive stronger consideration.

North Park Playwright Festival 2019

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1.  Short new plays (no more than 12 pages, less is fine) that are easily staged and have casts with no more than four people.  Our theater is very small and we normally use a minimal set concept in this festival.  We have to be able to change sets in just a few minutes as we do six to seven plays each evening of the festival.  We don't have space for large casts.

2.  We request new work.   A play that has had workshops or one or two previous productions is OK, but we are not interested in work that has been produced in numerous other places.  Our goal in building the theater was to have a place to produce brand new work and let playwrights have a chance to see their work done for the first time.

3.  We seek complete plays rather than excerpts from a larger work.

4.  Work will be chosen by the directors we have in the festival.  It is not a "contest" and we are not really judging plays in the formal sense.  The directors choose the plays we will produce, within the production budget guidelines we give them.

5.  Most subject matter is OK.  We don't do nudity or off color humor.

6.  We ask that all submissions be sent to us via snail mail at the theater.  Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director.  We have too much trouble with differing email, word processing, and computer platform issues to take them via email.  Additionally, our selection process requires the directors read the plays submitted and the cost of printing all the plays we receive each year is prohibitive.  Please insure submissions have a title page with complete contact information (including email), a character summary, and are in proper script form.  There is no charge to enter.

7.  Submissions must be postmarked by June 30, 2019.  Please do not send plays by any method that requires a signature from us. We are not often at the theater when delivery occurs.  We will email notice of receipt to all playwrights submitting plays.

8.  Send only one script.  Multiple submissions do not increase chances of production.

General information:

We are trying to support new work and involve actors, playwrights, and directors of all experience levels. We have had a wide variety of artists involved from very experienced to first time directors and actors, to an 8 year old playwright (very short, well received play).  We feel having a wide range of experience involved helps the new people learn from the more experienced.

We really appreciate your interest in our theater.

Jeff Bushnell and Summer Golden
North Park Vaudeville and Candy Shoppe
2031 El Cajon Blvd.
San Diego, CA 92104
www.northparkvaudeville.com

Sunday, March 10, 2019

Fade to Black seeks short plays by African Americans

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SCRIPT SUBMISSIONS WILL BE ACCEPTED TO APRIL 1, 2019.
  • No fee is required.
  • No restriction of theme or genre.
  • Three (3) scripts submissions are allowed per playwright.
  • Selected playwright winners will be awarded a cash prize of $100.00.

TO QUALIFY:
  • You must be the sole African-American author of the submitted work.
  • Playwright must publically and openly identify themselves as African-American, Black, or of the African diaspora.  
  • Previously published or produced work by the author or theatre/company is not allowed (See definitions below).
  • Play must run no longer than 8-10 minutes long on stage. Consider conducting an informal reading to ensure). 
  • Play should accommodate a “bare-stage” set requiring only a minimum of removable stage props and require basic lighting and sound cues.     
  • Play must not be a musical.    
  • Play must not be written for children or youth. 
  • Play must not contain characters that are under 17 years old.    
  • Play must not be a re-submission of previous Fade To Black play festival seasons. 
  • Play must not be considered a translation or adaptation.
  • Play must not be a film. Screenplays will not be accepted.  
  • Play should be "stand-alone", separate body of work that has not been extracted from a larger, previously written play.
  • Author must be at least 18 years of age.  
  • Play must be submitted in a PDF format. 
DEFINITIONS:

"Produced” - Your play was marketed for production date(s) by either you (its playwright) or a theatre company and was performed before an audience who purchased tickets to see the event.  

"Published" - Your play is an officially published work and commands royalties from the producing theater each time it is performed.

Staged readings (formal or informal) are not considered productions. If your play has only had public or private readings but has not been produced as a full-scale stage performance, you are permitted to submit the play.

FAQ

Q. My plays were performed for at no charge to the audience and I did not get paid. Are they eligible for submission? 
A: We diligently research all plays submitted to ensure compliance. Whether payment was received or not, if the performance is not considered as a "reading", it is ineligible for submission. All plays selected have been certified as world premiering new works.

Q: Am I required to attend the festival to have my play produced? 
A: No. You are not required to attend. Fade To Black will cover the full cost of producing, marketing and professionally filming your play.

Q: Will you pay for my travel to Houston, room, board, food, and transportation if I am a selected playwright? 
A: The experience of the Fade To Black Play Festivals is amazing! We encourage you to attend and meet the vast community of artists that will bring your play to life, but we are not able to cover cost outside of the $100.00 honorarium each winning playwright will receive at this time.

Q: Could you expound on "bare-stage"?
A: We have a relatively small area for prop/set piece storage. We must set and strike the stage within 30-60 seconds for each play so your play should be free of the need for excessive props, furniture and major appliances (i.e. stove, refrigerator).  Your play should be very easy to mount.

Q: My play takes place in several different locations, cuts across various chronological timeframes, has lavish special effects and involves a large number of extras. 
A: This may be seen as film disguised as a play. Ideally, your play should be set in one location and if absolutely necessary, one additional "implied location". It should have no more than 5-7 characters. Most things can be adapted for stage performance, but if your piece is really a film, it will not be accepted. You must adapt screenplays into a format that will perform well on stage.

Q: I have the appearance of children written into my play. Will this be OK?
A: No. Your play must not contain characters or extras under the age of 17.

Saturday, March 9, 2019

Chagrin Valley Little Theatre THE 10-10 NEW PLAYS FESTIVAL

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CVLT began the biennial 10-10 Festival in 2009, putting out the call for short plays to be performed at its River Street Playhouse, the smaller venue adjacent to the main theater building. Ten plays would be chosen, each lasting roughly ten minutes. The first 10-10 that July was a resounding success, receiving submissions from all over Northeast Ohio and beyond.

Now The 10-10 is back for its sixth edition!

SUBMIT YOUR PLAY

  • Deadline for submissions: March 15, 2019
  • Limit of One Play may be submitted by each playwright.
  • Submission must be original.
  • Submission must be un-produced in the State of Ohio.  Plays that have had a staged reading will be accepted.
  • Maximum length 10 minutes.
  • Comedies or dramas are accepted, however we are unable to consider musicals.
  • No more than 6 actors.
  • Minimal technical, scenic, costume and prop requirements.

Discount Tickets: SOUND BITES 6.0

Theatre Now New York's
SOUND BITES 6.0
The Sixth Annual Festival of 10-Minute Musicals
April 2 at 7:00pm
Merkin Hall at Kaufman Music Center
129 West 67th St, New York, NY 10023

SOUND BITES 6.0 grants composers, lyricists, and librettists the unique opportunity to present their work in front of a live audience of theatre-goers and industry professionals. This one-night only event, now in its sixth year, showcases 10 new musicals by up-and-coming musical theatre writing teams. To view this year's musical lineup, click here

Use code SOUND10 for 10% off!
Tickets: $25-$45
Online: www.tnny.org
By Phone: 855-254-SHOW [7469]

Jewish Women's Theatre seeks short plays and monologues

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Okay, you’re Jewish, that’s a good start, but how “Jewish” do you have to write? When submitting material, consider the following parameters for your submission:

Please check the themes of the season and submit accordingly. We will not accept late submissions this year.  Thank you!

Sex Addiction & Love in the 21st Century
Deadline for submissions June 1st 2019

  • Please make sure your name and title of your work appear on your submission.
  • An element of Jewish resonance is important, but your submission does not need to feature being Jewish as the prominent theme or subject.
  • Feature women or a woman’s point of view, but not exclusively. Male characters are welcome.
  • Short one-acts (10 minutes max) and monologues (7 minutes max) are preferred.  Will read full-length, but unlikely will produce.
  • 1500 words or less preferred
  • Must be topical for the 21st century. While we consider plays set in another time period, we mostly select contemporary pieces.
  • Small cast a must. One-person shows okay.
  • Previously produced or published work is welcome. Please include production and/or publication history. A new version of a classic or an adaptation from another medium would definitely be of interest.

Although the primary focus of JWT is on the writing, music is often a part of our events. We encourage composers, song-writers, and performers to submit individual work. Musicals are welcome.

Submit your material to ronda@jewishwomenstheatre.org. Be sure to let us know the salon you are submitting for in the subject line of your email.

Friday, March 8, 2019

Young Adult Four Minute Play Contest

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Manhattan Rep presents: Young Adult Four Minute Play Contest

Seeking fully produced Four minute plays written and brought to life by Young Adults ages 12 - 18 to compete in our Young Adult 4 minute play contest on Sunday March 31 at 2 pm and 4 pm.  

This will be a super fun event for all.  A great opportunity for Young Adults to write, act or direct. And there will be two performances. And it all takes place on one Sunday afternoon.

Best Four Minute Play production playwright will win an opportunity to write a 20 - 40 minute play (mentored by Ken Wolf Artistic Director of Manhattan Rep,) which Manhattan Rep will then produce and bring to life for 3 performances in June 2019.

To submit for this contest:

Forward us your idea for your 4 minute play to: 

manhattanrep@yahoo.com.

Please put FOUR MINUTE PLAY CONTEST in the subject heading.

We do not need completed scripts. We will get back to you within 24 hours with acceptance.  We are only accepting 15  - Four minute play productions for this event.

Once accepted, you will be required to bring your Four Minute Play to life for this contest.

You must be available to attend tech rehearsal at 12 noon on Sunday March 31, and for the two performances that same day at 2 pm and 4 pm.

Winner of the Best Four Minute Play Production will be announced right after the 4 pm performance on March 31, 2019.

All participants in each Four Minute Play production, (playwright, actors and director) must be between the ages of 12 and 18 years of age.

There is NO submission fee or payment for Young Adults to participate.

If you have any questions about this event, please write us at manhattanrep@yahoo.com

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